(萨蒂)Eric Satie - Six Gnossiennes 原版 五线谱 钢琴谱 正谱

历年专辑（共24张官方音乐专辑）1981 La voix du bon Dieu（法语）Celine Dion个人首张专辑，当时Celine Dion 13岁。

12岁时，在母亲和哥哥的帮助下，她完成了第一首歌“Ce N'etait Qu'un Rêve”，（It Was Only a Dream），并以这首初试啼声的美妙之作相逢了音乐人René Angéli。

Rene很快的意识到Celine将会是未来世界级的明星，并决定抵押了他自己的房子筹集资金来为Celine制作第一张专辑。

1981年，他们发行了Celine的第一张唱片“La Voix Du Bon Dieu”(The Voice of God)，专辑中的歌曲由当时著名的法语歌曲制作人Eddy Marnay 谱写。

从此Celine成为了魁北克省的明星。

《La voix du bon Dieu》■ 曲目:01. La voix du bon Dieu – 3:2202. Au secours – 3:3103. L'amour viendra – 4:2004. Autour de moi – 3:0005. Grand maman – 3:4206. Ce n'était qu'un rêve – 3:5207. Seul un oiseau blanc – 4:1708. T'ire l'aiguille – 2:2409. Les roses blanches – 5:561987 Incognito（法语）《Incognito》这张专辑创造了许多记录，它是Celine第一张在不同国家出版不同版本的专辑，也是第一张以CD为载体的新歌专辑。

而只有8首歌曲的专辑却足足发行了7首单曲唱片，可见歌曲制作的精良。

其中Incognito、On traverse un mirroir、Delivre-moi和Comme coeur froid登上了魁北克榜销售的冠军宝座。

A. Barrios：La Catedral (大教堂)A. Lauro：ValsesVenezolanos No. 3(委内瑞拉圆舞曲第三号)A. Ruiz-Pipo：Cancion y Danza No. 1 (歌与舞曲第一号)A. Tansman：DanzaPomposa (壮丽的舞曲)A. Tansman：Suite in Mode Polonico (波兰组曲)A. Tansman：Variacionessobre un tema de Scriabin(史克里亚宝主题与变奏)Alonso Mudarra：Fantasia No.10 穆达那（幻想曲第十号）Anon ：Romance de Amor (爱的罗曼斯)Antonio Lauro：Venezuelan Waltzes拉罗（委内瑞拉圆舞曲）Astor Piazzola：Tango suite for two guitars 探戈组曲（双吉他）Astor Piazzola：History of Tango for Guitar and flute皮亚梭拉探戈历史（吉他和长笛）Augustin Barrios：Paraguayan Dance No.1巴利奥斯巴拉圭舞曲第一号Augustin Barrios：Concert studies 巴利奥斯演奏会用练习曲Augustin Barrios：Julia Florida 巴利奥斯船歌Augustin Barrios：Last tremolo 巴利奥斯祈求上帝的爱Augustin Barrios：Un Sueno en la florest巴利奥斯森林之梦Augustin Barrios：Waltzes 巴利奥斯圆舞曲Augustin Barrios：Las Abejas巴利奥斯蜜蜂B. Britten：Nocturnal Op. 70 (布列顿的夜曲)CaprichoArabe (阿拉伯幻想曲)Carlo Domeniconi:Bird bridge 多明尼康尼鹊桥Carlo Domeniconi:Turkish variation多明尼康尼土耳其变奏曲Choro da Saudade (乡愁鸠罗曲)Cimarosa：Sonatas 史麦罗沙奏呜曲Concerto Antico for guitar and small orchestra 理查德·哈维（古风协奏曲）Concierto de Aranjuez罗德里戈（阿兰胡埃斯协奏曲）D. Scarlatti：Sonatas 史格拉第奏呜曲DanzaCaracteristica (个性舞曲)E. Pujol：Los Abejorros (大黄蜂)E. Sainz de la Maza：Habanera (哈巴奈拉舞曲)F. Martin：Quatre Pieces Breves (四首小品)F. Mompou：Suite Compostelana (蒙波的康波斯特拉组曲)F. Tarrega：Gran Jota de Concierto(大霍塔舞曲)F. Tarrega：Lagima; Adelita; Marieta(泪，阿德丽塔，玛莉叶塔)F. Tarrega：Preludios; Maria(Gavotta); Rosita(前奏曲、玛莉雅、小玫瑰)F. Tarrega：Recuerdos de la Alhambra(阿尔罕布拉宫的回忆)Fantasia paraurGentilhombre罗德里戈（绅士幻想曲）Fernando Sor：Variations on a Theme from The Magic Flute 索尔莫扎特主题变奏曲Francisco Tarrega：Mazurkas 泰雷加马祖卡舞曲Francisco Tarrega：Alborada泰雷加晨歌Francisco Tarrega：CaprichoArabe泰雷加阿拉伯风格随想曲Francisco Tarrega：Vals泰雷加圆舞曲Francisco Tarrega：Sueno泰雷加梦Franz Gruber: Silent Night弗朗兹·格鲁贝尔(平安夜)G. C. Lindsey：Rain Drops (雨滴)Gaspar Sanz：Suite Espa?ola山斯西班牙组曲GiulioRegondi：Nocturne op.19 雷宫第夜曲op.19Grand Solo 索尔（伟大的独奏）Grande Ouverture朱利亚尼（大序曲）H. Villa-Lobos：Preludios No. 1, 3, 4 (前奏曲1,3,4号)Isaac Albaniz:Sevilla阿尔贝尼滋塞维利亚Issac Albeniz: Granada伊萨克·阿尔贝尼兹(格拉纳达)Issac Albeniz：Asturias (Leyanda) 伊萨克·阿尔贝尼兹(阿斯图利亚斯传奇）J. Duarte：English Suite (英国组曲)J. K. Mertz：Elegie, FantaisieHongroise op.65梅尔兹悲歌，匈牙利幻想曲J. Rodrigo：En Los Trigales (小麦田)顶11举报| 2011-06-07 17:16回复天才月亮雨滴7 2楼J. Rodrigo：Invocacion y Danza (祈祷与舞曲)J. S. Bach ：Lute Suites (鲁特琴组曲)J. S. Bach：Fuga BWV1001 巴赫赋格J. S. Bach：Prelude from cello suite No.4 BWV997巴赫前奏曲J. S. Bach：Chaconne from violin partita No.2 BWV 1004 巴赫恰空舞曲J. S. Bach：Cello Suite BWV 1009 巴赫大提琴组曲BWV 1009J. S. Bach：Sonata BWV 1043 巴赫奏呜曲J. S. Bach：Lute Suite No.4 BWV 1006巴赫鲁特琴组曲J. Turina：Homenaje a Tarrega; Fandanguillo; Rafaga (疾风)Joaquin Turina:Sonata Op.70 屠连纳奏呜曲Op.70John Dowland：Prelude, Pavan, Fantasia, 约翰杜兰（前奏曲, 孔雀舞曲, 幻想曲）JoséLuis Merlin:Suite del Recuerdo梅林回忆组曲Julio Sagreras：El Colibr沙格拉斯蜂鸟Koyunbaba多明尼康尼（科庸巴巴）L. Brouwer：Elogio de la Danza (舞之颂)L. Brouwer：TresApuntes (三首素描)L. Mozzani：FesteLariane (罗利安那祭曲)L. Walker：KleineRomanze (小罗曼史)La Danse Des Naiades (水神之舞)Leo Brouwer:Elogio de la Danza李奥包华舞蹈礼赞Leo Brouwer：El Decameron Negro 黑色十日谈（利奥·布劳威尔）Luys de Narvaez：DiferenciassobreGuardamelasVacas拉维斯（看牛歌变奏曲）M. C. Tedesco:Sonatina for flute and guitar泰德斯高长笛与吉他小奏呜曲M. C-Tedesco：CaprichoDiabolico (魔鬼绮想曲)M. de Falla：Homenaje a Debussy (德布西的赞歌)M. Guiliani：Le Papillon, Op. 30 (蝴蝶)M. Llobet：CancionesPopularesCatalanas(卡达朗民歌)M. Mussorgsky：Pictures from an Exhibition 莫索斯基图画展览会M. Torroba：Suite Castellana (卡斯提亚组曲)Madrigal Gavotta (牧歌风嘉禾舞曲)Manuel de Falla:Hommage pour le Tombeau de Debussy 费亚德贝西之墓赞歌Mauro Giuliani:Sonata for flute and guitar朱利亚尼小提琴与吉他奏呜曲Mauro Giuliani：Variations on a theme by Handel朱利亚尼（韩德尔主题变奏曲）Nicolo Paganini：Sonata, Caprices Nos.5, 8, 24帕格尼尼奏呜曲, 随想曲Nos.5, 8, 24 NicoloPaganini:Sonatas for violin and guitar 帕格尼尼小提琴与吉他奏呜曲Pieza Sin Titulo (无题小品)R. S. Brindle：Polifemo de Oro(黄金的古希腊独眼巨集)Robert Saxton: Night Dance 布列顿夜曲Op.70Roland Dyens:Tango en skai迪恩斯探戈Roland Dyens:Sudade No. 3 迪安斯乡愁曲三号S. Dodgson：Partita (多格森的组曲)S. L. Weiss：Passacaglia 魏斯帕撤嘉利亚舞曲saacAlbaniz:Cordoba阿尔贝尼滋哥多巴saacAlbaniz:TorreBermeja阿尔贝尼滋红塔saacAlbaniz:Cadiz阿尔贝尼滋卡廸斯saacAlbaniz:Mallorca阿尔贝尼滋马约加V. Gomez：TristeSantuario (悲伤的礼拜堂)W. Walton：5 Bagatelles for Guitar(五首为吉他而写的小品)本文来自: 玫瑰木古典吉他论坛() 。

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[列表] & [图片] 方式查看>编号A类：发烧,人声,试音,天碟
[列表] & [图片] 方式查看>编号B类：港台，华语,人声，经典，合辑
[列表] & [图片] 方式查看>编号C类：古典，爵士，欧美精典，发烧名盘天碟[列表] & [图片] 方式查看>编号D类：dts解码多声道环绕CD
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编号C类：古典爵士欧美经典
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1.1 Opera(歌剧)•S.1, Don Sanche, ou Le château de l'amour (1824–25) 歌剧《唐切桑》1.2 Sacred Choral Works(神圣的合唱作品)•S.2, The Legend of St. Elisabeth (1857–62) 清唱剧《圣伊丽莎白传奇》•S.3, Christus (1855–67) 清唱剧《基督》•S.4, Cantico del sol di Francesco d'Assisi [first/second version] (1862, 1880–81) 清唱剧《阿西西的圣方济圣歌》•S.5, Die heilige Cäcilia (1874)•S.6, Die Glocken des Strassburger Münsters (Longfellow) (1874)•S.7, Cantantibus organis (1879)•S.8, Missa quattuor vocum ad aequales concinente organo [first/second version] (1848, 1869)•S.9, Missa solennis zur Einweihung der Basilika in Gran (Gran Mass) [first/second version] (1855, 1857–58)•S.10, Missa choralis, organo concinente (1865)•S.11, Hungarian Coronation Mass (1866–67)•S.12, Requiem (1867–68)•S.13, Psalm 13 (Herr, wie lange ?) [first/second/third verion] (1855, 1858, 1862)•S.14, Psalm 18 (Coeli enarrant) (1860)•S.15, Psalm 23 (Mein Gott, der ist mein Hirt) [first version: chorus, soloist & orchestra] [second version: chorus, soloist & violin, piano, harp, organ] (1859, 1862)•S.15a, Psalm 116 (Laudate Dominum) (1869)•S.16, Psalm 129 (De profundis) (1880–83)•S.17, Psalm 137 (By the Rivers of Babylon) [first/second version] (1859–62)•S.18, Five choruses with French texts [5 choruses] (1840–49)•S.19, Hymne de l'enfant à son réveil (Lamartine) [first/second version] (1847, 1862)•S.20, Ave Maria I [first/second version] (1846, 1852)•S.21, Pater noster II [first/second version] (1846, 1848)•S.22, Pater noster IV (1850)•S.23, Domine salvum fac regem (1853)•S.24, Te Deum II (1853?)•S.25, Beati pauperes spiritu (Die Seligkeiten) (1853)•S.26, Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (1858)•S.27, Te Deum I (1867)•S.28, An den heiligen Franziskus von Paula (b. 1860)•S.29, Pater noster I (b. 1860)•S.30, Responsorien und Antiphonen [5 sets] (1860)•S.31, Christus ist geboren I [first/second version] (1863?)•S.32, Christus ist geboren II [first/second version] (1863?)•S.33, Slavimo Slavno Slaveni! [first/second version] (1863, 1866)•S.34, Ave maris stella [first/second version] (1865–66, 1868)•S.35, Crux! (Guichon de Grandpont) (1865)•S.36, Dall' alma Roma (1866)•S.37, Mihi autem adhaerere (from Psalm 73) (1868)•S.38, Ave Maria II (1869)•S.39, Inno a Maria Vergine (1869)•S.40, O salutaris hostia I (1869?)•S.41, Pater noster III [first/second version] (1869)•S.42, Tantum ergo [first/second version] (1869)•S.43, O salutaris hostia II (1870?)•S.44, Ave verum corpus (1871)•S.45, Libera me (1871)•S.46, Anima Christi sanctifica me [first/second version] (1874, ca. 1874)•S.47, St Christopher. Legend (1881)•S.48, Der Herr bewahret die Seelen seiner Heiligen (1875)•S.49, Weihnachtslied (O heilige Nacht) (a. 1876)•S.50, 12 Alte deutsche geistliche Weisen (Chorales) [12 chorals] (ca. 1878-79) •S.51, Gott sei uns gnädig und barmherzig (1878)•S.52, Septem Sacramenta. Responsoria com organo vel harmonio concinente (1878) •S.53, Via Crucis (1878–79)•S.54, O Roma nobilis (1879)•S.55, Ossa arida (1879)•S.56, Rosario [4 chorals] (1879)•S.57, In domum Domino imibus (1884?)•S.58, O sacrum convivium (1884?)•S.59, Pro Papa (ca. 1880)•S.60, Zur Trauung. Geistliche Vermählungsmusik (Ave Maria III) (1883)•S.61, Nun danket alle Gott (1883)•S.62, Mariengarten (b. 1884)•S.63, Qui seminant in lacrimis (1884)•S.64, Pax vobiscum! (1885)•S.65, Qui Mariam absolvisti (1885)•S.66, Salve Regina (1885)• 1.3 Secular Choral Works(世俗的合唱作品)•S.67, Beethoven Cantata No. 1: Festkantate zur Enthüllung (1845)•S.68, Beethoven Cantata No. 2: Zur Säkularfeier Beethovens (1869–70)•S.69, Chöre zu Herders Entfesseltem Prometheus (1850)•S.70, An die Künstler (Schiller) [first/second/third verion] (1853, 1853, 1856)•S.71, Gaudeamus igitur. Humoreske (1869)•S.72, Vierstimmige Männergesänge [4 chorals] (for Mozart-Stiftung) (1841)•S.73, Es war einmal ein König (1845)•S.74, Das deutsche Vaterland (1839)•S.75, Über allen Gipfeln ist Ruh (Goethe) [first/second version] (1842, 1849)•S.76, Das düstre Meer umrauscht mich (1842)•S.77, Die lustige Legion (A. Buchheim) (1846)•S.78, Trinkspruch (1843)•S.79, Titan (Schobert) (1842–47)•S.80, Les quatre éléments (Autran) (1845)•S.81, Le forgeron (de Lamennais) (1845)•S.82, Arbeiterchor (de Lamennais?) (1848)•S.83, Ungaria-Kantate (Hungaria 1848 Cantata) (1848)•S.84, Licht, mehr Licht (1849)•S.85, Chorus of Angels from Goethe's Faust (1849)•S.86, Festchor zur Enthüllung des Herder-Dankmals in Weimar (A. Schöll) (1850)•S.87, Weimars Volkslied (Cornelius) [6 versions] (1857)•S.88, Morgenlied (Hoffmann von Fallersleben) (1859)•S.89, Mit klingendem Spiel (1859–62 ?)•S.90, Für Männergesang [12 chorals] (1842–60)•S.91, Das Lied der Begeisterung. A lelkesedes dala (1871)•S.92, Carl August weilt mit uns. Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar am 3 September 1875 (1875)•S.93, Ungarisches Königslied. Magyar Király-dal (Ábrányi) [6 version] (1883)•S.94, Gruss (1885?)1.4 Orchestral Works(管弦乐作品)1.4.1 Symphonic Poems(交响诗)•S.95, Poème symphonique No. 1, Ce qu'on entend sur la montagne (Berg Symphonie) [first/second/third version] (1848–49, 1850, 1854) 第一交响诗山间所闻•S.96, Poème symphonique No. 2, Tasso, Lamento e Trionfo [first/second/third version] (1849, 1850–51, 1854) 《塔索，哀叹与胜利》•S.97, Poème symphonique No. 3, Les Préludes (1848) 第三交响诗“前奏曲”•S.98, Poème symphonique No. 4, Orpheus (1853–54) 第四交响诗《奥菲欧》•S.99, Poème symphonique No. 5, Prometheus [first/second version] (1850, 1855) 第五交响诗《普罗米修斯》•S.100, Poème symphonique No. 6, Mazeppa [first/second version] (1851, b. 1854) 第六交响诗《马捷帕》•S.101, Poème symphonique No. 7, Festklänge [revisions added to 1863 pub] (1853) 第七交响诗《节日之声》•S.102, Poème symphonique No. 8, Héroïde funèbre [first/second version] (1849–50, 1854) 第八交响诗《英雄的葬礼》•S.103, Poème symphonique No. 9, Hungaria (1854) 第九交响诗《匈牙利》•S.104, Poème symphonique No. 10, Hamlet (1858) 第十交响《哈姆雷特》•S.105, Poème symphonique No. 11, Hunnenschlacht (1856–57) 第十一交响诗《匈奴之战》•S.106, Poème symphonique No. 12, Die Ideale (1857) 第十二交响诗《理想》•S.107, Poème symphonique No. 13, Von der Wiege bis zum Grabe (From the Cradle to the Grave) (1881–82) 第十三交响诗《从摇篮到坟墓》1.4.2 Other Orchestral Works(其他管弦乐作品)•S.108, Eine Faust-Symphonie [first/second version] (1854, 1861)•S.109, Eine Symphonie zu Dante's Divina Commedia (1855–56)•S.110, Deux épisodes d'apres le Faust de Lenau [2 pieces] (1859–61)•S.111, Zweite Mephisto Waltz (1881)•S.112, Trois Odes Funèbres [3 pieces] (1860–66)•S.113, Salve Polonia (1863)•S.114, Künstlerfestzug zur Schillerfeier (1857)•S.115, Festmarsch zur Goethejubiläumsfeier [first/second version] (1849, 1857)•S.116, Festmarsch nach Motiven von E.H.z.S.-C.-G. (1857)•S.117, Rákóczy March (1865)•S.118, Ungarischer Marsch zur Krönungsfeier in Ofen-Pest (am 8 Juni 1867) (1870)•S.119, Ungarischer Sturmmarsch (1875)1.5 Piano and Orchestra(钢琴与乐队)•S.120, Grande Fantaisie Symphonique on themes from Berlioz Lélio (1834)•S.121, Malédiction (with string orchestra) (1833) 诅咒钢琴与弦乐队•S.122, Fantasie über Beethovens Ruinen von Athen [first/second version] (1837?, 1849) •S.123, Fantasie über ungarische Volksmelodien (1852) 匈牙利民歌主题幻想曲为钢琴与乐队而作•S.124, Piano Concerto No. 1 in E flat [first/second version] (1849, 1856) 降E大调第一钢琴协奏曲•S.125, Piano Concerto No. 2 in A major [first/second version] (1839, 1849) A大调第二钢琴协奏曲•S.125a, Piano Concerto No. 3 in E flat (1836–39)•S.126, Totentanz. Paraphrase on Dies Irae [Feruccio Busoni's 'De Profundis'/final version] (1849, 1859) 死之舞为钢琴与乐队而作•S.126a, Piano Concerto "In the Hungarian Style" [probably by Sophie Menter] (1885)1.6 Chamber Music(室内乐等)S.126b, Zwei Waltzer [2 pieces] (1832)•S.127, Duo (Sonata) - Sur des thèmes polonais (1832-35 ?)•S.128, Grand duo concertant sur la romance de font Le Marin [first/second version] (ca.1835-37, 1849)•S.129, Epithalam zu Eduard. Reményis Vermählungsfeier (1872)•S.130, Élégie No. 1 [first/second/third version] (1874)•S.131, Élégie No. 2 (1877)•S.132, Romance oubliée (1880)•S.133, Die Wiege (1881?)•S.134, La lugubre gondola [first/second version] (1883?, 1885?)•S.135, Am Grabe Richard Wagners (1883)1.7 Piano Solo1.7.1 Studies(钢琴练习曲)•S.136, Études en douze exercices dans tous les tons majeurs et mineurs [first version, 12 pieces] (1826) 12首钢琴练习曲•S.137, Douze grandes études [second version, 12 pieces] (1837) 《12首超技练习曲》•S.138, Mazeppa [intermediate version of S137/4] (1840) 练习曲“玛捷帕”•S.139, Douze études d'exécution transcendante [final version, 12 pieces] (1852) 12首超技练习曲•S.140, Études d'exécution transcendante d'après Paganini [first version, 6 pieces] (1838) 帕格尼尼超技练习曲•S.141, Grandes études de Paganini [second version, 6 pieces] (1851) 6首帕格尼尼大练习曲•S.142, Morceau de salon, Étude de perfectionnement [Ab Irato, first version] (1840) 高级练习曲“沙龙小品”•S.143, Ab Irato, Étude de perfectionnement [second version] (1852) 高级练习曲“愤怒”•S.144, Trois études de concert [3 pieces] (1848?) 3首音乐会练习曲1. Il lamento2. La leggierezza3. Un sospiro•S.145, Zwei Konzertetüden [2 pieces] (1862–63) 2首音乐会练习曲1. Waldesrauschen2. Gnomenreigen•S.146, Technische Studien [68 studies] (ca. 1868-80) 钢琴技巧练习1.7.2 Various Original Works(各种原创作品)•S.147, Variation on a Waltz by Diabelli (1822) 狄亚贝利圆舞曲主题变奏曲•S.148, Huit variations (1824?) 降A大调原创主题变奏曲•S.149, Sept variations brillantes dur un thème de G. Rossini (1824?)•S.150, Impromptu brilliant sur des thèmes de Rossini et Spontini (1824) 罗西尼与斯蓬蒂尼主题即兴曲•S.151, Allegro di bravura (1824) 华丽的快板•S.152, Rondo di bravura (1824) 华丽回旋曲•S.152a, Klavierstück (?)•S.153, Scherzo in G minor (1827) g小调谐谑曲•S.153a, Marche funèbre (1827)•S.153b, Grand solo caractèristique d'apropos une chansonette de Panseron [private collection, score inaccessible] (1830–32) [1]•S.154, Harmonies poétiques et religieuses [Pensée des morts, first version] (1833, 1835) 宗教诗情曲•S.155, Apparitions [3 pieces] (1834) 显现三首钢琴小品•S.156, Album d'un voyageur [3 sets; 7, 9, 3 pieces] (1835–38) 旅行者札记•S.156a, Trois morceaux suisses [3 pieces] (1835–36)•S.157, Fantaisie romantique sur deux mélodies suisses (1836) 浪漫幻想曲•S.157a, Sposalizio (1838–39)•S.157b, Il penseroso [first version] (1839)•S.157c, Canzonetta del Salvator Rosa [first version] (1849)•S.158, Tre sonetti del Petrarca [3 pieces, first versions of S161/4-6] (1844–45) 3首彼特拉克十四行诗•S.158a, Paralipomènes à la Divina Commedia [Dante Sonata original 2 movement version] (1844–45)•S.158b, Prologomènes à la Divina Commedia [Dante Sonata second version] (1844–45)•S.158c, Adagio in C major (Dante Sonata albumleaf) (1844–45)•S.159, Venezia e Napoli [first version, 4 pieces] (1840?) 威尼斯和拿波里•S.160, Années de pèlerinage. Première année; Suisse [9 pieces] (1848–55) 旅行岁月（第一集）- 瑞士游记•S.161, Années de pèlerinage. Deuxième année; Italie [7 pieces] (1839–49) 旅行岁月（第二集）- 意大利游记•S.162, Venezia e Napoli. Supplément aux Années de pèlerinage 2de volume [3 pieces] (1860) 旅行岁月（第二集补遗）- 威尼斯和拿波里•S.162a, Den Schutz-Engeln (Angelus! Prière à l'ange gardien) [4 drafts] (1877–82) •S.162b, Den Cypressen der Villa d'Este - Thrénodie II [first draft] (1882)•S.162c, Sunt lacrymae rerum [first version] (1872)•S.162d, Sunt lacrymae rerum [intermediate version] (1877)•S.162e, En mémoire de Maximilian I [Marche funèbre first version] (1867)•S.162f, Postludium - Nachspiel - Sursum corda! [first version] (1877)•S.163, Années de pèlerinage. Troisième année [7 pieces] (1867–77) 旅行岁月（第三集）•S.163a, Album-Leaf: Andantino pour Emile et Charlotte Loudon (1828) [2] 降E大调纪念册的一页•S.163a/1, Album Leaf in F sharp minor (1828)降E大调纪念册的一页•S.163b, Album-Leaf (Ah vous dirai-je, maman) (1833)•S.163c, Album-Leaf in C minor (Pressburg) (1839)•S.163d, Album-Leaf in E major (Leipzig) (1840)•S.164, Feuille d'album No. 1 (1840) E大调纪念册的一页•S.164a, Album Leaf in E major (Vienna) (1840)•S.164b, Album Leaf in E flat (Leipzig) (1840)•S.164c, Album-Leaf: Exeter Preludio (1841)•S.164d, Album-Leaf in E major (Detmold) (1840)•S.164e, Album-Leaf: Magyar (1841)•S.164f, Album-Leaf in A minor (Rákóczi-Marsch) (1841)•S.164g, Album-Leaf: Berlin Preludio (1842)•S.165, Feuille d'album (in A flat) (1841) 降A大调纪念册的一页•S.166, Albumblatt in waltz form (1841) A大调圆舞曲风格纪念册的一页•S.166a, Album Leaf in E major (1843)•S.166b, Album-Leaf in A flat (Portugal) (1844)•S.166c, Album-Leaf in A flat (1844)•S.166d, Album-Leaf: Lyon prélude (1844)•S.166e, Album-Leaf: Prélude omnitonique (1844)•S.166f, Album-Leaf: Braunschweig preludio (1844)•S.166g, Album-Leaf: Serenade (1840–49)•S.166h, Album-Leaf: Andante religioso (1846)•S.166k, Album Leaf in A major: Friska (ca. 1846-49)•S.166m-n, Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (1847)•S.167, Feuille d'album No. 2 [Die Zelle in Nonnenwerth, third version] (1843) a小调纪念册的一页•S.167a, Ruhig [catalogue error; see Strauss/Tausig introduction and coda]•S.167b, Miniatur Lieder [score not accessible at present] (?)•S.167c, Album-Leaf (from the Agnus Dei of the Missa Solennis, S9) (1860–69)•S.167d, Album-Leaf (from the symphonic poem Orpheus, S98) (1860)•S.167e, Album-Leaf (from the symphonic poem Die Ideale, S106) (1861)•S.167f, Album Leaf in G major (ca. 1860)•S.168, Elégie sur des motifs du Prince Louis Ferdinand de Prusse [first/second version] (1842, 1851) 悲歌•S.168a, Andante amoroso (1847?)•S.169, Romance (O pourquoi donc) (1848) e小调浪漫曲•S.170, Ballade No. 1 in D flat (Le chant du croisé) (1845–48) 叙事曲一•S.170a, Ballade No. 2 [first draft] (1853)•S.171, Ballade No. 2 in B minor (1853) 叙事曲二•S.171a, Madrigal (Consolations) [first series, 6 pieces] (1844)•S.171b, Album Leaf or Consolation No. 1 (1870–79)•S.171c, Prière de l'enfant à son reveil [first version] (1840)•S.171d, Préludes et harmonies poétiques et religie (1845)•S.171e, Litanies de Marie [first version] (1846–47)•S.172, Consolations (Six penseés poétiques) (1849–50) 6首安慰曲•S.172a, Harmonies poétiques et religieuses [1847 cycle] (1847)•S.172a/3&4, Hymne du matin, Hymne de la nuit [formerly S173a] (1847)•S.173, Harmonies poétiques et religieuses [second version] (1845–52) 诗与宗教的和谐•S.174, Berceuse [first/second version] (1854, 1862) 摇篮曲•S.175, Deux légendes [2 pieces] (1862–63) 2首传奇•1. St. François d'Assise. La prédication aux oiseaux (Preaching to the Birds)•2. St. François de Paule marchant sur les flots (Walking on the Waves)•S.175a, Grand solo de concert [Grosses Konzertsolo, first version] (1850)•S.176, Grosses Konzertsolo [second version] (1849–50 ?) 独奏大协奏曲•S.177, Scherzo and March (1851) 谐谑曲与进行曲•S.178, Piano Sonata in B minor (1852–53) b小调钢琴奏鸣曲•S.179, Prelude after a theme from Weinen, Klagen, Sorgen, Zagen by J. S. Bach (1859) 前奏曲“哭泣、哀悼、忧虑、恐惧”S.179 - 根据巴赫第12康塔塔主题而作•S.180, Variations on a theme from Weinen, Klagen, Sorgen, Zagen by J. S. Bach (1862) 巴赫康塔塔主题变奏曲•S.181, Sarabande and Chaconne from Handel's opera Almira (1881)•S.182, Ave Maria - Die Glocken von Rom (1862) 圣母颂“罗马的钟声”•S.183, Alleluia et Ave Maria [2 pieces] (1862) 哈利路亚与圣母颂•S.184, Urbi et orbi. Bénédiction papale (1864)•S.185, Vexilla regis prodeunt (1864)•S.185a, Weihnachtsbaum [first version, 12 pieces] (1876)•S.186, Weihnachtsbaum [second version, 12 pieces] (1875–76) 钢琴曲集《圣诞树》•S.187, Sancta Dorothea (1877) 圣多萝西娅•S.187a, Resignazione [first/second version] (1877)•S.188, In festo transfigurationis Domini nostri Jesu Christi (1880) 我主耶稣基督之变形•S.189, Klavierstück No. 1 (1866)•S.189a, Klavierstück No. 2 (1845)•S.189b, Klavierstück (?)•S.190, Un portrait en musique de la Marquise de Blocqueville (1868)•S.191, Impromptu (1872) 升F大调即兴曲“夜曲”•S.192, Fünf Klavierstücke (for Baroness von Meyendorff) [5 pieces] (1865–79) 5首钢琴小品•S.193, Klavierstuck (in F sharp major) (a. 1860) 升F大调钢琴小品•S.194, Mosonyis Grabgeleit (Mosonyi gyázmenete) (1870) 在莫佐尼墓前•S.195, Dem andenken Petofis (Petofi Szellemenek) (1877) 纪念裴多菲•S.195a, Schlummerlied im Grabe [Elegie No 1, first version] (1874)•S.196, Élégie No. 1 (1874)•S.196a, Entwurf der Ramann-Elegie [Elegie No 2, first draft] (1877)•S.197, Élégie No. 2 (1877)•S.197a, Toccata (1879–81) 托卡塔•S.197b, National Hymne - Kaiser Wilhelm! (1876)•S.198, Wiegenlied (Chant du herceau) (1880) 摇篮曲•S.199, Nuages gris (Trübe Wolken) (1881) 灰色的云•S.199a, La lugubre gondola I (Der Trauergondol) [Vienna draft] (1882)•S.200, La lugubre gondola [2 pieces] (1882, 1885) 葬礼小船。

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Estuche de viaje compacto en un color a juego para acompañarte allá donde vayas .Tecnología SonicareavanzadaLas potentes vibraciones sónicas con 62 000 pulsaciones por minuto generan burbujas que combaten la placa entre los dientes y a lo largo de la línea de las encías .Elimina hasta 10 veces más placa que un cepillo dental manual .4 modos / 3intensidadesElige entre 4 modos de cepillado :Clean para una limpieza diaria excepcional , White + para iluminar tu sonrisa , Gum Health para una limpieza suave pero e ficaz ** y Deep Clean +para una limpieza en profundidad . Los tres ajustes de intensidad de Bajo a A lto tepermiten mejorar el rendimiento o el cuidado de las encías sensibles .Sensor de presiónincorporadoPuede que no notes que te cepillas con demasiada fuerza , pero el DiamondClean 9000 sí. Si necesitas aliviar la presión , elcepillo emite un sonido intermitente . para que dejes que el cabezal trabaje .Emparejamiento automáticoBrushSyncLos cabezales de cepillado inteligentes garantizan que siempre utilices el modo e intensidad adecuados para una limpieza óptima . Si estás utilizando el cabezal de cepillado Control antiplaca Premium C 3, la tecnología BrushSync del DiamondClean9000 sincronizará automáticamente el cabezal del cepillo con el modo Clean para ayudar a blanquear los dientes .A plicaciónSonicareDiamondClean 9000 te ofrece la orientación que necesitas para mejorar y mantener unos hábitos de cepillado saludables entre cada revisión del dentista . Los sensores inteligentes integrados te permiten saber si estásejerciendo demasiada presión y , si conectas tu experiencia de cepillado a la aplicación Sonicare , el informe de progresopersonalizado te ayudará a seguir el programa para comprobar lo que has mejorado con el tiempo .EspecificacionesConectividadTecnología inalámbrica Bluetooth®: A pp de cepillado conectadaPotenciaTensión: 110-220 VEspecificaciones técnicasTiempo de funcionamiento (duración de la batería): 14 días***Pila: RecargableTipo de batería: Iones de litioDiseño y acabadoColor: Gradiente de seda rosa a blanco ServiciosGarantía: Garantía limitada de dos años CompatibilidadCompatibilidad con A ndroid: TeléfonosA ndroid, Tabletas con Bluetooth 4.0 Compatibilidad con iOS: iPad de tercera generación o superior, iPhone 4S o superior,con iOS7 o superior, con sistema operativoiOS7Fácil de usarMango: Diseño compacto y ergonómicoCompatibilidad con mangos: Cabezales decepillado fáciles de montarRecordatorio de sustitución: Para garantizarsiempre los mejores resultados, el icono derecordatorio se iluminaPiezas incluidasEstuche de viaje: 1Cabezales: 1 Control antiplaca Premium C3Mango: 1 DiamondClean 9000Base y soporte de carga: 1Rendimiento de limpiezaRendimiento: Elimina hasta 10 veces másplaca*Temporizador: BrushPacer y SmarTimerInformación sobre la presión aplicada: Elmango vibra para avisar al usuarioModosLimpieza: Para una limpieza diaria excepcional3 intensidades: A lta, Mediano, BajaLimpieza en profundidad+: Para una limpiezaen profundidad vigorizanteCuidado de las encías: Especial atención a lasmuelasBlanqueamiento: Para eliminar las manchassuperficialesTecnología de sensor inteligenteSensor de presión: A visa al cepillar condemasiada fuerzaRecordatorio de sustitución BrushSync:Siempre sabrás cuándo, sustituir los cabezalesde cepillado* En el modo Blanqueamiento+ con una pasta de dientesblanqueadora de calidad* * En comparación con un cepillo manual, los resultadosreales pueden variar* ** En comparación con el cabezal de cepilladoDiamondClean© 2023 Koninklijke Philips N.V. Todos los derechos reservados.Las especificaciones están sujetas a cambios sin previo aviso. Las marcas registradas son propiedad de Koninklijke Philips N.V. o de sus propietarios respectivos.Fecha de emisión 2023‑11‑23Versión: 17.17.1E A N: 87 20689 00096 3 。

一、引言gymnopedies钢琴曲是一组由法国作曲家埃里克·萨蒂创作的三首钢琴曲。

这组曲子以其细腻的旋律和神秘的氛围而闻名，被认为是萨蒂最具代表性的作品之一。

其音乐表现形式独特，风格清新、新奇，对于钢琴演奏和听众之间有着独特的情感连接。

本文将对gymnopedies 钢琴曲的历史背景、音乐特点和影响进行深入分析，希望可以为读者呈现一个全面的了解。

二、历史背景1. 埃里克·萨蒂生平埃里克·萨蒂（1866-1925）是一位法国作曲家和钢琴家，出生于巴黎。

他在音乐领域享有盛誉，被誉为“印象派音乐之父”，对20世纪的音乐产生了深远的影响。

萨蒂的音乐风格独特，充满了超现实主义和神秘主义的色彩，他创作的钢琴曲、合唱曲和管弦乐作品都具有鲜明的个人风格。

2. 源起gymnopedies钢琴曲创作于1888年，是萨蒂在一家波尔多的小酒馆中为钢琴短片配乐而作。

这组曲子的名字来源于古希腊雅典的少年对courage和endurance的称呼。

三、音乐特点1. 曲式结构gymnopedies钢琴曲共有三首，分别命名为gymnopedies No.1、No.2和No.3。

每首曲子都采用了类似的小节结构，以简洁、清晰、怀旧为主题，表现了萨蒂独特的音乐语言。

2. 音乐特色gymnopedies钢琴曲的旋律简洁优美，富有感染力。

曲子的节奏优美缓慢，给人一种宁静、神秘和悠远的感觉。

萨蒂的音乐追求淡泊和内敛，尽管简单的旋律和和声，却包含着深邃的情感和内涵。

3. 艺术效果gymnopedies钢琴曲的音乐语言鲜明，给人一种与众不同的感觉。

曲子中融入了古典、浪漫主义和现代音乐的元素，展现了萨蒂对音乐的独特理解与创造。

四、影响与评价1. 对音乐的影响gymnopedies钢琴曲被认为是古典音乐的杰作之一，对后世的音乐产生了深远的影响。

它的音乐风格独特，成为了许多现代音乐作品的灵感来源。

2. 对钢琴教育的影响gymnopedies钢琴曲成为了钢琴教学中的经典曲目，许多钢琴学习者都会选择学习、演奏这些曲子。

List of compositions by Robert SchumannContents• 1 Piano works• 2 Vocal workso 2.1 Lieder and partsongso 2.2 Choral and dramatic works• 3 Orchestral workso 3.1 Works for solo instrument(s) with orchestra• 4 Chamber music1. Piano works•Op. 1, Variations on the name "Abegg" (1830)•Op. 2, Papillons, (1829–1831)•Op. 3, Etudes After Paganini Caprices (1832)•Op. 4, Intermezzi (1832)•Op. 5, Impromptus [on a Theme by Clara Wieck] (1833)•Op. 6, Davidsbündlertänze (1837)•Op. 7, Toccata (1832)•Op. 8, Allegro in B minor (1831)•Op. 9, Carnaval (1834–1835)•Op. 10, 6 Concert Studies on Caprices by Paganini (1833)•Op. 11, Grand Sonata No. 1 in F-sharp minor (1835)•Op. 12, Fantasiestücke ("Fantasy Pieces") (1837)•Op. 13, Études symphoniques ("Symphonic Studies") (1834)•Op. 14, Grand Sonata No. 3 in F minor, "Concerto Without Orchestra" (1835)•Op. 15, Kinderszenen ("Scenes From Childhood") (1838)•Op. 16, Kreisleriana (1838)•Op. 17, Fantasia in C (1836)•Op. 18, Arabeske in C (1839)•Op. 19, Blumenstück in D-flat ("Flower Piece") (1839)•Op. 20, Humoreske in B-flat (1839)•Op. 21, Novelletten ("Novelettes") (1838)•Op. 22, Sonata No. 2 in G minor (1833–1835)•Op. 23, Nachtstücke ("Night Pieces") (1839)•Op. 26, Faschingsschwank aus Wien ("Carnival Jest from Vienna") (1839)•Op. 28, Three Romances (1839)•Op. 32, 4 Klavierstücke (Scherzo, Gigue, Romance and Fughette) (1838–9)•Op. 56, Etuden in kanonischer Form für Orgel oder Pedalklavier ("Studies in the Form of Canons for Organ or Pedal Piano") (1845)•Op. 58, Skizzen für Orgel oder Pedalklavier ("Sketches for Organ or Pedal Piano") (1845)•Op. 60, 6 Fugues on B–A–C–H for organ or pedal piano (1845)•Op. 66, Bilder aus Osten ("Pictures from the East") (6 Impromptus for piano 4-hands) (1848)•Op. 68, Album für die Jugend ("Album for the Young") (1848)•Op. 72, Vier Fugen ("Four Fugues") (1845)•Op. 76, Vier Märsche ("Four Marches") (1849)•Op. 82, Waldszenen ("Forest Scenes") (1848–1849)•Op. 85, 12 Klavierstücke für kleine und große Kinder) ("12 Piano Pieces for Young and Older Children") (piano 4 hands) (1849)•Op. 99, Bunte Blätter (1836–1849)•Op. 109, Ball-Scenen ("Scenes from a Ball") (4 hands) (1851)•Op. 111, Three Fantasiestücke (1851)•Op. 118, Three Piano Sonatas for the Young (1853)•Op. 124, Albumblätter ("Album Leaves") (1832–1845) (includes one piece previously part of WoO 31)•Op. 126, Seven Piano Pieces in Fughetta Form (1853)•Op. 130, Kinderball ("Children's Ball") (four hands) (1853)•Op. 133, Gesänge der Frühe ("Songs of Youth") (1853)•WoO 24, Variationen in Es-dur über ein eigenes Thema "Geister-Variationen" ("Variations in E-flat on an Original Theme") (1854)•WoO 31, Etüden in Form freier Variationen über ein Beethoven'sches Thema ("Studies in the Form of Free Variations on a Theme by Beethoven") (1831–32)2. Vocal works2.1 Lieder and partsongs•Op. 24, Liederkreis (Heine), nine songs (1840)•Op. 25, Myrthen, twenty-six songs (4 books) (1840)•Op. 27, Lieder und Gesänge volume I (5 songs) (1840)•Op. 29, 3 Gedichte (1840)•Op. 30, 3 Gedichte (1840)•Op. 31, 3 Gesänge (1840)•Op. 33, 4 Lieder (part songs for men's voices with piano ad lib) (1840)•Op. 34, 4 Duets (soprano and tenor with piano) (1840)•Op. 35, 12 Gedichte (1840)•Op. 36, 6 Gedichte (1840)•Op. 37, Gedichte aus "Liebesfrühling" (12 songs, of which numbers 2, 4 and 11 are by Clara Schumann) (1840) •Op. 39, Liederkreis (Eichendorff), twelve songs (1840)•Op. 40, 5 Lieder (1840)•Op. 42, Frauenliebe und -leben (Chamisso), eight songs (1840)•Op. 43, 3 Duets (1840)•Op. 45, Romanzen & Balladen volume I (3 songs) (1840)•Op. 48, Song cycle, Dichterliebe, sixteen songs from Heine's Buch der Lieder (1840)•Op. 49, Romanzen & Balladen volume II (3 songs) (1840)•Op. 51, Lieder und Gesänge volume II (5 songs) (1842)•Op. 53, Romanzen & Balladen volume III (3 songs) (1840)•Op. 55, 5 Lieder (partsongs) (1846)•Op. 57, Belsatzar, ballad (Heine) (1840)•Op. 59, 4 Gesänge (partsongs) (1846)•Op. 62, 3 Gesänge (partsongs with piano ad lib) (1847)•Op. 64, Romanzen & Balladen volume IV (3 songs) (1841–47)•Op. 65, Ritornelle in canonischen Weisen (7 canonic part songs) (1847)•Op. 67, Romanzen & Balladen volume I (5 partsongs) (1849)•Op. 69, Romanzen volume I (6 partsongs for women's voices) (1849)•Op. 74, Spanisches Liederspiel (3 songs, 5 duets, 2 quartets) (1849)•Op. 75, Romanzen & Balladen volume II (5 partsongs) (1849)•Op. 77, Lieder und Gesänge volume III (5 songs) (1841–50)•Op. 78, 4 duets (soprano and tenor) (1849)•Op. 79, Liederalbum für die Jugend (29 songs) (1849)•Op. 83, 3 Gesänge (1850)•Op. 87, Ballad, "Der Handschuh" (Schiller) (1850)•Op. 89, 6 Gesänge (1850)•Op. 90, 6 Gedichte (1850)•Op. 91, Romanzen volume II (6 partsongs for women's voices) (1849)•Op. 95, 3 Gesänge (1849)•Op. 96, Lieder und Gesänge volume IV (1850)•Op. 101, Minnespiel (4 songs, 2 duets, 2 quartets) (1849)•Op. 103, Mädchenlieder (2 women's voices and piano) (1851)•Op. 104, 7 Lieder (1851)•Op. 106, Declamation with piano, "Schön Hedwig" (1849)•Op. 107, 6 Gesänge (1851–52)•Op. 114, 3 Lieder für 3 Frauenstimmen (1853)•Op. 117, 4 Husarenlieder (1851)•Op. 119, 3 Gedichte (1851)•Op. 122, Declamation with piano: "Ballade vom Heideknaben" and "Die Flüchlinge" (1852)•Op. 125, 5 heitere Gesänge (1851)•Op. 127, 5 Lieder und Gesänge (1850–51)•Op. 135, Gedichte der Königin Maria Stuart (1852)•Op. 137, Jagdlieder (5 partsongs for men's voices with 4 horns ad lib) [1849]•Op. 138, Spanische Liebeslieder (1849)•Op. 142, 4 Gesänge (1852)•Op. 145, Romanzen & Balladen Vol. III (5 partsongs) (1849–51)•Op. 146, Romanzen & Balladen Vol. IV (5 partsongs) (1849)2.2 Choral and dramatic works•Op. 50, Das Paradies und die Peri, oratorio (1841–43)•Op. 71, Adventlied for soprano, chorus and orchestra (1848)•Op. 81, Genoveva, opera (1848)•Op. 84, Beim Abschied zu singen for chorus & winds (1848)•Op. 93, Motet, "Verzweifle nicht im Schmerzenstal" for double chorus and organ ad lib (1849, orchestrated 1852) •Op. 98a, Songs from Wilhelm Meister•Op. 98b, Requiem for Mignon for solo voices, chorus and orchestra (1849)•Op. 108, Nachtlied for chorus and orchestra (1849)•Op. 112, Der Rose Pilgerfahrt oratorio (1851)•Op. 115, Overture and incidental music, Manfred (1848–49)•Op. 116, Der Königssohn (Uhland), for solos, chorus and orchestra (1851)•Op. 123, Festival overture on the Rheinweinlied for orchestra and chorus (1853)•Op. 139, "Des Sängers Fluch" (Uhland) for solo voice, chorus and orchestra (1852)•Op. 140, "Vom Pagen und der Königstochter" for solo voice, chorus, and orchestra (1852)•Op. 141, 4 doppelchörige gesänge (partsongs) (1849)•Op. 143, "Das Glück von Edenhall" (Uhland) for solo voice, chorus, and orchestra (1853)[1]•Op. 144, "Neujahrslied" for chorus and orchestra (1849–50)•Op. 147, Mass (1852)•Op. 148, Requiem (1852)•WoO 3, Scenes from Goethe's Faust, oratorio (1844–1853)[1]3.Orchestral works•Op. 38, Symphony No. 1 in B flat, Spring (1841)•Op. 52, Overture, Scherzo & Finale in E (1841)•Op. 61, Symphony No. 2 in C (1845–46)•Op. 97, Symphony No. 3 in E flat, Rhenish (1850)•Op. 100, Bride of Messina overture (1850–51)•Op. 120, Symphony No. 4 in D minor (1841; revised in 1851)•Op. 128, Julius Caesar overture (1851)•Op. 136, Hermann und Dorothea overture (1851)•WoO 29, Symphony in G minor ("Zwickau")(incomplete)4. Works for solo instrument(s) with orchestra•Op. 54, Piano Concerto in A minor (1841–45)•Op. 86, Konzertstück for Four Horns and Orchestra (1849)•Op. 92, Introduction and Allegro Appassionato for Piano and Orchestra (1849)•Op. 129, Cello Concerto in A minor (1850)•Op. 131, Fantasy in C for violin and orchestra (1853)•Op. 134, Introduction and Allegro for Piano and Orchestra (1853)•WoO 23, Violin Concerto in D minor (1853)[1][edit] Chamber music•Op. 41, Three string quartets in A minor, F and A (1842)•Op. 44, Piano quintet in E flat (1842)•Op. 46, Andante and variations for two pianos (1843) (there is an original version for two pianos, 2 cellos and horn) •Op. 47, Piano quartet in E flat (1842)•Op. 63, Piano Trio No. 1 in D minor (1847)•Op. 70, Adagio and Allegro for Horn and Piano (1849)•Op. 73, Fantasy Pieces for Clarinet and Piano (1849)•Op. 80, Piano Trio No. 2 in F (1847)•Op. 88, Fantasiestücke for piano trio (1842)•Op. 94, Three Romances for oboe and piano (1849)•Op. 102, Five Stücke im Volkston for piano and cello (1849)•Op. 105, Violin Sonata No. 1 in A minor (1851)•Op. 110, Piano Trio No. 3 in G minor (1851)•Op. 113, Märchenbilder for piano and viola (1851)•Op. 121, Violin Sonata No. 2 in D minor (1851)•Op. 132, Märchenerzählungen, four pieces for clarinet, viola and pianoforte (probably 1853)•WoO 32, Piano quartet in C minor (1829)[1]•WoO 27, Violin Sonata No. 3 in A minor (1853)。

《品达颂歌》导言约翰·桑迪斯爵士（The Odes of Pindar, Sir John Sandys, Harvard University Press, 1937）罗朗译（载于《奥林匹亚的颂歌》，北京：华夏出版社，2009）1．品达品达，古希腊最伟大的抒情诗人, 是维奥蒂亚（Bóeotia）①人，出生在古希腊塞萨利亚北部（Cynoscephalae）, 底比斯(Thebes)西面半里路的地方。

他自己记载说他刚好出生在德尔斐神庙阿波罗祭祀节的那天②。

这个节日是四年一度的奥林匹亚纪年(Olympic period)的第三年。

根据词典学家苏伊达（Suïdas）的记载，这位诗人生于奥林匹亚纪年65纪(the sixty-fifth Olympiad)。

奥纪65纪3年(Ol. 65, 3)对应着公元前518年, 这个日期已被普遍接受③。

另外一种说法是他可能生于奥纪64, 3年(Ol. 64, 3), 也就是公元前522年④。

支持这种说法的人认为, 所有古代的名人提到品达时说在公元前481—478的希波战争中他正当“壮年”（flourishing），也就是40岁的年纪。

如果他生于公元前522年, 在薛西斯(Xerxes) 远征的前一年, 即公元前482年, 他就应该是40岁了⑤。

品达引以为豪的是他的底比斯血统和所受的第比斯教育⑥。

他的父亲是代凡特斯（Daiphantus），母亲是克利奥蒂塞（Cleodice）。

他跟着叔叔希克伯里勒斯（Scopelinus）学会了吹笛。

这种乐器在德尔斐祭祀阿波罗时有很重要的作用。

他在底比斯进一步提高了吹奏的技术。

吹奏长笛在底比斯比在雅典更受重视。

在雅典，他在阿伽塞克利斯（Agathocles）和阿波那多诺斯（Appollodôrus）的指导下学会了创作抒情诗歌。

他的老师可能还有拉色斯的赫米奥尼（Lasus of Hermione），这位老师把酒神颂(dithyramb)发挥到了完美的地步。

关于音乐的常用英语单词(艺术类英语必备)pop music 流行音乐jazz music 爵士乐rock music 摇滚乐rhythm 节奏theme 主题tempo 速度symphony 交响乐melody 旋律variation 变奏composition 乐曲composer 作曲家tone 音色keyboard 琴键key 调major 大调minor 小调solo 独奏duets 二重奏instrument 乐器movement 乐章accelerando (accel.) 渐快的acappella 无伴奏合唱absolute music 纯音乐，非标题音乐absolute pitch 绝对音高（听觉）abstract music 抽象音乐accent 重音accidental(s) 变音记号accordion 手风琴acoustics 声学action 弦高，即弦距离指板的高度adagietto 小柔板(66拍/分钟) adagio 柔板(56拍/分钟)Added-sixth chord 加六度和弦allegretto 小快板(108拍/分钟) allegro 快板(132拍/分钟) allemande 阿勒曼德alt高音altered chord 变和弦Andalusia 安达露西亚(西班牙地名)andante 行板(72拍/分钟) andantino 小行板(80拍/分钟) animato 活泼的快板(120拍/分钟) Anti- impressionism 反印象主义anticipation 先现音anvil 乐砧Aranjuez 阿兰胡埃斯(吉他协奏曲) aria 咏叹调arpeggio 琶音artist 艺术家ascending 上行assai 非常快的快板(144拍/分钟)，很Asturias 阿斯图里亚斯(西班牙地名)atonality 无调性augmentation 展开augmented sixth chord 增六和弦augmented triad 增三和弦augmented 增（音程）authentic cadence 正格终止Bach, Johann Sebastian 约翰·塞巴斯第安·巴赫[德国]back 背板ballad叙事曲ballet 芭蕾band music 军乐band 军乐队bar 小节(bar line小节线,measure) baritone 男中音Baroque 巴洛克Barrueco, Manuel 马努埃·巴鲁埃科[古巴]bass 低音bass clarinet 低音单簧管bass clef 低音谱号bass drum 大鼓bass tuba 低音大号bass 低音号bass 男低音bassoon 大管（巴松）bel canto 美声binary form 二段式，二部曲式（AB）bitonality 双重调性blues 布鲁斯bongo 邦戈鼓bourree 布列brass wind instruments 铜管乐器Bream, Julian 朱里安·布里姆[英国] breve 二全音符broken chord 分解和弦Brouwer, Leo 里奥·布劳威尔[古巴]cadenza 华彩乐段，装饰乐段musical form 体裁cadence 终止canon 卡农cantata 康塔塔capriccio 随想曲caprice 随想曲castanets 响板cedar 雪松cello 大提琴chaconne 恰空舞曲chaconne 恰空chimes 排钟choir 合唱团choral music 合唱音乐choral 众赞歌chord 和弦，和声chord 和弦chorus 合唱chromatic half-tone 变化半音chromatic interval 变化（音程）chromatic scale 半音阶chromatic tone 变化全音chromatic 半音的clarinet 单簧管（黑管，竖笛）Classicism 古典主义clavier （18世纪）键盘乐器clef 谱号(G clef, F clef, C clef) climax 高潮coda 尾声coloratura soprano 花腔女高音common meter 普通拍子(4/4) comparison 对比complex tone 复音(composite tone) compound duple meter(s) 复二拍子(6/2,6/4,6/8)compound interval 复音程compound meter(s) 复拍子compound quadruple meter(s) 复四拍子(12/4,12/8,12/16) compound triple meter(s) 复三拍子(9/4,9/8)concert master 首席concerto 协奏曲Concrete Music 具体音乐Accidentalism 偶然主义conductor 指挥consonant 协和（音程、和弦）contra C 大字二组C contrabassoon 低音大管Córdoba 科尔多巴(西班牙地名) cornet 短号Coste, Napoléon 拿破仑·科斯特[法国]counterpoint 对位courante 库朗特舞crotchet 四分音符(quarter note，美) cutaway 被切去的部分cymbal 钹deceptive cadence 伪终止demisemiquaver 三十二分音符descending 下行development 发展/ 展开部diatonic interval 自然（音程）diatonic scale 自然音阶passing tone 经过音diminished seventh chord 减七和弦diminished triad 减三和弦diminished 减（音程）suite 组曲dissonant 不协和（音程、和弦）dominant seventh chord 属七和弦dominant(V) 属音，属和弦dot 附点dotted note 附点音符dotted rest 附点休止符double bass tuba 倍低音大号double bass 低音提琴double dot 复附点double mordent 复波音double-augmented 倍增（音程）double-diminished 倍减（音程）double-flat 重降号double-sharp 重升号dramatic soprano 戏剧女高音dramatic tenor 戏剧男高音duet 二重奏duo 二重唱duple meter(s) 二拍子(2/2,2/4,2/8) duplet 二连音duration 时值dynamic mark(s) 力度标记dynamics 力度ebony 乌木，乌檀echo 回音，回声eleventh 十一度English horn 英国管enharmonic intervals 等音程enharmonic notes 等音ensemble 合奏（团体）equalizer 均衡器estudio, etude 练习曲euphonium 尤风宁号exposition 呈示部Expressionism 表现主义false chord 假和弦fantasia 幻想曲fifth 五度fingerboard 指板first inversion 第一转位five-part form 五段式fixed-do 固定唱名法movable-do 音调唱名法flat 降调flute 长笛four-line octave 小字四组(four-line)four-part form 四段式fourth chord 四度和弦fourth 四度fox trot 狐步舞French horn 圆号，法国号frequency 频率fret 品格fugue 赋格functional harmony 功能和声fundamental(tone) 基音(first partial)Gallagher, Kevin R. 凯文·盖拉格[美国]gigue 吉格glissando 滑音glockenspiel 钟琴gong 锣Goni, Antigoni 安提戈尼·戈尼[希腊]govotte 加沃特Granada 格拉纳达(西班牙地名) grave 极慢板(40拍/分钟)great C 大字组Cguitar 吉他guitarist 吉他演奏家，吉他手guitarra 吉他，吉他拉habanera 哈巴涅拉half cadence 半终止half-tone 半音harmonic analysis 和声分析harmonic interval 和声音程harmonic sequence 和声模进harmonic 和声的harmony 和声学harp 竖琴harpsichord 拨弦古钢琴head 符头head，headstock 琴头hemidemisemi quaver 六十四分音符(sixty-fourth note，美) homophonic music 主调音乐homophony 主调hook 符尾(tail)imperfect cadence 不完全终止Impressionism 印象主义instrumental music 器乐instrumentation 乐器法intensity 强度inter mezzo 间奏曲interlude 间奏（曲）interrupted cadence 阻碍终止interval 音程invention 创意曲inversion 转位（complement）inverted mordent 逆波音（lower mordent；inverted turn 回音irregular meter （不规则）混合拍子(7/4,11/7)just intonation 纯律kettle drum 定音鼓key signature 调号key 调lacquer 硝基漆，日本漆larghetto 小广板(60拍/分钟) largo 广板(46拍/分钟)leading tone(VII) 导音，导和弦(subtonic)legato 连音，连奏leger line(s) 加线(ledger line(s)) lento 慢板(52拍/分钟) loudness 响度lullaby 摇篮曲lute 疏特琴lyra 乐徽lyric soprano 抒情女高音madrigal 牧歌maestoso 庄板(88拍/分钟) magic flute 魔笛mahogany 桃花心木，红木major 大调major triad 大三和弦major 大（音程）大调marimba 玛林巴mass 弥撒mazurka 玛祖卡McFadden, Jeffrey 杰夫瑞·麦克法登[加拿大]mediant (III) 中音，中音和弦melodic contour 旋律轮廓melodic interval 旋律音程melodic progression 旋律进行melodic sequence 旋律模进melodic 旋律的meter 拍子(time)metronome 节拍器Metronome 节拍机(M.M.=Malzel's ~)mezzo soprano 次女高音，女中音Microtonalism 微分音主义minim 二分音符(half note，美) Minimalism 省略（简约）主义minor 小调minor triad 小三和弦minor 小（音程）minor 小调minuet 小步舞曲mode 调式（狭指教会调式；广指调式）moderato 中板(96拍/分钟) modulation 转调monophonic music 单声部音乐mordent 波音（upper mordent）motive 动机movement 乐章movement 乐章multi-meter 变化拍子musical form 曲式musical instrument 乐器musical tone 乐音Nationalism in music 民族乐派natural half-tone 自然半音natural tone 自然全音nature 还原号intonation 音准neck 琴颈neighboring tone 辅助音（auxiliary tone，upper or lower）Neoclassicism 新古典主义ninth chord 九和弦ninth 九度nocturn 夜曲noise 噪音notation 记谱法nut 琴马oboe 双簧管octave 八度one-lined octave 小字一组(one-line)one-part form 一段式，一部曲式opus (Op.) 作品oratorio 清唱剧orchestra 管弦乐队orchestra 管弦乐队orchestration 配器法organ 风琴ornament（s）装饰音overtone series 泛音列overtone(s) 泛音overture 序曲Paganini, Niccolo 尼古罗·帕格尼尼[意大利]Papandreou, Elena 艾琳娜·帕潘德里欧[希腊]parallel keys 同主音调Parkening, Christopher 克里斯托弗·帕肯宁[美国]partial(s) 分音(partial tone) passacaglia 帕萨卡利亚passion 受难曲pause 延长号(hold, fermata) pedal 踏板peg 弦轴pentatonic 五声的percussion（s）打击乐perfect cadence 完全终止perfect 完全，纯（音程）period 乐段phrase 乐句phrasing 分句piano 钢琴piccolo 短笛pick 拾音器pipe organ 管风琴pitch name 音名pitch 音高plagal cadence 变格终止Platino, Franco 富兰科·普拉提诺[意大利]podium 指挥台Pointillism 点描派polka 波尔卡polonaise 波洛涅兹polyphonic music 复调音乐polyphony 复调polytonality 多调性Ponce, Manuel 马努埃·庞塞[墨西哥] prelude 前奏曲prelude 前奏（曲）presto 急板(184拍/分钟) Primitivism 原始主义program music 标题音乐psychoacoustics 心理声学pure tone 纯音purfling 镶边，环饰quadruple meter(s) 四拍子(4/2,4/4,4/8)quadruplet 四连音quarter-sawn 将(原木)纵向锯成四块再锯成木板的quartet 四重奏quaver 八分音符(eighth note，美) quintet 五重奏quintuple meter 五拍子quintuplet 五连音range 音域(compass)rattle 摇响器Realism 现实主义recapitulation 再现部recitative 宣叙调Recuerdos de la Alhambra 《阿尔罕布拉宫的回忆》reduction 改编（缩编）register 音区requiem 安魂曲relative keys 关系大小调relative pitch 相对音高（听觉）Renaissance 文艺复兴repertoire 保留曲目，全部曲目repetition 重复rest(s) 休止符rhapsody 狂想曲rhythm 节奏rhythmic pattern 节奏型Rococo 洛可可Rodrigo, Joaquin 胡埃金·罗德里戈[西班牙]Romanticism 浪漫主义Romero, Angel 安杰尔·罗梅罗[西班牙]Romero, Celedonio 塞拉多尼奥·罗梅罗[西班牙]Romero, Celin 塞林·罗梅罗[西班牙]Romero, Pepe 佩佩·罗梅罗[西班牙]rondo form 回旋曲式（ABACA）rondo sonata form 回旋奏鸣曲式root position 原位root 根音（fundamental）rosette 音孔环饰，玫瑰花饰rosewood 玫瑰木，青龙木，黑黄檀rounded binary form （有再现的）二段式rumba 伦巴Russel, David 大卫·罗素[英国] sarabande 萨拉班德saxophone 萨克斯管scale degree （调式）音级scale step 音级（音级数：number of scale step）scale 音阶scherzo 谐谑曲score 乐谱score 总谱second inversion 第二转位second 二度Segovia, Andrés 安德列斯·塞戈维亚[西班牙]semibreve 全音符(whole note，美) semiquaver 十六分音符(sixteenth note，美)septuplet 七连音sequence 模进serenade 小夜曲，月下情歌serenade 小夜曲Serialism 序列主义seventh chord 七和弦seventh 七度Seville 塞维利亚(西班牙地名) sextuplet 六连音sharp 升调升号side 侧板side drum 小鼓sight-singing 视唱simple interval 单音程simple meter(s) 单拍子sixth chord 六和弦sixth-four chord 四六和弦small c 小字组cSöllscher, Göran 戈兰·索舍尔[瑞典]solo 独奏（唱）sonata form 奏鸣曲式sonata 奏鸣曲sonatina 小奏鸣曲songs without word 无词歌soprano 女高音Sor, Fernando 费尔南多·索尔[西班牙]sostenuto 持音sound 音space 间Spanish 西班牙的spruce 云杉staccato 断音，断奏staff 五线谱staff 乐谱stage 舞台stem 符干step 音级(scale step, degree) string 琴弦stringed instruments 弦乐器Structuralism 结构主义subdominant(IV) 下属音，下属和弦submediant(VI) 下中音，下中音和弦(super-dominant)suite 组曲supertonic(II) 上主音，上主和弦suspension 延留音symphonic poem 交响诗symphony 交响曲syncopation 切分音tabor 塔波鼓Takemitsu, Toru 武满彻[日本] tambourine 铃鼓tango 探戈tarantella 塔兰台拉temperament 乐律tempered scale 平均律(equal temperament)temple block 木鱼tempo mark(s) 速度标记tempo 速度tenor drum 中鼓tenor tuba 次中音大号tenor 男高音ternary form 三段式，三部曲式（ABA）theater 剧场，戏剧thematic material 主题材料theme 主题theme with variation 主题与变奏third inversion 第三转位three -lined octave 小字三组(three-line)tie 延音线timbre 音色(tone color or quality) time signature 拍号toccata 托卡塔tonality 调性tone 音（乐音）tone-cluster 音簇tonic(I) 主音，主和弦top 面板transposition 移调treble clef 高音谱号tremolo 震音triad 三和弦triangle 三角铁trill 颤音trio 三声中部trio 三重奏triple meter(s) 三拍子(3/2,3/4,3/8) triplet 三连音tri-tone 三全音trombone 长号trumpet 小号tuba 大号tubular bells 管钟tuning fork 音叉twelfth 十二度two-lined octave 小字二组(two-line)unaccented octave 小字组unison 齐奏（唱）unison 同度，一度（prime）variation 变奏variation form 变奏曲式（A，A1，A2，A3…）strophic form 分节歌（a，a，a，a …）variation 变奏variety 变化vibraphone 颤音琴vibration 振动viola 中提琴violin 小提琴vivace 有生气的快板(160拍/分钟) vivo 活泼的，有生气的vocal music 声乐voice 人声，声部waltz 圆舞曲，华尔兹wave form 波形whip 鞭响器whole tone 全音whole-tone 全音的Williams, John 约翰·威廉斯[澳大利亚]wood block 南梆子，盒梆wood wind instruments 木管乐器xylophone 木琴Yepes, Narciso 纳西索·耶佩斯[西班牙]Life is merely a fraction of a second. An infinitely small amount of time to fulfill our desires, our dreams, our passions. —Paul Gauguin.。

《多位作曲家的钢琴（独奏）音乐全集》（TheCompleteSoloPianoMusico。

I. 格拉纳多斯(1867-1916)钢琴音乐全集(11CDs)唱片英文名称： Enrique Granados Complete Piano Music唱片中文名称：格拉纳多斯钢琴音乐全集作曲： Enrique Granados (1867-1916) 恩里克·格拉纳多斯演奏：道格拉斯·瑞瓦 Douglas Riva piano, 约第·马索 Jordi Maso piano唱片公司： NAXOS唱片编号：参见各CD唱片碟数： 11 CDs唱片总时： 12小时07分18秒录音时间与地点：参见各CD录音格式： DDD发行日期： 1999 - 2010资源格式： FLAC (整轨)(总约1.93G)(Flac, Cue, Log, Cover, Booklet)资源出处：网络 (鸣谢原发布者，其精神赶天旱地)II. 罗德里戈(1893-1987)钢琴音乐全集(2CDs)唱片英文名称： Rodrigo Piano Music唱片中文名称：罗德里戈钢琴音乐全集作曲： Joaquin Rodrigo (1901-1999) 华金·罗德里戈演奏： Artur Pizarro piano 阿图·皮萨罗唱片公司： NAXOS唱片编号： 8.557272, 8.557923唱片碟数： 2 CDs唱片总时： 2小时21分30秒录音时间与地点：参见各CD录音格式： DDD发行日期： 12/2004, 05/2007资源格式： FLAC (整轨)(总约0.36G)(Flac, Cue, Log, Cover, Booklet)资源出处：网络 (鸣谢原发布者，其精神赶天旱地)III. 萨蒂(1866-1925)钢琴作品全集(6CDs)唱片英文名称： Erik Satie Complete Piano Works唱片中文名称：萨蒂钢琴作品全集作曲： Erik Satie (1866-1925) 埃里克·萨蒂演奏：克莉丝蒂娜·阿瑞亚诺 Cristina Ariagno piano唱片公司： Brilliant Classics唱片编号： 93559/1 - 93559/6唱片碟数： 6 CDs唱片总时： 64'38+55'23+60'15+56'29+67'42+74'43录音时间与地点：参见各CD录音格式： DDD发行日期： 2006资源格式： FLAC (整轨)(总约1.09G)(Flac, Cue, Log, Cover, Booklet)资源出处：网络 (鸣谢原发布者，其精神赶天旱地)IV. 蒙波(1893-1987)钢琴作品全集(4CDs)唱片英文名称： Federico Mompou Complete Piano Works唱片中文名称：蒙波钢琴作品全集作曲： Federico Mompou (1893-1987) 费德里克·蒙波演奏： Federico Mompou piano 费德里克·蒙波唱片公司： Brilliant Classics / Ensayo唱片编号： 6515/1 - 6515/4唱片碟数： 4 CDs唱片总时： 69'50+73'20+69'50+67'50录音时间与地点： 1974, Casino de l'Alianca del Poblenou, Barcelona, Spain录音格式： ADD发行日期：不详资源格式： FLAC (整轨)(总约0.96G)(Flac, Cue, Log, Cover, no Booklet)资源出处：网络 (鸣谢原发布者，其精神赶天旱地)V. 阿尔贝尼兹(1860-1909)钢琴音乐全集(7CDs)唱片英文名称： Isaac Albeniz Complete Piano Music唱片中文名称：阿尔贝尼兹钢琴音乐全集作曲： Isaac Albeniz (1860-1909) 伊萨克·阿尔贝尼兹演奏： Miguel Baselga (1966-) piano 米格尔·巴塞尔加唱片公司： BIS唱片编号： CD-923,1043,1143,1243,1443,1743,1953唱片碟数： 7 CDs唱片总时： 8小时23分11秒录音时间与地点： 1998-2011录音格式： DDD发行日期： 1998.05-2012.01资源格式： FLAC (整轨)(总约1.49G)(Flac, Cue, Log, Cover, Booklet)资源出处：网络 (鸣谢原发布者，其精神赶天旱地)唱片简介：截止到2014年3月，只发行了7卷。