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魏娜建筑设计作品：Why酒店
在建筑上的，而是每个人都有的本能，只是被长期理性教
育和行业的规训压制了。
她试图唤醒这些情感，因为魏娜
心目中好的建筑空间是可以与人产生情感联系的空间，这
时候的建筑已超越了固有的物理属性，而升华为了精神空
间。
好的建筑空间可以代替建筑师扮演表达的角色同使用
者产生情感的交流和互动。
当问到她是否是一个完美主义
者时，魏娜回答：“最接近完美的状态是大自然，里面万物
都互相妥协，互相融合，共同生长，世世代代的生机勃勃的
状态，单拿出任何一个个体都不是完美的，这种和谐融合
才是完美的。
”
在小溪家项目改造中魏娜也收到了类似的反馈，当有
些人看到施工过程中的房子时曾评价说：“怎么感觉这个
房子不新不旧的，好像这么多年一直在那里的样子。
”明星
们来到改造好的房子里的时候，也都觉得这个房子似乎带
着一种情感在讲述着自己的故事。
这是魏娜认为最好的赞
美，“小溪村本身就具备非常好的自然环境，虽然人已经魏娜建筑设计作品：亚丁悬崖酒店
《时尚北京》对话WEI建筑事务所
创始合伙人魏娜
《时尚北京》：感觉您涉猎的艺术门类比较广
法吗？。
第4卷第2期2019年4月■设计与环境艺术简析建筑结构形式中的建筑美学——以耶鲁大学冰球馆为例金雅庆王禹霖(吉林建筑大学，吉林长春130118)摘要：本文以耶鲁大学冰球馆为例，分析建筑结构中的美学思想与表现，从建筑环境、空间和造型等方面解读建筑结构形式与设计方法，指出结构本身具有艺术美的内涵#建筑空间应包含富有潜力的表现力，应该合理利用结构自身的美学表现方式，并且从结构方向构造建筑形象，从而更好地展现建筑美学。
关键词：建筑结构；建筑美学；表现手法中图分类号：TU245.2文献标识码:A9章编号:2096-2118(2019)02-0039-03A Brief Analysis of the Architecture Aesthetics in the Structureof Architecture------Take the Yale Ice Rink as an ExampleJIN Yaqi?g,WANG Yulin(Jilin Jianzhu University,Changehun Jilin130118,China)Abstract:Taking the Yale ice rink as an example,this paper analyzes the aesthetic thoughts and expressions in the architecture,interprets the architectural forms and design methods from the aspects of architectural environment,space and modeling,and points out that the structure itself has the connotation of artistic beauty.Building space should make full use of the aesthetic expression of the structure itself,shape the architectural image from the point of view of structure technology,and make it a potential means of expression in architectural design. Keywords:architectural structure;architectural aesthetics;expressions1建筑结构与建筑美学建筑结构通常是根据力学规律形成的建筑骨架，是建筑设计中不可或缺的参考元素。
美国最好的艺术学院——耶鲁艺术学院。
耶鲁艺术学院（Yale School of Art）隶属于耶鲁大学，成立于1864年，是美国第一所专业美术学院，研究生阶段开设有2年制MFA项目，设有平面设计、油画/版画艺术、摄影艺术和雕塑艺术。
耶鲁艺术学院在USNEWS美国美术学院的排名中均位列第一，2007年2月份的《耶鲁每日新闻》报道有1,215名学生递交申请，最终仅有55人被录取；《耶鲁校友杂志》报道2008年11月份，耶鲁艺术学院仅在1,142名申请者中录取65人，最终仅招收56人。
任何希望入读耶鲁艺术学院的申请者必须拥有优异的本科GPA，以及优秀的个人作品，其次还有Essay和推荐信。
专业设置耶鲁艺术学院本科阶段仅开设有艺术学士（BA in Arts），设有以下专业方向，分别是：平面设计（graphic design）油画艺术/版画艺术（painting/printmaking）摄影艺术（photography）雕塑艺术（sculpture）二、研究生申请1、基本要求语言要求：TOEFL总分不低于100分，IELTS总分不低于7.0，两者均无单项分数要求；学位背景要求：正规大学本科毕业并取得学士学位，无需BFA学位；GPA：未做要求，通常美国大学研究生院要求申请者本科GPA，尤其是大三和大四GPA不低于3.0，但艺术类项目更注重个人作品质量，对于GPA要求可能有所降低；GRE：未做要求；申请时间：仅接受秋季学期入学申请，截止日期为1月4日；耶鲁艺术学院研究生项目通过学校官网递交申请，要求递交的申请材料包括：申请表和申请费（online application and the nonrefundable application fee of $100）；个人陈述（A one-page statement）；推荐信（References）；成绩单（Transcripts of the academic record for the bachelor’s degree and/or transcripts from professional art schools attended）；个人作品（Portfolio of work）；语言成绩单（TOEFL/IELTS Scores）3、费用与奖学金耶鲁艺术学院不向国际学生提供Merit-based奖学金和Need-based奖学金。
真不愧是美国历史第三耶鲁大学校园风光一览今天若希要带大家参观游览的学校，可以称得上是常春藤联盟(IVY League)中东北部的老牌名校，它就是被称作“美国学院之母”的耶鲁大学(YaleUniversity)。
耶鲁作为美国历史上建立的第三所大学(第一所是哈佛大学、第二所是威廉玛丽学院)，它和哈佛大学、普林斯顿大学齐名，学校的建设、师资、教授阵容，在当今美国的学院界都可谓堪称一流的。
耶鲁大学(Yale University)位于纽黑文市(City of NewHaven)，纽黑文是前美国总统乔治?W?布什的出生地，位于康涅狄格州(State of Connecticut)中南部长岛湾。
因为在这个城区广植榆树，纽黑文市也被称作“榆树城”。
到纽黑文有很多方式，搭乘火车或是公交车，只需要步行15分钟左右，就可以到达我们的目的地——YaleUniversity。
若希经常是去耶鲁大学的访客中心参加导游图或者拿一份免费地图自助游。
耶鲁大学还提供自助游览耶鲁校园的资料以及相应的中文MP3导游，对于很多初次来到美国的朋友们来说，这是非常方便的旅游导航方式。
Yale的访客中心里，最有特色的莫过于众多的耶鲁校友。
虽然常春藤联盟和其他的知名校园，都曾走出过很多有名气的校友，但是耶鲁的杰出校友图，绝对会让你觉得叹为观止。
耶鲁拥有众多相当杰出又伟大的校友，这里出过5位美国总统，分别是第27任总统威廉·霍华德·塔夫脱、第38任总统杰拉尔德·福特、第41任总统乔治·赫伯特·沃克·布什、第42任总统比尔·克林顿以及美国第43任总统小布什;光是从3届连续的总统，就能看出耶鲁可谓创造了奇迹!就连克林顿总统和他的夫人希拉里，也是在耶鲁法学院的图书馆里面相识的。
耶鲁毕业生还成为众多著名大学的创始人或第一任校长，如普林斯顿大学、康奈尔大学、约翰·霍普金斯大学、哥伦比亚大学、芝加哥大学等，所以YaleUniversity也有了“美国学院之母”的美誉。
耶鲁大学建筑设计专业耶鲁大学（Yale University），简称“耶鲁（Yale）”，是一所坐落于美国康涅狄格州纽黑文的世界著名私立研究型大学。
耶鲁大学是美国东北部老牌名校联盟“常青藤联盟（Ivy League）”的成员，也是八所常春藤盟校中最重视本科教育的大学之一。
耶鲁大学的建筑设计专业位居世界前列，学校的建筑学院风格也是十分显著，外表壮观，内部的空间交错，四处陈列着学生的作品，到处都充满了灵感碰撞的火花，就连开在墙壁上的小窗户都很有考究，处处都是景致。
接下来，就来给大家介绍一下耶鲁大学建筑设计专业。
耶鲁大学建筑设计专业耶鲁建筑学院1972年从艺术学院中独立出来成为学院，用建筑语言全是人类价值和处于当代背景中的人类活动。
耶鲁大学的建筑以哥特式和乔治王朝式风格为主，古典风和少数现代风格交相呼应。
学校建筑学院的教学条件是世界一流的，计算机人均数量最高，绘图空间最大，充分满足学生们制作手工模型和计算机渲染的要求。
此外，建筑学院还提供名目众多的旅行奖学金，让学生利用假期到世界各地考察建筑，目的地则多为欧洲、亚洲和北非，调研地段和参观若干知名建筑。
课程设置：作为建校最早的学院之一，耶鲁大学建筑学院在整个Yale里的地位是举足轻重的。
耶鲁大学建筑专业的学生只要满足普通研究院要求以及建筑学系的要求刘可以取得建筑学士的学位。
所有建筑学专业，都需要修习核心学科，并且在大二学年末完成以下六个学科的学习：1.建筑学与环境设计概论；2.建筑设计基础；3.视觉艺术与设计基础；4.建筑系统；5.设计计算概论；6.建筑学历史与理论概论或艺术史概论。
大三学期，学生开始在建筑设计、建筑技术，计算机，艺术、文化与技术，建筑与艺术历史、理论与评论这四个领域选择其中之一来进行专业学习。
作品集要求：要上传数字作品集（一个单独的pdf文档最好不要超过64mb）到在线申请系统。
这个作品集将在电脑屏幕上被浏览，所以分辨率不需要超过150dpi。
cmu建筑作品集要求卡内基·梅隆大学建筑学作品集指导作品集概述卡内基·梅隆大学建筑学作品集是一个精心策划的集合，展示你的建筑设计思维、技术技能和创意表现能力。
它旨在传达你的热情、技能和建筑学的愿景。
作品集内容作品集应包括各种项目，展示你的设计过程、实验和解决问题的能力。
它可能包括以下内容：设计项目：从概念草图和模型到详细图纸和渲染，展示你的设计理念和执行能力。
研究探索：展示你对建筑理论、技术和可持续性的理解，通过批判性分析和研究报告。
技术图纸：体现你的技术制图技能，包括平面图、立面图和剖面图。
物理模型：展示你的建模能力和对空间关系的理解。
草图和绘画：展示你的观察、表现和沟通技能。
创作写作：反映你的建筑哲学、灵感和目标。
作品集组织作品集应以清晰一致的方式组织。
考虑按以下方式组织你的项目：按主题：根据建筑类型（如住宅、商业、公共）或设计原则（如可持续性、城市主义）分组项目。
按时间顺序：按时间顺序展示你的进步，突显你的技能和知识的增长。
按项目类型：将设计项目、研究探索和其他组件分开。
作品集呈现你的作品集可以通过多种方式呈现，包括：印刷作品集：高质量的印刷作品集可以展示你的视觉作品的细节和精致度。
数字作品集：在线或交互式作品集可以轻松分享和更新你的作品。
混合作品集：结合印刷和数字格式，提供作品集的全面体验。
申请提示展示你的热情：作品集应传达你对建筑学的热爱和承诺。
突出你的技能：专注于展示你的设计、技术和表现能力。
讲故事：通过你的项目和书面文字，叙述你作为建筑师的旅程。
寻求反馈：在提交作品集之前，向教授、导师或其他专业人士寻求反馈，以获得宝贵的见解和建议。
遵守要求：仔细检查大学的具体作品集要求，并确保你的作品集符合所有规定。
Arch Daily评选的最佳建筑网站1. ArchDaily ()2. Architectural Record ()3. Architonic ()4. Archinect ()5. World Architecture News ()6. Architecture week ()7. Bustler ()8. AIA ()9. World Architects ()10. Bldg Blog ()11. World Architecture Community ()12. Building Design ()13. Mirage Studio ()14. RIBA ()15. Architecture MNP ()16. AJ Online ()17. MIMOA (www.mimoa.eu)18. Eiknographia ()19. Architect Magazine ()20. ArchiDose ()21. + Mood ()此外，根据alexa排名，评选出了20个有建筑内容的混合型站点：1. Designboom ()2. Inhabitat ()3. Yanko Design ()4. Dezeen ()5. Mocoloco ()6. Furniture Fashion ()7. Notcot ()8. PSFK ()9. The Coolhunter ()10. Contemporist ()11. Dwell Blog (/blogs)12. World Changing ()13. Materialicious ()14. Dezain ()15. Icon Eye ()16. We Heart Stuff ()17. Things Magazine ()18. City of Sound ()19. Dezona ()20. Tropolism ()宾夕法尼亚大学建筑学作品集/f/14012273.html建筑留学作品集/f/20733849.html 建筑留学作品集/f/20733850.html 耶鲁建筑申请作品集./f/20387969.html英国建筑留学申请优秀作品集/f/20200230.html华南理工优秀毕业生77 建筑出国优秀作品集/f/21167498.htmlNick_Wang`s_portfolio_建筑学优秀作品集_英国申请/f/23076924.html东南大学建筑系优秀毕业生作品集/f/22726992.html国外建筑作品集/f/21931390.html 美国柏克莱大学建筑系学生作品集/f/13595921.html耶鲁大学建筑,优秀作品,建筑设计/view/4a876403cc1755270722087b.ht ml 建筑学院嘘学生出国申请作品集/view/88f4b61ea300a6c30c229f9a.ht ml 建筑学生作品集/view/2be73b0c581b6bd97f19ea16.ht ml 清华建筑作品集及手绘效果图/htmldata/20091208/c4bc29f9cff1d8f0. html 华南理工大学建筑作品集/htmldata/20101111/b30a909d45236a4 f.html 个人建筑作品集/htmldata/20111122/047920a3d6373b3 c.html 国外建筑学作品集/p-248695570.html出国建筑设计作品集/d-268661.html建筑学建筑作品集/d-400435.html Portfolio+Final Review建筑留学出国作品集/p-228457626.html 天大He_Song 建筑出国留学作品集/p-53274395.htmlyehsensu+portfolio台湾国立成功大学牛人作品集/p-58300145.html清华yangguang耶鲁大学Yale申请作品集/p-86693626.html牛人GSD-MLA出国留学作品集/p-278654975.html荷兰Delft建筑学院出国留学申请作品集/p-164569613.html留美建筑学申请优秀作品集Portfolio of Chenjinfan/p-102666822.html。
耶鲁大学校园建筑巍峨壮观生活便利耶鲁大学(Yale University)，简称耶鲁，是一所坐落于美国康涅狄格州纽黑文的顶尖私立研究型大学，最初由康涅狄格州公理会教友于1701年创立，1716年迁至康涅狄格州的纽黑文。
被公认为全美乃至世界最好的私立大学之一;是美国东北部老牌名校“常青藤联盟(Ivy League)”的八大成员之一;是八所常春藤盟校中最重视本科教育的一所大学;也是美国最具影响力的顶尖私立大学之一;还是美国建立的第三所大学。
它与哈佛大学、普林斯顿大学齐名，历年来共同角逐美国大学本科生院和研究生院前三名的位置。
校园建筑：耶鲁大学弥漫古典浪漫的校园环境极其著名。
而一些现代建筑也常被作为建筑史中的典范出现在教科书中，其中包括路易·康设计的耶鲁大学美术馆、耶鲁大学英国艺术中心;Eero Saarinen设计的Ingalls滑冰场、Ezra Stiles学院和Morse学院;以及由Paul Rudolph设计的艺术和建筑系大楼。
耶鲁大多数古建筑都为哥特式风格，多建于1917-1931年期间。
大量的浮雕都展现了当时的大学生活：有冥思苦想的作家、狂奔着的运动员、喝茶的交际花、读书时打磕睡的学生等等。
在耶鲁大学法学院大楼(官方名称为史德林法学大楼)的雕刻上，也展现了当代的一些场景，包括警察追逐强盗和逮捕娼妓的场面。
建筑师James Gamble Rogers为了使建筑显得老旧，采用了在石质墙面上泼酸、故意打破玻璃并且使用中世纪的方法补合，并且还人为的添加了许多空的装饰性壁龛，仿佛雕塑已经失落很久。
虽然耶鲁大学中心校园的大多建筑都呈现中世纪的建筑风格，使用大型的石材，而事实上大多都采用的是1930年通用的钢结构框架，唯一的例外是哈克尼斯塔，高216英尺。
在建造时曾经是世界上最高的全石质结构。
该塔在1964年加固，以在其内部安装耶鲁纪念组钟，共计54口。
今日该钟每日在中午12点30分和下午5点整由耶鲁大学的一个专门学生团体奏响，选奏的音乐从经典组钟乐到披头士都有选择。
保罗·鲁道夫
（Paul Rudolph,1918-）
保罗·鲁道夫是美国建筑师。
早年毕业于哈佛大
学设计研究院，1904－1943年间他得到格罗皮乌斯的
指导，1958年起任耶鲁大学建筑系主任。
保罗·鲁道夫重视建筑的创造性，提出“建筑设
计表现个人素质。
如果建筑师把自己的作品当成艺术
品看待，那么参与工作的人越少越好，我们要正视这
个问题。
评价建筑，首先应该是他的创造性，然后才
是别的。
”在教学上他宣扬设计简化哲学，指出割爱
的必要，认为建筑设计不可能把所有要求都予以满足，
只能重点突出的解决某些必须解决的问题。
保罗·鲁道夫完成的工程约有一百六七十项，其中有住宅、公寓、室内设计、各种类型公共建筑和改建、修复工程以及规划等。
代表作品有波士顿政府服务中心（1963）、纽黑文克劳福德老人住宅（1962）、北达特茅斯东南马萨诸塞大学新校园（1963）、纽黑文耶鲁大学艺术与建筑系大楼（1963）等。
纽黑文耶鲁大学艺术 与建筑系大楼（1963）。
耶鲁大学建筑专业作品集要点分析美国艺术专业申请中，作品集的作用非常大。
耶鲁大学建筑专业对作品集的看重程度更是非同一般。
耶鲁大学建筑专业作品集需要哪些内容？下面，我们就看一个成功者跟我们讲述他的申请经历。
再说作品集。
定的主题是physical diagram,希望能表达以模型为主导的思考与设计过程。
设计内容都没有进行改动，主要补了一些分析性图纸，来表达当时做设计的时候想过却没有明确表达出来的东西。
其实在真正进入indesign之前，每天都会看两三遍水哥的作品集，各种膜拜。
但是后来就不敢看了，怕排版风格上的撞车——事实证明水哥的影响是颇为深远的。
本子里一共放了5个项目，都是大学期间的作业设计。
前四个是建筑的，最后一个是城市设计，主要是申请MAUD懒得再做一本了。
当然，最后申MAUD的还是把五道口那个项目改了一下。
排序方面参考了某小道消息：许多人会倒着看作品集，所以最好的放第一个，第二好的放最后一个(这两个模型比较新)，城市设计由于尺度较大放在最后。
所有参与的竞赛作品、一些有意思的设计和实习期间的东西放到了other works里，再后面是一些速写和建筑摄影，也为了表现我做过比较多的建筑旅行。
由于排版的时候怕出来的东西显得水，所以东西塞得比较满，没敢留白太多，所以排完之后个人感觉还是不够放松，当然也可以说是朴素扎实……我还是比较同意星爷的看法，把该大的图放大就好，没有人会因为排版拒你，也没人会因为排版要你。
比较重要的还是把项目说清楚，交代好概念和逻辑，要有禁得起细看的透视、线图或者模型照片，因为据说一本作品集平均浏览时间只有30秒，吸引眼球是关键，依靠堆砌小图是没有前途的。
我觉得个人对于建筑的理解只能达到体量和原型的深度;对于形体与几何我还远没有入门，所以不敢强调华丽眩目，只能发扬扎实稳重。
前几天lyg同学的本子让大家以为thu都很digital，其实真正在做的人就那么几个，而且还都是老徐一系的。
氛围还远没有形成，只能说有这么一个趋势：低班的人选非线studio的越来越多，东西没有看过，至少软件听起来象那么回事了。
architecture design portfolioDAMON WAKEdvwake@(602) 647-1664ADDRESS4701 East Arcadia LanePhoenix, AZ 85018(602) 840-8157EDUCATIONCollege of Architecture, Art, and PlanningBachelors of Architecture February 2010Cumulative GPA: 3.748 - Dean’s List 4 yearsCornell in RomeSemester, extension of Cornell AAP based in Rome with local Roman and Ithaca faculty.Program focused on the study of Contemporary and Historical Italian Art and Architecturein conjunction with analytical research and design in Rome and during immersion tripsthroughout Italy.Cornell Latin AmericaEight-week, 15 credit architecture design, visual representation, and theory program inMexico and Brazil. Traveling study of Historical and Modern Latin American culture, art, andArchitecture, focused on lectures, readings, sketch books, and design charettes.AWARDSSeipp Memorial Prize Competition, Co-WinnerCornell second year architecture competition for an ADA accessible renovation of SibleyHallDwell Magazine Re-Burbia Competition, FinalistOpen competition hosted by Dwell Magazine for visually and theoretically compellingimages/ideas for the re-construction of suburban developmentCOMPUTER SKILLSAutodesk AutoCAD, Rhinoceros 4 (Including Grasshopper), Adobe Photoshop, AdobeIllustrator, Google Sketch-Up, Microsoft O ce, Pepakura, basic Adobe Premiere,basic Autodesk Maya 8FABRICATION SKILLSWoodworking, Metal Working including welding and casting, Laser Cutting, Scale ModelMaking (including plaster and cement casting, soldiering, bass wood, foam, chipboard,plexi construction, etc.)Fall 2007Summer 2006Fall 2006August 2009WORK EXPERIENCEDesign InternshipMS Square Construction, Glendale AZ Administrative Assistant architect. Wrotebiding documents and organized bids from multiple Sub-Contractors to produce project cost estimates. Contacted local businesses to securenon-competitive contracts.Vincent Mulcahy, Ithaca NYConstruction g, painting, andhardware installation to demolition and landscaping. Worked closely with home owner, and professor Vince Mulcahy who oversaw all work.Rand Hall Wood & Metal Shop Technician’s Assistant Assist in the management and safety of Architecture and Art shop facilities. Train undergrad and graduate Architecture and Fine Arts majorsFirst-Aid assistancein the case of injury.2003 - 2007Summer 2005Summer 20082006 - 2009References Brian E. Beeners - Shop and Fabrication Facilities Supervisor beb4@, 607 255 1527 Dana Cupkova - Professordanacupkova@, 607 255 2701 Yanni Loukissas - Thesis Advisoryal1@, 607 255 2785Charles Schi ner - Architect 602 954 7442Freelance Design2010Studio CWake, Phoenix AZ Worked consistently for four years at the small, design oriented rm specializing in Taliesin and Native American architecture. Co-managed a home renovation, preparing shematic and design development drawings while acting as project manager. Worked extensivly on the Wind River Casino in Wyoming, prepared drawings for bidding, designed panelings layouts, color schemes, schedules, worked with an FF&E specialits, and presented work to the CEO, subcontractor, and engineers. Drew and edited cad drawings of all development levels and provided 3D renderings for clients.Independent design work on single family homes and co ee shops. Commercial work includes printed graphics, interior re-design, and back of house extensions. Currently working on single family new home construction in Seattle and a new duplex in Phoenix.Damon Wake-c 2010C O N T E N TSIBLEY PROJECTED - SEIPP MEMORIAL PRIZEcollaboration: michael hughes – advisor: henry richardson - fall 2006 Design competition for an ADA accessible r enovation of Sibley Hall, First Place FORM WORKS - CHELSEA HIGHLINE DEVELOPMENTadvisor: vincent mulcahy - spring 2007 with commercial and public use spacesCONNECTED CITY - ROCHESTER BROWNFIELD RE-USEcollaboration: lisa corkum - advisor: henry Richardson - fall 2006 Transit oriented development project for a Mid-rise multi-use building in a former industrial complex undergoing re-use and re-developmentPLAZA DE MUSICA - VALENCIA MUSIC CENTERadvisors: antón garcía-abril, débora mesa-molina - spring 2008 City music center and public plaza space adjoining Studio Ensemble’s new Berkley School of Music center on the outskirts of Valencia Spain ENVIRONMENTAL HISTORY CENTER - LEADING EDGE DESIGN COMPETITIONcollaboration: chad christie, lisa corkum, peter rodway, larysa konowka - advisor: martha bohm - spring 2008 Sustainable design competition for a multi-use history, teaching, and research center in Santa BarbraCalifornia near rejuvenated wetlands LOVENESS RESIDENCE - VASHON ISLAND NEW HOME DESIGNcollaboration: lisa corkum – client: elizabeth loveness - 2010 Schematic development proposals for a new residence overlooking the Puget Sound onVashon Island near Seattle Washington 02_03_04_05_06_01_STRUCTURAL MODEL - MADRID BARAJAS AIRPORTcollaboration: asdren matoshi – advisors: mark cruvellier, mark cruvellier - spring 2007 Scale model structural analysis of Richard Roger’s airport project07_RADIAL ERECT-URBIA - DWELL REBURBIA COMPETITION collaboration: michael hughes - summer 2009 COLLAGE - LATIN AMERICAadvisors: andrea simitch, ta: marrisa tirone - summer 2006 Select pages from the collage sketchbook compiled of found materials on the Cornell Latin America summertrip through Mexico and BrazilBRONZE CASTINGadvisor: roberto bertoia - fall 2009Caste bronze sculpture completed for advanced sculpture classCARVED LUMINAIRadvisor: roberto bertoia - fall 2009 Hand and machine carved wood block with indirect lighting feature, completed for advanced sculpture class BEDSIDE LUMINAIRadvisor: martha bohm - spring 2007 Bedside night table with multiple lighting features, completed for lighting and acousticsSKETCHBOOK - MEXICO-BRAZIL/ROME-ITALYadvisors: james williamson, val warke, andrea simitch - summer 2006advisors: vincent mulcahy, alberto iacovoni - fall 2007 Freehand, on-site architectural sketches08_09_11_10_13_14_ Image based online design competition hosted by Dwell and to propose creative PROFESSIONAL DESIGN - CHARLES SCHIFFNER & ASSOCIATESprincipal: charles schi ner - 2005 - 2006 Schematic design and visual presentation work for clients of home renovation projects12_south north east eastscheme 1 Freelance Architecture & Design – Studio CWakecollaboration: lisa corkumProject:2k sqft new home construction sitson a slope overlooking the Puget Sound andthe Olympic Peninsula on Vashon Island'swestern coast. The home is a retirement spotdesigned to live one but expand forentertainment when the client's two sons, andfuture grandchildren, come to visit. Two mainscheme were developed with almost identicalprograms. The first focuses on a large picturewindow and loft space looking out to the seawhile the second focuses on a cantileveredsecond floor living space providing cover for anoutdoor fireplace and porch below. Bothscheme were developed visually for the client.First FloorSecond FloorB e d r o o m B e d r o o mP a y R o o m R e a d n g R o o mB a t h B e d r o o m NM a s t e r B e d r o o mD n n g D e n P a o F o y e rM u dK t c h e nPantryB a t hnorth easteastscheme 2SIBLEY PROJECTEDSEIPP MEMORIAL PRIZE COMPETITIONconcept sketchesexploded axonometric –accessible circulation through three part struc-ture with projected gallery and peeled back façadecollaboration: michael hughesadvisor: henry richardsonfall 2006co-winner first placecompetition parameters – to design an ADA Accesible renovation for the first floor of Sibley Hall connecting the dome with the east and west wings.scheme – gutting the first floor and basement under the dome, the new and expanded Hartell Gallery projects out of the back façade over a sunken plaza that bridges over the new lowered parking lot. pulling back the interior from the front façade, a new loggia space overlooks the arts quad and acts as a grand entrance to the interior atrium. steel stairs and causeways wrap the out edge of the double high space over the new extended Green Dragon café space. The pushed back glass box aligns with the axial hallways on either side of Sibley while creating an outdoor covered plaza.first floor planbasement plancross section through Sibley Domepresentation boards with sectional model and paper studiesmanhattandesignthinktank The project addresses multiple scales of context and diversities of programmatic occupation. Large high-rises contrast with Chelsea’s general low-rise neighborhood that has, until now, remained one of the last areas of lower Manhattan to become heavily gentrified. The defunct elevated railway known as the Highline, a vestige of the area’s meatpacking heritage, is set to become an elevated public park with some sporadic program. Several developers have started to build high-rise condos. Chelsea’s quiet artsy feel seems to be in jeopardy of becoming another Soho.Located on the edge of Manhattan in a vacant Chelsea parking lot between West 17th and 18th streets, this infill development project is a proposal designed to maintain the pregentrified character of the area while accommodating its inevitable commercial growth.concept site modellongitudinal sectionconcept project proposal modelwest elevationThe fourteen story tower facing the Hudson houses artists in residence while providing mechanical access to studio and work spaces in the forward slab. The back slab addresses the Highline’s turn by wrapping around on the far side while placing three stories of small shops on its edge for easy access by Highline joggers and walkers. A long glazed plinth on 18th street provides plenty of gallery and exhibition space for artists-inresidence. Lifted from a sunken ground plane, the building opens 10th Avenue to the Hudson and Chelsea Piers. Access to the ground level lawn, sculpture garden, and amphitheater creates a cloistered and continuously occupied public armature connecting with the Highline, Riverbank and adjacent parks.plexi massing modelsouth elevationcross sectionrendered model in siteCONNECTED CITY-ROCHESTER BROWNFIELD RE-USEcollaboration: lisa corkum advisor: henry richardson fall 2006on the edge of the geneses river in a century old industrial area recently redeveloped as a commercial center near Rocherster’s downtown, this multi-use project strategically links disparate parts of the vacant downtown with new development to help generate further reuse and redevelopment of the city centersite plan with proposed rail links and pedestrian movers in greencity zoningzoning blocks extruded by population denistygreen roof context on the edge of the geneses river in a century old industrial area recently redeveloped as a commercial center near Rocherster’s downtown, this multi-use project strategically links disparate parts of the vacant downtown with new development to help generate further reuse and redevelopment of the city centercity hot spots derived from programatic density and populationmapping strategic analytical mapping of Rochester’s downtown shows a lack of programmatic continuity with major population centers. by locating hot spots, or areas of programmatic density (high in attractor programs such as restaurants, bars, liquor stores, clubs, theaters, cinemas, etc.) we drew a map expressive of city’s dynamic use. the project’s proposed light rail link and cross river with suburban population centers. the project site serves as a primary transit hub, structure for attractor programs, and year round public space.rooftop planscheme the interior atrium space is derived by the lofting lower tube houses the main elevated light rail station. the hollowed core opens up to the view of the river gorge and waterfall while avoiding direct sun exposure. the key pedestrian path is a small loop that connects a commercial hot spot across the gorge with the stadium through the project proposal.attractor programs within city centerview from opposite bank internal atrium formal deformation processverticle circulationopen atrium access spacecommercial programbent frame and secondary beam and column systemlateral bracingMoment Connections Shear Connectionstypical framing planstructure a bent frame system provides the primaryBentsColumnsGirderssecondary pin connected columns and beams transfer the loads from the concrete slabs down while maintaining an un obstructed atrium and curved glass ceiling. lateral bracing is provided by a continuous diagrid structure. this system gives the exterior diamond shaped appearance as large out on the north east main entrance.Beamsrail system and structureprimary bent frame structureexterior glazing and diagrid vertical circulation systemsMain Air Handling Room at Floor 8Typical Branch Supply and ReturnDuctsSupply & ReturnShaftsBentLateral Bracing w/ InsulationMullionDouble Pane Insulated GlassSmoke Panel10” Concrete Slab w/ Shear JointsDucktsDiffuserFire Sprinkler Light FixturePerforated Metal Drop CeilingCeiling Hangers28” Girder 12” Beam w/ Fire ProofingSteel DeckingFinish Floor*Detail Section Adapted From Prada Tokyo, Herzog & de Mueron 2004, El Croquis Issue 129-130variable glass tintingenvelope detail section*environmental systemstinted glass panels vary across the façade to allow in a variable amounts of sunlight dependant on programmatic and environ-mental needs. primary mechanical cores near the elevator shafts provide the main supplies of hot and cold air in individual atrium space relies primarily on direct gain through the glazing for heating. secondary days while ceiling exhaust fans prevent over heating in summer.Main Air Handling EquipmentFor Offices and RetailChilled Water PlantBoilerSupply & Exhaust Branch Supply & ReturnsMain Supply & ReturnsMain Air Handling EquipmentFor AtriumBoilerExhaust F ansChilled WaterPlantDirect GainMain Supply & ReturnsBranch Supply & ReturnsFloor VentsStack Ventilation passive and active heating and cooling systemszamfonia (hurdy gurdy)music machineinstead of using a rosined wheel to vibrate the keys and a keybox to produce notes; a piston automatically moves the strings when turned. the music box is replaced by individual structural units holding up the camshaft and pistons.Initial concept research derived from a study of the zamfonia, or the Spanish version of the medieval instrument known in English as the zamfonia. a piston based machine served as the guiding conceptual structure and organization of the music center and plaza.project proposals required designing a public music center adjacent to the not yet constructed Berkley School of Music center on the southern developing edge of Valenciageneral scheme L shaped structure wraps around the open plaza and plinth rooftop to activate multiple urban spaces changing in scale and size up through the towertheaters/halls student housing nearest public spacea lack of major public spaces, nearby student housing, and appropriate program segregates the site from denser parts of the cityrooftop planthe elevated connecting arm provides spectator and program-mable spaces to look down on the plinth rooftop plaza whilethe main plaza stage can be viewed from either the groundlevel plaza or rooftopsecondary steel structuresteel floor plates steel scrims lifted ground and shell structureS TA G E SU P P O R T S TA G E S U P P O R T S TA G E S U P P O R T S TA G E E LE V A T E D S EA T I N G E LE VA T E DS E A T IN G E L E V AT E DS E A T I N G B AR /N I GH T C LU B B A R /N I G H T C L UBP U B L I C L O C K E R SB A T H -RO O M S B A T H -RO O M S P LA Z A - S P OR T SF E I LD -S T A G E S M A LL -SC AL ER ET AI L& C A F ES M A LL -SC AL ER ET AI L & CA FEprogramatic distributionbelow ground facilities mainly cater to athletic needs since the plaza and rooftop can be used for small local sports events in daytime. the main ground level includes a plaza between Berkley school and lifted seating for sports spectators. The first above ground level consists of stage support spaces. centered between support areas and framed by the main shell structure, the stage faces towards the tower. the south block is a three story bar/night club with access to the stage level when there are no performances.The elevated wing consists of two stories of small retail and bar/restaurant spaces set back from the edge to allow for circulation and views of the rooftop and stage area.floor plansperspectivesvariable shadernw & se elevations process sketchesvariable shading is provided by large retractable sail like cloth shades. this activates the south facing plaza and stage area for daytime use which would otherwise be too hot for 24 hour occupation. permanent steel scrims provide constant shading for fixed programs.University of California, Santa Barbara ENVIRONMENTAL + HISTORY CENTERcollaboration: chad christie, lisa corkum, peter rodway, larysa konowkaadvisor: martha bohm - spring 2008NAccess Drive +Disabled Parking Isla Vista School Playground Camino Corto Open Space Building GroundLevel EntryBioremediationAreasPe des t ri a nPa th sFire Lane BioremediationArea BioremediationAreaBarn PlazaProposed Vernal Pool Chain-link Fence Over-Flow Drain 1Over-Flow Drain 2Rooftop Sedum Plantings Bioremediation Plantings Water Collection Pond Drain 1 Collection Area Drain 2 Collection Area Flow Towards Slough WATER FLOW + DRAINAGEOver-Flow Drain 1Over-Flow Drain 2Rooftop Sedum PlantingsBioremediation Plantings Water Colletion Pond Drain 1 Collection Area Drain 2 Collection AreaFlow Twords SloughOn-Site Water Flows PROJECT NARRATIVEProject utilizes natural ventilation from ocean breezes which is aided by the lifted of the southern corner.Extensive water catchment systems collect rain water and runoff from the nearby hard-scapes to be filteredthrough a bio remediation zone before entering the wetland areas.Extensive sun calculations dictated the placement of recycled wood shading louvers. In winter the building’snatural b the building is entirely heated by direct gain, thus not requiring any mechanical heating system.The Leading Edge sustain-able design competitioncalled for a multi-use history,teaching, and researchcenter in Santa BarbraCalifornia near rejuvenated wetlands. The site includesan old barn and is adjacent to an elementary school.TRANSVERSE BUILDING SECTIONLandscape extended below grade connecting courtyard to barnEAST ELEVATION Lecture Hall with vertical louvers and less fenestration articulatinga more controlled program Offices fully fenestrated with operable glazing and vertical louvers Classrooms and Library fully fenestrated with operable glazing and vertical louvers Entrance to Library from roof above lobbyClassroom LibraryClassroomOffices Courtyard/ BioremediationAreaLobbyLecture HallBathroomsFire stairsCLASSROOM WALL SECTION3” Fly-Ash Concrete Steel Decking Open Web Steel Joists 1” Rigid Insulation(Expanded Perlite Organic Bonded)Vapor Barrier1” Fly-Ash Concrete Cladding(Sub-Sand/Gravel/Stone Concrete)1/2” DrywallWater Resistant Barrier AirspaceUncoated Low-E Double Pane GlassSteel StudWooden PlanksDrainage Layer 3” Cellulose Insulation (Recycled Newsprint)Metal Grated Drop Ceiling ROOF ASSEMBLYWALL ASSEMBLYFLOOR ASSEMBLYMarmoleum3” Fly-Ash ConcreteSteel DeckingOpen Web Steel Joists1” Rigid Insulation(Expanded Perlite Organic Bonded)Vapor BarrierAirspace1” Fly-Ash Concrete Cladding(Sub-Sand/Gravel/Stone Concrete)Vapor Barrier3” Cellulose Insulation(Recycled Newsprint)Water Resistant BarrierAirspaceAirspaceDETAILED CLASSROOM SECTIONA I R P O R T 2d modelstructural collaboration:asdren matoshiadvisors:mark cruvellierMatt Lindsayspring 2007This structural model represents a detail section of the Madrid Barajas Airport designed by Richard Rogers. The two primary structural systems are a composite concrete slab floor system holding up curved “gull wing” shaped roof frames. Each roof section consists of steel girders supported by hinged V and Y columns on H shaped concrete base columns. Circular skylights puncture the top curves. A steel and glass curtain wall hangs from the end of each wing and is tied to the upper slab.We cast the upper floor level in 1/4in. Rockite cement with soldered piano wire reinforcing. The wire reinforcing connects to brass hinge connections on the secondary Y shaped columns and fixed connections on the V shaped columns. More brass hinges fix the columns to the roof constructed of curved bass wood girders. The curtain wall is constructed of soldered brass rods and H shapes.Sanctuary of Bom Jesus do CongonhasFaculty of Architecture & Planning University São PauloBrazilian Museum of Sculpture in São PauloForma Furniture Showroom - São Paulo Ministry of Education and CultureRio de Janeiro Summer 2006advisors: james williamson,val warke, andrea simitchOratorio de San Felipe Neri - San Miguel de Allende Our Lady of Pilar - Ouro PretoMonastery AlcomanUniveristy of GuanajuatoSketches completed during the Cornell SummerLatin America program were completed on sitewhile traveling through Mexico and Brazil.Villa Carprarola Villa Madama - RomeBasilica of St Anthony - PaduaBaptistry - PisaCamposanto Monumentale - PisaFall 2007advisor: vincent mulcahyDuomo - Siena Piazza del Campo - Siena Castel del Monte - ApuliaPiazza Navona - RomeSketches completed during the Cornell Romeprogram were completed on site within Rome andits environs as well as on trips throughoutNorthern and Southern Italy.Radial Erect-UrbiaThese 3000 ft mobile tower-cranes toddle towards suburban communities where they proceed to drill deep footings at the center of their cores into the earth and outstretch their tripod legs over a 2000 ft radius of suburb. The crane tears out homes from their plots and shelves them in 60 floors of open floor plates. Breaking it up into five sub neighborhoods, commercial/public floors are packed full of the big box stores and strip malls that sustain residential communities. Each sub-neighborhood is an atrium space of houses connecting to a core with wide causeways planted as walking parks./2009/08/05/radial-erect-urbia-2/A drill digs the core underground to extract geothermal energy and regulate the extraction and return of ground-water for. The crane’s legs unfold and pivot around the core to cultivate cleared land. Tilling, planting, watering, and harvesting are performed by the three revolving utility appendages. A wind turbine rotates to collect energy while the crane erects connecting thoroughfares to adjacent towers. The elevated links support public transit networks and allow the flow of people and goods. Each tower sustains 1200 single-family homes and 2.5 million sq ft of commercial/public space for some 5000 inhabitants. By radically retrofitting suburbs, the old methodology of horizontal sprawl is supplanted with a scheme of vertical-core sprawl freeing the suburbanite from the demands of automotive travel while maintaining the spatial desire for individual homes and returning the land to mother nature.Bronze Casting Pouring against gravity, a liquid stream breaks through a platonic sphere. Boiling forces inside the cracked shell seem to both create and destroy. The curved stem precariously floats the weighty ball, appearing to almost fall at anysecond. The piece explores simple dichotomies: smooth & rough, heavy & light, platonic & irregular, light & dark, flow &static, shadow & reflection.Design。
