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悲惨世界音乐剧观后感悲惨世界音乐剧观后感（精选篇1）他活着，尽管命运离奇多磨难;他安息，只因失去天使才合眼。
生来死去，是人生自然的规律;昼去夜来，也同样是这种道理。
”这四句诗是《悲惨世界》的附录，“他”指的就是文中的主人公——冉阿让。
冉阿让生在布里地区的贫苦农家里，因饥饿偷面包而成为苦役犯，被判五年苦役。
后因多次越狱，在苦役场呆了十九年才刑满释放。
因为持黄色通行证，所以没有旅店敢留他过夜。
后来，他遇上了好心的主教，受到了主教的感化立志从善。
他化名为马德兰，为黑玻璃制造业取得了大进步，又当上了市长，经常帮助一些穷人。
后因种.种原因，他成为了珂赛特的父亲，又因曾经犯下的罪四处躲藏。
珂赛特长大了，认识了马吕斯。
最后他们结了婚。
因为冉阿让告知了马吕斯他的真实身份，冉阿让只能从此离开珂赛特。
卑鄙下流的德纳第企图告发冉阿让，却刚好成全了冉阿让的高大形象。
知道真相后，珂赛特和马吕斯急切看望冉阿让，却成了最后的见面。
这本书看完后，我哭了。
是冉阿让感动了我。
原来，人是那么伟大、勇敢、宽容、坚强。
居然在那么黑暗的社会里，有如此善良的人。
人的本性并不坏，只是因为所处的环境与接触的人的不同罢了。
其实，人并没有好坏之分，难道可以因为冉阿让偷了一块儿面包就说他是坏人吗?不对，这不是他的错，只因当时社会的黑暗。
难道可以因为德纳第救了彭迈西上校就说他是好人吗?不对，德纳第是自私的，只因搜索死人身上的财物，碰巧救了彭迈西上校。
冉阿让，他是一个伟大的人，他在我心中的形象永远都不会磨灭。
冉阿让，他是一个真实的人，他叫彼埃尔莫。
《《悲惨世界》读后感》悲惨世界音乐剧观后感（精选篇2）读完《悲惨世界》这本书，觉得这本书非常好，把它介绍给大家。
主人翁冉阿因为偷一块面包而被判了19年的苦役，他出狱后，受一位主教的感化，化名为马德兰。
查得。
克莫，从此他立地成佛、处处行善，关心穷人，为贫苦人打抱不平，结交了很多贫民朋友，马吕斯。
芳汀、玛赛特等穷苦人，在这期间，他为保护穷苦人的利益，与警察沙威发生过数次冲突，几经厄运，最后被迫在孤独中死去。
音乐剧悲惨世界的观后感音乐剧悲惨世界的观后感篇1前一阵子，我读了一部震撼人心的鸿篇巨制——《悲惨世界》。
这个作品以冉阿让——一个因为偷了一片面包而开始了20--年的苦役犯生涯的人为主线，写了他被卞福汝主教感化后做了数不清的感人事情，包括帮助苦命的芳汀，以及将她的女儿珂赛特救出苦海，从一个黑暗罪恶的人蜕变成了高尚的天使。
当我合上这本书时，强烈的感动在心中油然而生。
虽然冉阿让去世了，但是他帮助了多少贫苦家庭找回了幸福;虽然他去世了，但是他完成了与芳汀的承诺，让珂赛特过上了幸福的生活;虽然他去世了，但是他却在紧要关头救了他的死对头探长沙威……他的感人事迹数都数不清，那他为什么要这么做呢?为什么要不顾死活地帮助他人呢?是的，他做出这一切全都是源于他的爱，他对所有生命的爱心，对世界的爱心，以及助人为乐的爱心。
说到爱，说到助人为乐，那我便不得不说说我们中国的雷锋。
雷锋出生在一个贫苦的家庭中，从小学习助人。
长大了，他很快当上解放军，做好事从不留名，是人们心中的英雄。
有一次雷锋出差，在火车上，他主动让坐，不是帮人们端茶送水，就是帮妇女哄孩子，都没有休息过。
一位老人对他说：“同志，你坐下来歇歇吧!”雷锋却微笑拒绝了。
从此，就有了这么一句话：“雷锋出差一千里，好事做了一火车。
”雷锋也说过：“人的生命是有限的，可是，为人民服务是无限的，我要把有限的生命，投入到无限的为人民服务之中去。
”1963年3月5日，雷锋光荣殉职后，亲笔题词：“向雷锋同志学习。
”没错，雷锋与书中的冉阿让其实是一样的，都有一颗大爱无私的心。
爱是迷路时的一个指南针，为我们引路;爱是寒风中的一把篝火;爱是人生活的一线希望。
法·彭沙尔说：“有爱慰籍的人，无惧于任何事物，任何人。
”让我们向大爱无疆的冉阿让学习，向生活中每一个博爱的人学习!音乐剧悲惨世界的观后感篇2一部闻名遐迩的世界名著，它把惨淡荒凉世界中人性的种.种改变尽收眼底，让我不禁感叹人性的微妙。
悲惨世界英法曲目对照《悲惨世界》是一部以法国作家维克多·雨果的同名小说为基础创作的音乐剧，由克劳德-米歇尔·舒伯特（Claude-Michel Schönberg）作曲，阿兰·布尔比尔（Alain Boublil）和让-马克·纳特尔（Jean-Marc Natel）编写歌词，英文词曲翻译由赫伯特·克雷特曼（Herbert Kretzmer）完成。
以下是《悲惨世界》的英法曲目对照：1. "Prologue / On Parole" （序曲/假释）。
2. "Valjean's Soliloquy" （瓦尔让的独白）。
3. "At the End of the Day" （日暮时分）。
4. "I Dreamed a Dream" （我曾有梦）。
5. "Lovely Ladies" （美丽女人）。
6. "Fantine's Arrest" （芳汀被捕）。
7. "The Runaway Cart" （失控的马车）。
8. "Who Am I?" （我是谁？）。
9. "Come to Me" （来到我身边）。
10. "Confrontation" （对峙）。
11. "Castle on a Cloud" （云上的城堡）。
12. "Master of the House" （酒店老板）。
13. "The Thénardiers Waltz of Treachery" （泰纳迪埃的背叛华尔兹）。
14. "Look Down" （低头）。
15. "Stars" （星星）。
悲惨世界音乐剧读后感英文回答：Les Misérables is a musical adaptation of VictorHugo's classic novel of the same name. It tells the story of Jean Valjean, a former convict who seeks redemption and a new life after serving a long prison sentence. The musical explores themes of love, sacrifice, and the pursuit of justice in a world filled with poverty and inequality.One of the aspects that struck me the most about the musical is its powerful and emotional music. The songs are beautifully composed and the lyrics are deeply moving. From the iconic "I Dreamed a Dream" to the stirring "Do You Hear the People Sing?", the music effectively conveys the characters' emotions and drives the narrative forward.The performances in Les Misérables are also outstanding. The actors bring the characters to life with their incredible singing and acting skills. I wasparticularly impressed by the portrayal of Jean Valjean, played by an actor with a powerful and versatile voice. The ensemble cast also deserves praise for their energy and commitment to their roles.Furthermore, the set design and costumes in the musical are visually stunning. The intricate details and the use of lighting create a vivid and immersive atmosphere, transporting the audience to 19th-century France. The grandeur of the barricade scenes and the haunting beauty of the sewers of Paris are particularly memorable.Les Misérables is not only a tale of personal redemption, but also a reflection on the social andpolitical issues of its time. It highlights the struggles of the poor and marginalized, and the injustices they face in a society that is divided by class. The musical serves as a reminder of the importance of compassion, empathy, and the fight for equality.In conclusion, Les Misérables is a powerful and emotionally charged musical that leaves a lasting impact onits audience. The combination of its compelling story, beautiful music, and exceptional performances make it a truly unforgettable experience.中文回答：《悲惨世界》是维克多·雨果的经典小说的音乐剧改编作品。
音乐剧《悲惨世界》的创作艺术特色《悲惨世界》是现今是国际各国之间最卖座的优质音乐剧之一。
将文学转变为音乐剧，让音乐成为核心，将文学形象转变为音乐形象，并且借助一些独特的表浈方式来让其更加丰富，例如舞蹈、舞美、喜剧等等。
接下来笔者简单分析一下这个音乐剧的创作艺术特点。
关键词：音乐剧; 《悲惨世界》；舞蹈；舞美The musical "les miserables’’ art features Abstract: ’’Les miserables” is the most popular one is high quality mus ical international between countries. The literature into a musical let the music as the core, the literature image into the image of music，and with the aid of some unique performance to make it more rich，such as dance, dance, comedy etc.. The brief analysis of artistic features of the music.Key words: The musical "les miserables”； dance; dance目录弓IW (3)一、文学语言通俗简洁 (3)、传统歌剧式的情节结构三、音乐语言——主题交织的运用 (4)四、舞台美术在符合历史真实、生活真实的基础上，使视觉形象更具有浓郁的诗意、表现的美结论..致谢#考対伏 (9)引言音乐剧集多种艺术表现形式于一身，它之所以这么成功，就是将多门艺术适当的融合在~起，囊括舞蹈、音乐、剧木、舞美、剧诗等元素。
探究一部音乐剧的每一个部分，能够看清艺术融合体的内部细节，进而知晓这部音乐剧的特点与性质。
百老汇音乐剧《悲惨世界》中“芳汀”的角色塑造和演唱分析摘要音乐剧是起源于英国19世纪末的一种歌剧形式。
音乐剧一般主要凭借音乐、戏剧以及舞蹈来描写人物形象、表现人物心理以及展现人物情感和戏剧冲突的。
音乐剧在世界各地尤其是美国纽约的百老汇和英国伦敦西区演出甚密。
音乐剧通过数百年的创新发展，不乏我们耳染目睹的名剧，如安德鲁韦伯的《猫》和《歌剧魅影》，莫扎特的《费加罗婚礼》和《魔笛》，威尔第的《茶花女》，戈齐的《图兰朵》。
我们今天即将论述的是《悲惨世界》改编的音乐剧，作者雨果在《悲惨世界》里充分展现了19世纪法国最底层劳动人民悲惨的生活现状，该剧由克劳德-米歇尔·勋伯格作曲，阿兰·鲍伯利作词，特里沃·纳恩和约翰·卡尔德合作编剧、导演。
1980 年在巴黎体育馆首演，但上演16周后便被迫收场，历史上最成功的戏剧制作人麦金托什被其音乐感动，决定重新制作，并将之前的法语歌词译制成英语，重新修改加工，成为了通行的英语版本。
重新包装后的音乐剧《悲惨世界》于1985年10月在英国伦敦首演，并大获成功。
1987年3月又在美国百老汇公演，至今已在35 个国家、200 多个城市用21 种不同语言，演出过54 个版本。
并获得了多个国际重要奖项，其中包括八项托尼奖和最佳音乐奖。
本文以音乐剧《悲惨世界》重要人物“芳汀”为主要研究对象,对芳汀角色塑造和主要唱段的演唱进行分析，主要内容有：首先引言部分介绍了本文研究的主要内容和意义；其次，第一部分概述了音乐剧《悲惨世界》，分析了其创作的背景，简介了其剧情概要；第二部分分析了音乐剧《悲惨世界》中“芳汀”的角色塑造，分析了“芳汀”的人物性格，介绍了“芳汀”的角色特点；第三部分研究了音乐剧《悲惨世界》“芳汀”的演唱特点，以主要唱段“我曾有梦”为分析对象，探究了其对人物情感的表达和演唱处理。
最后一部分总结了全文。
关键词：《悲惨世界》；“芳汀”；角色塑造；演唱分析AbstractMusical "les miserables" according to the French the Madison Victor Hugo adapted to major novel of the same name, show the bottom of France in the 19th century labor of people's life miserable situation. It with epic music theme, form fit and dreamy stage effect became the most successful adaptation art form to the original novel, embodies the spirit of the original faithfully. It by Alan BaoBoLi lyrics, Claude Michelle Schoenberg, composing, Trevor nun, screenwriter, director and John Calder cooperation. Is the earliest version of the French version of the show in Paris in 1980, gold producer mackintosh moved by its music, decided to make, dubbed the French words into English, and to modify the processing, become the English version of the passage. Premiere in London in 1985 a great success, and then in the Broadway blockbuster launch, has more than 200 cities in 35 countries, in 21 different languages, performed in 54 version. The play contains all over the world more than 50 important international awards. Based on the musical "les miserable" main character "Fanti" as the main research object, analyzes Fanti role shaping and concert, the main contents are:First of all, the introduction part introduced in this paper the main content and meaning; Second, the first part Outlines the musical les miserables, analyses the creation background, introduction to the plot summary; In the second part analyzes the musical les miserables "fantine" characters, analyzes the character of fantine, introduced the "fantine" the role of motherhood, holy characteristic; The third part studies the musical les miserables "fantine" singing, "I dreamed a dream" as analysis object, explores its on the expression of emotion and singing. The last part summarizes the full text.Keywords: Les miserables. "Fantine"; The characters; Singing analysis摘要 (1)Abstract (2)目录 (3)引言 (4)1、音乐剧《悲惨世界》概述 (4)1.1 创作背景 (5)1.2 剧情简介 (5)2、音乐剧《悲惨世界》中“芳汀”的角色塑造 (7)2.1 “芳汀”人物性格塑造 (7)2.2 “芳汀”人物情感表达 (7)2.3 “芳汀”—善良、慈祥的化身 (8)3、音乐剧《悲惨世界》中“芳汀”的演唱分析 (8)3.1 “我曾有梦”的情感表达 (8)3.1.1 语气的把握 (9)3.1.2 音量的控制 (10)3.1.3 音色的运用 (11)3.2 “我曾有梦”的演唱处理 (11)4、总结 (14)参考文献 (15)音乐剧是起源于19世纪末英国的一种戏剧表现形式。
音乐剧《悲惨世界》之美学微探目录一、内容综述．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．2二、《悲惨世界》音乐剧背景概述．．．．．．．．．．．．．．．．．．．．．．．．．．．．．31.原著及其影响．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．32.音乐剧改编过程．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．53.音乐剧在国内外的影响与反响．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．6三、音乐剧《悲惨世界》的美学特征．．．．．．．．．．．．．．．．．．．．．．．．．．．71.音乐与戏剧的融合．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．8（1）音乐与剧情的紧密结合．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．9 （2）旋律、节奏、和声的美学表现．．．．．．．．．．．．．．．．．．．．．．．．．．．102.舞蹈与场景的美学呈现．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．11（1）舞蹈的叙事功能．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．12 （2）场景设计的视觉效果．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．133.演员表演与人物塑造的美学要求．．．．．．．．．．．．．．．．．．．．．．．．．．．14（1）演员的歌唱与演技．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．15 （2）人物性格与命运的塑造．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．16四、音乐剧《悲惨世界》的美学价值分析．．．．．．．．．．．．．．．．．．．．．．171.对原著精神的传承与演绎．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．182.对人性善恶的探讨与反思．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．193.对社会现实的关注与批判．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．214.对艺术形式的创新与贡献．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．22五、音乐剧《悲惨世界》的美学影响及意义．．．．．．．．．．．．．．．．．．．．231.对音乐剧艺术发展的影响．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．24（1）对音乐剧题材选择的启示．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．25（2）对音乐剧创作手法的启示．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．．262.对观众审美观念的影响与提升．．．．．．．．．．．．．．．．．．．．．．．．．．．．．273.对社会文化价值的构建与贡献．．．．．．．．．．．．．．．．．．．．．．．．．．．．．28一、内容综述音乐剧《悲惨世界》是一部以法国文学巨匠维克多·雨果的同名小说为蓝本改编而成的舞台艺术作品。
最爱音乐剧《悲惨世界》剧本创作《悲惨世界》剧本创作音乐剧一直以来都是一种受欢迎的艺术形式，它将音乐、舞蹈和戏剧完美地结合在一起，给观众带来了无与伦比的视听享受。
在众多音乐剧中，有一部作品深深地触动了观众的心灵，那就是《悲惨世界》。
本文将探讨《悲惨世界》剧本的创作过程，从故事情节、角色塑造到音乐和舞蹈的运用，全面展示这部音乐剧的魅力。
一、故事情节的构思与创作《悲惨世界》的剧本源于维克多·雨果的同名小说，讲述了19世纪法国社会的贫富差距以及人性的善恶对人们命运的影响。
在创作剧本时，我们要准确地把握小说的核心思想，将其转化为音乐剧的表现形式。
首先，我们需要将小说中的复杂情节进行简化和精炼，以便于在有限的舞台空间和时间内呈现。
同时，要注意保留故事的主线，突出人物之间的矛盾和冲突。
例如，将主角让·瓦尔简的奋斗和牺牲精神与反派警长让·瓦尔真的阴险和残忍进行对比，使观众更加深刻地感受到社会的黑暗和光明。
其次，我们要注重情感的表达和细节的刻画。
《悲惨世界》中有许多动人的场景和经典的台词，我们要通过剧本的语言和情节的安排，让观众在音乐剧的舞台上感受到小说中的深情和悲壮。
比如，将主角让·瓦尔简与女主角科赛特之间的爱情线索进行细腻的描写，让观众沉浸在他们的爱情故事中。
最后，我们要注意剧本的整体结构和节奏的掌控。
音乐剧是一种高度节奏感的艺术形式，我们要通过剧本的编写，使整个故事紧凑有序，起伏有致。
在情节的发展和转折中，合理安排音乐和舞蹈的插入，使剧情更加生动有力，观众更加投入其中。
二、角色塑造的艺术与创新《悲惨世界》中的角色塑造是剧本创作中至关重要的一部分。
每个角色都有其独特的个性和命运，我们要通过剧本的创作，使他们栩栩如生地展现在观众面前。
首先，我们要注重角色的内心世界和情感变化。
比如，主角让·瓦尔简从一个被社会抛弃的囚犯逐渐成长为一个正直善良的人，我们要通过剧本的对白和独白，展示他内心的挣扎和成长。
浅析百老汇音乐剧《悲惨世界》的创作手法
《悲惨世界》是一部源自法国小说，经过改编后成为百老汇音乐剧的经典作品。
其创
作手法在很大程度上体现了百老汇音乐剧的独特性，具有很高的艺术价值和商业价值。
首先，该音乐剧采用了流行文化元素，如流行音乐、舞蹈、服装等，烘托剧情，增强
观众的视觉和听觉体验。
舞蹈编排上，不仅有传统的芭蕾舞，还注入了现代舞的元素，音
乐元素方面，则是基于拟人化的质地，利用小清新、轻音乐等元素提高了观众的代入感。
其次，该音乐剧统筹了光影、场景和动作，能够通过光影和场景切换传递时间和情感，以此展现剧情的复杂性。
配合又动态的人物行为、舞蹈和唱腔，整个演出场面非常生动，
使得观者能够切身感受到戏剧氛围的精彩表现。
此外，剧中人物的刻画也非常到位。
每个角色都有独特鲜明的个性，通过他们不同的
遭遇，反映了社会和人性在特定的历史背景下所呈现出来的深层次矛盾和挣扎。
这就使观
众不仅能够沉浸在音乐和舞蹈的美妙中，还能够了解和思考故事背后更深的内涵。
最后，该音乐剧通过音乐与情感的有机结合，在反映各个人物的内心世界时，非常恰
当地采用了多种音乐风格和悦耳的曲调，让人感受到了人生之路上那种让人动情的氛围。
这也是百老汇音乐剧独有的艺术形式，它让人们在娱乐的同时又深刻地思考了生命和人性
的问题。
综上所述，百老汇音乐剧《悲惨世界》将传统的表演艺术和当前的潮流手法巧妙地结合，让观众如沉入一种美妙而感人的氛围，不仅具有强烈的感染性，而且独有的表现手法
充分展现了现代流行音乐剧的创作能力和艺术价值。
悲惨世界音乐剧观后感《悲惨世界》是一部深受观众喜爱的音乐剧，该剧改编自维克多·雨果的同名小说。
我有幸观看了一场《悲惨世界》音乐剧的演出，并深受其影响，给我留下了深刻的观后感。
首先，该音乐剧的舞美设计令人赞叹不已。
舞台上的布景、灯光和道具将观众带入了19世纪的法国巴黎，营造出了一个真实而逼真的环境。
特别是在表现孤儿院、工厂、巴黎街道等场景时，令人有如置身其中。
布景的变换也极为精妙，通过简单的改变，转瞬间就能切换到不同的场景，给人以视觉上的愉悦。
其次，歌曲是这部音乐剧的核心，也是最能打动人心的部分。
每一首歌都恰到好处地表达了角色的情感和内心世界。
我尤其喜欢主角让·瓦尔简的独白歌曲《谁人来醒我》。
那种对生活的失望、对命运的叹息，通过音乐和歌词完美融合，让人感同身受。
观众们纷纷为这样的表演和音乐所打动，掌声和喝彩声此起彼伏。
剧中的角色塑造也非常成功。
每一位演员都诠释得恰如其分，让人能深入理解角色的内心世界，共情和产生共鸣。
主角让·瓦尔简是一个善良、正直但命运多舛的人。
演员将他的内心挣扎和对正义的追求演绎得淋漓尽致。
悲剧反派贾维尔是一个奸诈、狡猾的角色，演员不仅表现出他的阴险，更将他的人性也展示出来，使人对其爱憎交织。
剧情的设置也非常精彩。
故事背景设置在19世纪法国的底层社会，反映了那个时代贫富悬殊、社会不公的现实。
音乐剧不仅展现了底层人民的苦难，还提出了对人道主义精神的追求，让观众思考人类的本质和社会的价值观。
在剧中，我们看到了角色们的生活困境、活力和希望，同时也在他们注定的命运和残酷的现实中感到无奈与悲伤。
音乐剧《悲惨世界》所揭示的社会问题是永恒的。
即使150多年过去了，社会的不公和贫困问题依然存在。
通过观看这部音乐剧，我对世界的认识和关注有了新的层次。
它让我深思人与人之间的关系、人性的善恶、社会的制度以及对于生活的勇气和追求。
这种思考的启迪和思维的碰撞，是我很长时间没有体验到的。
音乐剧《悲惨世界》主要人物形象塑造分析的开题报告一、研究背景和意义音乐剧《悲惨世界》是一个世界著名的音乐剧作品，原版剧本是法国作家雨果所写的小说《悲惨世界》。
《悲惨世界》音乐剧的主要人物形象塑造极具深度和细腻度，每个人物都有其独特的特点和情感。
人物的形象塑造如此成功是因为在剧本创作、音乐创作和演员表演方面都进行了精细的设计和表现，在剧中人物形象的塑造上付出了大量的心血。
本文旨在研究《悲惨世界》音乐剧中的主要人物形象塑造，探究雨果的小说中的人物形象是如何被转化和表现的，并且还将分析这种形象塑造的深刻意义。
这种研究有助于深入理解主人公内心的纷繁复杂情感，同时对于塑造人物形象的技巧有着积极的意义，对于音乐剧的创作和表现也有所启示。
二、主要内容和方法本文将详细介绍《悲惨世界》音乐剧中主要人物的形象塑造，包括让•华弗人（Jean Valjean）、法民夫人（Fantine）、考辛斯（Javert）、柿崎少校（Marius)等人的塑造，主要从以下三个方面进行观察和分析：1. 剧本创作方面：主要探究雨果的原版小说如何被转化和改编成剧本，并且分析剧本塑造人物形象的技巧和手法。
2. 音乐创作方面：探究音乐如何在人物的形象塑造中起到作用，分析不同音乐风格对于主人公心情的不同表现。
3. 演员表演方面：分析演员在表演过程中如何表现人物性格和情感，观察角色塑造的精准程度。
三、预期结果和结论本文探究的结果将会更加深入地理解音乐剧《悲惨世界》中主要人物形象的塑造，并且对于进一步研究同类音乐剧作品的人物形象塑造有所帮助。
本文将通过对剧本、音乐和演员表演的分析发现人物形象塑造的重要性和意义，解读雨果小说中人物形象与音乐剧舞台上形象之间的内在联系和互动关系。
西方现代音乐剧——悲惨世界教学设计一、教材分析本课选自人教版《音乐与戏剧表演》第四单元音乐剧，戏剧是一门综合艺术，与音乐有着密切的关系。
音乐与戏剧表演有利于培养学生的兴趣爱好，拓宽艺术视野、提高审美能力。
在教学中，应将音乐与戏剧表演相结合，重视表演及创编等实践活动，发展学生的表演才能及创造才能。
这节课在教学上按新课标的要求本着“以音乐审美为核心，培养兴趣爱好；重视音乐实践，增强创造意识”的理念，围绕着音乐剧《悲惨世界》开展音乐活动，通过学生主动的探究学习、突出学生的主体性，在实践中发展学生的表演才能和创造才能，从而提高学生的审美能力和鉴赏水平。
二、学情分析1、知识方面上个单元我们学习了歌剧，同学们已经对这种将音乐与戏剧、文学，舞蹈和美术为一体的综合性艺术有了一定的了解，为接下来学习音乐剧这块知识奠定了基础。
2．能力方面我校高中学生对知识接受能力较好，有较强的迁移能力，具备了知识拓展提高的能力。
3. 情感方面本班学生具有积极的学习态度，强烈的探究欲望，能主动参与课堂活动并共同探究获得新知。
三、教学目标1、欣赏音乐剧《悲惨世界》，在感受体验音乐剧带给我们的震撼力同时，了解音乐塑造的各种人物形象。
2、通过演唱，教师介绍，引导，增强对音乐剧中音乐塑造的人物形象的分析力、判断力及表现能力。
3、了解音乐要素在营造音乐气氛时的主要表现形式。
四、教学重点及难点根据对音乐的直接感受，理解音乐时如何来塑造人物形象，音乐要素是怎样烘托音乐氛围的。
五、相关知识1、四大音乐剧2、音程及调性3、演唱的方式及产生的效果六、教学过程（一）、文学导入，翻开《悲惨世界》的序由法国作家同名小说《悲惨世界》进行导入，了解小说人物、背景，故事情节。
设计意图：了解学生对于这部作品的熟知程度，为学生进一步感受音乐剧《悲惨世界》打下基础。
（二）、音乐渗透，读懂《悲惨世界》的魂1、序曲《苦囚之歌》欣赏0 3 | 6 · 3 | 6 · 3 | 6 7 1 7 | 6 0 3 | 6 · 3 | 6 · 3 | 5 3 3 2 | 3 0|思考问题：（1）、旋律的主干音？行进特点？营造出怎样氛围？（2）、从这段演唱中，你能感受到人物怎样的内心世界。
悲惨世界音乐剧赏析背景介绍不可辨驳;音乐剧悲惨世界Les Miserables改编自雨果的超级IP着作悲惨世界;但也推动书籍悲惨世界成为了人们心中不朽的着作;两种艺术形式互相成就..推动彼此成为不朽的传奇..音乐剧从20世纪开始就成为了舞台上闪耀的一颗明星;当然音乐剧悲惨世界已经成为了经典中的经典;有一丝后不见来者不可撼动感..音乐剧悲惨世界以法国半个世纪的历史为背景;在历史的长河中用一个社会中极其不起眼的小人物冉.阿让去揭露历史的现状;歌词深刻干练;音乐丰富多样;仔细观赏是一场视觉与听觉的极大享受..情景简介那是十九世纪的巴黎;贫困潦倒的冉.阿让为了自己妹妹的孩子活下来不被活活饿死;选择了去偷面包;结果被不知人间饥渴的法官判处了19年的牢狱苦役;出狱之后的冉.阿让依旧的无以生存;陷入多年以前的走投无路的困境;但上帝还没有完全地将这个悲惨的人物忘记;好心的米里哀主教收留了他过夜;但贫穷再次让他犯下了错误;填饱肚子抓住偷走了主教的银器潜逃..后被警察沙威逮捕;主教声称银器是送给他的..让冉.阿让免于逮捕;主教的行为再一次触及到了阿让的良知;感化了阿让;化名马德兰;决定开始新的人生;十年的时间造就了阿让;使他成为了成功的商人并成为了马兰德市市长;沙威警察再一次的出现;一心想要找阿让的麻烦..在此期间阿让得知了妓女芳汀的悲惨经历;并承诺要照顾私生女柯赛特;这一切的一切都被警察沙威看在眼里;一系列的行动让沙威开始陷入了深深的自我怀疑;最后经不住内心的考验选择了用死亡那个来终结犯下的错误..之后阿让将柯赛特抚养长大;在法国大革命的炮火中救出了柯赛特的心上人;并将看做自己亲生孩子的柯赛特交付给了年轻人;并选择在婚礼上失踪;只是因为内心中逃犯的身份让他在隆重的场合上显得无比怯懦..歌词赏析作为史诗派的先河;但是音乐剧悲惨世界的歌词极其的简洁易懂;不需要任何高深的理解;不不必揣摩深意..在开始的Starringin order of appearance中;开始以厚重的中音啊来拉开篇章啊啊啊啊啊啊啊啊啊啊天可怜见悲惨世界低头等死俯首认降烈日荼毒此处是人间炼狱十年内老死无望曲子开始工人们愤愤唱着歌;一边不断的劳作控诉这黑暗的现实;工人们一刻也不得闲;只要敢怠慢一分钟;头顶的皮鞭就会落在身上;在劳累和疼痛的折磨下唱出了低鸣声啊;奠定了一种极其悲惨的氛围;描绘了当时的社会背景;正如歌词中演唱的人间炼狱;等死无望..、清白如我唉哎上告仁慈我主听我衷肠我知伊人在水一方犯人开始控诉真情不渝静候如常伊人早将你遗忘警察怒吼道;并将控诉的犯人一脚踹翻在地上;无法起身若让我出的牢笼死也不回这恶土受苦天可怜见悲惨世界主啊解脱之日何在天可怜见悲惨世界一朝被囚一生无望这时的犯人阿让开始控诉天可怜见悲惨世界阿让：自由了警察沙威说：你虽假释离开这里但你贼行不改终归是贼阿让：我只是偷了面包警察沙威：你抢劫了商店阿让：我只不过是破窗而入救救我妹妹的孩子我、我们一家人就要饿死了警察沙威：我会永远记住你饮一口清泉吃一口面包但往事难忘假释出狱后的阿让因为自己曾经犯人的身份没有拿到应有的工资“你有案底;万人知晓”杂货店的老板解释道并且让阿让拿着钱滚蛋;阿让再次的感受到了无奈和人生的迷茫;怒吼道：公道何在自己就是一直丧家犬;灰头土脸这时候好心的教父说道：外面太冷我这里虽小但是可以挤一挤有酒暖身面包可吃有张床可以睡到天明阿让思索是不是教父发昏了放了他吧看在他说“实话”的份上这是阿让在偷了教父的银器后被警察沙威又一次得逮捕教父替他求情;说下了谎言..这是在第一部分的歌词;我们可以看出;整段的歌词简单易懂;体现了象征性;叙事性;戏剧性的典型特点;通过歌词;观众可以不了解着作悲惨世界也能够明白整个故事的命脉和线索;歌词清晰地将故事全盘托出;在文学性和音乐性积聚后表现了深刻的哲思性..在第一幕的最后所有人都在唱：只待明天..对于我们观众来说;看到犯人们在经历悲惨待遇后还能唱出等待明天;给了我们现实生活中的人深刻的启示;我们还有明天;我们还要向前看;我们还有希望..歌词具有诗性;这也是悲惨世界的歌词常被人们称为剧诗的主要原因;节奏鲜明;旋律感极强;描绘了犯人们思念自己的恋人;思念自己的亲友;通过主人公阿让与警察沙威的对话歌词;深刻地揭示了两个人的性格以及主人公的性格和在狱中的困境;以及为出狱后的生活埋下了重重的伏笔..音乐分析歌曲的前奏是由交响乐为背景声;单簧管和双簧管一起演奏;营造犹豫;悲惨的氛围..第二段;四分之三拍和四分之二拍交替进行;女孩柯赛特浑身沾满了灰尘;眼睛红得像桃子;呆呆的看着远方;思索着;思索着;什么时候能够去到自己梦中的地方;来到那座云中的梦幻城堡..第三段;节奏变得轻快;节拍以四分之一为一拍每小节有两拍;表现了一种梦想的生活被实现;现实的境况有所改善的内心的喜悦;深刻的刻画了一个天真;梦幻;可爱;单纯的小姑娘心里无限的喜悦之情..云中城堡是整首音乐剧最为明快的一首歌曲;是命运多舛的柯赛特幻想时美好的体现;为之后的结局埋下了轻快地伏笔..在第一段中运用了对唱的音乐体裁;将两个人的对话用歌曲唱出时而悲愤时而叹息;给情绪的发展推波助澜;主要体验了主人公阿让内心的矛盾与冲突也体现了主人公与警察沙威的矛盾冲突..第二部分的主题是爱;被迫分离;内心孤独痛苦..音乐剧悲惨世界音乐旋律的特点;简单流畅;率真直接;每一段的旋律变化并不多;也许是为了更多的没有高音乐素养的普陀大众听懂;克劳德.米歇尔.勋伯格和阿兰.鲍伯利在创作的过程中追求了简单;通俗;质朴的美..整体气势磅礴;恢弘大气;极具史诗般宏伟的色彩..剧中更换的音乐并不多;旋律较为简单稳定;大部分使用了2/4;3/4;4/4的节奏型;在合唱和对话时速度极快;每一句歌词的信息量都极多;还原了当时19世纪的法国大革命前后疾风暴雨的时代气息和一种人与人之间极度紧张的氛围;突出了人物内心的情感;但是将巨作诠释的淋漓尽致..第二段开头妓女汀便开始唱道“我曾经有梦”短短的一句话向观众揭露了汀的现状和过去的生活;让观众带着兴趣和好奇想彻底知道你的梦是什么;为什么只是曾经拥有;现在呢如是如何的境遇;简单兴办的快速;多次转调将汀的内心痛苦与挣扎表现得淋漓尽致;每一句都成为了心底的呐喊声;如果不喊出来;痛苦将永远无法得到排解;也是这一声声的嘶吼将人物的内心彻彻底底的反映出来..不得不说大师就是大师;利用简单的旋律去创造宏伟壮阔的曲子;让人心生敬佩..总结其实在观看完悲惨世界音乐剧后;在欣赏了磅礴大气的;娓娓动听的音乐后极大的震撼的无以言表的;最想说的便是用剧中的人物经历做一把标尺;来衡量一下自己的现状和现实的生活;我们可以说没一个时代都是最好的时代;也可以说么一个时代都是最差的时代;各有各的好;各有各得不好;但是如何在面对不好时还能像妓女汀那样大声唱出“我有一个梦想”如何学习主人公的不向命运轻易妥协;这一切的一切都是值得我们深思的地方;司马迁曾说以史为镜可以知荣辱;我觉得以不朽的音乐作品中的人物做标榜可以知生命的韧度;就像警察沙威是一个自认为刚正不阿的警察;以自己所作的事为骄傲;并且时常感到自豪;但是就是这样的一个人在面对自己深信不疑的东西在自己面前轰然倒塌时;却选择了结束自己的生命;剧中的小人物虽然经历了世间的各种痛苦与磨难;在最后却顽强的活了下来;不同人物带来的反差对比都值得我们在脑海中深深的画上一个疑问号希望我们不管生活在什么样的时代;拥有生命的韧度会使我们活的更加精彩..。
L e s M i s e r a b l e s音乐剧悲惨世界歌词Document serial number【LGGKGB-LGG98YT-LGGT8CB-LGUT-Les MiserablesAct IPrologue - Work SongValjean Arrested, Valjean Forgiven What Have I Done (Valjean's Soliloquy) At The End of the DayI Dreamed a DreamLovely LadiesFantine's ArrestThe Runaway CartWho Am I (The Trial)Come To Me (Fantine's Death)The ConfrontationCastle on a CloudMaster of the HouseThe BargainThe Thénardier Waltz of Treachery Look DownThe RobberyJavert's Intervention (Another Brawl) StarsEponine's ErrandThe ABC Cafe - Red and BlackDo You Hear the People SingRue Plumet - In My LifeA Heart Full of LoveThe Attack on Rue PlumetOne Day More!Act IIAt the Barricade (Upon these Stones) On My OwnBuilding the BarricadeJavert's ArrivalLittle PeopleA Little Fall of Rain (Eponine's Death) Night of AnguishFirst AttackDrink With MeBring Him HomeDawn of AnguishThe Second AttackDeath of GavrocheThe Final BattleDog Eats DogThe SewersJavert's SuicideTurningEmpty Chairs at Empty TablesEvery Day (Marius and Cosette) Valjean's ConfessionThe Wedding ChoraleBeggars at the FeastEpilogueFinalePrologue - Work Song1815, Toulon, France. The chain gang, overseen by brutal warders, works in the sun.Chorus (Prisoners):Look down, look downDon't look 'em in the eyeLook down, look down,You're here until you die 1st Convict:The sun is strongIt's hot as hell belowChorus:Look down, look down,There's twenty years to go2nd Convict:I've done no wrong!Sweet Jesus, hear my prayer! Chorus:Look down, look down,Sweet Jesus doesn't care3rd Convict:I know she'll wait,I know that she'll be true!Chorus:Look down, look down,They've all forgotten you4th Convict:When I get free ya won't see meHere for dust!Chorus:Look down, look downDon't look 'em in the eye5th Convict:How long, oh LordBefore you let me dieChorus:Look down, look down,You'll always be a slaveLook down, look down,You're standing in your grave Javert:Now bring me prisoner 24601Your time is upAnd your parole's begunYou know what that means. Valjean:Yes, it means I'm free.Javert:No!It means you getYour yellow ticket-of-leaveYou are a thiefValjean:I stole a loaf of bread.Javert:You robbed a house.Valjean:I broke a window pane.My sister's child was close to deathAnd we were starving.Javert:You will starve againUnless you learn the meaning of the law. Valjean:I know the meaning of those 19 yearsA slave of the lawJavert:Five years for what you didThe rest because you tried to runYes, 24601.Valjean:My name is Jean ValjeanJavert:And I am JavertDo not forget my name!Do not forget me,24601.Chorus:Look down, look downYou'll always be a slaveLook down, look downYou're standing in your grave. Valjean:Freedom is mine. The earth is still.I feel the wind. I breathe again.And the sky clearsThe world is waking.Drink from the pool. How clean the taste.Never forget the years, the waste.Nor forgive themFor what they've done.They are the guilty - everyone.The day begins...And now lets seeWhat this new worldWill do for me!He finds work on a farm.Farmer:You'll have to goI'll pay you off for the dayCollect your bits and pieces thereAnd be on your way.Valjean:You have given me halfWhat the other men get!This handful of tinWouldn't buy my sweat!Laborer:You broke the lawIt's there for people to seeWhy should you get the sameAs honest men like meValjean:Now every door is closed to meAnother jail. Another key. Another chainFor when I come to any townThey check my papersAnd they find the mark of CainIn their eyes I see their fear`We do not want you here.'He comes to an inn.Innkeeper's Wife:My rooms are fullAnd I've no supper to spareI'd like to help a strangerAll we want is to be fairValjean:I will pay in advanceI can sleep in a barnYou see how dark it isI'm not some kind of dog!Innkeeper:You leave my houseOr feel the weight of my rodWe're law-abiding people hereThanks be to God.They throw him out of the inn.Valjean:And now I know how freedom feelsThe jailer always at your heelsIt is the law!This piece of paper in my handThat makes me cursed throughout the land It is the law!Like a curI walk the street,The dirt beneath their feet.He sits down despairingly outside a house from which emerges the Bishop of Digne. Bishop:Come in, Sir, for you are weary,And the night is cold out there.Though our lives are very humbleWhat we have, we have to share.There is wine here to revive you.There is bread to make you strong,There's a bed to rest till morning,Rest from pain, and rest from wrong. Valjean:He let me eat my fillI had the lion's shareThe silver in my handCost twice what I had earnedIn all those nineteen years -That lifetime of despairAnd yet he trusted me.The old fool trusted me -He'd done his bit of goodI played the grateful serfAnd thanked him like I shouldBut when the house was still,I got up in the night.Took the silverTook my flight!Taking the silver cup, he runs off, but is brought back by two constables.Valjean Arrested, Valjean Forgiven Constables1. Tell his reverence your story2. Let us see if he's impressed1. You were lodging here last night2. You were the honest Bishop's guest.And then, out of Christian goodnessWhen he learned about your plight1. You maintain he made a present of thissilver.Bishop:That is right.But my friend you left so earlySurely something slipped your mind The bishop gives Valjean two silver candlesticks.You forgot I gave these alsoWould you leave the best behindSo, Messieurs, you may release himFor this man has spoken trueI commend you for your dutyAnd God's blessing go with you.Constables leave. The bishop addresses Valjean.But remember this, my brotherSee in this some higher planYou must use this precious silverTo become an honest manBy the witness of the martyrsBy the Passion and the BloodGod has raised you out of darknessI have bought your soul for God!What Have I Done (Valjean's Soliloquy) Valjean:What have I doneSweet Jesus, what have I doneBecome a thief in the night,Become a dog on the runAnd have I fallen so far,And is the hour so lateThat nothing remains but the cry of my hate,The cries in the dark that nobody hears,Here where I stand at the turning of the yearsIf there's another way to goI missed it twenty long years agoMy life was a war that could never be wonThey gave me a number and murdered ValjeanWhen they chained me and left me for deadJust for stealing a mouthful of breadYet why did I allow that manTo touch my soul and teach me loveHe treated me like any otherHe gave me his trustHe called me brotherMy life he claims for God aboveCan such things beFor I had come to hate the worldThis world that always hated meTake an eye for an eye!Turn your heart into stone!This is all I have lived for!This is all I have known!One word from him and I'd be backBeneath the lash, upon the rackInstead he offers me my freedomI feel my shame inside me like a knifeHe told me that I have a soul,How does he knowWhat spirit comes to move my lifeIs there another way to goI am reaching, but I fallAnd the night is closing inAnd I stare into the voidTo the whirlpool of my sinI'll escape now from the worldFrom the world of Jean ValjeanJean Valjean is nothing nowAnother story must begin!He tears up his yellow ticket-of-leave.At The End of The Day1823, Montreuil-sur-Mer. Outside the factory owned by the Mayor, Monsieur Madeleine (Jean Valjean in disguise).The Poor:At the end of the day you're another day olderAnd that's all you can say for the life of the poorIt's a struggle, it's a warAnd there's nothing that anyone's givingOne more day standing about, what is it forOne day less to be living.At the end of the day you're another day colderAnd the shirt on your back doesn't keep out the chillAnd the righteous hurry pastThey don't hear the little ones cryingAnd the winter is coming on fast, ready to killOne day nearer to dying!At the end of the day there's another day dawningAnd the sun in the morning is waiting to riseLike the waves crash on the sandLike a storm that'll break any secondThere's a hunger in the landThere's a reckoning still to be reckoned andThere's gonna be hell to payAt the end of the day!The foreman and workers, including Fantine, emerge from the factory.Foreman:At the end of the day you get nothing for nothingSitting flat on your butt doesn't buy any breadWorker 1:Here are children back at homeWorkers 1&2:And the children have got to be fedWorker 2:And you're lucky to be in a jobWoman:And in a bed!Workers:And we're counting our blessings!Woman 2:Have you seen how the foreman is fuming todayWith his terrible breath and his wandering hands Woman 3:It's because little Fantine won't give him his wayWoman 1:Take a look at his trousers, you'll see where he stands!Woman 4:And the boss, he never knowsThat the foreman is always in heatWoman 3:If Fantine doesn't look out, watch how she goesShe'll be out on the street!Workers:At the end of the day it's another day overWith enough in your pocket to last for a week Pay the landlord, pay the shopKeep on grafting as long as you're ableKeep on grafting till you dropOr it's back to the crumbs off the tableYou've got to pay your wayAt the end of the day!Girl: (Grabbing a letter from Fantine)And what have we here, little innocent sisterCome on Fantine, let's have all the news! Reading the letter.Ooh... "dear Fantine you must send us more money...Your child needs a doctor...There's no time to lose..."Fantine:Give that letter to meIt is none of your businessWith a husband at homeAnd a bit on the side!Is there anyone hereWho can swear before GodShe has nothing to fearShe has nothing to hideThey fight over the letter. Valjean (M. Madeleine) rushes on to break up the squabble.Valjean:Will someone tear these two apartWhat is this fighting all aboutThis is a factory, not a circus!Now come on ladies, settle downI run a business of reputeI am the Mayor of this town(To the foreman)I look to you to sort this outAnd be as patient as you can-He goes back into the factory.Foreman:Now someone say how this began!Girl:At the end of the dayShe's the one who began itThere's a kid that she's hidingIn some little townThere's a man she has to payYou can guess how she picks up the extraYou can bet she's earning her keepSleeping aroundAnd the boss wouldn't like it!Fantine:Yes it's true there's a childAnd the child is my daughterAnd her father abandoned us,Leaving us flatNow she lives with an innkeeper manAnd his wifeAnd I pay for the childWhat's the matter with thatWomen:At the end of the dayShe'll be nothing but troubleAnd there's trouble for allWhen there's trouble for one!While we're earning our daily breadShe's the one with her hands in the butterYou must send the slut awayOr we're all gonna end in the gutterAnd it's us who'll have to payAt the end of the day!Foreman:I might have known the bitch could biteI might have known the cat had clawsI might have guessed your little secretAh, yes, the virtuous FantineWho keeps herself so pure and cleanYou'd be the cause I had no doubtOf any trouble hereaboutYou play a virgin in the lightBut need no urgin' in the night.Girl:She's been laughing at youWhile she's having her menWomen:She'll be nothing but trouble again and again Woman:You must sack her todayWorkers:Sack the girl today!Foreman:Right my girl. On your way!I Dreamed a DreamFantine is left alone, unemployed and destitute. Fantine:There was a time when men were kindWhen their voices were softAnd their words invitingThere was a time when love was blindAnd the world was a songAnd the song was excitingThere was a timeThen it all went wrongI dreamed a dream in time gone byWhen hope was highAnd life worth livingI dreamed that love would never dieI dreamed that God would be forgivingThen I was young and unafraidAnd dreams were made and used and wasted There was no ransom to be paidNo song unsung, no wine untastedBut the tigers come at nightWith their voices soft as thunderAs they tear your hope apartAnd they turn your dream to shameHe slept a summer by my sideHe filled my days with endless wonderHe took my childhood in his strideBut he was gone when autumn cameAnd still I dream he'll come to meThat we will live the years togetherBut there are dreams that cannot beAnd there are storms we cannot weatherI had a dream my life would beSo different from this hell I'm livingSo different now from what it seemedNow life has killed the dream I dreamed. Lovely LadiesThe docks. Sailors, whores and their customers, pimps, etc. Fantine wanders in.Sailor 1:I smell womenSmell 'em in the airThink I'll drop my anchorIn that harbor over thereSailor 2:Lovely ladiesSmell 'em through the smokeSeven days at seaCan make you hungry for a pokeSailor 3:Even stokers need a little stoke!Women:Lovely ladiesWaiting for a biteWaiting for the customersWho only come at nightLovely ladiesReady for the callStanding up or lying downOr any way at allBargain prices up against the wallOld Woman:Come here, my dearLet's see this trinket you wearThis bagatelle...Fantine:Madame, I'll sell it to you...Old Woman:I'll give you fourFantine:That wouldn't pay for the chain!Old Woman:I'll give you five. You're far too eager to sell.It's up to you.Fantine:It's all I haveOld Woman:That's not my faultFantine:Please make it tenOld Woman:No more than fiveMy dear, we all must stay alive!Women:Lovely ladiesWaiting in the darkReady for a thick oneOr a quick one in the parkWhore 1:Long time short timeAny time, my dearCost a little extra if you want to take all year! All:Quick and cheap is underneath the pier! Crone:What pretty hair!What pretty locks you got thereWhat luck you got. It's worth a centime, my dearI'll take the lotFantine:Don't touch me! Leave me alone!Crone:Let's make a price.I'll give you all of ten francs,Just think of that!Fantine:It pays a debtCrone:Just think of thatFantine:What can I do It pays a debt.Ten francs may save my poor Cosette!Sailor 3:Lovely lady!Fastest on the streetWasn't there three minutesShe was back up on her feetSailor 1:Lovely lady!What yer waiting forDoesn't take a lot of savvyJust to be a whoreCome on, ladyWhat's a lady for Fantine re-emerges, her long hair cut short.Pimp:Give me the dirt, who's that bit over there Whore 1:A bit of skirt. She's the one sold her hair. Whore 2:She's got a kid. Sends her all that she can Pimp:I might have knownThere is always some manLovely lady, come along and join us!Lovely lady!Whore 1:Come on dearie, why all the fussYou're no grander than the rest of usLife has dropped you at the bottom of theheapJoin your sistersWhore 2:Make money in your sleep!Fantine goes off with one of the sailors.Whore 1:That's right dearie, let him have the lot Whore 3:That's right dearie, show him what you've got! Women:Old men, young men, take 'em as they comeHarbor rats and alley cats and every kind ofscumPoor men, rich men, leaders of the landSee them with their trousers off they're neverquite as grandAll it takes is money in your hand!Lovely ladiesGoing for a songGot a lot of callersBut they never stay for longFantine:Come on, Captain,You can wear your shoesDon't it make a changeTo have a girl who can't refuseEasy moneyLying on a bedJust as well they never seeThe hate that's in your headDon't they know they're making loveTo one already dead!Fantine's ArrestBamatabois is a well dressed gentleman. BamataboisHere's something new. I think I'll give it a try.Come closer you! I like to see what I buy...The usual price, for just a slice of your pie Fantine:I don't want you. No, no, m'sieur, let me go. Bamatabois:Is this a trick I won't pay more!Fantine:No, not at al`.Bamatabois:You've got some nerve, you little whoreYou've got some gall.It's the same with a tart as it is with a grocerThe customer sees what he gets in advanceIt's not for the whore to say `yes sir' or `no sir'It's not for the harlot to pick and to chooseOr lead me to a dance!He hits her with his stick, she claws at his face, drawing blood.Fantine:I'll kill you, you bastard,Try any of that!Even a whore who has gone to the badWon't be had by a rat!BamataboisBy Christ you'll pay for what you've doneThis rat will make you bleed, you'll see!I guarantee, I'll make you sufferFor this disturbance of the peaceFor this insult to life and property! Fantine:I beg you, don't report me sirI'll do whatever you may wantBamataboisMake your excuse to the police!Javert enters, accompanied by constables. Javert:Tell me quickly what's the storyWho saw what and why and whereLet him give a full descriptionLet him answer to Javert!In this nest of whores and vipersLet one speak who saw it allWho laid hands on this good man hereWhat's the substance of this brawl Bamatabois:Javert, would you believe itI was crossing from the parkWhen this prostitute attacked meYou can see she left her markJavert:She will answer for her actionsWhen you make a full reportYou may rest assured, M'sieur,That she will answer to the court.Fantine:There's a child who sorely needs mePlease M'sieur, she's but that highHoly God, is there no mercyIf I go to jail she'll die!Javert:I have heard such protestationsEvery day for twenty yearsLet's have no more explanationsSave your breath and save your tears`Honest work, just reward,That's the way to please the Lord.Fantine gives a last despairing cry as she is arrested by the constables.Valjean emerges from the crowd.Valjean:A moment of your time, JavertI do believe this woman's taleJavert:But M'sieur Mayor!Valjean:You've done your duty, let her beShe needs a doctor, not a jail.Javert:But M'sieur Mayor!Fantine:Can this beValjean:Where will she end -This child without a friendI've seen your face beforeShow me some way to help youHow have you come to griefIn a place such as thisFantine:M'sieur, don't mock me now, I prayIt's hard enough I've lost my prideYou let your foreman send me awayYes, you were there, and turned asideI never did no wrongValjean:Is it true, what I have doneFantine:My daughter's close to dying...Valjean:To an innocent soulFantine:If there's a God aboveValjean:Had I only known then...Fantine:He'd let me die insteadValjean:In His name my task has just begunI will see it done!Javert:But M'sieur Mayor!Valjean:I will see it done!Javert:But M'sieur Mayor!Valjean:I will see it done!Voices:Look out! It's a runaway cart!The Runaway CartThe crowd parts to reveal that the cart has crashed, trapping Monsieur Fauchelevant. VoicesLook at that!Look at that!It's Monsieur Fauchelevant!Don't approach! Don't go near!At the risk of your life!He is caught by the wheel!Oh, the pitiful man!Stay away, Turn away!There is nothing to do!There is nothing to do!Valjean:Is there anyone hereWho will rescue the manWho will help me to shoulderThe weight of the cartVoicesDon't go near him, Mr. MayorThe load is heavy as hellThe old man's a goner for sureIt'll kill you as well.Valjean attempts to lift the cart... but fails. He tries again. They manage to pull Fauchelevant clear.Fauchelevant:M'sieur le Mayor, I have no wordsYou come from God, you are a saint.Javert takes Valjean aside.Javert:Can this be trueI don't believe what I see!A man your ageTo be as strong as you are!A mem'ry stirs...You make me think of a manFrom years agoA man who broke his paroleHe disappearedForgive me, Sir,I would not dare!Valjean:Say what you mustDon't leave it there...Javert:I have only known one otherWho can do what you have doneHe's a convict from the chain gangHe's been ten years on the runBut he couldn't run foreverWe have found his hideawayAnd he's just been re-arrestedAnd he comes to court today.Well, of course he now denies itYou'd expect that of a `con'But he couldn't run forever -No, not even Jean Valjean!Valjean:You say this man denies it allAnd gives no sign of understanding or repentanceYou say this man is going to trialAnd that's he's sure to be returnedTo serve his sentenceCome to that, can you be sure,That I am not your manJavert:I have known the thief for agesTracked him down through thick and thinAnd to make the matter certainThere's the brand upon his skinHe will bend, he will breakThis time there is no mistake.Javert leaves. Valjean is alone.Who Am I (The Trial)Valjean:He thinks that man is meHe knew him at a glance!That stranger he has foundThis man could be my chance!Why should I save his hideWhy should I right this wrongWhen I have come so farAnd struggled for so longIf I speak, I am condemned.If I stay silent, I am damned!I am the master of hundreds of workers.They all look to me.How can I abandon themHow would they liveIf I am not freeIf I speak, I am condemned.If I stay silent, I am damned!Who am ICan I condemn this man to slaveryPretend I do not feel his agonyThis innocent who bears my faceWho goes to judgement in my placeWho am ICan I conceal myself for evermorePretend I'm not the man I was beforeAnd must my name until I dieBe no more than an alibiMust I lieHow can I ever face my fellow menHow can I ever face myself againMy soul belongs to God, I knowI made that bargain long agoHe gave me hope when hope was goneHe gave me strength to journey onHe appears in front of the courtWho am I Who am II am Jean Valjean!He unbuttons his shirt to reveal the number tattooed to his chest.And so Javert, you see it's trueThat man bears no more guilt than you!Who am I24601!Come To Me (Fantine's Death)Fantine is lying in a hospital bed, deliriously dreaming of her daughter Cosette.Fantine:Cosette, it's turned so coldCosette, it's past your bedtimeYou've played the day awayAnd soon it will be night.Come to me, Cosette, the light is fadingDon't you see the evening star appearingCome to me, and rest against my shoulderHow fast the minutes fly away and every minute colder.Hurry near, another day is dyingDon't you hear, the winter wind is cryingThere's a darkness which comes without a warningBut I will sing you lullabies and wake you in the morning.Valjean enters.Valjean:Oh, Fantine, our time is running outBut Fantine, I swear this on my life Fantine:Look, M'sieur, where all the children play Valjean:Be at peace, be at peace evermore. Fantine:My Cosette...Valjean:Shall live in my protectionFantine:Take her nowValjean:Your child will want for nothingFantine:Good M'sieur, you come from God in Heaven. Valjean:And none shall ever harm CosetteAs long as I am living.Fantine:Take my hand. The night grows ever colder. Valjean:Then I will keep you warm.Fantine:Take my child. I give her to your keeping. Valjean:Take shelter from the stormFantine:For God's sake, please stay till I am sleepingAnd tell Cosette I love herAnd I'll see her when I wake...She dies with a smile. Javert arrives.The ConfrontationJavert:Valjean, at last,We see each other plain`M'sieur le Mayor,'You'll wear a different chain!Valjean:Before you say another word, JavertBefore you chain me up like a slave againListen to me! There is something I must do.This woman leaves behind a suffering child.There is none but me who can intercede,In Mercy's name, three days are all I need.Then I'll return, I pledge my word.Then I'll return...Javert:You must think me mad!I've hunted you across the yearsA man like you can never changeA man such as you.Valjean (in counterpoint):Javert (in counterpoint):Believe of me whatyou willMen like me cannever changeThere is a duty thatI'm sworn to doMen like you cannever changeYou know nothingof my lifeNo, 24601All I did was stealsome breadMy duty's to thelaw - you have norightsYou know nothingof the worldCome with me24601You would soonersee me deadNow the wheel hasturned aroundBut not before I seethis justice doneJean Valjean isnothing nowI am warning youJavertDare you talk to meof crimeI'm a stronger manby farAnd the price youhad to payThere is power inme yetEvery man is bornin sinMy race is not yetrunEvery man mustchoose his wayI am warning youJavertYou know nothingof JavertThere is nothing Iwon't dareI was born inside ajailIf I have to kill youhereI was born withscum like youI'll do what must bedone!I am from thegutter too!Valjean breaks a chair and threatens Javert with the broken piece. Turns to Fantine.Valjean (to Fantine):And this I swear to you tonightJavert: (to Valjean):There is no place for you to hideValjean:Your child will live within my careJavert:Wherever you may hide awayValjean:And I will raise her to the light.Valjean & Javert:I swear to you, I will be there!They fight, Javert is knocked out. Valjean escapes. Castle on a CloudYoung Cosette is working as a drudge in the Théardier's inn at Montfermeil.Young CosetteThere is a castle on a cloud,。
音乐剧《悲惨世界》10周年纪念演唱会《悲惨世界》是法国大文豪维克多·雨果的一部划时代文学巨作，这部名著问世以来曾被多次地改编成戏剧、电影和电视剧。
1980年在当代杰出的音乐家勋伯格（阿诺德·勋伯格（1874～1951）的侄子）与剧作家包比利的通力合作下又将它改编成为音乐剧并搬上了舞台，并于公演之后受到了异乎寻常的欢迎。
此后该剧编导又以原创法文版为基础，发行了英文演出版并在伦敦的巴比肯艺术中心举行了首演。
由于英语具有广泛的世界传播性，这样就使得该剧在许多讲英语的国家都相继亮了相，并且还辐射到周边的一些非英语国家，因此就使得雨果的这部巨著得到了更为广泛和更为直接的传播。
音乐剧《悲惨世界》的成功，使其荣获了八项托尼大奖。
1995年10月8日，在富丽堂皇的伦敦艾尔伯特音乐大厅里举行了音乐剧《悲惨世界》英语版首演成功十周年的纪念音乐会。
音乐会上，来自14个不同国度的90多位身穿剧装的演员，150位身着《悲惨世界》宣传T恤衫的合唱团员，在大卫·阿贝尔指挥英国皇家爱乐乐团的伴奏下，为现场5000名观众再现了音乐剧中的精湛表演。
而此次音乐会更为激动人心的是当演出渐至尾声之时，观众身后的通道上，来自英国、法国、德国、日本、匈牙利、瑞典、波兰、荷兰、加拿大、捷克、澳大利亚、挪威、奥地利、丹麦、爱尔兰、冰岛及美国等17个国家的冉·阿让由17位剧中的小男孩分别手举着各国的国旗领路，随着庄严的主题音乐步入大厅走上辉煌的舞台时，17位冉·阿让分别用各自国家的语言共同唱出了全剧最为震撼人心的一首歌——《你听到人民的歌声了吗？》将音乐会的情绪推向了顶峰，令每一位在场的观众激动不已。
最后这场规模宏大的音乐会在一片欢庆的焰火和热烈的欢呼声中结束。
悲惨世界音乐教案教案标题：《悲惨世界》音乐教案教案目标：1. 了解和理解音乐剧《悲惨世界》的背景和故事情节。
2. 通过音乐剧中的歌曲，培养学生对音乐的欣赏和表达能力。
3. 培养学生的合作精神和团队意识，通过集体合唱和表演，展示个人才艺。
教学内容：1. 介绍音乐剧《悲惨世界》的背景和故事情节。
2. 学习音乐剧中的经典歌曲，如《一天更比一天好》、《空椅子》等。
3. 学习歌曲的歌词和曲调，并进行合唱练习。
4. 学习音乐剧中的舞蹈动作，并进行集体表演练习。
教学步骤：第一课：介绍音乐剧《悲惨世界》的背景和故事情节1. 利用图片、视频等多媒体资料，向学生介绍音乐剧《悲惨世界》的背景和故事情节。
2. 进行小组讨论，让学生表达对剧情的理解和感受。
第二课：学习音乐剧中的经典歌曲1. 播放音乐剧中的歌曲录音，引导学生仔细聆听。
2. 分发歌曲歌词，让学生跟随歌词进行朗读和模仿。
3. 分组进行合唱练习，指导学生注意音准和节奏感。
第三课：学习音乐剧中的舞蹈动作1. 观看音乐剧中的舞蹈表演片段，让学生观察并模仿。
2. 分组进行舞蹈动作练习，指导学生注意动作的协调和表达力。
第四课：集体表演准备1. 组织学生进行集体合唱和舞蹈表演的排练。
2. 指导学生注意整体协作和表演技巧，提出改进意见和建议。
3. 安排演出时间和地点，邀请其他班级或学校师生观看。
教学评估：1. 观察学生在课堂上的参与度和表现，评估其对音乐剧《悲惨世界》的理解和欣赏能力。
2. 观察学生在合唱和舞蹈练习中的表现，评估其音准、节奏感和动作协调能力。
3. 观察学生在集体表演中的表现，评估其团队合作和表演技巧。
教学延伸：1. 鼓励学生自主学习音乐剧中其他歌曲的歌词和曲调，并进行个人或小组表演。
2. 组织学生进行创作活动，编写自己的音乐剧小品或歌曲，展示个人才艺和创造力。
教学资源：1. 音乐剧《悲惨世界》的录音或视频资料。
2. 《悲惨世界》歌曲的歌词和曲谱。
3. 舞蹈表演片段的视频资料。
音乐剧《悲惨世界》角色与声音特点分析
音乐剧《悲惨世界》是根据法国大文豪维克多雨果的同名巨著改编的艺术作品，描述了十九世纪法国各不同阶级的生活状态和最底层劳动人民生活的悲惨状况，揭露了当时法国资本主义的罪恶和残暴。
音乐剧《悲惨世界》以史诗性的音乐题材和独特的表现形式以及梦幻般的舞台效果真实的展现了历史脉搏细节，栩栩如生的描绘故事主题，完美的诠释了原著的精神。
下面我就从3个主要人物的性格和声音特点进行分析
1、善良的冉阿让。
冉阿让是音乐剧中的主线人物，他曾是一个生活在社会底层的穷困潦倒的农民，因偷面包而身陷囹圄十九年，出狱后也因前科受到人们的鄙夷。
冉阿让饱经人间疾苦，深切体会到了社会地位的不平等和社会各种制度的不公，这些曾令他一度自暴自弃、仇视和憎恶社会生活，但大主教米哀里却深深的感化了他，使他的灵魂受到震慑，感受到了仁慈和宽容的力量，后来他跃为富有而又尊贵的社会名流—马德兰市长以后，发扬传承了米哀里主教的精神，他一心向善、竭尽所能来帮助众多穷苦的劳动人民。
他的仁慈、无私、正义善良、以德报怨和自我牺牲的精神，使人们看到了一个经过洗礼净化了的灵魂，感受到了仁爱慈善的人道主义精神的震撼，他的声音特点是音色厚实、饱满、有力。
2、固执的沙威。
沙威是音乐剧中的另一个主要人物，他是封建统治者的走狗和卫道士，与冉阿让这个角色是对立矛盾的一个角色。
沙威的角色是法律和秩序执行者的化身，他奉公守法、恪尽职守，以“正直”“无私”自律，忠实地维护着统治阶级的利益。
他是一个有原则的警察，多年来一直顽固地追捕“罪犯”冉阿让，但冉阿让以德报怨的善良与无私无畏的爱心行为一次次地动摇着他，使他僵化的思维得到觉醒，对自己多年来的愚蠢信仰和行为无法释怀，最后精神崩溃而选择自杀。
对沙威这个角色的音乐形象塑造要体现出残酷、强硬、僵化、冷血的感觉。
因为沙威作为与冉阿让对立的角色，要用他来彰现出冉阿让的善良、伟大、可敬。
所以他的声音特点是僵硬的、凶恶的
3、淳朴善良的芳汀。
女工芳汀是音乐剧《悲惨世界》中的女主角之一，她代表了受压迫的妇女形象。
芳汀她勤劳、天真、纯洁、善良，她真诚地爱上了一名大学生，却惨遭遗弃，还留下一个需要自己独立抚养的女儿珂赛特，迫于生活的压力，她不得不把孩子寄养在路途中仅一面之交的旅馆老板夫妇家，自己去工厂工作挣钱养孩子。
这对夫妇不但没有善待芳汀的孩子，还不断以各种理由向芳汀索钱。
当时社会对未婚母亲的鄙视，致使芳汀失去了唯一的经济来源，负债累累的芳汀无奈卖掉了自己的头发和门牙最终被逼为娼。
命运让她受尽折磨，疾病缠身，直到临终都无法见到自己的女儿，只能将女儿托付给冉阿让后含恨死去。
芳汀这个角色的音乐形象是悲伤、绝望的。
她向往着美好的生活，但黑暗的社会现实和冷漠的人情却撕碎了她的心。
她是一个生活在社会底层的穷苦人，也是资产阶级社会广大劳动妇女悲惨命运的代表。
她的声音特点是她的音色宽、厚、亮，但又孤立无助的，低声下气。
