Artisans in Sixteenth-Century EuropeWords & Phrases1.In a few industries there appeared technological innovations that cost more toinstall and operate than artisans—even associations of artisans—could afford.technological innovations：技术上的创新innovation：n. 创新=originalityinstall: v. 安装;设置 If you install a piece of equipment, you fit it or put it somewhere so that it is ready to be used2.such specialized equipment as blast furnaces：像鼓风炉这样的专门设备blast：n./v. 爆炸，喷射(气体或水流)furnace：n. 锅炉blast furnace 指能向炉肚吹气的锅炉，使燃烧更充分3.Thus the need for fixed capital (equipment and buildings used in production)soaredFixed capital: 固定的资本Soar：v. (鸟)高飞；疾飞，猛涨4.expensive in their own right：从它们自身来看本身就是贵的in their own right: 从它们自身来看5.In addition, pig (raw) iron turned out by blast furnaces could not be forged untilrefined further in a new intermediate stage.pig (raw) iron: 作为原材料的生铁raw material: 原材料=primary materialforge: v. 炼;锻造 If someone forges an object out of metal, they heat the metal and then hammer and bend it into the required shape.refine：v. 提炼，精炼（此词来自re+fine，意为反复使之更好的意思，所以是提炼精炼）refinery：n.精炼厂，炼油厂intermediate：adj. 居间的，中间的整句话意思为：此外，从鼓风炉中生产出的生铁不能被锻造，直到在一个居间的状态中进一步提炼后才可以被锻造。
Interior DesignUndergraduate InformationThe Study of Interior DesignInterior design is an ideal academic homefor enthusiastic and inquisitive studentsseeking a meaningful, varied and creativeprofession. Designers enhance interiorspaces to maximize occupants’ quality oflife, increase their productivity, and protecttheir health, safety and welfare. Aestheticprinciples have long inspired and guidedinterior design, but it must be equallyattentive to laws of nature and science,lessons of liberal arts, and developmentsin technology. A designer must be broadlyeducated in art, architecture, literature,psychology, economics and management,while using the latest technology in com-puters, materials and building processes.Interior Design at Iowa State UniversityFrom its modest beginnings in 1901 as a course in Interior House Design, interior design at Iowa State University has evolved into one of the better-known professional programs in its field. Since 1978, it has been one of the creative disciplines in the College of Design, and since 1983, it has been accred-ited at the professional level by the Council for Interior Design Accreditation. DesignIntelligence consistently ranks the program in the top 15 in the country.The interior design program, part of the department of art and design, focuses on a process of sequential learning framed around a model of experimentation. This model is based on the belief that interior design is purposeful problem solving that emphasizes issues of human safety, operational (function-al) utility, and physical, psychological and contextual fit.The DegreeUndergraduates earn a bachelor of fine arts (BFA) in interior design. This four-year, FIDER-accredited professional degree prepares students to design the complex environments that make up building interiors. BFA students learn business prac-tices, industry trends, and design communication. They develop expertise in such areas as human factors, lighting, design history, structures, color, materials, and building and fire codes, as well as an understanding of people and the way environment affects their behavior, performance and satisfaction.The interior design program also offers a master of arts (MA) degree focused on general design practice, and a master of fine arts (MFA) degree that emphasizes the application of design research to the design studio.How can interior spaces affect and improve people’s lives and protect their health and safety?How do lighting and color affect health, establishmood, focus attention and create illusions?Process books, ArtID 265The CurriculumEvery first-year undergraduate student enrolls in the college’s Core Design Program, which includes courses in design, drawing, and cultural studies as well as general education requirements such as math, science, English composition, an introduction to the university library, and electives. At the end of the first year, students wishing to major in interior design are evaluated by the faculty on the basis of a portfolio review, essay, and academic achievement. Forty candidates annually are selected for entry to the BFA curriculum in interior design.The interior design curriculum is studio-based, supported by lecture courses in interior materials and systems, interior history, and professional practices. Expanding on the interdis-ciplinary approach of the freshman core, students often select supplementary courses from other areas within the college, including furniture design, architecture, and studio arts. Visualization and communication skills, include drawing, drafting and rendering, are taught using both manual and computer applications. Computer-aided design is integrated into design studios during the sophomore year. Students are strongly encouraged to own laptops and bring them to class for maximum productive use of their time. The College of Design provides assistance and advice on which computer and software are needed for each design discipline; if you are considering a major in interior design, please consult with the college’s laptop program coordinator prior to purchasing a machine. Model building, written and oral presentations, ac-tive listening and other communication skills are emphasized throughout the curriculum.The availability of elective courses offers a broad range of opportunities. Students may organize these courses to develop special interests such as business, environmental science, psychology or sociology that support specific areas of interior design.How can the design of interior spaces create a strong impression or make an impact on human feelings, behavior and impressions?How can we preserve the historic character of commercial and residential properties while responding to changing useand access needs?Junior class field trip to ChicagoRetail design project, ArtID 465If these are questions that interest you, consider a major in interior design.The Faculty Iowa State’s seven interior design faculty members have diverse educational, experiential, philosophical and ethnic back-grounds. Outside their teaching and advising responsibilities, they are all active, enthusiastic and productive contributors to the profession. Their work is widely recognized and respected both nationally and internationally. Their research and creative activity includes work on cross-cultural interiors and architec-ture; lighting design; institutional design; health, safety and welfare issues in design; product design; human-environment issues, and visual communication.Opportunities and ResourcesDesign-build and community outreach projects are included in studios, providing students with direct opportunities to work with clients and experience real design situations. Recent proj-ects have included campus and downtown revitalization proj-ects, full-scale furniture production, and the design of special exhibits. In addition to hands-on studio experiences and lecture courses, students are required to complete an eight-week intern-ship during the summer before their senior year. Internships are obtained in top-ranked design firms, small local firms, and allied organizations such as museums and product design companies.Students are encouraged to explore travel opportunities in the United States and internationally to broaden awareness of new design developments. Field trips are integral to interior design education. Day trips to design firms, manufacturers, historical sites and interesting design installations are common. Extended trips to Omaha or Minneapolis, Chicago and T oronto are a formal part of the study program. An optional trip to New York or another active design market focuses on studying design issues in context.Many students choose to spend fall semester of their senior year in the College of Design’s Rome Program. This optional academic program includes studios and lecture classes in interior design and art, architecture and design history. It also offers participants an opportunity to travel and experience first hand a range of significant classical and contemporary European interior design, furniture and art.Professional designers are invited to campus to review student portfolios and have informal discussions with students about ca-reer building. Many students participate in the Interior Design Student Association (IDSA), which sponsors additional field trips, career days and interior trade shows. IDSA members ben-efit from networking and professional exposure, and may also become student members of the American Society of InteriorDesigners or the International Interior Design Association.Jillissa Balcom, retail design project, ArtID 465Molly Benson, site model, ArtID 265“Learning to enhance human experience through thoughtful interior design”College of EngineeringMarston Hall Renovation Proposals ArtID 465 Interdisciplinary Studio with graphic designIda Risius, Rachel Warren, Amanda WiersonIda Risius, Rachel Warren, Amanda WiersonBrian Buckles, Kelly Kavelage, Massina BloemkeJessie James, process book, ArtID 265Interior rendering, ArtID 465© 2007 Iowa State UniversityPhotographs by Cigdem Akkurt, Robert Elbert, Dorothy Fowles, Michael Faas, Heather Sauer, Maruja TorresIowa State University does not discriminate on the basis of race, color, age, religion, national origin, sexual orientation, gender identity, sex, marital status, disability, or status as a US veteran. Inquiries may be directed to the Director of Equal Opportunity and Diversity, 3680 Beardshear Hall, Ames, IA 50011-2024, (515) 294-7612.Front cover student work by Stacy Kohorst, florist shop model, ArtID 465The FacilitiesThe College of Design, home to the interior design program, features five stories of studio classrooms and offices wrapped around a public atrium capped with a vaulted skylight. Out-side are expansive lawns, native prairie plantings, and several display areas for public art. Inside are galleries, Design Reading Room, Design Cafe, art supply store, printing center, a com-prehensive model-building shop, and spray rooms.Several computer graphics labs allow students to concentrate on image editing, three-dimensional modeling, and anima-tion, as well as geographic information systems (GIS), com-puter-aided design and desktop publishing.The material resource center allows interior design students to explore and utilize product information and samples of materials and furnishings in their studio work. The space also provides for experimentation with materials and lighting.Demand for GraduatesIowa State interior design graduates are employed by interior design and architectural firms, retail stores, and the design departments of corporations and institutions. Some are self-employed and own their own studios. Some are involved in areas of specialization, such as offices; restaurants, hotels and resorts; health-related facilities; retail and exhibition design; places of worship; schools; museums and theaters; government facilities, etc. Still others are involved in specialized aspects of the field such as lighting, color and materials specification, manufacturer’s representation, etc.Financial AssistanceThe university offers financial assistance in the form of grants, scholarships, loans and part-time employment. Scholarship recipients are selected on the basis of academic merit or other demonstrated talent as well as financial need. A comprehensive list of scholarships available to new and currently enrolled College of Design students may be found at /scholarships.php.High School PreparationMinimum high school requirements for admission to the department and the College of Design include four years of English, three years of math (including one year each of algebra, geometry and advanced algebra), three years of science (includ-ing one year each of two of the following: biology, chemistry and physics), and two years of social studies. Students planning to major in interior design may find courses in art, drafting, speech, wood technology, computer-aided design, and computer science and other courses that emphasize problem solving help-ful in preparing for their college coursework.Contact UsFor more information on how you can become involved in the study of interior design at Iowa State University, contact the department or the Office of Admissions.Iowa State UniversityDepartment of Art and Design Interior Design Program 158 College of Design Ames, IA 50011-3092(515) 294-6724/ID Iowa State University Office of Admissions Alumni HallAmes, IA 50011-2010(800) 262-3810admissions@Rome lectureStudents at work in Rome。
'Green design' and emotional return 'Green design' is a late 20th century, there at the moment 80 international design trends. As early as the late 20th century, 60 well-known industrial designer and educator-dimensional multi-Peipanike on the publication aroused strong repercussions in the design world works 'is designed for real-life', presented in the book and the public at the time different points of view, he considered that the things around us are created by designers, designers in the Marketing and customer satisfaction is not only just play 'beautify' the role of the designer should also be emphasized that the social and moral ethics Worth . Far-reaching impact of this book has continued to this day.Into the 21st century, because of the world's governments on environmental issues seriously. The establishment of laws and regulations relating to environmental protection, competition among enterprises, making with the idealism of 'green design' step by step with the trend of practical significance. Based on the attention and understanding of environmental issues, people from the 20th century, 60's too radical a 'green movement', developed to present a relatively mature 'green consumption' behavior, which is 'green design' has brought new opportunities.The main planning as a product designer and creator of the product at all stages of the environmental issues will have a direct and indirect effects. In particular,often by their decision to use the product key materials, products, how to make? Adopt in a special surface treatment method to achieve the final surface effect? Products How to use? How to deal with the waste after use? Whether to use recyclable or re-use of materials? design players a decisive role in many issues.More importantly, designers connecting link between the product and people. They can lead and change the way people use products, while responsible for these products and services.Designed to influence people's lifestyles and sociol-cultural changes. It has gradually grown accustomed through the design to reflect their social status and personal taste. Design is 'consumerism' of the promoter of products from style 'planned obsolescence', speed up the pace of product replacement. Design is also involved in advertising activities, thus further boosting consumer spending. Is designed to make social and cultural changes took place, while the majority of them represents a certain lifestyle, so in theory, 'green lifestyle' could also be that people praise and follow, this lifestyle is not unusual to be frugal, but is to promote a low-key and simple way of life as much as possible.The commercial value of Industrial Design increasingly recognized and valued by a number of manufacturers, designers in a number of the company's R & D department has been entrusted with the task, all this allows designers to have the opportunity to demonstrate their ability to deal with environmental issues, as well as environmental issues, ethical a sense of responsibility.'Green design' from the scope of non-mainstream areas to expand into the mainstream.With the 'Green Design' approach and the associated name of the many people in this article follow the common concepts, collectively referred to as the design from an environmental point of view of the design method for 'green design'. 'Green design' focuses on the impact of nature and the resolution of certain individual issues, such asresource and energy efficiency, reducing waste through recycling and so on. In some developed countries, abandoned most of metals and plastics can now be sorted and recycled, or re-use of the sorting carried out. To enhance household garbage sorting and 'emerged' in the product design, waste management has become one of the hot contemporary industrial design.Eco-design, also known as life cycle design, namely the use of ecological thinking, in the product life cycle, to give priority products environmental attributes, in addition to considering the product performance, quality and cost, but also take into account the product recovery and processing. The product must also take into account the economic, functional and aesthetic factors.Product eco-design its basic theoretical foundation of industrial ecology in the theory of industrial metabolism and life cycle assessment.Sustainable design is a broader design approach than the earlier ones. Involved in more aspects, such as the nation's future development phase and the sharing of resources in the development of future generations, how to ensure the functionality of the product at the same time, reducing the burden on the entire planet. A typical theory is to improve the efficiency of products, while promoting the services associated with development of the system: To study the products of the necessary functions for the user to extend the life of the product; for product development of the sustainability of the overall system design, rather than just the design of the product itself is more important.The focus of sustainable product design, product life-cycle impact of external factors analysis.In addition, there is other product design optimization method. Such as environmental materials (recyclable and recycled materials) use. Studies have shown that, in order to change the impact on the environment of the wasteful consumption of the status quot to the earth's resources for sustainable development in the consumption level of development, our long-term goal should be to strive to build stronger long-term with the product links. For these originally, in the development of environmentally friendly products to extend the life of the product is more important than other strategies, while also encouraging consumers to form sustainable, long-term consumption patterns.Designer is also the founder of design style and taste, the product of the visual image of environmental protection will also have an indirect impact.Is mainly reflected in the product lifetime of two aspects of the relative choice of materials. Because people in the past way of life caused by a large number of product varieties obsolete, and the frequent replacement of the speed of products for environmental protection had a bad effect, if they can extend the product life time, we can reduce the unnecessary waste of resources. Studies have shown that in promoting existing products obsolete, consumers of psychological factors and materials play an important role. Relative prosperity in the material economy of today, often likes and dislikes of consumers for some products directly to determine the 'life'.In some point of view, 'green design' cannot be seen as a style of performance.The success of 'green design' products from the designer a high degree of awareness of environmental issues, and in the design and development process, designers andrelevant organizations to use the experience, knowledge and creativity of crystallization. At present there are several general design themes and trends:1) The use of natural materials in order to 'raw' form of furniture products, building materials and fabrics to be reflected and utilized.2) The nostalgia of the simple style, well into the 'high tech' factor, allowing users to find product is amiable, warm.3) Utility and energy conservation.4) Emphasized the use of the material economy, get rid of useless features and purely decorative style, and create vivid shape and return to the classic simplicity.5) The multi-purpose product design, changes can increase the fun by design, to avoid boredom and replacement needs; it can upgrade, update, by as little as possible to use other materials to extend the life; the use of 'add-on smart' or dismantling components.6) The products and services, the non-materialistic.7) The combination of design and cycle schemes.We do not simply believe in a clear recyclable materials, the product will certainly be a 'green product', because the product recyclability of products may become obsolete to accelerate the speed of an excuse, people have recognized the appearance of recyclable materials, the degree may also be would have an impact on product sales.When the 'Green Design' gradual integration into the mainstream product design, designers face is not only a small number of 'green fanatics', but ordinary consumers. If you only focus on the design functionality, while the neglect of the aesthetic needs of the user, you cannot extend the product life.People-oriented design ideas from the European Renaissance of the humanitarian ideology. To promote care of people pay attention to people, people-centered world view. In terms of modern product design, human-centered thinking that is the core of the design process, the coordination of product - social - environment relationships between these three. Of human knowledge and transform the nature, purpose is simply to create a good human being living conditions and environment for development. However, this simple truth, have repeatedly been vague and misinterpreted. In the past quite a long period of time, people's respect through a variety of activities are acts of science and technology as a means to conquer nature for the purpose, to growth of material wealth as the driving force of the traditional development model, to a certain extent, the destruction of human Lai basis in order to survive, people at the same time trying to conquer nature, often become the object of being a natural punishment. Large industrial era machinery of industrial product is a very typical example, their presence to meet people's material needs, can bring with it more of an emotional loss and the living environment of the hit. Repeatedly by natural warnings, people began to realize that the essence of people-oriented is a real concern of humanity, people started digging people and the harmonious relationship between society and nature. The product design, product-oriented pursuit of emotional and humane products emphasize the purpose of people-oriented under the natural. And people - society - environment, harmonious relations in product design can also be understood as personal qualities - products - emotional harmony. Materials,environmental protection, technology is simple, beautiful shape, making excellent products is the people really psychologically acceptable.Second, the values of stress also contributed to people for emotional awareness. In the past quite a long period of time, the design process is seen as an artistic process, the artist's aesthetic choices to replace the more often the user can only be passively accepted. Such an outcome, making the distance between the product and the user has become increasingly alienated, people even do not feel the product, with any function other than to enjoy. The feelings of the people and therefore become numb up. As the market changes in the mode of operation, the user's thinking of a more active participation in the design process, the designer is no longer an artist, a professional designer should be to reconcile a variety of design factors. The pursuit of good design is the recognition of values, ideas of resonance, emotional touch. Thoughts on design-related emotions also were born in the fertile soil where the values set.In addition, the design of the regional culture and promote the protection of people also reflects the concern for the feelings. Design is no longer the pursuit of volume, standardization brought about by a single aesthetic, but to diversify into account. The emotional needs of the design was gradually realized that it was multi-directional. Regional differences in the deposition as well as the name of ethnic culture, customs and practices which are in the design to be discussed and explored. In the end, be able to reflect the name of ethnic identity and personality of the product is designed for success stories. This is the design of emotion-oriented evidence. Of modern product design, product and make people aware of the relationship between communication, the design also focused on how to locate the user object's emotional needs and how to express such feelings, the design of various forms of emotional factors for considerations change is more comprehensive than ever.If the design theory for the design of the improvement means that people re-think, then the birth of a new design type is the most realistic and practical needs and the most direct response is all about. More and more on the emotional issues were referred to the process of designing for, so people were the design, interface design, interaction design, accessible design, and so a series of related to the design of communication and emotional way of thinking has been more and more to attention and research, and ultimately applied to the design and production process. Product design and all kinds of psychology, sociology and other disciplines related to human characteristics of the study of collaborative research between the guidance has become an important part of the design.ConclusionWhether the product design and development from the vertical profile view, or from the horizontal status of a modern product design, look at the relationship between the various disciplines, Emotional Design has undoubtedly become a contemporary design, one of the most popular topics. People gradually realize that product design process, designers of the product of the soul to give the process is essential. Here the soul refers to the expressed product, and can communicate with the user-generated emotions. In other words, modern product design should be a planningactivities related to emotion, early stage of development is no longer a simple physical modeling process. Its entire design process, a certain sense, is a physical emotional process. Contemporary designers should also be taken fully into account in the design of emotional factors, grasp the emotional positioning, designed to communicate with the real products. Such a materialistic in the modern information era of rapid change, due to the severe lack of emotional feeling, it is the demand for the emotional satisfaction of a period of time than ever before are obviously urgent. Designers will face more challenges and responsibilities of a good design to meet the function, on the basis of serving other, and more are expected to return is the emotional.The requirements of sustainable development of society indicates that 'green design' remains will be the 21st century, one of the hot industrial design. In order to reduce environmental problems, designers should be the product environmental performance improvement, environmental issues and want to have a good understanding of their impact; this was in science and Technology than ever before to learn more about, and needs to creativity, new thinking and imaginative. 'Green design' to the Industrial Design has brought additional challenges, it also brings more opportunities.。
Internet of Things policy of the European CommissionDr. Florent Frederix, Head of Sector D4 European CommissionThis document does not necessarily reflect any official position of the EU CommissionM2M workshop, ETSI France, October 19-20, 2010Content • IoT Policy • IoT in Framework 7 R&D– Call 7: Objective 1.3 – “Internet connected objects”IoT policyHistoryCommunication Communication June 2009Mar 2007Jun 07-Mar09Sept 2008Sept 2008Dec 2008IoT policyIoT – Underlying trendsScaleIoT policyIoT – Underlying trendsScaleIoT policyIoT – Underlying trendsScale MobilityIoT policyIoT – Underlying trendsScale Mobility Heterogeneity & Complexity1969197119802000IoT policyIoT – Underlying trendsScale Mobility Heterogeneity & ComplexityIoT policyIoT – Public authorities roleThe underlying trends will occur regardless of public intervention. It will bring a new set of challenges (some directly affecting individuals) and deep societal changes. Simply leaving the development of the IoT to the private sector is not a sensible option.A not-that-different debate at the World Summit on the Information Society has driven to similar conclusions: public authorities cannot shirk their responsabilities towards their citizens.A 14 action plan to ensure that the use of IoT technologies: • Stimulate economic growth • Improve individuals’ well-being • Address some of today’s societal problemIoT policyGovernanceHow is this identification’s structured? Who assigns the identifier? How is information security ensured? Which stakeholders are accountable? Which ethical and legal framework applies? …Action 1• Define a set of principles underlying the governance of IoT • Design an ‘architecture’ with a sufficient level of decentralised managementPrivacy and protection of personal dataFundamental RightsTrust, Acceptance and SecuritySecurity for individuals Security in the businessThe Commission will follow ENISA work on the identification of emerging risks and provide a policy frameworks to develop IoTA c t i o n 4The Commission will follow the development of IoTinfrastructures becoming a vital resource to economy and societyA c t i o n 5Standardisation-Interoperability-Economies of scale-Low entry barriers -Level playing fieldStandards Mandate:•Launch or extend currently standards mandates to include issues related to IoT•Ensure IoT standards are developed in an open,transparent and consensual mannerA c t i o n 6Research and DevelopmentConnecting a thousand objects is easy,connecting several billions remains a faraway challengeFinance research projects through FP7projectsA c t i o n 7Contribute to the respective Public-Private Partnership:•Green cars•Energy-efficient buildings •Factories of the Future •Future InternetA c t i o n 8Openness to innovation-New applications -New uses-New business models-New barriers to innovationInnovation and pilot projects:promoting the deployment of IoT applications by launching pilot projects through CIPA c t i o n 9Institutional awareness-Act hand-in-hand with other institutions-Understand the challenges -Understand the opportunitiesThe Commission will inform European Institutions and relevant stakeholders about IoT developmentsA c t i o n 10International dialogueBorderless applications mean joint solutionsInternational dialogue to promote the lines of action laid down in this CommunicationA c t i o n 11Waste management-RFID tags can have negative impacts on environments-RFID tags could help the To assess the difficulties of recycling tags and the benefits and nuisances that the presence of tags can have on the recycling of objectA c t i o n 12recycling processFuture developmentsThe story has just only startedMonitoring the introduction of IoT related technologies to allow the assessment of their impact as well as the effectiveness of the related Community policiesA c t i o n 13The Commission will assess the evolution of IoTA c t i o n 14HistoryComm JuDec 2009Mar 2010May 2010May-June 2010Jun 2010Jul 2010Communication June 2009TodayIoT in framework 7 R&DCall 7 - Objective 1.3Internet-connected ObjectsThe Internet of Things is a MetaphorIoT Fp7 call 7Horizontal and cross-cutting application areas Sensor Networks and Decentralised intelligence Integrated part of the Future Internet-22-Internet of Things - Typical examplesIoT Fp7 call 7-23-IERC – Internet of Things IoT Fp7 call 7 European Research Cluster-24-Introducing Objective 1.3: IoT Fp7 call 7 Internet-connected objectsObjective 1.3 in the context of Challenge 1 a) Contribution to the Network and Service layers b) Applied research in the enterprise and business environment:• • Architecture and technological foundations for cooperative smart objects Towards integration and decentralized intelligenceTarget outcomes a) An open networked architecture b) Adaptive software supporting data acquisition c) Coordination and support actions-25-a)An open networked architecture for Internetconnected objectsIoT Fp7 call 7Funding scheme: IP & STREP • Open architecture – End to end characteristics – Manage a large population of devices – Conceal the heterogeneity of networks technologies Architecture with large and dynamic capabilities – Interoperability across providers and consumers of information and services, re-use of object entities – Open interfaces – Self-management, self-configuration, self-healing properties Technologies should ensure – Integration of the IOT into the service layer of the Future Internet – Distribution and aggregation of information – Communication among networked objects-26-••b)Adaptive software supporting IoT Fp7 call 7 data acquisitionFunding scheme: IP & STREP•Integration with business platforms and components – Large number of sensors delivering data – Compatibility with existing business environment Interpretation of the environmental and context information – Information from human behaviours and multi-modal interactions – Act on behalf of the users’ intentions Additional functionalities – Interoperability, privacy, security – Discovery and mapping of real, digital and virtual entities••-27-c) Coordination and support IoT Fp7 call 7 actionsFunding scheme: CSA•Roadmaps, standards, benchmarks, … for future industrial developments of IOT applications•International collaboration – Analysis of research agendas, preparation of concrete initiatives (China, Japan, U.S., Brazil, …) – Coordination of related EU R&D programmes/activities-28-IoT Fp7 call 7Impact and Funding schemes• Expected impact– New range of Internet services based on interconnected objects communications and integration with business processes – Novel business models on objects connectivity – Emergence of new companies (SMEs) offering innovative solutions – Consensus by industry (standards, benchmarks) and by stakeholders (governance) of the IOT• •Funding schemes– a), b): IP, STREP; c): CSAIndicative budget distribution– IP/STREP: EUR 27 million; the objective is to support 2 IPs – CSA: EUR 3 million•Call– ICT call 7OJ publication: 28 Sept. 2010, submission deadline: 18 Jan. 2011 – 17h00-29-IoT Fp7 call 7More information and linksObj. 1.3 Contact: alain.jaume@ec.europa.eu IERC – Internet of things European Research Cluster: http://www.internet-of-things-research.eu/-30-。
