润普专业电话录音系统使用说明书
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PowerRec®数字录音系统 4.0PowerRec®数字录音系统用户手册发布版本 4.0Website: Technical support: xxx@ Sales: xxx@版权根据《中华人民共和国著作权法》和《中华人民共和国计算机软件保护条例》等法律条款,杭州三汇软件有限公司享有该软件的发表权、复制权、发行权、出租权和信息网络传播权。
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杭州三汇软件有限公司中国浙江省杭州市文二路385号汽轮大厦10楼文档目录I、介绍-----------------------------------------------------------------------------------------------5i、PowerRec 数字录音系统 4.0 录音方案简介----------------------------------------------5A、模拟线高阻复接录音-------------------------------------------------------------------5B、现场语音采集录音---------------------------------------------------------------------5C、数字中继监听录音---------------------------------------------------------------------6 II、关于本手册------------------------------------------------------------------------------------7 III、PowerRec 数字录音系统的使用---------------------------------------------------------8i、PowerRec 数字录音系统–服务器---------------------------------------------------------8A、硬件配置--------------------------------------------------------------------------------8B、程序注册-------------------------------------------------------------------------------10C、权限管理-------------------------------------------------------------------------------11a、权限设置主界面------------------------------------------------------------------11b、权限管理程序的菜单-------------------------------------------------------------111、文件菜单--------------------------------------------------------------------112、数据菜单--------------------------------------------------------------------122.1更改密码--------------------------------------------------------------122.2新增公司--------------------------------------------------------------132.3新增部门--------------------------------------------------------------132.4新增账户--------------------------------------------------------------142.5新增权限组------------------------------------------------------------142.6编辑--------------------------------------------------------------------152.7删除--------------------------------------------------------------------152.8更新--------------------------------------------------------------------153、视图菜单--------------------------------------------------------------------154、窗口菜单--------------------------------------------------------------------16c、工具栏介绍-----------------------------------------------------------------------17D、卸载PowerRec数字录音系统------------------------------------------------------18ii、PowerRec 数字录音系统–录音监控-----------------------------------------------------19A、监控管理------------------------------------------------------------------------------19B、录音监控------------------------------------------------------------------------------21a、界面功能概述--------------------------------------------------------------------21b、文件列表视图主界面------------------------------------------------------------24c、日志浏览视图主界面------------------------------------------------------------25d、菜单命令说明--------------------------------------------------------------------251、文件菜单--------------------------------------------------------------------251.1 登入-------------------------------------------------------------------261.2 登出-------------------------------------------------------------------261.3 更改监控服务器-----------------------------------------------------261.4 查看日志-------------------------------------------------------------261.5 查询-------------------------------------------------------------------271.6 删除-------------------------------------------------------------------301.7 备份-------------------------------------------------------------------301.8 转录-------------------------------------------------------------------311.9 发送到----------------------------------------------------------------321.10 通话清单------------------------------------------------------------321.11 话量统计------------------------------------------------------------332、设置菜单--------------------------------------------------------------------342.1 系统属性-------------------------------------------------------------352.2 录音卡属性-----------------------------------------------------------362.3 通道属性设置-------------------------------------------------------362.4 工作路径-------------------------------------------------------------372.5 备份设备-------------------------------------------------------------382.6 文档分类-------------------------------------------------------------392.7 断线告警-------------------------------------------------------------402.8 服务器时间与本机时间同步----------------------------------------402.9 更改密码-------------------------------------------------------------403、视图菜单-------------------------------------------------------------------40e、工具栏介绍-----------------------------------------------------------------------42C、日志管理-------------------------------------------------------------------------------43D、硬件配置------------------------------------------------------------------------------45E、卸载PowerRec数字录音系统---------------------------------------------------------45F、注册表简介----------------------------------------------------------------------------45 I V、常见问题(FAQ) --------------------------------------------------------------------------------46I、介绍欢迎使用PowerRec 数字录音系统 4.0PowerRec 数字录音系统 4.0 具有安装设置简单化,操作使用人性化,配置管理智能化,输入输出多样化的特点。
通话录音的配置及使用说明版本:<1.1>发布日期:<2018-5-11>目录目录 (1)1介绍...............................................................................................................错误!未定义书签。
1.1概述 (2)1.2适用型号 (2)1.3目标受众 (2)2录音框架介绍 (3)2.1通话录音方案架构 (3)3通话录音功能模块介绍 (4)3.1本地录音 (4)3.2服务器录音 (4)3.3服务停止/播放 (5)4通话录音功能使用介绍 (6)4.1本地录音 (6)4.2服务器录音 (7)11介绍1.1概述话机在通话过程中,可以启用录音服务保存通话录音。
配置有两种方式保存录音:1)将rtp数据存储成指定格式文件保存在本地。
2)将录音的rtp数据传送给服务器,在服务器上保存成文件格式。
1.2适用型号本文档适用于Fanvil X3S、X4、X5S、X6、X7、X7C、X210、X210i、XU系列等型号1.3目标受众此文档是针对那些想了解录音功能是如何改进的公司内部研发或者测试人员。
22录音框架介绍2.1通话录音方案架构创建本地stream,和要录音的stream进行混音处理,本地的stream只接收。
通过本地stream,可以本地绑定端口,接收stream上经过混音处理的rtp数据,再讲rtp数据写入本地文件保存或发送给服务器保存。
33通话录音功能模块介绍3.1本地录音本地录音只有挂载U盘才可以支持录音,获取到U盘挂载点后对U盘可用容量进行检查,创建文件保存rtp数据,文件名以“Record_当前系统时间”命名。
如果开启本地录音文件大小限制,录音文件达到限制值且U盘有可用容量会创建新的录音文件继续保存rtp 数据。
录音过程中可暂停、恢复通话录音。
THE CLEAR CHOICE FOR PROFESSIONAL AUDIO CONFERENCING CONVERGE TM PRO 880APPLICATIONSConference RoomsBoardroomsCourtroomsDistance Learning FacilitiesConvention Centers and HotelsTraining RoomsTelemedicine FacilitiesHouses of WorshipCONVERGE TM PRO 880 ADVANTAGESAdvanced Conferencing Feature Set+Next-generation Acoustical Echo Cancellation> Full bandwidth (20Hz to 22Khz) echo cancellation> Improved duplex performance> Push-to-talk microphone compatibility+Next-generation Noise Cancellation> Adaptive modeling to room ambient noise condition+Increased resolution on Microphone Preamp stage> 0-56 dB in 7 dB increments+Pre-AEC routing for Sound Reinforcement Applications> Maximum of 4 millisecond processing delay+Management Improvements> Integrated Ethernet and USB connections> SNMP and HTML remote management agents> Event scheduler> Diagnostic console+Simplified Configuration Software> Drag & drop A/V and channel objects> Selectable views—unit, matrix, channel+Expanded Serial Command ListSuperior Audio Performance+Next-generation Distributed Echo Cancellation®on every mic input+First-mic priority delivers clear audio to the far end+20 Hz-22 kHz bandwidth for full-range audio response+ALC & AGC keep participants’ audio balanced and consistentConfiguration Flexibility+Scalable – link multiple Converge Pro units (880, 840T, 8I, TH20) for extensive microphonecoverage and up to 16 phone lines+Enhanced expansion bus, featuring 12 mix-minus audio buses for routing between units+Eight mic gating groups (four internal & four global) allow separation of mics intoindividual mixer gating groups for greater configuration flexibility+32 presets can be executed on-the-fly without disturbing other ongoing preset operations+255 Macros for customized audio control/configuration with single command execution Professional Conferencing SystemPROFESSIONAL CONFERENCINGDATA SHEET < CONVERGE TM PRO|880>SPECIFICATIONSCONVERGE PRO 880DATA SHEET <>CLEARONE LOCATIONS>CONVERGE PRO 880 BACK PANELAudio PerformanceConditions: Unless otherwise specified, allmeasurements are performed with a 20 Hz to 22 kHz BW limit (no weighting)Frequency Response: 20 Hz to 22 kHz ±1dB Noise (EIN): -126 dBu, 20 kHz BW, max gain,Rs=150 ΩTHD+N: <0.02%Dynamic Range: 100 dB (non A-weighted)Crosstalk <-91 dB re 20 dBu @ 20 kHz channelto channel Auto Mixer ParametersNumber of Open Microphones (NOM)PA Adaptive Mode First Mic Priority Mode Last Mic ModeMaximum # of Mics Mode Ambient LevelGate Threshold Adjust Off Attenuation Adjust Hold Time Decay RateMatrix Mixing Parameters 36x36 matrix 12 analog in/out12 expansion bus in/out8 assignable processing blocks in/out 4 assignable fader blocks in/out Assignable Processing Blocks Filters:All pass Low pass High pass Low shelving High shelving Parametric EQ Notch CD Horn Crossovers:BesselButterworth Linkwitz-Riley CompressorDelay; adjustable up to 250 msAssignable Fader Blocks Gain/MuteMicrophone Input Configuration Input Gain Adjust Mic or Line LevelPhantom Power on/off Echo Cancellation on/off Noise Cancellation on/off Filters:All Pass Low Pass High Pass Notch PEQMute on/offChairman Override on/off AGC on/offAutomatic Level Control on/off Auto Gate/Manual gate Adaptive Ambient on/off Pre AEC channelMic/Line Inputs 1-8Push-on mini-terminal block, balanced,bridgingImpedance: < 5 KΩNominal Level: adjustable -56 dBu to 0 dBu (7dB step coarse gain adjustment)Maximum Level: -65 dBu to +20 dBuEcho Cancellation: 130 ms tail time (works with 12 dB of room gain)Noise Cancellation: 6–15 dB attenuation Phantom Power: 24 V , selectable Line Inputs 9-12Push-on mini-terminal block, balanced,bridgingImpedance: < 5 KΩNominal Level: 0 dBu Maximum Level: 20 dBuOutputs 1-12Push-on mini-terminal block, balanced Impedance: < 50 ΩNominal Level: 0 dBu Maximum Level: 20 dBuExpansion Bus In/Out Proprietary Network RJ-45 (2), 1.9 MbpsCategory 5 twisted-pair cable, 200’ maximum cable length between any two Converge Pro devicesEthernetAutoswitching with Quality of Connection (QoC)10/100 Mbps Ethernet Network Port 10/100 Mbps Ethernet PC Port RJ-45 ConnectorsRS-232Serial Command Protocol Only (Console software not supported on RS- 232 port)DB-9 female9,600/19,200/38,400/57,600/115,200 baud rate; 8 bits,1 stop bit, no parityHardware flow control on (default)/off USBVersion 2.0 Compatible T ype: B-connectorControl/Status Ports DB-25 female A/B (2)Inputs A/B: active low (pull to ground)Outputs A/B: open collector, 40 VDC max, 40mA each+3.3 VDC pins (2) (300 mA over-current protected)Configuration & Administration Software Converge™ Console Power Input Range Auto-Adjusting100–240 VAC; 50/60 Hz Power Consumption 30 W T ypicalDimensions (L x D x H)17.25” x 10.25” x 1.75”43.8 x 26 x 4.5 cmWeight7.5 lbs/3.3375 kg unit weight 12 lbs/5.4kg shipping weightOperating T emperature14° F/-10 °C to 122° F/50° C ambient unit temperature Approvals & ComplianceAES48-2005: AES standard oninterconnections — Grounding and EMC practices — Shields of connectors in audio equipment containing active circuitry (self certified)U.S.A. & Canada CSA safety listed EU CountriesRoHS compliant WEEE compliantSee product manual for additional details Optional AccessoriesConverge Pro 880Converge Pro 880T Converge Pro 840T Converge Pro 8i Converge Pro TH20Converge SR 1212T abletop ControllerButton Microphone – Omni-Directional Button Microphone – Uni-Directional Delta MicrophoneT abletop Microphone – Uni-Directional JBL Wall-Mount SpeakersPart Number910-151-880 Converge Pro 880 – 8-channel AEC Microphone Mixer Headquarters:Salt Lake City, UT USA 5225 Wiley Post Way Suite 500Salt Lake City, UT 84116 Tel:801-975-7200T oll Free: 800-945-7730 Fax:801-977-0087******************Latin America Tel:801-974-3621*******************EMEATel: 44 (0) 1189 036 053*******************APACTel:801-303-3388 *******************Other product names may be registered trademarks of their respective owners who do not necessarily endorse ClearOne or ClearOne’s products. All rights reserved. Information in this document subject to change without notice . © 2007 ClearOne Communications Inc. 802-151-880 Revision 1.7 January 2008.。
J公司相关产品简介一:录音系统选配该计费软件可实现录到分机或直线计费电话交换机自动计费系统简介本软件适用于各种类型的集团电话/程控交换机为您提供出色的电话系统监控与话费管理。
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�系统内置200多种交换机/集团电话机型,也可自定义新机型。
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本手册所有提及之商标与名称皆属本公司所有。
在此不担保本手册无任何疏忽或错误,亦不排除会再更新发行。
手册若有任何内容修改,恕不另行通知。
产品板卡上的任何贴纸请勿自撕毁,否则会影响到产品保修期限的认定标准。
感谢您购买并使用电话商务录音系统在使用本产品前请仔细阅读下面的许可协议许可协议:同意本许可协议的所有条款是获得本产品许可的必要条件。
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1.授予您使用权限。
您可以为了备份的目的而复制光盘中的软件。
2.除已按上述第一条被授权外不可以复制、修改、逆向工程、分解或重组该产品的全部或部分不可向他人销售、租借、许可转让分发全部或部分本产品或本协议授予的权利。
RP-BOX系列录音电话RP Digital Recorder数码录音电话使用说明书润普音讯(北京)科技发展有限公司RIPE Audio-Communication (Beijing) Technology Development Co., Ltd.欢迎使用RP-BOX系列数码录音电话,本产品采用数码录音,能够实时、清晰地录制通话语音、来电留言和本地录音,掉电语音数据不丢失,录音时长可达10小时,特设置两级密码保护,确保语音数据的安全性和保密性。
提供USB接口与PC机相连,通过专用的PC机管理软件可以播放、保存录制的语音信息,语音文件可转换为WA V文件,也可以作为普通文件进行COPY、E-MAIL等。
本产品还具有来电显示等多种电话功能。
包装盒内所含附件:录音电话机、电源适配器、USB连接线、录音电话说明书、软件安装光盘。
润普音讯(北京)科技发展有限公司目录一、产品安装 (1)1、安装步骤 (1)2、按键图 (1)3、液晶图 (1)二、电话功能 (2)1、末码重拨 (2)2、静音 (2)3、闪断 (2)4、忙音/静音检测挂机 (2)5、时钟及日期设置 (2)6、来电显示 (2)7、新来电号码提示 (2)8、振铃次数设置 (2)9、和弦铃声设置 (3)10、闪断时间设置 (3)三、录音功能 (4)1、通话录音 (4)2、应答留言 (4)3、现场录音 (4)4、主人留言 (4)5、录音播放 (4)6、录音查询 (5)7、录音删除 (5)四、密码功能 (6)1、密码设置 (6)2、密码修改 (6)3、密码取消 (6)五、系统设置 (7)六、电池备份及馈电电话功能 (7)七、USB接口 (7)八、产品类比 (8)九、产品保修卡 (9)一、产品安装1、安装步骤本机的安装非常简单,用户只要将手柄线、电话线、外接电源线(9V DC)插好,本机就可正常工作了。
本机备有充电电路,用户只需装入四节5号充电电池,这样即使外接电源停电,本机可正常工作。
电话录音软件使用说明和开发手册2003年5月1日目录系统简介 (3)一、基本功能 (3)二、技术参数 (5)三、典型行业客户列表 (5)系统安装 (6)一、硬件安装 (6)1.1微机 (6)1.2应用环境 (6)1.3硬件结构、安装 (7)二、软件安装 (7)软件操作 (9)一、系统启动 (9)二、基本操作 (10)2.1主窗口说明 (10)2.2模块功能 (11)编程接口 (23)函数说明 (24)VC环境 (28)C++Builder环境 (28)VB环境 (30)DELPHI环境 (32)PB环境 (33)VFP环境 (35)其他编程语言 (36)系统简介RL系列系列电话录音系统,是本公司凭借多年来在语音技术方面的专业经验,使用最新数字电子技术,辅以现今为止最先进的电脑及Windows软件所设计完成的一套整合性系统,它可以同时对多路电话通话进行录音、监听和查询。
系统可选读写光盘作为备份,容量大,可靠性高。
RL系列系列电话录音系统可广泛的应用于商业电话录音,电力调度录音,热线服务电话录音,投诉电话录音,关键岗位电话录音,传呼台录音,金融证券录音,公安报警录音,安全部门的监听电话,航空、铁路、交通运输调度录音及各行业的生产调度录音。
一、基本功能1.流行的Windows 98/ME/2000/XP操作环境。
B接口,符合USB 1.1标准,系统为外置式设备,不占用主机资源,即插即用。
3.从USB端口供电,不需外接电源。
4.可热插拔。
5.容量(线数)随意调整。
用户可根据需要接入多个USB电话录音设备。
可通过USB接口卡随意扩展。
6.支持中文、繁体、英文等各种字体的操作系统。
7.录音对通话双方没有任何影响。
8.可以根据任意给定的条件对录音、备份资料进行快速、简洁的回放查听。
9.多个用户可以在多台电脑使用声卡对录音资料根据任意给定条件进行回放查听与备份。
10.系统具有自动同步双备份功能。
也可以通过系统手工备份到您想要保存的目录或磁带转录。
professional quality tube sounds in a modern, exceptionally compact 19" rack-mountable package (1 rack space). The two main channels Clean and Lead feature dedicated voicing sections, gain pots and volume controls for precision sound shaping and fine-tuning. The Gain Lo/Hi switch converts the Clean channel to a Crunch channel and, in the Lead channel, the sound spectrum encompasses everything from Heavy Crunch to Ultra Gain. With a 4-band voicing section featuring two midrange bandwidths and ahandy feature is the Defeat function, which bypasses the preamp and routes the guitar signal directly to the output. This feature enables you to connect two preamps in series and this option enlarges the tonal spectrum. The variable Stereo Line Out and a frequency compensated Line O ut give you a wide range of application options, for instance you can patch the preamp signal directly to a mixing console or recording devicewhich is equipped with an impressive array of high-tech features that deliver a wide range of devastating sounds, come highly recommended. The integrated 2 x 1, 5 Watt stereo poweramp is suitable for three different applications:1, practicing with stereo headphones,2. practising with hi-fi stereo speakers, and3, practicing with a conventional guitar speaker cabinet.This preamp is defined by the effort and materials that went into it: intelligent design features, superior craftsmanship, impeccable finishing and quality components. However keep in mind, that a few precautions will radically extend tube life (see handling and care guidness).The entire-Team would like to thank you for your faith in ourproduct; we hope you derive a great deal of joy and satisfaction fromPLEASE NOTE: Read the O perator's Manual carefully and thoroughly, especially the Handling and Care section as well as the guidelines in bold-face type. Avoid operating errors and potential damage to the preamp by heeding the guidelines and cautionary remarks in this manual. The footnotes also cover a few convenient pointers and interesting tips on several functions. These are listed on side 3 of the manual.Gain settings depend on what type of pickups are installed in your guitar. The recommended setting for humbuckers or active pickups lies between the 10 and 1 o ’clock positions and 12 to 3 o ’clock for single coils for a pure clean response.For a crisp glassy tone, set the Bright switch to the On position. This setting boosts the treble response of muddy pickups.To get an idea of this preamp's capabilities in the Clean-Mode, we suggest you set thetone control pots Bass (5), Middle (6) and Treble (7) to the 12 o'clock position.To get Crunch or heavy Rhythm sounds, set this control between the 10 and 1 o ´clock ´s position (depending on the type of pick-up) and leave the Gain Boost (15) pusbuttonin the Off-position. All functions that can be accessed via footswitch can also be switched via the ENGL MIDI Switcher Z- 11. Simply connect the two 1/4" stereo jacks (22) and (23) to the stereo inputs of the Switcher via two cables equipped with 1/4" stereo plugs. You can control switching functions via the buttons on the Switcher. The respective functions (e, g. Lead, Hi -Gain,Contour active, Defeat off) are saved to the desired MIDI program locations. The ENGL MIDI Footswitch Z-12 is ideal for activating MIDI programs. When used in conjunction with the ENGL MIDI Switcher Z-11, this durable footswitch does not require a separateAC power pack. The requisite power is routed via the MIDI cable.To get an idea of this preamp's Lead sounds, we suggest you set the tone control pots Bass (9), Lo Mid (10), Hi Mid (11) and Treble (12) to the 12 o'clock position. The Treble control is important when operating the preamp in combination with a poweramp that does not feature a Presence control: Set the Treble pot between the 7 and 12 o ´clocksposition it suppresses the gritty upper frequencies. The integrated miniature stereo poweramp delivers maximum output of 2 x 1. 5 Watts at 4 ohms. However, you can connect diverse systems with impedances of 4, 8 and 16 ohms as well as headphones with 200 ohms. To the achieve the desired audio result, it is essential that the Selector switch (24) located on the rear panel is set to the proper position. The volume level of the poweramp is determined by the volume level settings for the two channels and the setting of the LINE LEVEL control (29). If the LINE LEVEL pot is turned up fairly high, then the setting for the two volume controls (7) and (14) must be reduced substantially so that the poweramp is not saturated!PLEASE ENSURE YOU HEED THE FOLLOWING: If you are using the amp to drive just one speaker cabinet, connect only one stereo channel via a 1/4" stereo plug. A mono 1/4" plug will short-circuit the poweramp's second channel. If you operate the amp under these conditions at high volumes for a longer period of time, this may destroythe amp or other components!The LINE outputs (25) and (26) provide signals that emulate the response of a 412 guitar cabinet, The signal level is nominally identical to the level at the LINE outputs (27) and (28).However in practice, the level deviates slightly due to frequency compensation. When the preamp is active, the output level of the LINE outputs depends on the following factors:the input level (Gain), the Volume control settings for the respective channels, and in some measure, the voicing section control settings. This is why we recommend that you dial in the desired sound via the front panel control features, set a desired FX level (if you have connected a processor) and then use the LINE LEVEL pot (29) to dial in a suitable level.The following is another conceivable practical application: Patch the outputs (27) and (28) to a stereo poweramp (e.g. ENGL 830/50) to drive two cabinets (e.g. ENGL 412G or S)and the two frequency compensated LINE outputs to the PA mixing console. The emulated 412 signal can be used for the FOH sytem so you do not have to mic your guitar cabinets.The filter stages, integrated LINE amp and the headphones amp can also be used for external application, depending on how you route the signals. Use the two FX LOOP RETURN jacks (30) and (31) as signal inputs. The preamp signal is interrupted when a1/4" jack is inserted. (refer to the Signal Routing Plan).BASSBottom end voicing control for theLead Channel.LO MIDLo Mid-range voicing control (at 500 Hz)for the Lead Channel.LEAD GAINGain control for the Lead channel, controls theamount of distortion in the Lead mode.CAUTION: Extremely high gain and volumelevels in the Lead mode can produce strongfeedback. Avoid feedback squeals, they leadto hearing loss and damaged speakers!TREBLEUpper range voicing control for theClean Channel.7CLEAN VOLUMEVolume control for the Clean channel.BASSBottom end voicing control for theClean Channel.MIDDLEMid-range voicing control for theClean Channel.BRIGHTAlters the EQ by boosting the upper treblerange; (above 2 kHz).Front1INPUTUnbalanced 1/4" (main) input jack.CLEAN GAINHI MIDHi Mid-range voicing control (above 1 kHz)for the Lead Channel.TREBLEUpper range voicing control for theLead Channel.CONTOURPress this button to alter the mid-EQ. When thebutton is pressed, mids between 300 & 500 Hzand mids between 1 & 2 kHz are boostedslightly; the red LED indicates Contour active.This function can also be activated via afootswitch connected to jack (23). Once afootpedal is connected, the channel selectorpushbutton is deactivated.LEAD VOLUMEVolume control for the Lead channel.14GAIN LO / HIThis button increases the gain levels for bothchannels. When you activate it, the Cleanchannel responds more like a Crunch channel,and the Lead channel delivers a hi-gain leadsound. You can also activate this function viafootswitch (Jack 22), the Gain Boost pushbuttonis then no longer functional. The LEDilluminates to indicate Hi-Gain mode is active.CLEAN / LEADChannel selector pushbutton for Clean andLead modes, red LED indicate Lead mode;This function can also be activated via afootswitch connected to jack 22. Once a foot-pedal is connected, the channel selector push-button is deactivated.PREAMP DEFEATThis feature bypasses the preamp when thebutton is depressed. In this case the guitarsignal is routed to the Instrument Outputjack (32) .You can also activate this function viafootswitch (at Jack 23), the Preamp Defeatpushbutton is then no longer functional.The LED above the button illuminates toindicate the preamp is bypassed.POWERAC power on/off.19STEREO HEAD PHONES1/4" stereo output designed for stereoheadphones. you can also connecthi-fi speakers or guitar cabinets. When youconnect a conventional guitar cabinet set theselector switch (24) to ,,Routed to GuitarCabinet."CAUTION! Ensure You Heed The Following:Always use a 1/4 stereo plug. If you use amono plug, it may short-circuit and destroythe poweramp!Rear Planel20AC SocketConnect AC cord here.CAUTION: Ensure you use an intact ACcord with an insulated plug only! Beforeyou power the amp up, ensure the voltagevalue printed beside the AC socketcorresponds to the available current.21AC Fuse BoxContains mains fuse (rear chamber) andspare fuse (front chamber).NOTE: Ensure replacement fuses bearidentical ratings (refer to the table)!22FOOTSWITCH:CLEAN/LEAD; GAIN LO/HI1/4" stereo jack for connecting a dualfootswitch (e.g. ENGL Z-11) or a MIDI-switching system (e.g. ENGL Z-11).The following functions can be executed:1.Channel switching Clean - Lead(mono terminal)2.Gain Lo - Hi (stereo terminal).23FOOTSWITCH:PREAMP DEFEAT; CONTOUR1/4" stereo jack for connecting a dualfootswitch (e.g. ENGL Z-11) or a MIDI-switching system (e.g. ENGL Z-11).The following functions can be executed:1.Preamp Defeat / Bypass(mono terminal).2.Contour switching (stereo terminal).24HEADPHONES OUTPUT:A) Routed To Headphones Or HiFi Cab.B) Routed To Guitar Cab.Rear panel selector switch for front panelheadphones jack. Set the switch to the leftposition A) when you connect stereoheadphones or hi-fi speakers and to theright position B) when you connect aguitar cabinet to ensure proper frequencycompensation for the respective systems.FREQUENCY COMPENSATED LINEOUTPUT: RIGHTLine Out for the preamp's right frequencycompensated signal (1/4" unbalanced jack).This signal can be patched directly to amixing console or a recording device.FREQUENCY COMPENSATED LINEOUTPUT: LEFTLine Out for the preamp's left frequencycompensated signal (1/4" unbalanced jack).This signal can be patched directly to amixing console or a recording device.LINE OUTPUT: RIGHTLine Out for the preamp's right channel(1/4" unbalanced jack).This signal can be routed to a powerampor a FX device via a shielded cable.LINE OUTPUT: LEFTLine Out for the preamp's left channel(1/4" unbalanced jack).This signal can be routed to a powerampor a FX device via a shielded cable.LINE LEVELThis control feature determines the level ofthe LINE outputs 25, 26, 27 and 28. Theinstrument output (32) signal can also beamplified to 15 dB if required.29FX LOOP RETURN: RIGHTSignal input right stereo channel for theFX Loop. Connect this input to a signalprocessor’s right output/send jack via ashielded cable with 1/4" plugs.30FX LOOP RETURN: LEFTSignal input left stereo channel for theFX Loop. Connect this input to a signalprocessor’s left output/send jack via ashielded cable with 1/4" plugs.31INSTRUMENT OUTPUTFX LOOP SENDOutput for patching the preamp signal to apoweramp input or the input of a anotherpreamp or signal processor/FX device.Ensure you use a short shielded cable forthis signal circuit.AUXILIARY INPUTSupplentary preamp input. This circuit is routedin series with the input located on the frontpanel and is used for patching the setup to a19" rack. The front panel input has priority. Inother words, when you insert a plug into thefront panel jack (1), the signal routed in via theAux. Input (33) is interrupted.33The INSTRUMENT OUTPUT (32) delivers a signal similar to the one generated by a guitar'spickups when the preamp is active (PREAMP DEFEAT switch Off), i.e. a high-ohm signal at about the same level as a guitar signal. This feature is relevant when you want to establish the same conditions via a bypass circuit (guitar signal to the INSTRUMENT OUTPUT) for further signal processing, for instance by an FX device, another Preamp connected in series or a poweramp.You can connect a signal processor between the INSTRUMENT OUTPUT (32) and the FX LOOP RETURN jacks (30) and (31) or directly between the LINE OUTPUTS (27) and (28) and a stereo poweramp's inputs. There is a substantial difference between these two applications:When you connect the Processor to the FX LOOP, the send signal is identical to the guitar signal when the preamp is in defeat mode and the preamp signal when the defeat mode is off. The send level only is influenced by the settings of the volume controls in this case.The level of the master output signal routed to the LINE outputs can be increased via the LINE LEVEL (29) pot.However, when you connect the Processor between the LINE outputs and the poweramp,the input (Send) signal to the FX device can be increased via the LINE LEVEL (29) pot and you have two Send signals (left, right) available. This option is recommended for low impedance (0 dB)FX devices that are not equipped with a variable input.Technical DataCaution: Replace fuses only with others of the same rating!INSTRUMENT: -10 dB max. 0 dB LINE OUT: -10 dB max.15 dB Output level (0 dB => 1Veff)Tubes:approx.4 kgV1 => ECC83/12AX7 FirstQuality V2 => ECC83/12AX7 selected Dimensions:Weight:19", 1 rack spaces, depth: 260 mm INPUT: -20 dB max. -3 dB Input level(0 dB => 1Veff) 2 x 1,5 Watts at 4 OhmsHeadphones poweramp:Power Consumption: approx. 16 Watts max.Fuses100 & 120 Volts 400 mAM 500 mATAC Mains: external:internal:230 Volts 200 mAM 250 mATM => medium, T => slowchanged!Internal Signal-path:INSTRUMENTHandling and CareProtect the preamp from mechanical knocks (tubes!).Let the preamp cool down before you transport it (approx. 10 minutes).Tubes need about 20 seconds to warm up after you switch the power on.Avoid storing the preamp in damp or dusty rooms, they are hard on jacks, switches and potentiometers.criteria) to avoid microfonic properties, undesireable noise and feedback.W e r e s e r v e t h e r i g h t t o m a k e u n a n n o u n c e d t e c h n i c a l u p g r a d e s !ENGL Ger ätebau GmbH, Germany; Internet: Text, design, grafics and layout by Horst Langer。