简·奥斯汀生平简介

简·奥斯汀：生活与作品1. 简介简·奥斯汀（Jane Austen，1775年-1817年）是英国文学史上最重要的女性小说家之一。

她以描写英国社会庶民生活和情感问题著称，其作品具有深刻的细腻情感描写和幽默的观察力。

本文将从奥斯汀的生平和文学作品两个方面进行研究。

2. 生平简·奥斯汀出生于一个中产阶级家庭，在兄妹中排行第七。

奥斯汀一生过得相对平静，没有结婚也没有孩子。

她主要在家庭中度过，并很少参与社交活动。

尽管如此，她通过书信保持与朋友和亲戚的联系，并表达了对时事、文学及家庭生活的看法。

3. 文学作品3.1 《傲慢与偏见》《傲慢与偏见》是简·奥斯汀最著名的小说之一，讲述了伊丽莎白·班内特与达西先生之间错综复杂的爱情故事。

奥斯汀以犀利的观察力揭露社会中的傲慢和偏见，同时也展现了女性对自由选择和尊严的追求。

3.2 《理智与情感》《理智与情感》是奥斯汀首次出版的小说，讲述了埃莉诺和玛丽安两姐妹之间在爱情、财产和家庭关系上的挫折和奋斗。

该作品彰显了奥斯汀对生活中理性思考与情感表达之间的关系有着独特见解，并深入探讨了社会压力、经济实用主义与人性善良之间的矛盾。

3.3 其他作品除了以上两部作品，简·奥斯汀还创作了一系列其他优秀小说，如《诺桑觉寺》、《劝导》等。

这些作品都以其细腻入微地描绘人物心理和社会风貌而闻名于世。

4. 影响简·奥斯汀的作品不仅在当时引起了广泛关注，而且至今仍然受到全球读者的热爱。

她对小说写作的贡献在于将庶民生活和真实感情带入文学作品，打破当时对于女性作家的刻板印象。

她塑造的深入人心的角色和细腻入微的情感描写成为后世文学创作的重要参考。

5. 结语简·奥斯汀以她细腻独到的文笔，以及对社会庶民生活和情感问题的洞察力，在英国和全球文学界留下了不可磨灭的印记。

通过研究奥斯汀的生平和作品，我们可以更好地理解这位杰出女作家所承载的思想与价值观，并欣赏她独特、雅致而又充满智慧的写作风格。

英国作家简奥斯汀的历史故事简奥斯汀（Jane Austen）是英国文学史上著名的女作家之一，她以她的历史故事和关于社会礼仪的描写而闻名于世。

简·奥斯汀于1775年12月16日出生在英国汉普郡的斯蒂文顿，是一个贫穷的贵族家庭的女儿。

她的作品具有独特的幽默感和对人性的深刻洞察力，被公认为英国文学的经典之作，而且至今仍然受到广大读者的喜爱。

简·奥斯汀的作品多以女性为主角，描绘了当时英国社会的一些令人头疼的问题，比如女性的婚姻和经济地位的局限，社会等级的固化以及面对爱情时的选择困境等等。

她的作品常常通过她精细入微的观察和调侃的手法描绘了这些问题，以幽默的方式嘲笑社会的荒谬和虚伪。

尽管她的作品写于两个世纪之前，但是其中许多主题和情节至今仍然有深入人心的共鸣。

《傲慢与偏见》是简·奥斯汀最著名的作品之一，也是她最受欢迎的小说之一。

这部小说以女主人公伊丽莎白·班纳特的婚姻为线索展开，通过她与富有但自大的达西先生之间的对话和争吵，讲述了一个爱情故事的同时，也呈现了当时社会上的封建观念和各个人物的性格特点。

奥斯汀通过娴熟的描写和对话，将人物的内心世界展现得淋漓尽致，使读者对人物的行为和动机产生共鸣。

简·奥斯汀的作品也有一些经典的特点。

首先，她的作品往往注重对细节的刻画，对当时社会各个阶层的生活和礼仪进行了深入研究，并将这些细节融入到故事情节中，使得小说更具真实感和可信度。

其次，奥斯汀的作品充满了讽刺和幽默，通过对社会习俗和人性弱点的调侃，表达了她对社会现象的看法。

最后，奥斯汀的作品通常以爱情为主题，表达了她对爱情的理解和对婚姻制度的思考。

除了《傲慢与偏见》，简·奥斯汀的其他著名作品还包括《理智与情感》、《劝导》、《诺桑觉寺》等等。

这些作品都以女性的视角写作，揭示了当时英国社会中女性的生存状态和社会地位的局限。

她的作品不仅具有文学价值，也为后来的作家提供了灵感和启示。

Jane Austen 简•奥斯丁(1775-1817)：◆Introduction：奥斯丁兄弟姐妹八人。

父亲在该地担任了四十多年的教区长。

他是个学问渊博的牧师，妻子出身于比较富有的家庭，也具有一定的文化修养。

因此，奥斯丁虽然没有进过正规学校，但是家庭的优良条件和读书环境，给了她自学的条件，培养了她写作的兴趣。

她在十三四岁就开始写东西，显示了她在语言表达方面的才能。

奥斯丁终身未婚，家道小康。

由于居住在乡村小镇，接触到的是中小地主、牧师等人物以及他们恬静、舒适的生活环境，因此她的作品里没有重大的社会矛盾。

她以女性特有的细致入微的观察力，真实地描绘了她周围世界的小天地，尤其是绅士淑女间的婚姻和爱情风波。

她的作品格调轻松诙谐，富有戏剧性冲突，深受读者欢迎。

简·奥斯丁是“第一个现实地描绘日常平凡生活中平凡人物的小说家”，（她的作品）反映了当时英国中产阶级生活的喜剧，显示了‘家庭’文学的可能性。

她多次探索青年女主角从恋爱到结婚中自我发现的过程。

这种着力分析人物性格以及女主角和社会之间紧张关系的做法，使她的小说摆脱十八世纪的传统而接近于现代的生活。

现代评论家也赞佩奥斯丁小说的高超的组织结构，以及她能于平凡而狭窄有限的情节中揭示生活的悲喜剧的精湛技巧。

她的小说出现在19世纪初叶，一扫风行一时的假浪漫主义潮流，继承和发展了英国18世纪优秀的现实主义传统，为19世纪现实主义小说的高潮做了准备。

在英国小说的发展史上有承上启下的意义，被誉为地位“可与莎士比亚平起平坐的作家。

”◆Works：Sense and Sensibility, 1811 《理智与情感》(又名)《理性与感性》Pride and Prejudice, 1813 《傲慢与偏见》（原名：《最初的印象》First Impression）Mansfield Park, 1814 《曼斯菲尔德庄园》Emma, 1816 《爱玛》Northanger Abbey, 1818 《诺桑觉寺》Persuasion, 1818 《劝导》◆Appreciation: Pride and Prejudice,《傲慢与偏见》CHAPTER 1It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered the rightful property of some one or other of their daughters.“My dear Mr. Bennet,” said his lady to him one day, "have you heard that Netherfield Park is let at last?"Mr. Bennet replied that he had not.“But it is,” returned she; “for Mrs. Long has just been here, and she told me all about it.”Mr. Bennet made no answer.“Do not you want to know who has taken it?" cried his wife impatiently.“Y ou want to tell me, and I h ave no objection to hearing it.”This was invitation enough.“Why, my dear, you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the northagreed with Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week."“What is his name?”“Bingley.”“Is he married or single?”“Oh! Single, my dear, to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls!”“How so? How can it affect them?”“My dear Mr. Bennet,” replied his wife, “how can you be so tiresome! You must know that I am thinking of his marrying one of them.”“Is th at his design in settling here?”“Design! Nonsense, how can you talk so! But it is very likely that he may fall in love with one of them, and therefore you must visit him as soon as he comes."“I see no occasion for that. You and the girls may go, or you may send them by themselves, which perhaps will be still better, for as you are as handsome as any of them, Mr. Bingley might like you the best of the party."“My dear, you flatter me. I certainly have had my share of beauty, but I do not pretend to be anything extraordinary now. When a woman has five grown-up daughters, she ought to give o ver thinking of her own beauty.”“In such cases, a woman has not often much beauty to think of.”“But, my dear, you must indeed go and see Mr. Bingley when h e comes into the neighbourhood.”“It is more than I engage for, I ass ure you.”“But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account, for in general you know they visit no new comers. Indeed you must go, for it will be impossible for us to visit him, if you do not.”“You are over scrupulous, surely. I dare say Mr. Bingley will be very glad to see you; and I will send a few lines by you to assure him of my hearty consent to his marrying whichever he chooses of the girls; though I must throw in a good word for my little Lizzy.”“I desire you will do no such thing. Lizzy is not a bit better than the others; and I am sure she is not half so handsome as Jane, nor half so good humoured as Lydia. But you are always giving her the preference."“They have none of them much to recommend them,” replied he; “they are all silly and ignorant like other girls; but Lizzy has something more of quickness than her sisters.”“Mr. Bennet, how can you abuse your own children in such a way? You take delight in vexing me. You have no compassion for my poor nerves.”“You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these last twenty years at least.”“Ah! You do not know what I suffer.”“But I hope you will get over it, and live to see many young men of four thousand a year come into the neighbourhood.”“It will be no use to us, if twenty such should come, since you will not visit them.”“Depend upon it, my dear, that when there are twenty, I will visit them all.”Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character. Her mind was less difficult to develop. She was a woman of mean understanding, little information, and uncertain temper. When she was discontented, she fancied herself nervous. The business of her life was to get her daughters married; its solace was visiting and news.其它浪漫主义诗歌赏析:The Sick Rose-------William BlakeO Rose, thou art sick.The invisible wormThat flies in the nightIn the howling stormHas found out thy bedOf crimson joy,And his dark secret loveDoes thy life destroy.A Red, Red Rose-------Robert Burns1O, my luve’s like a red, red rose,That’s newly sprung in June. O, my luve’s like the melodie,That’s sweetly play’d in tune.2As fair art thou, my bonie lass,So deep in luve am I,And I will luve thee still, my dear,Till a’the seas gang dry.3Till a’the seas gang dry, my dear,And the rocks melt wi’ the sun, O, I will luve thee still, my dear,While the sands o’life shall run.4And fare thee weel, my only luve,And fare thee weel a while! And I will come again, my luve,Tho’ it were ten thousand mile!She Walks in Beauty-------ByronShe walks in beauty, like the nightOf cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes:Thus mellow’d to that tender light Which heaven to gaudy day denies.One shade the more, one ray the less, Had half impair’d the nameless grace Which waves in every raven tress,Or softly lightens o’er her face;Where thoughts serenely sweet express How pure, how dear their dwelling-place.And on that cheek, and o’er that brow, So soft, so calm, yet eloquent,The smiles that win, the tints that glow, But tell of days in goodness spent,A mind at peace with all below.A heart whose love is innocent!。

jane austen英文简介简·奥斯汀，英国女小说家，英国女小说家，主要作品有《傲慢与偏见》、《理智与情感》等。

下面是店铺给大家整理的jane austen英文简介，供大家参阅!jane austen简介Jane Austen (December 16, 1775 - July 18, 1817), the British female novelist, the main works are "arrogance and prejudice", "reason and emotion" and so on.Jane Austen wrote her first novel at the age of 21, titled "The Initial Impression", she publishes the publisher with no results. In this year, she began to write "Eleanor and Marian", after she wrote "Nuosangjue Temple", written in 1799. Ten years later, the "initial impression" was rewritten, renamed "arrogance and prejudice", "Eleanor and Marianne" after rewriting, renamed "reason and emotion", were published. As for the "Nuosangjue Temple", the author did not book a lifetime. These three are Austen pre-works, written in her hometown of Steventon. Her later works are also three: "Mansfield Manor", "Emma" and "persuasion", are the author moved to Joe Dayton after the make. The first two have been published, only 1816 completed the "persuasion", because the author is not satisfied with the original outcome, to rewrite, not published. After her death, the brother Henry Austin was responsible for the publication of the "Nuosangjue Temple" and "persuasion", and for the first time with Jane Austen this real name.jane austen人物经历Jane Austen, born in December 1775 in Steventon, Hampshire, and eight brothers and sisters.The father served as the chief of the parish for more thanforty years. He is a profound knowledge of the priest, his wife was born in the more wealthy family, but also has a certain cultural accomplishment. Therefore, although Austin did not enter the formal school, but the family's excellent conditions and reading environment, gave her self-learning conditions, cultivate her writing interest. She began to write something at the age of thirteen, showing her talent in language. In 1800 the father retired, the family moved to Bath, Austin does not like this place, she was said to have suffered torture torture. Here, Austin rejected a young man who would inherit the great fortune, because she did not love him. Lived for four years or so, his father died in the place, so Austin and mother, sister and moved to Southampton, 1809 and then moved to Jordon. In early 1816 she was seriously ill, the body is weakening, in May 1817 was sent to Winchester for treatment, but the treatment is invalid, in the same year on July 18 died in her sister's arms. She was unmarried for the rest of her life and was buried in Winchester Cathedral jane austen创作特点Theme of the workAustin's characters are fictional, but they all reflect Austen's own view of marriage. The changes in the era of Austin life, social, economic and political changes have affected the various classes. At that time, the rural aristocracy and the landlord youth also reflected some ideas on human nature and humanity after the rise of the Renaissance. For example, "arrogance and prejudice" in the Elizabeth fully embodies Austen's longing for the love and marriage model, Elizabeth and Darcy in the exchanges, advocating the principle of equality between men and women, abandon the traditional male superiority view, and that noble feelings are people's normal need. At the same time, Austin'sideal marriage in addition to equality, respect, there is freedom and understanding, she hopes to help people get rid of the shackles of traditional thinking, to find themselves, to achieve self.Artistic characteristicsAusten's style of work is so witty, full of comedy. Because Austin life for the rest of his life in the feudal forces of the powerful village, coupled with well-off family, so the circle of life is very small. Which makes her works are often confined to the ordinary gentry daughter love the story of marriage, and her works to some extent reflect the feudal forces point of view. The work mainly through the ladies gentlemen's social communication, daily dialogue to reflect the family and social moral standards. Which makes Austen's work for a long time considered to be popular books. However, although Austen's work is likened to "two-inch ivory carvings", but she still through the gentleman's daily conversation and communication to reflect the social attitudes at that time, with humorous language to irony mercenary, love vanity phenomenon , Through the comic scenes ridicule people stupid, selfish, snobbish and blind self-confidence and other ridiculous weaknesses.。