考研英语真题 英语一新题型
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2008 考研英语一新题型
2008年考研英语一新题型如下:
新题型又称段落匹配题,共7段,包含五个小题,每小题2分,共10分。
1. 阅读理解A部分:四篇阅读理解,每篇后面有5个问题,共20个问题。
每题2分,共40分。
2. 阅读理解B部分:该部分有3种备选题型:七选五(2分)、多项对应(2分)和句子填空(2分)。
考生需要根据文章内容和问题要求进行作答,填对得2分,填错不得分。
3. 阅读理解C部分:该部分为英译汉,要求考生将一段英文材料翻译成中文。
每句2分,共10分。
4. 写作部分:该部分包括两篇作文,第一篇为应用文写作,要求考生根据所给情境写一篇书信、邮件、简历等;第二篇为图画作文,要求考生根据所给漫画进行描述和议论。
两篇作文均15分,共30分。
希望以上信息对您有所帮助,如果您还有其他问题,欢迎告诉我。
2021年考研英语(一)新题型概述新题型(英语一)诞生于2021年——英语大纲进行了重大改革,考研英语一由原来的四大题型,(完型、阅读理解、翻译、写作)扩展为5大题型(完型、阅读理解、新题型、翻译、写作),其中,新添加的一种题型就是新题型。
新题型属于阅读理解的Part B 部分,共5题,每题2分,总分10分。
然而,新题型所占分值相同,考查能力相同,但是,英语一和英语二的考查新题型的命题形式稍有不同。
今天准备了“2021考研英语新题型英语(一)概述”,供大家复习参考。
根据历年真题分析,及考研英语大纲要求,新题型对考生的考查能力,势必要不同于传统阅读理解(Part A ),传统阅读理解,究根结底考查的是理解能力,而新题型考查的能力,更侧重,强调一篇文章地宏观层面,考查语篇、文章的段与段、句与句之间的衔接与连贯,考查考生判断衔接度与连贯性的能力。
根据英语大纲对新题型考查能力的要求,新题型英语一分为三种命题形式:1、完型填句、段式;2、排序题;3、小标题。
观察发现,自从2021年起至2021年(历经13年),其中,完型填句、填段式,考频最高,难度适中,共考过7年(2021,2021,2021,2021,2021,2021,2021年);排序题,考频适中,难度最高,共考过4年(2021,2021,2021,2021年);小标题,考频最低,难度最低,共考过2年(2021和2021年)。
完型填句、填段式指在文章中有5个空,通常文章后面给出6—7个未知选项(句子或是段落),考生根据衔接度最高,连贯性最大为原则,选出与已知信息相似性最大的选项,选填到文章中。
简而言之,与传统完型填空的区别是,新题型选填的是句子或者段落。
以2021年的完型填句、填段式为例Part BDirections:In the following text, some sentences have been removed. For Questions 41-45, choose the most suitable one from the fist A-G to fit each of the numbered blanks. Mark your answers on ANSWER SHEET. (10 points)How does your reading proceed? Clearly you try to comprehend, in the sense of identifying meanings for individual words and working out relationships between them, drawing on your explicit knowledge of English grammar (41) ______you begin to infer a context for the text, for instance, by making decisions about what kind of speech event is involved: who is making the utterance, to whom, when and where.The ways of reading indicated here are without doubt kinds of of comprehension. But they show comprehension to consist not just passive assimilation but of active engagement inference and problem-solving. You infer information you feel the writer has invited you to grasp by presenting you with specificevidence and cues (42) _______Conceived in this way, comprehension will not follow exactly the same track for each reader. What is in question is not the retrieval of an absolute, fixed or “true” meaning that can be read off and clocked for accuracy, or some timeless relation of the text to the world. (43) _______Such background material inevitably reflects who we are, (44) _______This doesn’t, however, make interpretation merely relative or even pointless. Precisely because readers from different historical periods, places and social experiences produce different but overlapping readings of the same words on the page-including for texts that engage with fundamental human concerns-debates about texts can play an important role in social discussion of beliefs and values.How we read a given text also depends to some extent on our particular interest in reading it. (45)_______such dimensions of read suggest-as others introduced later in the book will also do-that we bring an implicit (often unacknowledged) agenda to any act of reading. It doesn’t then necessarily follow that one kind of reading is fuller, more advanced or more worthwhile than another. Ideally, different kinds of reading inform each other, and act as useful reference points for andcounterbalances to one another. Together, they make up the reading component of your overall literacy or relationship to your surrounding textual environment.[A] Are we studying that text and trying to respond in a way that fulfils the requirement of a given course? Reading it simply for pleasure? Skimming it for information? Ways of reading on a train or in bed are likely to differ considerably from reading in a seminar room.[B] Factors such as the place and period in which we are reading, our gender ethnicity, age and social class will encourage us towards certain interpretation but at the same time obscure or even close off others.[C] If you are unfamiliar with words or idioms, you guess at their meaning, using clues presented in the contest. On the assumption that they will become relevant later, you make a mental note of discourse entities as well as possible links between them.[D]In effect, you try to reconstruct the likely meanings or effects that any given sentence, image or reference might have had: These might be the ones the author intended.[E]You make further inferences, for instance, about how the test may be significant to you, or about its validity—inferences that form the basis of a personal response for which the author will inevitably be far less responsible.[F]In plays,novels and narrative poems, characters speak as constructs created by the author, not necessarily as mouthpieces for the author’s own thoughts.[G]Rather, we ascribe meanings to test on the basis of interaction between what we might call textual and contextual material: between kinds of organization or patterning we perceive in a text’s formal structures (so especially its language structures) and various kinds of background, social knowledge, belief and attitude that we bring to the text. (英语一,2021)排序题,顾名思义,将打乱的文章顺序,(6-7个未知选段)按照文章地逻辑,衔接度,连贯性,将其一一排列完整,其中,有1-2个选段已给出。
2017考研英语一新题型:不出意料排序题2017年排序题考察的是记叙文,这就无疑比议论文和说明文低了难度,描述的是狄更斯的生平,按照人生时间顺序描述他从出生到后来家庭变故。
从他父亲入狱被释放,到他的职业生涯,最后以他的人生巅峰作品《雾都孤儿》结尾。
下面由跨考孟巍巍老师来给大家进行真题解析。
[A]The first published sketch, “A Dinner at Poplar Walk” brought tears to Dickens’s eyes when he discovered it in the pages of The Monthly Magazine. From then on his sketches, which appeared under the pen name “Boz” in The Evening Chronicle, earned him a modest reputation.[B]The runaway success of The Pickwick Papers, as it is generally known today, secured D ickens’s fame. There were Pickwick coats and Pickwick cigars, and the plump, spectacled hero, Samuel Pickwick, became a national figure.[C]Soon after Sketches by Boz appeared, a publishing firm approached Dickens to write a story in monthly installments, as a backdrop for a series of woodcuts by thethen-famous artist Robert Seymour, who had originated the idea for the story. With characteristic confidence, Dickens successfully insisted that Seymour’s pictures illustrate his own story instead. After the first installment, Dickens wrote to the artist and asked him to correct a drawing Dickens felt was not faithful enough to his prose. Seymour made the change, went into his backyard, and expressed his displeasure by committing suicide. Dickens and his publishers simply pressed on with a new artist. The comic novel, The Posthumous Papers of the Pickwick Club, appeared serially in 1836 and 1837, and was first published in book form in 1837.[D]Charles Dickens is probably the best-known and, to many people, the greatest English novelist of the 19th century. A moralist, satirist, and social reformer. Dickens crafted complex plots and striking characters that capture the panorama of English society.[E]Soon after his father’s release from prison, Dickens got a better job as errand boy in law offices. He taught himself shorthand to get an even better job later as a court stenographer and as a reporter in Parliament. At the same time, Dickens, who had a reporter’s eye for transcribing the life around him especiall y anything comic or odd, submitted short sketches to obscure magazines.[F] Dickens was born in Portsmouth, on England’s southern coast. His father was a clerk in the British navy pay office –a respectable position, but with little social status. His paternal grandparents, a steward and a housekeeper possessed even less status, having been servants, and Dickens later concealed their background. Dickens’s mother supposedly came from a more respectable family. Yet two years before Dickens’s birth,his mother’s father was caught stealing and fled to Europe, never to return. The family’s increasing poverty forced Dickens out of school at age 12 to work in Warren’s Blacking Warehouse, a shoe-polish factory, where the other working boys mocked him as “the young gentleman.” His father was then imprisoned for debt. The humiliations of his father’s imprisonment and his labor in the blacking factory formed Dickens’s greatest wound and became his deepest secret. He could not confide them even to his wife, although they provide the unacknowledged foundation of his fiction.[G] After Pickwick, Dickens plunged into a bleaker world. In Oliver Twist, he traces an orphan’s progress from the workhouse to the criminal slums of London. Nicholas Nickleby, his next novel, combines the darkness of Oliver Twist with the sunlight of Pickwick. The popularity of these novels consolidated Dickens’ as a nationally and internationally celebrated man of letters.D →41. →42. →43. →44. →B →45.题目解析:41:F 根据D选项内容,介绍狄更斯的身份地位,F选项开头部分也是对狄更斯身份的介绍,讲述他的出生地应该在文章前面段落,之后再介绍父母、家庭信息,故选F。
2017考研英语一新题型历年所有题型及大纲样题全精讲编讲商志主讲介绍:★直取本质,彻底破解,主讲的考研英语传奇系列课程成为了考研界无人能够企及的巅峰之作;★考研英语辅导史上划时代的传奇名师,其课堂批量制造高分,被称为“高分梦工厂”、“牛人集中营”;★教育部考试中心首席专家,高等教育出版社考研英语高分系列图书主编,“考研路上最不可错过的一位英语老师”★考研英语应试教学法第一人,传奇考研英语写作创始人,考研英语辅导神话的缔造者,全国一线城市考研英语首席主讲拨开考研迷雾打破英语瓶颈揭示致命误区铺就高分坦途阅读理解B部分是在2005年才设置的,之前在考研英语试卷上没有这种题型,所以这种题型被称为新题型。
也就是说,迄今为止,新题型一共只考过12年。
其中英语一共考过12次(2005年到2016年)、英语二共考过7次(2010年到2016年)。
一、大纲对阅读理解B部分的要求本部分1篇500---600词左右的文章,共5题,10分。
主要考察考生对诸如连贯性、一致性、逻辑联系等语篇、语段整体特征的理解,即要求考生在理解全文的基础上弄清文章的总体结构和微观结构。
实际上就是《大纲》对考生提出的阅读理解八项技能要求中的第六项“(考生应能)理解文章的整体结构以及单句之间、段落之间的关系”的具体体现。
本部分有5种备选题型,实际考试时将从中仅选择一种进行命题。
需要注意的是:英语一只考前3种。
而英语二只考其中的后2种。
题型一:试题内容是一篇文章中有5个空白处。
每个空白处本应有一个或一组句子。
文章后面有6-7段文字,要求考生根据文章内容从这6-7段文字中选出能放进文章中每个空白处的一段文字,使上下文连贯、一致。
英语一的12年真题中有7年考了这种题型,分别是05、06、08、09、12、13以及2015年。
题型二:在一篇长度约500-600词的文章中,各段落的原有顺序已被打乱。
要求考生根据文章内容和结构将所列段落(6--7个)重新排序,其中1-2个段落在文章中的位置已给出。
英语一(满分:100)Section I:英语知识运用20×0.5Section II:Part A传统阅读20×2 Part B新题型5×2 Part C英译汉5×2Section III:Part A应用文10 Part B文章写作20第一部分英语知识运用该部分不仅考查考生对不同语境中规范的语言要素(包括词汇、表达方式和结构)的掌握程度,而且还考查考生对语段特征(如连贯性和一致性等)的辨识能力等。
共20小题,每小题0.5分,共10分。
在一篇240~280词的文章中留出20个空白,要求考生从每题给出的4个选项中选出最佳答案,使补全后的文章意思通顺、前后连贯、结构完整。
考生在答题卡1上作答。
第二部分阅读理解该部分由A、B、C三节组成,考查考生理解书面英语的能力。
共30小题,每小题2分,共60分。
A节(20小题):主要考查考生理解主旨要义、具体信息、概念性含义,进行有关的判断、推理和引申,根据上下文推测生词的词义等能力。
要求考生根据所提供的4篇(总长度约为1600词)文章的内容,从每题所给出的4个选项中选出最佳答案。
考生在答题卡1上作答。
B节(5小题):主要考查考生对诸如连贯性、一致性等语段特征以及文章结构的理解。
本部分有3种备选题型。
每次考试从这3种备选题型中选择一种进行考查。
考生在答题卡1上作答。
备选题型有:1)本部分的内容是一篇总长度为500~600词的文章,其中有5段空白,文章后有6~7段文字。
要求考生根据文章内容从这6~7段文字中选择能分别放进文章中5个空白处的5段。
2)在一篇长度约500~600词的文章中,各段落的原有顺序已被打乱。
要求考生根据文章的内容和结构将所列段落(7~8个)重新排序,其中有2~3个段落在文章中的位置已经给出。
3)在一篇长度约500词的文章前或后有6~7段文字或6~7个概括句或小标题。
这些文字或标题分别是对文章中某一部分的概括、阐述或举例。
2021年考研英语一新题型解析摘要:1.2021年考研英语一新题型概述2.各题型解题策略与技巧3.针对不同题型的应对方法4.提高考研英语成绩的建议正文:一、2021年考研英语一新题型概述2021年考研英语一试题在题型上有所调整,主要包括阅读理解、完形填空、翻译和写作四个部分。
相较于往年,今年的试题更加注重考查考生的实际应用能力和语言基本功。
本文将针对这四个题型进行详细解析,并提供相应的解题策略与技巧。
二、各题型解题策略与技巧1.阅读理解阅读理解部分是考研英语的重头戏,占总分的40%。
在解答这类题目时,考生需注意以下几点:(1)抓住文章主旨:快速浏览文章,把握文章大意,有助于解答题目。
(2)关注细节:仔细阅读题目,找出关键词,回文定位,分析选项。
(3)解题技巧:善用排除法,结合上下文语境进行判断。
2.完形填空完形填空部分占总分的20%,解答这类题目时,考生需:(1)把握文章脉络:通过分析句子结构,判断空缺部分应填入的词性。
(2)运用词汇搭配:熟记常用搭配,提高填空准确率。
(3)语义推断:根据上下文推断空缺部分的意义,选出最佳选项。
3.翻译翻译部分占总分的25%,解答这类题目时,考生需:(1)忠实原文:在保证译文准确性的基础上,力求译文与原文一致。
(2)注意语法结构:确保译文的语法正确,符合目标语言的表达习惯。
(3)表达清晰:译文要通顺易懂,避免翻译腔。
4.写作写作部分占总分的15%,包括小作文和大作文。
解答这类题目时,考生需:(1)审题准确:明确题目要求,紧扣主题进行写作。
(2)结构清晰:写作要有开头、正文和结尾,保持逻辑性。
(3)表达丰富:运用多样化的表达方式,提高作文得分。
三、针对不同题型的应对方法1.阅读理解:加强阅读速度和准确性的训练,提高答题效率。
2.完形填空:积累词汇搭配,提高词汇运用能力。
3.翻译:多做翻译练习,熟悉各类句型和语法结构。
4.写作:多读优秀范文,学习写作技巧,勤加练习。
2010年考研英语一新题型解析一、概述2010年考研英语一的新题型引起了考生们的广泛关注和讨论,这也是我们必须深入了解和解析的内容。
本文将全面分析2010年考研英语一新题型,帮助考生更好地应对考试。
二、问题概述2010年考研英语一新增了多种题型,包括填空题、短文改错题、信息匹配题等,这些题型的出现让考生感到新奇,也增加了应试的难度。
三、填空题解析1. 填空题的设置包含了对词汇、语法、逻辑等多方面的考察。
2. 解答填空题需要考生具备较高的语言能力和语境理解能力。
3. 在解答填空题时,要注意上下文的连贯性和逻辑性,不要脱离文章语境随意填写。
四、短文改错题解析1. 短文改错题着重考察了考生对语法和词汇的掌握程度。
2. 解答短文改错题需要考生对句子结构和用词准确性的把握。
3. 在解答短文改错题时,要仔细审题,务必注意句子的完整性和上下文的逻辑关系。
五、信息匹配题解析1. 信息匹配题考察了考生对文章整体内容的把握能力。
2. 解答信息匹配题需要考生能够准确把握文章的中心思想和各部分的逻辑通联。
3. 在解答信息匹配题时,要注重阅读文章的全貌,理清各部分的主题和次题,确保答案的准确性。
六、解题思路1. 在应对这些新题型时,考生要注意提高自己的语言能力和阅读能力,加强对词汇、语法和句子结构的学习和理解。
2. 在解答题目时,要保持冷静,理性思考,不能因为题型的新颖而感到慌乱和迷茫。
3. 在备考过程中,要注重练习和模拟,多做一些模拟题目,培养自己的解题技巧和应对策略。
七、总结2010年考研英语一的新题型对考生提出了更高的要求,但同时也为考生提供了更广阔的学习空间。
考生要注重提升自己的语言能力和阅读能力,不断提高解题的技巧和策略,才能在考试中取得更好的成绩。
希望考生们在备考中能够充分准备,信心十足,取得优异的成绩!八、应对策略在面对2010年考研英语一的新题型时,考生们需要制定合理的备考策略。
以下是一些建议:1. 积极扩充词汇量:词汇在填空题和短文改错题中占据重要位置,因此考生需要通过阅读、背诵、应用等方式,扩充自己的词汇量,增强对词汇的认知和记忆。
2020年考研英语一新题型【实用版】目录1.2020 年考研英语一新题型概述2.2017-2019 年考研英语一新题型分析3.2020 年考研英语一新题型试题及答案4.2020 年考研英语一新题型试题解析5.考研英语一新题型备考建议正文一、2020 年考研英语一新题型概述2020 年考研英语一的新题型引起了广泛关注。
这种新题型要求考生在阅读文章后,为每个段落选择一个最适合的标题。
这种题型不仅考查了考生的阅读理解能力,还考查了他们的逻辑思维和归纳总结能力。
二、2017-2019 年考研英语一新题型分析在过去三年(2017-2019 年)中,考研英语一新题型主要考察了排序题。
这种题型要求考生根据文章的逻辑结构和内容,将给出的段落进行排序。
这种题型考查了考生的段落衔接和逻辑推理能力。
三、2020 年考研英语一新题型试题及答案2020 年考研英语一新题型试题要求考生阅读一篇文章,并为其中的五个段落选择最合适的标题。
这种题型的试题及答案已在网络上公布,考生可以自行查找参考。
四、2020 年考研英语一新题型试题解析针对 2020 年考研英语一新题型试题,中公考研网等机构提供了详细的试题解析。
这些解析对试题中的难点和重点进行了详细的分析,有助于考生理解和掌握新题型的解题技巧。
五、考研英语一新题型备考建议针对考研英语一新题型,考生在备考过程中应注意以下几点:1.熟悉新题型的考查内容和形式,了解排序题、标题题等不同题型的特点和解题方法。
2.注重阅读理解能力的提升,培养快速捕捉文章主旨和细节的能力。
3.锻炼逻辑思维和归纳总结能力,学会根据文章结构和内容进行推理和总结。
4.多做真题练习,积累经验,提高解题速度和准确率。
总之,考研英语一新题型既考查了考生的阅读理解能力,又考查了他们的逻辑思维和归纳总结能力。
考研英语题型新题型
考研英语新题型主要包括以下三种题型:
1. 7选5题型:把一篇500词左右文章的五个地方挖空,要求考生根据文
章内容从给出的6-7段文字中选择能分别放进文章中5个空白处的5段。
2. 5选5排序题:是将一片500词左右的文章原有顺序打乱,要求考生根
据文章内容和结构将所列段落重新排序。
其中有2-3个段落在文章中的位置已经给出。
3. 6选5段落标题选择题:是在一篇长度为500词的文章中有6-7段文字
或6-7个概括句或小标题,这些文字或标题分别是对文章中某一部分的概括、阐述或举例,要求考生根据文章内容和篇章结构从这6-7个选项中选出最恰当的5个填入文章段落前的空白处。
请注意,考研英语新题型主要考查的是考生对诸如连贯性、一致性等语段特征以及文章结构的理解。
在答题过程中,需要从整体上把握文章的逻辑结构,透彻理解句子与句子、段落与段落之间的关系。
以上信息仅供参考,建议查阅考研英语大纲或者咨询考研英语老师,获取更准确的信息。
2024考研英语一题型
2024年考研英语一的题型可能会包括以下几个方面:
1. 阅读理解:考生需要阅读一篇文章或多篇文章,然后回答相关的问题。
题目可能涉及文章的主旨、细节理解、推理判断以及文章的态度和观点等。
2. 完形填空:考生需要阅读一篇短文,然后根据上下文的意思选择最佳答案来填空。
这种题型主要考察对语境的理解和词汇的运用。
3. 翻译:考生需要将给定的一段中文翻译成英文,或将给定的一段英文翻译成中文。
这种题型主要考察考生的翻译能力和语言表达能力。
4. 句子改错:考生需要根据语法和词汇知识来找出并改正一句或多句中存在的错误。
这种题型主要考察考生的语法和词汇的运用能力。
5. 段落匹配:考生需要根据给定的一组段落或者短语找出与其对应的标题或者总结。
这种题型主要考察考生的段落之间的逻辑关系和整体理解能力。
6. 表格填写:考生需要根据给定的一组信息填写表格。
这种题型主要考察考生的信息获取和整理能力。
7. 作文:考生需要根据给定的题目写一篇文章。
这种题型主要
考察考生的写作能力和逻辑思维能力。
以上只是对可能的考研英语一题型的一种猜测和总结,具体以实际考试为准。
需要考生在备考过程中根据历年真题进行练习和针对性的复习。
毫无意外,2015年考研英语(一)新题型继续考查了“七选五”这种经典题型。今年的这篇文章是关于“阅读速度”的话题,相比以往比较容易理解。下面,中公考研英语研究院为广大考生进行详解:
How does your reading proceed? Clearly you try to comprehend, in the sense of identifying meanings for individual words and working out relationships between them, drawing on your implicit knowledge of English grammar. 41. You begin to infer a context for the text, for instance by making decisions about what kind of speech event is involved: who is making the utterance, to whom, when and where? The ways of reading indicated here are without doubt kinds of comprehension. But they show comprehension to consist not just of passive assimilation but of active engagement in inference and problem-solving. You infer information you feel the writer has invited you to grasp by presenting you with specific evidence and clues; and 42. . Conceived in this way, comprehension will not follow exactly the same track for each reader. What is in question is not the retrieval of an absolute, fixed or ‘true’ meaning that can be read off and checked for accuracy, or some timeless relation of the text to the world. 43. Such background material inevitably reflects who we are. 44. This doesn’t, however, make interpretation merely relative or even pointless. Precisely because readers from different historical periods, places and social experiences produce different but overlapping readings of the same words on the page—including for texts that engage with fundamental human concerns – debates about texts can play an important role in social discussion of beliefs and values. How we read a given text also depends to some extent on our particular interest in reading it. 45. . Such dimensions of reading suggest—as others introduced later in the book will also do—that we bring an implicit (often unacknowledged) agenda to any act of reading. It doesn’t then necessarily follow that one kind of reading is fuller, more advanced or more worthwhile than another. Ideally, different kinds of reading inform each other, and act as useful reference points for and counterbalances to one another. Together, they make up the reading component of your overall literacy, or relationship to your surrounding textual environment. [A] Are we studying that text and trying to respond in a way that fulfils the requirement of a given course? Reading it simply for pleasure? Skimming it for information? Ways of reading on a train or in bed are likely to differ considerably from reading in a seminar room. [B] Factors such as the place and period in which we are reading, our gender, ethnicity, age and social class will encourage us towards certain interpretations but at the same time obscure or even close off others. [C] If you are unfamiliar with words or idioms, you guess at their meaning, using clues presented in the context. On the assumption that they will become relevant later, you make a mental note of discourse entities as well as possible links between them. [D] In effect, you try to reconstruct the likely meanings or effects that any given sentence, image or reference might have had: these might be the ones the author intended. [E] You make further inferences, for instance about how the text may be significant to you, or about its plausibility – inferences that form the basis of a personal response for which the author will inevitably be far less responsible. [F] In plays, novels and narrative poems, characters speak as constructs created by the author, not necessarily as mouthpieces for the author’s own thoughts. [G] Rather, we ascribe meanings to texts on the basis of interaction between what we might call textual and contextual material: between kinds of organization or patterning we perceive in a text’s formal structures (so especially its language structures) and various kinds of background, social knowledge, belief and attitude that we bring to the text. 答案解析: 41. C,If you are unfamiliar with words or idioms……。原文中,前句是Clearly you try to comprehend, in the sense of identifying meanings for individual words and working out relationships between them, drawing on your implicit knowledge of English grammar。讲的是关于词汇(words)的理解,那么理所应当下句应该继续这个话题,浏览七个选项之后,只有C中包含words。那么正确答案是C。 42. E,You make further inferences……。前句是You infer information you feel the writer has invited you to grasp by presenting you with specific evidence and clues。其中的infer和选项E中的inferences照应,并且further也在提示答案。 43. G,Rather……。前句是What is in question is not the retrieval of an absolute, fixed or ‘true’ meaning that can be read off and checked for accuracy, or some timeless relation of the text to the world,关注的是meaning。浏览选项后,有三个选项中有meaning这个词——C(已选)、D和G。再看43题的下一句,是Such background material inevitably reflects who we are。其中有关键词background提示答案应该是G,因为其中有“……various kinds of background……”提示。 44. B,Factors such as……。前句是Such background material inevitably reflects who we are。剩余的选项中,只有B是关于我们自身的,介绍我们身处的地点和时间。 45. A 45题的后面一句是Such dimensions of reading suggest……,讲的是阅读的角度。浏览选项后,A以问句的形式阐释这些角度。 在此,提醒2016年参加考研的广大学子,“七选五”是近年来出现频率最高的题型,大家要足够重视。这个题型重在技巧的训练,得分率较高。