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出自《哈姆雷特》第三幕第一场
此段的全文如下：
HAMLET
To be, or not to be: that is the question,
Whether'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them. To die,to sleep;
No more; and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wished. To die, to sleep.
To sleep, perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of th'unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country from whose bourn No traveller returns, puzzles the will,
And makes us rather bear those ills we have
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精品文档 精品文档 Hamlet (Act 3, Scene 1, lines 55-86) To be, or not to be: that is the question, Whether'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. To die, to sleep; No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wished. To die, to sleep. To sleep, perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office, and the spurns That patient merit of th'unworthy takes, When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action. 生存还是毁灭，这是一个值得考虑的问题；默然忍受命运暴虐的毒箭，或是挺身反抗人世无涯的苦难，这两种行为，哪一种更加高尚？死了；睡着了；什么都完了；要是在这一种睡眠之中，我们心头的创痛，以及其他无数血肉之躯所不能避免的打击，都可以从此消失，那正是我们求之不得的结局。死了；睡着了；睡着了也许还会做梦；嗯，阻碍就在这儿：因为当我们摆脱了这一具朽腐的皮囊以后，在那死的睡眠里，究竟将要做些什么梦，那不能不使我们踌躇顾虑。人们甘心久困于患难之中，也就是为了这个缘故；谁愿意忍受人世的鞭挞和讥嘲、压迫者的凌辱、傲慢者的冷眼、被轻蔑的爱情的惨痛、法律的迁延、官吏的横暴和费尽辛勤所换来的小人的鄙视，要是他只要用一柄小小的刀子，就可以清算他自己的一生？谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的磨折，不敢向我们所不知道的痛 苦飞去？这样，重重的顾虑使我们全变成了懦夫，决心的赤热的光彩，被审慎的思维盖上了一层灰色，伟大的事业在这一种考虑之下，也会逆流而退，失去了行动的意义。 ——《哈姆雷特》（英·William Shakespeare ）中的经典独白soliloquy [s ?'l ?l ?kw ?] This is an internal philosophical debate on the advantages and disadvantages of existence, and whether it is one ’s right to end his/her own life.
英语翻译1301 2013011275 The specific analyzes of characters of Hamlet Hamlet is a humanist of which involved in the contradictory of ideal and reality, and a person who has some beautiful views on the world human and society . But the cruelty and hideous of the real world have destroyed his expectation and broke his faith of humanism. As a humanist ,his hesitation on the way of revenge indicated the great gap of power between the humanism and feudalism. The author is aim at pointing out his introspection of The Renaissance and preoccupation of fate of human and our society. Humlet is the model of humanism idealist in the period of Renaissance. Although he wears the black suits , been serious at the first time when he showing up as a melancholy prince. But before story begins he is a happy prince studied in the Wittenburg, the headquarter of humanism. He has a fully rational faith to human. The mankind ,how a amazing craft he is, how nobly his rational is, what a great power and glamorous character he has , behaves like an angle, be intelligent as a god, the essence of the world and universe. But the world changed so fast, the sudden death of his father ,the idealized king in his mind, broke his life. His
哈姆雷特梁实秋译本 《哈姆雷特》的中文译本中，比较受推崇的有卞之琳译本、梁实秋 译本、 朱生豪译本。那么梁实秋作家的大家了解? 《哈姆雷特》梁实秋的散文 体翻译 用散文体译莎剧的代表人物就是梁实秋先生。 梁实秋先生以近四十年的漫漫 人生完成煌煌四十卷《莎士比亚全集》的翻译，是中国文化史上的不朽盛事，海 内外能独自把莎剧全部译成汉语的， 迄今只有梁实秋先生一人。 并且他对待翻译 的态度与他的人生观一样，传统，十分严谨，一丝不苟。在翻译莎士比亚时，他 经过大量的“爬梳剖析”， 最终选定未经任何增删的牛津版本作为原 文材料，还广泛阅读了许多莎剧专家的大量注释，作细致的比较鉴别，尽量使译 作与原作保持一致。 梁实秋的译文：死后还是存在，还是不存在，——这是问题;究 竟要忍受这强暴的命运的矢石， 还是要拔剑和这滔天恨事拼命相斗， 才是英雄气 概呢?死， ——长眠， ——如此而已;梁实秋采用了散文体， 把原文中的“无韵体”一律译成散文，而“原文中押韵之处则 悉数译为韵语。”用散文体翻译莎剧，也在一定程度上推进了白话文运动 的进一步发展和完善。 关于译为散文的原因， 他在 30 年代出版的莎剧译本的 《例 言》中提出了自己的观点。他这样谈到，“莎翁的原文大部分是‘ 无韵诗’，凡原文为‘无韵诗’，则亦译为散文。因为‘ 无韵诗’中文根本无此体裁，莎翁之运用‘无韵诗’体亦甚自 由，实已接近散文，不过节奏稍微齐整;莎士比亚戏剧在舞台上演员并不咿呀吟 诵，亦读若散文一般。所以译文以散文为主。”“不过，所谓无韵诗 并不是等于把散文拿来分开排印，这是很重要的一点。 他的译文不是单纯的直译， 逐字直译会成为令人无法卒读的文字， 也不是完 全意译，因为意译能产生流畅的文字，但与原文的语气和节奏相差太远了。梁实 秋的散文译本通俗易懂，读起来不会那么枯燥，索然无味。“死后还是存 在， 还是不存在， ——这是问题;”一个踌躇满志又迷茫敏感的 王子形象跃然纸上。 三.卞之琳的诗体翻译用诗体翻译莎士比亚戏剧的有孙大雨， 方平，林同济等人，但最著名的代表人物是卞之琳先生。 卞之琳先生认为莎剧本
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出自《哈姆雷特》第三幕第一场 此段的全文如下： HAMLET To be, or not to be: that is the question, Whether'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. To die,to sleep; No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wished. To die, to sleep. To sleep, perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office, and the spurns That patient merit of th'unworthy takes, When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pitch and moment With this regard their currents turn awry And lose the name of action. 编辑本段译文
○1The character of Hamlet is the most outstanding of his irresolute and.hesitant. Facing the father was poisoned, mother to be possessed, Wang Quan is stolen, countries were coveted enemy of hate, Hamlet has strong revenge wish: " my destiny in the cry, make my whole body each fine blood vessels become like an angry lion. Bones and muscles as hard." "rest, rest, suffering soul! Well, friends, I with great passion, trust you two ; if in the hamlet of weak ability, can have to express to you his friendship, God, I'll quit you. Let us go ; please remember no matter what time should be kept. It is an upside-down era, oh, shit I have to shoulder the responsibility of restructuring the course! Come, let's go together." the oath, Hamlet in this resolutely determined expression of their revenge of the firm belief. But on the other hand, Hamlet to the killing of this seemingly simple actions are shown for ordinary people to understand the concerns of complex, he had several times to kill enemies the chance, but in this complex work, revenge againWork not completed. When he meets by chance to the enemy for their sin, revenge is flashed, and then he was transferred to the opportunity value thinking : " now I just started, he was praying. I do it right now, he is a life died, I will revenge. It need to calculate a. A villain who killed my father, my son, the evil Chinese to go to heaven but then Hamlet first became an ideological struggle. ○2One side is murdered his father 's tooth pain, father dead sound collection, the other side is the life value of serious thought, born with a melancholy temperament. Hamlet lies between the two hard wander. "But is afraid of death went no one back that had never found the land, if there will also do not know how, so will shake, so they prefer to endure the punishment, rather than to some other unknown suffering like this, concerns that we have become a coward, also like this, decisions are colors on white layer of thinking ill ; this can be with vigour and vitality of large for, as a result of this wonder out awkward and lose the name of action." ○3On the interpretation of a revenge plan became a bitter ideological breakthrough. In this breakthrough in the process of Hamlet constantly see the darkness of the society, was trying to put myself into this dark world, with the enemy the same means to deal with the enemy; but the humanity and the faith of justice is making the instinctive resistance. In this kind of give tit for tat the ideological conflict, the evolution of Hamlet for a difficult choice. "People are
<<<<<<精品资料》》》》》 出自《哈姆雷特》第三幕第一场 此段的全文如下： HAMLET To be, or not to be: that is the question, Whether'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. To die,to sleep; No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wished. To die, to sleep. To sleep, perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office, and the spurns That patient merit of th'unworthy takes, When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have <<<<<<精品资料》》》》》
译文对比: (卞之琳译) 活下去还是不活：这是问题。 要做到高贵，究竟该忍气吞声 来容受狂暴的命运矢石交攻呢， 还是该挺身反抗无边的苦恼， 扫它个干净？死，就是睡眠 就这样；而如果睡眠就等于了结了 心痛以及千百种身体要担受的 皮痛肉痛，那该是天大的好事， 正求之不得啊！死，就是睡眠； 睡眠，也许要做梦，这就麻烦了！ 我们一旦摆脱了尘世的牵缠， 在死的睡眠里还会做些什么梦， 一想到就不能不踌躇。这一点顾虑 正好使灾难变成了长期的折磨。 谁甘心忍受人世的鞭挞和嘲弄， 忍受压迫者虐待、傲慢者凌辱， 忍受失恋的痛苦、法庭的拖延、 衙门的横暴，做埋头苦干的大才、 受作威作福的小人一脚踢出去， 如果他只消自己来使一下尖刀 就可以得到解脱啊？谁甘心挑担子， 拖着疲累的生命，呻吟，流汗， 要不是怕一死就去了没有人回来的 那个从未发现的国土，怕那边 还不知会怎样，因此意志动摇了， 因此便宁愿忍受目前的灾殃， 而不愿投奔另一些未知的昔难？ 这样子，顾虑使我们都成了懦夫， 也就这样子，决断决行的本色 蒙上了惨白的一层思虑的病容； 本可以轰轰烈烈的大作大为， 由于这一点想不通，就出了别扭， 失去了行动的名分。 （朱生豪译） 生存还是毁灭，这是一个值得考虑的问题；默然受命运的暴虐的毒箭，或是挺身反抗人世的无涯的苦难，通过斗争把它们扫清，这两种行为，哪一种更高贵?死了，睡着了；什么都完
了；要是在这一种睡眠之中，我们心头的创痛，以及其他无数血肉之躯所不能避免的打击，都可以从此消失，那正是我们求之不得的结局。死了；睡着了；睡着了也许还会做梦；嗯，阻碍就在这儿：因为当我们摆脱了这一具朽腐的皮囊以后，在那死的睡眠里，究竟将要做些什么梦，那不能不使我们踌躇顾虑。人们甘心久困于患难之中，也就是为了这个缘故；谁愿意忍受人世的鞭挞和讥嘲、压迫者的凌辱、傲慢者的冷眼、被轻蔑的爱情的惨痛、法律的迁延、官吏的横暴和费尽辛勤所换来的小人的鄙视，要是他只要用一柄小小的刀子，就可以清算他自己的一生?谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的磨折，不敢向我们所不知道的痛苦飞去?这样，重重的顾虑使我们全变成了懦夫，决心的赤热的光彩，被审慎的思维盖上了一层灰色，伟大的事业在这一种考虑之下，也会逆流而退，失去了行动的意义。 生存或毁灭, 这是个必答之问题: 是否应默默的忍受坎坷命运之无情打击, 还是应与深如大海之无涯苦难奋然为敌, 并将其克服。 此二抉择, 究竟是哪个较崇高? 死即睡眠, 它不过如此! 倘若一眠能了结心灵之苦楚与肉体之百患, 那么, 此结局是可盼的! 死去, 睡去... 但在睡眠中可能有梦, 啊, 这就是个阻碍: 当我们摆脱了此垂死之皮囊, 在死之长眠中会有何梦来临? 它令我们踌躇, 使我们心甘情愿的承受长年之灾, 否则谁肯容忍人间之百般折磨, 如暴君之政、骄者之傲、失恋之痛、法章之慢、贪官之侮、或庸民之辱, 假如他能简单的一刃了之? 还有谁会肯去做牛做马, 终生疲於操劳, 默默的忍受其苦其难, 而不远走高飞, 飘於渺茫之境, 倘若他不是因恐惧身後之事而使他犹豫不前? 此境乃无人知晓之邦, 自古无返者。 所以,「理智」能使我们成为懦夫, 而「顾虑」能使我们本来辉煌之心志变得黯然无光, 像个病夫。 再之, 这些更能坏大事, 乱大谋, 使它们失去魄力。
《哈姆雷特》节选四种译本的介绍 一选自梁实秋译本，梁实秋是中国独自一人翻译《莎士比亚全集》的第一人。他从1930年开始着手翻译，至1936年商务印书馆首次出版戏剧8种，至1967年最终完成全集的翻译并由台湾远东图书公司出版，历时37年。后由台湾远东图书公司授权北京中国广播电视出版社2001年7月出版《莎士比亚全集》。 二选自朱生豪译本，在极为困难的情况下进行翻译，可惜32岁去逝，未能译完全集。1947年秋，上海世界书局分三辑（喜剧、悲剧、杂剧）出版朱译莎士比亚，计27部剧本。1954年作家出版社出版朱译《莎士比亚戏剧集》。1978年人民文学出版社出版《莎士比亚全集》，内收朱译31部剧本。 三选自孙大雨译本，上海译文出版社于2010年8月出版《莎士比亚四大悲剧》。早在1931年，孙大雨就翻译了莎士比亚的《罕秣莱德》（第三幕第四景），发表在徐志摩主编的《诗刊》第三期上。最早的《罕秣莱德》由上海译文出版社出版，1991年5月第一版。该出版社将孙大雨翻译的莎士比亚四大悲剧合在一起出版，删去了注释，将人名改为了通行名字。1999年又由台北市联经出版社出版，名为《哈姆雷特》。 四选自卞之琳译本，《哈姆雷特》由作家出版社1956年初版，北京人民文学出版社于1988年3月首次出版《莎士比亚悲剧四种》。
LORD POLONIUS Yet here, Laertes？Aboard, aboard, for shame! The wind sits in the shoulder of your sail, And you are stay'd for. There, my blessing with thee! And these few precepts in thy memory Look thou character. Give thy thoughts no tongue, Nor any unproportion'd thought his act. Be thou familiar, but by no means vulgar: Those friends thou hast, and their adoption tried, Grapple them unto thy soul with hoops of steel; But do not dull thy palm with entertainment Of each new-hatch'd, unfledg'd comrade. Beware Of entrance to a quarrel; but being in, Bear't that th' opposed may beware of thee. Give every man thine ear, but few thy voice; Take each man's censure, but reserve thy judgment. Costly thy habit as thy purse can buy, But not express'd in fancy; rich, not gaudy; For the apparel oft proclaims the man, And they in France of the best rank and station
T o b e o r n o t t o b e,t h a t i s t h e q u e s t i o n t o a n s w e r.生存或毁灭, 这是个必答之 问题: W h e t h e r I s h o u l d s u f f e r t h e p a i n s i l e n t l y o r R i s e i n f u r i o u s r e s i s t a n c e t o t h e l i m i t l e s s p a i n i n t h e w o r l d 是否应默默的忍受坎苛命运之无情打击, 或是挺身反抗人世的无涯的苦难 O r t o t a k e a c t i o n t o a g a i n s t a s e a o f t r o u b l e s a n d d e f e a t t h e m i n t h e e n d.还是应与深如大海之无涯苦难奋然为敌, 并将其克服 T h e t w o c h o i c e s,w h i c h o n e i s t h e n o b l e r?此二抉择, 究竟是哪个较崇 高? T h e d e a t h m e a n s t o s l e e p,i f d e a t h c a n b r i n g t h e e n d o f s u f f e r i n g f o r t h e b o d y o r h e a r t t h a t m u s t b e t h e b e t t e r c h o i c e.死即睡眠, 它不过如此! 倘若一眠能了结心灵之苦楚与肉体之百患, 那么, 此结局是可盼的! T h e d e a t h m e a n s t o s l e e p! B u t i n s l e e p i n g,w e h a v e d r e a m s.T h a t i s t h e r u b!死去, 睡去... 但在睡眠中可能有梦, 啊, 这就是个阻碍: W h e n w e a r e f r e e f r o m t h i s m o r t a l c o i n,w h a t d r e a m s w i l l a p p e a r i n o u r s l e e p o f d e a t h w h i c h 当我们摆脱了此垂死之皮囊在死之长眠中会有何梦来临?
英译汉文章翻译赏析 时间:2009年06月01日 【英译中选段六】原文（by Robert Frost） The Gift Outright The land was once ours before we were the land’s. She was our land more than a hundred years. Before we were her people. She was ours In Massachusetts, in Virginia; But we were England’s, still colonials, Possessing what we still were unpossessed by, Possessed by what we now no more possessed. Something we were withholding made us weak Until we found out that it was ourselves We were withholding from our land of living, And forthwith found salvation in surrender. Such as we were we gave ourselves outright (The deed of gift was many deeds of war) To the land vaguely realizing westward, But still unstoried, artless, unenhanced, Such as she was, such as she would become. (原载https://www.doczj.com/doc/2a15344114.html, ) 译文（余光中译）： 全心的奉献 土地先属于我们，我们才属于土地。 她成为我们的土地历一百余年， 我们才成为她的人民。当时 她属于我们，在麻萨诸塞，在佛吉尼亚， 但我们属于英国，仍是殖民之身， 我们拥有的，我们仍漠不关心， 我们关心的，我们已不再拥有。 我们保留的一些什么使自己贫弱， 直到我们发现，原来是我们自己， 保留着，不肯给自己生息之地， 立刻，在献身之中找到了生机。 赤裸裸地，我们全心将自己奉献， （献身的事迹是多次的战迹） 献身与斯土，斯土正浑沦拓展，向西， 但迄未经人述说，朴实无华，未加渲染。 当时她如此，且预示她仍将如是。 （原载《余光中选集第五卷：译品集》，黄维樑、江弱水编选，安徽教育出版社，1999）【英译中选段七】 原文（by Fancis Bacon） Studies serve for delight, for ornament, and for ability. Their chief use for delight, is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgment and disposition of
This is an internal philosophical debate on the advantages and disadvantages of existence, and whether it is one’s right to end his/her own life. Hamlet (Act 3, Scene 1, lines 55-86) To be, or not to be: that is the question, Whether'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. To die, to sleep; No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wished. To die, to sleep. To sleep, perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office, and the spurns That patient merit of th'unworthy takes, When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action. 生存还是毁灭，这是一个值得考虑的问题；默然忍受命运暴虐的毒箭，或是挺身反抗人世无涯的苦难，这两种行为，哪一种更加高尚？死了；睡着了；什么都完了；要是在这一种睡眠之中，我们心头的创痛，以及其他无数血肉之躯所不能避免的打击，都可以从此消失，那正是我们求之不得的结局。死了；睡着了；睡着了也许还会做梦；嗯，阻碍就在这儿：因为当我们摆脱了这一具朽腐的皮囊以后，在那死的睡眠里，究竟将要做些什么梦，那不能不使我们踌躇顾虑。人们甘心久困于患难之中，也就是为了这个缘故；谁愿意忍受人世的鞭挞和讥嘲、压迫者的凌辱、傲慢者的冷眼、被轻蔑的爱情的惨痛、法律的迁延、官吏的横暴和费尽辛勤所换来的小人的鄙视，要是他只要用一柄小小的刀子，就可以清算他自己的一生？谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的磨折，不敢向我们所不知道的痛苦飞去？这样，重重的顾虑使我们全变成了懦夫，决心的赤热的光彩，被审慎的思维盖上了一层灰色，伟大的事业在这一种考虑之下，也会逆流而退，失去了行动的意义。——《哈姆雷特》（英·William Shakespeare）中的经典独白soliloquy[s?'l?l?kw?]
本科生毕业设计（论文）封面 （ 2017 届） 论文（设计）题目 作者 学院、专业 班级 指导教师（职称） 论文字数 论文完成时间 大学教务处制
英语原创毕业论文参考选题 一、论文说明 本写作团队致力于英语毕业论文写作与辅导服务，精通前沿理论研究、仿真编程、数据图表制作，专业英语本科论文5000起，具体可以找扣扣958035 640 ，下列所写题目均可写作。部分题目已经写好原创。 二、原创论文参考题目 1 高中英语反思式教学研究 2 从新闻用语特点对比中西方文化差异 3 论凯瑟琳.曼斯菲尔德作品中的彼得.潘情结 4 《绝望的主妇》中的中产阶级女性独立意识的研究 5 环保宣传语翻译中的文化介入 6 论《简爱》中的经济意识 7 英语歌曲名称汉译研究 8 An Ecocritical Analysis on Lady Chatterley’s Lover 9 我对直译和意译的看法 10 An Analysis of Translation of Road and Traffic Public Signs 11 学生英译汉翻译中的英式汉语及其改进方式 12 The Analysis of the Representative Images in The Waste Land 13 《善良的乡下人》的喜剧性分析 14 跨文化交际中的障碍浅析及其解决方法 15 任务型教学法在高中英语阅读教学中的应用 16 通过巴丝谢芭看哈代的宿命论 17 汉英动物词文化内涵的对比 18 浅析《心是孤独的猎手》的精神隔绝主题 19 肯德基在中国的成功之道 20 一个为追求自我挣扎的灵魂——看凯特.肖邦的《觉醒》 21 跨文化商务谈判中的文化差异及应对技巧 22 从《厄舍古屋的倒塌》看爱伦坡写作的哥特式风格 23 浅析《了不起的盖茨比》的主要人物性格 24 姓名—透视社会文化的窗口 25 《人鼠之间》中两主人公乔治和雷尼的对比分析 26 浅析初中生英语写作问题及对策 27 《苏菲的选择》中的人性分析 28 从目的论角度看企业推介材料的中译英技巧－以家具产品介绍为例 29 骑士精神对现代社会的影响 30 合作原则在电影《暮光之城》人物心理分析中的应用 31 美式英语与英式英语的比较 32 非语言行为在英语交流中的应用 33 从《瓦尔登湖》看梭罗的自然观 34 美狄亚的女性主义分析