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Four beautiesThe Four Beauties are four ancient Chinese women, renowned for their beauty. Though actual historical figures, their stories have been greatly embellished by legend. According to legend, they are the most beautiful women of ancient China, and among the most significant as well. They have remained famous because of their effect on the emperors and kings with whom they were involved. Some brought kingdoms or dynasties to their knees. Most ended their lives in tragedy or mystery.In chronological order,I want to introduce firstly is Xi Shi:Xi Shi was said to have lived during the end of Spring and Autumn Period in Zhuji(诸暨),the capital of the ancient State of Yue.She was said to be "so beautiful as to make swimming fish sink".There also goes a saying ”Beauty lies in the lover's eyes”In chiese,we can say Xi Shi lies in the lover’s eyes.King Goujian of Yue was once imprisoned after a defeat in a war by King Fuchai of Wu.The state of Yue later became a tribulatory to Wu.Secretly planning his revenge,Goujian's minister Wen Zhong suggested training beautiful women and offering them to Fuchai as a tribute.His other minister,Fan Li,found Xi Shi and Zheng Dan,and gifted them to Fuchai.Bewitched by the beauty of Xi Shi,Fuchai forgot all about his state affairs, on their instigation,and killed his best advisor,the great general Wu Zixu.In 473 BC Goujian launched his strike and put the Wu army to full rout.King Fuchai lamented that he should have listened to Wu Zixu,and then committed suicide.There is another well-known figure of unknown origin,probably fictional and parodical,named Dong Shi (东施).The "Dong" in her name means "east" contrasting to Xi Shi's "Xi",which means "west".Apart from her name,she is said to be the exact opposite of Xi Shi in being extremely ugly and,in modern depictions,fat.This in turn has created the saying "Dong Shi imitates a frown",meaning to attempt imitating another work only to show up one's own weaknesses.The second is Wang Zhaojun:Wang Zhaojun was said to be "so beautiful as to make flying geese fall". Wang Zhaojun is perhaps the best known of China's "political brides". she entered the imperial harem during the reign of Emperor Yuan of Western Han (48-33 BC). The emperor chose companions from his vast harem of maidens by looking at their portraits. As a result of this practice, it had become the custom for palace ladies to offer large bribes to court artists to ensure that they painted a flattering likeness. Wang Zhaojun, however, was confident in her natural beauty and refused to pay money to court painter. As a result, she seemed to be the ugliest of all the palace ladies from her portrait, and thus never received the emperor's favour.When the Xiongnu chieftain came to ChangAn, he told Emperor Yuan: "I wish totake a Han beauty as my empress”. To cement relations with this barbarous nation, Emperor Yuan agreed to the request. However,the emperor was unwilling to pick out a real beauty,and ordered to select an ordinary woman in the harem for the chieftain. When the unflattering portrait of Wang Zhaojun was sent to the emperor, he merely glanced at it and nodded his approval.Her life became the story of "Zhaojun Departs the Frontier" (昭君出塞). Peace was maintained for over 60 years between China and the Xiongnu. However, China eventually lost touch with her and her descendants.Since the 3rd century the story of Zhaojun had been elaborated upon and she had been touted as a tragic heroine. The Communist government of the People's Republic of China uses her as a symbol of the integration of Han Chinese and ethnic minorities of China. Zhaojun Tomb still exists today in Inner Mongolia.The third is Diao Chan:Diao Chan (c. third century, Three Kingdoms period), said to have "a face that would make the full moon hide behind the clouds".Diao Chan is a singer of Wang Yun in the Eastern Han Dynasty,and she has beautiful appearance.When Eastern Han Dynasty manipulated by the traitor Dong Zhuo, she pray to God for helping her master Wang Yun. Wang Yun secretly promised Diao Chan to Lv Bu,but then to Dong Zhuo.Lv Bu was very young and handsome at that time,and Dong Zhuo was an old hand at trickery and deception person. In order to win over Lv Bu, Dong Zhuo recognized Lv Bu as a son.However,they are all lecherous. Since then, Diao Chan began to drive a wedge between Lv Bu and Dong Zhuo.Lv Bu was very angry since Dong Zhuo married Diao Chao. One day, Lv Bu entered into Dong Zhuo’s house secretly and invited Diao Chan to meet. Diao Chan cry to Lv Bu for what Dong Zhuo did. When Dong Zhuo returned home and caught Lv Bu,he was very angry and grabbed spear to kill Lv Bu.Fortunately, Lv Bu escaped from death.Since then,there was suspicion and even downright hatred between them.After that,Wang Yun sucessfully persuaded Lv Bu to kill Dong Zhuo.It should be noted that no historical accounts mention a person named Diao Chan. Moreover, "Diao" is not a common Chinese last name.The last one is Yang Guifei:Yang Gui Fei is one of the most beautiful ladies of ancient China, but she got the most unfortunate compare to those three.Yang Gui Fei was named Yang Yuhuan, she was a daughter of a nobleman in the little village.When her was 16 years old, her father sent her into the palace to be a wife of the emperor’s son.After she got into the palace, her beautiful appearance was well-known. After the Emperor Tang Xuanzong heard, he went to his son’s palace to see this girl; once Xuangzong saw Yang Yuhuan, he suddenly fell in love with her and accommodated her into his palace. In that time Xuanzong was 56 years old and Yang was 22 years old.Yang was not only beautiful but also very clever,and she learned fast and talented in music and dancing.She was said to have"a face that would make all flowers feel shameful".Eventually,the emperor began to neglect state affairs. She adopted An Lushan as her son and helped her brother win power at court. The power struggle eventually over controlled by the central government. Therefore,the emperor fled the capital before the rebels occupied.The loyal soldiers were angry and blamed Yang Yuhuan and her brother for the rebellion.Finally,the emperor was forced to order their execution to kill her.Question and answer1.How do you evaluate Wang Zhaojun?She is beautiful, bravery and selfless.2.Could you tell me where did Xi Shi go eventually?It is said that she live with Fan Li eventually.3.What have you learned from Dong Shi?We should have our own features and shouldn’t always imitate others.4.Does Diao Chan really exist in history?No,she didn’t exist in history,but her story was recorded in The Three Kingdom.5.Did Lv Bu and Diao Chan get married in the end?Yes,Lv Bu and DiaoChan get married in the end.6.What did Tang Xuanzong do after Yang Yuhuan was killed?He was very sad,and dream of her every night.7.Witch beauty do you like best?Wang Zhaojun8.What musical instrument is Wang Zhaojun good at?Pipa(kind of lute)。
介绍一篇中国古代四大爱情故事英语作文 Title: Embracing Eternal Love: The Four Great Romantic Tales of Ancient ChinaIn the rich tapestry of Chinese culture, the narratives of love stand out as vibrant and enduring threads. Among these, four stories stand tall as the epitome of romantic idealism and sacrifice. These are the Four Great Romantic Tales of Ancient China: "The Butterfly Lovers," "The Legend of the White Snake," "The Cowherd and the Weaver Girl," and "Lady Meng Jiang's Weeping for the Great Wall." These stories, despite their ancient origins, continue to resonate with modern audiences, reminding us of the timeless power of love and its transformative potential."The Butterfly Lovers" tells the tragic tale of Liang Shanbo and Zhu Yingtai, whose forbidden love crosses the boundaries of gender and social norms. Their profound emotional bond, symbolized by the pair of butterflies that forever flutter together, embodies the idea that true love transcends all obstacles. This story speaks to the human desire for emotional freedom and the courage to pursueone's heart's desires, even in the face of adversity.The Legend of the White Snake" presents a more fantastical narrative, centering on a beautiful white snake spirit who falls in love with a human scholar. Their relationship, fraught with supernatural obstacles and misunderstandings, ultimately leads to sacrifice and redemption. This story explores the complexities of love and trust, highlighting the importance of understanding and acceptance in any relationship."The Cowherd and the Weaver Girl" is a celestial love story that personifies the ideal of romantic love. The forbidden union of the Cowherd, a mortal, and the Weaver Girl, a goddess, is constantly disrupted by the heavens. Their enduring love, despite repeated separations, becomes a symbol of unwavering devotion and sacrifice. This tale reminds us that love, when pure and true, can overcome even the most insurmountable obstacles.Lastly, "Lady Meng Jiang's Weeping for the Great Wall" is a story of profound grief and love's transformative power. Lady Meng Jiang's tearful lament for her husband, who perished while building the Great Wall, is said to have moved the heavens and earth. Her grief is so intense thatit causes a section of the wall to collapse, revealing her husband's bones. This story illustrates the depth of emotional pain that love can cause, but also the healing power of love's memory.These Four Great Romantic Tales of Ancient China are not just stories of love and sacrifice; they are also cultural touchstones that connect past and present. They reflect the values and beliefs of ancient Chinese society while resonating with modern sensibilities. They teach us about the resilience of the human spirit in the pursuit of love, the complexities of emotional relationships, and the transformative power of love itself.In today's world, where love is often complicated by modern social norms and technological advancements, these ancient tales offer a refreshing perspective. They remind us that, despite the changes in our society and the world, the essence of love remains the same. It is a force that can inspire us to overcome obstacles, to sacrifice for others, and to cherish the bonds that unite us.As we delve into these Four Great Romantic Tales of Ancient China, we are not just reading stories; we areexperiencing a journey through the heart of human emotion. We are being reminded of the beauty and power of love, and of its enduring presence in our lives. These tales are not just part of China's cultural heritage; they are universal narratives that speak to the hearts of all who believe in the transformative power of love.。
分享你对中国传统文化中美女的理解英语作文The Beauty of Chinese Traditional CultureChinese traditional culture is rich and deep-rooted, encompassing various aspects such as language, art, philosophy, and values. Among these cultural facets, the depiction of women as beauties holds a significant place. The concept of beauty and femininity in Chinese culture is unique and has been celebrated for centuries through literature, art, and folklore.One of the most famous female figures in Chinese traditional culture is Wang Zhaojun, a legendary beauty during the Han dynasty. She was known for her exceptional beauty and graceful demeanor, which captivated the emperor and led to her becoming one of his concubines. Wang Zhaojun's story has been immortalized in poetry, paintings, and operas, symbolizing the ideal of feminine beauty in Chinese culture.Another iconic beauty in Chinese culture is Xi Shi, a legendary figure from the Spring and Autumn period. Xi Shi was said to be so stunningly beautiful that her presence could bring peace and harmony to the land. Her story highlights the power of beauty and its ability to influence the course of history.Moreover, the portrayal of women in traditional Chinese painting also reflects the ideals of beauty in Chinese culture. The delicate brushstrokes and ethereal imagery in paintings of women convey a sense of grace, elegance, and harmony. The emphasis on soft curves, flowing lines, and subtle colors in these artworks epitomizes the traditional Chinese aesthetic of beauty.In addition to visual arts and folklore, Chinese literature also offers insights into the concept of beauty in traditional culture. Poems and essays written by ancient Chinese scholars often praise the beauty of women, describing them as gentle, virtuous, and refined. These literary works reflect the esteem in which women were held in traditional Chinese society and underscore the importance of beauty as a cultural value.Furthermore, the traditional attire of Chinese women, such as the qipao and hanfu, exemplifies the elegance and sophistication associated with beauty in Chinese culture. The intricate designs, luxurious fabrics, and graceful silhouettes of these traditional garments accentuate the natural beauty of the wearer and evoke a sense of timeless charm.Overall, the depiction of women as beauties in Chinese traditional culture is multifaceted and complex, encompassing a range of qualities such as physical attractiveness, inner grace,and moral virtue. The celebration of feminine beauty in literature, art, and folklore reflects the values and ideals that have shaped Chinese culture for centuries, highlighting the enduring influence of beauty in Chinese society. By understanding and appreciating the beauty ideals of Chinese traditional culture, we can gain a deeper insight into the rich heritage and profound wisdom of this ancient civilization.。
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The Elegance of Traditional Chinese Beauty In the vast cultural landscape of China, the standards of beauty have evolved over the centuries, shaped by the unique blend of philosophy, art, and society. Thetraditional Chinese concept of beauty is not merely skin-deep; it encompasses a profound understanding of inner and outer harmony, reflecting the values and aesthetics of the East.One of the central aspects of traditional Chinese beauty is the emphasis on naturalness. This naturalness extends beyond mere physical attributes to encompass a person's behavior, speech, and even their thoughts. The ideal Chinese beauty is someone who is comfortable in their own skin, unpretentious, and unafraid to show their true self. This is reflected in the preference for a subtle, understated elegance over flashy and artificial displays. Another key element of Chinese beauty is the emphasis on symmetry and balance. This is seen in the art of face reading, where the proportions of the face are carefully analyzed to determine a person's character and fate. The ideal face is considered to be one that is proportionateand harmonious, with features that are balanced and in harmony with each other. This aesthetic extends to other aspects of life as well, from the balance of the body to the balance of one's life.The concept of "qi" or "chi" is also integral to traditional Chinese beauty. Qi refers to the life forcethat flows through everything in the universe, and in humans, it is believed to be responsible for health, vitality, and even one's spiritual well-being. A person with good qi is considered to be radiantly beautiful, both inside and out. This is why activities like yoga, tai chi, and qi gong are so popular in China, as they are believed to cultivate and maintain good qi.Lastly, traditional Chinese beauty also values modesty and reserve. This is reflected in the preference for clothing that is both comfortable and modest, avoiding anything that is too revealing or flashy. Makeup is also kept simple and natural, enhancing one's natural features rather than covering them up. This modesty extends to one's behavior as well, with the ideal Chinese beauty beingsomeone who is polite, well-mannered, and knows how to carry themselves with dignity and grace.In conclusion, the traditional Chinese concept of beauty is a comprehensive and holistic approach that values naturalness, symmetry, balance, qi, and modesty. It is an aesthetic that goes beyond mere physical attributes to encompass a person's character, values, and spiritual well-being. As such, it serves as a powerful reminder of the importance of inner and outer harmony in achieving true beauty.**中国传统美人的标准**在中国丰富的文化景观中，美的标准历经数世纪的演变，受到哲学、艺术和社会的独特融合的影响。
