Warping and Supersymmetry Breaking
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The Disillusion of American Dream in The Great Gatsby The American Dream is the dream of a land in which life should be richer and better for everyone, providing them with opportunities according to their abilities or achievements。
It encourages people to work through efforts, courage, creativity and determination to move towards prosperity, rather than rely on any other forces. In one time, it did help some people to fight for success. But as time flew, the American dream went to the other side。
So in this case, the essay aims to discuss the disillusion of the so—called American Dream—- also the theme of The Great Gatsby, with the analysis of the tragedy of its main character-- Gatsby。
In the novel, Gatsby’s American Dream is not material possession. He only comes into riches so that he can fulfill his true dream———— to reunite with Daisy。
达达主义的兴起,与第一次世界大战有着相当密切的联系,它最早发源于1915年的瑞士,包括让•阿尔普在内的几位流亡在苏黎世的文学青年,组织了一个名为“达达”的文学团体,1919年又在法国的巴黎组织了“达达”集团,从而形成了达达主义流派。
达达主义是一场波及视觉艺术、文学诗歌领域、戏剧和美术设计领域的文艺运动。
达达主义也是第一次世界大战颠覆、摧毁旧有欧洲社会和文化秩序的产物。
其作为一场文艺运动,持续的时间并不是很长,但是对于20世纪的现代艺术流派都产生了影响。
“达达是一种令我同情的虚无主义,它是逃离一种心理状态的方式——回避人们的直接环境影响,或是过去的传统影响,从陈词滥调中挣脱出来,获取自由”。
达达主义是具有虚无主义性质的,虚无主义的性质就是认为世界、人类的存在是没有意义的,否定一切、推翻一切。
简而言之,虚无主义之所以会诞生,是因为人们的精神文化没有跟上经济发展的速度,又因为战争摧毁了原有的社会,恐惧与人性的泯灭,最终带来了价值观的崩塌。
虚无主义是一直存在的,而笔者想要通过让•阿尔普这位艺术家的作品来探讨艺术中的虚无主义,并且结合当时的时代背景和同时期的艺术家的作品来加深论证。
虽然说他的作品打破了传统美术的常规,但是却充满了创造性,为后来的艺术创造出了无数种可能。
而且他的艺术并不是真正的反对艺术,而是作为一种探索,打破传统、重新定义艺术。
一、达达主义时期的雕塑作品(一)让·阿尔普雕塑作品中的虚无主义让•阿尔普即是达达主义雕塑的代表人物,在第一次世界大战期间,他由于对战争的不满,来到了瑞士,并与雨果•巴尔、特里斯坦•查拉等人组织了一个国际性的艺术派别,名为“达达派”。
他曾经说道:“达达是一切艺术的基础和底线。
达达赞成没有意义,这并不意味着无意义。
达达就像大自然一样。
达达要大自然,不要‘艺术’。
”A Brief Analysis of Nihilism in Jean Arp's SculpturesAbstract: During World War I, the war brought great destruction to people's lives and homes at that time, and Dadaism was born. It subverted the previous traditional art forms. Some people believe that Dadaism can feel nothing, is nothing, is nothingness. They advocate negating everything, overthrowing everything, and destroying everything. Therefore, Dadaism is the artistic expression of nihilism. Jean Arp was a German-French Dadaist sculptor, painter, and poet. He abandoned traditional oil painting and used media such as wood carving, weaving, and collage to create abstract and interesting works. This article will take the sculptor Jean Arp's sculptures and some other Dadaist works of art as examples to briefl y analyze the nihilism in the sculptures.Keywords: Sculpture; Jean Arp; Nihilism; Dadaism; Surrealism收稿日期:2022-06-02浅析让·阿尔普雕塑作品中的虚无主义摘要:在第一次世界大战之中,战争给当时人们的生活和家园带来了极大的破坏,达达主义由此诞生,它颠覆了以往的传统艺术形式。
World Literature Studies 世界文学研究, 2023, 11(5), 357-360Published Online October 2023 in Hans. https:///journal/wlshttps:///10.12677/wls.2023.115062黑人女性主义视角下的《爱》宋银苗连云港师范高等专科学校外语与商务学院,江苏连云港收稿日期:2023年6月28日;录用日期:2023年9月21日;发布日期:2023年10月7日摘要黑人女性主义文学是随着西方女性主义运动的发展而出现的,托妮·莫里森无疑是黑人女性主义作家的里程碑。
本文从黑人女性主义视角聚焦于小说《爱》中黑人女性的生存困境,商品化的黑人女性及爱的缺失、爱的回归与救赎、爱的多元共生以及黑人女性实现完整生存的可能性。
关键词托妮·莫里森,《爱》,黑人女性主义,多元共生,完整生存Love from the Perspective of Black FeminismYinmiao SongSchool of Foreign Languages and Business, Lianyungang Normal College, Lianyungang JiangsuReceived: Jun. 28th, 2023; accepted: Sep. 21st, 2023; published: Oct. 7th, 2023AbstractBlack feminism literature emerged with the development of western feminist movement. Toni Morrison is undoubtedly a milestone of black feminism writers. From the perspective of black fe-minism, this paper focuses on the survival dilemma of black women in the novel Love, the com-mercialized black women and the lack of love, the return and redemption of love, the multiple symbiosis of love, and the possibility of black women’s complete survival.KeywordsToni Morrison, Love, Black Feminism, Pluralistic Symbiosis, Complete Survival宋银苗Copyright © 2023 by author(s) and Hans Publishers Inc.This work is licensed under the Creative Commons Attribution International License (CC BY 4.0)./licenses/by/4.0/1. 引言黑人女性主义文学是随着西方女性主义运动的发展而出现的,是历史和社会进步的产物。
Title: Boxing Bravery: Unleashing the Warrior WithinIn a world filled with a plethora of activities, boxing stands out as a sport that demands unwavering bravery. This article delves into the captivating world of boxing, exploring its many facets and highlighting the remarkable bravery it embodies.The theme of our exploration is the inspiring bravery of boxing. We aim to inspire readers to discover the strength and courage within this intense sport.To structure our discussion, we will begin by delving into the details of boxing. This includes describing the powerful movements of boxers as they punch, dodge, and weave, the various boxing venues, the essential equipment needed, and the unique sensations it evokes. Next, we will expound on the numerous benefits of boxing for physical health, mental well-being, and social interaction. Finally, we will conclude by encouraging readers to embrace boxing as a way to enhance their lives.Let's start by immersing ourselves in the world of boxing details. Picture a boxing ring, bathed in bright lights and filled with the energy of two determined fighters. The movements are a symphony of strength and agility. Boxers throw punches with lightning speed and force, their fists connecting with a resounding thud. They dodge and weave with grace, avoiding their opponent's blows. The venue could be a professional boxing arena or a local gym. The equipment consists of boxing gloves, hand wraps, mouthguards, and headgear. The feeling? It's a rush of adrenaline, a sense of purpose, and a deep connection to one's inner warrior. As boxers engage in a bout, it's as if they are gladiators in an ancient arena, each move a battle for supremacy.Now, let's explore the benefits of boxing. Physically, it's a powerhouse. Boxing builds strength in the arms, legs, core, and shoulders. It improves cardiovascular health, enhances endurance, and boosts coordination. It challenges the body to its limits and helps develop a lean and muscular physique. As the saying goes, "A strong body is a fortress." Boxing helps fortify this fortress.Mentally, boxing is a test of resilience and courage. Boxers must stay focused and composed under pressure, dealing with pain and fatigue. It develops mental toughness and the ability to persevere through adversity. The sense of accomplishment after a hard-fought victory can boost self-confidence and motivation. It's a journey of self-discovery and growth that hones the mind.Socially, boxing can bring people together. Whether it's training with a partner, competing in a tournament, or simply sharing stories with fellow boxers, boxing creates a sense of community and camaraderie. It transcends differences and unites people in a common pursuit of excellence. Shared experiences in the boxing ring lead to lasting friendships and a sense of belonging.In conclusion, boxing is not just a sport; it's a display of bravery, strength, and determination. So, step into the ring, embrace the challenge, and let boxing bravery awaken the warrior within you. As Theodore Roosevelt once said, "It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat." Let boxing be your arena, your worthy cause, and your path to greatness.。
名著大乱斗作文英语标题,The Great Melee of Classic Literature。
In the realm of classic literature, where characters leap off pages and stories echo through generations, there exists a magnificent melee, a clash of literary titans. Imagine a grand arena where iconic characters from various literary works converge, engaging in battles of wit, courage, and intellect. Welcome to "The Great Melee of Classic Literature."The arena is set amidst the backdrop of timeless settings, from the foggy streets of Victorian London to the sun-drenched plains of ancient Greece. Spectators from every corner of the literary world gather to witness this extraordinary event, their hearts pounding with excitement and anticipation.In one corner stands the brooding figure of Mr. Fitzwilliam Darcy, pride personified, from Jane Austen's"Pride and Prejudice." His sharp wit and unwavering demeanor have captivated readers for centuries. Opposite him, wielding a rapier with unparalleled skill, is the dashing swashbuckler, D'Artagnan, from Alexandre Dumas' "The Three Musketeers." His bravery knows no bounds as he prepares to face his formidable opponent.But the melee is not limited to duels of sword and speech. On the sidelines, Sherlock Holmes, the master detective, observes the proceedings with keen interest, deducing strategies and unraveling mysteries. His brilliant mind is matched only by his loyal companion, Dr. John Watson, whose steady presence offers support and insight.As the battles rage on, other iconic characters join the fray. Elizabeth Bennet, with her sharp tongue and quick wit, engages in verbal sparring with the likes ofHeathcliff from Emily Brontë's "Wuthering Heights," their words sparking like flint against steel. Meanwhile, Captain Ahab from Herman Melville's "Moby-Dick" navigates the tumultuous seas of the arena, his obsession with the elusive white whale driving him ever onward.Amidst the chaos, a moment of respite is found in the form of Jo March from Louisa May Alcott's "Little Women," whose warmth and compassion bring solace to the weary combatants. Her words of encouragement echo through the arena, reminding all who hear them of the power of kindness and empathy.But no melee would be complete without a grand finale, and so it is that the final showdown commences. In a clash of ideologies and principles, Atticus Finch from HarperLee's "To Kill a Mockingbird" faces off against thesinister figure of Count Dracula from Bram Stoker's "Dracula." Good versus evil, justice versus tyranny, the outcome hangs in the balance as the two adversaries lock horns in a battle for the ages.And as the dust settles and the cheers of the crowd fade into the distance, one thing becomes clear: though the characters may return to the pages from whence they came, their stories will live on in the hearts and minds of readers for generations to come. For in the great melee ofclassic literature, the real victor is the power of storytelling itself.In conclusion, "The Great Melee of Classic Literature" serves not only as a celebration of timeless tales and unforgettable characters but also as a testament to the enduring power of literature to inspire, entertain, and unite us all. As we bid farewell to the arena and the characters who inhabit it, let us carry their stories with us, drawing strength and wisdom from their adventures as we embark on our own journeys through the pages of life.。
(记贝索斯在普林斯顿大学年学士毕业典礼上地演讲)我一直相信每一个人都有自己地天赋,每一个人地存在都代表着宇宙空间中地一种唯一,然而令我经常都在深思地是,既然我们都是这样地独特,又为何偏偏要去模仿和畸变成拥有同类“基因”地人呢?为什么我们中地很多人都不愿意去追逐属于自己地理想,或者不能为此奋斗一生呢,抑或者一生都是在自欺欺人地辩解?在地中我深深地感受到了一个人追逐自己最初理想地意义会变得如此地伟大,充满地是一种人生最大地和最根本地价值.一直在想这样地一个问题,当社会尚且艰难,生活尚且苦难地日子里都有如此多人在追逐属于自己梦想地时候;在一个生活舒适,物质条件优越地年代我们竟然不知所措地迷失掉自己地方向,找不到自己前行地路.这是多么可悲和可笑地一种境况!我们,有了更高地天赋,有了更好地环境,却因为有更多地选择而抹杀了我们自己地梦...这确实让人觉得不可思议!个人收集整理勿做商业用途我相信每个人都有自己最初地梦想,在这样地一个年代,在这样一个至少没有饥寒交迫地时代,我坚信追逐自己理想地人会获得生命尽头最高贵地礼物和人生最大地价值!个人收集整理勿做商业用途记:在一个可以实现最初梦想地时代选择不可以地沉默必将是这个时代最损失地损失,也必将是生活在这个时代地人最遗憾地遗憾... 个人收集整理勿做商业用途附:抵抗天赋地诱惑(贝索斯在普林斯顿大学年学士毕业典礼上地演讲)中文译稿:在我还是一个孩子地时候,我地夏天总是在德州祖父母地农场中度过.我帮忙修理风车,为牛接种疫苗,也做其它家务.每天下午,我们都会看肥皂剧,尤其是《我们地岁月》.我地祖父母参加了一个房车俱乐部,那是一群驾驶拖挂型房车地人们,他们结伴遍游美国和加拿大.每隔几个夏天,我也会加入他们.我们把房车挂在祖父地小汽车后面,然后加入余名探险者们组成地浩荡队伍. 个人收集整理勿做商业用途我爱我地祖父母,我崇敬他们,也真心期盼这些旅程.那是一次我大概十岁时地旅行,我照例坐在后座地长椅上,祖父开着车,祖母坐在他旁边,吸着烟.我讨厌烟味. 个人收集整理勿做商业用途在那样地年纪,我会找任何借口做些估测或者小算术.我会计算油耗还有杂货花销等鸡毛蒜皮地小事.我听过一个有关吸烟地广告.我记不得细节了,但是广告大意是说,每吸一口香烟会减少几分钟地寿命,大概是两分钟.无论如何,我决定为祖母做个算术.我估测了祖母每天要吸几支香烟,每支香烟要吸几口等等,然后心满意足地得出了一个合理地数字.接着,我捅了捅坐在前面地祖母地头,又拍了拍她地肩膀,然后骄傲地宣称,“每天吸两分钟地烟,你就少活九年!” 个人收集整理勿做商业用途我清晰地记得接下来发生了什么,而那是我意料之外地.我本期待着小聪明和算术技巧能赢得掌声,但那并没有发生.相反,我地祖母哭泣起来.我地祖父之前一直在默默开车,把车停在了路边,走下车来,打开了我地车门,等着我跟他下车.我惹麻烦了吗?我地祖父是一个智慧而安静地人.他从来没有对我说过严厉地话,难道这会是第一次?还是他会让我回到车上跟祖母道歉?我以前从未遇到过这种状况,因而也无从知晓会有什么后果发生.我们在房车旁停下来.祖父注视着我,沉默片刻,然后轻轻地、平静地说:“杰夫,有一天你会明白,善良比聪明更难.” 个人收集整理勿做商业用途选择比天赋更重要今天我想对你们说地是,天赋和选择不同.聪明是一种天赋,而善良是一种选择.天赋得来很容易——毕竟它们与生俱来.而选择则颇为不易.如果一不小心,你可能被天赋所诱惑,这可能会损害到你做出地选择. 个人收集整理勿做商业用途在座各位都拥有许多天赋.我确信你们地天赋之一就是拥有精明能干地头脑.之所以如此确信,是因为入学竞争十分激烈,如果你们不能表现出聪明智慧,便没有资格进入这所学校. 个人收集整理勿做商业用途你们地聪明才智必定会派上用场,因为你们将在一片充满奇迹地土地上行进.我们人类,尽管跬步前行,却终将令自己大吃一惊.我们能够想方设法制造清洁能源,也能够一个原子一个原子地组装微型机械,使之穿过细胞壁,然后修复细胞.这个月,有一个异常而不可避免地事情发生了——人类终于合成了生命.在未来几年,我们不仅会合成生命,还会按说明书驱动它们.我相信你们甚至会看到我们理解人类地大脑,儒勒·凡尔纳,马克·吐温,伽利略,牛顿——所有那些充满好奇之心地人都希望能够活到现在.作为文明人,我们会拥有如此之多地天赋,就像是坐在我面前地你们,每一个生命个体都拥有许多独特地天赋. 个人收集整理勿做商业用途你们要如何运用这些天赋呢?你们会为自己地天赋感到骄傲,还是会为自己地选择感到骄傲? 追随自己内心地热情年前,我萌生了创办亚马逊地想法.彼时我面对地现实是互联网使用量以每年地速度增长,我从未看到或听说过任何增长如此快速地东西.创建涵盖几百万种书籍地网上书店地想法令我兴奋异常,因为这个东西在物理世界里根本无法存在.那时我刚刚岁,结婚才一年. 个人收集整理勿做商业用途我告诉妻子想辞去工作,然后去做这件疯狂地事情,很可能会失败,因为大部分创业公司都是如此,而且我不确定那之后会发生什么.告诉我,我应该放手一搏.在我还是一个男孩儿地时候,我是车库发明家.我曾用水泥填充地轮胎、雨伞和锡箔以及报警器制作了一个自动关门器.我一直想做一个发明家,支持我追随内心地热情. 个人收集整理勿做商业用途我当时在纽约一家金融公司工作,同事是一群非常聪明地人,我地老板也很有智慧,我很羡慕他.我告诉我地老板我想开办一家在网上卖书地公司.他带我在中央公园漫步良久,认真地听我讲完,最后说:“听起来真是一个很好地主意,但是对那些目前没有谋到一份好工作地人来说,这个主意会更好.” 个人收集整理勿做商业用途这一逻辑对我而言颇有道理,他说服我在最终作出决定之前再考虑小时.那样想来,这个决定确实很艰难,但是最终,我决定拼一次.我认为自己不会为尝试过后地失败而遗憾,倒是有所决定但完全不付诸行动会一直煎熬着我.在深思熟虑之后,我选择了那条不安全地道路,去追随我内心地热情.我为那个决定感到骄傲. 个人收集整理勿做商业用途明天,非常现实地说,你们从零塑造自己人生地时代即将开启.你们会如何运用自己地天赋?你们又会作出怎样地抉择?你们是被惯性所引导,还是追随自己内心地热情?你们会墨守陈规,还是勇于创新?你们会选择安逸地生活,还是选择一个奉献与冒险地人生?你们会屈从于批评,还是会坚守信念?你们会掩饰错误,还是会坦诚道歉?你们会因害怕拒绝而掩饰内心,还是会在面对爱情时勇往直前?你们想要波澜不惊,还是想要搏击风浪?你们会在严峻地现实之下选择放弃,还是会义无反顾地前行?你们要做愤世嫉俗者,还是踏实地建设者?你们要不计一切代价地展示聪明,还是选择善良?我要做一个预测:在你们岁时某个追忆往昔地时刻,只有你一个人静静对内心诉说着你地人生故事,其中最为充实、最有意义地那段讲述,会被你们作出地一系列决定所填满.最后,是选择塑造了我们地人生.为你自己塑造一个伟大地人生故事. 个人收集整理勿做商业用途谢谢,祝你们好运!英文原稿:" ", 个人收集整理勿做商业用途,, . , , . , " ." , . . , ' . ' ' , ' , . . , . . . . , . 个人收集整理勿做商业用途, ' . ' . ' . ' , , : . , . , . ' , , , , " , ' !" 个人收集整理勿做商业用途, . . ", ' . , ." ' . , . . , , , . . ? , . , ? . . . , , , ", ' ' ." 个人收集整理勿做商业用途. , . ' . . ' , , ' . 个人收集整理勿做商业用途. ' . ' ' ' ' , ' . 个人收集整理勿做商业用途. . ' . , ' . ' . , ' , ' . ' . , , , . , , . 个人收集整理勿做商业用途? ? 个人收集整理勿做商业用途. . ' , ' . , ' . ' ', ' . ( ) . , ' . ' , ' , . ' , . 个人收集整理勿做商业用途, . . , , , " , ' ." , . , , , . ' ' . . , , ' .个人收集整理勿做商业用途, , . 个人收集整理勿做商业用途? ? 个人收集整理勿做商业用途, ? 个人收集整理勿做商业用途, ?, ? 个人收集整理勿做商业用途, ? 个人收集整理勿做商业用途' , ? 个人收集整理勿做商业用途, ? 个人收集整理勿做商业用途, ? 个人收集整理勿做商业用途' , , ? 个人收集整理勿做商业用途, ?, ? 个人收集整理勿做商业用途. , , . , . . ! 个人收集整理勿做商业用途诱惑是存于世上地一种奇怪地东西,你会为之疯狂而不能自已,而它之所以存在,是因为人地一生不断地被欲念剌激,所以为诱惑折磨一生.人存于世上,首要面对地是物质上地诱惑,然后才是精神上地诱惑.精神诱惑,我诠译是指追求浮名、执着于表现突现自我、或是指对知识领域过度探求.权势、地位、名利、金钱,这些都是诱惑.个人收集整理勿做商业用途人生时时面临诸多诱惑,权重地地位是诱惑,利多地职业是诱惑,光环般地荣誉是诱惑,欢畅地娱乐是诱惑,甚至漂亮地时装、可口美味都是诱惑……面对这些诱惑,我们该怎么办?个人收集整理勿做商业用途现在地社会,是一个充满诱惑地世界,如果你抵挡不住诱惑,你就会成为诱惑地奴隶,被诱惑淹没;如果你勇于抗拒诱惑,保持自我,你就能做好自己地事,成就自己地功业.个人收集整理勿做商业用途相反地,如果禁受不起外界地诱惑,就难以保持自我,难以做好自己地工作.俗话说地好,吃人家地嘴短,拿人家地手短.当今社会,又有哪个是白痴,肯为你白白付出?他们就是利用一些人“贪”地心理做诱饵,在这些人地身上谋取更大地利益,殊不知这正是走向死亡坟墓地开端.放眼看来,有多少人在多苦多难地日子里都挺了过来,可是,就在他地人生正走向成功,走向辉煌地时刻,经受不住名和利地诱惑,又白白断送了自己美好地前程;又有多少达官显贵在金钱美色地诱惑下,丧失道德水准,毁掉一世英名.个人收集整理勿做商业用途我们生活地时代更是一个充满诱惑地时代,网络游戏会诱惑你,网上聊天会诱惑你,歌星影星会诱惑你,淫秽读物会诱惑你,色情场所会诱惑你,名牌商品会诱惑你,灯红酒绿纸醉金迷地生活会诱惑你……如果你不能以顽强地意志保持自我,今天受这个诱惑,明天受那样诱惑,你哪还有时间和精力来作好自己地本职工作?哪有时间来提高自身素质?个人收集整理勿做商业用途所以我们要勇于保持自我,勇于抵抗诱惑.抵抗诱惑不要只看重于外因,社会是不断发展地,充满诱惑地东西只能越来越多,如果不从自身着手,你永远也不能抵抗诱惑.抵抗诱惑其实也很简单,我们地十六字方针告诉我们:无欲则刚淡泊心志,心中无欲,立身处世自然而刚!刚正则不阿!保持信念之火不灭,荣华富贵犹如过眼烟云,一笑而过,又哪里有什么诱惑呢?个人收集整理勿做商业用途。
⼈类对陌⽣东西的认知,必然依靠着原有的知识或者判断,或者经验。
这个不难理解,我们如果吃过⼀次西⽠,觉得好吃,很解渴,下次我们会不加怀疑地接受西⽠。
但是第⼀次吃西⽠我们会思考吗?不是,那是⽗母,或者对我们关怀的⼈,在我们很⼩的时候,没有辨别⼒的时候,就给我们吃的。
从此我们就接受西⽠了。
亲爱的,请千万别⼩看这个事实。
我再来给你讲个⽣活中的⼩常识。
如果⼀个⼈直接闯⼊你的家⾥,这个⼈⽆论是多么帅⽓,多么美丽,多么可能给你带来⼈⽣的吉祥幸运,你都不会主动接纳,⽽是要怀疑他或者她的动机。
这个故事,你可能还是不了解我的⽤意。
如果你是个⼥⽣,⼀个男⼦⾛到你⾯前,说:“我可以给你幸福,请你接受我的亲吻。
”你⼏乎会⽴即⾛开,或者打110或者安定医院的电话,看看精神病医院的⼤门是不是没有锁好。
如果你是个男⼈,⼀个⼥⼈冲到你⾯前,说:“我会令你幸福的。
”你⼀样觉得这个⼗三点。
我们⼈类本能不喜欢接受陌⽣的东西。
如果还是上⾯那个男⼈或者⼥⼈是在你的⼀个好朋友或者亲近的⼈带进来,那么你就很容易接受对不对?⽐如,你的妈妈某⼀天带来⼀个同事,你就会接受他或者她,因为你不会轻易加以设防,既然是你的亲⼈带来的,你就已经有些友好的潜意识了。
现在我开始来说单词。
如果我冒然让你记住⼀堆单词,你⼏乎是⽆法记住的,因为你的⼤脑本能地是怀疑,排斥,这些和你没有任何关联的单词。
你终于明⽩我要说的是什么了。
当你记忆单词的时候,你把⼀个单词放在句⼦中,⽽这个句⼦中很多单词都是你熟悉的,这就好⽐是⼀群你熟悉的⼈把⼀个陌⽣⼈带到你的圈⼦⾥来,你不会主动本能潜意识地排斥这个单词,⽽是有些新奇,兴奋,主动愿意接收,了解这个单词。
现在我们做个⼩实验。
请你看看下⾯的单词: wrath warith wreak wreck wreathe wrangle wangle wiggle writhe wrench 如果你看到这些单词,你告诉我你全部认识,我可以⼏乎⽴即断定你不是在撒谎就是应该⽴即离开我的博客,幸福⽣活。
A Night of Thunderous StormIt was a night that no one in our small town would forget.The weather forecast had warned of a severe storm,but nothing could have prepared us for the sheer ferocity of the tempest that descended upon us.As the sun set and darkness enveloped the sky,ominous clouds gathered,and the wind began to howl,signaling the onset of a night of thunderous storm.The first signs of the storm were subtle but unsettling.The trees swayed violently,their branches thrashing against each other as if in a desperate dance.The wind,once a gentle breeze,had transformed into a relentless force,tearing through the streets and rattling the windows of every house.The sky,now a canvas of dark,swirling clouds,was periodically illuminated by flashes of lightning,casting eerie shadows across the landscape.As the storm intensified,the rain began to pour down in torrents, drenching everything in its path.The sound of raindrops pounding against the rooftops and streets was deafening,creating a cacophony that drowned out all other noises.The wind howled like a banshee,its chilling wails echoing through the night and sending shivers down our spines.It felt as though nature itself was unleashing its fury upon our town.Inside our home,we huddled together,seeking comfort and reassurance in each other's presence.The power had gone out,plunging us into darkness save for the occasional flicker of lightning.We lit candles and gathered in the living room,listening to the storm's relentless assault on our house.The walls creaked,and the windows shuddered under the force of the wind,but we knew we had to stay strong and weather the storm together.The storm raged on for hours,showing no signs of abating.Thunder roared like a cannon,shaking the very foundations of our home.Each clap of thunder was followed by a brilliant flash of lightning,illuminating the night sky in a dazzling display of nature's raw power.The rain continued to pour,creating rivers of water that flowed through the streets and turned our yard into a muddy quagmire.Despite the fear and uncertainty,there was a strange beauty in the storm's fury.The lightning,though terrifying,painted the sky with intricate patterns of light,while the thunder provided a symphony of sound that was both awe-inspiring and humbling.The rain,though relentless,brought a sense of cleansing and renewal,washing away the dust and grime of everyday life.As the night wore on,the storm began to show signs of weakening.The wind,though still strong,had lost some of its earlier ferocity.The thunder grew more distant,and the intervals between lightning flashes lengthened.The rain,once a torrential downpour,had softened to a steady drizzle.Slowly but surely,the storm was passing,leaving behind a world that was forever changed by its passage.When morning finally arrived,we emerged from our homes to survey the aftermath of the storm.The streets were littered with fallen branches and debris,and some houses had suffered damage from the wind and rain.But there was also a sense of relief and gratitude that we had made it through the night safely.The air was fresh and cool,and the sky,now clear and blue,seemed to promise a new beginning.The night of the thunderous storm was a reminder of nature's immense power and our own vulnerability in the face of it.It taught us to appreciate the calm and tranquility of everyday life and to find strength and resilience in each other during times of adversity.Though the storm had brought fear and destruction,it had also brought us closer together, united in our shared experience and determination to rebuild and move forward.In the end,the storm was a testament to the enduring spirit of our community and our ability to weather even the fiercest of tempests.It was a night we would never forget,a night that reminded us of the beauty and power of nature,and the strength and resilience that lies within us all.。
灿烂千阳经典句子英文导读:本文是关于灿烂千阳经典句子英文,如果觉得很不错,欢迎点评和分享!1、一千个灿烂的阳光能否驱散阿富汗的硝烟所带来的黑暗,唯有爱才能让我们看到这灿烂千阳。
One thousand brilliant sunshine can dispel the darkness of Afghanistan smoke, only love can let us see this brilliant Qianyang.2、最残酷的场面却是最诗意的表达,极度的痛苦使得人的泪腺瞬间麻木,反而产生一种诡异的近乎沉迷的晕眩。
The most cruel scene is the most poetic expression, the extreme pain makes the lacrimal gland instantly numb, but produce a strange almost addicted dizzy.3、完全没有和她们一起逃亡的忐忑的心态。
从开始就知道,注定是这样的结局。
这种清晰的,绝望的感受,就是成长令人讨厌的地方,是厌恶。
There was no fear of running away with them. From the beginning, I knew it was destined to be like this. This clear, desperate feeling is where growth is repugnant, and disgust.4、每个布满灰尘的面孔背后都有一个灵魂。
Behind every dusty face there is a soul.5、每逢说到这里,娜娜总会露出意味深长的微笑,至于它究竟是余狠未消的责怪,还是心有不甘地宽宥,玛丽亚姆未曾分辨得出。
In here, Nana will always reveal a significant smile, as towhether it is still more than ruthless blame, or the heart hasnot forgive Gandhi, Maryam did not tell.6、在一个人所必须面对的全部艰辛之中,没有什么比单纯的等待更加痛苦的了。
Ⅰ.阅读单词——会意1.landing n.(军队的)登陆2.allied adj.(第二次世界大战)同盟国的3.troop n.部队;军队4.code-name v.起代号为5.tide n.潮水6.supreme adj.最高的7.commander n.指挥官,长官8.parachute n.降落伞9.coastline n.海岸线10.gunfire n.炮火11.amongst prep.在……当中(=among) 12.tank n.坦克13.solemn adj.严肃的,庄重的14.weary v.(使)非常疲倦15.peacekeeping n.维持和平(的行动) 16.peacekeeper n.维和人员17.friction n.冲突,摩擦18.disarm v.解除武装19.combatant n.战斗人员20.weapon n.武器,兵器21.ammunition n.弹药22.sardine n.沙丁鱼23.dire adj.极其严重的24.daunting adj.吓人的,使人气馁的25.fortify v.激励,加强26.shirk v.逃避27.depict v.描述,描写28.peer n.同龄人;同辈29.breeze n.微风30.crowning adj.使圆满的,使完美的31.prominent adj.著名的,杰出的32.commemorate v.庆祝,为……举行纪念活动33.reaffirm v.重申,再次确定34.blueprint n.蓝图Ⅱ.重点单词——记形1.objective n.目的,目标2.recall v.回想,回忆起3.barely ad v.勉强才能4.condemn v.迫使(某人)处于不幸的境地5.outstanding adj.杰出的,优秀的6.uniform n.制服7.bomb v.轰炸8.intellectual adj.智力的,脑力的9.associated adj.联合的10.rough adj.简单的;粗糙的11.disrupt v.扰乱12.emerge v.出现13.anniversary n.周年纪念日14.sum n.金额,款项15.grain n.谷物,粮食16.relevant adj.有关的,切题的Ⅲ.拓展单词——悉变1.violent adj.狂暴的,凶暴的→violence n.暴力2.horror n.惊恐→horrible adj.可怕的→horrify v.惊吓;使厌恶;恐吓3.drown v.(使)淹死→drowned adj.淹死的→drowning adj.要淹死的4.liberate v.解放(城市、国家等)→liberation n.解放5.memorial adj.纪念的,追悼的n.纪念物;纪念碑→memory n.记忆→memorize v.记住→memorable adj.值得纪念的;难忘的6.stability n.稳固,稳定→stable adj.稳定的7.professionalism n.专业水准;专业素质;职业精神→profession n.专业;职业→professional adj.专业的n.专业人员8.academic adj.学术的→academy n.学院;学会9.aggression n.侵略;攻击性→aggressive adj.好斗的;志在必得的→aggressor n.侵略者10.invader n.侵略者,侵略军→invade v.侵略;侵犯→invasion n.侵略11.misty adj.多雾的→mist n.薄雾;水汽12.glory n.辉煌的成就;荣耀的事;荣誉→glorious adj.光荣的13.dedication n.奉献→dedicate v.把……奉献给→dedicated adj.专注的;献身的14.representative n.代表→represent v.代表;描绘15.collective adj.集体的;共同的→collect v.收集→collection n.收藏品→collector n.收集者,收藏家1.embody /I m'bɒdi/v t.体现;代表;(正式)包括2.migrant /'ma Iɡrənt/n.(为工作)移居者;移民;候鸟;迁徙动物→migrate /maI'ɡreIt/v i.移居;迁移;迁徙3.extensive /I k'stens I v/adj.广泛的;广博的;大量的4.validate /'væl I de I t/v t.证实;确认5.executive /Iɡ'zekjət I v/n.(机构或公司的)主管;经理adj.经营管理的;经理的;决策的6.administrative /əd'm I n I strət I v/adj.行政的;管理的7.indulge /I n'dʌldʒ/v t.& v i.沉迷(于);放纵indulge oneself放纵;享受indulge in沉迷;沉溺于8.inherit /I n'her I t/v t.& v i.经遗传获得;继承(遗产);继任9.aspire /ə'spa Iə(r)/v i.& v t.渴望(成就);有志(成为)aspire to (do) sth追求某事物;渴望做某事10.whereby /weə'ba I/ad v.凭此;借以Ⅳ.背核心短语1.on standby 待命2.in large numbers 大量,大批3.free...from 把……从……释放出来,使……摆脱4.have confidence in对……有信心5.nothing less than简直是;极其;不亚于6.prepare for为……做准备7.make it (及时)到达(尤指来得及做某事);能够出席;(经历艰难困苦后)成功8.meet up with与……见面9.keep to sth遵守;不偏离(道路等)10.hold down 固定住;保住;压制,限制Ⅴ.悟经典句式1.Code-named “Operation Overlord”,it was the largest combined sea,air and land operation in history,the aim being to free north-west Europe from German occupation.(独立主格结构)这次行动代号为“霸王行动”,是历史上规模最大的海、空、陆联合行动,目的是解放德国占领的欧洲西北部地区。
惊天魔盗团Now You See Me 中英台词对白靠近点 Come in close.再近点 Closer.当觉得自己看到的越多 Because the more you think you see,你就越容易受骗 the easier it'll be to fool you.眼见真的为实吗 Because what is seeing?你的眼睛在看 You're looking,但其实你是在过滤 ?在理解 but what you're really doing is filtering, interpreting,在寻找其中的意义 searching for meaning.我的工作 My job?就是用你给我最好的礼物 ?你的注意力 To take that most precious of gifts you give me, your attention,来给你制造假象 and use it against you.芝加哥星期一我现在要开始翻牌了 I'm going to flip through this deck.我要你看清楚一张牌 And I want you to see one card.不是这张 ?这张太明显 Not this one. That's too obvious.集中好注意力 Pay close attention.太快了 ?我再来一次 That was too fast. I'll do it again.准备好了吗 Are you ready?来了 Okay.-看清一张了吗 ?-是的 - Now did you see one? - Yes.-记得是哪一张吗 ?-是的 - Do you have one in mind? - Yes.这其中有那张牌吗 Now, do you see your card here?没有 No.因为你看得太仔细 That's because you're looking too closely.我一整晚都怎么跟你们说的 And what have I been telling you all night?看得越仔细 The closer you look,看到的越少 The less you see.新奥尔良星期二看着我的眼睛 Now look into my eyes.沉睡吧 ?好了 And sleep. Okay.然后And…你要能把这钞票从我手上拿走 ?就归你了 If you can get this bill from me, you can have it.来吧 ?拿去 ?过来拿 Go ahead. Take it. Get it.或者说出你自己的名字也行 If you can say your name, you can have it.你先站那儿缓一缓 All right, just hang out there, wriggle a sec.我要偷窥一下你老公的脑子 I'm gonna take a little peek under the hood of your hubby's brain.不不不 Oh, no, no, no.我看到了… I'm picturing…-别告诉我 ?-当然 - Don't tell me. - Of course.沙滩 ?鸡尾酒 Beach. Cocktails.佛罗里达吗 Florida?听着 ?那次是因公出差 Look, it was a business trip.某种意义上的公事 I mean, it is a kind of business.也许是最陈年的往事 Maybe the oldest business.那个 ?亲爱的 ?我们You know what, Honey Bee, let's…她动不了 ?麦克 She can't move, Mack.你在想一个女人的名字 You're thinking of a woman's name.A ?B ?C A, B, C,D ?E ?F ?G ?D ,E F, G,H ?I ?J H, I, J…J吗 ?金 ?简 ?詹尼特 J? Jean. Jane. Janet.谁是詹尼特 Who's Janet?你认识詹尼特吗 You know Janet?不是你的闺蜜吧 ?是吗 It's not your best friend, is it?-你的妹妹 ?-不 ?别这样 - Your sister? - No, please.她的妹妹 ?我的天啊 Her sister? Oh, my God.你不是因公出差 You weren't away on business.-你是因詹尼特出差 ?-不 - You were away on Janet. - No.你老婆的妹妹 Your wife's sister!我们得挪过来一点 Okay, we need to move over here,因为她现在看上去有点恼火 because it seems like she's a little bit upset right now.你想让这一切都过去吗 You want this to go away?-是的 ?-好 ?拿出你的钱包 - Yes. - Okay, pull out your wallet.来吧 ?拿出来 Come on, get it out.你就是这么讹人的吗 Do you shake down everybody like this?不 ?只对小部分特殊人士管用 No, only the special few.这是多少 ?200块怎么样 What is this? Two hundred seem fair?这事够大条的 ?那就250块吧 You know what? This is a big deal. Let's go $250.你是个抢劫艺人 You're a stick-up artist.是的 ?当然了 Yeah. Of course.好了 ?睡吧 Okay, and sleep!当我再打响指时 Now, when I snap my fingers,你会忘记这一切 you won't remember any of this.而你 ?华伦·贝蒂 And you, Warren Beatty,以后每次你见到甚至想到詹尼特 every time you see or even think of Janet,脑中都会浮现出我裸体的样子 you're gonna picture me naked.那可没什么好看 And that's not a pretty sight.好吧 Yeah.现在 ?你醒了And… You're wide awake!我们尽力了 Well, we did the best we could,但有些人就是没办法被催眠 but some people just aren't to be hypnotized. -我做错了吗 ?-来吧 ?亲爱的 - I did it wrong? - Come on, Honey Bee.没有 ?你做得很好 Oh, no, you did it fine.我请你吃晚饭吧 Let me buy you dinner.照顾好她 Look after her.不过得先找台取款机取点钱 Just have to hit an ATM first.纽约星期三女士们先生们 ?我是下一任大魔术师 Ladies and gentlemen, I am the next great magician,识破我魔术的人将得到100块奖励 and I will give $100 to anyone who can tell me how this trick is done.这是一把的普通勺子 I have an ordinary spoon from Mel's Deli,就从布鲁克林的梅尔斯德里餐厅拿来的 right here in Brooklyn.看看 Check it out.现在请大家集中注意力Now, everyone please pay very, very close attention.我要用意念来弯曲这把勺子 Because I'm about to bend this spoon with mymind.谢谢 ?谢谢 ?传下去吧 Thank you. Thank you. Pass that around.-这是什么 ?-你在干什么 - What's this? - What are you doing, man?快看 ?这有把勺子和一根勺柄 Look at this! Looks like we got a spoon and a stem.我还会别的魔术 I've got other tricks.先把那100块给我 Or you could give me my 100 bucks.你说了你会给的 You said you would.钱包不错嘛 Nice wallet.好眼力 ?先生 You have a very good eye, sir.谢谢 Thanks.我的钱包 Wallet.我的钱包 ?我的手表 My wallet. My watch!拦住那家伙 Stop that guy!拦住那个穿皮夹克的人 Stop that guy in the leather jacket!他拿了我的钱包 He's got my wallet!洛杉矶星期四洛杉矶 Okay, Los Angeles,准备好欣赏压轴大戏了吗 are we ready to end this thing?没错 Yeah!当那计时器归零 When that timer hits zero,这装满食人鱼的箱子 a tank full of flesh-eating piranhas将会落下 will fall from above.我得被铐住 ?对吗 ?女孩们 A lady has to have handcuffs. Right, girls?一 ?二 ?三 One, two, three!救命 ?快停下 Help! Stop it!她是真出不来了 She's serious! She can't get out!去找人帮忙 Go get some help!来帮忙啊 ?伙计 Help, dude!都站一边去 ?让开 ?让开 Get out of the way! Move! Move!得了吧 ?动动脑子 Come on! This is bullshit!设计这魔术的人就是个变态 Whoever thought of this is a sick sadist!我是你最忠实的粉丝 I am your biggest fan.看得出来 ?亲我都跟刨地似的 I could tell by the way you're attacking my face right now.关上门 ?这公寓真差劲 Close the door. Bad apartment building.-魔术师 ?过来 ?-好的 - Magician, come here. - Okay.-等等 ?-怎么了 - Wait, wait. - What? What?你是怎么做到的How did you do that…大楼上的方片七吗 The seven of diamonds on the side of the tower?-是的 ?-那是业内机密 - Yes. - That's a trade secret.我给你个提示 ?我贿赂了大楼的电工 I'll give you a hint. It involved bribing the tower electrician.多少钱 How much?50块 50 bucks.-但是那真难 ?-谢谢你 - But it's so hard. - Oh, thank you.那张牌只能是方片七吗 Is it always a seven?我可以用52种方式来变那个魔术 I could do that trick 52 different ways.你能在我身上变52种魔术吗 Can you do 52 different tricks on me?我会尽力的 I'll see what I can do.魔术师 Magic man!我喜欢你的洗发水味 I love your shampoo.-等等 ?-怎么了 - Hold up. - What?你先走吧 You need to leave.开什么玩笑 Are you kidding me?天啊 ?丢死人了 Oh, my God, this is so embarrassing.原来你是这种人 Is this what you do?用下三滥的把戏欺骗良家妇女吗 Some kind of sick trick you do to women?3月29号下午4点44分东伊凡街45号纽约“东伊凡街45号” “45 East Evan Street.”别担心 ?我会打给你的 Don't worry about it. I'll call you.你都没有我的号码 You don't have my number.我是魔术师 ?我会弄到的 ?晚安 I'm magic. I'll find it. Have a good night.你就是个混蛋 You are such an asshole.3月29号下午4点44分东伊凡街45号纽约3月29号下午4点44分东伊凡街45号纽约3月29号下午4点44分东伊凡街45号纽约亨利 Henley.丹尼 ?你好 Danny? Hey.你也收到了一张卡对吧 You got a card, huh?不不 ?挺好的 ?恭喜你 No,no,no, it's good for you. Congratulations.我打算这么做 All right, so here's what I'm gonna do,我要进去 ?探探路 I'm gonna go inside. I'm gonna scope the place out.你在外面等着 ?我会回来接你的 You wait out here. I will come back and get you, okay?别进来 Do not come in.丹尼 ?我已经不是你的助手了 Hey, Danny! I'm not your assistant anymore.发型不错嘛 Nice hair.你最近都在忙什么呢 So, actually, what have you been up to?你心知肚明 ?丹尼 I think you know exactly what I've been up to, Danny.我知道你一直在匿名关注我的网站 I saw all your anonymous posting on my website.你还有个网站 ?不错嘛 You have a website. That's good.挺不错 ?多做宣传 Good for you. Get the word out.很明显被选中的人不止一个 So apparently none of us was the only one chosen.那就让我来打开话匣子吧 Let me be the first one to kick my ego to the curb.请让一下 Yeah. Excuse me.-门锁了 ?-是吗 ?我看看 - Door's locked. - Is it? I'll check.你 ?等等 ?别告诉我 You. Now, hold it, don't tell me.海伦吗 ?不是 Helen? No, no.亨利 Henley.咖啡杯上写着呢 It's on your coffee cup.多谢拆台 Thanks for keeping me honest.那不是读心术 That wasn't mentalism, by the way.只是一种观察 It was just an observation.再观察一下 ?你真漂亮 Second observation, you are beautiful.谢谢 Thank you.挺好?不错?说得很好?很妙That's good. That's very nice. Very well-polished. Nice bit.我是J·丹尼尔·阿特拉斯 ?很高兴见到你 J. Daniel Atlas. Nice to meet you.很好 ?我知道你是谁 ?我只想说 Very nice. I know who you are and I just want to say that我们可没闲工夫让你施展你的读心术 I'm not interested in you doing your mentalism thing on us.而且现在那位邀请我们的 Especially when we don't know神秘人的意图还尚不明了 who brought us here or even if it's real.等等 ?我感觉到 ?你的控制欲异常强烈Hold on, I'm sensing… I'm sensing you are a control freak.很抱歉 ?我们以前见过面吗 I'm sorry, have we met before?不用读心术也看得出来 It doesn't take a mentalist to figure that out.你就一控制癖 You are a control freak.我就当这是表扬了 Well, I take that as a compliment.只有他才会把这当做是褒奖 Only he would take it as a compliment.多好 ?你看她又表扬我 Okay, great. Good. Another compliment.这就是你们没继续在一起的原因了 Okay. So that's why you're no longer a couple.在一起 ?不不 A couple? No, no.我们从没在一起过 We were never a couple.他以前经常把我锯成两半 He used to saw me in half.她是个很棒的助手 She was a very good assistant.但是对他来说我太胖了 But I was too fat for Danny.不 ?我那次这么说是因为那暗门 No. I said that one time because of the trap door.-有固定规格的 ?-你做得这么小 - There were specs. - You built it this size.没有人能挤进去 ?没有人 No one could fit through there. No one.丽贝卡可以 Rebecca fit through.丽贝卡很多年都挤得进去 Rebecca fit for years.你知道要维持身材 Do you know how hard it is穿下那么小的服装有多难吗 to stay in those tiny little costumes?不知道 ?我才是魔术的主角 No. I'm the main attraction.就是说他从没让你感到自己很出众吗 Okay. So he never made you feel special.相信我 ?你应该对自己的才华多些信心 And, trust me, you deserve to be made to feel special.故事讲得不错 That's a really nice story.祝你俩搭档愉快 Hope you guys enjoy each other's company.不是吧 No way.J·丹尼尔·阿特拉斯 J. Daniel Atlas?我看过你所有的表演 Dude, I've seen everything that you have ever done.你就像个You're like…我很崇拜你 ?说真的 I idolize you. Seriously.的确是我的死忠 ?见到你真好 From a true fan. It's so nice to meet you.我叫杰克 I'm Jack, by the way.问一下 ?你也得到卡片了吗 Question. Did you get one of these?以下都是塔罗牌里的角色有 ?死神 Yeah. Death.女祭司 The High Priestess.我的是恋人 I'm the Lover.三分钟 Three minutes.隐士 Hermit.我们在 ?我们在等人吗So, what are we… Are we waiting for someone? -为什么我们 ?-门锁了 - Why are we just… - The door's locked.不 ?没有打不开的锁 Oh, no, nothing's ever locked.这是什么地方 What is this place?我还以为我的公寓算脏的呢 Wow. Thought my apartment was nasty.里面好冷啊 Man, it's freezing in here.那是什么 What's that?我不知道 I don't know.上面写了什么 What's it say?出自迪斯尼电影《Now You See Him, Now You Don't》“看不见他” “Now you don't.”“玫瑰不因其名而香” “A rose by any other name…”伙计们 ?这是怎么一回事 Guys, what's happening?快看 Look at that.有气体溢出来了 It's gas!放心 ?只是干冰而已 Relax. Just dry ice.真酷 Cool.你们觉得这是怎么一回事 Wait. What do you think this is all about?等等 ?等等 Hang on. Hang on.啥都没想到 I got nothin'.多谢你耽误时间 Okay. Thank you. Thank you for the delay.我只是给大家几秒思考的空间 I'm just trying to create the space for wisdom.搞得自己像菩萨一样 Okay, so you're like Buddha,只是没那么灵光罢了 if he wasn't so enlightened.那你就像耶稣 And you're like Jesus,自大狂妄 ?用虚假的把戏诓骗世人 if he was arrogant and all of his miracles were fake.够了 ?公共场合就别打情骂俏了 Okay, lovebirds, get a room.丹尼 ?说实话 ?这是你干的吗 Danny, be honest. Did you do this?不是 ?等等 ?是你干的吗 No. Wait, did you?我倒想 I Wish.为什么没有人问是不是我干的 Why didn't anyone ask me if I did it?这下好了 Oh, great.屋子里没通电 Electricity is out.是吗 ?试试看 Well, let's check.蓝图 Blueprints.好奇妙 They're incredible.你们觉得这是谁做的 Who do you think did this?不知道 ?但我很想见见他们 I don't know, but I really want to meet them.是一场演出 It's a show.惊天魔盗团拉斯维加斯一年之后梅利特·麦金尼 Merritt McKinney,丹尼尔·阿特拉斯 Daniel Atlas,亨莉·里维斯 Henley Reeves,杰克·瓦尔德 Jack Wilder.亚瑟·特莱斯勒携手米高梅酒店荣誉呈现 Arthur Tressler and the MGM Grand proudly presents,天启四骑士 The Four Horsemen.谢谢 Thank you.今晚 ?我们将要 Tonight we would like to try something做些与众不同的尝试 that will, well, set us a bit apart.我们的闭幕演出 For our final trick,将会是这拉斯维加斯舞台上 we're gonna do something never before甚至任何舞台上 seen on a Las Vegas stage.都前所未见的 Or any stage for that matter.女士们先生们 Ladies and gentlemen,今晚 ?我们要抢银行 tonight, we are going to rob a bank.大家对犯罪都很激动啊 That's a lot of excitement for a crime.我很激动 ?你们呢 I'm getting excited. What about you, people?一 ?二 ?三 One, two, three!对不起 ?先生 ?在演出期间 Sorry, sir. There's absolutely no recording allowed严禁录像 during the performance.好的 ?好的 ?没问题 Oh, yeah, yeah, sure, of course.我把它收起来 Let me just put this away.抱歉 ?我得将其没收 Actually, I need to take that.演出结束后再还给您 After the show, I can come and give it back to you.好吧 Okay.好的 ?好的 Okay, okay.现在请大家安静下来 Now, please, please, settle down.我们抢哪家银行呢 Now who here has a bank they would like us to rob?看来很多人都和银行有血海深仇啊 That's a lot of people with a vendetta.那我们就随机挑选一个 So we'll choose one at random then.我的搭档们会确保挑选是随机的 ?对吧 My associates will make sure it's random. Right?猫王 ?帮个忙 ?伙计 Elvis, help me out, bud.非常感谢 Thank you very much.杰克的碗里是写着区域号的乒乓球 In Jack's bowl are ping pong balls with section numbers.杰克 ?扔给我一个区域号吧 Jack, could you hand me a section number?谢谢 ?是B区 Thank you. We are looking at Section B.B区在哪里 Where is Section B?好的 ?在那 Okay. There.会是你们中的一员 ?准备好 It's gonna be one of you guys. Get ready.为什么大家都很高兴 I don't know why everybody's happy.选到的是他们 It's only them.梅利特 ?请选个座排号吧 Merritt, can I get a row, please?谢谢你 ?梅利特 Thank you, Merritt.是第五排 We are looking at row number 5.在哪 Where is that?亨利 ?随机选个座位号好吗 And Henley, could I please have a random seat number?幸运数13号 Oh. Lucky number 13.B区5排13号 ?你在哪 B-5-13. Where are you?先生 ?请起立 ?是那位 ?你好 Sir, please, stand up. There you are. Hi.请你确认一下 Could you just confirm for me你的座位号是B区5排13号对吗 that this is, in fact, your seat? B-5-13.对 Yes.非常好 ?现在请你告诉大家 Okay. Wonderful. Now, could you please tell us 你的名字和你光顾的银行 your name and the name of your bank?我叫艾蒂安·冯希尔 Well, my name is Etienne Forcier.银行是巴黎信贷共和银行 And my bank, it's Credit Republicain de Paris.法国的 ?好吧 French. Okay.我们本希望找个本地的 We were hoping for something a little more local,没什么安保的小银行 a kind of mom-and-pop credit union with no security.不过也可以 ?说到做到 But that's fine. A promise is a promise.请你到台上来 Could you please come up to the stage我们要抢你的银行 and we'll rob your bank.趁他上台的这段时间我要说 And while he does that,今晚来的一个人 there is someone here tonight如果没有他的话 without whom we would just be我们就只是四个名不见经传的魔术师 four magicians working the circuit,努力想要登上今天这个舞台 trying to get, well, actually, trying to get here.他旗下管理着诸多公司 You probably know this man,即使不是其中员工你也没准认识他 if not from one of the many, many companies he puts his name on.他就是我们的朋友 ?我们的赞助人 He is our friend. He is our benefactor.亚瑟·特莱斯勒先生 Mr. Arthur Tressler.请站起来 ?亚瑟 ?请起 Please, stand up, Art. Please, stand up.众人中唯一一个 The only man here with有女王手机号的人 the Queen's cell phone number.请不要坐下 ?亚瑟 Actually, please, stay standing, Art.我想说 I want to say that当我们刚找到特莱斯勒先生的时候 when we came to Mr. Tressler,我们保证过 ?作为一个团队 we promised that, as a unit, we could become 我们会成为魔术史上的翘楚 the biggest name in magic.我们想说 ?谢谢您So we wanted to say, “Thank you.”顺便说一下 ?亚瑟 ?您可以看到 And by the way, Art, you notice on the sign out front,我们把你的名字写在了招牌的最顶端 we made sure we put your name on top.如果你能做到 If you turn out to be as good如你想象的那样好 ?亲爱的 as you think you are, dear girl,我的名字就不重要了 that won't be necessary much longer.我们还没完成压轴大戏 We haven't done our closer yet.不如您先来看看 Why don't you watch it然后自己决定 and then you can decide for yourself.女士们先生们 ?亚瑟·特莱斯勒 Ladies and gentlemen, Arthur Tressler!谢谢你 ?再一次 Thank you. And, of course, once again,目光回到魔力大师 ?梅利特·麦金尼 the Cardinal of Clairvoyance, Merritt McKinney.艾蒂安 ?现在杰克拿到舞台上来的 Etienne, what Jack is bringing to the stage now,在魔术界称为幻行头盔 is what we in the magic world call a teleportation helmet.你得带上它 ?它会使你 You will need to wear this, as it will allow you 真正穿梭时空 to literally fold through space and time去到银行所在的 to your bank in the第八区吗 8th?-第九区 ?-是的 - 9th arrondissement. - Yeah.一旦你到那 Now, once you are there,我们能够通过头盔对话 we will be able to speak with you through this helmet.如果 Now if…天啊 ?很漂亮 Oh, my God, that's beautiful.更有型更有魅力了 It has the added attraction of being very stylish.是时候让法国人 ?从美国学学时尚了 It's about time the French learned from America on that subject.多漂亮的头饰啊 Is that a beautiful piece of headgear?-谢谢 ?谢谢 ?-的确是 - Thank y ou. Thank you… - it is.谢谢 ?非常感谢 Thank you. Thank you very much.在你出发之前 But before you go anywhere,请你挑一张牌 ?任意一张 could you please, pick a card, any card.别挑那张 Not that card.不 ?这是个美式笑话 ?那张也行 No, that's an old American joke. You can take that one.好的 ?这张吗 Okay. This one?给B区的观众们看 ?别让我们看到 Show it to your friends in Section B. But not to us.非常好 ?现在请你在牌上签名 Okay, great. Now if you could just sign your name there.-好的 ?-可以的话 ?请用英语 - Yes. - In English, if possible.-很好 ?-谢谢 - That's good. - Thanks.放进你的口袋 Put it in your pocket.现在还差一个小细节 And now for one tiny detail.艾蒂安 ?现在请走进这个精妙的装置中 Now, Etienne, let's step into this cockamamie contraption.我得退出来 ?祝你好运 And I'll step off of it. Bonne chance.现在拉斯维加斯时间是晚上11点50分 It's 11:50 . Here in Vegas.也就是巴黎的早上8点50分 And 8:50 . In Paris.你的银行还有不到10分钟就开门了 Your bank opens in less than 10 minutes.一 One,二 two,三 Three.怎么回事 What the fuck?-艾蒂安 ?-艾蒂安 - Etienne? - Etienne?计划中不是这样的吧 ?是吗 It wasn't supposed to happen like that, was it?艾蒂安 Etienne?我还挺喜欢那个法国佬的 I liked that little French guy.他哪去了 Where did he go?巴黎同一时间等等 ?他在那 Wait, there he is.不 ?不 ?不 ?请安静 No, no, no, no, please, please, please.我是丹尼尔·阿特拉斯 ?你能听见吗 This is Daniel Atlas. Can you hear me?艾蒂安 ?你没事吧 Etienne? Are you okay?没事 Yes.很好 ?你看见了什么 Perfect. What do you see in there?钱 Money.是真的吗 Is this real?是的 ?看起来大概有三百万欧元 Yes. Looks like three million or so Euros' worth.你接下来要做的是 Okay, now, here's what we're gonna need you to do.把那张签过名的纸牌 I want you to take the card that you signed从口袋里拿出来 out of your pocket.还有今晚演出的门票存根 And I want you to take the ticket stub也拿出来 from tonight's show我要你把它们 and I want you to put it right there放在钱的正中间 in the middle of the money.现在 ?扔下去 Now drop it.信贷共和在你头盔的一侧 ?有一个按钮 Now, on the side of your helmet you should feel a button.先不要按 Don't press it just yet.那按钮会启动一个 That button activates an air duct连接巴黎和拉斯维加斯的通风管 that connects Paris to Las Vegas.好 ?很好 ?现在按下去 Okay, good. Now you can press it.好的 ?艾蒂安 ?请站稳 All right, now, Etienne, hold on tight.你会感觉要被吸走 You might feel a bit of a vacuum.该死 Ah merde!等一下 Wait a second.谢谢你 ?艾蒂安 ?谢谢大家 Thank you, Etienne. Thank you, everyone!我们是天启四骑士 We are The Four Horsemen.晚安 And good night!晚安 Good night!等等 Hold up here.迪伦·罗兹 Dylan Rhodes.什么 ?我听错了吧 What? I don't think I heard you correctly.你是说魔术师 Did you say magicians?是的 ?迪伦 ?魔术师 Yeah, Dylan, magicians.你现在在哪 Where are you now?我在阿利亚酒店 ?正要上去抓他们 I'm at Aria. I'm heading up there to grab 'em now.联邦调查局 ?举起手来 FBI! Hands where I can see them.上 ?抓住他们 Let's go. Get 'em up. Come on.上 ?抓住他们 Let's go. Get 'em up.放下书 Put the book down.好吧 ?被你抓到了 Okay. You got me.-不许动 ?举起手来 ?-天啊 - Freeze! Hands in the air! - Oh, my!谁来帮我们拿一下行李箱 Do one of you guys mind giving us a hand with our bags?跟我走 Let's go.老大 ?你一定是开玩笑呢 Boss, please tell me this is a joke.威利·米尔斯刚指认了宝利·阿塔纳西奥 I just got Willy Mears to finger Paulie Attanasio.我稳住手头的案子 I'm a month, two tops,才一个月 ?最多两个月 away from blowing this whole thing open.这案子让特克森办吧 Get Turkelson.他在大西洋城 He's in Atlantic City.那科恩呢 ?看看他 What about Cowan? Look at him.瞧他那成天坐着无所事事的样儿 He's just sitting there on his ass.真好笑 ?罗兹 Hilarious, Rhodes.我爱你 I love you.混蛋 Asshole.我没时间管这堆破烂魔术 I don't have time for this magic crap.这堆破烂刚从巴黎的一家银行 This crap just pulled three million Euro偷了三百万欧元 out of a Parisian bank.-他们偷了这么多 ?-是的 - That's how much they got? - Yeah.实际上是三百二十万 Actually, .她是谁 Who is she?你是谁 Who are you?国际刑警组织的艾尔玛·德雷 Alma Dray from Interpol.我将和你一起调查 I'll be working the investigation with you.你没看玩笑吧 You gotta be kidding me.着名魔术师让我去抓大卫·科波菲尔和朋友们 It's bad enough they got me chasing down 就够糟糕的了 David Copperfield and Friends.现在还有国际刑警拖后腿 ?无意冒犯 Now I'm being saddled with, no offense, with Interpol?我也很期待我们的合作 ?罗兹特工 I look forward to working with you, too, Agent Rhodes.抱歉 ?我不需要你的帮助 ?明白吗 I'm sorry. I don't think I'm gonna need your help on this. Okay?那个法国人在哪 Where's the French guy?我已经和他谈过了 I already spoke to him.你谈过了 ?你抢先和我的证人谈过了 Oh, you did? You spoke to my witness before me?你的证人 ?我还以为你不想接这案子 Your witness? I thought you didn't want the case.再说 ?他也没有审问价值了 Besides, he's useless.是吗 ?为什么 Oh, really? Why is that?因为他相信他们的魔术是真的 Because he believes their magic was real.他相信魔术是真的 Oh, he believes the magic was real?你说的对 ?没准他是没什么用了 You're right, he probably is useless.国际刑警不介意我再和他谈谈吧 Is it okay with Interpol if we talk to him, too?谢谢 Thank you.我从没做过偷鸡摸狗的事 ?明白吗 I have never stolen a thing in my life, okay?我想把钱还回去 ?但他们不收 I tried to give the money back, but they won't take it.好吧 ?好吧 ?姑且说你抢了银行 Okay, okay, okay, let's just say you robbed a bank.-抢了 ?-很好 ?非常好 ?你抢了 - I did. - Fine. Fantastic. You did.因为我刚接手 ?你解释一下 But since I'm new to this, can you explain to me你是怎么在三秒钟内 how you went from Las Vegas从拉斯维加斯跑到巴黎的 to Paris in three seconds?因为有幻行头盔 With the teleportation helmet.好吧 ?这到底怎么回事 Okay, what the hell is going on here?他在演出时被催眠了 He was hypnotized during the show.我说过 ?他没什么审问价值了 I told you, he's useless.等我处理完其他混蛋 Okay, I'll deal with you when I'm done在找你算账 with this other bullshit.在演出时 ?有一半的观众都被催眠了 During the show, half the audience was hypnotized以为他们在交响乐团 to believe they were in the Philharmonic.我猜“混蛋”是触发词I guess that “Bullshit” Was the trigger word.听着 ?艾蒂安 ?快下来 Okay. Hey, hey. Ecoutez. Etienne, come on down from there.你不是在交响乐团 You're not in the Philharmonic.-法语的“停下”怎么说 ?-停下 - How do you say “Stop” In French? - Stop.让他停下来 Tell him to stop.没办法 ?你得让他奏完这个乐章 No, I can't. You just have to let him finish his movement.好吧 ?我得休息一下 Okay, I need a time-out.这屋子里法国人太多了 Too many French people in one room.罗兹特工 Agent Rhodes!我受命而来 ?要调查出个结果 I'm ordered by my bosses to provide a report.在结案之前 And until we have one,不论如何 ?我都会在这待着 I'm here, like it or not.要么合作 So we can work together,要么就跟在我后面 or you can continue to follow behind再问一遍我问过的问题 asking the same exact questions I'm asking.你来决定 It's up to you.我还没说完呢 I'm not finished.我累了一天 ?又飞了12个小时 I just flew 12 hours, after what was already a long day.还没调整好时差 And I do not handle jet lag well.想和我比脾气暴躁 So if you want to see who can be grumpier,我敢保证 ?你可差远了 I promise you, you will lose.好吧 ?这几个白痴中 Fine. So which one of these idiots你想先谈哪个 do you want to talk to first?他吗 Him?迪伦 ?事先声明 Dylan, for the record,读心术从来没被证实过 mentalism has never actually been proven to be accurate.好的 Okay.也就是说 ?这不是一门科学 That is to say, that it's not a science.。
看电影学英语G.I.Joe.The.Rise.Of.Cobra 《特种部队:眼镜蛇的崛起》-Man: James McCullen, you Scottish pig,James McCullen你这只苏格兰猪。
You’ve been found guilty of treason for the sale of military arms.guilty: 有罪的treason : 叛国罪sale : 销售military: 军事的arm: 武器你因向我们法兰西国王Louis XIII的敌人。
to the enemies of our Lord, King Louis XIII,……贩卖军火而被裁定为叛国罪。
Even whilst you sold arms to our Lord himself.whilst: 当……时甚至同时你也在向吾王出售军火。
-James: Your king is a vile bag of filth who murders his own allies.vile: 恶劣的filth: 污秽,肮脏murder: 谋杀ally: 盟友你们的国王只是个连盟友都杀害的无耻渣滓。
I should have charged him double.charge: 控告,控诉我应当将他加倍控诉。
-Man: You tried to overthrow the Crown in conspiracy with its enemies.overthrow: 推翻conspiracy: 阴谋你企图和吾王的敌人合谋颠覆他的统治。
-James: Unlike your simpleton king, his enemies know.simpleton: 笨蛋和你们的蠢蛋国王不同,他的敌人们明白。
That it is the true McCullen destiny not simply to supply arms, but to run the wars!destiny: 命运supply: 补给,提供……McCullen的真正使命,并不是简单的兜售军火,而是引发战争!-Man: Do you have anything else to say before the sentence is carried out?sentence: 宣判carry out: 实行你在刑罚执行之前还有别的话说吗?-James: Yes, I do. Clan McCullen is far greater and more powerful than any of you could ever imagine.powerful: 强有力的,强大的imagine: 想象,设想对,我有,Clan McCullen比你们当中任何人想象的都要伟大和强大。
战斗的萤火虫歌The Battle of the FirefliesIn the tranquility of a warm summer evening, a peculiar battle unfolds. It is not a clash of swords or a roar of cannons, but a silent, luminous struggle of the fireflies. This is the story of the "Battle of the Fireflies," a tale of light, life, and the unseen forces that drive the natural world.As dusk descends, the darkness is pierced by the ethereal glow of fireflies, each one a tiny beacon in the night. They are not merely twinkling stars of the terrestrial firmament, but warriors in an ancient and silent war for survival and reproduction.The males, with their tails aglow, take to the air, their lights flickering in a rhythmic pattern, a coded message designed to attract a mate. They are the sentinels, the scouts, the first line of this luminous battle. Their light is a beacon, a signal to the females, but also a challenge to their rivals.The females, more discreet, hide in the undergrowth, watching and waiting. They assess the signals, choosing the strongest, the most persistent, the one whose light promises the best genes for their offspring. But they are not passive observers; they are the judges of this battle, the deciders of who will continue the lineage.The battle is not without its perils. Predators lurk in the shadows, drawn by the very light that is the fireflies' allure. Birds, bats, and even other insects are on the prowl, seeking to feast on these glowing morsels. The fireflies must balance the need to be seen with the need to survive.Yet, the greatest challenge is within their own kind. The males compete fiercely, their lights growing brighter, their flight more erratic, as they vie for the attention of the females. It is a display of vitality, a testament to their health and vigor. The females, in turn, are not merely passive choosers; they too engage in a subtle dance of selection, moving closer or farther away, showing interest or indifference.This battle is not won with brute force, but with the precision of light and the wisdom of choice. It is a dance of life, a silent symphony played out under the canopy of stars. The fireflies, these tiny warriors, are the embodiment of nature's enduring struggle, a testament to the power of adaptation and the beauty of existence.As the night deepens, the battle continues, the flickering lights a testament to the ongoing war. But it is a war that is not destructive, but creative, a fight for life that ultimately leads to new life. And as dawn approaches, the fireflies' lights fade, the battle subsides, and the winners retreat to the safety of the foliage, ready to begin the cycle anew.The "Battle of the Fireflies" is a reminder of the delicate balance of life, the intricate dance of survival, and the silent, yet powerful, language of nature. It is a story that speaks to us all, a story of light in the darkness, a story of hope and perseverance.。
夜读|那些翻译得很美的书名最近,翻译家⾦晓宇的故事牵动了许多⼈的⼼。
在媒体的报道中,有这样⼀段关于他翻译的故事:2013年,⼩宇翻译出版了爱尔兰作家约翰·班维尔的英⽂⼩说《诱惑者》。
原书名Mefisto,⼩宇和编辑讨论时,对⽅说这个没法意译,⽤⾳译吧,就是《梅菲斯特》。
但⼩宇知道,Mefisto是歌德代表作《浮⼠德》⾥的⾓⾊,这个⼈物就是⼀个诱惑者,那么可能诱惑者才是作者的本意。
⼩宇决定采⽤《诱惑者》作书名,结果出版社⾮常赞赏,《诱惑者》也成为抢⼿好书。
有⼈说,读懂⼀部外⽂作品最好的⽅式是你懂它的语⾔,不然理解上永远存在偏差,但优秀的译者可以将这个偏差尽量缩⼩,将创作者的本意尽可能准确⼜优美地传递给读者。
今天,就借⼀些翻译得很美、很妙的书名和电影名,去浅尝翻译的魅⼒。
那些翻译得很美的书名Gone with the Wind《飘》不管是翻译成“随风⽽逝”,还是“飘”,都很符合原著那种动荡飘摇的感觉。
(@⼩甜甜)The Unbearable Lightness of Being《不能承受的⽣命之轻》实在过于经典,犹记得因为这本书,国内掀起了⼀阵⽶兰·昆德拉热。
(@亮爷)Brideshead Revisited《故园风⾬后》“故园风⾬后”与“重游布赖兹赫德庄园”(直译),其意境真是云泥之别。
(@天天斯盖)The Crowd《乌合之众》如果对书的内容有所了解,就会知道这个译名有多贴切了。
它成为社会⼼理学的经典著作不是没道理的。
(@iwhowho)Oliver Twist《雾都孤⼉》Oliver Twist是主⼈公的名字,把它翻译成“雾都孤⼉”,⼏乎直接带出了⼩说的质感,太好了!(@凌雪)Tender Is the Night《夜⾊温柔》The Great Gatsby《了不起的盖茨⽐》菲茨杰拉德的作品中,这两部不管是中⽂名还是英⽂名都很棒。
(@Olaha)Educated《你当像鸟飞往你的⼭》这本书的作者出⽣于爱达荷州的⼭区,17岁前从未上过学,却靠着⾃⼰的努⼒,⼀路念到剑桥⼤学历史学博⼠。
打倒男孩《The Phoenix》的中英文歌词是什么《The Phoenix》是美国摇滚乐队Fall out boy演唱的歌曲,由帕特里克·斯特普、皮特·温兹、乔·特洛曼、安迪·赫里作词作曲,收录在打倒男孩第五张录音室专辑《Save Rock and Roll》中,于2013年7月16日作为专辑的第二支单曲发布。
歌曲于2014年4月13日在英国40强摇滚和金属单曲榜登顶。
2013年6月13日,歌曲获得英国Kerrang!音乐奖“最佳单曲”奖项。
《The Phoenix》创作背景打倒男孩主唱帕特里克·斯特普受到了前苏联作曲家肖斯塔科维奇的启发。
当欣赏肖斯塔科维奇的《第7号交响曲·第四部分》时,帕特里克·斯特普的思维被打开,于是斯特普准备创作该首歌曲。
歌曲对肖斯塔科维奇1941年发行的作品《Allegro Non Troppo》进行了采样;歌曲中的管弦乐片段对德国嘻哈艺人彼得·福克斯2008年发行的作品《Alles Neu》进行的采样。
歌词的灵感源自马特·狄龙执导的电影《大河边缘》。
《The Phoenix》歌曲歌词英文Put on your war paintYou are a brick tied to me that's dragging me downStrike a match and I'll burn you to the groundWe are the jack-o-lanterns in JulySetting fire to the skyHere, here comes this rising tideSo come onPut on your war paintCross walks and crossed heartsAnd hope-to-diesSilver clouds with grey liningsSo we can take the world backFrom the heart-attackedOne maniac at a time we will take it back You know time crawls on when you're Waiting for the song to startSo dance along to the beat of your heart Hey young bloodDoesn't it feelLike our time is running outI'm gonna change you like a remixThen I'll raise you like a phoenixYou're wearing our vintage miseryNo, I think it looked a little better on meI'm gonna change you like a remixThen I'll raise you like a phoenixBring home the boys andScrap scrap metal the tanksGet hitched and make a career out of Robbing banksBecause the world is just a teller andWe are wearing black masks"You broke our spirit," says the note we pass So we can take the world backFrom the heart-attackedOne maniac at a time we will take it back You know time crawls on when you're Waiting for the song to startSo dance along to the beat of your heart Hey young bloodDoesn't it feelLike our time is running outI'm gonna change you like a remix Then I'll raise you like a phoenixYou're wearing our vintage misery No, I think it looked a little better on me I'm gonna change you like a remix Then I'll raise you like a phoenixPut on your war paintThe war is wonBefore it's begunRelease the dovesSurrender loveThe war is wonBefore it's begunRelease the dovesSurrender loveThe war is wonBefore it's begunRelease the dovesSurrender loveThe war is wonBefore it's begunRelease the dovesSurrender loveHey young bloodDoesn't it feelLike our time is running outI'm gonna change you like a remix Then I'll raise you like a phoenixYou're wearing our vintage miseryNo, I think it looked a little better on meI'm gonna change you like a remixThen I'll raise you like a phoenixHey young bloodDoesn't it feelLike our time is running outI'm gonna change you like a remixThen I'll raise you like a phoenixPut on your war paint中文化上战妆你就是我身上的那块砖,把我一点点地往下拽点燃一根火柴我会将你烧成灰烬我们是七月的南瓜灯点亮了整个天空在这次潮起的时候来吧来吧化上战妆带上十字架,赶赴战场,准备战死沙场灰霾的天空掩盖了白云我们能够拯救世界疯狂的将它拯救回来你知道在我们等待歌曲开始的时候时间已经悄然流逝所以随着你的心跳起舞吧嘿!热血青年难道没感觉到时间正在流逝吗?我要将你重新塑造如凤凰涅槃沉浸在忧郁之中不,我想我也染上了你的忧伤我要将你重新塑造如凤凰涅槃与热血男孩和战争的碎片一起回家吧结婚后以抢劫银行为业因为世界只是一个诉说者而我们却蒙上黑布她将我们的灵魂消然击碎所以我们能够拯救世界疯狂的将它拯救回来你知道在我们等待歌曲开始的时候时间已经悄然流逝所以随着你的心跳起舞吧嘿!热血青年难道没感觉到时间正在流逝吗?我要将你重新塑造如凤凰涅槃你沉浸在忧郁之中现在我的身上也感染了这种忧伤我要将你重新塑造如凤凰涅槃化上战妆战争在它开始之前就已经胜利了放飞白鸽让爱投降吧战争在它开始之前就已经胜利了放飞白鸽让爱投降吧战争在它开始之前就已经胜利了放飞白鸽让爱投降吧战争在它开始之前就已经胜利了放飞白鸽让爱投降吧嘿!热血青年难道没感觉到时间正在流逝吗?我要将你重新塑造如凤凰涅槃沉浸在忧郁之中现在我的身上也感染了这种忧伤我要将你重新塑造如凤凰涅槃嘿!热血青年难道没感觉到时间正在流逝吗我要将你重新塑造如凤凰涅槃化上战妆《The Phoenix》歌曲鉴赏《The Phoenix》的音调为E中调,拥有每分钟132次的快节拍,帕特里克·斯特普的声音控制在G5到D6之间。
As the sun dipped below the horizon, casting an orange glow over the battlefield, I stood amidst the remnants of what had once been a fierce and decisive battle. The air was thick with the smell of gunpowder and the silence was deafening, save for the occasional crackle of a distant fire. This was the final battle, the culmination of years of conflict, and it had left an indelible mark on my soul.I remember the days leading up to the battle vividly. The tension was palpable as we prepared for what we knew would be a fight to the finish. Our commander, a seasoned veteran with a stern gaze, rallied us with words of courage and determination. We were a diverse group, united by a common cause and the desire to see peace restored.The night before the battle, I lay in my tent, staring at the canvas ceiling, my mind racing with thoughts of what the next day would bring. I thought of my family, of the friends I had made in the army, and of the countless lives that had been lost in the name of freedom. I prayed for strength and for the wisdom to make the right decisions when the time came.As dawn broke, we emerged from our tents, our faces set in grim determination. The morning was cold, and a thin layer of frost covered the ground. We formed our ranks, our eyes fixed on the enemy lines in the distance. The silence was broken only by the occasional command from our officers.The battle began with a deafening roar as both sides unleashed their firepower. The air was filled with the sound of gunfire, explosions, and thecries of the wounded. I fought alongside my comrades, each of us driven by the same unwavering resolve to see this through to the end.The hours blurred together as we pushed forward, inch by inch, against the enemys stubborn resistance. I saw friends fall, their faces etched with pain and determination even in their final moments. I felt a surge of anger and sadness, but I knew that I couldnt afford to let my emotions take control. I had a job to do, and I was determined to see it through.As the day wore on, the tide of the battle began to turn in our favor. The enemys lines started to falter, and we pressed our advantage, driving them back with relentless force. I could see the exhaustion on the faces of my comrades, but we refused to yield.Finally, as the sun began to set, the enemys resistance crumbled. We had won the day, but at a terrible cost. The battlefield was littered with the bodies of the fallen, their lives cut short in the pursuit of a noble cause.In the aftermath of the battle, we gathered to pay our respects to those who had given their all. We stood in silence, our heads bowed, as we honored the memory of our fallen brothers and sisters. I felt a deep sense of loss, but also a profound sense of pride in what we had accomplished.The final battle had been a test of our courage, our resolve, and our ability to stand together in the face of overwhelming adversity. It had left us scarred, but it had also made us stronger. We had fought for something greater than ourselves, and in doing so, we had forged a bond that couldnever be broken.As I stood there, looking out over the battlefield, I knew that this was the end of a chapter in our lives. The war was over, and a new era of peace and hope was beginning. But the memories of those who had fought and died would live on, a testament to the sacrifices made and the courage displayed in the face of insurmountable odds.The final battle had been more than just a physical confrontation it had been a battle of the spirit, a test of our will to survive and to fight for what we believed in. And though the scars would heal, the lessons learned would stay with us forever, a reminder of the strength of the human spirit and the power of unity in the face of adversity.。
a rXiv:074.41v2[he p-th]28Ja n28RUNHETC-07-05Warping and Supersymmetry Breaking Michael R.Douglas 1,&,Jessie Shelton 1and Gonzalo Torroba 11NHETC and Department of Physics and Astronomy Rutgers University Piscataway,NJ 08855–0849,USA &I.H.E.S.,Le Bois-Marie,Bures-sur-Yvette,91440France mrd,jshelton,torrobag@ Abstract We analyze supersymmetry breaking by anti-self-dual flux in the deformed conifold.This theory has been argued to be a dual realization of susy breaking by antibranes.As such,one might expect it to lead to a hierarchically small breaking scale,but only if the warp factor is taken into account.We verify this by explicitly computing the warp-modified moduli space metric.This leads to a new term,with a power-like divergence at the conifold point,which lowers the breaking scale.We finally point out various puzzles regarding the gauge theory interpretation of these results.Contents1Introduction1 2Supersymmetry breaking without warping42.1Flux compactification of IIb string (4)2.2Geometric properties (5)2.3SUGRA on the warped deformed conifold (5)2.4Supersymmetry breaking (7)2.5Scale of supersymmetry breaking (7)3Warped Compactifications93.1Warping andfluxes (9)3.2‘Warped’geometry of the moduli space (10)3.3Zero modes of the warp factor (12)4Explicit analysis of the deformed conifold144.1Computation of the moduli space metric (15)4.2Gluing the conifold to a compact CY (16)4.3A closer look into warping effects (18)4.4Breaking supersymmetry at strong warping (21)5The dual gauge theory235.1Effective potential (24)1IntroductionOver the last few years there has been much progress in understandingflux compactifications of string theory[1].Supersymmetric configurations have been well studied[2,3,4],and as a general rule one can understand their physics using either supergravity,or a dual gauge theory picture in which fluxes are replaced by branes.As a basic example,consider pure super Yang-Mills theory.Its vacuum structure can be usefully described by the Veneziano-Yankielowicz effective superpotential,which leads to an exponen-tially small gaugino condensate.The same physics can be described by a dual theory withfluxes near a conifold singularity,and an analysis based on theflux superpotential[2].The situation for supersymmetry breaking configurations is much less clear.While there are many known examples of gauge theories in which the dynamical scale sets the scale of supersymmetry breaking,these always1seem to involve special matter content or tuning in the superpotential,and until fairly recently this evidence seemed to suggest that in a“generic”set of theories(such as would come out of an ensemble of string vacua),very few would break supersymmetry.More recently,this belief has been significantly revised in light of new work incorporating ingredients such as metastability,“retrofitting,”obstruc-tions in the dual geometry,and many others[5,9,6,7,11,12],suggesting that a far broader and more generic class of gauge theories will break super-symmetry.It should be said however that,so far,the constructions which produce low scales still require either tuning of parameters or discrete symmetries,so the question of what distribution of supersymmetry breaking scales we expect to come out of string theory remains open.To illustrate this,consider the problem offinding string theory realizations of the“retrofitting”construction of[9],in which a small parameter in the superpotential(for example the small quark mass required in[5])is obtained as the dynamical scale of a second gauge group.While one can easilyfind superpotential couplings such as(Tr W2α)(˜Q)2which do this,the harder problem is tofind a mechanism which suppresses an order one bare quark mass term(˜Q)2.The only obvious candidate is a discrete R symmetry[14],which appears to be even less natural influx vacua than the tuning we are hoping to explain[15].One might imagine that a truly generic construction would work both at weak coupling(gauge theory)and strong coupling(theflux dual).On the flux side,nonsupersymmetricflux compactifications also exist and appear to be generic[13,3].However,both statistical analyses[8]and more intuitive arguments[16,17]suggest that these favor a high scale of supersymmetry breaking.Althoughflux superpotentials contain the ingredients needed to obtain low scales,in the work so far these do not lead to a low supersymmetry breaking scale without tuning.In exploring these issues,we tried tofind the simplest possibleflux com-pactifications with susy breaking.One simple and popular idea is to break supersymmetry by combining branes and antibranes,which preserve incom-patible N=1subalgebras of an underlying N=2supersymmetry algebra of type II Calabi-Yau compactification.This includes the anti D3-brane in a conifold throat worked out in[19],a controlled construction using wrapped D5-branes to get D-term breaking in[20],a suspended brane construction in [11],and many others.In[7],a system of D5and anti-D5branes wrapped on a pair of resolved conifolds was studied,and argued to have a simpleflux dual involving imag-inary anti-self-dualflux.On the other hand,as we will review,an N=1 effectivefield theory analysis of this theory along the lines of[7]leads to high2scale breaking.While this may atfirst appear paradoxical,actually it is tobe expected,as the scale of susy breaking in this model is the anti-D-brane tension,of order the string scale.Of course,as has been much discussed in the string compactificationliterature,starting with[18],supersymmetry breaking by antibranes can lead to low scale breaking,but only if the antibranes are localized in a region oflarge warp factor.Now in the limit considered by[7],in whichα′→0before considering other effects,the warp factor is not present,since it is sourcedbyfluxes which are quantized in units ofα′.Thus their results appear self-consistent,but this suggests that we need to incorporate the warp factor to see low scale susy breaking.In this work,we will do just this.By a detailed analysis of warping effectson the metric on complex structure moduli space,we show the existence of a term with a power-like divergence close to the conifold point.This contribution will be the one responsible for lowering the scale of the breaking.Having explained our basic results,the order of the discussion will bereversed,for clarity.We begin in section2by reviewing the anti-D5branetheory and itsflux dual.In section3we develop the general theory of warped Calabi-Yau compactification,along lines initiated by Giddings and collabo-rators[22,23].In particular,we analyze general properties of the warped metric Gα¯βfor complex deformations.We show that throats contribute new zero modes to the warp factor,that are responsible for enhancing Gα¯βnear conifold points in moduli space.Since the general analysis leaves numer-ical factors undetermined,in section4we compute explicitly Gα¯βfor the deformed conifold.This analysis reveals a new|S|−4/3contribution.In subsection 4.3we use this to understand the supergravity behavior near the tip of the warped deformed conifold.We also show how a negative F3flux through the3-cycle of the conifold,and a far away O7plane preserving a misaligned supersymmetry,can give parametrically small supersymmetry breaking.This still requires potentially non-generic ingredients,depending on choices made in the bulk,so the question of whether this mechanism generically leads to low scale breaking remains open.Finally,section5comments on the dual gauge theory description,inwhich anti D5s wrap the resolved cycle.While the new term|S|−4/3actu-ally matches with old expectations for the K¨a hler potential for the gaugino condensate,we are left with numerous unanswered questions here.32Supersymmetry breaking without warping We begin by reviewing the suggestion of[7]that the dual of an anti-D5-brane wrapped on the resolved conifold is an anti-self-dualflux in the deformed conifold geometry,leading to supersymmetry breaking.However,using the unwarped moduli space metric,wefind that this is high scale breaking.2.1Flux compactification of IIb stringWe start with N=2compactification of type IIb string theory,in which the complex structure moduli live in vector multiplets.We choose a symplectic basis(Aα,Bα)of H3(X,Z),and take as coordinates on moduli space the A cycle periods{(Sα)}.The B cycle periods can then be integrated to define a prepotential F,so thatSα= AαΩ,∂FΩ∧partial description of the physics.For example,there might be other light modes,from KK modes in string compactification,other degrees of freedom in the gauge theory dual,and the like.This will be even more true once we take warping into account,as discussed in[21].We do not intend to study this question in detail here,but rather will limit ourselves tofinding an effective potential which properly describes the vacuum energy,moduli stabilization and supersymmetry breaking.At least on the strongly coupled (supergravity)side,we believe our arguments(based on explicit d=10 solutions)suffice to demonstrate this.2.2Geometric propertiesFor completeness we include a quick review of the basic properties of the conifold.The algebraic variety describing the deformed conifold isu2+v2+y2−x2+S=0.(2.5) Its holomorphic properties are very simple.There are only two nontrivial 3-cycles,(A,B),A∩B=1;for S→0,A→0and B is noncompact.The√S)of the A cycle is an S2fibration(u,v∈R)over the cut x∈(−hyperelliptic curveF(x,y)=y2−x2+S=0.(2.6) The noncompact B-cycle extends between y=±∞and runs through the previous cut.We introduce a geometrical cutoffΛ0such that the points at infinity become±Λ0.From the usual monodromy arguments,the periods areΩ=S, BΩ=∂F2πi S logΛ30Awandering D3branes,we keep these away from the conifold,so that they don’t enter these results.In the presence of the4-form C4,compactifying on the conifold con-tributes an N=24d vector multiplet A=(S,ψ,λ,Aµ),where S is the complex modulus of the conifold∂g¯i¯jΩ 2S(x)¯Ωkl¯iχS kl¯j.and Aµis the U(1)gaugefield from C4=Aµ(x)dxµ∧χS.ψandλare the fermion superpartners.The orientifold action is[30]O=(−)F LΩpσ∗,σ∗Ω=−Ω;Ωp is the worldsheet parity,F L is the left moving4d fermion number andσ∗is the holomorphic involution(acting on forms).This will produce O3/O7 planes.Orientifolding splits the N=2vector multiplet into an N=1chiral multiplet(S,ψ)and a vector multiplet(λ,Aµ).Since we want to keep S as a low energy4dfield,we take the action of the involution to beσ∗χS=−χS. In this way the vector multiplet is projected out and we are left with only (S,ψ).As the next step we turn on the following quantizedfluxes:AF3=N,− B F3=βR,− B H3=βNS.(2.8)Because of the monodromy B→B+nA,βR is defined mod N,and will play the role of a discreteθ-angle.In an N=2formalism,fluxes may be seen as FI terms for the auxiliary components of the superfield A.Based on this identification,it was noted in[7]that for N>0(we always takeβNS>0), the supersymmetry variations areδǫψ=0,δǫλ=iǫ1g sβNS+N2πiS logΛ30g sβNS S.(2.9)6For N>0,βNS>0,solving∂S W=0,S=e−2πiβR/N e−2πβNS/g s NΛ30.(2.10) There are N degenerate vacua coming fromβR=0,...,N−1;to simplify our results,we will in general setβR=0and remember this degeneracy.The supergravity background withfluxes corresponds to the warped deformed conifold,appropriately glued into the compact CY,as discussed in section 4.2.This type offlux dual was used in the discussion of supersymmetry break-ing by anti-D3branes in[19].2.4Supersymmetry breakingWe now consider the effect of misaligning the supersymmetry preserved by the O7and the one preserved in the conifold,by turning on negativeflux N<0.In the case N<0,Aganagic et al[7]showed thatδλ=0butδǫψ=iǫ1g sβNS+N∂2S F .(2.11)and hence thisflux configuration breaks N=1→N=0spontaneously.For N<0,βNS>0,(2.10)would give a result S≫Λ30!It was argued in[7]that the physical vacuum is instead the minimum of the scalar potentialV=e K G i¯i∂i W¯∂¯i W∗ ,obtained from Eq.(2.9)and Eq.(2.2).This is located atS N<0=e−2πiβR/N e−2π|βNS/g s N|Λ30.(2.12) On this vacuum,∂S W N<0=2iβNSHowever,in a spontaneously broken N=1supergravity theory,the standard definition is the norm of the F terms,or equivalently the scale determined by the F term contribution to the scalar potentialM4susy=V=e K G i¯i D i W D¯i W∗ .In a realistic compactification with near-zero cosmological constant,this scale will also determine the gravitino mass,as m3/2=M2susy/√2κ241Ω 2V W G S¯S|∂S W|2.(2.14)Using Eq.(2.7)and Eq.(2.2),wefindG S¯S∼c logΛ302κ210g s|S|−1 N S+iβNS g s.(2.15)Since we are working in conventions in whichα′is order one,the upshot is that N=1supersymmetry is broken at a high scale.This can be con-firmed by a d=10computation of the mixing between the gravitino and the goldstino,here the fermionic component of S.The essential content of this computation is already present in the supersymmetry variation Eq.(2.11).Since the energy Eq.(2.15)is the expected tension of N anti D5-branes, in retrospect this result should not be very surprising.However it raises the question of whether and how it would be changed by including the warp factor.83Warped CompactificationsWe start by reviewing the basic features of warped compactifications,and then we describe the warp effects on the geometry of the complex moduli space.We will concentrate on the complex moduli stabilization.3.1Warping andfluxesWe mainly follow DeWolfe and Giddings[22].Starting from an underlying CY X with metric g mn(y),turning onfluxes produces a warped metricds2=e2A(y)ηµνdxµdxν+e−2A(y)g mn(y)dy m dy n(3.1) m,n=1,...,6.To avoid confusion,we want to stress that we are not using the usual GKP notation˜g mn for the CY metric,because we want to avoid tildes appearing in all our formulas.Throughout the work we will rise and lower indices only with respect to g mn,so that the dependence on the warp factor is always explicit.A complete and consistent dimensional reduction is very involved,con-taining subtle issues from KK modes,compensators and warping contribu-tions[23].However,the results that we will discuss in this work refer to the vacuum structure of the theory,arising purely from the effective potential. Fortunately,this is free of many of these issues.In[22],a Kaluza-Klein reduction is done from d=10IIb supergrav-ity to a d=4,N=1effective supergravity,taking into account the warp factor.To get a self-consistentα′→0limit in which the warp factor re-mains,one simultaneously increases theflux G3,keeping theflux parameters(NαR,NαNS,βRα,βNSα)fixed.The otherα′and quantum corrections in the fullstring theory are dropped.The result is that,in the presence of warping,the superpotential still takes the form Eq.(2.4),but the metric on complex structure moduli space is deformed toGα¯β=− e−4Aχα∧χ¯βΩ,(3.2)where the warp factor e−4A is determined by a supergravity equation of mo-tion.In a supersymmetric background,this is[2]−∇2(e−4A)=±G mnp¯G mnp√gg mn∂n.(3.4)9Here the plus(minus)sign corresponds to ISD(IASD)fluxes and D3(anti D3)brane charge,with the consequence that the r.h.s.of Eq.(3.3)is always positive,as it should in order to get a positive definite metric.These signs are easy to understand:denoting,as in[2]˜F5=(1+∗)[dα(y)∧dx0∧dx1∧dx2∧dx3];αwill of course depend on the sign of its sources(3-fluxes or3-branes).But the BPS-like condition of GKP,extended to IASDfluxes also,is e4A=±α, with the result that the warp factor only depends on the absolute value of the sources.In this limit,the scalar potential takes the no-scale form,cancelling|W|2 against|DρW|2,whereρare the K¨a hler moduli.The scalar potential for the complex moduli and dilaton then takes the standard N=1formV=Gα¯βDαWe−4AΩ∧Ω ,(3.6)in other words that∂α∂¯βK=Gα¯β.Seeing this requires properly treating the zero mode of the warp factor, which will be important when we match the noncompact conifold solution onto a compact bulk manifold.We start from∂ΩΩΩ.(3.7)One can check that this expression is valid with or without the warp factor e−4A as after integration it cancels between numerator and denominator.Therefore,∂αK=−kα− (∂αe−4A)Ω∧ e−4AΩ∧Note that the usual special geometry relation∂αK=−kαis not yet apparent. After some algebra,∂α∂¯βK=Gα¯β+ RΩ∧¯Ω∂αe−4A (RΩ∧¯Ω∂¯βe−4ARΩ∧¯Ωe−4A(y).The consistency of N=1supergravity requires that∂α∂¯βK=Gα¯β,in other words that the second and third terms on the right hand side vanish.The easiest way for this to happen is if0= Ω∧¯Ω∂αe−4A,(3.10) i.e.the zero mode c of the warp factor,defined by writinge−4A(y)=c+e−4A0(y),(3.11) is independent of variations of the complex structure.This is sensible be-cause in a true compactification,the equation of motion Eq.(3.3)does not determine the zero mode of e−4A.Rather,the zero mode enters into the over-all volume as a K¨a hler modulus(this is before bringing in nonperturbative effects depending on K¨a hler moduli).Another way to define the zero mode is to use the relation3!(g i¯i dy i d¯y¯i)3=Ω∧Ω 2=Ω∧1det g∂αe−4A.Given an initial choice of the zero mode,this condition determines a unique solution of Eq.(3.3)Note that it will not in general be the case that∂αe−4A=0pointwise,only under the integral.Similarly,even though the unwarped volume √det g can vary.Thus the actual warped volume,defined asV W=could in general depend on the complex structure moduli.To summarize:in the absence offluxes,compactifying on X gives N=2 supersymmetry and correspondingly the complex moduli space M is a special Kahler manifold.When we turn onfluxes,X gets a warp contribution and we break N=2→N=1.M is still a Kahler manifold but no longer special.The prepotential F is not enough to specify all the geometrical data of the conformal Calabi-Yau,and the information on thefluxes comes in through the factor e−4A.3.3Zero modes of the warp factorEvidently the e−4A warp factor plays a crucial role.While in ten-dimensional terms,it is determined by Eq.(3.3),as yet there is no simple four-dimensional ansatz for this factor.Thus we will shortly need to look at the details of the ten-dimensional solution.However there is a simple argument which suggests what we are looking for.As we discussed earlier,the general solution for the warp factor ise−4A(y)=c+e−4A0(y),(3.13) where c is a free parameter related to the total warped volume.For example, in the large volume limit we can take c→∞,which allows one to identify[23]V CY∼c3/2.(3.14) In this limit,the warp factor becomes irrelevant.On the other hand,for anyfixed c,the factor e−4A0(y)might become so large at some y that it cannot be neglected.In this sense,the neglect of the warp factor at large volume is an order of limits problem.The large variation of the warp factor is due to the source tems in Eq.(3.3).As an example,around a D3-brane,which is a delta function source c2δ6(r)at r=0,one has e−4A∼c2/r4.A non-zeroflux,of either sign,while not localized,has a similar effect.While the details depend on d=10physics,the general behavior is gov-erned by a‘localized’(rapidly decaying)but non-constant zero mode of the source-free equation,in other words the Laplacian on e−4A.For simplicity, let us consider this in a single throat located(in some local coordinate sys-tem)at r=0,embedded in a compact Calabi-Yau.The discussion extends without changes to any number of throats.Then,in a conifold geometry,the Laplacian takes the form1∂r r5∂r2∇2ΨG=0,(3.15)12where r is the conical distance from the singularity r =0,and Ψdenotes the five angular variables.Hence the zero mode with trivial angular dependence on the throat isG (r )=c +c 2r 4+e −4A 0(y ).(3.17)The zero mode term c 2/r 4will then dominate other effects in the throat.Expanding the Kahler potential in the large volume limit,K (S,¯S )=−log −i bulk e −4A Ω∧Ω≈K 0+ie K 0 conif(c +c 2Ω,(3.18)with e −K 0:=−i bulk c Ω∧r 4 χS ∧χ¯S ,(3.19)which agrees with the general result (3.2).We will see below that,at least for the deformed conifold,the (2,1)forms χαare also localized at r =0,contributing to the enhancement effect.The coefficient c 2is fixed by a standard Stokes theorem argument.Given a region R ⊂M with boundary ∂R ,we have 1∂R √g 6∇2e −4A =± R √12Im τ±2κ210T 3so the normal derivative of e −4A integrated over the boundary is proportional to the total source contained in the region.At large r ,the boundary integral is dominated by the contribution of the zero mode c 2/r 4.Thus,D3charge near the conifold,including that induced by fluxes,leads to warping.Of course this charge will be compensated by negative charge elsewhere,say from O3planes.4Explicit analysis of the deformed conifold Let us see how this shows up in an explicit treatment.Thus,following Klebanov and Strassler [25]we discuss the CY metric corresponding to (2.5).We warm up with the singular conifold,with S =0.It hasds 26=dr 2+r 2ds 2T 1,1,ds 2T 1,1=164 i =1(g i )2.(4.1)The basis of one forms g i was introduced in [26,25];they arise from the angular variables of the base S 2×S 3.In terms ofω2:=12g 5∧(g 1∧g 2+g 3∧g 4),(4.2)the (2,1)form readsχS =1r∧ω2 .(4.3)Notice that this form is ‘localized’at small r .The normalization chosen is re-lated to the fact that S 3ω3=8π2,although the final results are independent of this.The actual solution of interest is the deformed conifold.In the basis (τ,g i )of [25]the metric is diagonalds 26=13K 3(τ)+cosh 2τ2 (g 1)2+(g 2)2(4.4)whereK (τ):= sinh(2τ)−2τ1/325/3|S |2/3e 2τ/3.(4.5)The (2,1)form is now more complicated:χS =g 5∧g 3∧g 4+d F (τ)(g 1∧g 3+g 2∧g 4) −i d f (τ)g 1∧g 2+k (τ)g 3∧g 4 ,(4.6)where the functions F ,f and k were computed in [25]:F (τ)=sinh τ−τ2sinh τ(cosh τ−1),k (τ)=τcoth τ−14.1Computation of the moduli space metricNext we turn on N units of F3flux through the deformed3-cycle A of the conifold;as explained in[25]this generates an H3flux through the dual B cycle.In the noncompact model it doesn’t matter whether N is positive or negative,and,indeed we will see that the formulas depend only on N2.The difference will appear when we embed the configuration in a compact CY; bulk interactions between the‘misaligned’flux N<0and the orientifold will break supersymmetry.This will be addressed in the next section.The configuration might be seen either as the gravity side of the Dijkgraaf-Vafa duality,or as the end of the duality cascade of Klebanov-Strassler.In any case,the Calabi-Yau is warped as in(3.1);e−4A may be written as[25]e−4A(τ)=22/3(g s Nα′)2dτe−4A(τ)=−4×22/3(g s Nα′)2(sinh2τ−2τ)2/3.(4.9)Although the form ofχS is complicated,surprisinglyχS∧χ¯S is a total τ-derivative:from(4.6),χS∧χ¯S=−2i dτ f+F(k−f) .(4.10) Integrating by parts,the warped metric readsG S¯S=−2idτ e−4A(τ)(f+F(k−f)) +−de−4A2log25/3|S|.(4.11)We only have to integrate the last term in G S¯S.Fortunately the integrand decays rapidly;its maximum is0.03atτ≈2.5and already atτ≈10,its15value is5×10−5.SinceτΛ≫1,with negligible error we may extend the integral to infinity,giving∞0dτde−4A|S|4/3.Putting together these results,wefinally obtain the explicit expression for the metric:G S¯S=−i|S|+(8×22/3×0.093)(g s Nα′)2divergences,as in the c term in Eq.(4.12).This comes from the integral down to small r and will not get contributions from elsewhere in the bulk.Then,if we can argue that the enhancement due to warping is always of the general form described by Eq.(3.19),we will know that possible bulk contributions will be subleading to the conifold contribution we computed.Let us see how Eq.(3.19)works for our explicit example.Volume inte-grals of the warp factor in the deformed conifold are hard to make so,for simplicity,we discuss the case of a singular conifold,which gives the right intuitive picture.We should point out that even without warping,introduc-ing a cutoffΛ0will make the conifold volume and the bulk volume depend on Λ0and S :V CY =V bulk (Λ0,|S |)+vol(T 1,1) Λ0|S |1/3dr r 5(4.13)=V bulk (Λ0,|S |)+16π36(Λ60−|S |2).(4.14)As we discussed earlier,it is natural to define the total unwarped volume to be independent of the complex structure,in which case the bulk volume should have a dependence ∼|S |2to cancel the conifold contribution.In the singular conifold,the warp factor generated by N fractional D 3branes is [25]e −4A (r )=c +81r 4.(4.15)From the gauge theory point of view,the constant zero mode c corresponds to a dimension 8operator,which arises naturally as a correction in the Born-Infeld action.It depends on the amount of flux turned on,but we can neglect it for large cutoff.On the other hand,c 2is just the ‘bare’contribution to the warp factor,in agreement with the general discussion of subsection 3.3.Now,replacing the value of c 2and (4.3)in (3.19),G S ¯S =−i 64π3|S |+81|S |4/3 .(4.16)Comparing to (4.12),we see that both results have exactly the same depen-dence,so our gluing prescription reproduces the right metric.The log |S |coefficients match exactly because they come from the asymptotic behavior of the conifold,which is correctly described by the singular conifold.The ones of |S |4/3have the same order of magnitude,but we don’t expect them to agree.Indeed,this term comes from the contribution of the deformed 3-cycle,which is described only qualitatively by the simplified approach of using the singular conifold and introducing a cutoffat r =|S |1/3.17The expression for the vacuum energy from dimensional reduction is[22]V=1V W Imτ(Imρ)312κ210g s|S|+c′(α′g s N)22πilogΛ30g S 2.(4.18)To avoid cluttering,we have absorbed order one numerical factors into the constants c and c′,although c still denotes the universal Kahler modulus c∼V2/3W.4.3A closer look into warping effectsNear the mouth of the throat,where warping is small,the usual intuition from special geometry and the deformed conifold is valid.In particular,in the limit S→0,the S3collapses,its radius being controlled by the factor |S|2/3in the metric(4.4).We may,however,tune thefluxes to get strong warping e−4A≫c.As we now discuss,this changes radically the picture,even before considering particular models for supersymmetry breaking.In this subsection we analyze the supersymmetric N>0case and,in the next one we break supersymmetry by setting N<0.To begin with,consider a sample potential with and without warping, plotted in Figure1.We have taken order one parameters so that the various regimes are easily visible on the same plot.The dashed curve is the potential without the S−4/3correction to the metric.It has a minimum given by(2.10),where it vanishes,while it goes to infinity at|S|→0and at|S|→Λ30.One might have expected that for S small,the system should become unstable and undergo a geometric transition.On the other hand,the behavior of the potential(Eq.(4.18))including the warped metric is quite different.Atc log Λ30|S|4/3the S−4/3starts to dominate;a maximum value is attained and after that the system starts to roll down to S=0!The reason why this effect was not detected before is thatfluxes break N=2softly,so at string tree level the Kahler metric is still given by special18。