Toccataop.7

浅析贝多芬《钢琴奏鸣曲》Op.7第二乐章作者：赵文雪来源：《戏剧之家》2019年第21期【摘要】贝多芬是古典乐派的集大成者，具有极高的代表性。

在音乐的历史长河中，他留下了许多优秀的音乐作品，丰富了音乐领域的表现力。

本文立足于贝多芬的《钢琴奏鸣曲》Op.7第二乐章这部作品，对贝多芬的生平以及他创作的这首作品的背景、曲式结构以及和声配置方面进行简要分析。

【关键词】贝多芬;曲式结构;和声分析中图分类号：J605 ; 文献标志码：A ; ; ; ; ; ; ;文章编号：1007-0125（2019）21-0076-01一、贝多芬简介路德维希·凡·贝多芬（1770-1827）出生于德国波恩，是德国最具代表性的作曲家之一，是古典乐派的代表人物，与海顿、莫扎特并称为“维也纳三杰”。

贝多芬一生中创作了许多不同体裁的音乐作品，他的每一部作品都有各自的精神内涵，使旋律充满了思想性。

在贝多芬创作的众多领域中，最具有代表性的体裁是奏鸣曲。

他的一生中创作了32首钢琴奏鸣曲，这32首钢琴奏鸣曲被称为“新约圣经”。

贝多芬作为古典主义时期的集大成者、浪漫主义时期的开创者，是一位承前继后的优秀作曲家，他对古典乐派以及浪漫乐派的发展作出了巨大的贡献，被人们尊称为“乐圣”。

二、《钢琴奏鸣曲》Op.7第二乐章浅析（一）作品浅析这部作品创作于1796-1797年，属于贝多芬的早期作品。

这部作品共有四个乐章，其规模大、内容丰富。

在贝多芬的早期作品中，已经凸显了他早期的音乐创作风格：充满沉思性、质朴、宁静以及勇往直前的精神。

本首作品的第二乐章是富有表情的最缓板，属于三拍子的类型，即3/4拍。

《钢琴奏鸣曲》Op.7是贝多芬献给他的学生巴巴拉的，巴巴拉是一位才华横溢的女钢琴家。

因此，这部作品中充满了优雅的气质。

（二）曲式结构《钢琴奏鸣曲》（Op.7 第二乐章）是一首复三部曲式结构的作品，分为首部、中部、再现部，最后结尾处加入了尾声。

这里每首作品都是20世纪的风格，霍洛维茨玩儿得更爽快。普罗科菲耶夫第7奏鸣曲的末乐章， 还是被弄成一团火。Barber的奏鸣曲，作曲家题献给了霍洛维茨，所以这当然是权威的演绎。 一首4分多钟的托卡塔，更是让人觉得似乎钢琴都在震动一般，在霍洛维茨那大力神一般的摧 残之下已经禁不住了，呵呵。
Domenico Scarlatti 1. Sonata, K.531 (L.43) 2. Sonata, K.87 (L.33) 3. Sonata, K.380 (L.23) 4. Sonata, K.455 (L.209) 5. Sonata, K.322 (L.483) 6. Sonata, K.46 (L.25) Domenico Scarlatti/Carl Tausig 7. Sonata, K.20 (Capriccio) Ludwig van Beethoven 8-11. Sonata in D major, Op.10 No.3 Frederic Chopin 12. Mazurka, Op.30 No.3 13. Nocturne, Op.27 No.1 14. Nocturne in E minor, Op.72 No.1 15. Waltz in A minor, Op.34 No.2 16. Waltz in C-sharp minor, Op.64 No.2 17. Ballade No.3 in A-flat major, Op.47 Ernst von Dohnanyi 18. Etude de Concert, Op.28 No.6 (Capriccio)
霍orowitz Collection中的一张，其中收录的光辉的行板与 壮丽的大波兰舞曲，是霍洛维茨最出色的录音之一。专辑中的第一叙事曲是在伦敦的 现场录音，也是目前所发行的霍洛维茨所有肖邦第一叙事曲的版本中，录音年代最晚 的一个，别有一番特色。

卡尔·车尔尼人物简介Carl Czerny(1791～1857) Portrait卡尔·车尔尼(Carl Czerny)(1791年2月21日——1857年7月15日)人。

闻名、、音乐教育家。

车尔尼出生于，他的父亲（Wenzel Czerny）也是钢琴家。

车尔尼从小跟随父亲、胡梅尔（Johann Nepomuk Hummel，1778-1837）和（Antonio Salieri，1750-1825）学习钢琴，他3岁时就能弹钢琴，7岁时能将自己的乐思记录下来，9岁就登台演奏的C小调钢琴协奏曲，10岁时已能清晰流畅地弹奏莫扎特、克莱门蒂的全部钢琴作品，并且具有超凡的音乐记忆力。

从15岁起就开始了钢琴教师的生涯。

Carl Czerny(1791-1857)_Portrait1801年，年仅10岁的车尔尼去见贝多芬（Ludwig van Beethoven，1770-1827），贝多芬被车尔尼出色的演奏所感动，同意了这位学生。

车尔尼师从贝多芬学钢琴并受和（Muzio Clementi，1752-1832）的影响，钻研他们的教学法，车尔尼曾参加了克莱门蒂在维也纳的授课。

贝多芬曾在1801年--1803年的三年间免费教他弹奏钢琴。

他对于贝多芬的作品积极宣传，并在他的作品500号《钢琴理论及演奏大全》的第四册的第二、三章中论述如何正确演奏贝多芬的作品。

他能够背奏贝多芬的全部钢琴作品。

车尔尼于1812年首演了贝多芬的钢琴协奏曲“皇帝”，他关于贝多芬的作品踊跃宣传，能够背奏贝多芬的全数钢琴作品，并在他的作品500号《钢琴理论及演奏大全》的第四册的第二、三章中论述如何正确演奏贝多芬的作品。

车尔尼专门快就成为维也纳最闻名的钢琴教师，他的学生包括（Franz Liszt，1811-1886），Kullak，Leschetizky，Theodor Döhler(1814-1843)，Sigismond Thalberg(1812-1871)，Stephen Heller(1813-1888)等，后来都成为闻名的钢琴家。

List of compositions by Sergei Prokofiev Contents• 1 By genreo 1.1 Operaso 1.2 Balletso 1.3 Incidental musico 1.4 Film musico 1.5 Symphonieso 1.6 Orchestral suiteso 1.7 Other orchestral workso 1.8 Concertoso 1.9 Vocal orchestralo 1.10 Choralo 1.11 Songso 1.12 Chambero 1.13 Instrumentalo 1.14 Piano sonataso 1.15 Other piano workso 1.16 Transcriptions for pianoo 1.17 Band music• 2 By opus number1. By genre1.1 Operas•The Giant (1900)•Desert Islands•The Feast in Time of the Plague•Undina•Maddalena, Op. 13 (1911-13)•The Gambler (after Dostoevsky), Op. 24 (1915-16, rev. 1927)•The Love for Three Oranges, Op. 33 (1919)•The Fiery Angel, Op. 37 (1919-27)•Semyon Kotko, Op. 81 (1939)•Betrothal in a Monastery, Op. 86 (1940-41)•War and Peace (after Tolstoy), Op. 91 (1941-52)•Khan Buzay, (1942-unfinished)•The Story of a Real Man, Op. 117 (1947-48)•Distant Seas, (1948-unfinished)1.2 Ballets•Ala i Lolli, Op. 20 (1914-5), mostly incorporated into Scythian Suite (see below)•Chout / The Tale of the Buffoon, Op. 21 (1915, rev. 1920)•Trapeze, Op. 39 (1924), mostly incorporated into Quintet (see below)•Le pas d'acier / The Steel Step, Op. 41 (1925-6)•The Prodigal Son, Op. 46 (1928-9)•On the Dnieper / Sur le Borysthene, Op. 51 (1930-1)•Romeo and Juliet, Op. 64 (1935-36)•Cinderella, Op. 87 (1940-44)•The Tale of the Stone Flower, Op. 118 (1948-53)1.3 Incidental music•Egyptian Nights (1934)•Boris Godunov, Op. 70bis (1936)•Eugene Onegin, Op. 71 (1936)•Hamlet, Op. 77 (1937-8)1.4 Film music•Lieutenant Kijé (1934), also arranged as an orchestral suite (see below)•Queen of Spades / Pique dame, Op. 70 (1936), after Pushkin•Alexander Nevsky (1938), film directed by Sergei Eisenstein (also exists in the form of a cantata, see below) •Lermontov (1941)•Kotovsky (1942)•The Partisans in the Ukrainian Steppes (1942)•Tonya (1942)•Ivan the Terrible, Op. 116 (1942-5), film directed by Sergei Eisenstein1.5 Symphonies•Symphony No. 1 in D Classical, Op. 25 (1916-17)•Symphony No. 2 in D minor, Op. 40 (1924-5)•Symphony No. 3 in C minor, Op. 44 (1928)•Symphony No. 4 in C (original version), Op. 47 (1929-30)•Symphony No. 5 in B-flat, Op. 100 (1944)•Symphony No. 6 in E-flat minor, Op. 111 (1945-7)•Symphony No. 4 in C (revised version), Op. 112 (1947)•Symphony No. 7 in C-sharp minor, Op. 131 (1951-52)•Symphony No. 2 in D minor (revised version), Op. 136 (unrealized)•Two juvenile symphonies (1902 & 1908)1.6 Orchestral suites•Suites from Romeo and Julieto Suite No. 1, Op. 64biso Suite No. 2, Op. 64tero Suite No. 3, Op. 101•Suites from Cinderellao Suite No. 1, Op. 107o Suite No. 2, Op. 108o Suite No. 3, Op. 109•Suites from The Tale of the Stone Flowero Wedding Suite, Op. 126o Gypsy Fantasy, Op. 127o Urals Rhapsody, Op. 128o The Mistress of Copper Mountain, Op. 129 (unrealized)•Scythian Suite, Op. 20 (from Ala i Lolli')•Suite from Chout, Op. 21bis•Suite from The Love for Three Oranges, Op. 33bis•Vocal Suite from The Fiery Angel, Op. 37bis•Suite from Le pas d'acier, Op. 41bis•Suite from The Prodigal Son, Op. 46bis•Four Portraits and Denouement, suite from The Gambler, Op. 49•Suite from On the Dnieper, Op. 51bis•Suite from Lieutenant Kijé, Op. 60•Suite from Egyptian Nights, Op. 61•Suite from Semyon Kotko, Op. 81bis•Waltz Suite, Op. 110 (1946) (includes waltzes from War and Peace, Cinderella, and Lermontov)•Summer Night, suite from Betrothal in a Monastery, Op. 1231.7 Other orchestral works•Sinfonietta in A (original version), Op. 5 (1909)•Dreams, Op. 6 (1910)•Autumnal, Op. 8 (1910)•Andante from Piano Sonata No. 4, arranged for orchestra, Op. 29bis•Overture on Hebrew Themes, Op. 34bis (based on chamber version)•American Overture, Op. 42 (1926), for 17 instrumentalists•American Overture, Op. 42bis (1928), for full orchestra•Divertimento, Op. 43 (1925-29)•Sinfonietta in A (revised version of Op. 5), Op. 48 (1929)•Andante from String Quartet No. 1, arranged for string orchestra, Op. 50bis•Symphonic Song, Op. 57 (1933)•Russian Overture, Op. 72 (1936)•Symphonic March, Op. 88 (1941)•The Year 1941, Op. 90 (1941)•Ode to the End of the War, Op. 105 (1945), for winds, 8 harps, 4 pianos, percussion, and double basses •Thirty Years, Op. 113 (1947), festive poem for orchestra•Pushkin Waltzes, Op. 120 (1949)•The Meeting of the Volga and the Don, Op. 130 (1951), festive poem for orchestra1.8 Concertos•Piano:o Piano Concerto No. 1 in D-flat, Op. 10 (1911-12)o Piano Concerto No. 2 in G minor, Op. 16 (1912-13, lost, re-written in 1923)o Piano Concerto No. 3 in C, Op. 26 (1917-21)o Piano Concerto No. 4 in B-flat, Op. 53 (1931), for left hand (written for Paul Wittgenstein)o Piano Concerto No. 5 in G, Op. 55 (1932)o Piano Concerto No. 6, Op. 134 (1953-unfinished)•Violin:o Violin Concerto No. 1 in D, Op. 19 (1916-17)o Violin Concerto No. 2 in G minor, Op. 63 (1935)•Cello:o Cello Concerto in E minor, Op. 58 (1933-38)o Symphony-Concerto for Cello and Orchestra in E minor, Op. 125 (1950-52)o Cello Concertino in G minor, Op. 132 (1952) (one version completed by Kabalevsky, another by Blok)1.9 Vocal orchestral•Two Poems for Female Chorus and Orchestra, Op. 7 (1909-10)•The Ugly Duckling, Op. 18 (1914), for soprano and orchestra•Seven, They are Seven, Op. 30 (1917-8, rev. 1933), cantata for tenor, chorus, and large orchestra•Melodie, Op. 35bis (1920), for female voice and orchestra•Vocal Suite from The Fiery Angel, Op. 37bis (1923-incomplete)•Peter and the Wolf, Op. 67 (1936), a children's story for narrator and orchestra•Cantata for the 20th Anniversary of the October Revolution, Op. 74 (1936-7), cantata for 2 choruses, orchestra, military band, accordion band, and percussion band•Songs of Our Days, Op. 76 (1937), for chorus and orchestra•Alexander Nevsky, Op. 78 (1939), cantata for mezzo-soprano, chorus, and orchestra•Zdravitsa, Op. 85 (1939), cantata for chorus and orchestra•Ballad of an Unknown Boy, Op. 93 (1942-3), for soloists, chorus, and orchestra•Flourish, Mighty Land, Op. 114 (1947), cantata for chorus and orchestra•Winter Bonfire, Op. 122 (1949-50), for boy's choir and small orchestra•On Guard for Peace, Op. 124 (1950), cantata for chorus and orchestra1.10 Choral•Six Songs, Op. 66 (1935)•Seven Songs and a March, Op. 89 (1941-2)•National Anthem and All-Union Hymn, Op. 98 (1943 and 1946)•Soldiers' Marching Song, Op. 121 (1950)1.11 Songs•Two Poems, Op. 9 (1910-1)•The Ugly Duckling, Op. 18 (1914)•Five Poems, Op. 23 (1915)•Five Poems after Akhmatova, Op. 27 (1916)•Five Songs Without Words, Op. 35 (1920)•Five Poems after Bal'mont, Op. 36 (1921)•Five Kazakh Songs (1927)•Two Songs from Lieutenant Kijé, Op. 60bis (1934)•Three Children's Songs, Op. 68 (1936)•Three Romances after Pushkin, Op. 73 (1936)•Three Songs from Alexander Nevsky, Op. 78bis (1939)•Seven Songs, Op. 79 (1939)•Twelve Russian Folksongs, Op. 104 (1944)•Two Duets, Op. 106 (1945)•Broad and Deep the River Flows1.12 Chamber•String Quartet No. 1 in B minor, Op. 50 (1930)•String Quartet No. 2 in F (on Karbardinian Themes), Op. 92 (1941)•Humoresque scherzo, Op. 12bis, for four bassoons•Overture on Hebrew Themes, Op. 34 (for clarinet, string quartet and piano)•Quintet in G minor, Op. 39 (for oboe, clarinet, violin, viola and double bass)•Sonata for Two Violins in C, Op. 561.13 Instrumental•Violino Five Melodies for Violin and Piano, Op. 35biso Violin Sonata No. 1 in F minor, Op. 80o Violin Sonata No. 2 in D, Op. 94a (based on Flute Sonata in D, Op. 94)o Sonata for Solo Violin / Unison Violins in D, Op. 115[文档可能无法思考全面，请浏览后下载，另外祝您生活愉快，工作顺利，万事如意!]。