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英国诗歌赏析 倒装1

英国诗歌赏析 倒装1
英国诗歌赏析 倒装1

英国诗歌赏析

作者:向恺然来源:博客园发布时间:2010-08-16 14:14 阅读:26 次原文链接[收藏]

以英国诗人罗塞蒂的《闪光》为例探讨英诗汉译技巧(辜正坤-中西诗比较鉴赏与翻译理论)

2010-04-02 13:43

中西诗比较鉴赏与翻译理论/辜正坤/清华大学出版社2003年7月1版1印

第十九章诗歌翻译对策与技巧

OCRed from P425-432

Google Books有预览

19.1 以英国诗人罗塞蒂的《闪光》为例探讨英诗汉译技巧

探讨诗歌翻译技巧的最好的办法就是从一首诗的具体翻译过程来讨论具体的技巧。翻译标准多元互补论意味着一般翻译技巧的多样性,也意味着诗歌翻译技巧的多样性。下面我以英国著名诗人罗塞蒂的《闪光》一時为例来具体探讨英诗汉译的若干技巧。

罗塞蒂原诗:

Sudden Light①

Dante Gabriel Rossetti ( 1828-1882)

I have been here before,

But when or how I cannot tell:②

I know the grass beyond the door,

The sweet keen smell.

The sighing sound,③the lights around the shore.

You have been mine before —

How long ago I may not know:④

But just when at that swallow's soar

Your neck turned so,⑤

Some veil did fall, I knew it all of yore.⑥

Has this been thus before?

And shall not thus time's eddying flight⑦

Still with our lives our loves restore⑧

In death despite,⑨

And day and night yield one delight once more?⑩

①Sudden Light,指突发的光。此处应结合第10行"Some veil did fall"来理解。“某种纱巾”表面上指诗人爱人所戴的纱巾,但也可以理解为是指掩蔽事物真相的纱巾,一旦纱巾脱落.真相大白,于是,诗人获得一种刹那问的电光火石般的感悟,或者叫做顿悟。Suddon Light寓意在此。罗塞蒂的诗歌充满神秘性,因此,这种突发的慼悟虽然和禅宗的顿悟不是一回事,却有相通处:一个极小的或平常的行为、言词之类可以如导火线般触发人心灵深处的东西,使人的灵魂升华到一种具有震撼效应的感悟状态。

②But when or how I cannot tell:倒装句。应为: But I cannot tell when and how (I have been here.) 诗人使用倒装形式,有时是为了強化某种特殊的语势或艺术效果,有时则只是为了协韵或取得更好的节奏效果等。

③The sighing sound:叹息声,此处指隐约的海涛声。

④How long ago I may not know:倒装句,作用类似注2。

⑤But just when at that swallow's soar \ Your neck turned so: But just when your neck turned at the swallow's soar.但是,正当燕子凌空飞翔而你扭头观望的时候。

⑥Some veil did fall, I knew it all of yore:Some veil某种纱巾,某种遮蔽性的帷幕,某种假象.I knew it all of yore. yore:(书面语)往昔,很久以前,此句可联系上一行的末尾的so来理解:so... I knew it all of yore.所以从前的这些事我原本都知道。

⑦And shall not thus time's eddying flight: shall not的用法有“禁止”的意思,此处用作反意疑问句,使语势大大增强,time's eddying flight,时间的飞旋.转意为“时间的轮回”。与the wheel of fortune (命运的转轮)有异曲同工处,eddying:旋转的,有旋涡的。

⑧with our lives our loves restore: restore our loves with our lives.

恢复我们的爱与生活。

⑨In death's despite:In spite of death.不顾、不怕死亡或死神。

⑩yield one delight once more?(时间的飞轮何以不能)再度(让我们)感到一场欢欣呢?注意此句的主语还是time's eddying flight.

参考译诗

闪光

(英)但丁?迦百利?罗塞蒂作

辜正坤译

译文一:词曲风味体(步原诗多元韵式)

曾留遗踪于此,

但忘了何年何月何因。

还记得门前芳草如旧时,

无言暗送香轻。

潮卷吹息,岸畔灯火低迷。

曾赢得你芳心属意,

悠悠岁月,何处淹留。

猛可里见飞燕惊起,

你流盼回眸,

纱巾飘落,——唉,当年旧事堪提!

莫非前事直如此?

莫非荏苒光阴不再轮回

令我们恩爱如往昔,

休道无常相催,

只不分昼夜.再度鱼水乐如斯?

[作者与作品背景简介] 英国诗人但丁?迦百利?罗塞蒂(1828——1882),先以画名,后以诗名影响了19世纪末的艺坛与诗坛。在艺术上,他是英国前拉菲尔派的创始人,曾以崇拜爱和美著称于世。其代表作有《妹妹的睡眠》、《升天少女》、《修女海伦》、《生命之宫》以及《罗塞蒂诗集》等。

罗塞蒂的诗歌创作具有三大特色。其一,极度地崇尚美和爱,因此,他的诗往往标榜唯美主义,在微妙的肉欲体验方面,招致了传统英国评论家的批评;其二,具有宗教神秘色彩,这使他的诗免于过分的直露,往往有一点迷幻朦胧的官能美象征,同时也有一种哲理性暗示;其三,他的诗画意特别浓,这可能与他本来就是画家有关。他习惯于以画意入诗。故他的诗颇强调声、色、光、影的梦幻性叠加效果。他甚至于认为,诗的表现应该高于诗的思想。就一个19世纪的诗人而言,他的这种观念已经大大地超前了,实际上20世纪的许多西方文学理论家们都宣扬过这一思想。

这里所选的《闪光》一诗,是他的爱情和悼亡诗集《生命之宫》中的一首。要读懂这首诗,须得稍稍了解一下罗塞蒂个人情感生活方面的一些遭遇。

1850年,22岁的罗塞蒂爱上了能诗善画的姑娘伊丽莎白?西德尔。西德尔刚好属于那种神秘而又带梦幻气质的姑娘,具有一种和罗塞蒂追求的诗画效果相契合的特质。可以想见,这样一位画家兼诗人和这样一位理想女神般的恋人之间的结合无疑当得珠联璧合之称。然而他们的婚姻却因为经济拮据等原因而耽延了10年。这10年内,西德尔无疑是罗塞蒂艺术创作最理想的灵感与模特儿。然而结婚后的罗塞蒂却遇到了更大的不幸。一年之后,西德尔溘然去世。罗塞蒂悲愤欲狂,决意以自己的全部诗稿为妻子的殉葬。又过了7年,由于友人的极力劝说,罗塞蒂才同意从坟墓中掘出诗稿,以《罗塞蒂诗集》为名出版。诗集一出版就震动了英国文坛,但同时招致猛烈的批评。

《闪光》是作者晚期诗集《生命之宫》中的一首。深深地弥漫着诗人早期爱情生活不幸的气氛。从中我们仍可把握到诗人那种如痴如醉的对爱的执着精神。诗篇一开始就以一种梦幻式的不确定感,对青草、门廊、涛声、灯火进行了叙述,使人感到一种梦幻效果,产生瞻之在前,忽焉在后的感觉。在第二节诗中,通过

“惊燕”“回首”“纱巾落”三个相对明晰的意象,给了读者一个焦点镜头。直如在朦胧中忽然闪进一道灼眼的光芒(Sudden light),使诗歌进人高潮,一种电流般的如梦初醒的感觉攫住了诗人。然而这种感觉又很快消失。一种沉思的、忧郁的思索重新笼罩了诗篇。但现在诗人的思考已经不同于诗篇开首处的困惑然的叙述,而是苏醒的欲望要求重新获得尊严与感情满足的呼声这是爱神试图挑战死神的号角。可以想象,假如说这样的诗由莎士比亚来写,他一定会把爱情和自己的不朽诗篇当作起死回生的法宝,然而罗塞蒂不同,他把希望寄托于哲理性探索,相信时间的轮回可能会给予他哪怕一次曾失去过的快乐。从另一个角度看,这无疑透露出诗人深沉的绝望情绪,也透露出罗塞蒂对挚爱的忠诚与追求。闪光是诗人灵魂深处的一种回光返照,一种神秘的感触与顿悟。昼夜与轮回这些意象都容易在敏感的中国读者心中唤起一种黑白分明的阴阳太极图式的玄想。在宗教性的直观领悟层面上,东西方人心灵的触角是可以如灵犀一点通的——这也是一种闪光。

英国诗歌欣赏期末考试题(附答案)

I.Multiple Choice 1.To commerate the death of his young wife, __________wrote the poem Annabel Lee. a. D.H. Lawrence b. John Milton c. Philip Phreneau d. Edgar Allan Poe 2. In Leisure, ____________ thinks that it is a poor life if “we have no time to stand and stare” a. John Keats b. William Henry Davies c. Alexander Pope d. John Donne 3.. In Amy Lowell’s Falling Snow, the poet says that “When the temple bell rings again/ they will be covered and gone”. “They” here refers to ______ a. the wooden clogs b. footprints c. the pilgrims d. none of the above 4. The “busy archer”in Philip Sydney’s To the Moon refers to____ a. the poet himself b. Cupid c. a comrade-in-arms of the poet d. none of the above 5. “Act____act in the glorious present”is perphaps the most soul-stirring line in _________’s poem A Psalm of Life. a. Henry Wadsworth Longfellow b. Percy Bissy Shelly c. Walt Whitman d. Carl Sandburg 6. In Song of the Rain, _________ paints a rosy picture of happy family life where the poet is “Safe in the House with my boyhood love/ And our children are asleep in the attic above”. a. Kenneth Mackenzie b. Carl Sandburg c. Hugh MacCrae d. Jerard Manley Hopkins 7. “Day brought back my night”is a well-praised phrase from __________’s On His Deceased Wife. a. Edgar Allan Poe b. Robert Frost c. John Milton d. Philip Sydney 8. In James Shirley’s poem Death the Leveller, the word “leveller” means a. something that reduces everything to nothing b. something that brings equality to all c. something that levels the ground d. none of the abov e. 9. What does “Fire” in Robert Frost’s poem Fire and Ice symbolize? a. war b. anger c. love d. desire 10. In John Keat’s poem The Terror of Death, the phrase “unreflecting love” means a. love without calculation b. love without preparation c. love never thought of d. love involving many considerations II.Blank Filling 1.One word is too often ________, For me to ________ it One feeling is too ______distained, For ______ to distain it .

大三_英国文学史(绝对标准中文版)

英国文学源远流长,经历了长期、复杂的发展演变过程。在这个过程中,文学本体以外的各种现实的、历史的、政治的、文化的力量对文学发生着影响,文学内部遵循自身规律,历经盎格鲁-撒克逊、文艺复兴、新古典主义、浪漫主义、现实主义、现代主义等不同历史阶段。下面对英国文学的发展过程作一概述。 一、中世纪文学(约5世纪-1485) 英国最初的文学同其他国家最初的文学一样,不是书面的,而是口头的。故事与传说口头流传,并在讲述中不断得到加工、扩展,最后才有写本。公元5世纪中叶,盎格鲁、撒克逊、朱特三个日耳曼部落开始从丹麦以及现在的荷兰一带地区迁入不列颠。盎格鲁-撒克逊时代给我们留下的古英语文学作品中,最重要的一部是《贝奥武甫》(Beowulf),它被认为是英国的民族史诗。《贝奥武甫》讲述主人公贝尔武甫斩妖除魔、与火龙搏斗的故事,具有神话传奇色彩。这部作品取材于日耳曼民间传说,随盎格鲁-撒克逊人入侵传入今天的英国,现在我们所看到的诗是8世纪初由英格兰诗人写定的,当时,不列颠正处于从中世纪异教社会向以基督教文化为主导的新型社会过渡的时期。因此,《贝奥武甫》也反映了7、8世纪不列颠的生活风貌,呈现出新旧生活方式的混合,兼有氏族时期的英雄主义和封建时期的理想,体现了非基督教日耳曼文化和基督教文化两种不同的传统。 公元1066年,居住在法国北部的诺曼底人在威廉公爵率领下越过英吉利海峡,征服英格兰。诺曼底人占领英格兰后,封建等级制度得以加强和完备,法国文化占据主导地位,法语成为宫廷和上层贵族社会的语言。这一时期风行一时的文学形式是浪漫传奇,流传最广的是关于亚瑟王和圆桌骑士的故事。《高文爵士和绿衣骑士》(Sir Gawain and the Green Knight,1375-1400)以亚瑟王和他的骑士为题材,歌颂勇敢、忠贞、美德,是中古英语传奇最精美的作品之一。传奇文学专门描写高贵的骑士所经历的冒险生活和浪漫爱情,是英国封建社会发展到成熟阶段一种社会理想的体现。 14世纪以后,英国资本主义工商业发展较快,市民阶级兴起,英语逐渐恢复了它的声誉,社会各阶层普遍使用英语,为优秀英语文学作品的产生提供了条件。杰弗利·乔叟(Geoffrey Chaucer, 1343-1400)的出现标志着以本土文学为主流的英国书面文学历史的开始。《坎特伯雷故事》(The Canterbury Tales)以一群香客从伦敦出发去坎特伯雷朝圣为线索,通过对香客的生动描绘和他们沿途讲述的故事,勾勒出一幅中世纪英国社会千姿百态生活风貌的图画。乔叟首创英雄诗行,即五步抑扬格双韵体,对英诗韵律作出了很大贡献,被誉为"英国诗歌之父".乔叟的文笔精练优美,流畅自然,他的创作实践将英语提升到一个较高的文学水平,推动了英语作为英国统一的民族语言的进程。 二、文艺复兴时期文学(15世纪后期-17世纪初) 相对于欧洲其他国家来说,英国的文艺复兴起始较晚,通常认为是在15世纪末。文艺复兴时期形成的思想体系被称为人文主义,它主张以人为本,反对中世纪以神为中心的世界观,提倡积极进取、享受现世欢乐的生活理想。托马斯·莫尔(Thomas More, 1478-1535)是英国最主要的早期人文主义者,他的《乌托邦》(Utopia)批评了当时的英国和欧洲社会,设计了一个社会平等、财产公有、人们和谐相处的理想国。Utopia现已成为空想主义的代名词,但乌托邦是作者对当时社会状况进行严肃思考的结果。《乌托邦》开创了英国哲理幻想小说传统的先河,这一传统从培根的《新大西岛》(The New Atlantis)、斯威夫特的《格列佛游记》(Gulliver's Travels)、勃特勒的《埃瑞璜》(Erewhon)一直延续到20世纪

英语倒装句(最全面_最简洁)

英语句子的自然顺序是主语在前,谓语在后(主语+谓语)。把谓语动词放在主语之前(谓语+主语),就叫倒装结构。如果全部谓语放在主语之前, 叫全部倒装; 如果只把助动词或be 动词放在主语之前就叫部分倒装。 基本语序(natural order): 主语+谓语+宾语(subject + predicate+ object) I love English. 完全倒装 (full inversion) 谓语+主语 Here came the headmaster. 部分倒装 (partial inversion) 助动词/情态动词+ 主语 + 动词 Nerve will I forgive you. 一、完全倒装 1. There be结构。另外,在此结构中可以用来代替be动词的动词有:exist, seem, happen, appear, live, rise, stand等。 There stood a dog before him. There exist different opinions on this question. 例题: ________ a beautiful palace ________ the foot of the hill. A. There stand; at B. There stands; under C. Stands there; under D. There stands; at 2 (1).在以here、there、now、then等副词开头的句子里。 句式:副词+vi+名词主语 “Here, There, Now, Then + come (或be,go,lie,run) + 主语" 结构。 Here comes the old lady! Then came the hour we had been looking forward to. Now comes your turn. 如果主语是人称代词,主语和谓语语序不变,不用倒装。 如:Here you are. There she comes. (2).表示方向的副词out, in, up, down等置于句首,要用全部倒装。如果主语是人称代词,就不用倒装。如: In came Mr. White. Up went the arrow into the air. Away went the boy. 题:There ________. And here ________. A. goes the phone; she comes B. is the phone going; is she C. does the phone go; does she come D. the phone goes; come she 3.当表示地点的介词词组(如on the wall, under the tree, in front of the house, in the middle of the room等)在句首时。 句式:介词短语+vi+主语(必须是名词) 如:At the foot of the hill lies a beautiful lake. East of the lake lie two towns. Under the tree was lying a wounded soldier.

英国诗歌赏析1(本科)

Sonnet 18 William Shakespeare S hall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines, And of ten is his gold complexion dimm’d; And every fair from fair sometime declines, By chance, or n ature’s changing course untrimm’d; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow’st; N or shall Death brag thou wander’st in his shade, When in eternal lines to time thou grow’st: So long as men can breathe, or eyes can see, So long lives this and this gives life to thee Selected Metaphysical poems by John Donne I. THE FLEA Mark but this flea, and mark in this, How little that which thou deniest me is ; It suck'd me first, and now sucks thee, And in this flea our two bloods mingled be. Thou know'st that this cannot be said A sin, nor shame, nor loss of maidenhead; Yet this enjoys before it woo, And pamper'd swells with one blood made of two ; And this, alas ! is more than we would do. O stay, three lives in one flea spare, Where we almost, yea, more than married are. This flea is you and I, and this Our marriage bed, and marriage temple is. Though parents grudge, and you, we're met, And cloister'd in these living walls of jet. Though use make you apt to kill me, Let not to that self-murder added be, And sacrilege, three sins in killing three.

英国文学选读一考试大题必备 重点题目分析(人物分析 诗歌分析 三大主义)

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