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英国文学3部分

英国文学3部分
英国文学3部分

Part Three

The Period of the English Bourgeois Revolution

Chapter 1

The English Revolution and the Restora tion

1. The Weakening of the Tie between Monarchy and Bourgeoisie

The T udor Dynasty: harmony (interests in commo n →collaboration)

The end of Elizabe th’s reign: conflict (quarrels)

2. The clashes between the King and Parliament

Monopolies on merchandies

Charles I dissolved it in 1629.

3. The Outburst of the English Revolution

(1) broke out in 1642 and lasted till 1649.

(2) T wo camps:

The royalists: conservative gentry, big landlords, monopolists

The opposition leaders in Parliament: the merchants, artisans and apprentices, the peasants (Oliver Cromwell) (3) Result:

Monarchy was abolished.

England was declared a commonwealth (a republic)

4. The Split within the Revolutionary Camp

The middle bourgeoisie (Independents)

The big bourgeoisie (Presbyterians)

The petty bourgeoisie

“The Movement of the Diggers” (掘地运动)

1.The Bourgeois Dictatorship and the Restoration

(1)The big bourgeoisie made a compromise with the feudal remnants.

(2)After the death of Cromwell, the Parliament recalled Charles II to England in 1660.→the Restoration

Period

(3)The Bourgeoisie invited William to be King of England in 1688.→the “Glorious Revolution” (bloodless, no

revival of the revolutionary demands)

(4)The state structure of England was settled→Capitalism could develop freely.

2.The Religious Cloak of the English Revolution

(1)the English Revolution≈the Puritan Revolution

(2)Puritanism:①②③④

Puritan literature is different from the literature of Elizabethan Period(1558-1625)in the following three aspects:1) Elizabethan literature had a marked unity and the feeling of patriotism and devotion to the Queen, but in the Revolution Period,all this was changed, the king became the open enemy of the people, and the country was divided by the struggle for political and religious liberty. So literature was as divided in spirit as were the struggling parties. 2) Elizabethan literature was generally inspiring. It throbbed with youth and hope and vitality.Literature in the Puritan Age expressed age and sadness. Even its brightest hours were followed by gloom and pessimism.

3) Elizabethan literature was intensely romantic.The romantic spirit sprang from the heart of youth.People believed all things, even the impossible.But in literature of the Puritan period, we cannot find any romantic ardor.

3.Literature of the Revolution Period

(1)concerned with the tremendous social upheavals of the time

(2)Major Writers: John Milton, John Bunyan

Chapter 2

John Milton

1. Life: 1608-1674

(1) strongly condemned the subjects and methods of study at college

(2) defined the true aim of knowledge as making the spirit of man

(3) his personal beauty, strictness of life, nicknamed “the lady of Christ’s”

2. Early Poems

On t he Morning of Christ’s Nativity(his first important work)

L’Allegro《欢乐颂》

II Penseroso《沉思颂》

Comus

Lycidas

3. Major Works

(1) Paradise Lost

(2) Paradise Regained

(3)Samson Agonistes

4. Brief Summary

(1) a great revolutionary poet of the 17th century (influence on later E. poetry)

(2) wrote the greatest epic in E. L., (a grand style)

(3) a master of the blank verse (in non-dramatic works); rich in every poetic quality and never monotonous

(4) a great stylist; poetry noted for sublimity of thought and majesty of expression.

(5) style with frequent inversions and complicated sentence structure;

lines are long and rich in the variations of rhythm and pause.

Chapter 3

John Bunyan

1. Life: 1628-1688

(1) son of a poor tinker, never drunk

(2) a man of singular innocence, sensitive imagination

(3) religious fervour→terrible day-dreams

(4) enlisted in the Parliamentary army

(5) against social abuses and the oppressors of the poor

(6) was put into the prison (12 years), making shoes, characteristic diligence

2. The Pilgrim’s Progress

(1) a religious allegory, telling of the spiritual pilgrimage of Christian

(2) characters, real places, conversations (language)

(3) remarkable passages: Vanity Fair, the persecution of Christian and his friend Faithful

(4) a deep hatred of both the king and his government

(5) his prose is admirable: It is popular speech ennobled by the solemn dignity and simplicity of the language

of the English Bible.

Chapter 4

Metaphysical Poets and Cavalier Poets

1.Metaphysical Poets

“Metaphysicals” (by Samuel Johnson, 18th C. writer): a school of poet in 17th C., mysticism in content, fantasticality in form)

(1)John Donne (1572-1631):

Status: the founder of the Metaphysical school of poetry

Theme: secret love-making, elopement, imprisonment, lawsuit of marriage

Works: Songs and Sonnets (youthful love lyrics)

Holy Sonnets (rich in religious thought)

Devotions upon Emergent Occasions (sacred verse) 《突变引起的诚念》

Features: a. extravagance, preposterous dimensions

b. sensuality blended with philosophy, passion with intellect, and contraries are ever moving one into

the other.

c. seeking complex rhythms and strange images→“conceit” (奇思妙喻)

※ A comparison between two unlike objects (“outrageous metaphor”)

※Usually developed at length, comparing and contrasting two different aspects of the two objects to make their meaning clear.

所谓奇思妙喻,指的是一种悖论性的隐喻,通过喻体和喻指之间的非相似性给读者的心灵带来震撼。

The Flea

(by John Donne)

Mark but this flea, and mark in this,

How little that which thou deniest me is;

Me is sucked first, and now sucks thee,

And in this flea our two bloods mingled be;

Thou know’st that this cannot be said

A sin, or a shame, or loss of maidenhead,

Y et this enjoys before it woo,

And pampered swells with one blood made of two,

And this, alas, is more than we would do.

……

?该诗通篇是以跳蚤的形象为链接的。爱情本是甜美而浪漫的,它是人们心目中一幅美丽而隽永的画面。而跳蚤却是令人避之唯恐不及的。但在《跳蚤》诗中,诗人却把相爱双方大胆地以两滴血的形象结合在跳蚤体内。

?初读此诗会让人觉得匪夷所思,可仔细品来却别有一番滋味。相爱的双方经过婚姻结合为一个整体,而跳蚤在你的身上吸一滴血,在你所爱的人身上吸一滴血,这两滴代表相爱双方的血在跳蚤体内融合为一个整体。跳蚤便成了婚姻的殿堂。

(2)George Herbert (1593-1633):

(3)Andrew Marvell (1621-1678):

(4)Henry Vaughan(1622-1695):

(5)Richard Crashaw (1612-1649):

2.Cavalier Poets

(1)Often knights and squires who sided with the King against the Parliament and Puritans

(2)mostly dealt in short songs on the flitting joys of the day, but underneath the lightheartedness lies some foreboding of impending doom.

(3)Robert Herric (1591-1674): Gather Ye Rose Buds While Ye May《趁早采摘玫瑰花朵》

To Daffodils 《致水仙》

https://www.doczj.com/doc/5110105256.html,mon Features:

A similar awareness of mortality, which is expressed as an intense melancholy by the former, and by the latter as a bitter consciousness of the transitoriness of human glory and joy.

Chapter 5

Some Prose-Writers

1.Feature:

devoted to political and religious controversies

2.Representatives:

(1)Robert Burton (1577-1640): The Anatomy of Melancholy《忧郁的解剖》

※may be counted among the most learned of English writers.

※paid great attention to the style of his English, making it colloquial and sonorous.

※assumes the tone of a seriocomic monologue with a peculia humour of his own.

(2)Thomas Browne (1605-1682): The Religion of a Doctor

Hydriotaphia, or Urn-Burial《瓮葬》

※One of the first English prose-writers who wrote in a magnificent, poetic style and revealed self-consciously his own personality in his writing.

※Connected with religion, expressed from a distinctly personal viewpoint.

※His religious belief is a curious blend of reverence and scepticism.

(3)Jeremy T aylor (1613-1667):

(4)Izaak Walton (1593-1683):

Chapter 6

Restoration Literature

1.Features:

(1)a period of reaction and degeneration.

(2)The Restoration comedy was often witty and clever, but on the whole cynical and immoral.

(3)selfish pleasure-seeking of the court rakes and roguish cavaliers

(4)notorious for its licentiousness, being full of love intrigue, seduction and promiscurity, thus providing

amusement for the dissolute upper class.

(5)Was modelled on the French literature where classicism was then prevailing. (drama, poetry, and prose should

all be controlled by some fixed rules.)

2.Representatives:

(1)Samuel Butler (1612-1680): Hudibras《讽刺》, a pungent political satire on Puritanism as synonymous with

hypocrisy.

(2)John Dryden (1631-1700):

①Life:

a. Poet Laureate

b. Raising English literary criticism to a new level

c.The forerunner of the English classical school of literature in the next century

②Major works:

a. The Hind and the Panther《牝鹿与豹》(a didactic poem)

b. All for Love《一切为了爱》(a tragedy)

c. Absalom and Achitophel (a long poem, in heroic couplet and on contemporary thems)

d. An Essay of Dramatic Poesy《论戏剧诗》(a prose which established his position as the leading critic of the day)

③Style:

a. following the standards of classicism

b. establishing the heroic couplet as one of the principal English verse forms

c. clarifying the English prose and making it precise, concise and flexible

英国文学期末考试题目(英语专业必备)

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英国文学期末考试题目(英语专业必备)

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