英国文学史知识点
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A SHORT HISTORY OF ENGLISH LITERATURE1. the Angles, Saxons and Jutes were three tribes from Northern Europe.2.English literature began with the Anglo-Saxon settlement in England. It is Beowulf, the national epic of the English people.3.Features of Beowulf 贝奥武普: the most striking feature in its poetical form is the use of alliteration头韵.(definition)In alliterative verse, certain accented words in a line begin with the same consonant sound. Other features of Beowulf are the use of metaphors and of understatements.4. The French-speaking Normans under Duke William came in 1066.(the Norman Conquest)5. The Romance 罗曼司---the most prevailing kind of literature in feudal England. It was a long composition, sometimes in prose, describing the life and a adventures of a noble hero.Adventures of King Arthur and his Knights of the Round Table6. The Class Nature of the RomanceThe theme of loyalty to king and lord was repeatedly emphasized in romance , as loyalty was the corner-stone of feudal morality, without which the whole structure of feudalism would collapse.They were composed for the noble, of the noble, and in most cases by the poets patronized by the noble.7.the Ballads 民谣The most important department of English folk literature is the ballad. A ballad is a story told in song; usually in 4-line, with the second and fourth lines rhymed.8. The Robin Hood Ballad --- the various ballads of Robin Hood are gathered into a collection called The Geste of Robin Hood.绿林好汉罗宾汉的故事9. The founder of English poetry is Geoffrey Chaucer. 乔叟The Canterbury Tales ---(1) a collection of 24 stories (2)close links---stories are closely connected to each other (3)stories into groups on different subjects -- story-tellers, from ranks, professions, religions (4)variation in form三大著名教堂:Westminster Cathedral 西敏寺大教堂Saint Pail’s Cathedral 圣保罗大教堂Canterbury Cathedral 坎特布雷大教堂10.The Renaissance and HumanismThe rise of the bourgeoisie soon showed its influence in the sphere of cultural life. The result is an intellectual movement known as the Renaissance, or, the rebirth of letters. It spang first in Italy in the 14th century and gradually spread all over Europe. Two features are striking of this movement. The one is a thirsting curiosity for the classical literature. Old manuscripts were dug out. There arose a current for the study of Greek and Latin authors. While people learned to admire the Greek and Latin works as models of literary form, they caught something in spirit very different from the medieval Catholic dogma. So the love of classics was but an expression of the generation dissatisfaction at the Catholic and feudal ideas.Another feature of the Renaissance is the keen interest in the activities of humanity. Humanism is the key-note of the Renaissance.Humanism reflected the new outlook of the rising bourgeois class. According to the humanists, both man and world are hindered onlyby external checks from infinite improvement. Man could mould the world according to his desires, and attain happiness by removing all external checks by the exercise of reason.11.Edmund Spenser 斯宾塞The poet’s poet of the period was Edmund Spenser.The Faerie Queene : nationalism, humanism , puritanismThe Faerie Queene (definition)i s written in a special verse form that consists of eight iambic pentameter lines followed by a ninth line of six iambic feet(an alexandrine), with the rhyme scheme ababbcbcc. This form has since been called the Spenserian Stanza.12.Drama 戏剧: the Miracle Play 奇迹剧, The Morality Play 道德剧, The Interlude 幕间剧, The Classical Drama 古典剧12.Marlowe(马洛)’s best includes three of his plays, Tamburlaine 帖木耳(1587), The Jes of Malta马耳他的犹太人(1592), and Doctor Faustus浮士德博士(1588).13.Social significance of Marlowe’s Plays:These plays show, in various ways, the spirit of the rising bourgeoisie , its eager curiosity for knowledge, its towering pride, its insatiable, appetite for power whether that be won by military might, knowledge, or gold.In Tamburlaine, it is ambition; in Doctor Faustus, desire for knowledge; in The Jew of Malta, greed for wealth. They were typical images of the era of the primitive accumulation of capital.14.William Shakespeare莎士比亚was born on April 23, 1564, died on April 23, the anniversary of his birth, in 1616.A Chronological List of Shakespeare’s Plays: 四大悲剧Hamlet 哈姆雷特,Macbeth麦克白,Othello 奥赛罗,King Lear 李尔王.The reasons of the Melancholy(忧郁)of Hamlet: (1)he seems to understand that his mere revenge upon his uncle would in no way solve the problems that trouble and upset him.(2)he does not want to include the Britain into the chaos.(3)the crisis of humanism---the root of the murder is the political system.ton米尔顿--Paradise Lost 失乐园,Samson Agonistes 力士参孙16.Bunyan 班扬---the Pilgrim’s Progress 天路历程17.Metaphysical玄学派PoetsThe works of the Metaphysical Poets are characterized, generally speaking, by mysticism in content and fantasticality in form.John DonneAnother school of poetry prevailing in the period was that of Cavalier Poets.18.The Enlightenment 启蒙运动in Europe:The 18th century marked the beginning of an intellectual movement in Europe, known as the Enlightenment, which was, on the whole, an expression of struggle of the bourgeoisie against feudalism. The enlighteners fought against class inequality, stagnation, prejudices and other survivals of feudalism. They attempted to place al branches of science at the service of mankind by by connecting them with the actual needs and requirements of people.Steele and The Tatler闲话者Addison and The Spectator观察家To sum up Steele’s and Addison’s contribution to the English literature:1. Their writings afford a new code of social morality for the rising bourgeoisie/2. They give a true picture of the social life of England in the 18th century.3. In the hands of Addison and Steele, the English essay had completely established itself as a literary genre. Using it as a form of character sketching and story -telling, they ushered in the dawn of modern English novel.19.Jonathan Swift 乔纳森斯威夫特---Gulliver’s Travels 格列佛游记Pamphlets on Ireland 关于爱尔兰问题的小册子--A Modest Proposal 一个温柔的建议20.Richardson--he was noted as a storyteller, letter writer and moralizer.Pamela:Pamela was a new thing in three ways,firstly,it discarded the “improbable and marvelous”accomplishments of the former heroic romances, and pictured the life and love of ordinary people. Secondly,its intention was to afford not merely entertainment but also moral instruction. Thirdly, it described not only the sayings and doings of the characters but also their secret thoughts and feelings.22. Fielding 菲尔丁---Joseph Andrews(a parody 戏仿to Pamela)23.(约翰逊)Johnson’s Dictionary:(1)it marked an epoch in the study of the English language.(2)also marked the end of English writers’reliance on the patronage of noblemen for support.24.Sentimentalism感伤主义: it came into being as the result of a bitter discontent among the enlightened people with social reality. The representatives of Sentimentalism continued to struggle against feudalism, but they sensed st the same time the contradictions in the process of capitalist development. Dissatisfied with reason, which classicists appealed to, sentimentalists appealed to sentiment, “to the huamn heart.”25.Blake 布莱克----Songs of Innocence contains poems which were apparently written for children, using a language which even little babies can learn by heart, and in Songs of Experience, a much maturer work,entirely different themes are to be found, for in this collection of poems the poet drew pictures of neediness and distress and showed the sufferings of the miserable.The contrast between Songs of Innocence and Songs of Experience is of great significance. It marks a progress in the poet’s outlook on life.26.Burns 彭斯peasant poet 农民诗人(前浪漫主义诗人)27.Romanticism 浪漫主义prevailed in England during the period 1798-1832. Generally speaking, the romanticists expressed the ideology and sentiment of those classes and social strata who were discontent with, and opposed to, the development of capitalism. But owing to difference in social and political attitudes, they split into two schools. Some romantic writers reflected the thinking of classes ruined by the bourgeoisie, and by way of protest against capitalist development turned to the feudal past, i.e. The “”merry Old England,”as their ideal, or “frightened by the coming of industrialism and the nightmare towns of industry, they were turning to nature of protection.”These were the elder generation of romanticists, sometimes called escapist romanticists, including Wordsworth, Coleridge and Southey, who have also benne called the Lake Poets because they had lived in the Lake District in the northwest of England and shared acommunity of literary and social outlook in their work. Other expressed the aspirations of the classes created by capitalism and held out an ideal, though a vague one, of a future society free from oppression and exploitation. These were the younger generation of romanticists and sometimes called active romanticists represented by Byron, Shelley and Keats.So the general feature if the works of the romanticists is a dissatisfaction with the bourgeois society, which finds expression in a revolt against or an escape from the prosaic, sordid daily life, the “prison of the actual”under capitalism. Their writings are filled with strong-willed heroes, formidable events, tragic situations, powerful conflicting passions, and exotic pictures. Sometimes they resort to symbolic methods. With the active romanticists, symbolic pictures represent a vague idea of some future society, while with the escapist romanticists, these often take on a mystic color. In contrast to the rationalism of the enlighteners and classicists in the 18th century, the romanticists paid great attention to the spiritual and emotional life of man. Nature, often personified, also plays an important role in their works. The passions of man and the beauties of nature appealed strongly to the imagination of the Romantic writer, and the glory of the lakes and mountains, the little joys or sorrows of children, the weal and woe of ordinary, uncultured peasants, the wonder of the fairy world, and the splendor of the Greek art all because the fountain-heads of the writer’s inspiration. Poetry, of course, is the best medium to express all these sentiments. In fact, all the romanticists mentioned above were poets. The Romantic Period was one of poetical revival.28.Wordsworth: in 1798 Wordsworth and Coleridge jointly published the Lyrical Ballads. The publication marked the break with the conventional poetical tradition of the 18th century, i.e. With classicism, and the beginning of the Romantic revival in England. “all good poetry is the spontaneous overflow of powerful feeling.”His “Lucy” poems are a series of short pathetic lyrics on the theme of harmony between humanity and nature.29.Shelley 雪莱: Queen Mab 麦布女王The Revolt of Islam 伊斯兰暴动Prometheus Unbound 解放了的普罗米修斯30.Keats济慈: ode 颂Ode to Autumn, Ode on Melancholy, Ode on a Grecian Urn 古瓮颂, Ode to a Nightingale 夜莺颂An Analysis of Jane EyreThe novel is rich in poetry, symbolism and metaphor. It does not fit easily into a definite pattern, being neither a novel of "manners" in the tradition of Austen, or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles, and which remains uniquely independent of them at the same time, since it addresses issues which were at the time rather controversial.The novel is written in the first person, and thus magnifies the central character - the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective, especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the heroine's. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester - thus the narrative is RETROSPECTIVE (looking back). CB is clever in blending the narrative so that at times Jane seems to be speaking as an adult with adult hindsight , while at others she she is "in the middle" of them, as a child or young woman. The indecision which is a central issue in the book, is heightened by this device. We never know, as readers, whether to be entirely trustful of Janes actions and thoughts, because we are never sure wheher she is speaking impulsively or maturely.This intensifies the readers dilemma as to what is "right" and "wrong" in the dramatic relationships which are part of JE's life. Can we believe what the heroine says, or is she deceiving herself? The novel is primarily a love story and a "romance" where wishes come true but only after trials and suffering. The supernatural has its place, as do dreams, portents and prophesies. The heroine begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.The romantic element is present in two forms in Jane Eyre; the "family" aspect is dealt with in the Gateshead, Lowood and Moor House episodes, which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are, of course linked and interwoven throughout the novel.There is also a strong element of realism in the novel, which, married to the romantic aspect, enhances the novel's strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story, in a series of vivid deive passages. The central characters are also realistic and their confrontations and sufferings change them in a believable way.Even the unlikely is made plausible, with a unique blend of high drama and perceptive low comedy (the attack on Mason, for instance)The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences, are balanced by the realism, and this is of course a major strength.The Gothic influence cannot be ignored, although CB has refined the technique considerably from the "authentic" Gothic of the 1790's. In the original genre, the heroine would typically be abductedand threatened with seduction, or worse!. There would be a lover - a respectable, well-bred young man - who would endeavor to rescue the heroine and would succeed after many trial. the seducer would be a brigand "Know that I adore Corsairs!" and he would lock the girl up in a remote castle.There was little freedom for middle class women during the period of the Gothic novel, and this was still the case in the time of CB. Marriage especially was often a bargain, whereby fortunes were secured by using the female as a pawn. A woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men, on the contrary, were potent and free; lovers and mistresses were common. Ironically the women who provided their services were social outcasts as a result.In Jane Eyre we see elements of the Gothic romance, in that Thornfield Hall and Rochester are described very much in the brigand/castle style BUT Jane Eyre is not abducted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a husband. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God, but he is neither kind nor benevolent; driving Jane back to Ferndean, not rescuing her from it.The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the heroine in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul, which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction, although there are still many aspects of the novel which remain true to Victorian convention.!3. The Joys of Writing (by Winston Churchill)【导读】温斯顿·丘吉尔(Winston Churchill), 英国首相、保守党领袖。
英语专业《英国文学》复习要点教材名称:英国文学史主编:刘炳善出版社:上海外语教育出版社第一章古英语和中古英语时期1、古英语时期是指英国国家和英语语言的形成时期。
最早的文学形式是诗歌,以口头形式流传,主要的诗人是吟游诗人scop。
到基督教传入英国之后,一些诗歌才被记录下来。
这一时期最重要的文学作品是英国的民族史诗《贝奥武夫》,用头韵体写成。
2、古英语时期(1066—1500)从1066年诺曼人征服英国,到1500年前后伦敦方言发展成为公认的现代英语。
文学作品主要的形式有骑士传奇,民谣和诗歌。
在几组骑士传奇中,有关英国题材的是亚瑟王和他的圆桌骑士的冒险故事,其中《高文爵士和绿衣骑士》代表了骑士传奇的最高成就。
中世纪文学中涌现了大量的优秀民谣,最具代表性的是收录在一起的唱咏绿林英雄罗宾汉的民谣。
3、最重要的诗人是被称为“英国诗歌之父”的乔叟,代表作是《坎特伯雷故事集》,取得了很高的艺术成就。
他首创了诗歌的双韵体----每两行压韵的五步抑扬格,后被许多英国诗人采用。
乔叟用伦敦方言写作,奠定了用英语语言进行文学创作的基础,促进了英语语言文学的发展。
第二章文艺复兴时期1. 文艺复兴运动源于14世纪的意大利,后遍及欧洲各国,在英国兴起较晚。
“文艺复兴”一词原意是指古希腊,罗马文学艺术的复苏,但事实上决不是简单的对古希腊罗马文学艺术的学习模仿。
文艺复兴运动的核心思想是人文主义思想,表现为尊重人的尊严和力量,关注现世生活,鼓励人们对幸福生活的追求。
代表的是新兴资产阶级反封建,反教会的思想和要求。
文艺复兴运动的思想家,人文主义者是托马斯·莫尔(Thomas More),他的作品《乌托邦》描绘了一个理想的未来社会,他因此被认为是空想社会主义的先驱。
2. 文艺复兴时期的英国文学得到了空前的发展,在诗歌,散文和戏剧方面尤其兴盛。
诗歌方面,新的诗体形式如十四行诗,无韵体诗被介绍到英国。
莎士比亚除了戏剧创作之外也是一位伟大诗人,著有两部叙事诗,两部长诗和154首十四行诗。
盎格鲁撒克逊时代426—1066盎格鲁诺曼时代1066—1350Chaucder乔叟时代 1350—1485莎士比亚时代1564—1636清教徒时代 Puritan 1636—1660古典主义时代 1660—1744约翰逊时代 1744—1785浪漫主义时代1786—1832维多利亚时代 1832—1900现代第一章Anglo-Saxon (426—1066)旧约:上帝创世纪新约:耶稣古英语诗歌分为的世俗的1.Beowulf 史诗(三千行的长诗,关于英雄战绩的故事)2.文字来源于日耳曼系3.基督教的文学:瑞特文的故事Caedmon第二章Angol-Norman(1066—1350)中世纪英语:基督教义,自我拯救1.传奇文学---传奇的兴起Romances1)容:传奇好像现在的长篇,有诗,有散文唯一的描写古代的高贵的英雄所经历的冒险生活和恋爱故事。
2)产生:传奇文学完全是由中世纪的“骑士制度”(Chivalry)所产生的,骑士制度的精神产物就是传奇文学所以他们和平民丝毫没有关系,且平民也绝写不出这一类的文字。
3)分类:不列颠的事迹 the matter of Britain法国的事迹罗马的事迹第三章:乔叟的时代(1350—1458)背景:百年战争(The Hundred’s War)1.Geoffrey Chaucer:文艺复兴以前,英国文学界最伟大的人物。
The Canterbury Tales1)三个阶段:第一时期--早年—模仿法国简短的情歌和寓言第二时期—研究意大利文艺的时期第三时期—在文学上成功的时期,为他自己以国文写作的时期2).近代诗人英文作家中,第一个以浪漫作风写男女日常生活的人3).特点:反对迫害,反对禁欲,文艺复兴的报春者a他在英语上发明音调b他把英国中部的日常言语加以修改,以告成英文与英国文学。
c完美的音律,倾向于音乐化d 创设接近社会生活的作品;眼光思想都很广阔;音乐的眼光第四章:民间文学1.歌谣的来源:歌德Geothe说:民歌的价值,全在直接从“自然“中得到它的原动力。
英国文学史资料British Writers and WorksI。
Old English Literature & The Late Medieval Ages<Beowulf>贝奥武夫:the national epic of the Anglo—SaxonsEpic: long narrative poems that record the adventures or heroic deeds of a hero enacted in vast landscapes. The style of epic is grand and elevated。
e。
g。
Homer's Iliad and OdysseyArtistic features:ing alliterationDefinition of alliteration: a rhetorical device, meaning some words in a sentence begin with the same consonant sound(头韵)Some examples on P5ing metaphor and understatementDefinition of understatement: expressing something in a controlled way Understatement is a typical way for Englishmen to express their ideasGeoffery Chaucer 杰弗里•乔叟1340(?)~1400(首创“双韵体",英国文学史上首先用伦敦方言写作。
约翰·德莱顿(John Dryden)称其为“英国诗歌之父"。
代表作《坎特伯雷故事集》.)The father of English poetry。
英国文学知识点整理不同的分类,会有交叉。
有交叉,才能理解,才能清晰,才能快速记忆,这才是真正的笔记。
(一)各个时期的文学创作术语中世纪文学时期Medieval Literature英雄双韵体the heroic couplet【特点】两行两行押韵,也被称作五步抑扬格iambic pentameter【创始人】杰弗里·乔叟Geoffrey Chaucer文艺复兴时期Renaissance十四行诗sonnet【特点】1韵律:一行隔一行押韵一节中的最后一行又与下一节的第一行押韵第四节只有两行独自押韵,一共十四行。
例一:abab bcbc cdcd ee例二:abab bcbc efef gg 2行数:十四行【创始人】威廉·莎士比亚William Shakespeare斯宾塞诗体Spenserian【特点】1韵律:韵律复杂,具有音乐性2行数:每节九行【创始人】埃德蒙·斯宾塞Edmund Spenser 素体诗blank verse没有押韵道德剧Morality Play神秘剧Mystery Play奇迹剧Miracle Play抑扬格四音步iambic tetrameter书信体意识流stream of consciousness(二)各种荣誉称谓"之父"称号Title作家主要作品时代流派英国诗歌之父Father of English Poetry杰弗里·乔叟Geoffrey Chaucer坎特伯雷故事集The Canterbury TalesMedieval Literature 十四世纪英国小说之父Father of English Novels丹尼尔·笛福Daniel Defoe鲁宾逊漂流记The Life and Strange Surprising Adventures of Robinson CrusoeEnlightenment 18世纪Realistic西欧历史小说之父The Father of Western European Historical Novel沃尔特·司各特Walter Scott密得洛西恩监狱The Heart of MidlothianRealistic Literature十九世纪Romanticism桂冠诗人Poet Laureate约翰·德莱顿John Dryden阿尔弗雷德·丁尼生Alfred Tennyson【作品】记忆方式伊诺克·阿登。
知识点梳理一中世纪文学(约 5 世纪—1485)•Beowulf贝奥武夫Old English literature, poems, the national epic of the English people ★特点Artistic features: ing alliteration押头韵 ing metaphor and understatement3.give an impression of reserve and at time a tinge of ironical humor3位Middle English 的著名诗人1.Geoffrey Chaucer—— The Canterbury Tales坎特伯雷故事集The founder of English poetry、realismwriting style: wisdom, humor, humanity.first time to use ‘heroic couplet’(双韵体) by middle English<名解>heroic couplet:the rhymed couplet of 5 accents in iambic meter p26、39、902.William Langland——Piers The Plowman 耕者皮尔斯:a picture of feudal England3.The author of Sir Gawain and Green Knight•The Robin Hood Ballads 罗宾汉<名解> 民谣The Ballads is a story told in song, usually in 4-line stanzas, with the second and fourth lines rhymed. The ballads are in various English and Scottish dialects.二文艺复兴时期文学(15 世纪后期—17 世纪初)A period of drama and poetry.The Elizabethan drama is the real mainstream of the EnglishRenaissance.<名解>Renaissance p30-31• 托马斯·莫尔Thomas More——Utopia乌托邦He was one of the forerunners of modern socialist thought<名解> The sonnet p39• 埃德蒙·斯宾塞Edmund Spenser——The Faerie Queene、The Shepherd’s Calendar牧人日历The poets’ poet. The first to be buried in the Poet’s corner of Westerminster AbbeyThe Faerie Queene——nationalism、humanism、puritanism• 弗兰西斯·培根Francis Bacon——Essays随笔The founder of English materialist philosophy近代唯物主义奠基人The first English essayist在论述探究知识的著作中提出了知识就是力量这一著名论断•克里斯托弗·马洛Christopher Marlowe“University Wits”—Tamburlaine帖木耳大帝、TheJew of Malta马耳他的犹太人、Doctor Faustus<名解>Blank verse无韵体: written in unrhymed iambic pentameter.★William Shakespeare 1564~161637plays 2long poems 154sonnets四大喜剧《仲夏夜之梦》A Midsummer Night’s Dream《威尼斯商人》The Merchant of Venice《皆大欢喜》As You Like It《第十二夜》Twelfth Night四大悲剧《哈姆莱特》Hamlet《奥赛罗》Othello《李尔王》King Lear《麦克白》Macbeth历史剧《亨利四世》Henry IV正剧《罗密欧与朱丽叶》Romeo and JulietFeatures of Shakespeare's drama:1 one of the founders of realism in world literature2 often used the method of adaptation3 skilled in many poetic forms: song, sonnet, couplet, especially the blank verse4 a great master of the English language•本·琼生Ben Johnson——Every Man in His HumorHis portrayal of characters is one-sided, flat, and lacking development; they are not round and full-blooded.He was a forerunner of classicism in English literature which was to reach its hightide in the 18th century.古典主义先驱三17 世纪文学英国资产阶级革命时期The puritan poets 弥尔顿、班扬The metaphysical poets 邓恩The cavalier poets 德莱顿★约翰·弥尔顿John Milton 1608~1674早期Poems——On the Morning of Christ’s Nativity、Comus、Lycidas中期Pamphlets——Of Reformation in England、Areopagitica《论出版自由》、The Defence ofthe English People为英国人民声辩晚期Giant works失明后写——Paradise Lost失乐园、Paradise Regained复乐园、SamsonAgonistes力士参孙Areopagitica论出版自由,as a declaration of people's freedom of the press, has been a weapon in the later democratic revolotion struggles.Paradise Lost:long epic in12 books, written in blank verse. p107Agonistes力士参孙:poetical drama modelled on the Greek tragedies. It is from the Book of Judges in the Old Testament.Brief summary p1111 he was a political in both his life and his art. He was a militant pamphleteer of the English Revolution, and the greatest English revolutionary poet in 17th century2 he wrote the greatest epic in English literature. He and Shakespeare have always been regarded as two patterns of English verse3 he is a master of the blank verse. he first used blank verse in non-dramatic works.4 he is a great stylist.5 his sublimity of thought and majesty of expression.• 约翰·班扬John Bunyan—The Pilgrim’s Progress: a religious allegory天路历程Puritan poet•John Donne the Metaphysical poet(玄学派诗人).四启蒙时期文学(17th后期—18th中期)核心Reason<名解>The Enlightenment:an expression of struggle of the bourgeoisie against feudalism.<名解> classicism:The classicists modelled themselves on Greek and Latin authors, and try to control literary creation by some fixed laws and rules drawn from Greek andLatin works. The English classicists followed these standards in their writings.Classicists had some fixed laws and rules for almost every genre of literature.•Richard Steele——The Christian Hero(pamphlet)、(Newspapers)The Tatler、The spectator(in conjunction with Addison)、Theatre、The English•Joseph Addison——The Campaign(a poem,his best-known poem in heroic couplet) Cato (tragedy)、The Spectator、A Letter from Italy★The Spectator:a daily newspaper, one essay a day,dealing with the customs, manners, morals,literature and other current topics of the time, in a light and pleasant mannerAmong the most striking features of The Spectator are the character sketches (人物素描) of Mr. Spectator and the members of his club.Contribution:•Addison and Steel developed the form of letter writing to the verge of the epistolary novel(书信体小说).•Addison’s Spectator essay were looked upon as the model of English composition by British authors all through the 18th century.•Humor, intimacy and elegance are the striking features of the English familiar essay•Alexander Pope 亚历山大•蒲柏1688~17441.Essay on Criticism、2.The Rape of the Lock卷发遇劫记the masterpiece, which is worth reading for itsdescription and satire of the dull court life of Englandof that time.3.The Dunciad愚人记、4.Essay on Man人论、5.Moral Essays道德论6.The Works of Shakespeare 《莎士比亚全集》One of the first to introduce rationalism to England.Pope is the most important representative of the English classical poetry. Frequently writing in the form of heroic couplets. He was at his best in satire and epigram.• Jonathan Swift乔纳森•斯威夫特1667~17451.Gulliver’s TravelsLilliput小人国Brobdingnag大人国Flying Island飞岛Houyhnhnm马岛2.A Tale of a Tub3.A Modest Proposal and The Drapi er’s Letters(pamphlets)Denounce the cruel and unjust treatment of Ireland by the English government and stir up the Irish people to fight.4.The Battle of BooksSwift’s Style: He is one of the greatest masters of English prose. His language is simple and clear and vigorous. He is a master satirist, and his irony is deadly. (例如modest proposal)• Daniel Defoe 丹尼尔•笛福Robinson Crusoe 鲁宾逊漂流记was one of the forerunners of the English realistic novel.Robinson Crusoe is representative of the English bourgeoisie.Moll Flanders、Colonel Jacque、Captain singleton•Samuel Richardson——Pamela (Develop the English novel)、Clarissa Harlowe• Henry Fielding亨利•菲尔丁1707~1754Novels:1.Tom Jones汤姆•琼斯(A love story between Tom and Sophia)2.Joseph Andrews、3.The Life of Mr. Jonathan Wild the Great、4.Amelia艾米莉亚He is the founder of English realistic novel、father of the English novel•Samuel Johnson 塞缪尔•约翰逊——A Dictionary of English Language英语大词典• Oliver Goldsmith(playwriter)奥利弗•格尔德斯密斯——The Deserted Village(poem)、The Good Natured Man、She stoops to Conquer(drama)•Richard Brinsley Sheridan(playwriter)理查德•布林斯利•施莱登——The Rivals、The School for Scandal(drama)Romantic Revival arose in the latter half of the 18th century, against Classicism.The pre-romantic poetry was represented by Blake and Burns.•William Blake威廉•布莱克1757~1827Songs of Innocence天真之歌、Songs of Experience经验之歌、The Marriage of Heaven and Hell天堂与地狱的婚姻1. Blake was opposed to the classicism of the 18th century.2. His poems were full of romantic spirit and imagery symbolism.3. He was a Pre-Romanticist or forerunner of the romantic poetry of the 19th century.•Robert Burns罗伯特•彭斯1759—1796A Red, Red Rose一朵红红的玫瑰songs of love and friendship、Auld Long Syne往昔时光The Scots Musical Museum and Collection of Original Scottish Airs.收集苏格兰民谣He is the greatest of Scottish poets and one of the greatest song writers in the world .The poems of Burns are written in the Scottish dialect on a variety of subjects.五浪漫主义时期文学Romanticism in England(1798-1832)The romantic period began in 1798 the publication of Wordsworth and Coleridge’s <Lyrical Ballads>, and end in 1832 with Sir Walter Scott’s death.The Lake Poets湖畔诗人who lived in the lake district.The elder generation: escapist romanticists(William Wordsworth; Samuel Taylor Coleridge; Robert Southey)★William Wordsworth1770—1850Lyrical Ballads抒情歌谣集beginning of the Romantic Revival、deep love for nature sympathy for the poorI Wondered Lonely As A Cloud我好似一朵流云独自漫游Lines Composed A Few Miles Above Tintern Abbey登丁寺杂咏The Solitary Reaper孤独的割麦女、The Prelude序曲•Samuel Taylor Coleridge——The Rime of the Ancient Mariner古舟子颂The poem is considered his masterpiece•Robert Southey——Joan of Arc圣女贞德The younger generation: active romanticists:•George Gordon Byron 乔治•戈登•拜伦1788—1824Don Juan唐•璜、Childe Harold’s Pilgrimage恰尔德•哈罗德尔游记、Cain该隐、The Vision of Judgment审判的幻景<名解>拜伦式英雄Byronic heroes is a proud, mysterious rebel figure of noble origin, against tyrannical rules or moral principles.恰尔德·哈罗德是拜伦诗歌中第一个“拜伦式英雄”。
刘炳善英国文学简史复习提纲刘炳善的《英国文学简史》是一本介绍英国文学发展历程的经典教材,概述了英国文学的重要人物、作品和流派。
以下是一个复习提纲,旨在帮助你回顾和理解这本书的内容。
一、古英国文学时期(公元前7世纪-公元1066年)1.早期史诗作品:《贝奥武夫》、《克赖斯人的诗歌》等。
2.宗教文学:《贝德的致辞》、《入埋土地的经文》等。
3.亚瑟王传说:《亚瑟王之死》、《卢梭勒》等。
二、中英文学时期(1066年-1485年)1.诺曼底征服后的影响:法语文学的传入。
2.米德尔英语文学:《切阿通匹恩的罗曼斯》等。
3.文人和教士的作品:《福尔莫尔的诗集》、《金马伦的伊莎贝拉》等。
三、文艺复兴时期(1485年-1603年)1.文艺复兴思潮的传入。
2.威廉·莎士比亚及其作品:《哈姆雷特》、《罗密欧与朱丽叶》等。
3.其他重要诗人和作品:约翰·米尔顿的《失乐园》、培根的《新科学》等。
四、十七世纪文学(1603年-1660年)1.皇家主义文学:本·琼森的《包涵的破碎》等。
2.牧歌诗和骑士诗:约翰·唐纳的《简·卡特琳之歌》等。
3.讽刺文学:约纳森·斯威夫特的《格列佛游记》等。
五、启蒙运动时期(1660年-1798年)1.小说的发展:丹尼尔·笛福的《鲁滨逊漂流记》、萨缪尔·理查森的《帕梅拉》等。
2.詹姆斯·汤姆逊和约翰·洛克的作品。
3.威廉·布莱克和威廉·华兹华斯的浪漫主义作品。
六、浪漫主义时期(1798年-1832年)1.华兹华斯、柯勒律治和拜伦的作品。
2.珀西·比希·雪莱、约翰·济慈和简·奥斯丁的作品。
3.疲软派和托马斯·哈代的作品。
七、维多利亚时期(1832年-1901年)1.查尔斯·狄更斯和查尔斯·达尔文的作品。
2.奥斯卡·王尔德和罗伯特·路易斯·史蒂文森的作品。
英国文学史复习资料(上册)★《贝奥武夫》Beowulf 它体现的是英雄叙事长诗,完成于公元九世纪。
全诗长3183行,以斯堪的纳维亚(Scandinavia)的英雄贝奥武夫(Beowulf)的英勇事迹构成主要内容。
勇士贝奥武甫与怪物格伦德尔搏斗,使其断臂而死。
怪物之母为子复仇,又被他追踪杀死。
后来他做了国王。
一次火龙来犯,他挺身斩龙,伤重而死,人民为他举行了隆重的葬礼。
本诗以西撒克斯(Wessex)方言写成,押头韵而不押尾韵,用双字隐喻而不用明喻。
是现存古英语文学中最古老的作品,是流传至今的欧洲最完整的一部史诗,也是欧洲最早的方言史诗。
在语言学方面也是相当珍贵的文献。
(安格鲁-撒克逊时期)★《高文爵士与绿衣骑士》Sir Gawain and the Green Knight是英语韵文浪漫诗的杰出代表。
全诗共2529行,作者不详,创作于诺曼时期向新时代过渡的14世纪它的题材属于亚瑟王和圆桌骑士的传说系列。
作品以巨大的艺术表现力反映了骑士制度的理想,是中世纪封建贵族文化的精髓。
在艺术上,此诗语言优美含蓄,情节完整紧凑,人物性格细腻丰满,诗中对大自然的精确而富于魅力的描写尤为引人注目,代表了中古英格兰北部头韵体诗歌艺术的最高成就。
(安格鲁-罗马时期)★杰弗雷·乔叟(Geoffrey Chaucer,约1343~1400)率先采用伦敦方言写作,并创作“英雄双行体”,对英国民族语言和文学的发展影响极大,故被誉为“英国诗歌之父”。
代表作《坎特伯雷故事集》Canterbury Tales,描写一群香客(pilgrim)聚集在伦敦一家小旅店里,准备去坎特伯雷城朝圣。
店主人建议香客们在往返途中各讲两个故事,看谁讲的最好。
故事集包括了23个故事,其中最精彩的故事有:骑士讲的爱情悲剧故事、巴斯妇讲的骑士的故事、卖赎罪券者讲的劝世寓言故事、教士讲的动物寓言故事、商人讲的家庭纠纷的故事、农民讲的感人的爱情和慷慨义气行为的故事。
英国文学史Part one: Early and Medieval English LiteratureChapter 1 The Making of England1. The early inhabitants in the island now we call England were Britons, a tribe of Gelts.2. In 55 B.C., Britain was invaded by Julius Caesar.The Roman occupation lasted for about 400 years.It was also during the Roman role that Christianity was introduced to Britain.And in 410 A.D., all the Roman troops went back to the continent and never returned.3. The English ConquestAt the same time Britain was invaded by swarms of pirates(海盗). They were three tribes from Northern Europe: the Angles, Saxons and Jutes.And by the 7th century these small kingdoms were combined into a United Kingdom called England, or, the land of Angles.And the three dialects spoken by them naturally grew into a single language calledAnglo-Saxon, or Old English.4. The Social Condition of the Anglo-SaxonTherefore, the Anglo-Saxon period witnessed a transition from tribal society to feudalism. 5. Anglo-Saxon Religious Belief and Its InfluenceThe Anglo-Saxons were Christianized in the seventh century.Chapter 2 Beowulf1. Anglo-Saxon PoetryBut there is one long poem of over 3,000 lines. It is Beowulf, the national epic of the English people. Grendel is a monster described in Beowulf.3. Analysis of Its ContentBeowulf is a folk lengend brought to England by Anglo-Saxons from their continental homes. It had been passed from mouth to mouth for hundreds of years before it was written down in the tenth century.4. Features of BeowulfThe most striking feature in its poetical form is the use of alliteration, metaphors and understatements.Chapter 3 Feudal England1) The Norman Conquest2. The Norman ConquestThe French-speaking Normans under Duke William came in 1066. After defeating the English at Hastings, William was crowned as King of England.The Norman Conquest marks the establishment of feudalism in England.3. The Influence of the Norman Conquest on the English LanguageBy the end of the fourteenth century, when Normans and English intermingled, English was once more the dominant speech in the country.3) The Romance1. The Content of the RomanceThe most prevailing kind of literature in feudal England was the romance.4. Malory’s Le Morte D’ArthurThe adventures of the Knights of the Round Table at Arthur’s courtChapter 5 The English Ballads2. The BalladsThe most important department of English folk literature is the ballad. A ballad is a story told in song, usually in 4-line stanzas, with the second and fourth lines rhymed.Of paramount importance are the ballads of Robin Hood.3. The Robin Hood BalladsChapter 6 Chaucer1. LifeGeoffrey Chaucer, the founder/father of English poetry.3. Troilus and CriseydeTroilus and Criseyde is Chaucer’s longest complete poem and his greatest artistic achievement.But the poet shows some sympathy for her, hitting that her fault springs from weakness rather than baseness of character.4. The Canterbury TalesThe Canterbury Tales is Chaucer’s masterpiece and one of the monumental works in English literature.6. His LanguageChaucer’s language, now called Middle English, is vivid and exact.Chaucer’s contribution to English poetry lies chiefly in the fact that he introduced from France the rhymed stanza of various types, especially the rhymed couplet of 5 accents in iambic meter (the “the heroic couplet”) to English poetry, instead of the old Anglo-Saxon alliterative verse.The spoken English of the time consisted of several dialects, and Chaucer did much in making dialect of London the standard for the modern English speech.Part Two: The English RenaissanceChapter 1 Old England in Transition1. The New MonarchyThe century and a half following the death of Chaucer was full of great changes.And Henry 7, taking advantage of this situation, founded the Tudor dynasty, a centralized monarchy of a totally new type, which met the needs of the rising bourgeoisie and so won its support.2. The ReformationProtestantismThe bloody religious persecution came to a stop after the church settlement of Queen Elizabeth.3. The English BibleWilliam TyndallThen appeared the Authorized Version, which was made in 1611 under the auspices of James I and so was sometimes called the King James Bible.The result is a monument of English language and English literature.The standard modern English has been fixed and confirmed.4. The Enclosure Movement5. The Commercial ExpansionChapter 2 More1. LifeThomas More2. UtopiaUtopia is More’s masterpiece, written in the form of a conversation between More and Hythlody, a returned voyager.The name “Utopia” comes from two Greek words meaning “no place”.3. Utopia, Book OneBook One of Utopia is a picture of contemporary England with forcible exposure of the poverty among the laboring classes.4. Utopia, Book TwoIn Book Two we have a sketch of an ideal commonwealth in some unknown ocean, where property is held in common and there is no poverty.Chapter 3 The Flowering of English Literature3. Edmund Spenser1) LifeThe Poet’s Poet of the period was Edmund Spenser.In 1579 he wrote The Shepher’s Calendar, a pastoral poem in twelve books, one for each month of the year.2) The Faerie Queene (masterpiece)Spenser’s greatest work, The Faerie Queene (published in 1589-1596), is a long poem planned in 12 books, of which he finished only 6.iambic feet Spenserian Stanza4. Francis Bacon (father/founder of English essay)the founder of English English materialist philosophyBacon is also famous for his Essays. When it included 58 essays.Bacon is the first English essayist.Chapter 4 Drama7. The PlaywrightsThere was a group of so-called “university wits” (Lyly, Peele, Marlowe, Greene, Lodge and Nash).Chapter 5 Marlowe1. LifeThe most gifted of the “university wits” was Christopher Marlowe.2. WorkMarlowe’s best includes three of his plays, Tamburlaine, The Jew of Malta and Doctor Faustus.3. Doctor FaustusMarl owe’s masterpiece is The Tragical History of Doctor Faustus.5. Marlowe’s Literary AchievementMarlowe was the greatest of the pioneers of English drama.It is Marlowe who first made blank verse (rhymeless iambic pentameter) the principal instrument of English drama.Chapter 6 Shakespeare1. LifeWilliam Shakespeare was born on April 23, 1564, in Stratford-on-Avon.After his death, two of his above-mentioned fellow-actors, Herminge and Condell, collected and published Shakespeare’s plays in 1623. To this edition, which has been known as the First Folio.4. The Great ComediesA Midsummer Night’s Dream, The Merchant of Venice, As You Like It and Twelfth Night have been called Shakespeare’s “great comedies”.6. The Great TragediesShakespeare created his great tragedies, Hamlet, Othello, King Lear and Macbeth.7. Hamletthe son of the Renaissance9. The Poems1) Venus and Adonis2) The Rape of Lucrece3) Shakespeare’s Sonnets10. Features of Shakespeare’s DramaShakespeare and the Authorized Version of the English Bible are the two greatest treasuries of the English language.Shakespeare has been universally acknowledged to be the summit of the English Renaissance.Part Three: The Period of the English Bourgeois RevolutionChapter 1 The English Revolution and the Restoration5. The Bourgeois Dictatorship and the Restorationin 1688 Glorious Revolution6. The Religious Cloak of the English RevolutionPuritanism was the religious doctrine of the revolutionary bourgeoisie during the English Revolution. It preached thrift, sobriety, hard work and unceasing labour in whatever calling one happened to be, but with no extravagant enjoyment of the fruits of labour.Chapter 2 Milton1. Life and WorkParadise Lost, Paradise Regained and Samson Agonistes.2. Paradise Lost1) Paradise LostParadise Lost is Milton’s masterpiece.blank verse.Chapter 3 Bunyan1. LifeThe Pilgrim’s Progress was published in 1678.2. The Pilgrim’s Progress1)The Pilgrim’s Progress is a religious allegory.Chapter 4 Metaphysical Poets and Cavalier Poetsa school of poets called “Metaphysical” by Samuel Johnson.by mysticism in content and fantasticality in formJohn Donne, the founder of the Metaphysical school of poetry.Chapter 6 Restoration Literature2. John DrydenThe most distinguished literary figure of the Restoration Period was John Dryden.Dryden was the forerunner of the English classical school of literature in the next century.Part Four: The Eighteenth CenturyChapter 1 The Enlightenment and Classicism in English Literature1. The Enlightenment and 18th Century England2) The Enlightenment in EuropeThe 18th century marked the beginning of an intellectual movement in Europe, known as the Enlightenment, which was, on the whole, an expression of struggle of the bourgeoisie against feudalism. The enlighteners fought against class inequality, stagnation, prejudices and other survivals of feudalism.3) The English EnlighternersThe representatives of the Enlightenment in English literature were Joseph Addison and Richard Steele, the essayists, and Alexander Pope, the poet.Chapter 2 Addison and Steele1. Steele and The TatlerRichard SreeleIn 1709, he started a paper, The Tatler, to enlighten, as well as to entertain, his fellow coffeehouse-goers.His appeal was made to “coffeehouses,” that is to say, to the middle classes, for whose enlightenment he stood up.“Issac Bickerstaff”2. Addison and The SpectatorThe general purpose is “to enliven morality with wit, and to temper wit with morality.”They ushered in the dawn of modern English novel.Chapter 3 Pope1. LifeAlexander Pope, the most important English poet in the first half of the 18th century.3. Workmanship and LimitationPope was an outstanding enlightener and the greatest English poet of the classical school in the first half of the 18th century.Pope is the most important representative of the English classical poery.But he lacker the lyrical gift.Chapter 4 Swift3. Bickersta f f Almanac (1708)Swift wrote his greatest work Gulliver’s Travels in Ireland.Chapter 5 Defoe and the Rise of the English Novel1. The Rise of the English Novelthe realistic novel: Defoe, Swift, Richardson and FieldingSwift’s world-famous novel Gulliver’s Travel sDefoe’s Robinson Crusoe (the forerunner of the English realistic novel)Richardson: Pamela, Clarissa and Sir Charles GrandisonFielding was the real founder of the realistic novel in England.The novel of this period … spoke the truth about life with an uncompromising courage.”The novelists of this period understood that “the job of a novelist was to tell the truth about life as he saw it.” (Ibid.) This explains the achievement of the English novel in the 18th century. 4. Robinson Crusoe1) Today Defoe is chiefly remembered as the author of Robinson Crusoe, his masterpiece. Chapter 6 RichardsonSamuel RichardsonPamela was, in fact, the first English psycho-analytical novel.After Pamela, Richardson wrote two other novels: Clarissa Harlowe and Sir Charles Grandison.Clarissa is the best of Richardson’s novel.Chapter 7 Fielding (the father of English novel)1. LifeHis first novel Joseph Andrews was published in 1742.His Jonathan Wild appeared in 1743. It is a powerful political satire.In 1749, he finished his great novel Tom Jones.Amelia was his last novel. It is inferior to Tom Jones, but has merits of its own.3. Joseph Andrews4. Tom Jones1) The StoryFielding’s greatest work is The History of Tom Jones, a Foundling.6. Summary2) Fielding as the Founder of the English Realistic NovelAs a novelist, Fielding is very great. He is the founder of the English realistic novel and sets up the theory of realism in literary creation.He has been rightly called the “father of t he English novel.”Chapter 10 Johnson1. LifeSamuel Johnson, lexicographer, critic and poet.2. Johnson’s DictionaryIn 1755 his Dictionary was published.His Dictionary also marked the end of English writers’ reliance on the patronage of noblemen for support.Chapter 13 Sentimentalism and Pre-Romanticism in Poetry1. LifeThomas Gray2. Pre-RomanticismIn the latter half of the 18th century, a new literary movement arose in Europe, called the Romantic Revival.Pre-Romanticism was ushered in by Percy, Macpherson and Chatterton, and represented by Blake and Burns.Chapter 14 Blake1. LifeWilliam Blake2. Songs of Innocence and Songs of Experience4. Blake’s Position in English LiteratureFor these reasons, Blake is called a Pre-Romantic or a forerunner of the Romantic poetry of the 19th century.Chapter 15 Burns1. LifeHis Poems Chiefly in the Scottish Dialect were printed. (masterpiece)The Scots Musical Museum and Select Collection of Original Scottish Airs2. The Poetry of Burns1) Burns is remembered mainly for his songs written in the Scottish dialect on a variety of subjects.3. Features of Burns’ PoetryBurns is the national poet of Scotland.Part Five: Romanticism in EnglandChapter 1 The Romantic Periodthe Industrial Revolution the French RevolutionAmid these social conflicts romanticism arose as a new literary trend. It prevailed in England during the period 1798-1832.These were the elder generation of romanticists, sometimes called escapist romanticists, including Wordsworth, Coleridge and Southey, who have also been called the Lake Poets. Active romanticists represented by Byron, Shelley and Keats.The general feature of the works of the romanticists is a dissatisfaction with the bourgeois society, which finds expression in a revolt against or an escape from the prosaic, sordid daily life, the “prison of the actual” under capitalism.Poetry, of course, is the best medium to express all these sentiments.The only great novelist in this period was Walter Scott.Scott marked the transition from romanticism to the period of realism which followed it. Chapter 2 WordsworthColeridgeIn 1798 they jointly published the Lyrical Ballads.The publication of the Lyrical Ballads marked the break with the conventional poetical tradition of the 18th century, i.e., with classicism, and the beginning of Romantic revival in England.The Preface of the Lyrical Ballads served as the manifesto of the English Romantic Movement in poetry.Wordsworth, Colerid ge and Southey have often been mentioned as the “Lake Poets” because they lived in the Lake District in the northwestern part of England.His deep love for nature runs through such short lyrics as Lines Written in Early Spring, To the Cuckoo, I Wandered Lonely as a Cloud, My Heart Leaps Up, Intimations of Immortality and Lines Composed a Few Miles Above Tintern Abbey. The last is called his “lyrical hymn of thanks to nature”.Wordsworth’s poetry is distinguished by the simplicity and purity of his language. Chapter 3 Coleridge and Southey1. ColeridgeColeridge’s best poems, The Rime of the Ancient Mariner.Chapter 4 Byron1. LifeChilde Harold’s PilgrimageHe finished Childe Harold, wrote his masterpiece Don Juan.2. Childe Harold’s PilgrimageThis long poem contains four cantos. It is written in the Soenserian stanza.3. Don JuanByron remains one of the most popular English poets both at home and abroad.Chapter 5 Shelley4. Promethus UnboundShelley’s masterpiece is Promethus Unbound, a lyrical drama in 4 acts.6. Lyrics on Nature and LoveOde to the West WindChapter 6 Keats2. Long PoemsKeats wrote five long poems: Endymion, Isabella, The Eve of St. Agnes, Lamia and Hyperion.5) The unfinished long epic Hyperion has been regarded as Keat’s greatest achievement in poetry.3. Short Poems1) His leading principle is: “Beauty in truth, truth in beauty.”3) Ode to Autumn, Ode on Melancholy, Ode on a Grecian Urn and Ode to a Nightingale Chapter 10 Scott2. His Historical NovelsScott has been universally regarded as the founder and great master of the historical novel. According to the subjet-matter, the group on the history of Scotland, the group on English history and the group on the history of European countries.In fact, Scott’s literary career marks the transition from romanticism to realism in English literature of the 19th century.Part Six: English Critical RealismChapter 2 DickensCharles Dickens critical realismDickens: Pickwick Papers, American Notes, Martin Chuzzlewit and Oliver Twist4) Dickens has often been compared Shakespeare for creative force and range of invention. “He and Shakespeare are the two unique popular classics that England has given to the world, and they are alike in being remembered not for one masterpiece but for creative world.”David CopperfieldChapter 3 Thackeray2. Vanity Fair: A Novel Without a HeroVanity Fair is Thackeray’s masterpiece. characters: Amelia Sedley and Rebecca (Becky) SharpThackeray can be placed on the same level as Dickens, as one of the greatest critical realists of 19th-century Europe.Chapter 4 Some Women Novelists1. Jane Austen (1775-1817)She herself compared her work to a fine engraving made upon a little piece of ivory only two inches square.Jane Austen wrote 6 novels: Northanger Abbey, Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma and Persuasion.2. The Bronte SistersCharlotte’s maiden attempt at prose writing, the novel Professor, was rejected by the publisher, but her next novel Jane Eyre, appearing in 1847, brought her fame and placed her in the ranks of the foremost English realistic writers. Emily’s novel Wuthering Heights appeared in 1847.Anne: Agnes Grey4. George EliotMary Ann Evansthree remarkable novels: Adam Bede, The Mill on the Floss and Silas Marner3) Silas Marner:Critical realism was the main current of English literature in the middle of the 19th century.Part Seven: Prose-Writers and Poets of the Mid and Late 19th Century Chapter 1 Carlylethe Victorian AgeChapter 3 Tennysonthe Victorian Age prose especially the novel1. Tennyson’s Life and CareerAlfred Tennyson, the most important poet of the Victorian Age.In the same year (1850) he was appointed poet laureate in succession to Wordsworth. Chapter 7 Literary Trends at the End of the Century1. NaturalismNaturalism is a literary trend prevailing in Europe, especially in France and Germany, in the second half of the 19th century.2. Neo-RomanticismStevenson was a representative of neo-romanticism in English literature.Treasure Island (masterpiece)3. AestheticismAestheticism began to prevail in Europe at the middle of the 19th century. The theory of “art for art’s sake” was first put forward by the French poet Theophile Gautier.The two most important representatives of aestheticists in English literature are Walter Pater and Oscar Wilde.2) Oscar Wilde dramatistLady Windermere’s Fan, 1893; A Woman of No Importance, 1894; An Ideal Husband and The Importance of Being Earnest, 1895The Importance of Being Earnest is his masterpiece in drama.Part Eight: Twentieth Century English Literature(Modernism)Chapter 2 English Novel of Early 20th Century3. Henry JamesHe is regarded as the forerunner of the “stream of consciousness” literature in the 20th century.Chapter 3 Hardy1. Life and WorkAmong his famous novels, Tess of the D’Urbervillies and Jude the Obscure.2. Tess of the D’Urbervilliescharacters: Tess, Alec D’Urbervillies and Angel ClareChapter 6 Bernard ShawChapter 8 Modernism in Poetry1. ImagismEzra PoundThe two most important English poets of the first half of 20th century are W. B. Yeats and T. S. Eliot.2. W. B. YeatsThe Wild Swans at Coole, Michael Robartes and the Dancer, The Tower and The Winding StairT. S. E liot has referred to Yeats as “the greatest poet of our age-certainly the greatest in this(i.e. English) language.”3. T. S. EliotThe Waste Land (1922) is dignifying the emergence of Modernism.T. S. Eliot was a leader of the modernist movement in English poetry and a great innovator of verse technique. He profoundly influenced 20th-century English poetry between World Wars 1 and 2.Chapter 9 The Psychological Fiction1. D. H. LawrenceSons and Lovers (1913), the first of Lawrence’s important novel s, is largely autobiographical.This shows the influence of Freud’s theory of psychoanalysis, especially that of the “Oedipus complex.”The Rainbow, Women in Love and Lady Chatterley’s Lover3. James JoyceUlysses (1922)June 16, 1904character: Leopold BloomJames Joyce was one of the most original novelists of the 20th century.His masterpiece Ulysses has been called “a modern prose epic”.His admirers have praised him as “second only to Shakespeare in his mastery of the English language.”4. Virginia Woolf“high-brows”the Bloomsbury GroupVirginia Wolf’s first two novels, The Voyage Out and Night and Day.Jacob’s Room, Mrs. Dalloway, To the Lighthouse and OrlandoPart Nine: Poets and Novelists Who Wrote both before and after the Second World War Chapter 5 E. M. ForsterEdward Morgan Forster the Bloomsbury Groupfour novels: Where Angels Fear to Tread, The Longest Journey, A Room with a View and Howards EndA Passage to India, published in 1924, is Forster’s masterpiece.In 1927, Forster published a book on the theory of fiction, Aspects of the Novel.Chapter 10 William GoldingWilliam Gerald GoldingHis first novel Lord of the FliesChapter 11 Doris LessingGolden Notebook。
Part I The Anglo-Saxon Period(449-1066)I Background449 the Teutons ( the Jutes, the Anglos, the Saxons)II LiteratureThe literature of this period falls into two divisions—pagan and ChristianTwo Anglo-saxon Christian poets:Caedmon (凯德蒙,公元7世纪盎各鲁-萨克逊基督教诗人)who lived in the latter half of the 7th century and who wrote a poetic Paraphrase of the Bible.Cynewulf(基涅武甫,盎各鲁――萨克逊诗人,生活在公元9世纪,其古英语诗稿于10世纪被发现,有《埃琳娜》,《使徒们的命运》,《基督升天》和《朱莉安娜》), the author of poems on religious subjectsIII The Song of Beowulf( Beowulf, 公元7-8世纪之交开始流传于民间的同名史诗中的主人公,曾与水怪,火龙搏斗)Status: England’s national epicWritten at the beginning of the tenth centuryComposed much earlierLength:3182The whole song is essentially pagan in spirit and matter.Features : alliteration; metaphors; understatementSubject matterPart II The Anglo-Norman Period (1066—1350)I historical background: The Norman ConquestII. The LiteratureThe literature which they brought to England is remarkable for its bright, romantic tales of love and adventure.III. Romance1. Romance was the prevailing form of literature in feudal England.2. Definition and features(理解)IV. Sir Gawain and the Green Knighta late-14th century middle-English outlining an adventure of Sir Gawain, a knight of King Arthur’s Round Table.It was a verse romance of 2530 lines, considered as the best of Arthurian roman ces.Part III Geoffrey Chaucer(1340?-1400)I Major worksThe Romaunt of the Rose《玫瑰传奇》is a translation from a French poem.His masterpiece: The Canterbury TalesII Contributions1. Chaucer—the forerunner of Renaissanc e2. Chaucer –a master of realism3 Chaucer—“father of English poetry”①In contradistinction to the alliterative verse of the Anglo-Saxon poetry, Chaucer chose the metrical form which laid the foundation of the English tonic-syllabic verse.②He introduced from France the rhymed couplet (two successive lines of verse equal in length and with thyme) of iambic pentameter which is to be called later the heroic coupletIII the Canterbury tales1. statusThe Canterbury Tales is Chaucer's masterpiece and one of the monumental works in English literature2. It contains(1) a general prologue (over 800 lines)(2) 24 tales(3) separate prologues and “the links that accompany some of the tales‖Part IV The RenaissanceI.The RenaissanceFeatures① A thirsting curiosity for the classical literature.②The keen interest in the activities of humanity.Essence: humanismII. The 16th century EnglandIII. The Renaissance Literature in EnglandFigures1/ Thomas More (1478-1535, 托马斯·莫尔)—the Forerunner of utopian socialismUtopia《乌托邦》(1516)2/ France Bacon (1561-1626,弗朗西斯·培根)--the scientist, philosopher and essayist3/ Thomas Wyatt (1503?-1542, 托玛斯·维亚特)--a poet, the first to introduce the sonnet into English literature4/. Edmund Spenser (1552-1599,埃德蒙·斯宾塞),a great poetThe Faerie Queene《仙后》(1590)5/ Christopher Marlowe(1564-1593)—the greatest pioneer of English dramaContributions:He reformed the genre of drama in England and perfected the language and verse of dramatic works.He made blank verse the principal vehicle of expression in drama6/ Prose writersJohn Lily(1553-1606,约翰·黎利) Eupheus(尤弗伊斯)gives the term of euphuismThomas Loge (1558-1625,托马斯·洛奇)Thomas Deloney (1543-1600,托马斯·德罗尼)Thomas Nashe(1567-1601,托马斯·纳西)William Shakespeare (1564-1616)I. status: the greatest of all English authors; one of those rare geniuses of mankind; landmark in the history of world culture; one of the first founders of realism; a masterhand at realistic portrayal of human characters and relations the greatest dramatist in human history and the supreme poet of the English language—he wrote poems and playsII works①Poemssonnets: 1542 narrative poemsVenus and Adonis 《维纳斯和阿多尼斯》The Rape of Lucrece《鲁克莉斯受辱记》②plays(38)tragediesRomeo and Juliet4 great tragedies (Hamlet, Othello, King Lear, Macbeth )comediesMid- Summer’ Night’s DreamhistoriesIII.Selected reading①Hamlet②Sonnet 18Francis Bacon (1561-1626)I title:Philosopher, scientist(the inventor of scientific method); Statesman Jurist(法学家); essayistII. worksBacon’s works may be divided into three classes:a. the philosophical works:Advancement of Learning (1605, in English)Novum Organum (1620, in Latin)De Augmentis (1623, in latin)b. the literary works:Essays( 1597,1612, 1625)c. the professional works:Maxism of the LawReading on the Statute of Uses 用益权法Part V The 17th Century The period of Revolution and RestorationI. Social Background1. The 17th century was one of the most tempestuous[动荡的] periods inEnglish history.2.In 1642, the civil war (English revolution/ Puritan revolution) broke outbetween Charles I and the parliament.3. The restoration (1660)4.The glorious revolution(1688)II. Puritan and PuritanismIII. Literature of the 17th century1.The revolution periodGeneral Characteristics①The Revolution Period was one of confusion in literature due to the breakingup of the old ideals. The Puritans believed in simplicity of life. They disapproved of the sonnets and the love poetry written in the previous period.②The Puritan influence in general tended to suppress literary art. Y et this hard,stern sect produced a great poet, John Milton, and a great prose writer, John Bunyan.③Literature in the Puritan Age expressed sadness. Even its brightest hourswere followed by gloom and pessimism.④John Milton, whose work would glorify any age and people, and in his workthe indomitable(不屈服的)revolutionary spirit found its noblest expression.For this reason, this period is also called Age of Milton.⑤The main literary form of the period was poetry. Besides Milton, there weretwo other groups of poets, the Metaphysical Poets and the Cavalier Poets.2. Literature of the Restorationgeneral characteristics① a sudden breaking away from old standards②Restoration literature is deeply influenced by French classical taste. It is a period of French influence.rimed couplets-blank verseThe unitiesA more regular constructionThe presentations of types rather than individuals③restoration comediesRestoration created a literature of its own that was often witty and clever, but on the whole immoral and cynical. The most popular genre was that of comedy whose chief aim was to entertain the licentious aristocrats. The comedies are coarse in language and their view of the relations between men and women is immoral and dishonest.④John Dryden (1631-1670)critic, poet, and playwrightthe most distinguished literary figure of the time(一)John Donne (1573-1631)I ①The founder of the Metaphysical School and very influential upon modern writers②a preacher famous for his magnificent sermons at his timeIII Major W orksEarly works: Songs and Sonnets( written before 1600, 55 love poems)The Flea 《跳蚤》Song: Go and Catch a Falling StarWoman’s Consta ncy 《女人的忠贞》A Valediction : of Weeping《别离辞:哭泣》A Valediction: Forbidding Mourning《别离辞:节哀》late works: Religious poems and sermons(二) John Milton(1608-1674)I status ①A great puritan poet②his work would glorify any age or people, and in him the indomitable puritan spirit finds the noblest expression.II Milton’s WorksThree literary periods:①early period: poems written in Cambridge and at Horton②middle-aged period: prose pamphletsAreopagitica(Speech for the Liberty of UnlicensedPrinting,1644 )Eikonoklaste s ( Image Breaker, 1649)Defense for the English People (1650)③the period of his old age :great poemsParadise Lost (1658-1664)Paradise Regained (1671)Samson Agonistes (1671)III Paradise Lost①status:•the only great epic since Beowulf•one of the greatest poems of the English language②ThemeThe theme is ― the fall of man,‖ i.e. man's disobedience and the loss of paradise , with its cause–Satan .(三) John Bunyan1628—1688I status•He received spiritual independence from the Reformation•the chief Puritan writer of prose•He gave us the only great allegory ——The Pilgrim’s ProgressII The Pilg rim’s Progress (1678)①It is about Christian’s journey from his hometown ―the city of Destruction‖ to the ―Celestial City‖, and his experiences and adventures on his journey.It depicts the pilgrimage of a human soul in search of Salvation.②It was written in the form of allegory and dream.③Christian’s journey in 10 stages (scenes)Slough of DespondThe House of InterpreterThe Hill of DifficultyHouse BeautifulV alley of HumiliationThe valley of the Shadow of DeathV anity FairDoubting CastleThe Delectable MountainsCelestial City④vanity fair•V anity Fair is one of the most remarkable passages of The Pilgrim’s Progress•―V anity‖ means ―emptiness‖ or ―worthless‖, hence•the fair is an allegory of worldliness & the corruption of the religious life through the attractions of the world•the great critical realist of the 19th century, W. M. Thackeray, employed ―Vanity Fair‖ as the title for his masterpiece that gives a comprehensive satirical picture of the aristocratic bourgeois society of 19th century EnglandPart VI The 18th century The Age of Enlightenment in England(the age of reason)I. Historical backgroundThe EnlightenmentV ersion 1: p 165-166II. Literature1. NeoclassicismwritersJohn Dryden(1631-1700)Alexander Pope(1660-1744)散文《论批评》An Essay on Criticism讽刺史诗《夺发记》The Rape of the LockSamuel Johnson (1709-1784)《英文大词典》A Dictionary of the English Language2. Essays•Joseph Addison (1672-1719)•Richard Steele (1667-1745)The TatlerThe Spectator3.modern English novelWritersDaniel Defoe (1661-1731) Robinson CrusoeHenry Fielding (1707-1754) The History of Tom Jones, A FoundlingT. G. Smollet (1721-1771) satirical novelsSamuel Richardson (1689-1761) PamelaOliver Goldsmith (1728-1774) The Vicar of WakefieldJonathan Swift (1667-1745) Gulliver's TravelsLawrence Sterne (1713-1768) Sentimental JourneyRobinson Crusoe was one of the forerunners of the English 18th century realistic novel. But it was Henry fielding and Tobias George Smollet who became the real founders of the genre of the bourgeois realistic novel in England and Europe.4. Drama•Oliver Goldsmith (1728-1774)She stoops to Conquer•Richard Brinsley Sheridan (1751-1816)the Rivalsthe School for Scandal5. SentimentalismNovelistsSamuel Richardson Pamela帕米拉Laurence Sterne Sentimental JourneyPoetsThomas Gray (1716-1771) Elegy Written in a Country Churchyard Oliver Goldsmith (1728-1774) The Deserted VillageGeorge Crabbe (1754-1832) The Village6 Gothic novelwritersHorace Walpole (1727-1797)The Castle of Otranto奥特伦托城堡Ann Radcliff (1764-1823)The Mysteries of Udolpho 尤道弗之谜7. pre-romanticismthe poets•William Blake (1757-1821)•Robert Burns (1759-1796)(一)Daniel Defoe (1661-1731)works1.PamphletThe Shortest Way with the Dissenters2. Fiction (picaresque novel)Robin Crusoe (1719)Captain Singleton (1720)Duncan Campbell (1720)Memoirs of Cavalier (1720)Colonel Jack (1722)Moll Flanders (1722)Journal of the Plague Year (1722)Account of Jonathan Wild (1725)The History of the Devil (1726)(二)Jonathan Swift (1667-1745)I ①A satirist②The supreme prose master in the first part of the 18th century is Swift.II The works of Swift:The Battle of the Books书的战争(1704)A Tale of A Tub一只桶的故事(1704)The Journal to Stella斯特拉日记(1710-1713)A Modest Proposal一个温和的建议(1729)Drapier’s Letters布商的信(1724,1725)Gulliver’s Travels格列佛游记(1726)III Gulliver’s Travelsfour voyages of Lemuel GulliverThe first part : LilliputThe second part: BrobdingnagThe last part: the land of HouyhnhnmsThe third part: LaputaIV A Modest Proposal (1729)A Modest Proposal is the best and most famous political satire of Swift.(三)Joseph Addison(1672-1719)Richard Steele (1672-1729)1. The Tatlerstarted by_______containing: news,gossip,stories and jokespublished ______times a week_______small pagesrun about ______years2.The SpectatorPublished every morningContaining only familiar essaysform: The spectator was supposed to be edited by a small club run by Mr Spectator, including mainly Sir Roger de Coverley and several others.Content: comment on books; earnest efforts after reform; Character sketches of si r Roger3. The purpose4. the meaning and influence of the T and the S5. The style of AddisonP 2306. The literary genre of essayp228 L7-L13(四)Henry Fielding(1707-1754)I chiefly a novelistthen a dramatistthe founder of English realistic novel― Father of English novel‖II works①The History of the Adventure of Joseph Andrews and His Friend Mr. Adams1742《约瑟夫·安德鲁斯》 a parody of Richardson’s Pamela②Jonathan Wild, the Great 1743《大伟人乔纳森·威尔德传》the story of a rogue③The History of Tom Jones, a Foundling 1749《弃儿汤姆琼斯的历史》masterpiece④The History of Amelia 1751《艾米利亚》(五)Thomas Gray(1716-1771)Elegy written in a Country Churchyard①T ype: elegy (a somber poem or song that praises or laments the dead)②Key dates: Gray began writing the poem in 1742, put it aside for a while, and finished it in 1750. He was meticulous: everything he wrote had to be just right. He believed that one imprecise word could ruin an entire work. Consequently, In ―Elegy Written in a Country Churchyard,‖ he labored on until all the words were right③setting: Churchyard at Stoke Poges in Buckinghamshire, England. Gray was buried in that churchyard.④format: four-line stanzas in iambic pentameter.In each stanza, the first line rhymes with the third and the second rhymes with the fourth.⑤status: one of the greatest poems in the English language.It knits structure, rhyme scheme, imagery and message into a brilliant work that confers on Gray everlasting fame.⑥school: sentimental poetrythe graveyard school(六)Oliver Goldsmith(1728-1774)I ①an Irish Writer②a representative of Sentimentalism③One of the most versatile of authors and made distinguished contributions in several literary forms.II Works•A novelThe vicar of Wakefield 1761-1762威克菲尔德的牧师/威克菲牧师传•comediesShe stoops to Conquer 1773 委曲求全Good-natured Man 1768 好性情的人•A series of essaysThe Citizen of the World 1762世界公民•Poems:The Traveler 1764 旅行者The Deserted Villiage1770 荒村(七)Richard Brinsley Sheridan(1751-1816)I①the most important English playwright of the 18th century.②His plays, especially The Rivals and The School for Scandal, are generally regarded as important links between the masterpieces of Shakespeare and those of B ernard Shaw.II. Dramas of Sheridan•The Rivals情敌1775•The School for Scandal造谣学校1777•The Critic1779(七)William Blake (1757-1827)I the most independent and the most original romantic poetThe poet of inspirationThe mystic and transcendental poetThe most extraordinary literary geniusII works1. Poetical Sketches (1783)a collection of youthful poems.Joy, laughter, love and harmony are the prevailing notes.2. Songs of Innocence (1789)3. Songs of Experience (1794)III selected reading(八)Robert Burns(1759-1796)I①the greatest of Scottish poetMost of his poems and songs were written in Scotch dialect.Burns had a deep knowledge and an excellent mastery of theold Scotch song tradition.② a farmer poet.Burns was a plowman. He came from the people and wrote for the people. He was the people’s poet.③ a pre-romantic poetIIselectedreading。
一、The Anglo-Saxon period (449-1066)1、这个时期的文学作品分类:pagan(异教徒) Christian(基督徒)2、代表作:The Song of Beowulf 《贝奥武甫》( national epic 民族史诗) 采用了隐喻手法3、Alliteration 押头韵(写作手法)例子:of man was the mildest and most beloved,To his kin the kindest, keenest for praise.二、The Anglo-Norman period (1066-1350)Canto 诗章1、romance 传奇文学2、代表作:Sir Gawain and the Green Knight (高文爵士和绿衣骑士) 是一首押头韵的长诗三、Geoffrey Chaucer (1340-1400) 杰弗里.乔叟时期1、the father of English poetry 英国诗歌之父2、heroic couplet 英雄双韵体:a verse unit consisting of two rhymed(押韵) lines in iambic pentameter(五步抑扬格)3、代表作:the Canterbury Tales 坎特伯雷的故事(英国文学史的开端)大致内容:the pilgrims are people from various parts of England, representatives of various walks of life and social groups.朝圣者都是来自英国的各地的人,代表着社会的各个不同阶层和社会团体小说特点:each of the narrators tells his tale in a peculiar manner, thus revealing his own viewsand character.这些叙述者以自己特色的方式讲述自己的故事,无形中表明了各自的观点,展示了各自的性格。
小说观点:he believes in the right of man to earthly happiness. He is anxious to see man freed from superstitions(迷信) and a blind belief in fate(盲目地相信命运).他希望人们能从迷信和对命运的盲从中解脱出来。
4、Popular Ballads 大众民谣:a story hold in 4-line stanzas with second and fourth line rhymed(笔记)Ballads are anonymous narrative songs that have been preserved by oral transmission(书上).歌谣是匿名叙事歌曲,一直保存着口头传播的方式代表人物:Bishop Thomas Percy 托马斯.帕希主教代表作:Robin Hood and Allin-a-Dale 罗宾汉和阿林代尔四、The Renaissance (16世纪) 文艺复兴时期(Greek and Roman)戏剧drama 诗章cantoThe term Renaissance originally indicated a revival of classical (Greek and Roman) arts and sciences.文艺复兴最初是指经典艺术和科学在英国的复兴。
The epoch of Renaissance witnessed a particular development of English drama文艺复兴时期的英国戏剧也得到了迅速的发展。
1、key work: humanism 人文主义:admire human beauty and human achievement2、代表人物:1)、Thomas More 托马斯.莫尔Utopia 乌托邦2)、Francis Bacon 弗朗西斯.培根第一个散文家(essayist)3)、Thomas Wyatt 托马斯.怀亚特引入十四行诗的第一人sonnet(十四行诗):form of poetry intricately rhymed(间隔押韵) in 14 lines iambic pentameter 4)、Edmund Spenser 埃德蒙.斯宾塞poet’s poet(诗人中的诗人) The Fairy Queen《仙后》(epic poem 史诗)5)、Christopher Marlowe 克里斯托弗.马洛blank verse(无韵体:不押韵的五步抑扬格) 是十六世纪英国戏剧的主要表现形式。
6)、William Shakespeare 威廉姆.莎士比亚戏剧drama四大悲剧:Hamlet(哈姆雷五、the period of Revolution and Restoration (17世纪) 资产阶级革命与王权复辟prose 散文1、文学特点:the Puritans(清教徒) believed in simplicity of life、disapproved of the sonnets and the love poetry、breaking up of old ideals.清教徒崇尚俭朴的生活、拒绝十四行诗和爱情诗、与旧思想脱离。
2、代表人物:1)、John Donne 约翰.多恩“metaphysical”poets (玄学派诗人) 的代表人物sonnet 十四行诗《Death be not proud》(笔记)作品特点:①strike the reader in Donne’s extraordinary frankness and penetrating realism.(坦诚的态度和现实描绘)②novelty of subject matter and point(新颖的题材和视角)③novelty of its form.(新颖的形式)2)、John Milton 约翰.弥尔顿a great poet 诗人(poem 诗歌blank verse )《Defense for the English People》为英国人辩护《Paradise Lost》失乐园“Satan is not a villain”撒旦不是坏人《Paradise Regained》复乐园)、John Bunyan 约翰.拜扬a great prose writer “give us the only great allegory(寓言)”Pilgrim’s Progress》天路历程prose 散文该书采用的写作手法“written in the old-fashioned(旧体形式), medieval form of allegory(比喻) and dream”六、The Age of Enlightenment (18世纪) 启蒙运动prose 散文1、Emphasized formality or correctness of style, to write prose like Addison, or verse like Pope. 特),Othello(奥赛罗),King Lear(李尔王),The Tragedy of Macbeth(麦克白)强调正确的格式和写作规范,像艾迪生一样创作散文,和蒲柏一样创作诗歌。
The Enlightenment was an expression of struggle of the then progressive class of bourgeoisie against feudalism.启蒙运动实际上是当时先进的资产阶级同落后的封建主义斗争的一种形式。
The enlighteners repudiate the false religious doctrines about the viciousness of human nature, and prove that man is born kind and honest, and if he becomes depraved, it is only due to the influence of corrupted social environment.启蒙主义者颠覆了宗教所宣扬的人类本恶的观点;论证了人生诚实而友善,而腐化堕落则是后天腐败的社会环境所致。
Contrary to all reasoning, social injustice still held strong, found the power of reason to be insufficient, and therefore appealed to sentiment as a means of achieving happiness and social justice.无论怎样讲究理性,社会不平等现象仍然普遍存在,理性的力量明显不足。
因此呼吁把情感的诉求作为一种谋求幸福和社会公平的手段。
2、18th century 文学的三个方面:Classicism(古典主义)、revival of romantic poetry(新兴的浪漫主义诗歌)、beginnings of the modern novel(刚启萌的现代派小说)3、代表人物:1)、Daniel Defoe 丹尼尔.笛福realistic novel 现实主义小说Novel:《Robinson Crusoe》鲁宾逊漂流记《Jonathan Wild》乔纳森.威尔德《Moll Flanders》摩尔.弗兰德斯2)、Henry Fielding 亨利.菲尔丁father of modern fiction(现代小说之父)《Joseph Andrews》约瑟夫.安德鲁斯受到了理查森的《帕美勒》的启发作家之间的不同:Richardson —— no humor, minces words, moralizes. 不幽默,咬文嚼字,说教Fielding —— direct, vigorous, hilarious, and coarse to the point of vulgarity,full of animal spirits, tells the story of a vagabond life 语言直接、生动、欢快、粗糙,甚至有点俗,精神焕发,讲述流浪者的故事。