Wuthering Heights(呼啸山庄)1970经典电影英文影评
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呼啸山庄WUTHERING HEIGHTS英文读后感(优秀7篇)《呼啸山庄》英文读后感篇一The feeling of 《pride And prejudice》Then man treat great event in one’s life with punishing, Demonstrate different attitudes to the love question of the marriage of young girl of the family origin of middle cla of villages and towns, Thus reflected authors oneself’s marriage view: It is wrong to get married for the property, money and position; Get married and does not consider that above-mentioned factors are unwise too 。
So, she objects to getting married for money , objecting to regarding the marriage as a trifling matter 。
She emphasizes the importance of the ideal marriage ,and regard men and women’s emotion as the foundation stone which concludes the ideal marriage 。
The woman protagonist in the book Elizabeth comes from the little landlord’s family, reaches the west to have deep love for for the rich and powerful people sons and younger the disparity of ignoring family status and wealth of the west, propose to her, but is refused.Elizabeth’s misunderstanding and prejudice to him are a reason, but a main one is the arrogance that she dislikes the thes of the west in fact status’ the reflections of difference, existthis kind arrogant, Not having common thoughts and feelings between he and Elizabeth, the marriage that can not have lofty ideals 。
(呼啸山庄)Wuthering-Heights-英文介绍及赏析第一篇:(呼啸山庄)Wuthering-Heights-英文介绍及赏析呼啸山庄Wuthering Heights transcends its genre in its sophisticated observation and artistic subtlety.The novel has been studied, analyzed, dissected, and discussed from every imaginable critical perspective, yet it remains unexhausted.And while the novel’s symbolism, themes, structure, and language may all spark fertile exploration, the bulk of its popularity may rest on its unforgettable characters.As a shattering presentation of the doomed love affair between the fiercely passionate Catherine and Heathcliff, it remains one of the most haunting love stories in all of literature.Today, Wuthering Heights has a secure position in the canon of world literature, and Emily Brontë is revered as one of the finest writers—male or female—of the nineteenth century.Like Charlotte Brontë’s Jane Eyre, Wuthering Heights is based partly on the Gothic tradition of the late eighteenth century, a style of literature that featured supernatural encounters, crumbling ruins, moonless nights, and grotesque imagery, seeking to create effects of mystery and fear.But Wuthering Heights transcends its genre in its sophisticated observation and artistic subtlety.The novel has been studied, analyzed, dissected, and discussed from every imaginable critical perspective, yet it remains unexhausted.And while the novel’s symbolism, themes, structure, and language may all spark fertile exploration, the bulk of its popularity may rest on its unforgettable characters.As a shattering presentation of the doomed love affair between the fiercely passionate Catherine and Heathcliff, it remains one of the most haunting love storiesin all of literature.Analysis of Major Characters Heathcliff Wuthering Heights centers around the story of Heathcliff.The first paragraph of the novel provides a vivid physical picture of him, as Lockwood describes how his “black eyes” withdraw suspiciously under his brows at Lockwood’s approach.Nelly’s story begins with his introduction into the Earnshaw family, his vengeful machinations drive the entire plot, and his death ends the book.The desire to understand him and his motivations has kept countless readers engaged in the novel.Heathcliff, however, defies being understood, and it is difficult for readers to resist seeing what they want or expect to see in him.The novel teases the reader with the possibility that Heathcliff is something other than what he seems—that his cruelty is merely an expression of his frustrated love for Catherine, or that his sinister behaviors serve to conceal the heart of a romantic hero.We expect Heathcliff’s character to contain such a hidden virtue because he resembles a hero in a romance novel.Traditionally, romance novel heroes appear dangerous, brooding, and cold at first, only later to emerge as fiercely devoted and loving.One hundred years before Emily Brontë wrote Wuthering Heights, the notion that “a reformed rake makes the best husband” was already a cliché of romantic literature, and romance novels center around the same cliché to this day.However, Heathcliff does not reform, and his malevolence proves so great and long-lasting that it cannot be adequately explained even as a desire for revenge against Hindley, Catherine, Edgar, etc.As he himself points out, his abuse of Isabella is purely sadistic, as he amuses himself by seeing how much abuse she can take and still come cringing back for more.Critic Joyce Carol Oates argues that Emily Brontë does the same thing to the reader that Heathcliff does to Isabella, testingto see how many times the reader can be shocked by Heathcliff’s gratuitous violence and still, masochistically, insist on seeing him as a romantic hero.呼啸山庄It is significant that Heathcliff begins his life as a homeless orphan on the streets of Liverpool.When Brontë composed her book, in the 1840s, the English economy was severely depressed, and the conditions of the factory workers in industrial areas like Liverpool were so appalling that the upper and middle classes feared violent revolt.Thus, many of the more affluent members of society beheld these workers with a mixture of sympathy and fear.In literature, the smoky, threatening, miserable factory-towns were often represented in religious terms, and compared to hell.The poet William Blake, writing near the turn of the nineteenth century, speaks of England’s “dark Satanic Mills.” Heathcliff, of course, is frequently compared to a demon by the other characters in the book.Considering this historical context, Heathcliff seems to embody the anxieties that the book’s upper-and middle-class audience had about the working classes.The reader may easily sympathize with him when he is powerless, as a child tyrannized by Hindley Earnshaw, but he becomes a villain when he acquires power and returns to Wuthering Heights with money and the trappings of a gentleman.This corresponds with the ambivalence the upper classes felt toward the lower classes—the upper classes had charitable impulses toward lower-class citizens when they were miserable, but feared the prospect of the lower classes trying to escape their miserable circumstances by acquiring political, social, cultural, or economic power.Catherine The location of Catherine’s coffin symbolizes the conflict that tears apart her short life.She is not buried in the chapel with the Lintons.Nor isher coffin placed among the tombs of the Earnshaws.Instead, as Nelly describes in Chapter XVI, Catherine is buried “in a corner of the kirkyard, where the wall is so low that heath and bilberry plants have climbed over it from the moor.” Moreover, she is buried with Edgar on one side and Heathcliff on the other, suggesting her conflicted loyalties.Her actions are driven in part by her social ambitions, which initially are awakened during her first stay at the Lintons’, and which eventually compel her to marry Edgar.However, she is also motivated by impulses that prompt her to violate social conventions—to love Heathcliff, throw temper tantrums, and run around on the moor.Edgar Just as Isabella Linton serves as Catherine’s foil, Edgar Linton serves as Heathcliff’s.Edgar is born and raised a gentleman.He is graceful, well-mannered, and instilled with civilized virtues.These qualities cause Catherine to choose Edgar over Heathcliff and thus to initiate the contention between the men.Nevertheless, Edgar’s gentlemanly qualities ultimately prove useless in his ensuing rivalry with Heathcliff.Edgar is particularly humiliated by his confrontation with Heathcliff in Chapter XI, in which he openly shows his fear of fighting Heathcliff.Catherine, having witnessed the scene, taunts him, saying, “Heathcliff would as soon lift a finger at you as the king would march his army against a colony of mice.” As the reader can see from the earli est descriptions of Edgar as a spoiled child, his refinement is tied to his helplessness and impotence.Charlotte Brontë, in her preface to the 1850 edition of Wuthering Heights, refers to Edgar as “an example of constancy and tenderness,” and goes on to su ggest that her sister Emily was using Edgar to point out that such characteristics constitute true virtues in all human beings, and not just in women, as society tended to believe.However, Charlotte’s readingseems influenced by her own feminist agenda.Edg ar’s inability to counter Heathcliff’s vengeance, and his naïve belief on his deathbed in his daughter’s safety and happiness, make him a weak, if sympathetic, characterThemes, MotifsThemes Themes are the fundamental and often universal ideas explored in a literary work.Moreover, Catherine and Heathcliff’s love is based on their shared perception that they are identical.Catherine declares, famously, “I am Heathcliff,” while Heathcliff, upon Catherine’s death, wails that he cannot live without his “soul,” meaning Catherine.Their love denies difference, and is strangely asexual.The two do not kiss in dark corners or arrange secret trysts, as adulterers do.Given that Catherine and Heathcliff’s love is based upon their refusal to change over time or embrace difference in others, it is fitting that the disastrous problems of their generation are overcome not by some climactic reversal, but simply by the inexorable passage of time, and the rise of a new and distinct generation.Ultimately, Wuthering Heights presents a vision of life as a process of change, and celebrates this process over and against the romantic intensity of its principal呼啸山庄characters.As members of the gentry, the Earnshaws and the Lintons occupy a somewhat precarious place within the hierarchy of late eighteenth-and early nineteenth-century British society.At the top of British society was the royalty, followed by the aristocracy, then by the gentry, and then by the lower classes, who made up the vast majority of the population.Although the gentry, or upper middle class, possessed servants and often large estates, they held a nonetheless fragile social position.The socialstatus of aristocrats was a formal and settled matter, because aristocrats had official titles.Members of the gentry, however, held no titles, and their status was thus subject to change.A man might see himself as a gentleman but find, to his embarrassment, that his neighbors did not share this view.A discussion of whether or not a man was really a gentleman would consider such questions as how much land he owned, how many tenants and servants he had, how he spoke, whether he kept horses and a carriage, and whether his money came from land or “trade”—gentlemen scorned banking and commercial activities.Considerations of class status often crucially inform the characters’ motivations in Wuthering Heights.Catherine’s decision to marry Edgar so that she will be “the greatest woman of the neighborhood” is only the most obvious example.The Lintons are relatively firm in their gentry status but nonetheless take great pains to prove this status through their behaviors.The Earnshaws, on the other hand, rest on much shakier ground socially.They do not have a carriage, they have less land, and their house, as Lockwood remarks with great puzzlement, resembles that of a “homely, northern farmer” and not that of a gentleman.The shifting nature of social status is demonstrated most strikingly in Heathcliff’s trajectory from homeless waif to young gentleman-by-adoption to common laborer to gentleman again(although the status-conscious Lockwood remarks that Heathcliff is only a gentleman in “dress and manners”).第二篇:呼啸山庄英文赏析Wuthering Heights which has long been one of the most popular and highly regarded novels in English literature, it has a secure position in the canon of world literature.As a shattering presentation of the doomed love between the passionateCatherine and Heathcliff, it remains one of the most haunting love stories in all of literature.In Wuthering Heights, Nature is represented by the Earnshaw family and especially Catherine and Heathcliff.These characters are governed by their emotions, not by reflection or ideals of civility.Wuthering Heights symbolized a similar wildness.On the other hand, Thrushcross Grange and the Linton family represent culture, refinement, convention, and cultivation.Wuthering heights, through a love tragedy, presented a picture of deformity of the social life and Outlines a kind of humanity twisted by society and all kinds of terrible events.The story ended with Heathcliff’s suicide.He died for love and his death shows his love to Katherine.He gave up the revenge to the younger generation after he knew that young Catherine and Harleton had fallen in love with each other shows that he was kind in nature.It was the cruel reality that twisted his humanity and made him become brutal and heartless.This kind of recovery of humanity was sublimation in spirit and it glared a kind of humanitarian ideal of the author and endows the terrible love tragedy some hope.Theref ore, Heathcliff’s change of “love---hate---revenge---a recovery of humanity” is not only the essence of the novel but also a clue throughout the whole novel.According to the clue, the author arranged an unpredictable scene for us.Sometimes it was the moor full of clouds, sometimes it was courtyard with a sudden rain and wind.The story has always been shrouded in a kind of mysterious and horrible atmosphere.The novel is actually structured around two parallel love stories, the first half of the novel told about the love between Catherine and Heathcliff, while the rest dramatic second half told developing love between young Catherine and Harleton.In contrast to the first, the latter tale ends happily,restoring peace and order to Wuthering Heights and Thrushcross Grange.The most important feature of young Catherine and Harleton’s love story is that it involves growth and change.Early in the novel Harleton seems brutal, savage, and illiterate, but over time he becomes a loyal friend to young Catherine and learns to read.Catherine and Heathcliff’s love, on the other hand, is rooted in their childhood and is marked by the refusal to change.In choosing to marry Edgar, Catherine seeks a more genteel life, but she refuses to adapt to her role as wife, either by sacrificing Heathcliff or embracing Edgar.Catherine and Heathcliff’s love is based on their shared perception that they are identical.As Catherine declares, “I am Heathcliff,” while Heathcliff, upon Catherine’s death, said that he cannot live without his “soul,”meaning Catherine.Catherine’s betrayal and her bitter destiny was the turning point of the whole story.It made Heathcliff change his love to hate.After Catherine died, the hate became the motivation of his revenge.He successfully attained his objective.Not only he let Edgar and the Linton died in desolation and possessed their property but also let their innocent younger generation experience the hardships.This kind of crazy revenge clearly showed his uncommon and rebellious behavior.This special spirit of revolt was formed by the special environment and his special character.Heathcliff’s love tragedy was a tragedy of the society and that time.Wuthering Heights was known as “most strange novel” in the history of English literature and it was an unpredictabl e “strange book”.The reason is that it was different from the sentimentalism that lies in the works of the same age.It replaced the deep sadness and depression with intense love, brutal hate and ruthless revenge.It just like a strange lyric poem, imagination and intensive emotionexisted among the words and between the lines and it had a kind of amazing artistic power.第三篇:呼啸山庄英文赏析[定稿]Wuthering Heights which has long been one of the most popular and highly regarded novels in English literature, it has a secure position in the canon of world literature.As a shattering presentation of the doomed love between the passionate Catherine and Heathcliff, it remains one of the most haunting love stories in all of literature.In Wuthering Heights, Nature is represented by the Earnshaw family and especially Catherine and Heathcliff.These characters are governed by their emotions, not by reflection or ideals of civility.Wuthering Heights symbolized a similar wildness.On the other hand, Thrushcross Grange and the Linton family represent culture, refinement, convention, and cultivation.Wuthering heights, through a love tragedy, presented a picture of deformity of the social life and Outlines a kind of humanity twisted by society and all kinds of terrible events.The story en ded with Heathcliff’s suicide.He died for love and his death shows his love to Katherine.He gave up the revenge to the younger generation after he knew that young Catherine and Harleton had fallen in love with each other shows that he was kind in nature.It was the cruel reality that twisted his humanity and made him become brutal and heartless.This kind of recovery of humanity was sublimation in spirit and it glared a kind of humanitarian ideal of the author and endows the terrible love tragedy some hope.Th erefore, Heathcliff’s change of “love---hate---revenge---a recovery of humanity” is not only the essence of the novel but also a clue throughout the whole novel.According to the clue, the author arranged an unpredictable scene for us.Sometimes it was the moor full ofclouds, sometimes it was courtyard with a sudden rain and wind.The story has always been shrouded in a kind of mysterious and horrible atmosphere.The novel is actually structured around two parallel love stories, the first half of the novel told about the love between Catherine and Heathcliff, while the rest dramatic second half told developing love between young Catherine and Harleton.In contrast to the first, the latter tale ends happily, restoring peace and order to Wuthering Heights and Thrushcross Grange.The most important feature of young Catherine and Harleton’s love story is that it involves growth and change.Early in thenovel Harleton seems brutal, savage, and illiterate, but over time he becomes a loyal friend to young Catherine and learns to read.Catherine and Heathcliff’s love, on the other hand, is rooted in their childhood and is marked by the refusal to change.In choosing to marry Edgar, Catherine seeks a more genteel life, but she refuses to adapt to her role as wife, either by sacrificing Heathcliff or embracing Edgar.Catherine and Heathcliff’s love is based on their shared perception that they are identical.As Catherine declares, “I am Heathcliff,” while Heathcliff, upon Catherine’s death, said that he cannot live without his “soul,” meaning Catherine.Catherine’s betrayal and her bitter destiny was the turning point of the whole story.It made Heathcliff change his love to hate.After Catherine died, the hate became the motivation of his revenge.He successfully attained his objective.Not only he let Edgar and the Linton died in desolation and possessed their property but also let their innocent younger generation experience the hardships.This kind of crazy revenge clearly showed his uncommon and rebellious behavior.This special spirit of revolt was formed by the specialenvironment and his special character.Heathcliff’s love tragedy was a tragedy of the society and that time.Wuthering Heights was known as “most strange novel” in the history of English literature and it was an unpredic table “strange book”.The reason is that it was different from the sentimentalism that lies in the works of the same age.It replaced the deep sadness and depression with intense love, brutal hate and ruthless revenge.It just like a strange lyric poem, imagination and intensive emotion existed among the words and between the lines and it had a kind of amazing artistic power.第四篇:呼啸山庄英文读后感呼啸山庄英文读后感The book,Wuthering Heihts written in 1847,by Emily Bronte.It is a very good novel.The story in this novel deeply moved everyone who had read it and the structure of this novel is very fresh.At first I will tell you the main plot about Wuthering Heights.The story is narrated by Lockwood, a gentleman visiting the Yorkshire moors where the novel is set, and of Mrs Dean, housekeeper to the Earnshaw Family, who had been witness of the interlocked destinies of the original owners of the Heights.Described the love and enmity between Earnshaw and Linton’s family, especially Heathcliff and Catherine’s deeply love.Heathcliff is brought to Heights from the streets of Liverpool by Mr Earnshaw.Heathcliff is treated asEarnshaw’s own children, Catherine and Hindley.Heathcliff is bullied by Hindley after Earnshaw death and his lover Catherine marries Edgar Linton for many factors.This made Heathcliff mad, his destructive force is unleashed and his first victim is his beloved, Catherine, who dies giving birth to a girl, another Catherine(Kathy).Edgar’s sister, whom he had married, flees tothe south.Their son Linton and Kathy are married, but always sickly Linton dies.After that, Hareton, Hindley’s son and the young widow fall in love.Increasinglyisolated and alienated from daily life, Heathcliff experiences visions, and he longs for the death that will reunite him with Catherine.The story is wonderful, and the structure is also extremely excellent.The author Emily Bronte use a series of flashbacks and time shifts draws a powerful picture of this story.Because of its wonderful story, excellent structure and graceful language, the book left a deep impression on me.From this book, we understand the deeply love and enmity.We find that the enmity always touched by deeply love at the end of the story, true feelings and true love always moved everyone.So we must treat others with true feeling s.That’s all I want to say about Wuthering Heights.It’s really a good book.Readers will really gain much from this book.|第五篇:《呼啸山庄》英文读后感《呼啸山庄》英文读后感Published in 1847, WUTHERING HEIGHTS was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author Emily Bronte went to her grave in 1848 believing that her only novel was a failure.It was not until 1850, when WUTHERING HEIGHTS received a second printing with an introduction by Emily's sister Charlotte, that it attracted a wide readership.And from that point the reputation of the book has never looked back.Today it is widely recognized as one of the great novels of English literature.Even so, WUTHERING HEIGHTS continues to divide readers.It is not a pretty love story;rather, it is swirling tale of largely unlikeable people caught up in obsessive love that turns to dark madness.Itis cruel, violent, dark and brooding, and many people find it extremely unpleasant.And yet--it possesses a grandeur of language and design, a sense of tremendous pity and great loss that sets it apart from virtually every other novel written.The novel is told in the form of an extended flashback.After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights.It was once a cheerful place, but Old Earnshaw adopted a Gipsy child who he named Heathcliff.And Catherine, daughter of the house, found in him the perfect companion wild, rude, and as proud and cruel as she.But although Catherine loves him, even recognizes him as her soulmate, she cannot lower herself to marry so far below her social station.She instead marries another, and in so doing sets in motion an obsession that will destroy them all.WUTHERING HEIGHTS is a bit difficult to get into;the opening chapters are so dark in their portrait of the end result of this obsessive love that they are somewhat off-putting.But they feed into the flow of the work in a remarkable way, setting the stage for one of the most remarkable structures in all of literature, a story that circles upon itself in a series of repetitions as it plays out across two generations.Catherine and Heathcliff are equally remarkable, both vicious and cruel, and yet never able to shed their impossible love no matter how brutally one may wound the other.As the novel coils further into alcoholism, seduction, and one of the most elaborately imagined plans of revenge it gathers into a ghostly tone Heathcliff, driven to madness by a woman who is not there but who seems reflected in every part of his world--dragging her corpse from the grave, hearing her callingto him from the moors, escalating his brutality not for the sake of brutality but so that her memory will never fade, so that she may never leave his mind until death itself.Yes, this is madness, insanity, and there is no peace this side of the grave or even beyond.It is a stunning novel, frightening, inexorable, unsettling, filled with unbridled passion that makes one cringe.Even if you do not like it, you should read it at least once--and those who do like it will return to it again and again。
WutheringHeights(呼啸山庄)1970经典电影英文影评Wuthering Heights(呼啸山庄)1970Laurence Olivier and Merle Oberon take on the roles of Emily Bronte's star-crossed lovers in this 1930s adaptation of the classic novelSamuel Goldwyn said that this was his favourite of all the films he produced. It received no fewer than eight Oscar nominations back in the days when that really meant something and critics have often said that it's the greatest romantic film ever made. Unfortunately, for modern audiences at least, it doesn't live up to these grand expectations.The "vagabond gypsy boy" Heathcliff (played as a child by Rex Downing) arrives at Wuthering Heights and is taken in by the kind owner, Earnshaw (Kellaway). Heathcliff and the young Cathy Earnshaw (Sarah Wooton as the child) quickly become inseparable, though Heathcliff is loathed by the brattish Hindley (Scott) who spends most of his time horse-whipping him and throwing fake looking stones at his head. This is the weakest section of the film - the children slip in and out of American accents and Yorkshire burrs, the whiney, highly strung score is intrusive and the composition of the scenes is clumsy right down to the lighting (candles give off impossible light, shadows fall in the wrong direction). Fans of the book may have trouble accepting the camp, hammy Olivier as the dark and brooding Heathcliff and his performance lacks the power and bleakness necessary for a man consistently likened to "the devil himself". Furthermore, the landscape doesn't really look like Yorkshire and the screenplay is at first clunky and crude. Ben Hecht's and Charles MacArthur's episodic narrative jumps through the yearsat an alarming rate with clumsy interjections from a storytelling servant Ellen Dean (Robson) to keep slower audience members -and her entirely superfluous interlocutor Mr Lockwood (Mander) -abreast of what's going on. Fortunately matters improve as time moves on and the action intensifies. Heathcliff disappears and Cathy (now played by Merle Oberon) breaks both their hearts by marrying the moneyed Edgar Linton (David Niven). There are some genuinely intense scenes and Oberon is consistently impressive as the wild yet vulnerable Cathy, while Olivier musters some tenderness for the tragic and impressive final scenes. VerdictA torrid half an hour of passion at the end of this picture doesn't quite make up for the hour of drudgery that goes before it. And Laurence Oiivier's Heathcliff is nothing like as impressive as Timothy Dalton's from 1971.1。
Wuthering Heights which has long been one of the most popular and highly regarded novels in English literature, it has a secure position in the canon of world literature. As a shattering presentation of the doomed love between the passionate Catherine and Heathcliff, it remains one of the most haunting love stories in all of literature.In Wuthering Heights,Nature is represented by the Earnshaw family and especially Catherine and Heathcliff. These characters are governed by their emotions, not by reflection or ideals of civility. Wuthering Heights symbolized a similar wildness. On the other hand, Thrushcross Grange and the Linton family represent culture, refinement, convention, and cultivation. Wuthering heights, through a love tragedy, presented a picture of deformity of the social life and Outlines a kind of humanity twisted by society and all kinds of terrible events.The story ended with Heathcliff’s suicide. He died for love and his death shows his love to Katherine. He gave up the revenge to the younger generation after he knew that young Catherine and Harleton had fallen in love with each other shows that he was kind in nature. It was the cruel reality that twisted his humanity and made him become brutal and heartless. This kind of recovery of humanity was sublimation in spirit and it glared a kind of humanitarian ideal of the author and endows the terrible love tragedy some hope. Therefore, Heathcl iff’s change of “love---hate---revenge---a recovery of humanity” is not only the essence of the novel b ut also a clue throughout the whole novel. According to the clue, the author arranged an unpredictable scene for us. Sometimes it was the moor full of clouds, sometimes it was courtyard with a sudden rain and wind. The story has always been shrouded in a kind of mysterious and horrible atmosphere.The novel is actually structured around two parallel love stories, the first half of the novel told about the love between Catherine and Heathcliff, while the rest dramatic second half told developing love between young Catherine and Harleton. In contrast to the first, the latter tale ends happily, restoring peace and order to Wuthering Heights and Thrushcross Grange. The most important feature of young Catherine and Harleton’s love story is that it involves growth and change. Early in thenovel Harleton seems brutal, savage, and illiterate, but over time he becomes a loyal friend to young Catherine and learns to read. Catherine and Heathcliff’s love, on the other hand, is rooted in their childhood and is marked by the refusal to change. In choosing to marry Edgar, Catherine seeks a more genteel life, but she refuses to adapt to her role as wife, either by sacrificing Heathcliff or embracing Edgar. Catherine and Heathcliff’s love is based on their shared perception t hat they are identical. As Catherine declares, “I am Heathcliff,” while Heathcliff, upon Catherine’s death, said that he cannot live without his “soul,” meaning Catherine.Catherine’s betrayal and her bitter destiny was the turning point of the whole stor y. It made Heathcliff change his love to hate. After Catherine died, the hate became the motivation of his revenge. He successfully attained his objective. Not only he let Edgar and the Linton died in desolation and possessed their property but also let their innocent younger generation experience the hardships. This kind of crazy revenge clearly showed his uncommon and rebellious behavior. This special spirit of revolt was formed by the special environment and his special character. Heathcliff’s love tragedy was a tragedy of the society and that time.Wuthering Heights was known as “most strange novel”in the history of English literature and it was an unpredictable "strange book". The reason is that it was different from the sentimentalism that lies in the works of the same age. It replaced the deep sadness and depression with intense love, brutal hate and ruthless revenge. It just like a strange lyric poem, imagination and intensive emotion existed among the words and between the lines and it had a kind of amazing artistic power.。
Here is a comprehensive English review of "Wuthering Heights" by Emily Bronte: Title: A Reflection on Wuthering Heights by Emily BronteReading "Wuthering Heights" by Emily Bronte was an emotionally intense and thought-provoking experience. The novel, set in the bleak Yorkshire moors, tells a tale of love, revenge, and the complexities of human nature that resonates deeply with readers even today.1. The Setting and AtmosphereThe setting of Wuthering Heights is one of its most striking features. The desolate moors, with their wild and untamed beauty, serve as a backdrop that mirrors the tumultuous emotions of the characters. The harsh environment creates an atmosphere of isolation and despair, making the story all the more immersive and powerful.2. The CharactersEmily Bronte has created a cast of characters that are both complex and unforgettable. Heathcliff and Catherine Earnshaw are at the heart of the story, and their passionate yet doomed love affair drives the plot forward. Heathcliff, an orphan adopted by the Earnshaw family, is a fiercely independent and vengeful individual. His love for Catherine is all-consuming, but their social differences and Catherine's eventual betrayal lead him on a path of revenge. Catherine, on the other hand, is a wild and free-spirited young woman who is torn between her love for Heathcliff and her desire for a more conventional life with Edgar Linton.Other characters, such as Hindley Earnshaw and Isabella Linton, add depth and complexity to the story. Hindley's cruelty and jealousy towards Heathcliff contribute to the latter's descent into madness, while Isabella's naive love for Heathcliff leads to her downfall.3. The Theme of Love and RevengeThe novel explores the themes of love and revenge in a way that is both tragic and compelling. Heathcliff's obsession with Catherine and his subsequent revenge on the Linton family are the driving forces behind much of the plot. However, the novel also shows that revenge is a hollow victory, as it ultimately leads to more pain and suffering. The love between Heathcliff and Catherine, though intense, is doomed from the start due to their incompatible social backgrounds and Catherine's own indecision.4. The Writing StyleEmily Bronte's writing style is unique and highly effective. She employs a narrative structure that is non-linear and often confusing, but this adds to the sense of mysteryand intrigue. The novel is also filled with vivid descriptions of the moors and the characters' inner turmoil, making it a rich and immersive reading experience.5. Final ThoughtsOverall, "Wuthering Heights" is a masterpiece of English literature that deserves to be read and appreciated by all. It is a story of love, revenge, and the human condition, and its themes and characters remain relevant today. Emily Bronte's talent for creating complex and unforgettable characters, as well as her ability to evoke powerful emotions through her writing, make "Wuthering Heights" a truly remarkable work of fiction.In conclusion, reading "Wuthering Heights" was a powerful and unforgettable experience. It is a novel that stays with you long after you have finished reading it, and its themes and characters continue to resonate in your mind. I highly recommend this book to anyone who is looking for a challenging and thought-provoking read.。
《呼啸山庄》的英文影评Although "Wuthering Heights" is Emily Bronte's only novel, published in 1847, it has long been considered a classic and is included in many literary canons. In the story Catherine and Heathcliff are friends who are also in a perpetual sexually frustrated state. They are constantly wishing they were with each other, even though they have relationships with other people. This passionate friendship leads to nothing but trouble, especially when there are other people involved. Both Catherine and Heathcliff are selfish and self-centered, and the result of their egotism strains the relationships all around them to the point of breaking.Catherine ends up marrying Edgar Linton who is from the neighboring estate, Thrushcross Grange. They reside together with Edgar's sister, Isabella. In a rebellious state, Isabella runs off to marry Heathcliff. Edgar and Catherine have a little girl, also named Catherine (or Cathy), who is born just hours before Catherine (the elder) dies. Meanwhile, Isabella runs away from the tyrant Heathcliff only to find out she is pregnant with his son, whom she names Linton.Cathy continues to grow up at the Grange under the care of her father, Edgar. Isabella becomes sick and dies. Linton is then taken in by Edgar, but when Heathcliff finds out he has a son, he takes the boy into his house at Wuthering Heights.There were many times where the characteristics of the parent come out in the child. For instance, Catherine (the elder) was quite conceited and was used to having her way. There were many times where she was downright rude to the people around her and treated the servants with no respect at all. Even though Cathy never knew her mother, there were times when she was haughty and rude, especially when she met Hareton, her other cousin, and made fun of his vernacular speech.After Linton was summoned to Wuthering Heights to live with his father, Heathcliff, his father was candid with him, noting his weakness and scrawniness. Linton eventually married Cathy. Almost immediately, young Linton takes on the telltale characteristics of his long-lost father. He tells Cathy that everything she owns is his, including all of her estate and even the locket she wears on her neck (at which he proceeds to tear from her neck and crush with his boot just to show her his power). Thus far, these actions seem quite out of place with Linton's past demeanor.Children learn from their parents and other influential adults in their lives, even if the behavior isn't positive. In Cathy's case, she didn't even have to witness her mother's actions to mimic them in her teenage years. Linton didn't grow up with his father, but in a matter of a few years learned from his example in how to treat women. Although he did not have many positive male role models, he used what male role models were there, and it was the absent father figure who turned up later in life. He chose to behave like his father (perhaps to assimilate) rather than the upbringing his mother had tried to instill in him. He chose to believe his father's lies rather than what his mother had taught him before she died (which goes along with what his uncle and Nelly Dean told him). It is in human nature to imitate the parent figure of the same sex to a certain degree, even if it not right.(ZZ from IMDB)。
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呼啸山庄英文赏析[定稿]第一篇:呼啸山庄英文赏析[定稿]Wuthering Heights which has long been one of the most popular and highly regarded novels in English literature, it has a secure position in the canon of world literature. As a shattering presentation of the doomed love between the passionate Catherine and Heathcliff, it remains one of the most haunting love stories in all of literature.In Wuthering Heights, Nature is represented by the Earnshaw family and especially Catherine and Heathcliff. These characters are governed by their emotions, not by reflection or ideals of civility. Wuthering Heights symbolized a similar wildness. On the other hand, Thrushcross Grange and the Linton family represent culture, refinement, convention, and cultivation. Wuthering heights, through a love tragedy, presented a picture of deformity of the social life and Outlines a kind of humanity twisted by society and all kinds of terrible events.The story ended with Heathcliff’s suicide. He died for love and his death shows his love to Katherine. He gave up the revenge to the younger generation after he knew that young Catherine and Harleton had fallen in love with each other shows that he was kind in nature. It was the cruel reality that twisted his humanity and made him become brutal and heartless. This kind of recovery of humanity was sublimation in spirit and it glared a kind of humanitarian ideal of the author and endows the terrible love tragedy some hope. Therefore, Heathcliff’s change of “love---hate---revenge---a recovery of humanity” is not only the essence of the novel but also a clue throughout the whole novel. According to the clue, the author arranged anunpredictable scene for us. Sometimes it was the moor full of clouds, sometimes it was courtyard with a sudden rain and wind. The story has always been shrouded in a kind of mysterious and horrible atmosphere.The novel is actually structured around two parallel love stories, the first half of the novel told about the love between Catherine and Heathcliff, while the rest dramatic second half told developing love between young Catherine and Harleton. In contrast to the first, the latter tale ends happily, restoring peace and order to Wuthering Heights and Thrushcross Grange. The most important feature of young Catherine and Harleton’s love story is that it involves growth and change. Early in the novel Harleton seems brutal, savage, and illiterate, but over time he becomes a loyal friend to young Catherine and learns to read. Catherine and Heathcliff’s love, on the other hand, is rooted in their childhood and is marked by the refusal to change. In choosing to marry Edgar, Catherine seeks a more genteel life, but she refuses to adapt to her role as wife, either by sacrificing Heathcliff or embracing Edgar. Catherine and Heathcliff’s love is based on their shared perception that they are identical. As Catherine declares, “I am Heathcliff,” while Heathcliff, upon Catherine’s death, said that he cannot live without his “soul,” meaning Catherine.Catherine’s betrayal and her bitter destiny was the turning point of the whole story. It made Heathcliff change his love to hate. After Catherine died, the hate became the motivation of his revenge. He successfully attained his objective. Not only he let Edgar and the Linton died in desolation and possessed their property but also let their innocent younger generation experience the hardships. This kind of crazy revenge clearlyshowed his uncommon and rebellious behavior.This special spirit of revolt was formed by the special environment and his special character. Heathcliff’s love tragedy w as a tragedy of the society and that time.Wuthering Heights was known as “most strange novel” in the history of English literature and it was an unpredictable "strange book". The reason is that it was different from the sentimentalism that lies in the works of the same age. It replaced the deep sadness and depression with intense love, brutal hate and ruthless revenge. It just like a strange lyric poem, imagination and intensive emotion existed among the words and between the lines and it had a kind of amazing artistic power.第二篇:呼啸山庄英文赏析Wuthering Heights which has long been one of the most popular and highly regarded novels in English literature, it has a secure position in the canon of world literature. As a shattering presentation of the doomed love between the passionate Catherine and Heathcliff, it remains one of the most haunting love stories in all of literature. In Wuthering Heights, Nature is represented by the Earnshaw family and especially Catherine and Heathcliff. These characters are governed by their emotions, not by reflection or ideals of civility. Wuthering Heights symbolized a similar wildness. On the other hand, Thrushcross Grange and the Linton family represent culture, refinement, convention, and cultivation. Wuthering heights, through a love tragedy, presented a picture of deformity of the social life and Outlines a kind of humanity twisted by society and all kinds of terrible events.The story ended with Heathcliff’s suicide. He died for love and his death shows his love to Katherine. He gave up the revenge to the younger generation after he knew that youngCatherine and Harleton had fallen in love with each other shows that he was kind in nature. It was the cruel reality that twisted his humanity and made him become brutal and heartless. This kind of recovery of humanity was sublimation in spirit and it glared a kind of humanitarian ideal of the author and endows the terrible love tragedy some hope. Therefore, Heathcliff’s change of “love---hate---revenge---a recovery of humanity” is no t only the essence of the novel but also a clue throughout the whole novel. According to the clue, the author arranged an unpredictable scene for us. Sometimes it was the moor full of clouds, sometimes it was courtyard with a sudden rain and wind. The story has always been shrouded in a kind of mysterious and horrible atmosphere.The novel is actually structured around two parallel love stories, the first half of the novel told about the love between Catherine and Heathcliff, while the rest dramatic second half told developing love between young Catherine and Harleton. In contrast to the first, the latter tale ends happily, restoring peace and order to Wuthering Heights and Thrushcross Grange. The most important feature of young Catherine and Harleton’s lov e story is that it involves growth and change. Early in the novel Harleton seems brutal, savage, and illiterate, but over time he becomes a loyal friend to young Catherine and learns to read. Catherine and Heathcliff’s love, on the other hand, is rooted in their childhood and is marked by the refusal to change. In choosing to marry Edgar, Catherine seeks a more genteel life, but she refuses to adapt to her role as wife, either by sacrificing Heathcliff or embracing Edgar. Catherine and Heathcliff’s love is based on their shared perception that they are identical. As Catherine declares, “I am Heathcliff,” while Heathcliff, uponCatherine’s death, said that he cannot live without his “soul,” meaning Catherine.Catherine’s betrayal and her bitter destiny was t he turning point of the whole story. It made Heathcliff change his love to hate. After Catherine died, the hate became the motivation of his revenge. He successfully attained his objective. Not only he let Edgar and the Linton died in desolation and possessed their property but also let their innocent younger generation experience the hardships. This kind of crazy revenge clearly showed his uncommon and rebellious behavior. This special spirit of revolt was formed by the special environment and his special character. Heathcliff’s love tragedy was a tragedy of the society and that time.Wuthering Heights was known as “most strange novel” in the history of English literature and it was an unpredictable "strange book". The reason is that it was different from the sentimentalism that lies in the works of the same age. It replaced the deep sadness and depression with intense love, brutal hate and ruthless revenge. It just like a strange lyric poem, imagination and intensive emotion existed among the words and between the lines and it had a kind of amazing artistic power.第三篇:(呼啸山庄)Wuthering-Heights-英文介绍及赏析呼啸山庄Wuthering Heights transcends its genre in its sophisticated observation and artistic subtlety. The novel has been studied, analyzed, dissected, and discussed from every imaginable critical perspective, yet it remains unexhausted. And while the novel’s symbolism, themes, structure, and language may all spark fertile exploration, the bulk of its popularity may rest on its unforgettable characters. As a shattering presentation of thedoomed love affair between the fiercely passionate Catherine and Heathcliff, it remains one of the most haunting love stories in all of literature.Today, Wuthering Heights has a secure position in the canon of world literature, and Emily Brontë is revered as one of the finest writers—male or female—of the nineteenth century. Like Charlotte Brontë’s Jane Eyre, Wuthering Heights is based partly on the Gothic tradition of the late eighteenth century, a style of literature that featured supernatural encounters, crumbling ruins, moonless nights, and grotesque imagery, seeking to create effects of mystery and fear. But Wuthering Heights transcends its genre in its sophisticated observation and artistic subtlety. The novel has been studied, analyzed, dissected, and discussed from every imaginable critical perspective, yet it remains unexhausted. And while the novel’s symbolism, themes, structure, and language may all spark fertile exploration, the bulk of its popularity may rest on its unforgettable characters. As a shattering presentation of the doomed love affair between the fiercely passionate Catherine and Heathcliff, it remains one of the most haunting love stories in all of literature.Analysis of Major Characters Heathcliff Wuthering Heights centers around the story of Heathcliff. The first paragraph of the novel provides a vivid physical picture of him, as Lockwood describes how his “black eyes” withdraw suspiciously under his brows at Lockwood’s approach. Nelly’s story begins with his introduction into the Earnshaw family, his vengeful machinations drive the entire plot, and his death ends the book. The desire to understand him and his motivations has kept countless readers engaged in the novel. Heathcliff, however, defies being understood, and it is difficult for readers to resist seeing whatthey want or expect to see in him. The novel teases the reader with the possibility that Heathcliff is something other than what he seems—that his cruelty is merely an expression of his frustrated love for Catherine, or that his sinister behaviors serve to conceal the heart of a romantic hero. We expect Heathcliff’s character to contain such a hidden virtue because he resembles a hero in a romance novel. Traditionally, romance novel heroes appear dangerous, brooding, and cold at first, only later to emerge as fiercely devoted and loving. One hundred years before Emily Brontë wrote Wuthering Heights, the notion that “a reformed rake makes the best husband” was already a cliché of romantic literature, and romance novels center around the same cliché to this day. However, Heathcliff does not reform, and his malevolence proves so great and long-lasting that it cannot be adequately explained even as a desire for revenge against Hindley, Catherine, Edgar, etc. As he himself points out, his abuse of Isabella is purely sadistic, as he amuses himself by seeing how much abuse she can take and still come cringing back for more. Critic Joyce Carol Oates argues that Emily Brontë does the same thing to the reader that Heathcliff does to Isabella, testing to see how many times the reader can be shocked by Heathcliff’s gratuitous violence and still, masochistically, insist on seeing him as a romantic hero.呼啸山庄It is significant that Heathcliff begins his life as a homeless orphan on the streets of Liverpool. When Brontë composed her book, in the 1840s, the English economy was severely depressed, and the conditions of the factory workers in industrial areas like Liverpool were so appalling that the upper and middle classes feared violent revolt. Thus, many of the more affluent membersof society beheld these workers with a mixture of sympathy and fear. In literature, the smoky, threatening, miserable factory-towns were often represented in religious terms, and compared to hell. The poet William Blake, writing near the turn of the nineteenth century, speaks of England’s “dark Satanic Mills.” Heathcliff, of course, is frequently compared to a demon by the other characters in the book. Considering this historical context, Heathcliff seems to embody the anxieties that the book’s upper- and middle-class audience had about the working classes. The reader may easily sympathize with him when he is powerless, as a child tyrannized by Hindley Earnshaw, but he becomes a villain when he acquires power and returns to Wuthering Heights with money and the trappings of a gentleman. This corresponds with the ambivalence the upper classes felt toward the lower classes—the upper classes had charitable impulses toward lower-class citizens when they were miserable, but feared the prospect of the lower classes trying to escape their miserable circumstances by acquiring political, social, cultural, or economic power. Catherine The location of Catherine’s coffin symbolizes the conflict that tears apart her short life. She is not buried in the chapel with the Lintons. Nor is her coffin placed among the tombs of the Earnshaws. Instead, as Nelly describes in Chapter XVI, Catherine is buried “in a corner of the kirkyard, where the wall is so low that heath and bilberry plants have climbed over it from the moor.” Moreover, she is buried with Edgar on one side and Heathcliff on the other, suggesting her conflicted loyalties. Her actions are driven in part by her social ambitions, which initially are awakened during her first stay at the Lintons’, and which eventually compel her to marry Edgar. However, she is also motivated by impulses that prompt her to violate socialconventions—to love Heathcliff, throw temper tantrums, and run around on the moor.Edgar Just as Isabella Linton serves as Catherine’s foil, Edgar Linton serves as Heathcliff’s. Edgar is born and raised a gentleman. He is graceful, well-mannered, and instilled with civilized virtues. These qualities cause Catherine to choose Edgar over Heathcliff and thus to initiate the contention between the men. Nevertheless, Edgar’s gentlemanly qualities ultimately prove useless in his ensuing rivalry with Heathcliff. Edgar is particularly humiliated by his confrontation with Heathcliff in Chapter XI, in which he openly shows his fear of fighting Heathcliff. Catherine, having witnessed the scene, taunts him, saying, “Heathcliff would as soon lift a finger at you as the king would march his army against a colony of mice.” As the reader can see from the earliest descriptions of Edgar as a spoiled child, his refinement is tied to his helplessness and impotence. Charlotte Brontë, in her preface to the 1850 edition of Wuthering Heights, refers to Edgar as “an example of constancy and tenderness,” and goes on to suggest that her sister Emily was using Edgar to point out that such characteristics constitute true virtues in all human beings, and not just in women, as society tended to believe. However, Charlotte’s reading seems influenced by her own feminist a genda. Edgar’s inability to counter Heathcliff’s vengeance, and his naïve belief on his deathbed in his daughter’s safety and happiness, make him a weak, if sympathetic, characterThemes, MotifsThemes Themes are the fundamental and often universal ideas explored in a literary work. Moreover, Catherine and Heathcliff’s love is based on their shared perception that theyare identical. Catherine declares, famously, “I am Heathcliff,” while Heathcliff, upon Catherine’s death, wails that he cannot live withou t his “soul,” meaning Catherine. Their love denies difference, and is strangely asexual. The two do not kiss in dark corners or arrange secret trysts, as adulterers do. Given that Catherine and Heathcliff’s love is based upon their refusal to change over time or embrace difference in others, it is fitting that the disastrous problems of their generation are overcome not by some climactic reversal, but simply by the inexorable passage of time, and the rise of a new and distinct generation. Ultimately, Wuthering Heights presents a vision of life as a process of change, and celebrates this process over and against the romantic intensity of its principal呼啸山庄characters. As members of the gentry, the Earnshaws and the Lintons occupy a somewhat precarious place within the hierarchy of late eighteenth- and early nineteenth-century British society. At the top of British society was the royalty, followed by the aristocracy, then by the gentry, and then by the lower classes, who made up the vast majority of the population. Although the gentry, or upper middle class, possessed servants and often large estates, they held a nonetheless fragile social position. The social status of aristocrats was a formal and settled matter, because aristocrats had official titles. Members of the gentry, however, held no titles, and their status was thus subject to change. A man might see himself as a gentleman but find, to his embarrassment, that his neighbors did not share this view. A discussion of whether or not a man was really a gentleman would consider such questions as how much land he owned, how many tenants and servants he had, how he spoke, whether he kept horses anda carriage, and whether his money came from land or “trade”—gentlemen scorned banking and commercial activities. Considerations of class status often crucially inform the characters’ motivations in Wuthering Heights. Catherine’s decision to marry Edgar so that she will be “the greatest woman of the neighborhood” is only the most obvious example. The Lintons are relatively firm in their gentry status but nonetheless take great pains to prove this status through their behaviors. The Earnshaws, on the other hand, rest on much shakier ground socially. They do not have a carriage, they have less land, and their house, as Lockwood remarks with great puzzlement, resembles that of a “homely, northern farmer” and not that of a gentleman. The shifting nature of social status is demonstrated most strikingly in Heathcliff’s trajectory from homeless waif to young gentleman-by-adoption to common laborer to gentleman again (although the status-conscious Lockwood remarks that Heathcliff is only a gentleman in “dress and manners”).第四篇:呼啸山庄英文reportAs far as I am concerned,during Catherine’s lifetime,Heathcliff was adopted by Earnshaw’s,but his son Hendry insulted and maltread Heathcliff in every possible way after Mr Earnshaw’s death.It is Heathcliff’s low status and the ambiguity of class belongings made him suffer discrimination and injustice in the Wuthering pared with H endry,his sister Catherine’s exist made Catherine feel the love that he never had before.They all had the same yearing for freedom.And they were connected on the uninhabited instinct.Their soul was permeated and blended and they were just like an isolated soulmate.It’s Catherine who made Heathcliff find the hope oflife.However,while Heathcliff heard the news that Catherine was going to marry Eadgr,he can’t accept it and left Wuthering Heights.At that time,Heathcliff’s hope was shattered because of Cather ine’s betray.Five years later,as soon as Heathcliff went back to Wuthering Heights,Catherine had moved to thrushcross,grange and lived together with Edagr.Heathcliff loved Catherine so intensely that he disgusted everything around him and began to take vengeance on Hendry and Eadgar.However, wandering between the lover and husband,Catherine was tortured and weakned and finally died after giving birth to a baby girl.Catherine’s death made Heathliff more and more crazy and acclerate the vegeance on everything around him,for which he thought it’s their fault to make he lost Catherine forever. In a word,Catherine provided Heathliff love and regret whatever before her death of after death.The intense love for Catherine deeply rooted in Heathliff’s heart so that h e can’t help torturing Hendry more,possessing himself of the Wuthering Height.第五篇:呼啸山庄英文读后感Wuthering Heights Wuthering Heights was published in 1847, and was the only novel written by Emily Bronte. As we know, Emily Bronte and Charlotte, Anne was together called as three sisters‟ constellation in the English literary history. In 1818, Emily Bronte was born in the poor priest family. With less than two years old, she and her family moved to Howard areas and lived in a remote wilderness, and she never left there. When she was 27 years old, she started to write Wuthering Heights, and published it when she was 29 years old. But Wuthering Heights was not well received by the reading public, many of whom condemned it as sordid, vulgar, and unnatural--and author EmilyBronte went to her grave in 1848 believing that her only novel was a failure. It was not until 1850, when Wuthering Heights received a second printing with an introduction by Emily's sister Charlotte, that it attracted a wide readership. And from that point the reputation of the book has never looked back. T oday it is widely recognized as one of the great novels of English literature.Wuthering Heights is a story of love and revenge; it is the typical gothic novel. It is told in the form of an extended flashback. After a visit to his strange landlord, a newcomer to the area desires to know the history of the family--which he receives from Nelly Deans, a servant who introduces us to the Earnshaw family who once resided in the house known as Wuthering Heights. It was once a cheerful place, but Old Earnshaw adopted a "Gipsy" child who he named Heathcliff. And Catherine, daughter of the house, regarded him as the perfect companion: wild, rude, and as proud and cruel as she. But although Catherine loves him, even recognizes him as her soul mate, she cannot lower herself to marry so far below her social station. She instead marries another, and in so doing sets in motion an obsession that will destroy them all.Wuthering Heights is not so easy to “get into” , because the description of the environment and the character, the portrait of this obsessive love is so dark and somewhat off-putting. But in this novel there was the flow of the work in a remarkable way setting the stage for one of the most remarkable structures. And these structures circles upon itself in a series of repetitions as it plays out across two generations. Besides, the description of wasteland in the novel gave more impression for readers. Wasteland gives Wuthering Heights rare vigor and charm and gloomier, mysterious, wild, remarkable, full of passion. What‟smore, it is the temperament and charm of Wuthering Heights, and can be summed up in two ways: one is the Wuthering of humanity; the other is the Wuthering of nature.Wuthering Heights explores the philosophy of humanity. The characters in the novel are full of boldness, wildness and passion which is the human nature and instinct that free from the restrict of social civilization. In this novel, passion is the key to bring the readers into the story, it does not matter of good and evil, beauty and ugliness, it‟s a real existence for us to experience and think. Wuthering Heights is a story of love, but it is different with other love story. During the whole novel, the female leading role --Catherine rarely use "love" to describe the relationship between her and the male leading role--Heathcliff. But In that night she decided personally the tragic fate of her and Heathcliff, she said …my great miseries in this world have been Heathcliff‟s miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he was annihilated, the universe would turn to a mighty stranger: I should not seem a part of it……I am Heathcliff! He‟s always, always in my mind: not as a pleasure, any more than I is always a pleasure to me, but as my own being.‟This is the real soul of Catherine, she love Heathcliff, but she can‟t marry with him because of her selfish and the pretentious feature. This is the paradox of love which leads to the tragic end for Catherine and Heathcliff. Wuthering Heights is a story of revenge. After knowing the decision what Catherine made, Heathcliff left her, left Wuthering Heights. But he came back after several years, and retaliated Catherine and all the people who had jeered and abused him before. When Catherine was going to die, he wasextremely cruel and did not give her tenderness and consolation, but said to her…you teach me how cruel you‟ve been-cruel and false. Why did you despise me? Why did you betray your own heart,Cathy? I have not one word of comfort. You deserve this. You have killed yourself.……You love me—then what right bad you to leave me? What right—answer me—for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that God or satan could inflict would have parted us,you, of your own will, did it, you have broken mine. So much the worse for me,that I am strong. Do I want to live? What kind of living will it be when you—oh, God! Would you like to live with your soul in the grave?‟ Yes, Heathcliff hated Catherine so much, because he loved her so much. He must retaliate so that he could be survival from the sadness and the broken heart.The end of the novel was that Heathcliff committed suicide, his death is a die for their love, and express his undyong love for Catherine. Before he died, he gave up the revenge of the next generation. This reflects that he has a good nature, but because of the cruel reality he loses his nature. The recovery of humanity is a spiritual sublimation and reflects the humanitarian ideals.Wuthering Heights is a stunning novel; frightening, inexorable, unsettling, filled with unbridled passion that makes one cringe. Even if you do not like it, you should read it at least once--and those who do like it will return to it again and again。
Wuthering Heights_呼啸山庄英语读后感600字The story describes Heathcliff and Catherine stay together morning and night's childhood life; special feelings of a foundling and a lady formed in this special environment, as well as their Hindley tyrannical revolt. Later, Catherine deserted Heath Cliff because of vanity, ignorance and ignorance, and became the mistress of the grange. Then how Heath Cliff filled with hatred and despair to recover the ashes strategy and action. Although the only account of the final stage of Heathcliff's death, but which reveal when he understood that Hareton and Katie love, a new change of the human nature thought the experience of recovery, which makes it a terrorist with color love tragedy revealed a bundle of joy is the light of hope.The love in Wuthering Heights is so special that it is different from the love created in any novel so far. This' Emily 'type of love is so sincere, frank, and never self-conscious affectation half. Only this kind of emotion, is really from the heart of human beings, is from the human nature. Everything in it is so naked that there is no half a prison, and never thought of imprisonment. This is themost real portrayal of lust, Emily never gave it a kind of so-called 'literary one. Emily created the hero, love is so strong, beyond everything, even if it is not the distance between life and death. Love is deep, pain is cut. The hatred of Heath and Clif is so strong, true and powerful. This desire for revenge is so powerful that it can destroy everything around him. The fire of revenge burned the two families. He was so miserable when Catherine died. Catherine took away his love and took him away. Although he is still alive, he is no different from death. Even if he gets so much, it's not enough to fill his loss, his heart's trauma. Because Catherine died, his life was meaningless. When he calls his lover day and night like a ghost, he never gets it again. He tortured others, also not to hurt his injured all over the body every hour and moment. His revenge was reported, and he got so many people's property, but he lost the last pillar to support his survival, so at this moment, he died.In the novel, the author of all efforts in the condensed Schiesz Cliffe image portray, she placed all their sympathy and indignation, ideal here. This has been deprived of human warmth of the outcast in real life, cultivate loveand hate strongly, Hindley. He tasted the cruelty of life, also taught him to understand that it cannot change the destiny of their own humiliation. He chose rebellion. Catherine finally betrayed Heathcliff married, she did not understand it does not love Edgar Linton. Catherine's betrayal and after marriage sorrow destiny, is the most important turning point in the book. It made Heath Cliff's full love turn into incomparable hate; Catherine died, the cavity hatred erupted like a volcano, and became a crazy revenge power. His objective was achieved, he not only made Hindley and a miserable death, dominate the two industrial estates, but also let them innocent next generation also suffered a bitter defeat.。
Wuthering Heights(呼啸山庄)1970
Laurence Olivier and Merle Oberon take on the roles of Emily Bronte's star-crossed lovers in this 1930s adaptation of the classic novel
Samuel Goldwyn said that this was his favourite of all the films he produced. It received no fewer than eight Oscar nominations back in the days when that really meant something and critics have often said that it's the greatest romantic film ever made. Unfortunately, for modern audiences at least, it doesn't live up to these grand expectations.
The "vagabond gypsy boy" Heathcliff (played as a child by Rex Downing) arrives at Wuthering Heights and is taken in by the kind owner, Earnshaw (Kellaway). Heathcliff and the young Cathy Earnshaw (Sarah Wooton as the child) quickly become inseparable, though Heathcliff is loathed by the brattish Hindley (Scott) who spends most of his time horse-whipping him and throwing fake looking stones at his head. This is the weakest section of the film - the children slip in and out of American accents and Yorkshire burrs, the whiney, highly strung score is intrusive and the composition of the scenes is clumsy right down to the lighting (candles give off impossible light, shadows fall in the wrong direction). Fans of the book may have trouble accepting the camp, hammy Olivier as the dark and brooding Heathcliff and his performance lacks the power and bleakness necessary for a man consistently likened to "the devil himself". Furthermore, the landscape doesn't really look like Yorkshire and the screenplay is at first clunky and crude. Ben Hecht's and Charles MacArthur's episodic narrative jumps through the years at an alarming rate with clumsy interjections from a storytelling servant Ellen Dean (Robson) to keep slower audience members -and her entirely superfluous interlocutor Mr Lockwood (Mander) -abreast of what's going on. Fortunately matters improve as time moves on and the action intensifies. Heathcliff disappears and Cathy (now played by Merle Oberon) breaks both their hearts by marrying the moneyed Edgar Linton (David Niven). There are some genuinely intense scenes and Oberon is consistently impressive as the wild yet vulnerable Cathy, while Olivier musters some tenderness for the tragic and impressive final scenes. Verdict
A torrid half an hour of passion at the end of this picture doesn't quite make up for the hour of drudgery that goes before it. And Laurence Oiivier's Heathcliff is nothing like as impressive as Timothy Dalton's from 1971.
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