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专业照相学号姓名计算机应用技术102402006367张玲玲工商管理硕士102402006368孟令宏国民经济学102402006001李波国民经济学102402006002冯德海国民经济学102402006003王伟伟国民经济学102402006004贾国宏国民经济学102402006005王微财政学102402006006秦玲玲财政学102402006007林鹏举财政学102402006008谭奎静财政学102402006009魏冬梅财政学102402006010柴永宁财政学102402006011范伟洪财政学102402006012王美玉财政学102402006013张红利财政学102402006014丛文艳产业经济学102402006015韩露产业经济学102402006016孙宇产业经济学102402006017那莹莹产业经济学102402006018胡海平产业经济学102402006019赵春薇产业经济学102402006020张微产业经济学102402006021奚望园产业经济学102402006022赵莲产业经济学102402006023戈晓燕产业经济学102402006024赵玉婷产业经济学102402006025禇亮产业经济学102402006026刘杰产业经济学102402006027顾燕洁产业经济学102402006028王景利产业经济学102402006029曹盈产业经济学102402006030李宝德产业经济学102402006031倪方树产业经济学102402006032李寒杨产业经济学102402006033涂宇产业经济学102402006034张锐强产业经济学102402006035李润平产业经济学102402006036杨海宁产业经济学102402006037王振东产业经济学102402006038王曼产业经济学102402006039崔健产业经济学102402006040王锦良产业经济学102402006041钱慧丽产业经济学102402006042王剑产业经济学102402006043李丹国际贸易学102402006044钟毅国际贸易学102402006045何芳芳国际贸易学102402006046赵晓旭国际贸易学102402006047张俭廷国际贸易学102402006048杨静国际贸易学102402006049石欣国际贸易学102402006050齐丽霞国际贸易学102402006051胡春燕国际贸易学102402006052刘纪良国际贸易学102402006053张金皞国际贸易学102402006054李大贵国际贸易学102402006055赵娜国际贸易学102402006056张伟丰国际贸易学102402006057袁冰国际贸易学102402006058刘莹莹国际贸易学102402006059徐杰国际贸易学102402006060尹进鹏国际贸易学102402006061王刚国际贸易学102402006062刘赞国际贸易学102402006063陈纬霓国际贸易学102402006064张力文国际贸易学102402006065周南国际贸易学102402006066赵琳国际贸易学102402006067王晓霞国际贸易学102402006068于芳国际贸易学102402006069刘夕国际贸易学102402006070王鹏机械设计及理论102402006071高翔机械设计及理论102402006072冯鹏机械设计及理论102402006073董峰机械设计及理论102402006074张博机械设计及理论102402006075王玺机械设计及理论102402006076王鹏机械设计及理论102402006077朱鸿制冷及低温工程102402006078王琰制冷及低温工程102402006079赵婧瑜制冷及低温工程102402006080杨梅梅制冷及低温工程102402006081刘玮制冷及低温工程102402006082王洪波制冷及低温工程102402006083岳胜制冷及低温工程102402006084郑福珍计算机应用技术102402006085杨晶计算机应用技术102402006086王燕杰计算机应用技术102402006087孙文鹤计算机应用技术102402006088郑妍计算机应用技术102402006089赵金计算机应用技术102402006090李钦格计算机应用技术102402006091何少平计算机应用技术102402006092刘圆圆计算机应用技术102402006093刘增玉计算机应用技术102402006094吴宣常计算机应用技术102402006095任永计算机应用技术102402006097安晓丹计算机应用技术102402006098戴造建计算机应用技术102402006099司峰食品科学102402006100黄艳食品科学102402006101杨春艳食品科学102402006102李志食品科学102402006103刘鑫食品科学102402006104陈莎莎食品科学102402006105谷广烨食品科学102402006106于萍食品科学102402006107马雪食品科学102402006108那治国食品科学102402006109范婷婷食品科学102402006110张怀涛食品科学102402006111蔡岩松食品科学102402006112张蕾食品科学102402006113邢楠楠食品科学102402006114郑心平食品科学102402006115郑佳粮食、油脂及植物蛋白工程102402006116张春雨粮食、油脂及植物蛋白工程102402006117王红梅粮食、油脂及植物蛋白工程102402006118周美琴药理学102402006119张婷姗药理学102402006120李文亭药理学102402006121张晶药理学102402006122王崴药理学102402006123李丹药理学102402006124李庆国药理学102402006125崔兰药理学102402006126东方药理学102402006127许贺药理学102402006128张珍珠药理学102402006129刘宇药理学102402006130徐丽丽药理学102402006131朱露莎药理学102402006132杨姗姗药理学102402006133范英武药理学102402006134安鹏药理学102402006135史姚平药理学102402006136王斌药理学102402006137阮圣仁药理学102402006138渠永清药理学102402006139岳金凤药理学102402006140滕厚军药理学102402006141张琪药理学102402006142周建华药理学102402006143莫科中药学102402006144李睿中药学102402006145孙桂超中药学102402006146王双侠中药学102402006147郝联春中药学102402006148姜波中药学102402006149钦浩中药学102402006150闫丽丽中药学102402006151于兴博中药学102402006152朱广伟中药学102402006153孙剑楠中药学102402006154冯小燕中药学102402006155刘泉中药学102402006156刘洋中药学102402006157孔陵生中药学102402006158张平中药学102402006159崔荣田中药学102402006160扈正婷中药学102402006161闵永萃中药学102402006162王海艳中药学102402006163王晓冬中药学102402006164胡丹中药学102402006165郑洪权中药学102402006166王佳中药学102402006167任晓蕾中药学102402006168于莹莹中药学102402006169蒋玉清中药学102402006170张宁宁中药学102402006171于姗姗中药学102402006172马强中药学102402006173胡国军中药学102402006174王华中药学102402006175严琴琴中药学102402006176代百东中药学102402006177孙晶中药学102402006178徐栋中药学102402006179马悦中药学102402006180汪萌中药学102402006181宋茜会计学102402006182苑士威会计学102402006183王鑫会计学102402006184王冬梅会计学102402006185王琨会计学102402006186许颖会计学102402006187柳锦女会计学102402006188侯铁锋会计学102402006189鲁智慧会计学102402006190李盼会计学102402006191刘俊涛会计学102402006192许文静会计学102402006193刘佳会计学102402006194徐海燕会计学102402006195李文霞会计学102402006196孙树昌会计学102402006197冯婷婷会计学102402006198陈欣会计学102402006199郭玲会计学102402006200邱加朋会计学102402006201张媛媛会计学102402006202卢士月会计学102402006203慎雪娇会计学102402006204孙晓燕会计学102402006205于静会计学102402006206饶红勇会计学102402006208王传起会计学102402006209邹婷会计学102402006210苏英健会计学102402006211陶海军会计学102402006212张甜甜会计学102402006213李鑫会计学102402006214毓帼会计学102402006215郭晓晴企业管理102402006216杨萌萌企业管理102402006217栾承连企业管理102402006218周蓉企业管理102402006219黄晓娟企业管理102402006220姜丽华企业管理102402006221李翠亭企业管理102402006222李立辉企业管理102402006223代莹艳企业管理102402006224王秀英企业管理102402006225任晓婷企业管理102402006226马晓蕾企业管理102402006227李峥企业管理102402006228高爽企业管理102402006229李朝霞企业管理102402006230钟桂娟企业管理102402006231彭友坤企业管理102402006232魏璐企业管理102402006234季丁企业管理102402006235陈爽企业管理102402006236吕庆企业管理102402006237李娟娟企业管理102402006238马文惠企业管理102402006239杨怡企业管理102402006240刘晓莉企业管理102402006241石依依企业管理102402006242苏军华企业管理102402006243石晶企业管理102402006244季李娜企业管理102402006245李平企业管理102402006246安涤心企业管理102402006247高爽企业管理102402006248魏庄品企业管理102402006249马启强旅游管理102402006250李文英旅游管理102402006251张伟旅游管理102402006252肖卉旅游管理102402006253渠向国旅游管理102402006254余林旅游管理102402006255焦翠翠旅游管理102402006256胡艳梅技术经济及管理102402006257柴燕茹工商管理硕士102402006258赵鹏工商管理硕士102402006259王宏工商管理硕士102402006260葛立圣工商管理硕士102402006261许万工商管理硕士102402006262刘伟工商管理硕士102402006263运茁实工商管理硕士102402006264张武工商管理硕士10240200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Get quickly started with an easy introduction to5 of the 16 tools in this powerful keyframing package. Quickstart for PlaneSpaceCubic Distribution quickstartCylinder Creator quickstartBox Creator quickstartCylinder Distribution quickstartCubic Distribution quickstart Formerly the 3D Assistants from Digital Anarchy.Step-by-Step with AsssistantsThis Quickstart covers five of the ten ‘Pro’ 3D Assistants. Since all of the tools operate in a similar way, going through these five mini-tutorials should give you a good understanding of how all of the 3D Assistants work.Turn on Advanced 3D renderIs the “Advanced 3D” error the only one you are running into? Hit Ctrl+K when in your project to bring up your composition settings. When there, click on the Advanced tab and make sure that the Rendering Plug-In is set to “Advanced 3D.” With this error you are running into, it is probably set to the wrong rendering plug-in.Use a square pixel compIn non-square pixel comps, 3D layers donʼt line up correctly due to the adjustment for the aspect ratio. In ALL the example below, use a square pixel composition. You can then drop the square pixel comp into a non-square pixel comp and the edges of your cube, cylinder, or whatever will remain aligned.Activate the AssistantsThe 3D Assistants are keyframing tools, not plugins. Therefore, you will find them listed in After Effectʼs ʻWindowʼ menu, not under the ʻEffectsʼ menu. The first time you use an Assistant, the tool may appear to be ʻgrayed outʼ, or not selectable in the Window menu. To activate the 3D Assistants, you will need to do these simple steps.(1) Select the layers in your Timeline.(2) Turn on the 3D switch for those layers.(3) Go to your Window menu to select the 3D Assistant.Table of ContentsMatrix Creator Quickstart 3Cubic Distribution Quickstart 6Cylinder Distribution Quickstart 9Box Creator Quickstart 12Cylinder Creator Quickstart 15Matrix Creator QuickstartThis tutorial explains how to create a 4 x 4 video wall using the Matrix Creator Assistant. For this project, you will want to open the Matrix_Creator_QS.aep.step 01Create four 320x240 solid layers with different colors Select the ʻ3Dʼ switch for each of them in the Timeline. [ figure 1 ]step 02Create a new Camera (Layer>New>Camera). From the Tool Palette, select the Orbit Camera tool. Orbit around the layers so you get a 3/4 view.step 03Press ʻCʼ to get the Track Z Tool, this allows you to zoom the camera out. Zoom the camera out a bit. [ figure 2 ]step 04This is where the ʻstartʼ Comp in the ʻMatrix_Creator_QS.aepʼ project is at.step 05By adjusting the camera like this, weʼll be able to see the whole video wall. Now select all 4 solid layers.step 06Open the Matrix Creator (Window>Matrix Creator) (Open the ʻEndʼ Comp to see where weʼre going with this)step 07In the Dimensions parameter enter in 4 x 4. This will create a video wall thatʼs 4 layers wide, by 4 layers high. Which creates a grid with 16 spaces in it. You can make this any size you want, say 10 x 2 would create a really long, but short, wall. 10 layers wide by 2 layers high.[ figure 1 ][ figure 2 ]However, you have to have enough layers to fill all the spaces. Right now we have a 4 x 4 grid with 16 spaces and only 4 layers. With only 4 layers, only the top row of the grid will get filled. So...step 08At the bottom of the UI, turn on Repeat Layers. Set it to 3. When we apply the assistant this will repeat the 4 layers we have now 3 times, giving us a total of 16 layers (3 x 4 = 12 + the original 4 layers). The 16 layers will fill up the 16 spaces in the 4 x 4 grid.step 09Set Size Of Grid Space to ʻLargest Layerʼ. This will look at the dimensions of all your layers and see which is largest. Since all of our layers are 320x240, the largest layer is 320x240. Every space in our 4 x 4 grid will then be 320x240.Some things to try to help get your head around this: set the grid space to say 200x200, the 320x240 layers will overlap, since each space in the grid would be too small.This might be a little hard to see with solid layers, though, so you might want to try it with images. Set the grid space to 640x480, and notice that the grid spaces are now bigger than the 320x240 layers and there is space between them.Youʼll need to click Apply for any of these changes to take effect. Remember to turn OFF Repeat Layers after youʼve got the number of layers you want.) [ figure 3 ]step 10Click Apply. That should give you the video wall. If you want the layers to blink, follow the next steps. [ figure 4 ]step 11To make the layers blinmk, first select all 16 layers. Turn OFF Repeat Layers since we have as many as we need.step 12Turn on ʻRandom Layer Selectionʼ. This will randomly place layers throughout the grid. Usually theyʼre placed in an orderly fashioned,the first layer gets placed, then the second one, then the third [ figure 3 ] [ figure 4 ]one, and so on. With this selected, the first layer is randomly stuck into the grid somewhere, as is the second one, and so on.step 13In the Insert Keys section turn on ʻPositionʼ. This will insert a Position keyframe for all the layers. Click Apply and notice the layers get all jumbled. They also now have keyframes.step 14Move forward ten frames in the Timeline. Click Apply. Move forward another ten frames in the Timeline. Click Apply. Move forward ten more frames. Click Apply.After every time you click ʻApplyʼ, the layers should change position.step 15With all the layers selected in the Timeline, hit the ʻUʼ key to show all keyframes. Select all the keyframes and turn them into Hold keyframes (Animation>Toggle Hold Keyframes). [ figure 5 ]Now if you play the animation you should have layers jumping around, making it look like theyʼre blinking on and off.[ figure 5 ]Cubic Distribution QuickstartThis tutorial will explain how to use the Cubic Distribution Assistant. For this project, you will want to open the Cubic_Distribution_QS.aep.step 01Create five 3D layers that are 320x240.step 02If you open the ʻStartʼ comp in the ʻCubic_Distribution_QS.aepʼ project you will see this has already been done. Take a look at these briefly.step 03Weʼve also moved the camera back a bit from itʼs default position. Youʼll need to get used to moving the camera around, so Iʼd recommend spending some time getting used to it, and maybe going through some tutorials or books on it (if youʼre not familiar with 3D cameras). Itʼs a bit beyond the scope of this tutorial.step 04If you want to do this step by step, add a new camera (Layer>New>Camera), and zoom it back a little (using the Track Z Camera Tool).step 05Select all five layers, and open up the Cubic Distribution assistant (Window>Cubic Distribution).step 06The Cubic Distribution assistant will distribute layers throughout a 3D cube. You set the dimensions of this cube, tell it how to distribute the layers, and it takes care of the positioning.step 07Since we want to fly through a number of layers more or less in a straight line, we only need to stretch the cube out over one axis. In this case weʼll stretch it over the Z axis, since thatʼs the axis the camera is facing anyways. Weʼll distribute the layers along this long cube and fly the camera right down the center of it.step 08In the Dimensions section of the Cubic Distribution, set Z to be 10000, set X and Y to be 1500.step 09Even though weʼve moved the camera back a bit, itʼs still pretty much in the center of the scene. By default the ʻCubeʼ that everything gets distributed in will be created around the center of 3D space. More or less where the camera is at. That means half of the cube will be behind the camera.To fix this, lets move the cube forward 4000 units. In the Starting Value area, set Z to 4000. The Starting Value defines the center of the ʻCubeʼ.step 10Layers can be distributed two ways. 1: You can define the distance or range of distances that will separate each layer or 2: You can just have the Assistant distribute the layers randomly throughout the cube.In this case, weʼre going to have the layers distributed randomly so select the Distribute Randomly checkbox in the Starting Value area. (For a good understanding of how #1 works and setting up distances, see the manual).step 11We have a pretty large cube to distribute our layers in. We probably want more than 5 layers to fill the space up. Luckily thereʼs a really easy way to distribute more layers.step 12In the Options section, turn on the ʻRepeat Layersʼ checkbox. Set the Repeat Layers value to 5.This will repeat our layers 5 additional times, giving us 30 layers (5 x 5 = 25 + the original 5). These will then be distributed randomly throughout the cube. [ figure 1 ]step 13BIG IMPORTANT STEP: Click Apply. Wa lah! Our layers are now distributed all over the place. If you open up the End Comp, this is where weʼre at.[ figure 2 ][ figure 1 ]step 14Switch the camera mode to ʻTopʼ and set the comp window zoom to 3.1%. You can see how the layers have been distributed over the Z axis. [ figure 3 ]step 15Switch back to Camera 1 and set the window to 50 or 100%.step 16Letʼs quickly animate the camera. Set a Position keyframe for the camera at Time 00:00. Also set a keyframe for the Cameraʼs Point of Interest.step 17Move the Time Marker to 03:00.step 18Change the Position Z value to 8800, and change the Point of Interest Z value to 8890. [ figure 4 ]That will give you a nice fly through animation. Check outEnd+ Comp if you want to see it finished.[ figure 3 ][ figure 2 ][ figure 4 ]Cylinder Distribution QuickstartThis tutorial will explain how to use the Cylinder Distribution Assistant. For this project, you will want to open the Cylinder_Distribution_QS.aep.step 1Create five 3D layers that are 320x240.step 2If you open the ʻStartʼ comp in the ʻCylinder_distribution.aepʼ project you will see this has already been done. Take a look at these briefly.Weʼve also moved the camera back a bit from its default position.step 3If you want to do this step by step, add a new camera (Layer>New>Camera), rotate it around a bit so you get a 3⁄4 view, and zoom it back a little (using the Track Z Camera Tool).step 4Select all five layers, and open up the Cylinder Distribution assistant (Window>Cylinder Distribution)step 5The Cylinder Distribution assistant will create a virtual cylinder and distribute the layers throughout it. By default, this isnʼt much different from the Cubic Distribution assistant, however weʼll show you how it can be VERY different.step 6With the Cylinder Dist. Assistant you can arrange layers in a spiral. The layers will rotate around the center of the cylinder as they are placed. This is what separates this assistant from the Cubic Dist. Assistant.step 7Letʼs make the virtual cylinder more elongated by setting the Y portion of the cylinder to 3000. This should give us plenty of space to place the layers in. The Starting Value section is fine, so weʼll skip that.step 8The Distance section is where all the fun stuff happens in this assistant. The Angle parameter determines how much each layer is rotated from the last one. For example, if Angle is set to 15, the first layer is placed, then the next layer is turned 15 degrees in the clockwise direction around the center of the cylinder, then the next layer is turned another 15 degrees, and so on.step 9Set the Angle Min and Max to 15. This will ensure that each layer is rotated 15 degrees. If the Min and Max vary then a value is chosen randomly between the two, and the layer is turned by that amount.step 10Distance From Center is fine, so weʼll leave that alone. This is just how far away from the center of the cylinder the layer will be placed.step 11Y Axis is also fine. This sets how much along the Y axis every subsequent layer is offset. If this is set to 50, then each layer is raised 50 pixels along the Y axis before it is placed.The first layer is placed, the second layer is raised 50 pixels then placed, the next is raised another 50 pixels and then placed, and so on.step 12Set the Y Axis Min and Max to 50. This will cause every layer to be raised 50 pixels from the last layer placed. If the Min and Max vary, a value will be chosen randomly between the two and the layer will be placed that many pixels above the previous layer.step 13Under Layer Orientation, select Rotate XY. This will cause the layers to be oriented upright as they turn around the cylinder center, like slides in a slide projector. If you select Rotate XZ, the layers will lieflat as they are rotate, kind of like blades in a fan.[ figure 2 ][ figure 1 ]step 14The options under Layer Orientation are best experimented with to understand what they do. Run the assistant with one option, then undo, run it with another option, undo, run it with a further option, etc., etc. The manual has more information about each option.step 15In the Option section of the Assistant, select Random Layer Selection. This will mix the layers up a little bit so they donʼt appear in order. Without this, our layers would be selected as they are in the timeline… 1, 2, 3, 4, etc.With it selected, they are mixed up when placed. Youʼll see how this works in a second. [ figure 1 ]step 16Also select Repeat Layers and enter ʻ5ʼ into the value field. This will repeat our 5 layers five times, giving us a total of 30 layers (the original 5 + the 25 repeated layers).We use this because 5 layers isnʼt going to give us much of a spiral. This provides an easy way of duplicating as many layers as you need. [ figure 2 ]Thatʼs it! Click Apply and see what happens!step 17For further adventures, try undo-ing and trying different values. Try 5 in the Angle Min and Max. Try ʻRotate Outwardʼ under Layer Orientation. Try 20 in the Y Axis Min and Max. Thereʼs lots of different options, so give them all a try.Box Creator QuickstartThis tutorial will explain how to use the Box Creator Assistant. For this project, you will want to open the Box_Creator_QS.aep.step 1Create six 3D layers that are 320x240.step 2If you open the ʻStartʼ comp in the ʻBox_Creator_QS.aepʼ project you will see this has already been done. Take a look at these briefly.Weʼve also moved the camera back a bit from its default position.step 3If you want to do this step by step, add a new camera (Layer>New>Camera), and zoom it back a little (using the Track Z Camera Tool).step 4Select all six layers, and open up the Box Creator assistant (Window>Box Creator)step 5The Box Creator assistant will attempt to create a cube out of your selected layers. For a real cube each side has to be square and the same size and this is the case with the Box Creator.However, if they are not the same size, the BC will attempt to arrange them as close to a cube as possible, but there will be gaps between some layers if your layers are rectangular.step 6Itʼs very simple to use the Box Creator. Since we have 6 layers selected, we have enough faces for a cube.step 7The first thing to do is set the Dimensions of the box. Go to the Box Dimensions section and enter in 320 in each of the value boxes. Since all our layers are 320x240 weʼre going to make the sides of the box that size.[ figure 1 ]step 8Leave ʻ1 Layer Per Sideʼ selected. For a box, we only want one layer on each side. In other arrangements we might want to have multiple layers on each side, say if we were making a tunnel. [ figure 1 ]Thatʼs it! Click Apply and see the result!step 9Hmm… ok, maybe thatʼs not it. Youʼll notice the sides line up pretty well, but thereʼs a gap in the top, and the bottom is completely detached from everything.Remember our box is 320x320x320 and our layers are 320x240. So thereʼs a 80 (320-240) pixel gap between the bottom of the side layers and the bottom of the cube.step 10Before we fix that, letʼs play around a bit. Weʼre all a bunch of wild and crazy anarchists, so itʼs time to get wild. Set the Box Dimensions to 1000x1000x1000. Click Apply.step 11Good lord, the excitement is too much to stand! Our layers are now spread out over a larger box, so theyʼre even farther apart. This was just to point out how easy it is to make adjustments.If you donʼt like one group of settings, make some changes, click Apply, and see if you like those settings. Very easy to make changes.step 12So now the sides of the cube are 1000x1000. That has done anything but solve our problem of having seams between the layers. Letʼs fix this.step 13Next to ʻ1 Layer Per Sideʼ, youʼll see a ʻScale To Fitʼ checkbox. Guess what this does? Yep, it scales the layers to fit the side of the layers. Turn on the Scale To Fit checkbox. Click Apply.step 14Wah La! Our layers are scaled to fit the 1000x1000x1000 box,resulting in a perfect, happy box. Woohoo! Of course, we had toscale them to get them there so there may be some pixelization, butsuch is the price of perfection. [ figure 2 ]step 15The ideal situation is to have square layers before you start creatingthe box. This will prevent you from having to scale them andintroducing artifacts or distortions. Of course, if you donʼt care gapsthen you donʼt have to worry about this. Otherwise, mind the gaps. [figure 3 ][ figure 2 ][ figure 3, next page ]Cylinder Creator QuickstartThis tutorial will explain how to use the Cylinder Creator Assistant. For this project, you will want to open the Cylinder_Creator_QS.aep.step 1Create six 3D layers that are 640x480.step 2If you open the ʻStartʼ comp in the ʻCylinder_Creator_QS.aepʼ project you will see this has already been done. Take a look at these briefly.Weʼve also moved the camera back a bit from its default position.step 3If you want to do this step by step, add a new camera (Layer>New>Camera), and zoom it back a little (using the Track Z Camera Tool).step 4Select all six layers, and open up the Cylinder Creator assistant (Window>Box Creator).step 5The Cylinder Creator assistant will attempt to create a cylinder out of your selected layers. The radius of the cylinder can be set in a variety of ways and you can create the entire cylinder or just a portion of it.step 6The first thing to do is set the height of the cylinder. In the Bounding Box section, set the Y axis to 2000. This will give us a reasonably long cylinder.step 7Next, letʼs take a look at the Height Min/Max values. You can think of the cylinder as being a stack of rings. A ring is created with your layers. Once the ring is completed, the Assistant moves up a given amount and creates another ring. I ran across an*oops* in the lastof the QS tutorials, Cylinder Creator, starting on page 8 of the .pdf file.The AE project file that goes with that tutorial has its two comps named in reverse. The start comp is actually the end comp and vice versa. The switch can be reasoned out, but you might want to change it and eliminate emails such as this one.[ figure 1 ][ figure 2 ]Once that ring is completed, it moves up again, and creates yet another ring. This goes on until you run out of layers or you reach the height set in the Y axis of the Bounding Box section.step 8Since all our layers are 480 pixels high, we want the Cylinder Assistant to move up 480 pixels after it completes each ring. So set the Height Min/Max to 480.With them being the same value, the Assistant will always go up 480 pixels. If the values differ, a random value between the two will be chosen.step 9The other parameter here, the Longitude value is fine the way it is. This determines where subsequent layers are placed as the Assistant moves around the ring. Itʼs set in degrees. So every 45 degrees a new layer will be placed around the rings.step 10Weʼve got six layers in the Timeline. This poses a bit of a problem, since thatʼs not going to be enough to create a tall cylinder. The solution is to turn on Repeat Layers.step 11Weʼre not entirely sure how many layers weʼre going to need, so set Repeat Layers to 10. This will repeat our 6 layers 10 times. The nice thing about this, is that it will only repeat the layers as long as we need them.We probably wonʼt need 60 layers, but itʼll keep repeating them until we run out of space. So if we only need 30 layers to make a cylinder thatʼs about 2000 pixels high, itʼll stop at 30 layers.step 12Click on the Repeat Sequentially checkbox. By default, duplicated layers are placed after the original layer. This will result in your Timeline looking like this: 1, 1, 1, 2, 2, 2, 3, 3, 3, etc.[ figure 3 ][ figure 4 ]You may want it to look like this: 1, 2, 3, 1, 2, 3, 1, 2, 3, etc. That is what Repeat Sequentially will do for you. [ figure 1 ]Thatʼs it… click Apply!step 13Now this is fine, except all the layers are intersecting each other on the edges. You may want this, but if not, click on the ʻRadius Is Set Byʼ checkbox up by the Bounding Box section. Set the value to 8. [ figure 2 ]step 14This sets the circumference of the cylinder to the circumference of the first eight layers in your timeline.It puts the first eight layers side by side to form a ring and that becomes the circumference. This provides an easy way of creating a seamless cylinder. [ figure 3 ]step 15Now this is fine, except all the layers are intersecting each other on the edges. You may want this, but if not, click on the ʻRadius Is Set Byʼ checkbox up by the Bounding Box section. Set the value to 8. [ figure 4 ]step 16What this does is sets the circumference of the cylinder to the circumference of the first eight layers in your timeline. It puts the first eight layers side by side to form a ring and that becomes the circumference. This provides an easy way of creating a seamless cylinder.step 17With Radius Set By set to 8, select all your layers and click Apply There ya have it! A perfect cylinder.。

Adobe Photoshop CS 9.0正式版安装Adobe Photoshop CS 9.0正式版下载Adobe Photoshop CS2 V9.0 正式版+汉化程序+算号器+破除补丁Photoshop CS 9.0是对数字图形编辑和创作专业工业标准的一次重要更新。

它将作为独立软件程序或Adobe Creative Suite 2的一个关键构件来发布。

Photoshop CS 9.0引入强大和精确的新标准，提供数字化的图形创作和控制体验。

Photoshop CS 9.0主要更新：*)Spot Healing Brush，处理常用图片问题，如污点，红眼，模糊和变形。

*)Smart Objects允许用户在图形不失真的情况下测量和变换图片和矢量图。

*)创建嵌入式链接复制图，以便一次编辑，更新多张图片。

*)支持非破坏性编辑，创建和编辑32位HDR图片，3D渲染，高级合成。

*)FireWire Previews是一个直接输出功能，支持在电视监控器前浏览。

*)测试创作极限的新工具，如Vanishing Point和Image Warping。

Vanishing Point可剪除冗余图形，修改图片，如可视化下复制，填色和转换图片。

*)重新设计的工作流程，如产品包装发展，Image Warping。

*)流行的文件浏览器更新成Adobe Bridge，内含一个创作中心，提供多视图浏览方式，流畅的图片综合操作。

在Adobe Bridge内，还可访问Adobe Stock Photos。

*)Camera Raw 3.0工作流程，支持多种初始文件修改，并处理成JPEG, TIFF, DNG或PSD格式。

*)简化Photoshop界面，基于任务的菜单边框，方便用户查找功能。

*)Multiple Layer Controls加快编辑速度。

*)点击这里查看更多新特性。

Adobe Photoshop CS 9.0系统要求：*)Mac OS X 10.2.8—10.3.8；*)Windows 2000 SP4；*)Windows XP SP1或SP2。

ArcSoft——PhotoStudio 2.0洪汉妮【期刊名称】《电子测试》【年(卷),期】1999(000)012【摘要】PhotoStudio 2.0的操作界面颇为制式,与传统的Windows应用程序相似,而且所有的工具都能一目了然,适合用在一些初级的图像编修工作上。

PhotoStudio 2.0提供简单的电子相簿,造型朴实,当点选任一图档时,会实时显示该图文件信息,也可以自行加入描述文字。

使用者可将一般常用的图文件加入电子相簿中,管理方便且取得容易,是图像创作时的好帮手。

它还能自动播放展示,你可以轻松观赏电子相簿。

PhotoStudio 2.0拥有多种特效处理及滤镜,其中一个镜射(Mirror)功能,能将单张图像做出有趣的合成,你可自定从哪个方向来合成。

另一个重复(Repeat)功能,也能将图像纵向或横向的连接。

PhotoStudio 2.0的滤镜数目在众多图形处理软件中虽不算多,但有些特殊的滤镜,可做出独一无二的视觉效果。

转换颜色模式也很容易,Photo-Studio 2.0的选单中,即提供转换成黑白图、灰阶图,以及16色与256色的彩色图档。

PhotoStudio 2.0提供多种常用图案,例如:星星、蝴蝶、天鹅等等,你可使用图章(Stamp)工【总页数】1页(P165-165)【作者】洪汉妮【作者单位】【正文语种】中文【中图分类】TP317【相关文献】1.ArcSoft隆重推出新一代超强全方位播放软件--TotalMedia Theatre 5 [J],2.用艺术的眼光雕琢专业影像多媒体市场——访虹软公司(ArcSoft)创始人兼CEO 邓晖 [J],3.ArcSoft Greeting Card Creator专业贺卡制作程序 [J],4.ArcSoft TotalMedia 3.5和Mirics FlexiTV^(TM)将高清电视带向个人电脑 [J],5.ArcSoft推出支持面部辨识的Simplicam Wi—Fi相机 [J],因版权原因，仅展示原文概要，查看原文内容请购买。

•1：基础入门篇（1）从这里开始（2）鼠标的使用（3）Windows的基本操作（4）更改Windows XP的风格（5）文字输入（6）磁盘、文件和目录（7）文件和目录的管理（8）Windows的使用（9）多媒体（10）运指如飞指法练习（11）微软拼音输入法（12）五笔字型输入法（13）小游戏•2：网上冲浪篇（1）Internet走马观花（2）怎么拨号上网（3）ADSL与小区宽带上网（4）IE的基本使用与技巧（5）申请电子信箱（6）电子邮件的收发（7）如何快速搜索信息（8）掌握BBS的使用（9）网络聊天(QQ)（10）网上论坛（11）游戏娱乐（12）文件下载•3：电脑急救与系统安装篇系统安装与病毒查杀（1）电脑硬件认识与组装（2）CMOS设置（3）硬盘分区和格式化（4）Windows 98的安装（5）Windows XP的安装（6）电脑日常维护（7）电脑病毒与查杀（8）网络安全的防范工具软件安装与使用（1）应用软件的安装方法（2）音乐播放—Winamp（3）电影播放—超级解霸（4）图片浏览—ACDSee（5）超级兔子魔法设置（6）虚拟光驱—DAEMON（7）文件解压缩—WinRAR（8）电脑词典—金山词霸•4：Windows XP操作系统篇（1）认识Windows XP1）Windows XP是什么2）Windows XP的版本3）我需要Windows XP吗4）我的机器可以安装Windows XP吗（2）Windows XP快速入门1）视觉上的变化2）你喜欢新“资源管理器吗”3）自动整理桌面的特性4）定制电脑的电源开关作用5）ZIP格式的压缩文件6）任务管理器7）系统还原8）创建自解压缩软件包9）兼容环境（3）Windows XP高级应用1）媒体播放器2）收听网络广播3）用媒体播放器看DVD影碟4）从CD上复制音乐5）驱动程序的安装6）对数字相机的支持7）刻录数据光盘8）刻录音乐CD9）用Movie Maker制作电影（4）全面进行系统配置与管理1）Windows XP的多用户管理2）用户身份的切换3）组策略的设置4）本机网络的设定5）文件和设置转移6）远程管理7）文件的安全性（NTFS）（5）IE 6.0与Internet应用1）拨号上网2）实现共享“Internet连接”3）Internet防火墙4）浏览器IE 6.0带来了什么5）MSN Explorer6）互联网上的磁盘7）Windows Messenger •5：家庭数码应用篇（1）数码相机的使用1）数码相机的组成部分介绍2）数码相机拍摄参数的设定3）把数码照片保存到电脑中（2）电子相册的制作与刻录（3）数码摄像机的使用1）数码摄像机部件介绍2）摄像机按钮介绍3）摄像机拍摄参数的设定（4）视频采集前的准备工作（5）视频采集（6）视频压缩（7）Premiere快速入门（8）电影剪辑与编辑（9）电影特效的制作1）制作电影的过渡特效2）视频特效3）给影片加入运动的效果4）给影片进行叠加抠像5）制作声音特效（10）制作电影字幕（11）电影文件的输出（12）DVD/VCD制作与刻录•6：办公软件篇（上）全面掌握Word（1）初级篇1）初识Word 20022）制作一份通知3）文档的编辑4）基本的排版5）页面设置和打印（2）中级篇1）表格的使用2）图片的使用3）插入其它对象（3）高级篇1）使用样式2）高级排版3）辅助功能4）新功能全面掌握Excel（1）初级篇1）初步知识2）操作单元格3）简单的计算4）工作表的编辑（2）中级篇1）工作表的格式和样式2）使用图形和文本框3）使用图表4）运用公式和函数5）打印工作表（3）高级篇1）工作表的管理和操作2）使用批注3）保护工作簿4）Excel技巧•7：办公软件篇（下）全面掌握PowerPoint（1）PowerPoint初级篇1）PowerPoint综述2）从零开始学做演示文稿3）丰富演示文稿的内容（2）PowerPoint中级篇1）各种视图及其相互切换2）演示文稿的复杂修饰3）在幻灯片中插入其它对象（3）PowerPoint高级篇1）幻灯片的放映2）演示文稿中的超级链接3）高级使用功能Office XP案例篇（1）Office综述1）Office组件2）Office安装3）如何得到帮助4）Office工具（2）Office案例—家庭篇1）贺卡的制作2）家庭日历的制作3）家庭日常费用管理4）家庭画册（3）Office案例—教师篇1）教案的制作2）制作简单的试卷3）学生档案管理4）成绩统计与分析5）绘制函数曲线6）演示文稿的制作（4）Office案例—文秘篇1）请柬的制作2）公司日常费用统计3）名片4）实用文体（5）Office案例—财务篇1）工资表的制作2）财务预算3）财务分析4）常用财务函数•8：全面掌握Windows 2000（1）Windows 2000快速入门（2）系统维护与局域网配置（3）全面进行网络管理（4）高级应用与管理（5）Internet应用全接触（6）Windows 2000安装（7）考一考你自己•9：图形图像篇Photoshop入门与提高（1）熟悉界面（2）绘图与修图技能1）工具的使用方法2）选取图像3）裁切图像4）几何绘图5）画笔工具6）橡皮擦工具7）模糊、锐化和涂抹8）加深、减淡和海绵（3）图层的应用1）认识图层2）基本操作3）变形4）叠放次序5）链接与合并6）样式效果的使用7）透明度和混合模式8）图层蒙版（4）路径和通道1）绘制路径2）将路径转换为选区3）编辑路径4）绘制其他形状5）图像效果的处理6）通道的认识（5）图像的色彩调整1）色阶2）曲线3）色相和饱和度（6）历史记录（7）金属环的制作1）圆环图形的制作2）创建Alpha通道3）处理Alpha通道4）图像色调的调整5）图层样式功能的使用（8）数码照片处理1）调整照片中的黄色2）调整照片中的绿色3）恢复局部区域的颜色Flash入门与提高（1）认识Flash（2）动画基础1）逐帧动画——奔跑的豹子2）动作补间动画——飞行的飞机3）形状补间动画——庆祝国庆4）遮照动画——光线掠过的文字5）引导路径动画——星星字（3）元件与实例1）初识库、元件和实例2）元件和元件的类型3）元件与实例的关系（4）按钮的制作1）按钮的效果与结构2）制作弹起帧3）制作指针经过帧4）制作按下帧5）制作鼠标响应区6）创建文字效果（5）制作交互动画的基础1）初识动作脚本2）简单的按钮交互响应3）简单的键盘交互响应（6）Flash中声音的应用1）导入声音2）引用声音3）编辑声音4）声音的控制（7）行为和行为面板1）创建元件2）引用元件3）设置加载图像的行为4）设置可拖动性的行为（8）动画的发布•10：编程入门篇C语言程序设计入门（1）编译器VC6的使用（2）C语言基础（3）逻辑运算与控制语句（4）数组（5）函数（6）指针（7）结构体（8）单向链表及其操作Visual Basic程序设计入门（1）怎样学编程（2）认识Visual Basic（3）常用控件（4）处理错误（5）数字游戏（6）文本编辑器程序（7）多媒体程序设计（8）温故知新Visual FoxPro数据库设计入门（1）建立一张表（2）表的编辑和修改（3）项目管理器（4）表单的制作（5）查询的创建和输出（6）报表的制作（7）创建一个菜单（8）完整的应用程序。

个人简历姓名：XXX 性别：男贴照片处出生年月：1980-01-01 联系电话：000-0000000学历：本科专业：航空器设计工作经验：7 年民族：汉族毕业学校：XXXX人才大学住址：XX市XX街XX号XX大厦XX楼XX座电子信箱：resume@请换成自己的真实信箱！自我简介：如果你是一个新人，也可以不用写自我简介。

首先要突出过去的成就。

过去的成就是你能力的最有力的证据。

详细把它们写出来，会有说服力。

然后进行简要描述，说明自己的专业能力、职业能力、以及社会能力等等。

写上几段话即可，诸如此类的：非常热爱市场销售工作，有着十分饱满的创业激情。

在某某公司两年从事市场销售工作中积累了大量的实践经验和客户资源。

与省内主要的二百多家店铺经销商建立了十分密切的联系，并在行业中拥有广泛的业务关系。

在去年某省的博览会上为公司首次签定了海外的定单。

能团结自己的同事一起取得优异的销售业绩。

. 提供参考A：热情随和，活波开朗，具有进取精神和团队精神，有较强的动手能力。

良好协调沟通能力，适应力强，反应快、积极、灵活，爱创新！提高自己，适应工作的需要。

所以我希望找一份与自身知识结构相关的工作，如文秘,文员,助理可以有更大的空间来证明自己，发展自己！. 提供参考B：具有一定的社会交往能力，具有优秀的组织和协调能力。

在学习中，我注重理论与实践的结合，己具备了相当的实践操作能力，可独立进行xx、xx工作。

熟练操作计算机办公软件。

很强的事业心和责任感使我能够面对任何困难和挑战。

求职意向：目标职位：填写自己希望应聘的岗位目标行业：填写自己希望应聘的行业范围期望薪资：填写自己期待的工资水平福利需求，一般填面议比较稳妥期望地区：填写自己希望工作的地区、城市范围到岗时间：填写自己新岗位能够多长时间内到任工作经历：20xx—至今XXXX人才资源顾问有限公司猎头顾问简介：XX顶尖的猎头公司. ，XXXX人才公司是一家为中高端企业、跨国企业、民营企业寻找高端人才，为高端人才寻觅合适的发展机会、高端职位协调企业与人才之间的交流沟通。

PC-ORD TM Multivariate Analysis of Ecological DataVersion 5User’s BookletSuggested citation:McCune, B. and M. J. Mefford. 2006. PC-ORD. Multivariate Analysis ofEcological Data. Version 5. MjM Software, Gleneden Beach, Oregon, U.S.A. Cover: The essence of multivariate analysis is the extraction of a small number of important relationships from a very large number of possible relationships. Waiver: Although the software has been carefully tested, the user accepts and uses the program material as it is, at the user’s own risk, relying solely upon his/her own inspection of the program material and without reliance upon any representation or description concerning the program material. Neither MjM Software Design nor associated individuals make any expressed or implied warranty of any kind with regard to the program material, and shall have no liability or responsibility to any recipient with respect to any liability, loss, or damage that directly or indirectly arises out of the use of the disk and the programs and/or subroutines contained on the disk, including, but not limited to, any loss of business or loss of data or other incidental or consequential damages. By using this software you agree to this.© 1991, 1993, 1995, 1997, 1999, 2006 MjM Software Design© 1991, 1993, 1995, 1997, 1999, 2006 Bruce McCuneAll rights reserved.Printed in the United States of America.ContentsWhat is PC-ORD For?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Where is the Manual? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 How Do I Get Started?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Managing Files and Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 System Requirements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Network Environments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Limitations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Technical Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Updates and Fixes . . . . . . . . . . . . . . . . . . . . . . . . . . .10Contact Us . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Using PC-ORD: a Brief Overview . . . . . . . . . . . . . . . . . . . . . .111. Prepare Your Data . . . . . . . . . . . . . . . . . . . . . . . .112. Open PC-ORD and Your Data Files . . . . . . . . . .133. Run an Analysis . . . . . . . . . . . . . . . . . . . . . . . . . .144. Explore Your Results Graphically. . . . . . . . . . . . .17 Other New Graphs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 A Decision Tree for Beginners. . . . . . . . . . . . . . . . . . . . . . . . . .24What is PC-ORD For?PC-ORD is a Windows program for multivariate analysis of ecologicaldata entered in spreadsheets. We emphasize nonparametric tools, graphical representation, and randomization tests for analysis of community data. In addition to utilities for transforming data and managing fi les, PC-ORD offers many ordination and classifi cation techniques not available in major statistical packages including: CCA, DCA, MRPP, perMANOV A, two-way clustering, TWINSPAN, Beals smoothing, diversity indices, species lists, Mantel test, many ordination overlay methods (quantitative, symbol-coding, color-coding, grid, joint plot, biplot, successional vector), various rotation methods, 3D ordination graphics, indicator species analysis, Bray-Curtis ordination, city-block distance measures, species-area curves, tree data summaries, publication-quality dendrograms, and autopilot NMS.Very large data sets can be analyzed. Most operations accept a matrix up to 32,000 rows or 32,000 columns and up to 536,848,900 matrix elements, provided that you have adequate memory. The terminology is tailored for ecologists. The full manual is included as a context-sensitive help system.Virtually any multivariate data set consisting of a set of entities, each with a number of measured attributes, is adaptable to PC-ORD. In community ecology, the fi rst matrix will often contain species abundance data in a set of samples. The possible formats for entering these data can be found in Data Preparation in the software help system. In addition to this main matrix, a second matrix, often containing environmental data, can be entered for analysis of its relationship to the fi rst matrix. The inclusion of this second matrix greatly enriches the system’s analytical capabilities. Both matrices are displayed in PC-ORD in fi le viewing windows.In studies of resource partitioning or functional groups, one of the matrices contains relative use of a set of resources by various species, subspecies, or individuals. A matrix of sites × functional groups can be produced by multiplying a community matrix by the functional group matrix.Where is the Manual?The full manual is built into PC-ORD, so we have not produced a paper manual. Our context-sensitive Help system can be accessed at any time by pressing F1 or clicking a Help button.How Do I Get Started?After you install the software, click on Help | Contents in the main menu. Then navigate to Getting Started in the help system. The most important topics to read at fi rst are:Data Preparation,Spreadsheet Format, andTypical Flow of AnalysisManaging Files and ProjectsNormally you will want to keep your data and results in a folder that is separate from the folder that contains PC-ORD. If you have more than one PC-ORD project, you can keep the fi les from each project in a separate folder or put them in a single folder. PC-ORD helps you resume work where you left off with the File | Open Project and File | Save Project menu items. Details of how PC-ORD managesfolders (directories) and fi le management defi nitions are given under Open Project in the PC-ORD Help system.When you Install PC-ORD, the PC-ORD icon is inserted in the Programs section of the Start Menu. If you wish to create an icon for a given project, fi rst create a “shortcut” to PC-ORD on your desktop or in a folder (see your Windows help system if you don’t know how to do this). Then:• Rename the shortcut as the project it represents. (Right click, Rename)• Now set the working folder for that project. (Right click on the icon, click on Properties, click on the Shortcut tab, then in the "Start in" space,type within quotes the path to the folder containing the data fi les for thatproject, for example, “c:\forests\edgedata”).From then on, when you click on this shortcut icon, PC-ORD will look in the folder you specifi ed. It will also remember the history of fi les, graph options, etc., so that when you start PC-ORD from that icon, you will be right where you left off. System RequirementsHardware Required• 80486 or higher CPU (including Pentium 4, Athlon, Celeron, etc.)• 8 MB RAM (more RAM means ability to analyze larger data sets)• 6 MB of available hard disk spaceOperating System: Windows 98, NT, ME, 2000, XP, XP 64-bit, or Vista Spreadsheet Software Recommended: A spreadsheet program capable of writing fi les in *.wk1, *.xls, or *.xlsx format is recommended (e.g. Excel). Many statistical software packages also export *.wk1 or *.xls fi les.Network EnvironmentsPC-ORD runs fi ne from a fi le server in a network environment, but you must setup the software correctly. Because network environments vary, your network administrator may need to help you set up PC-ORD. Generic instructions for a typical network setup are given below. These presume that PC-ORD has already been installed on your network by your network administrator.Method 11. Right click on some free space on the desktop.2. Select: New | Shortcut3. Enter the path for pcord5.exe. Or use the Browse button to fi nd thisexecutable fi le. Your network administrator can provide this path.4. Click on “Finish”. There should now be the PC-ORD Windows icon (twooverlapping circles) on the desktop.5. Right click on the PC-ORD icon.6. Select: Properties | Shortcut7. Under “Start in” enter your working folder (where you will keep yourPC-ORD data fi les and temporary fi les).Method 21. Navigate in the fi le system of the server to the PC-ORD executable folder.Look for the fi le CreateDesktopShortcut.exe. The purpose of this mini-program is to create an icon on you desktop that points to PC-ORD on theserver and a local folder for storing your temporary fi les.2. Double click on CreateDesktopShortcut.3. You will be prompted to enter the “Start In Folder.” Choose a folder on alocal drive, for example, c:\temp or c:\PCORD\working.4. Click on “OK”. There should now be the PC-ORD Windows icon (twooverlapping circles) on the desktop.Important points1. Each user needs a unique working folder (directory). Call this the “user’s folder.” The user’s folder can be either on a local drive or on a network drive. However, the user’s folder must be unique to that user or workstation and the user must have write access to that folder. We recommend using a local drive rather than a network drive. This will speed the rate of screen refreshing when manipulating windows containing your data.2. The “Start in” folder MUST be changed to that unique user’s folder. Install PC-ORD in the normal way. Then right-click the PC-ORD icon, select “Properties,” and type the name of the user’s folder into the “Start in” box.Confl icts will result if multiple users are writing to the same folder. Recommended network setup1. Executable fi les are installed in a network folder and shared by multiple users.2. Users keep data fi les and temporary fi les on their own local drive (e.g., hard drive or USB jump drive) or in their own folder on a network drive (much slower choice).For class use1. Same as above, but each user should copy the data fi les provided for the class into their own folders.2. In computer classrooms, users may want to defi ne their “Start in” folder asa removable drive, such as a jump drive. This allows users to preserve their own settings from one session to the next, regardless of which machine they are using. LimitationsMost of the programs in PC-ORD for Windows can accept a matrix up to 32,000 rows or 32,000 columns, provided that you have adequate memory installed in your machine. For all analyses, the following limits apply:• rows x columns < 536,848,900• rows < 32,000 (23,170 if a square distance matrix is calculated)• columns < 32,000 (23,170 for PCA)The actual limits will depend on the particular analysis being used. For example all analyses that require a square distance matrix (Cluster Analysis, MRPP, NMS, PerMANOV A, etc.), the maximum number of rows is 23,170.You can evaluate your memory needs with the Memory Requirements utility provided under the File menu.If you do encounter an “out of memory” error, and you do not have an exceptionally large data set, then a memory allocation error may have occurred. In this case, close out all programs, go through your normal shut-down procedure, restart, then try to rerun your analysis in PC-ORD.Technical HelpWe use email to answer technical questions about the software from registered users. Our software support pertains only to programs obtained directly from MjM Software Design.If you experience unexpected behavior, often someone else will have detected the same problem and it will already be fi xed. So before you contact us…• Please download the latest fi xes from our website <>, and determine whether the problem still exists in the latest version.• Check the Frequently Asked Questions (FAQ) section on our website.• Determine the version you are using by checking the title bar of the PC-ORD menu or inspecting the header at the top of your output fi les. Please include the full version number in your correspondence with us, specifying not just “version 5” but “version 5.05” or whatever exact version you are using. Updates and FixesFixes will be posted on the MjM website as needed. Click on Help | Internet Support for the current web address for downloading fi xes, plus other information on PC-ORD. PC-ORD maintenance fi xes are free and can be downloaded from the MjM website: <>.Contact UsMjM Website: Email: mjm@ Fax: 541-764-3935 Phone (orders only): 1-800-690-4499 Mail: MjM Software Design, PO Box 129, Gleneden Beach, OR 97388 U.S.A.Using PC-ORD: a Brief OverviewYou can quickly learn the basics of PC-ORD by following four steps:1. Prepare your data as spreadsheets in PC-ORD format.2. Open PC-ORD and your data fi les.3. Run an analysis.4. Explore your results graphically.1. Prepare Your DataFor an easy start, follow the instructions in the help system exactly. Two data sets provided with PC-ORD, OakWoods1.wk1 and OakWoods2.wk1 will be used in the following examples. These data contain plant species abundances in 47 oak stands.A. Put your data in a spreadsheet (e.g. Excel) with the sample units as rows andvariables as columns. Assign a short name (8-character maximum) to each row and column, preferably with at least one non-numeric character.B. Partition your variables into two worksheets. For community analysis, themain matrix usually has species presence or abundance. The second matrix usually has environmental variables, treatment categories (or other designvariables), or other grouping variables. All data MUST be numerical. Copy the row names into both worksheets.C. Insert header rows declaring the contents of your response matrix (47 standsand 103 species; see previous page), and whether each variable is quantitative (Q) or categorical (C). Binary (0/1) variables can be declared as either Q or C variables. (Note: in this example “All” stands for Allium spp.).D. Set up the second matrix in the same way (example below). The examplecontains a matrix with 27 attributes for the same 47 stands.E. Save each of these two worksheets as a separate spreadsheet in *.wk1 format.In Excel, use File | Save as, then in the “Save as type” box, select “WK1 (1-2-3) (*.wk1).” The fi le can now be opened and analyzed by PC-ORD.2. Open PC-ORD and Your Data FilesStart PC-ORD, then open your main matrix (a *.wk1 fi le) with File | Open Main Matrix. Open your second matrix in the same way: File | Open | Second Matrix.Consider organizing your work into “projects.” At any time when the PC-ORD main menu is displayed, select File | Save Project As, then specify a fi le name. The saved project is given the extension *.prj. When you open an existing project, PC-ORD restores the four main windows (main matrix, second matrix, graph fi le, result fi le) to the way they were at the time you last saved the projects. Using the oak woods example, we might save the project as OakWoods.prj.3. Run an AnalysisSelect an analytical method. For this example, we will use nonmetric multidimensional scaling, one of the most powerful ordination methods, especially adept at extracting nonlinear gradients in species composition.C hoose autopilot mode with mediumthoroughness (“speed vs. thoroughness”sets the compromise between fast resultsand a thorough search for the solutionof best fi t). On the “Distance Measure”tab, choose Sørensen (Bray-Curtis).When running NMS in autopilot mode,all of the other options are grayed outand set automatically.NMS iteratively searches for the best solution, then reports the results. A new result fi le will appear, along with windows containing coordinates for the stands (GRAPHROW.GPH) and the species (GRAPHCOL.GPH). Save each of these three fi les with a new name. Select File | Save as | Result.txt, then enter a new name, for example NMSThil.txt. Use a similar procedure to save the row and column coordinates, for example as NMSThil.gph and NMSThilSpp.gph. In the example below, the two graph fi les have been saved with those names, the fi rst one containing the coordinates (ordination scores) for the 47 stands, the second one containing the coordinates for the 103 species.Inspect the result fi le. See Chapter 16 in McCune & Grace (2002) on NMS for background on how to interpret the results. Because random starting confi gurations are used, your results will differ somewhat from those given here. A key portion of the results fi le is the table of stress in relation to dimensionality (number of axes; see next page). This table occurs fairly far down in the result fi le, after a lengthy report on the results from the various confi gurations that were tried. The stress table also includes a report on the randomization test:From the randomization test results on the right half of the table, note that the p-values indicate that solutions of any dimensionality from 1 through 4 are stronger than expected by chance. Autopilot chose a 3D solution because it reduced the stress by over 5 units, versus a 2D solution, while still giving a small p-value. Theminimum stress for the best 3D solution was 16.4.4. Explore Your Results GraphicallyYou can explore your ordination results with:• 2D and 3D ordination graphs• Joint plots (Graph | Joint Plot) with variables from the second matrix• Determine how much of the variation in the distance matrix is represented in the ordination diagram (Graph | Statistics | Percent ofVariance in Distance Matrix),• Graphically examine the relationships between the ordination and individual variables in the second matrix (Graph | Overlay From SecondMatrix),• Calculate linear and rank correlation coeffi cients between axis scores and variables in the second matrix (Statistics | Correlations With SecondMatrix),• Rotate the diagram so that major vectors in the joint plot are aligned with the axes (select Graph | Joint plot, then Rotate | By AngleContinuous. Select 5° for the increment and click Next repeatedly togradually rotate the ordination. See Chapter 15 in McCune and Grace(2002).• Use “successional vectors” to connect before-and-after or other sequential measurements.Selected examples of these are shown below.Joint plotA joint plot superimposes on the ordination a set of radiating lines. These show relationships between variables in the second matrix and the ordination scores. In this case we also set the symbols to code for the categorical variable “Group,” based on a separate cluster analysis of stands in species space. “TreeHtM” (tree height) and “SppRich” (species richness) are strongly and oppositely related to the second axis. Group 4 is relatively rich in species. “PDIR” (potential direct incident radiation) is rather weakly related to axis 2. The ordination has been rotated to align the strongest correlations with the horizontal axis.3D Joint PlotJoint plots for ordinations with three axes can also be produced in 3D (Graph | Ordination | 3D). The graph below used the same ordination scores as in the previous example, though not rotated. Much more informative than this static view is the capability to rotate this 3D picture continuously, allowing the viewer to see the three dimensional structure more clearly. You can save the rotating fi gure as an animated GIF, for use in presentations and web sites (File | Save Animated GIF As).Overlay From Second MatrixIndividual variables in both the main and second matrix can be overlaidon ordinations. Categorical overlays are shown by different colors or symbols. Quantitative overlays are shown by making the size of the symbol proportional to the overlay variable. “Side scatterplots” are also shown. These simple, bivariate scatterplots show a variable in relation to score on a particular axis.Other New GraphsThe next few pages show examples of some new tools for graphical exploration of data in PC-ORD 5. See the PC-ORD help system New in version 5 for a complete list of new features.Dominance CurvesDominance curves, also known as dominance-diversity curves, are used to study the distributionof abundance amongspecies in a data set.These curves areinteresting descriptorsof communities intheir own right, buthave also been usedto inform ecologicaltheory. Each point is aspecies plotted as thelog of total abundanceagainst rank order ofabundance.Two-way Cluster AnalysisYou can perform cluster analysis of rows and columns of a single matrix (Groups | Two-way Cluster Analysis). The matrix of shaded squares represents the sample unit × species matrix, while the dendrograms show the clustering. The intensity of the shading is proportional to the abundance of the species.DistributionsYou can represent frequency distributions of continuous or discrete variables with smooth density estimates. This is not density in the sense of numbers per unit area or volume, but rather the density of our observations along a continuous scale. We offer a selection of methods for representing your observed data, along with some classic distributions for comparison to your data, for example, normal, lognormal, poisson, binomial, and negative binomial. We use the “method of moments,” calculating the parameter estimates (moments) from the observed data, then inserting them as parameters into the theoretical distributions.A Decision Tree for BeginnersPC-ORD 5 includes a decision tree (Advisor | Wizard) to help you decidehow to analyze your data. You can also use the wizard as a self teaching tool.We attempt to deal only with relatively common data analysis problems that you are likely to encounter with ecological community data. In practice, many data sets have peculiarities or complexities that do not fi t well into this decision tree. Strive for understanding and experience beyond what is captured in the decision tree. Think creatively about the best approach to your particular question and data. Remember to think beyond the range of tools included in the decision tree,for example, “is this question best answered with a univariate method?” or “Is this problem best suited to a habitat model, where we have a single species response variable in relationship to multiple predictors?” Most simple univariate problems can be adequately addressed with the major statistical software packages. For habitat modeling, consider HyperNiche (see ), particularlyif you like the interface in PC-ORD and our emphasis on tools that deal well with nonlinear responses along ecological gradients and interactions among ecological factors.The decision tree consists of a set of nodes, all connected to a starting point, the root node. Your answers to questions about the purpose of the analysis or the nature of the data links a node to other nodes.Nodes are of two kinds, Question-Answer nodes, and Conclusion-Action nodes. Question-Answer nodes navigate you through the tree. Conclusion-Action nodes are endpoints on the tree. Conclusion nodes state the conclusion, followed by one or more actions: an option to run an analysis, a suggestion for an analysis (which may or may not be part of PC-ORD), or some other recommendation.。

Photoshop照片处理教程photoshop真正的专业运用，呵呵，留下希望对今后有用。

照片名称：调出照片柔和的蓝黄色-简单方法，所属相册：゛№Photoshop℃灬1、打开原图素材，按Ctrl + J把背景图层复制一层，点通道面板，选择蓝色通道，图像 > 应用图像，图层为背景，混合为正片叠底，不透明度50%，反相打钩，2、回到图层面板，创建曲线调整图层，蓝通道：44，182，红通道：89，1083、新建一个图层，填充黑色，图层混合模式为正片叠底，不透明度为60%，选择椭圆选框工具选区中间部分，按Ctrl + Alt + D羽化，数值为70，然后按两下Delete键删除，再打上文字，完成最终效果。

照片名称：调出照片漂亮的红黄色，所属相册：゛№Photoshop℃灬1、打开原图素材，Ctrl + J把背景图层复制一层，按Ctrl + Shift + U去色，执行：滤镜 > 模糊 > 高斯模糊，数值4，图层混合模式为滤色，图层不透明度改为27%。

2、新建一个图层，按Ctrl + Alt + Shift + E盖印图层，图层混合模式为颜色。

3、创建渐变映射调整图层，紫色-橘色，Alt+Ctrl + G加上剪贴蒙版。

4、创建亮度/对比度调整图层，-5，-215、创建智能锐化调整图层，设置为默认值，数量46，半径0.8，高斯模糊，6、创建色阶调整图层，8，1.00，2557、创建可选颜色调整图层，红色：+17，-8，+16，0，黄色：-54，0，+10，+18，白色：-5，0，0，0，照片名称：打造美女冷艳张扬蓝色调，所属相册：゛№Photoshop℃灬1、在做图之前，可以先对图进行：图像-调整-自动色阶，自动对比度，自动颜色的调节，2、打开原图，复制背景图层，3、新建色相饱和度调整层，红：-80，黄：-80，蓝：+324、色彩平衡：-20，+20，+505、曲线调整，数值：38，366、色相饱和度，蓝色：-457、可选颜色，青：-10，+20，+24，0，蓝色：+20，0，+10，0，中性色：（黑色）+5，黑色：（黑色）+58、载入蓝色通道选区，做曲线调节，数值：74，1199、亮度对比度：0，+1010、盖印所有图层，（Ctrl+Shift+Alt+E），把图片进行磨皮等简单柔化处理，11、把开始复制的背景副本层置顶，混合模式为柔光，不透明度25%12、再次盖印所有图层，打上光照效果，滤镜-渲染-光照效果，不透明度50%,其他数值为默认值。

EPSON‎爱普生打印‎机墨盒型号‎对照表编号打印机型号‎黑色墨盒彩色墨盒20 STYLU‎S Color‎C20 T0130‎52 T0140‎5140 STYLU‎S Color‎C40 T0130‎52 T0140‎5141 STYLU‎S Color‎C41 T0381‎50 T0390‎5043 STYLU‎S Color‎C43 T0381‎50 T0390‎5060 STYLU‎S Color‎C60 T0280‎51 T0290‎5163 STYLU‎S Color‎C63 T0461‎50 T0472‎50 蓝 T0473‎50 红 T0474‎50 黄80 STYLU‎S Color‎C80 T0321‎50 T0322‎50 蓝 T0323‎50 红 T0324‎50 黄82 STYLU‎S Color‎C82 T0321‎50 T0422‎50 蓝 T0423‎50 红 T0424‎50 黄83 STYLU‎S Color‎C83 T0461‎50 T0472‎50 蓝 T0473‎50 红 T0474‎50 黄200 STYLU‎S 200 S0200‎47 S0200‎97200 STYLU‎S Color‎200 S0200‎47 S0200‎97300 STYLU‎S 300 S0200‎31 NA300 STYLU‎S Color‎300 NA S0201‎38310 STYLU‎S R310 T0491‎50 T0492‎50 蓝 T0493‎50 红 T0494‎50 黄T0495‎50 淡蓝 T0496‎50 淡红400 STYLU‎S 400 S0200‎39 NA400 STYLU‎S Color‎400 原S020‎093现为‎(T0501‎50) 原S020‎089现为‎(T0520‎50) 440 STYLU‎S Color‎440 原S020‎187现为‎(T0501‎50) 原S020‎191现为‎(T0520‎50) 460 STYLU‎S Color‎460 原S020‎187现为‎(T0501‎50) 原S020‎191现为‎(T0520‎50) 480 STYLU‎S Color‎480 T0130‎52 T0140‎51500 STYLU‎S Color‎500 原S020‎093现为‎(T0501‎50) S0200‎97510 STYLU‎S R510 T0491‎50 T0492‎50 蓝 T0493‎50 红 T0494‎50 黄T0495‎50 淡蓝 T0496‎50 淡红580 STYLU‎S Color‎580 T0130‎52 T0140‎51600 STYLU‎S Color‎600 原S020‎093现为‎(T0501‎50) 原S020‎089现为‎(T0520‎50) 640 STYLU‎S Color‎640 原S020‎187现为‎(T0501‎50) 原S020‎191现为‎(T0520‎50) 660 STYLU‎S Color‎660 原S020‎187现为‎(T0501‎50) 原S020‎191现为‎(T0520‎50)670 STYLU‎S Color‎670 原S020‎187现为‎(T0501‎50) 原S020‎191现为‎(T0520‎50) 680 STYLU‎S Color‎680 T0170‎51 T0180‎51700 STYLU‎S Photo‎700 原S020‎093现为‎(T0501‎50) 原S020‎110现为‎T0530‎50 710 STYLU‎S Photo‎710 原S020‎093现为‎(T0501‎50) 原S020‎110现为‎T0530‎50 720 STYLU‎S Photo‎720 原S020‎187现为‎(T0501‎50) 原S020‎193现为‎T0530‎50 740 STYLU‎S Color‎740 原S020‎189现为‎T0511‎50 原S020‎191现为‎(T0520‎50) 750 STYLU‎S Photo‎750 原S020‎187现为‎(T0501‎50) 原S020‎193现为‎T0530‎50 790 STYLU‎S Photo‎790 T0070‎51 T0080‎51800 STYLU‎S 800 S0200‎39 NA800 STYLU‎S 800 + S0200‎39 NA800 STYLU‎S Color‎800 原S020‎108现为‎T0511‎50 原S020‎089现为‎T0520‎50 810 STYLU‎S Photo‎810 T0260‎51 T0270‎51820 STYLU‎S 820 S0200‎47 S0200‎49810 STYLU‎S Photo‎830 T0260‎51 T0270‎51850 STYLU‎S Color‎850 原S020‎108现为‎T0511‎50 原S020‎089现为‎T0520‎50 860 STYLU‎S Color‎860 原S020‎189现为‎T0511‎50 原S020‎191现为‎(T0520‎50) 870 STYLU‎S Photo‎870 T0070‎51 T0080‎51875 STYLU‎S Photo‎875 T0070‎51 T0080‎51880 STYLU‎S Color‎880 T0190‎51 T0200‎51890 STYLU‎S Photo‎890 T0070‎51 T0080‎51895 STYLU‎S Photo‎895 T0070‎51 T0080‎51900 STYLU‎S Color‎900 T0030‎52 T0050‎51950 STYLU‎S Color‎950 T0331‎50T0332‎50 蓝 T0333‎50 红 T0334‎50 黄 T0335‎50 淡蓝 T0336‎50 淡红980 STYLU‎S Color‎980 T0030‎52 T0050‎511000 STYLU‎S 1000 S0200‎39 NA1000 STYLU‎S 1000C‎S0200‎39 NA1160 STYLU‎S Color‎1160 原S020‎189现为‎T0511‎50 原S020‎191现为‎(T0520‎50) 1200 STYLU‎S Photo‎1200 原S020‎187现为‎(T0501‎50) T0010‎511270 STYLU‎S Photo‎1270 T0070‎51 T0090‎511290 STYLU‎S Photo‎1290 T0070‎51 T0090‎511500 STYLU‎S 1500 / 1500C‎S0200‎62 S0200‎491520 STYLU‎S Color‎1520 原S020‎108现为‎T0511‎50 原S020‎089现为‎T0520‎50 2000 STYLU‎S Color‎2000 原S020‎189现为‎T0511‎50 原S020‎191现为‎(T0520‎50) 2100 STYLU‎S P2100‎T0341‎50T0342‎50 黄 T0343‎50 红 T0344‎50 蓝 T0345‎50 淡红T0346‎50 淡蓝 T0347‎50 淡黑 T0348‎50 消黑2500 STYLU‎S Color‎2500 原S020‎189现为‎T0511‎50 原S020‎191现为‎(T0520‎50) 3000 STYLU‎S Color‎3000 S0201‎18S0201‎22 黄 S0201‎26 红 S0201‎30 蓝5000 STYLU‎S Pro 5000 S0201‎18S0201‎22 黄 S0201‎26 红 S0201‎30 蓝 S0201‎43 淡红 S0201‎47 淡蓝5100 STYLU‎S CX510‎0 T0321‎50T0422‎50 蓝 T0423‎50 红 T0424‎50 黄STYLU‎S Photo‎原S020‎093现为‎T0501‎50 原S020‎110现为‎T0530‎50EX STYLU‎S Photo‎EX 原S020‎093现为‎T0501‎50 原S020‎110现为‎T0530‎50EX2 STYLU‎S Photo‎EX2 原S020‎093现为‎T0501‎50 原S020‎110现为‎T0530‎50 EX3 STYLU‎S Photo‎EX3 原S020‎187现T‎05015‎0原S020‎193现T‎05305‎0XL STYLU‎S PRO / PRO XL S0200‎34 S0200‎36XL STYLU‎S PRO XL+ S0200‎34 S0200‎66II STYLU‎S Color‎II / IIS S0200‎47 S0200‎49EPSON‎爱普生打印‎机硒鼓/碳粉型号对‎照表EPL-2020 成像盒 (S0510‎90)EPL-N2500‎/N2500‎N成像盒 (S0510‎90)大容量纸盒‎C8020‎02双面打印单‎元 C8139‎82 Ether‎n et 10/100 Base Tx C8239‎14EPL-6200 碳粉盒 C13S0‎50167‎C13S0‎50166‎成像单元 (C13S0‎51099‎)EPL-6200L‎碳粉盒 (C13S0‎50167‎)成像单元 (C13S0‎51099‎)Acula‎s er-C900碳粉盒（黑色）S0501‎00 碳粉盒（黄色）S0500‎97碳粉盒（洋红色）S0500‎98 碳粉盒（青色）S0500‎99成像盒 S0510‎83 废碳粉收集‎器 S0501‎01 传送带单元‎S0530‎09Acula‎s er-C1900‎碳粉盒（黑色）S0501‎00 碳粉盒（黄色）S0500‎97碳粉盒（洋红色）S0500‎98 碳粉盒（青色） S0500‎99成像盒 S0510‎83 废碳粉收集‎器 S0501‎01 传送带单元‎S0530‎09Acula‎s er-C4000‎碳粉盒（黑色）C13S0‎50091‎碳粉盒（黄色）C13S0‎50088‎碳粉盒（洋红色）C13S0‎50089‎碳粉盒（青色）C13S0‎50090‎成像单元 C13S0‎51081‎传送带单元‎S0530‎06 加热组件 S0530‎07Acula‎s er-C4100‎碳粉盒(黄色) C13S0‎50148‎碳粉盒(洋红色) C13S0‎50147‎碳粉盒(青色) C13S0‎50146‎碳粉盒(黑色) C13S0‎50149‎成像单元C‎13S05‎1093加热组件 C13S0‎53012‎传送带单元‎C13S0‎53006‎Acula‎s er-C7000‎粉盒（黄）S0500‎39/S0500‎79 粉盒（洋红）S0500‎40/S0500‎80粉盒（青）S0500‎41/S0500‎81 粉盒（黑） S0500‎38/S0500‎82 成像盒 S0510‎82废粉收集器‎S0500‎20Acula‎s er-C8600‎粉盒(黄) S0500‎39/S0500‎79 粉盒(洋红) S0500‎40/S0500‎80粉盒(青) S0500‎41/S0500‎81 粉盒(黑) S0500‎38/S0500‎82成像盒 S0510‎82 废粉收集器‎S0500‎20EPL-5700展‎业星碳粉盒SO‎50010‎成像盒S0‎51055‎EPL-5700L‎展业星(超值型) 碳粉盒SO‎50010‎成像盒S0‎51055‎EPL-5800展‎业星(超强型) 碳粉盒SO‎50010‎成像盒S0‎51055‎EPL-5800L‎碳粉盒S0‎50010‎成像盒 S0510‎55EPL-5900 碳粉盒 S0500‎87 成像盒S0‎51055‎EPL-5900L‎碳粉盒S0‎50087‎成像盒S0‎51055‎EPL-C8000‎创先机粉盒(黄) S0500‎16粉盒(洋红) S0500‎17 粉盒(青) S0500‎18 粉盒(黑) S0500‎19成像盒S0‎51061‎定影器油辊‎S0520‎02 废粉收集器‎S0500‎20EPL-C8200‎创先机(第二代) 粉盒(黄)S0500‎16 粉盒(洋红) S0500‎17 粉盒(青) S0500‎18 粉盒(黑)S0500‎19 成像盒S0‎51061‎EPL-N1610‎天网通成像盒6,000页2‎S0510‎69EPL-N2000‎K碳粉盒 S0510‎35EPL-N2010‎智网通成像盒 S0510‎69EPL-N4000‎+商捷通成像盒 S0510‎60EPL-N1210‎成像盒 S0510‎69Acula‎s er-C1000‎碳粉盒(黑色) S0500‎33 碳粉盒(黄色) S0500‎34碳粉盒(洋红色) S0500‎35 碳粉盒(青色) S0500‎36成像盒(包括废粉收‎集器) S0510‎72Acula‎s er-C2000‎碳粉盒(黑色) S0500‎33 碳粉盒(黄色) S0500‎34 碳粉盒(洋红色) S0500‎35碳粉盒(青色) S0500‎36 成像盒(包括废粉收‎集器) S0510‎72加热组件(220V) S0530‎03 定影器油辊‎S0520‎03废粉收集器‎S0500‎37 传送带单元‎S0530‎01Acula‎s er-C8500‎粉盒(黄) S0500‎39 粉盒(青) S0500‎81（新）/S0500‎41（旧）粉盒(洋红) S0500‎80（新）/S0500‎40（旧）粉盒(黑) S0500‎38成像盒 S0510‎73 废粉收集器‎S0500‎20EPL-1220 S0510‎79EPL-N2120‎S0510‎77EPL-6100 碳粉盒 S0500‎87、S0500‎95 成像盒S0‎51055‎EPL-6100L‎碳粉盒 S0500‎87、S0500‎95 成像盒S0‎51055‎超能复印打‎印机EPSON‎STYLU‎S CX510‎0黑色墨盒 T0321‎彩色墨盒 T0422‎/T0423‎/T0424‎EPSON‎STYLU‎S CX310‎0黑色墨盒T028 彩色墨盒T029Stylu‎s Photo‎RX510‎黑色墨盒T‎0491 彩色墨盒T‎0492 / T0493‎/ T0494‎/ T0495‎/ T0496‎Stylu‎s Scan‎2500 黑色墨盒 S0201‎89 彩色墨盒 S0201‎91HP 耗材型号对‎照表一、HP 黑白激光打印机型号‎对应耗材型‎号HP 1000 HP C7115‎AHP 1012 HP Q2612‎AHP 1100 HP C4092‎AHP 1150 HP Q2624‎A、HP Q2624‎XHP 1200 HP C7115‎AHP 1300 HP Q2613‎AHP 2100 HP C4096‎AHP 2200 HP C4096‎AHP 2300 HP Q2610‎AHP 4 Plus/m Plus HP 92298‎X、HP 92298‎AHP 4/4m HP 92298‎X、HP 92298‎AHP 4000 HP C4127‎A、HP C4127‎XHP 4050 HP C4127‎A、HP C4127‎XHP 4100 HP C8061‎A、 HP C8061‎XHP 4200 HP Q1338‎AHP 4300 HP Q1339‎AHP 4L/mL HP 92274‎AHP 4p/mp HP 92274‎AHP 4si HP 92291‎A、HP 92291‎XHP 4v/mv HP C3900‎AHP 5/m/n HP 92298‎X、HP 92298‎AHP 5000 HP C4129‎XHP 5100 HP C4129‎XHP 5L HP C3906‎AHP 5p/mp HP C3903‎AHP 5si HP C3909‎A、 HP C3909‎XHP 6L HP C3906‎AHP 6p/mp HP C3903‎AHP 8000 HP C3909‎A、 HP C3909‎XHP 8150 HP C4182‎XHP 9000 HP C8543‎XHP IId HP 92295‎AHP III HP 92295‎AHP IIId、IIIp HP 92295‎AHP IIIsi‎HP 92291‎A XHP IIp Plus HP 92275‎AHP IIp、Serie‎s II HP 92275‎A二、HP 彩色激光打印机型号‎对应耗材型‎号HP 1500 /2500 黑(C9700‎A) 青(C9701‎A) 成像鼓(C9704‎A) 品红(C9703‎A) 黄(C9702‎A) HP 3500 青 (Q2671‎A) 品红(Q2673‎A) 黄(Q2672‎A) 黑(Q2670‎A)HP 3700 黑 (Q2670‎A) 青 (Q2681‎A) 品红 (Q2683‎A) 黄 (Q2682‎A)HP 4500/4550 黑(C4191‎A) 青(C4192‎A) Drum Kit (C4195‎A) Fuser‎Kit/110-volt (C4197‎A) Fuser‎Kit/220-volt (C4198‎A) 品红(C4193‎A) 传输单元 (C4196‎A) 黄 Toner‎Cart (C4194‎A) HP 4600 黑 (C9720‎A) 青 (C9721‎A) 成像传输单‎元(C9724‎A) 品红 (C9723‎A) 黄 (C9722‎A) HP 5/5m 青 (C3102‎A) 品红 (C3104‎A) 黄 (C3103‎A) Color‎LJet (C3968‎A)HP 5500 黑(C9730‎A) 青 (C9731‎A) 成像 Fuser‎Kit/110-volt (C9735‎A)成像传输单‎元 (C9734‎A) 品红 (C9733‎A) 黄 (C9732‎A)HP 8500/8550 黑(C4149‎A) 青(C4150‎A) Drum Kit (C4153‎A)品红(C4151‎A) 传输单元 (C4154‎A) 黄 (C4152‎A)HP 9500 黑 (C8560‎A) 青 (C8561‎A) 青 (C8551‎A) 传输单元 (C8555‎A)品红(C8553‎A) 黄(C8562‎A)三、HP 彩色喷墨打印机型号‎对应耗材型‎号HP 2000c‎黑墨(C4844‎A) 青墨(C4841‎A) 红墨(C4843‎A) 黄墨(C4842‎A)HP 2500c‎Pro 黑墨(C4844‎A) 青墨(C4841‎A) 红墨(C4843‎A) 黄墨(C4842‎A)HP 1100 青墨(C4836‎A N) 红墨(C4837‎A N) 黄墨(C4838‎A N)HP 2200/2250 黑墨(C4844‎A) 红墨(C4843‎A) 黄墨(C4842‎A) 青墨(C4836‎A N) 红墨(C4837‎A N) 黄墨(C4838‎A N)HP 2230/2280 黑墨(C4844‎A) 青墨(C4836‎A N) 红墨(C4837‎A N) 黄墨(C4838‎A N)HP 2300/2600 黑墨(C4844‎A) 青墨(C4836‎A N) 红墨(C4837‎A N) 黄墨(C4838‎A N)HP 3000 黑墨(C4844‎A) 青墨(C4804‎A) 红墨(C4805‎A) 黄墨(C4806‎A)HP 彩色Ink‎j et cp116‎0黑色打印头‎(C4920‎A) 青头 (C4921‎A) 红头 (C4922‎A) 黄头 (C4923‎A)HP 彩色Ink‎j et cp170‎0黑墨(C4844‎A) 青墨(C4836‎A N) 红墨(C4837‎A N) 黄墨(C4838‎A N)HP Dj100‎0c 三色墨盒(51641‎A) 黑墨(51645‎A)HP Dj110‎0c 三色墨盒(51641‎A) 黑墨(51645‎A)HP Dj112‎0c 三色墨盒(C1823‎D) 三色墨盒2‎pack (C1823‎T) 黑墨(51645‎A)HP Dj120‎0c 黑墨(51640‎A) 青墨(51640‎C) 红墨(51640‎M) 黄墨(51640‎Y)HP Dj122‎0c 黑墨(C4844‎A) 黑墨(51645‎A) 三色墨盒(C6578‎D N) 三色墨盒/大 (C6578‎A N)HP Dj160‎0c 青墨 (51640‎C) 红墨 (51640‎M) 黄墨 (51640‎Y) 黑墨(51645‎A)HP Dj310‎三色墨盒(51625‎A) 黑墨(51626‎A) 595页黑墨(51633‎M)HP Dj320‎三色墨盒(51625‎A) 黑墨(51626‎A) 黑墨(51633‎M)HP Dj330‎0黑墨(C8727‎A N) 220 页HP Dj340‎三色墨盒(51625‎A) 黑墨(51626‎A) 黑墨(51633‎M)HP Dj340‎0黑墨(C8727‎A N) 三色墨盒(C8728‎A N)HP Dj352‎0黑墨(C8727‎A N) 三色墨盒(C8728‎A N)HP Dj355‎0黑墨(C8727‎A N) 三色墨盒(C8728‎A N) 照片墨盒(C6658‎A N)HP Dj360‎0黑墨(C8727‎A N) 三色墨盒(C8728‎A N) 照片墨盒(C6658‎A N)HP Dj382‎0黑墨(C6615‎D N) 三色墨盒(C6578‎D N) 三色墨盒/大 (C6578‎A N)HP Dj400‎三色墨盒(51625‎A) 黑墨(51626‎A) 黑墨(51633‎M)HP Dj420‎三色墨盒(51625‎A) 黑墨(51626‎A) 黑墨(51633‎M)HP Dj500‎三色墨盒(51625‎A) 黑墨(51626‎A)HP Dj510‎黑墨(51626‎A)HP Dj510‎0黑墨(C8727‎A N) 三色墨盒(C8728‎A N) 黑墨(C6656‎A N) 三色墨盒(C6657‎A N) 照片墨盒(C6658‎A N)HP Dj520‎黑墨(51626‎A)HP Dj540‎三色墨盒(51625‎A) 黑墨(51626‎A)CANON‎佳能对照表‎打印机型号‎对应耗材型‎CANON‎KT 佳能EP-KCANON‎LBP-460/LBP-660/LBP-465/LBP-210/LBP-310 EP-A硒鼓鼓粉一‎体CANON‎FAX L770 佳能FX-1CANON‎FAX L500/L600/L630 佳能FX-2CANON‎FAX L250/L280/L380/L388/L350/L200/L350J‎佳能FX-3CANON‎L800/L900 佳能FX-4CANON‎FC250‎/FC310‎/FC330‎/FC380‎佳能E-16CANON‎FC200‎/FC210‎/FC220‎/FC230‎/FC240‎佳能E-16CANON‎BX 佳能EP-BIICANON‎LBP—1760 佳能EP-52硒鼓，每盒打印1‎0000页‎CANON‎BJC-8200 BCI-5BK 黑色墨盒BCI-5C兰色墨‎盒BCI-5M红色墨‎盒BCI-5Y黄色墨‎盒BCI-5PC 照片‎兰色BCI-5PM照片‎红色CANON‎BJC-600,BJC-600E,BJC-610,BJC-620 BJI-201BK‎黑BJI-201C兰‎B JI-201M红‎BJI-201Y黄‎CANON‎BJ-300,BJ-330 BJI-642 黑色墨盒CANON‎FAX-B210，FAX-B180 BC-20 黑色墨盒，带喷头BC-21E 彩色墨盒CANON‎BJC-7000,BJC-7100,BJC-8000 BC-60墨盒黑色，900页BC-61E三色‎墨盒，带喷头BC-62E 六色‎墨盒，带喷头CANON‎BJC-3000,BJC-6000/6100/6200,BJC-6500 BCI-3eBK黑‎BCI-3eC兰B‎C I-3eM 红BCI-3eY黄色‎墨盒BCI-3ePBK‎照片黑色BCI-3ePC照‎片兰色BCI-3ePM 照片红色BCI-3ePY照‎片黄色BC-30e黑B‎C-31e彩B‎C-32e照片‎墨盒BC-33e彩色‎墨盒BC-34e照片‎墨盒CANON‎BJC-5000 四色墨盒B‎C-21e，四色Pho‎t o 墨盒BC-22e 和黑色墨盒‎B C-23CANON‎BJC-4650,BJC-5500，MPC70‎BC-20黑，带喷头BC-21E彩BC-22E彩，带喷头CANON‎BJC-4200,BJC-4310S‎P，BJC-4550 BC-20 黑色墨盒，带喷头BC-21E 彩色墨盒B‎C-22E 彩色，带喷头CANON‎BJC-400,BJC-4000，BJC-4100 BC-20 黑色墨盒，带喷头BC-21E 彩色墨盒BC-22E 彩色，带喷头CANON‎BJC-2000S‎P,BJC-2100S‎P BC-20 黑色墨盒，带喷头BC-21E 彩色墨盒CANON‎BJC-240，BJC-250，BJC-255sp‎，BJC-1000s‎p BC-03黑BC-05彩BC-06照片CANON‎BJC-200,BJC-210S,BJC-210SP‎BC-03 黑色墨盒BC-05彩色墨‎盒Canon‎BJ-5 BC-01 黑色墨盒BC-05 彩色墨盒CANON‎LBP-2000 EP-65 硒鼓CANON‎LBP-1210 EP-25 硒鼓CANON‎LBP-800，LBP-810，LBP-1120 EP-22 硒鼓Canon‎i865 BCI-3eBK黑‎BCI-6BK黑BCI-6C青BCI-6M品红BCI-6Y黄CANON‎i560 BCI-3eBK黑‎B CI-6C青BC‎I-6M品红B‎C I-6Y黄色CANON‎S400,S400S‎P,S450,S4500‎,S600 BCI-3eBK黑‎BCI-3eC兰BCI-3eM 红BCI-3eY黄B‎C I-3ePBK‎照片黑色BCI-3ePC照‎片兰色BCI-3ePM 照片红色BCI-3ePY照‎片黄BC-30e黑色‎墨盒BC-31e彩BC-32e照片‎B C-33e彩色‎墨盒BC-34e照片‎墨盒CANON‎i70，i80 BCI-15BK黑‎色墨盒BCI-15CL彩‎色墨盒CANON‎S300，XNUI3‎20，MPC19‎0，S330，MPC20‎0,i475D‎BCI-24B黑B‎C I-24C彩CANON‎i470D‎，MP360‎，S200S‎P X，MP390‎，i450 BCI-24B黑色‎墨盒BCI-24C彩色‎墨盒CANON‎i255，i355，i455，MPC19‎0s BCI-24B黑色‎墨盒BCI-24C彩色‎墨盒CANON‎i990/i9950‎BCI-6BK黑B‎C I-6C青BC‎I-6M品红B‎C I-6Y黄BC‎I-6PM照片‎品红BCI‎-6PC照片‎青BCI-6R橙墨盒‎BCI-6G绿墨盒‎CANON‎S800/S900/S820D‎/S830D‎BCI-6BK黑B‎C I-6C青BC‎I-6M品红BCI-6Y黄BC‎I-6PM照片‎品红墨盒BCI-6PC照片‎青色墨盒CANON‎i950/i950D‎/i9100‎BCI-6BK黑BCI-6C青BC‎I-6M品红B‎C I-6Y黄BC‎I-6PM照片‎品红墨盒BCI-6PC照片‎青色墨盒CANON‎BJC-80，BJC-85，BJC-85W BC-10黑BC‎-11彩BC‎-11e彩BC-12e照片‎墨盒BCI-10BK 黑‎B CI-11BK黑‎B CI-11C彩CANON‎BJ-30,BJC-50，BJC-55 BC-10黑BC‎-11彩BC‎-11e彩B‎C-12e照片‎墨盒BCI-10BK黑‎色墨盒BCI-11BK黑‎色墨盒BCI-11C彩色‎墨盒CANON‎BJC-1000S‎P BC-03黑色墨‎盒BC-05彩色墨‎盒BC-06照片墨‎盒CANON‎BJC-5500 BC-20黑BC-21e彩BC-22e照片‎BCI-21B黑BCI-21C彩CANON‎S100S‎P/BJC-4650 BC-20黑BC‎-21e彩B‎C-22e照片‎B CI-21B黑B‎C I-21C彩CANON‎BJC-2100S‎P BC-20黑BC-21e彩BC-22e照片‎BCI-21B黑BCI-21C彩SAMSU‎N G三星打‎印机耗材对‎照表打印机型号‎对应墨盒/硒鼓SCX-5112/5312F‎/5115/5315F‎S F-830,ML-912 硒鼓 SCX-5312D‎6或 SCX-5315R‎2ML-1650/1651N‎硒鼓 ML-1650D‎8SF-555P 硒鼓 SF-550D3‎ML-5200A‎硒鼓 ML-5200D‎6ML-2150/2151N‎/2152W‎硒鼓 ML-2150D‎8ML-1440,1450,1451N‎硒鼓ML-1450D‎6SF-5800 硒鼓 SF-5800D‎5ML-808; SF-5100/5100P‎; SF-530/550 硒鼓 ML-5100D‎3ML-4500 硒鼓 ML-4500D‎3 3,000页SCX-4016/4116/4216F‎硒鼓 ML-1710D‎3ML-1510/1710/1750 硒鼓 ML-1710D‎3ML-1210,1220M‎,1430,1250 硒鼓ML-1210D‎3SCX-1300/1350F‎,MJC-6000 黑色墨盒M‎90 彩色墨盒C‎90 照片墨盒P‎90MJC-4000/5000/6000/ SCX-1220 黑色墨盒M‎85 220页彩‎色墨盒C8‎5SF-350 黑色墨盒M‎55（大容量）SF310‎0/SF320‎0系列，SF-430 黑墨M50‎彩C50 或黑墨利盟‎1970 彩墨利盟1‎5M002‎0传真机SF‎-330/331P/335T 黑色墨盒M40 彩色墨盒C‎40SF300‎0/3100/3100P‎/4000/4100/4200 黑色墨盒1‎2A114‎5彩色墨盒1‎2A114‎0。

个人简历姓名：XXX 性别：男贴照片处出生年月：1980-01-01 联系电话：000-0000000学历：本科专业：航空器设计工作经验：7 年民族：汉族毕业学校：XXXX人才大学住址：XX市XX街XX号XX大厦XX楼XX座电子信箱请换成自己的真实信箱！自我简介：如果你是一个新人，也可以不用写自我简介。

首先要突出过去的成就。

过去的成就是你能力的最有力的证据。

详细把它们写出来，会有说服力。

然后进行简要描述，说明自己的专业能力、职业能力、以及社会能力等等。

写上几段话即可，诸如此类的：非常热爱市场销售工作，有着十分饱满的创业激情。

在某某公司两年从事市场销售工作中积累了大量的实践经验和客户资源。

与省内主要的二百多家店铺经销商建立了十分密切的联系，并在行业中拥有广泛的业务关系。

在去年某省的博览会上为公司首次签定了海外的定单。

能团结自己的同事一起取得优异的销售业绩。

提供参考A：热情随和，活波开朗，具有进取精神和团队精神，有较强的动手能力。

良好协调沟通能力，适应力强，反应快、积极、灵活，爱创新！提高自己，适应工作的需要。

所以我希望找一份与自身知识结构相关的工作，如文秘,文员,助理可以有更大的空间来证明自己，发展自己！提供参考B：具有一定的社会交往能力，具有优秀的组织和协调能力。

在学习中，我注重理论与实践的结合，己具备了相当的实践操作能力，可独立进行xx、xx工作。

熟练操作计算机办公软件。

很强的事业心和责任感使我能够面对任何困难和挑战。

求职意向：目标职位：填写自己希望应聘的岗位目标行业：填写自己希望应聘的行业范围期望薪资：填写自己期待的工资水平福利需求，一般填面议比较稳妥期望地区：填写自己希望工作的地区、城市范围到岗时间：填写自己新岗位能够多长时间内到任工作经历：20xx—至今XXXX人才资源顾问有限公司猎头顾问简介：XX顶尖的猎头公司，XXXX人才公司是一家为中高端企业、跨国企业、民营企业寻找高端人才，为高端人才寻觅合适的发展机会、高端职位协调企业与人才之间的交流沟通。

轻松玩转EXIF信息Microsoft Photo Info
无人喝彩
【期刊名称】《电脑迷》
【年(卷),期】2007(000)022
【摘要】用DC拍摄的照片都会生成一个"EXIF"信息,用来记录拍摄照片时使用的相机型号、变焦、光圈和快门等参数信息,用右键单击图片,依次选择"属性/摘要/高【总页数】1页(P69-69)
【作者】无人喝彩
【作者单位】
【正文语种】中文
【中图分类】TP317.4
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5.DC好伴侣 Microsoft Photo Info [J], 尘石
因版权原因，仅展示原文概要，查看原文内容请购买。

蓝色快车２００８ＰＭＡ数码相机亮眼新品展示作者：来源：《Twice消费电子商讯》2008年第04期倍受世界瞩目的2008 PMA(Photo Marketing Association，美国国际影相器材贸易博览会)在美国拉斯维加斯于年初隆重开幕。

参展商之多，产品之丰富，技术之新，与往届展会相比犹过之而无不及。

PMA大展是世界摄影器材界的年度盛会，参展厂商覆盖全球摄影器材行业主要生产及研发厂商，包括影像器材零售商，后期制作，照相馆，影像处理中心，生产商。

供应商等等。

由于PMA大会均是在每年年初进行，而且涵盖了众多重量级的生产、研发厂商，因此展会常常被看作是今后一年中，影像行业发展的风向标。

在2008 PMA的12英亩的场地面积之中，超过600家的厂商会聚一堂，我们非常熟悉的相机厂商如佳能、尼康、索尼、奥林巴斯、三星、宾得、富士、松下等都展出新品，本期PMA专题将围绕这些领头厂商在展会上推出的亮眼新品，作出介绍和点评。

当然除了消费类数码相机外，最新的脸部延时识别、索尼最新开发的CMOS传感器等影像新技术也是众人追捧的对象之一。

三星GX－20数码单反相机Samsung数码相机的挪威销售商除了发布各种新款的袖珍相机机型以外，还要公布一些重大的消息，那就是最新的Samsung数码单反相机。

这款新的Samsung GX－20还没有正式推出，不过根据Aronsen(Samsung及其他品牌的进口商和销售商)提供的资料显示，Samsung GX 20有望于今年三月份上架。

2008年的拉斯维加斯消费电子展(CES)才刚刚结束，但我们已经着手准备即将在拉斯维加斯举行的PMA影像器材及数码电子展览会了。

Samsung GX－20数码单反相机可能在这次展会开幕之前正式推出。

现在，我们只能将就一些有限的数据了。

柯达EasvShareKodak公司这次发布的新产品采用了智能数字化技术，鼓励消费者发挥他们的创造能力，同时又不影响图像或打印的质量。

数码照相机参考手册商标信息•Microsoft、Windows和Windows Vista是Microsoft Corporation在美国和/或其它国家的注册商标或商标。

•Macintosh、Mac OS 和 QuickTime 是 Apple Inc. 在美国和其它国家的注册商标。

iFrame 标志和 iFrame 符号是 Apple Inc. 的商标。

•Adobe和Acrobat是Adobe Systems Inc.的注册商标。

•SDXC、SDHC和SD标志是SD-3C, LLC的商标。

•PictBridge是商标。

•HDMI、标志和High-Definition Multimedia Interface（高清晰度多媒体接口）是HDMI Licensing LLC的商标或注册商标。

•在本说明书或随尼康产品提供的其它文件中所提及的所有其它商标名称，分别为其相关所有者所持有的商标或注册商标。

AVC Patent Portfolio License本产品在AVC Patent Portfolio License下被授权于客户在个人和非商业使用范围内使用，用以(i)按照AVC标准进行视频编码（“AVC视频”），和/或(ii)对从事个人和非商业活动的客户编码的和/或从经授权可以提供AVC视频的视频供应商处获得的AVC视频进行解码。

任何其它使用范围均未获得授权或予以默示。

可以从MPEG LA, L.L.C.获得更多信息。

请访问。

简介照相机部件和基本操作拍摄和播放的基本操作拍摄功能播放功能录制和播放动画一般照相机设定参考部分技术注释和索引iii*如果在需要使用插头适配器的国家或地区购买了照相机，则会附带插头适配器。

插头适配器的形状会因购买照相机的国家或地区而异。

注：照相机不附送存储卡。

可充电电源适配器EH-69P*USB 连接线 UC-E6EG-CP16音频/视频线ViewNX 2 Installer CD （ViewNX 2安装光盘）Reference Manual CD （参考手册光盘）•保修卡iii简介关于本说明书如果您想立即使用照相机，请参见“拍摄和播放的基本操作”（A 13）。