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高级英语(下)试卷F试题含答案

高级英语(下)试卷F试题含答案
高级英语(下)试卷F试题含答案

绍兴文理学院元培学院学年学期

英语专业级《高级英语(下)》试卷(F)

PART I MINI-LECTURE [20 MIN]

In this section you will hear a mini-lecture. You will hear the lecture ONCE ONLY. While listening, take notes on the important points. Your notes will not be marked, but

you will need them to complete a gap-filling task after the mini-lecture. When the lecture is over, you will be given two minutes to check your notes, and another ten minutes to

complete the gap-filling task on your ANSWER SHEET. Use the blank sheet for note-taking.

Now listen to the mini-lecture.

PART II READING COMPREHENSION [20 MIN]

In this section, there are several reading passages followed by a total of fifteen multiple-choice questions.

Read the passages

and then write your answers on your

ANSWER SHEET.

TEXT A

The fox really exasperated them both. As soon as they had let the fowls out, in the early summer mornings, they had to take their guns and keep guard; and then again as soon as evening began to mellow, they must go once more. And he was so sly. He slid along in the deep grass; he was difficult as a serpent to see. And he seemed to circumvent the girls deliberately. Once or twice March had caught sight of the white tip of his brush, or the ruddy shadow of him in the deep grass, and she had let fire at him. But he made no account of this.

The trees on the wood edge were a darkish, brownish green in the full light—for it was the end of August. Beyond, the naked, copper-like shafts and limbs of the pine trees shone in the air. Nearer the rough grass, with its long, brownish stalks all agleam, was full of light. The fowls were round about—the ducks were still swimming on the pond under

the pine trees. March looked at it all, saw it all, and did not see it. She heard Banford speaking

to the fowls in the distance—and she did not hear. What was she

thinking about? Heaven knows. Her consciousness was, as it were, held back.

She lowered her eyes, and suddenly saw the fox. He was looking up at her. His chin was pressed down, and his eyes were looking up. They met her eyes. And he knew her. She was spellbound—she knew he knew her. So he looked into her eyes, and her soul failed her. He knew her, he has not daunted.

She struggled, confusedly she came to herself, and saw him making off, with slow leaps over some

fallen boughs, slow, impudent jumps. Then he glanced over his shoulder, and ran smoothly away. She saw his brush held smooth like a feather, she saw his white buttocks twinkle. And he was gone, softly, soft as the wind.

She put her gun to her shoulder, but even then pursed her mouth, knowing it was nonsense to pretend to fire. So she began to walk slowly after him, in the direction he

had gone, slowly, pertinaciously. She expected to find him. In her heart she was determined to find him. What she would do when she saw him again she did not consider. But she was determined to find him. So she walked abstractedly about on the edge of the wood, with wide, vivid dark eyes, and a faint flush in her cheeks. She did not think. In strange mindlessness she walked hither and thither...

As soon as supper was over, she rose again to go out, without saying why.

She took her gun again and went to look for the fox. For he had lifted his eyes upon her and his knowing look seemed to have entered her brain. She did not so much think of him: she was possessed by him. She saw his dark, shrewd, unabashed eye looking into her, knowing her. She felt him invisibly master her spirit. She knew the way he lowered his chin as he looked up, she knew his muzzle, the golden brown, and the greyish white. And again she saw him glance over his shoulder at her, half inviting, half contemptuous and cunning. So she went, with her great startled eyes glowing, her gun under her arm, along the wood edge. Meanwhile the night fell, and a great moon rose

above the pine trees.

1. At the beginning of the story, the fox seems to be all EXCEPT ___________.

A. cunning

B. fierce

C. defiant

D. annoying

2. As the story proceeds, March begins to feel under the spell of ___________.

A. the light

B. the trees

C. the night

D. the fox

3. Gradually March seems to be in a state of _____________.

A. blankness

B. imagination

C. sadness

D. excitement

4. At the end of the story, there seems to be a sense of ___________ between March and the fox.

A. detachment

B. anger

C. intimacy

D. conflict

5. The passage creates an overall impression of _____________.

A. mystery

B. horror

C. liveliness

D. contempt

TEXT B

Just over 10 years ago, Ingmar Bergman announced that the widely acclaimed Fanny and Alexander would mark his last hurrah as a filmmaker. Although some critics had written him off as earnest but ponderous, others were saddened by the departure of an artist who had explored cinematic moods—from high tragedy to low comedy—during his four-decade career.

What nobody foresaw was that Bergman would find a variety of ways to circumvent his own retirement—directing television movies, staging theater productions, and writing screenplays for other filmmakers to direct. His latest enterprise as a screenwriter, Sunday’s Children, completes a trilogy of family-oriented movies that began with Fanny and Alexander and continued with The Best Intentions written by Bergman and directed by Danish filmmaker Bille August.

Besides dealing with members of Bergman’s family in bygone times—it begins a few years after The Best Intentions leaves off—the new picture was directed by Daniel Bergman, his youngest son. Although it lacks the urgency and originality of the elder Bergman’s greatest achievements, such as The Silence and Persona, it has enough visual and emotional interest to make a worthy addition to his body of work.

Set in rural Sweden during the late 1920s, the story centers on a young boy named Pu, clearly modeled on Ingmar Bergman himself. Pu’s father is a country clergyman whose duties include traveling to the capital and ministering to the royal family. While this is an enviable position, it doesn’t assuage problems in the pastor’s marriage. Pu is young enough to be fairly oblivious to such difficulties, but his awareness grows with the passage of time. So do the subtle tensions that mar Pu’s own relationship with his father, whose desire to show affection and compassion is hampered by a certain stiffness in his demeanor and chilliness in his emotions.

The film’s most resonant passages take place when Pu learns to see his father with new clarity while accompanying him on a cross-country trip to another parish. In a remarkable change of tone, this portion of the story is punctuated with flash-forwards to a time 40 years in the future, showing the relationship between parent and child to be dramatically reversed: The father is now cared for by the son, and desires forgiveness for past shortcomings that the younger man resolutely refuses to grant.

Brief and abrupt though they are, these scenes make a pungent contrast with the sunny landscapes and comic interludes in the early part of the movie.

Sunday’s Children is a film of many levels, and all are skillfully handled by Daniel Bergman in his directional debut. Gentle scenes of domestic contentment are sensitively interwoven with intimations of underlying malaise. While the more nostalgic sequences are photographed with an eye-dazzling beauty that occasionally threatens to become cloying, any such result is foreclosed by the jagged interruptions of the flash-forward sequences—an intrusive device that few filmmakers are agile enough to handle successfully, but that is put to impressive use by the Bergman team.

Henrik Linnros gives a smartly turned performance as young Pu, and Thommy Berggren—who starred in the popular Elvira Madigan years ago—is steadily convincing as his father. Top honors go to the screenplay, though, which carries the crowded canvas of Fanny and Alexander and the emotional ambiguity of The Best Intentions into fresh and sometimes fascinating territory.

6. Over the years critical views of Bergman’s work have ____________.

A. without exception been positive

B. deplored his seriousness

C. often been antithetical

D. usually focused on his personality

7. The subject matter of Sunday’s Children _____________.

A. is presented chronologically

B. takes place in the 19th century

C. occurs all in one locale

D. is derived from reminiscences

8. From the passage we can infer that Pu’s father is portrayed as a ____________.

A. demonstrative and caring parent

B. reserved and reticent man

C. compassionate and sentimental spouse

D. spontaneous and dynamic minister

9. The reviewer thinks that the “flash forward” techniques is _____________.

A. seldom handled skillfully

B. responsible for the film’s success

C. too disruptive for ordinary filmgoers

D. best left to amateur experimentation

10. In the reviewer’s opinion, Sunday’s Children _____________.

A. is a cinematic first

B. has an original and interesting script

C. is visually and emotionally depressing

D. surpasses Bergman’s previous work

TEXT C

The Planning Commission asserts that the needed reduction in acute hospital beds can best be accomplished by closing the smaller hospitals, mainly voluntary and proprietary. This strategy follows from the argument that closing entire institutions saves more money than closing the equivalent number of beds scattered throughout the health system.

This issue is not that simple. Larger hospitals generally are designed to provide more complex care. Routine care at large hospitals costs more than the same care given at smaller hospitals. Therefore, closure of all the small hospitals would commit the city to paying considerably more for inpatient care delivered at acute care hospitals than would be the case with a mixture of large and small institutions. Since reimbursement rates at the large hospitals are now based on total costs, paying the large institutions a lower rate for routine care would simply raise the rates for complex care by a comparable amount. Such a reimbursement rate adjustment might make the charges for each individual case more accurately reflect the actual costs, but there would be not reduction in the total costs.

There is some evidence that giant hospitals are not the most efficient. Service organizations—and medical care remains largely a service industry—frequently find that savings of scale have an upper limit. Similarly, the quality of routine care in the very largest hospitals appears to be less than optimum. Also, the concentration of all hospital beds in a few locations may affect the access to care.

Thus, simply closing the smaller hospitals will not necessarily save money or improve the quality of care.

Since the fact remains that there are too many acute care hospital beds in the city, the problem is to devise a proper strategy for selecting and urging the closure of the excess beds, however many it may turn out to be.

The closing of whole buildings within large medical centers had many of the cost advantages of closing the whole of small institutions, because the fixed costs can also be reduced in such cases. Unfortunately, many of the separate buildings at medical centers are special use facilities, the relocation of which is extremely costly. Still, a search should be made for such opportunities.

The current lack of adequate ambulatory care facilities raises another possibility. Some floors or other large compact areas of hospitals could be transferred from inpatient to ambulatory uses. Reimbursement of ambulatory service is chaotic, but the problem is being addressed. The overhead associated with the entire hospital should not be charged even pro rata to the ambulatory facilities. Even if it were, the total cost would probably be less than that of building a new facility. Many other issues would also need study, especially the potential over-centralization of ambulatory services.

The Planning Commission language seems to imply that one reason for closing smaller hospitals is that they are “mainly voluntary and proprietary,” thus preserving the public hospital system by making the rest of the hospital system absorb the needed cuts. It is important to preserve the public hospital system for many reasons, but the issue should be faced directly and not hidden behind arguments about hospital size if indeed that was the meaning.

11. The best title for the passage would be _____________.

A. Maintaining Adequate Hospital Facilities

B. Defending the Public Hospitals

C. Protecting the Proprietary and V oluntary Hospitals

D. Economic Efficiency in Hospital Bed Closings

12. The Planning Commission is accused by the author of being _____________.

A. unfair

B. foolish

C. shortsighted

D. ignorant

13. The author’s purpose in discussing ambulatory ca re is to ______________.

A. discuss alternatives to closing hospital beds

B. present a method of reducing the fiscal disadvantages of closing only parts of

larger hospitals

C. help preserve the public hospital system

D. attack the inefficient use of space on larger hospitals

14. With which of the following is the author LEAST likely to agree?

A. A proposal to save costs in a prison system by building only very large prison

complexes.

B. A plan to stop the closing of any beds whatsoever in the city, until the costs of

various alternatives can be fully considered.

C. A proposal by an architecture firm that new hospital buildings have centralized

record systems.

D. A mayoral commission being formed to study the plight of the elderly.

15. How does the author feel that his suggestions for closing inpatient beds could impact

on the ambulatory care system?

A. Ambulatory care costs will probably be reduced.

B. A reduction of hospital beds will increase the demand for ambulatory services.

C. Smaller hospitals will have to cut back ambulatory services to stay fiscally viable.

D. The use as ambulatory facilities of the space made available in large hospitals by

bed closings might result in having too many ambulatory services based in large hospitals.

PART III GENERAL KNOWLEDGE [10 MIN]

There are ten multiple-choice questions in this section. Choose the best answer to each question and then write your answers on your ANSWER SHEET.

16. The largest city in Australia is ___________.

A. Sydney

B. Melbourne

C. Canberra

D. Perth

17. Which branch of American government has the power to interpret the Constitution?

A. The Supreme Court

B. The President

C. The Two Houses

D. The Senate

18. In Canada general elections must be held at least once every _____________.

A. two years

B. three years

C. four years

D. five years

19. The British recorded history began with ____________.

A. the Roman invasion

B. the Norman Conquest

C. the Viking and Danish invasion

D. the Anglo-Saxon invasion

20. Who is NOT the major figure of modernist movement?

A. T.S. Eliot

B. James Joyce

C. William Yeats

D. George Eliot

21. It is generally regarded that Keats’s most important and mature poems are in the

form of .

A. elegy

B. ode

C. epic

D. sonnet

22. __________ is Mark Twain’s master work, the one book from which as Hemingway

noted, “All modern American literature comes.”

A. The Gilded Age

B. The Adventures of Huckleberry Finn

C. The Adventures of Tom Sawyer

D. Life on the Mississippi

23. The distinction between competence and performance is proposed by ___________.

A. Saussure

B. Halliday

C. Chomsky

D. Searle

24. The relationship between “furniture” and “table” is ___________.

A. homonymy

B. hyponymy

C. polysemy

D. synonymy

25. The branch of Linguistics that studies how context influences the way speakers

interpret sentences is called ____________.

A. Semantics

B. Pragmatics

C. Sociolinguistics

D. Psycholinguistics

PART IV PROOFREADING & ERROR CORRECTION [10 MIN] Proofread the given passage on your ANSWER SHEET as instructed.

PART V TRANSLATION [30 MIN]

SECTION A CHINESE TO ENGLISH

Translate the following underlined part of the text into English. Write your translation on your ANSWER SHEET.

我的最大爱好是沉思默想。我可以一个人长时间地独处而感到愉快。独享欢乐是一种愉快,独自忧伤也是一种愉快。孤独的时候,精神不会是一片纯粹的空白,它仍然是一个丰富多彩的世界。情绪上的大欢乐和大悲痛往往都在孤独中产生。孤独中,思维可以不依照逻辑进行。孤独更多地产生人生的诗情——激昂的和伤感的。孤独可以使人的思想向更遥远更深邃的地方伸展,也能使你对自己或环境作更透彻的认识和检讨。SECTION B ENGLISH TO CHINESE

Translate the following underlined part of the text into Chinese. Write your translation on your ANSWER SHEET.

Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, a quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.

Youth means a temperamental predominance of courage over timidity, of the appetite for adventure over the love of ease. This often exists in a man of 60 more than a boy of 20. Nobody grows old merely by a number of years. We grow old by deserting our ideals.

Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust bows the heart and turns the spring back to dust.

PART VI WRITING [30 MIN]

Some people think that those who have received higher education should be paid a higher salary than those who have not because the former have paid more for their education. Do you agree with this opinion? Write an essay of about 300 words on the topic given below.

The Better One’s Education, the Higher One’s Salary In the first part of your writing you should present your thesis statement, and in the second part you should support the thesis statement with appropriate details. In the last part you should bring what you have written to a natural conclusion or a summary.

Marks will be awarded for content, organization, grammar and appropriateness. Failure to follow the above instructions may result in a loss of marks.

Write your composition on your ANSWER SHEET.

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