海顿作品索引

交响乐之父──海顿海顿(Franz Joseph Haydn，1732年3月31日——1809年5月31日)，奥地利作曲家、古典主义音乐的杰出代表，是继巴赫之后的第一位伟大的器乐作曲家，被誉为“交响乐之父”和“弦乐四重奏之父”。

作为作曲家、小提琴家和指挥家，他是音乐史上最多产的作曲家之一。

海顿的作品以结构紧凑、明快、欢快、悠扬的特点而闻名。

何、莫扎特、贝多芬是维也纳古典乐派的杰出代表。

生平海顿出生于奥地利和匈牙利边境的小村庄罗劳、一个贫穷的车匠家庭中。

海顿5，6岁时，被送到海茵堡附近的亲戚家，接受教堂唱诗班训练。

1740年，在当时维也纳的斯蒂芬大教堂音乐总监乔治‧罗伊特尔下乡选苗子的时候被相中。

罗伊特尔把海顿带到了维也纳，在其后的9年里海顿学习唱歌、钢琴和小提琴。

离开合唱团后，经过10年艰苦的自由音乐人生涯，海顿写出了他的第一首四重奏和第一首歌剧。

斯蒂芬大教堂27岁时海顿受聘担任匈牙利艾斯台尔哈奇亲王的乐长，任职达30年之久。

海顿一生总共创作了104首交响曲、83首弦乐四重奏、52首钢琴奏鸣曲、23首歌剧、4部神剧，以及其他为数众多的协奏曲、室内乐、合唱曲、弥撒曲、歌曲等。

其中大多是他在艾斯台尔哈奇王府服务期间，因应音乐演奏的需要而作。

他最有代表性的作品有《惊愕交响曲》、《告别交响曲》、《时钟交响曲》、清唱剧《创世纪》和《皇帝四重奏》等。

作为拥有官衔的宫廷乐长，海顿跟随艾斯台尔哈奇（Esterházy）家族住过三个地方：大约离维也纳50公里的艾森施塔特、维也纳冬宫以及名为Eszterháza的城堡。

图为Eszterháza全景海顿在拿破仑攻陷维也纳后不久去世。

海顿在最后几年的生病期间，经常弹奏奥地利国王颂（Osterreichische Kaiserhymnen）来振奋精神。

这首曲子是他1797年以一个爱国者的热情创作的。

音乐成就海顿被公认为交响曲和弦乐四重奏之父，并且是钢琴协奏曲和钢琴三重奏的开创者。

海顿最著名的钢琴曲
海顿（Joseph Haydn）是17世纪的古典音乐大师，他的作品涵盖
了歌剧、交响曲、室内乐、小夜曲、协奏曲、钢琴曲等等。

海顿的钢
琴曲精彩多样，其中最受欢迎的是《室内乐集》（Hob.XVI：1-58）。

这套曲子包括58首小曲，风格各异，其中有优美的表演性曲子、家庭
乐趣曲子、华丽的协奏曲、创新的复调曲、旋律优美的多重曲子以及
诙谐的谐谑曲等等。

其中最著名的钢琴曲有：《室内乐集》之一的《F舞曲》
（Hob.XVI：1），它采用独特的节奏和旋律，创造出浓郁的气氛；
《室内乐集》之二的《D大调钢琴三重奏》（Hob.XVI：2），它充满了
浪漫情感，壮观而又活泼；《C大调旋律幻想曲》（Hob.XVI：3），它
丰富而精致，给人以深刻的印象；《室内乐集》中的《A大调钢琴四重奏》（Hob.XVI：4），它的复杂的旋律构造使它成为了不可多得的经
典作品；《室内乐集》中的《Es大调钢琴三重奏》（Hob.XVI：5），
它创造出美妙而又抒情的旋律，令人难忘；以及《室内乐集》中的《D
小调钢琴三重奏》（Hob.XVI：6）、《G大调重奏钢琴曲》（Hob.XVI：7）、《B大调旋律幻想曲》（Hob.XVI：8）等。

海顿的钢琴曲曾经给世界带来巨大的音乐影响，并在古典音乐史
上留下了浓墨重彩的一笔。

它们不仅在古典音乐界拥有无可替代的地位，也成为了流行音乐的一部分，不断受到艺术家们的追捧。

海顿最著名的钢琴曲约瑟夫·海顿（Joseph Haydn）是奥地利古典主义作曲家之一，他的音乐被认为是18世纪中叶崛起的古典主义音乐的代表，是古典音乐中最受欢迎的作曲家之一。

海顿的音乐作品包括交响曲、室内乐、教堂音乐和歌剧等，他最著名的也是最广泛演奏的作品是他的钢琴曲。

以下是海顿最著名的钢琴曲。

1. 物哀奏鸣曲（Piano Sonata No. 8 in C minor, Hob. XVI:20）《物哀奏鸣曲》是海顿的一首令人心醉的钢琴曲，也是他创作的最有名的钢琴作品之一。

这首曲子共分为三个乐章：快板、慢板和快板。

快板第一乐章以优美的旋律和激情澎湃的节奏为特色，与慢板的内向和柔情形成了鲜明的对比。

尤其是在慢板的部分，海顿创造了一种富有戏剧性的氛围，深深打动了听众的心弦。

2. 爱丽丝·德拉姆鲁伊 (Arietta con Variazioni in A-flat major, Hob. XVII:3)《爱丽丝·德拉姆鲁伊》是一首浪漫又优美的钢琴曲，被认为是海顿最具表现力的作品之一。

这首曲子共分为一首主题和六个变奏曲，它最初是为女钢琴家Albrechtsberger 编写的。

主题固定为A平调，变奏曲是细微的变化，每一变奏都展示了主题的不同方面，使听众听到了其中的美。

这首演奏会长笛协奏曲是海顿创作的钢琴协奏曲之一，是古典主义时期最受欢迎的协奏曲之一。

这首曲子通常被认为是海顿钢琴作品中最精简和最优美的，它有强烈的音乐节奏和美好的旋律。

5. 交响曲第45号“告别”（Symphony No. 45 in F-sharp minor, Hob. I:45）虽然这不是一首钢琴曲，但是这首交响曲展现了海顿的才华和创新性。

这首曲子的独特之处在于它以未知的方式向听众展示了无声的别离，它从头到尾都有着强烈的情感表现力，与其他乐器表现相比更加深刻。

这首曲子包含了多个乐章，共同为听众呈现了复杂而令人难以忘怀的主题和独特的节奏。

作品类型作品名原名编号创作时间调式交响曲第一交响曲Symphonie No.1Hob.1.11759D大调交响曲第A，B交响曲Symphonie A&B Hob1762降B大调交响曲第六交响曲(早晨)Symphonie No.6 “Le Matin”Hob1.61761D大调交响曲第七交响曲(中午)Symphonie No.7 “Le Midi”Hob1.71761C大调交响曲第八交响曲(夜)Symphonie No.8 “Le Soir”Hob1.81761G大调交响曲第22交响曲(哲学家)Symphonie No.22 “The Philosopher”Hob1.221764降E大调交响曲第26交响曲(哀伤)Symphonie No26 “Lamentatione”Hob1.261768D小调交响曲第31交响曲(号角)Symphonie No.31 “HornSignal”Hob1.311765D大调交响曲第44交响曲(悲伤)Symphonie No.44 “Trauersymphonie”Hob1.441771-1772C小调交响曲第45交响曲(告别)Symphonie No.45 “Abschieds”Hob1.45.1772升F小调交响曲第48交响曲(玛利亚.泰丽莎)Symphonie No.48 “Maria Theresia”Hob1.481773C大调交响曲第49交响曲(受难)Symphonie No.49 “La Passione”Hob1.491768F小调交响曲第60交响曲(神思恍惚的人)Symphonie No.60 “Il Distratto”Hob1.601774C大调交响曲第73交响曲(狩猎)Symphonie No.73 “La chasse”Hob1.731781D大调交响曲巴黎交响曲Paris Symphonie Hob交响曲第82交响曲(熊)Symphonie No.82 “L’ours”Hob1.821786C大调交响曲第83交响曲(母鸡)Symphonie No.83 “La Poule”Hob1.831785G小调交响曲第84交响曲Symphonie No.84Hob1.841786降E大调交响曲第85交响曲(皇后)Symphonie No.85 “La Reine”Hob1.851785-1786降B大调交响曲第86交响曲Symphonie No.86Hob1.861786D大调交响曲第88交响曲Symphonie No.88Hob1.881787G大调交响曲第92交响曲(牛津)Symphonie No.92 “Oxford”Hob1.921788G大调交响曲伦敦交响曲London Symphonie Hob交响曲第93交响曲Symphonie No.93Hob1.931791D大调交响曲第94交响曲(惊愕)Symphonie No.94 “The Surprise”Hob1.941791G大调交响曲第95交响曲Symphonie No.95Hob1.951791C小调交响曲第96交响曲(奇迹)Symphonie No.96 “The Miracle”Hob1.961771D大调交响曲第97交响曲Symphonie No.97Hob1.971792C大调交响曲第98交响曲Symphonie No.98Hob1.981792降B大调交响曲第99交响曲Symphonie No.99Hob1.991793降E大调交响曲第100交响曲(军队)Symphonie No.100 “Miliary”Hob1.1001793-1794G大调交响曲第101交响曲(时钟)Symphonie No.101 “The Clock”Hob1.1011794D大调交响曲第102交响曲Symphonie No.102Hob1.1021795降B大调交响曲第103交响曲(擂鼓)Symphonie No.103 “The Drum Roll”Hob1.1031795降E大调交响曲第104交响曲(伦敦)Symphonie No.104 “London”Hob1.1041795D大调交响曲协奏交响曲Sinfonia Concertante In B Hob1.1051792降B大调协奏曲第一号大提琴协奏曲Cello Concertos-1HobⅦb-11765-1767C大调协奏曲第二号大提琴协奏曲Cello Concertos-2HobⅦb-21783D大调协奏曲第一号小提琴协奏曲Violin Concertos-1HobⅦa-11761-1765C大调协奏曲第三号小提琴协奏曲Violin Concertos-3HobⅦa-31765-1777A大调协奏曲第四号小提琴协奏曲Violin Concertos-4HobⅦa-41761-1765G大调协奏曲键盘乐协奏曲(14首)Keyboard ConcertosⅦ/d31756-1784协奏曲圆号协奏曲Horn ConcertosⅦ/d4D大调协奏曲小号协奏曲Trumpet Concerto HobⅦe-11796降E大调协奏曲双簧管协奏曲Oboe Concerto HobⅦg/CA1C大调舞曲小步舞曲24首24 Minuets1792奏鸣曲<临终七言>Die sieben letzten Worte unseres Eriusers amkreuzeHobⅩⅩ-1A1785重奏曲钢琴三重奏45首Piano trios1771-1796重奏曲弦乐四重奏第1-12Strmg Quartets Nos.1-12Op.1.1-121750-1752重奏曲弦乐四重奏第13-18Strmg Quartets Nos.13-18Op.31763-1764重奏曲弦乐四重奏第19-24Strmg Quartets Nos.19-24Op.91767-1770重奏曲弦乐四重奏第25-30Strmg Quartets Nos.25-30Op.171771重奏曲弦乐四重奏第31-36Strmg Quartets Nos.31-36Op.201772重奏曲弦乐四重奏第37-42Strmg Quartets Nos.37-42Op.331781重奏曲弦乐四重奏第43Strmg Quartets Nos.431786D小调重奏曲弦乐四重奏第44-49Strmg Quartets Nos.44-49Op.501787重奏曲弦乐四重奏第50-56Strmg Quartets Nos.50-56Op.511785重奏曲弦乐四重奏第57-62Strmg Quartets Nos.57-62Op.54-55重奏曲弦乐四重奏第63-68Strmg Quartets Nos.63-68Op.641790重奏曲弦乐四重奏第69-74Strmg Quartets Nos.69-74Op71-741793重奏曲弦乐四重奏第75-80Strmg Quartets Nos.75-80Op.761797重奏曲弦乐四重奏第81-82Strmg Quartets Nos.81-82Op771799重奏曲弦乐四重奏第83Strmg Quartets Nos.83Op1031803降B大调重奏曲维奥尔琴三重奏(126首)Baryton Trios嬉游曲弦乐嬉游曲(12首)String Divertimenti1767-1781重奏曲长笛三重奏,四重奏Flute trios & quartets奏鸣曲古钢琴奏鸣曲第20号Piano Sonata No.20HobⅩⅥ-201771C小调奏鸣曲古钢琴奏鸣曲第28号Piano Sonata No.28HobⅩⅥ-281776降E大调奏鸣曲古钢琴奏鸣曲第34号Piano Sonata No.34HobⅩⅥ-341778E小调奏鸣曲古钢琴奏鸣曲第35号Piano Sonata No.35HobⅩⅥ-351770-1771C大调奏鸣曲古钢琴奏鸣曲第36号Piano Sonata No.36HobⅩⅥ-361780升C小调奏鸣曲古钢琴奏鸣曲第37号Piano Sonata No.37HobⅩⅥ-37D大调奏鸣曲古钢琴奏鸣曲第40号Piano Sonata No.40HobⅩⅥ-401784G大调奏鸣曲古钢琴奏鸣曲第41号Piano Sonata No.41HobⅩⅥ-411784降B大调奏鸣曲古钢琴奏鸣曲第48号Piano Sonata No.48HobⅩⅥ-481789C大调奏鸣曲古钢琴奏鸣曲第49号Piano Sonata No.49HobⅩⅥ-491789-1790降E大调奏鸣曲古钢琴奏鸣曲第50号Piano Sonata No.50HobⅩⅥ-501794-1795C大调奏鸣曲古钢琴奏鸣曲第52号Piano Sonata No.52HobⅩⅥ-52降E大调奏鸣曲古钢琴奏鸣曲Piano variations in F min Op.831793F小调小品为长笛而作的机械钟小品32首32 Flute-Clock Pieces HobⅩⅨ1789-1796弥撒曲弥撒曲第1号(降温的罗拉特)Mass No.1 ‘Rorate coeli desuper’HobⅩⅫ/3G大调弥撒曲弥撒曲第2.3号Mass No.2 &3HobⅩⅫ/11749F大调C大调弥撒曲弥撒曲第5.6号Mass No.5 &6HobⅩⅫ/41774降E大调G大调弥撒曲弥撒曲第7号(约尼斯)Mass No.7 “Joannis de Deo”HobⅩⅫ/71779降B大调弥撒曲弥撒曲第8.9号Mass No.8 &9HobⅩⅫ/81782C大调降B大调弥撒曲弥撒曲第10号(定音鼓)Mass No.10 “Missa in tempore belli”HobⅩⅫ/91796C大调弥撒曲弥撒曲第11号(纳尔逊)Mass No.11 “Nelsonmesse”HobⅩⅫ/111798D小调弥撒曲弥撒曲第12号(特蕾西亚)Mass No.12 “Theresienmesse”HobⅩⅫ/121799降B大调弥撒曲弥撒曲第13号(创世纪)Mass No.13’Schopfungmesse’HobⅩⅫ/131801降B大调弥撒曲弥撒曲第14号(管乐队)Mass No.14 “Harmoniemesse”HobⅩⅫ/141802降B大调清唱剧喝彩Applausus HobⅩⅪVA/61768清唱剧托比亚回家Il Ritorno di Tobla HobⅩⅩ1/11774-1775康塔塔阿里阿德涅在纳索斯Ariadna a Naxos HobⅩⅩVLB/21790圣母悼歌Stabat Mater H obⅩⅩBIS1767清唱剧创世纪The Creation1797-1798清唱剧四季The Seasons HobⅩⅩ1/31799-1801感恩赞Te Deum HobⅩⅩⅢc1765;1800C大调歌剧阿尔米达Armida HobⅩⅩⅧ/121783歌剧哲学家的灵魂L’Anima del filosofo Hob1791歌剧歌女Cantarina HobⅩⅩⅦ/11766歌剧落空的不贞L’infede lta delusa HobⅩⅩⅧ/51773歌剧突然的相遇L’incontro improvviso HobⅩⅩLⅥⅡ/61775歌剧奥兰多.帕拉蒂诺Oriando Paladino HobⅩⅩⅧ/111782歌剧月亮的世界Il Mondo della Luna Hob1777歌剧善有善报La Fedelta Premiata Hob1781歌剧真诚的贞操La Vera Costanza HobⅩⅩⅧ/81779歌剧无人岛I’isola disabitata HobⅩⅩⅧ/91779歌剧药剂师Lo Speziale Hob1768歌曲歌曲Lieder HobⅩⅩⅥ/25-361794-1795。

List of concertos by Joseph Haydn Contents1. Concertos• 1.1 For violin• 1.2 For violoncello• 1.3 For violone (double bass)• 1.4 For horn• 1.5 For trumpet• 1.6 For flute• 1.7 For oboe• 1.8 For 2 lire organizzate• 1.9 For baryton• 1.10 For harpsichord, organ or piano2. Masses3. Operas• 3.1 Composed as a freelance musician• 3.2 Composed during Haydn's service for the Eszterházy family• 3.3 Composed for the first London journey4. Piano Trios• 4.1 Early trios• 4.2 Later trios5. Solo piano• 1 Piano Sonatas• 2 Piano pieces6. String quartets• 1 Opus 1• 2 Opus 2• 3 Opus 3 (spurious)• 4 Opus 9 (1771)• 5 Opus 17 (1771)• 6 Opus 20, the "Sun" quartets (1772)•7 Opus 33, the "Russian" quartets (1781)•8 Opus 42 (1785)•9 Opus 50, the "Prussian" quartets (1787)•10 Opus 51 (1787)•11 Opus 54, 55, the "Tost" quartets, sets I & II (1788)•12 Opus 64, the "Tost" quartets, set III (1790)•13 Opus 71, 74, the "Apponyi" quartets (1793)•14 Opus 76, the "Erdödy" quartets (1796-1797)•15 Opus 77, the "Lobkowitz" quartets (1799)•16 Opus 103 (1803)7. Symphonies1.Concertos1.1 For violin•Violin Concerto No. 1 in C major, Hob. VIIa/1 (ca. 1765)•Violin Concerto No. 2 in D major, Hob. VIIa/2 (lost)•Violin Concerto No. 3 in A major, Hob. VIIa/3 (ca. 1770)•Violin Concerto No. 4 in G major, Hob. VIIa/4 (ca. 1769)1.2 For violoncello•Cello Concerto No. 1 in C, Hob. VIIb/1 (1761-5)•Cello Concerto No. 2 in D, Hob. VIIb/2 (1783)•Cello Concerto No. 3 in C, Hob. VIIb/3 (lost)•Cello Concerto No. 4 in D, Hob. VIIb/4 (spurious)1.3 For violone (double bass)•Violone Concerto in D, Hob. VIIc/1 (lost)1.4 For horn•Concerto for Two Horns in E flat, Hob. VIId/2 (lost)•Horn Concerto No. 1 in D, Hob. VIId/3, 1762•Horn Concerto No. 2 in D, Hob. VIId/4 (doubtful), 1781•Concerto for Two Horns in E flat, Hob. VIId/6 (attrib.)3.3 Composed for the first London journey•1791: L'anima del filosofo, Hob. 28/13, dramma per musica in 4 acts (libretto by Carlo Francesco Badini). Haydn's own version of the Orpheus tale, the plot ofa great many operas. Haydn's only post-Esterházy opera, composed for his 1791 trip to London but never performed there, due to intrigues.4. Piano trios4.1 Early trios•No. 1 in F major, Hoboken 15/37•No. 2 in C major, Hoboken 15/C1•No. 3 in G major, Hoboken 14/6•No. 4 in F major, Hoboken 15/39•No. 5 in G minor, Hoboken 15/1•No. 6 in F major, Hoboken 15/40 (exists with a different slow movement as the piano concerto Hob. 18/7)•No. 7 in G major, Hoboken 15/41•No. 8 in D major, Hoboken 15/33 (lost)•No. 9 in D major, Hoboken 15/D1 (lost)•No. 10 in A major, Hoboken 15/35•No. 11 in E major, Hoboken 15/34•No. 12 in E flat major, Hoboken 15/36•No. 13 in B flat major, Hoboken 15/38•No. 14 in F minor, Hoboken 15/f1•No. 15 in D major, Hoboken 15/deest•No. 16 in C major, Hoboken 14/C1•No. 17 in F major, Hoboken 15/24.2 Later trios•No. 18 in G major, Hoboken 15/5 (1784)•No. 19 in F major, Hoboken 15/6 (1784)•No. 20 in D major, Hoboken 15/7 (1784)•No. 21 in B flat major, Hoboken 15/8 (1784)•No. 22 in A major, Hoboken 15/9 (1785)•No. 23 in E flat major, Hoboken 15/10 (1785)•No. 24 in E flat major, Hoboken 15/11 (1788)•No. 25 in E minor, Hoboken 15/12 (1788)•No. 26 in C minor, Hoboken 15/13 (1789)•No. 27 in A flat major, Hoboken 15/14 (1790)•No. 28 in D major, Hoboken 15/16 (1790)•No. 29 in G major, Hoboken 15/15 (1790)•No. 30 in F major, Hoboken 15/17 (1790)•No. 31 in G major, Hoboken 15/32 (1792)Three trios (H. 18-20) dedicated to Princess Maria Anna, wife of Prince Anton Esterházy:•No. 32 in A major, Hoboken 15/18 (1793)•No. 33 in G minor, Hoboken 15/19 (1793)•No. 34 in B flat major, Hoboken 15/20 (1794)Three trios (H. 21-23) dedicated to Princess Maria Josepha, wife of Prince Nicholas Esterházy:•No. 35 in C major, Hoboken 15/21 (1794)•No. 36 in E flat major, Hoboken 15/22 (1794)•No. 37 in D minor, Hoboken 15/23 (1794)Three trios (H. 24-26) dedicated to Rebecca Schroeter:•No. 38 in D major, Hoboken 15/24 (1795)•Quartet No. 18 in E major, Op. 17, No. 1, FHE No. 1, Hoboken No. III:25•Quartet No. 19 in C minor, Op. 17, No. 4, FHE No. 4, Hoboken No. III:28•Quartet No. 20 in D major, Op. 17, No. 6, FHE No. 6, Hoboken No. III:30•Quartet No. 21 In E♭major, Op. 17, No. 3, FHE No. 3, Hoboken No. III:27•Quartet No. 22 in G major, Op. 17, No. 5, FHE No. 5, Hoboken No. III:29Opus 20, the "Sun" quartets (1772)•Quartet No. 23 in F minor, Op. 20, No. 5, FHE No. 47, Hoboken No. III:35•Quartet No. 24 in A major, Op. 20, No. 6, FHE No. 48, Hoboken No. III:36•Quartet No. 25 in C major, Op. 20, No. 2, FHE No. 44, Hoboken No. III:32•Quartet No. 26 in G minor, Op. 20, No. 3, FHE No. 45, Hoboken No. III:33•Quartet No. 27 in D major, Op. 20, No. 4, FHE No. 46, Hoboken No. III:34•Quartet No. 28 in E♭major, Op. 20, No. 1, FHE No. 43, Hoboken No. III:31Opus 33, the "Russian" quartets (1781)•Quartet No. 29 in G major ("How Do You Do?"), Op. 33, No. 5, FHE No. 74, Hoboken No. III:41•Quartet No. 30 in E♭major ("The Joke"), Op. 33, No. 2, FHE No. 71, Hoboken No. III:38•Quartet No. 31 in B minor, Op. 33, No. 1, FHE No. 70, Hoboken No. III:37•Quartet No. 32 in C major ("The Bird"), Op. 33, No. 3, FHE No. 72, Hoboken No. III:39•Quartet No. 33 in D major, Op. 33, No. 6, FHE No. 75, Hoboken No. III:42•Quartet No. 34 in B♭major, Op. 33, No. 4, FHE No. 73, Hoboken No. III:40Opus 42 (1785)•Quartet No. 35 in D minor, Op. 42, FHE No. 15, Hoboken No. III:43Opus 50, the "Prussian" quartets (1787)•Quartet No. 36 in B♭major, Op. 50, No. 1, FHE No. 10, Hoboken No. III:44•Quartet No. 37 in C major, Op. 50, No. 2, FHE No. 11, Hoboken No. III:45•Quartet No. 38 in E♭major, Op. 50, No. 3, FHE No. 12, Hoboken No. III:46•Quartet No. 39 in F♯minor, Op. 50, No. 4, FHE No. 25, Hoboken No. III:47•Quartet No. 40 in F major ("Dream"), Op. 50, No. 5, FHE No. 26, Hoboken No. III:48•Quartet No. 41 in D major ("The Frog"), Op. 50, No. 6, FHE No. 27, Hoboken No. III:49Opus 51 (1787)•The Seven Last Words of Christ, Op. 51 (transcription of work originally written for orchestra), Hoboken No. III:50-56 Opus 54, 55, the "Tost" quartets, sets I & II (1788)•Quartet No. 42 in C major, Op. 54, No. 2, FHE No. 20, Hoboken No. III:57•Quartet No. 43 in G major, Op. 54, No. 1, FHE No. 19, Hoboken No. III:58•Quartet No. 44 in E major, Op. 54, No. 3, FHE No. 21, Hoboken No. III:59•Quartet No. 45 in A major, Op. 55, No. 1, FHE No. 22, Hoboken No. III:60•Quartet No. 46 in F minor ("Razor"), Op. 55, No. 2, FHE No. 23, Hoboken No. III:61•Quartet No. 47 in B♭major, Op. 55, No. 3, FHE No. 24, Hoboken No. III:62Opus 64, the "Tost" quartets, set III (1790)•Quartet No. 48 in C major, Op. 64, No. 1, FHE No. 31, Hoboken No. III:65•Quartet No. 49 in B minor, Op. 64, No. 2, FHE No. 32, Hoboken No. III:68•Quartet No. 50 in B♭major, Op. 64, No. 3, FHE No. 33, Hoboken No. III:67•Quartet No. 51 in G major, Op. 64, No. 4, FHE No. 34, Hoboken No. III:66•Quartet No. 52 in E♭major, Op. 64, No. 6, FHE No. 36, Hoboken No. III:64•Quartet No. 53 in D major ("The Lark"), Op. 64, No. 5, FHE No. 35, Hoboken No. III:63Opus 71, 74, the "Apponyi" quartets (1793)•Quartet No. 54 in B♭major, Op. 71, No. 1, FHE No. 37, Hoboken No. III:69•Quartet No. 55 in D major, Op. 71, No. 2, FHE No. 38, Hoboken No. III:70•Quartet No. 56 in E♭major, Op. 71, No. 3, FHE No. 39, Hoboken No. III:71•Quartet No. 57 in C major, Op. 74, No. 1, FHE No. 28, Hoboken No. III:72•Quartet No. 58 in F major, Op. 74, No. 2, FHE No. 29, Hoboken No. III:73•Quartet No. 59 in G minor ("Rider"), Op. 74, No. 3, FHE No. 30, Hoboken No. III:74Opus 76, the "Erdödy" quartets (1796-1797)•Quartet No. 60 in G major, Op. 76, No. 1, FHE No. 40, Hoboken No. III:75•Quartet No. 61 in D minor ("Quinten", "Fifths", "The Donkey"), Op. 76, No. 2, FHE No. 41, Hoboken No. III:76•Quartet No. 62 in C major ("Emperor" or "Kaiser"), Op. 76, No. 3, FHE No. 42, Hoboken No. III:77•Quartet No. 63 in B♭major ("Sunrise"), Op. 76, No. 4, FHE No. 49, Hoboken No. III:78•Quartet No. 64 in D major ("Largo"), Op. 76, No. 5, FHE No. 50, Hoboken No. III:79•Quartet No. 65 in E♭major, Op. 76, No. 6, FHE No. 51, Hoboken No. III:80Opus 77, the "Lobkowitz" quartets (1799)•Quartet No. 66 in G major, Op. 77, No. 1, FHE No. 13, Hoboken No. III:81•Quartet No. 67 in F major, Op. 77, No. 2, FHE No. 14, Hoboken No. III:82Opus 103 (1803)•Quartet No. 68 in D minor, Op. 103, Hoboken No. III:83 (incomplete)7. Symphonies •Symphony No. 1 in D major (composed by 1759)•Symphony No. 2 in C major (composed by 1764)•Symphony No. 3 in G major (composed by 1762)•Symphony No. 4 in D major (composed by 1762)•Symphony No. 5 in A major (composed by 1762)•Symphony No. 6 in D major, Le matin (1761?)•Symphony No. 7 in C major, Le midi (1761)•Symphony No. 8 in G major, Le soir (1761?)•Symphony No. 9 in C major (1762)•Symphony No. 10 in D major (composed by 1766)•Symphony No. 11 in E-flat major (composed by 1769)•Symphony No. 12 in E major (1763)•Symphony No. 13 in D major (1763)•Symphony No. 14 in A major (composed by 1764)•Symphony No. 15 in D major (composed by 1764)•Symphony No. 16 in B-flat major (composed by 1766)•Symphony No. 17 in F major (composed by 1765)•Symphony No. 18 in G major (composed by 1766)•Symphony No. 19 in D major (composed by 1766)•Symphony No. 20 in C major (composed by 1766)•Symphony No. 21 in A major (1764)•Symphony No. 22 in E-flat major, Philosopher (1764)•Symphony No. 23 in G major (1764)•Symphony No. 24 in D major (1764)•Symphony No. 25 in C major (1766)•Symphony No. 26 in D minor, Lamentatione (1770)•Symphony No. 27 in G major (composed by 1766)•Symphony No. 28 in A major (1765)•Symphony No. 29 in E major (1765)•Symphony No. 30 in C major, Alleluia (1765)•Symphony No. 31 in D major, Hornsignal (1765)•Symphony No. 32 in C major (composed by 1766)•Symphony No. 33 in C major (composed by 1767)•Symphony No. 34 in D minor (composed by 1767)•Symphony No. 35 in B-flat major (1767)•Symphony No. 36 in E-flat major (composed by 1769)•Symphony No. 37 in C major (composed by 1758)•Symphony No. 38 in C major, Echo (composed by 1769)•Symphony No. 39 in G minor (composed by 1768)•Symphony No. 40 in F major (1763)•Symphony No. 41 in C major (composed by 1770)•Symphony No. 42 in D major (1771)•Symphony No. 43 in E-flat major, Mercury (composed by 1772) •Symphony No. 44 in E minor, Trauer (composed by 1772)•Symphony No. 45 in F-sharp minor, Farewell (1772)•Symphony No. 46 in B major (1772)•Symphony No. 47 in G major, The Palindrome (1772)•Symphony No. 48 in C major, Maria Theresia (composed by 1769) •Symphony No. 49 in F minor, La passione (1768)•Symphony No. 50 in C major (1773)•Symphony No. 51 in B-flat major (composed by 1774)•Symphony No. 52 in C minor (composed by 1774)•Symphony No. 53 in D major, L'impériale (1778)/(1779)•Symphony No. 54 in G major (1774)•Symphony No. 55 in E-flat major, The Schoolmaster (1774) •Symphony No. 56 in C major (1774)•Symphony No. 57 in D major (1774)•Symphony No. 58 in F major (composed by 1774)•Symphony No. 59 in A major, Feuer (composed by 1769)•Symphony No. 60 in C major, Il distratto (composed by 1774) •Symphony No. 61 in D major (1776)•Symphony No. 62 in D major (composed by 1781)•Symphony No. 63 in C major, La Roxelane (composed by 1781)•Symphony No. 64 in A major, Tempora mutantur (composed by 1775)•Symphony No. 65 in A major (composed by 1778)•Symphony No. 66 in B-flat major (composed by 1779)•Symphony No. 67 in F major (composed by 1779)•Symphony No. 68 in B-flat major (composed by 1779)•Symphony No. 69 in C major, Laudon (composed by 1779)•Symphony No. 70 in D major (composed by 1779)•Symphony No. 71 in B-flat major (composed by 1780)•Symphony No. 72 in D major (composed between 1763–1765)•Symphony No. 73 in D major, La chasse (composed by 1782)•Symphony No. 74 in E-flat major (composed by 1781)•Symphony No. 75 in D major (composed by 1781)•Symphony No. 76 in E-flat major (1782?)•Symphony No. 77 in B-flat major (1782?)•Symphony No. 78 in C minor (|1782?)•Symphony No. 79 in F major (composed by 1784)•Symphony No. 80 in D minor (composed by 1784)•Symphony No. 81 in G major (composed by 1784)•The "Paris symphonies":o Symphony No. 82 in C major, The Bear (1786)o Symphony No. 83 in G minor, The Hen (1785)o Symphony No. 84 in E-flat major, In nomine Domini (1786)o Symphony No. 85 in B-flat major, La Reine ("The Queen") (1785?)o Symphony No. 86 in D major (1786)o Symphony No. 87 in A major (1785)•Symphony No. 88 in G major (1787?)•Symphony No. 89 in F major (1787)•Symphony No. 90 in C major (1788)•Symphony No. 91 in E-flat major (1788)•Symphony No. 92 in G major, Oxford (1789)•The "London symphonies":o Symphony No. 93 in D major (1791)o Symphony No. 94 in G major, The Surprise (1791)o Symphony No. 95 in C minor (1791)o Symphony No. 96 in D major, The Miracle (1791)o Symphony No. 97 in C major (1792)o Symphony No. 98 in B-flat major (1792)o Symphony No. 99 in E-flat major (1793)o Symphony No. 100 in G major, Military (1793)/(1794)o Symphony No. 101 in D major, The Clock (1793)/(1794)o Symphony No. 102 in B-flat major (1794)o Symphony No. 103 in E-flat major, Drumroll (1795)o Symphony No. 104 in D major, London (1795)7.1 Hoboken also includes four other works in his "Symphony" category (Hob. I):•Hob. I/105 in B-flat major, better known as the Sinfonia Concertante for violin, cello, oboe and bassoon (1792) •Hob. I/106, for which only one part has survived (1769?)•Hob. I/107 in B-flat major, often known not by a number but as Symphony A (composed by 1762)•Hob. I/108 in B-flat major, often known not by a number but as Symphony B (composed by 1765)。

海顿的作品有哪些？1、主要作品他最有代表性的作品有《惊愕交响曲》、《告别交响曲》、《时钟交响曲》、清唱剧《创世纪》和《皇帝四重奏》、《伦敦交响曲》等。

2、人物简介弗朗茨·约瑟夫·海顿(1732年3月31日-—1809年5月31日)，又译海登、海典、偕丁，维也纳古典乐派的奠基人，交响乐之父，出生于奥地利南方靠近匈牙利边境的风景秀丽的罗劳村。

海顿是世界音乐史上影响巨大的重要作曲家。

他是维也纳古典乐派的第一位代表人物，一位颇具创造精神的作曲家。

海顿的音乐幽默、明快，含有宗教式的超脱，他将奏鸣曲式从钢琴发展到弦乐重奏上，他是器乐主调的创始人，将传统对位法的独立声部完全同化了，将主题发展自行展开。

后期他访问英国，接受牛津大学授予的音乐博士头衔，受到了韩德尔的影响，也受莫扎特的影响，产生旋律优美的抒情色彩，出现类似巴洛克的风格。

他用弦乐四重奏代替钢琴，用管弦乐代替管风琴，创造了两种新型的和声演奏形式。

3、主要贡献海顿对古典音乐的主要贡献是交响曲和四重奏，由于他对于交响曲体裁的形成和完善作出了巨大贡献，因此被人们称作“交响乐之父”。

海顿的性格善良，诚恳而质朴，是一个人道主义者。

他的这些性格在音乐中得到了十分明显的体现。

他还热心关怀青年音乐家，莫扎特、贝多芬等作曲家都曾向海顿求教，并且尊称他为“我们的父亲”。

海顿主要作品包括交响曲弦乐四重奏清唱剧钢琴奏鸣曲钢琴三重奏大提琴协奏曲小号协奏曲上低音维尔奥琴三重奏德国舞曲等等。

海顿的代表作品有《告别交响乐》、《惊愕交响乐》、《时钟交响乐》以及清唱剧《四季》、《创世纪》附：海顿(1732～1809),奥地利著名作品家,维也纳古典乐派的代表人物之一.自幼在艰苦的条件下学习音乐,后进入匈牙利宫廷,开始创作大量作品,成为当时首屈一指的.音乐家.海顿的创作涉及面很广,其中以交响乐和弦乐四重奏最为杰出,他把交响乐固定为四个乐章的形式,并在配器上形成一套完整的交响乐队编制,为现代交响乐的发展奠定了基础,被称为“交响乐之父”和“弦乐四重奏之父”.海顿还是现德国国歌的作者.海顿一生创作了100多部交响乐,海顿是个很幽默的人,他的交响乐都很明快,无不反映他幽默的性格.海顿的交响乐也有着很风趣的标题,比如“时钟交响乐”是因为乐章中滴答做响的音乐;“鼓声交响乐”是因为乐曲不同凡响的开始;“惊愕交响乐”是因为它可以让任何打瞌睡的人惊醒;而“奇迹交响乐”在上演时出现了奇迹,观众席上的一架大吊灯在演出时掉了下来,砸向人群,这时观众们恰巧涌向前台欢呼,所以没有一个人受伤;“告别交响乐”就更有意思了,海顿用这首交响乐为乐队的乐手们申请假期.海顿管弦乐作品的颠峰之作就是他为伦敦音乐会创作的12部交响乐.在这12部交响乐中,最后一部就是“伦敦交响乐”.“伦敦交响乐”显示了海顿交响乐的成熟,尽显古典风格.海顿在室内乐中的成就也很丰富,他一生创作了70多首弦乐四重奏作品,除此,海顿还创作了一些奏鸣曲和钢琴三重奏,并创作了一些歌剧、清唱剧、弥撒曲.在海顿的清唱剧中最著名的是《创世纪》和《四季》.。

约瑟夫海顿生涯交响乐作品一览弗朗茨·约瑟夫·海顿(Franz Joseph Haydn，1732年3月31日～1809年5月31日)，出生于奥地利南部的罗劳。

下面是小编为大家整理的约瑟夫海顿生涯交响乐作品一览，仅供参考，喜欢可以收藏分享一下哟!约瑟夫海顿生涯交响乐作品弗朗茨·约瑟夫·海顿的作品：《第四十五交响曲》(告别Abschied)、《第九十二交响曲》(牛津Oxford)、《第九十四交响曲》(惊愕Surprise)、《第一百交响曲》(军队Military)、《第一百零一交响曲》(时钟Clock)、《第一百零三交响曲》(鼓声Drum-roll)、《第一百零四交响曲》(伦敦London);弦乐四重奏第三、十七、二十、六十四、七十六、七十七号;清唱剧《创世纪》(TheCreation)、《四季》(TheSeasons)约瑟夫海顿个人简介海顿伟大的贡献是将所有这一切综合为一种具有可信的逻辑和永恒生命力的风格。

这一成就使海顿成为与康德同等的一个平辈人和战友。

克雷奇马尔称海顿的风格是“整个艺术史中最伟大的成就之一”，这话千真万确。

(《西方文明中的音乐》保罗·亨利·朗评)如果天赋和一个好人能够融于一体的话，那么海顿就是一例。

他正好走到极限。

这个极限把道德带给知识：他写了很多乐曲，都是没有”先例“的。

(哲学家尼采评)在海顿的交响曲中闪动着充满青春朝气的节奏性舞蹈旋律。

它的交错、分散和重新组合，所有这一切都是用高超的对位技巧来完成的。

这样一个过程最后几乎不再是一个灵巧手段的结果，而是成了根据幻想法则而进行舞蹈的一种诗性，它渗透到真正的乐观人生的肌肤里去。

(作曲家瓦格纳评)海顿是一个伟大的乐队配器家，他是现代乐队配器之父。

约瑟夫海顿创作特征总体特征海顿的音乐作品涉及各种体裁与形式，创作有100多首交响曲、为各种乐器使用的协奏曲、80余首弦乐四重奏、50多首钢琴奏鸣曲、30部左右的歌剧、以及大量的弥撒曲和宗教礼仪曲、康塔塔、清唱剧、独唱用的声乐曲、小型器乐曲(嘻游曲、小夜曲、小步舞曲等)，还有众多的民歌改编曲。