最好的最全的最专业的英语诗歌鉴赏

【导语】古英语诗歌根植于英国,由最初的⼝头吟诵到后来的书⾯⽂学,其内容丰富,题材多样。

下⾯是由⽆忧考带来的中英⽂对照外国诗歌鉴赏，欢迎阅读!【篇⼀】中英⽂对照外国诗歌鉴赏 I Remember, I Remember我忆起，我忆起 (1) I remember, I remember 我忆起，我忆起 The house where I was born, 那栋出⽣时的屋宇， the little window where the sun 早晨，阳光从⼩窗中 Came peeping in at morn: 偷望进去： He never came a wink too soon, 他从不早来⽚刻， Nor brought too long a day, 也不多留半晌， But now, I often wish the night 但是现在，我常愿夜晚 Had borne my breath away! 带⾛我的呼吸! (2) I remember, I remember 我忆起，我忆起 The roses, red and white, 玫瑰花开，有红有⽩ The vi'lets, and the lily-cups, 紫罗兰，百合 Those flowers made of light! 那些由光辉构成的花朵! The lilacs where the robin built, 有知更鸟筑巢的紫丁⾹， And where my brother set 有哥哥⽣⽇时 The laburnum on his birthday,-- 种植的⾦炼花，-- The tree is living yet! 依然常青! (3) I remember, I remember 我忆起，我忆起 Where I was used to swing 经常荡秋千的地⽅ and thought the air must rush as fresh 迎⾯⽽来的风是如此清爽 To swallows on the wing; 飞燕也颇有同感; My spirit flew in feathers then, 昔⽇意⽓扬扬的⼼灵， That is so heavy now, 现在变得如此沉重， And summer pools could hardly cool 就是夏⽇的池⽔也⽆法冷却 The fever on my brow! 我额头的热狂! (4) I remember, I remember 我忆起，我忆起 The fir trees dark and high; 茂密⾼耸的冷杉; I used to think their slender tops 我曾想象它细长的枝尖 Were close against the sky; 逼近天空; It was a childish ignorance, 虽然只是幼稚⽆知， But now 'tis little joy 但是，现在却少有那般快乐 To know I'm farther off from heav'n 因为我知道⾃⼰⽐孩童时代 Than when I was a boy! 离苍穹更遥远了! by Thomas Hood, 1799-1845【篇⼆】中英⽂对照外国诗歌鉴赏 The Daffodils ⽔仙花 (1) I wander'd lonely as a cloud 我像⼀朵浮云独⾃漫游 That floats on high o'er vales and hills, 飘过深⾕群⼭， When all at once I saw a crowd, 突然间，看到⼀⽚ A host of golden daffodils, ⽆数朵的⾦⾊⽔仙花， Beside the lake, beneath the trees, 长在湖畔，长在树下， Fluttering and dancing in the breeze. 微风中翩翩起舞。

优美的英语诗歌[意境优美的英语诗歌鉴赏]意境优美的英语诗歌鉴赏意境优美的英语诗歌鉴赏意境优美的英语诗歌篇一As imperceptibly as grief Emily Dickinson The summer lapsed away,—Too imperceptible, at last, To seem like perfidy. A quietness distilled, As twilight long begun, Or Nature, spending with herself Sequestered afternoon. The dusk drew earlier in, The morning foreign shone,— A courteous, yet harrowing grace, As guest who would be gone. And thus, without a wing, Or service of a keel, Our summer made her light escape Into the beautiful. 夏之逃逸余光中译不知不觉地，有如忧伤，夏日竟然就逝了，如此地难以觉察，简直不像是有意潜逃向晚的微光很早就开始沉淀出一片寂静，不然便是消瘦的四野，将下午深深幽禁。

黄昏比往日来得更早，清晨的光采已陌生―― 一种拘礼而恼人的风度象即欲离去的客人。

就象如此，也不用翅膀，也不劳小舟相送。

我们的夏日轻逸地逃去，没入了美的境中。

意境优美的英语诗歌篇二I wandered lonely as a cloud 我似流云天自游William Wordsworth I wandered lonely as a cloud 我独游于天际，如一朵流云Th at floats on high o“er vales and hills,凌空于谷峰，飘然然悠闲。

When all at once I saw a crowd, 忽地，我看见了一群，A host, of golden daffodils;一簇簇金黄色的水仙;Beside the lake, beneath the trees, 看在树之荫，湖之缘，Fluttering and dancing in the breeze. 在微风中，她们舞姿翩翩。

[标签:标题]篇一：最好的最全的最专业的英语诗歌鉴赏一nothing gold can stay1简介:《美景易逝（Nothing Gold Can Stay）》罗伯特?弗罗斯特的代表作之一。

此诗于1923年写就，即于当年十月在《耶鲁杂志（The Yale Review）》上刊印出版，随后就被收录到弗罗斯特的一本名为《新罕布什尔州（New Hampshire）》的诗集中。

2诗歌翻译:Nothing gold can stay 岁月留金Nature's first green is gold, 大自然的第一抹新绿是金，Her hardest hue to hold. 也是她最无力保留的颜色.。

Her early leaf's a flower; 她初发的叶子如同一朵花,；But only so an hour. 然而只能持续若此一刹那。

Then leaf subsides leaf, 随之如花新叶沦落为旧叶。

So Eden sank to grief. 由是伊甸园陷入忧伤悲切，So down gose down to day, 破晓黎明延续至晃晃白昼。

Nothing gold can stay. 宝贵如金之物岁月难保留。

3诗歌赏析:这首诗揭示了一切真切而美好的事物最终定会逐渐消失的哲理。

它同时也使用了独特的技巧来表现了季节的变化。

想到了小时了了，大未必佳。

一切都是转瞬即逝的，浮世有的只是转丸般的繁华。

二the road not taken1诗歌简介:这首名诗《The Road NotTaken》形式是传统的抑扬格四音步，但音步可变（含有不少抑抑扬的成分）；每节的韵式为abaab 。

弗罗斯特写诗最大的特色就是善于运用眼前看似平淡无奇的事物，去表达一个深刻的哲理。

这正如他在一首诗中写的：“黄色的树林里有两条岔开的路／可惜我不能在同一时间走两条路／我选择了少人行走的那条／这就造成了一切的差异。

1.Stopping by Woods on a Snowy Evening《雪夜林边小驻》/《雪夜林边驻足》by Robert FrostI think I know whose woods these are woodsWhose woods these are I think I know.象征着大自然想来我认识这座森林，His house is in the village though; village象征着人类社会林主的庄宅就在邻村；He will not see me stopping here,这里，我们不妨把未露面的他不会看到我停留于此（他：The owner of the woods）树林主人及其房屋村落看作是诗To watch his woods fill up with snow. 人精心设计的一个象征，其含义凝视他的林子雪花纷飞。

是现实世界和人群。

而诗歌中的旅行者显然独自一人伫立于代表大自然的树林和代表现实世界的村落之间，思索自己的选择和方向。

My little horse must think it queer，To stop without a farmhouse near，Between the woods and frozen lake，（奇怪的原因）The darkest evening of the year.（使读者看到大雪纷飞的同时，更感觉到一阵刺骨的寒我那马儿一定以我为怪，冷）在这一年中最黑之夜，湖面冰封，近无人家，林雪覆盖，停伫在此是何原因？He gives his harness bells a shake My horse：Personification 拟人马儿轻摇铃具，似乎在问：诗人借助马儿的铃声在这洁白寂静的世界中加入To ask if there is some mistake. 了声响，马儿似乎以铃声来责怪主人的奇怪选择。

主人你停在这里，是否有错？The only other s ound’s the sweep, Alliteration头韵。

优秀中学生英语诗歌欣赏诗歌鉴赏不但能提高人们的文学审美情趣,而且能培育人们良好的〔文化〕涵养。

下面是学习啦我带来的优秀中学生〔英语诗歌〕欣赏，欢迎阅读!优秀中学生英语诗歌欣赏篇三And we will sit upon the rocks,激情的牧羊人致心爱的姑娘Seeing the shepherds feed their flocks,克里斯托弗马洛By shallow rivers to whose falls来吧，和我生活在一起，做我的爱人，Melodious birds sing madrigals.在这里，我们将快乐无边，And I will make thee beds of roses这里有峻峭秀丽的山峦，And a thousand fragrant posies,还有风光明媚的山谷田园。

A cap of flowers, and a kirtle,在那边，我俩坐在山岩上，Embroidered all with leaves of myrtle;看牧羊人喂养可爱的羔羊，A gown made of the finest wool 在浅浅的小溪旁，Which from our pretty lambs we pull;鸟儿随着潺潺流水，唱着情歌。

Fair lined slippers for the cold,在那边，我将用玫瑰编一顶花冠，With buckles of the purest gold ;用成千的花束做床，A belt of straw and ivy buds,用爱神木的叶子织成长裙，With coral clasps and amber studs:一切都献给你，绚丽与芳香。

And if these pleasures may thee move,我从羔羊身上剪下最好的羊毛，Come live with me, and be my love.为你做防寒的鞋衬和长袍;The shepherds Js swains shall dance and sing 用纯金为你制作鞋扣，For thy delight each May morning:该有多么珍贵，多么荣耀。

英语诗歌鉴赏（2）Percy Bysshe Shelley—A Lament(Percy Bysshe Shelley波西-比希-雪莱（1792——1822）英国浪漫主义大诗人，英国文学史上最有才华、拥有最广大读者的抒情诗人之一。

1811年因发表《无神论的必然性》而被牛津大学开除。

1812年赴爱尔兰参加民族解放运动。

1814年和葛德文的女儿玛丽私奔到国外。

学来的无神论、激进思想和“不道德行为”受到当时英国社会的谴责。

1818年，他离开英国，流亡到意大利，1822年在意大利航船，不幸遇难。

他的诗大多以自然、爱情以及政治自由为题材，被誉为英国最有激情的抒情诗人。

近年来，评论家对雪莱的评价越来越高。

它的象征手法的复杂性和一致性，越来越证实了华兹华斯的论断：“雪莱是我们中最伟大的艺术家，我指的是他的艺术风格。

”雪莱的诗想象丰富，音韵和谐，比喻精美，色彩瑰丽，洋溢着乐观主义精神，蕴含着深湛的感情和人生哲理。

他的《西风颂》和《致云雀》是举世公认的诗歌瑰宝。

<西风颂和致云雀比较长，以后有空翻译好了再传到群共享>）A Lament悲歌O world! O life! O time!啊世界！啊时间！啊人生！On whose last steps I climb,我沿着你最后的阶梯攀登，Trembling at that where I had stood before;回顾立足处，我颤栗伤感；When will return the glory of your prime?几时能重返你年华的峥嵘？No more——Oh,never more!不再还——啊，永不再还！Out of the day and night从一个个逝去的日日夜夜，A joy has taken flight;有种欢情已插翅飞去而别；Fresh spring,and summer,and winter hoar,初春，夏秋和严冬以忧烦Move my faint heart with grief,but with delight搅动我迷惘的心，喜悦却No more——Oh,never more!不再还——啊，永不再还！【诗歌赏析】《哀歌》并非简单的对于生命即将逝去的伤感，尽管这首诗冥冥之中出现于雪莱死前的创作。

Chapter 7 Victorian AgeSymbol (象征): Literary symbols are of two broad types: the conventional ones and the occasionally-coined ones.Certain symbols occur again and again in literature, thus becoming conventional and possessing almost settled symbolic meanings. For instance, spring symbolizes life, and winter death. These conventional symbols are easy to recognize and identify. However, in order to convey particular meanings, writers often create their own symbols in their writing. This type of symbols acquires its suggestiveness not only from qualities inherent in itself but also from the way in which it is used in a given work or context.Tone (格调): the author’s attitude toward the subject or audienceTheme (主题): the controlling idea or meaning of a work of artStyle (风格): The author’s characteristic manner of expression; style includes the author’s diction, syntax, sentence patterns, punctuation, and spelling, as well as the use made of such devices as sound, rhythm, imagery, and figurative language.Dramatic monologue (戏剧独白): It is a type of poem in which a character, at some specific and critical moments, addresses an identifiable silent audience, thereby unintentionally revealing his or her essential temperament and personality.Notes1.I would : I wish2.O for : how I wish for3. the tender grace : 诗人与亡友之间的友谊Questions:1. Why does the poet describe the stones as “cold ” and “gray ”?2. What effect do the joyful scenes in the second stanza bring to the whole poem?3. Whose is the “voice that is still ”?Sophocles 3 long agoHeard it on the Agaean, and it brought Into his mind the turbid ebb and flow Of human misery; weFind also in the sound a thought,Hearing it by this distant northern sea.Was once, too, at the full, and round earth's shoreLay like the folds of a bright girdle4 furled.But now I only hear5Its melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world.Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night.Notes1.moon-blanched: whitened by the light of the moon.2. A grating roar: Here, grating introduces conflict between the sea and the land and, symbolically, between long-held religious beliefs and the challenges against them.3. Sophocles . . . Aegean: In his play Antigone, Sophocles says the gods can visit ruin on people from one generation to the next, like a swelling tide driven by winds.4. girdle: sash, belt; anything that surrounds or encircles5. I only hear: I alone hear6. Where . . . night: E.K. Brown and J.O. Bailey suggest that this line is an allusion to Greek historian Thucydides' account of the Battle of Epipolae (413 B.C.), a walled fortress near the city of Syracuse on the island of Sicily. In that battle, Athenians fought an army of Syracusans at night. In the darkness, the combatants lashed out blindly at one another. Brown and Bailey further observe that the line "suggests the confusion of mid-Victorian values of all kinds . . .”Questions:1.Is it the sea that brings the eternal sadness to the poet? Or is it the poetwho brings the sadness to the sea?2.In what ways does the sea resemble Faith?3.What is the suggested cure for the faithless world in the poem?。

经典优美的英文小诗精选篇一：优美英文诗歌30首及中文优美英文诗歌30首The Rainy Day The day is cold,and dark,and dreary;It rains,and the wind is never weary;The vine still clings to the moldering wall,But at every gust the dead leaves fall,And the day is dark and dreary.My life is cold and dark and dreary;It rains and the wind is never weary;My thought still cling to the moldering past,But the hopes of youth fall thick in the blast,And the days are dark and dreary.Be still,sad heart! And cease repining;Behind the clouds is the sun still shining;Thy fate is the common fate of all,Into each life some rain must fall,Some days must be dark and dreary.THE NEW YEARRing out, wild bells, to the wild sky, The flying cloud, the frosty light:The year is dying in the night;Ring out, wild bells, and let him die.Ring out the old, ring in the new,Ring, happy bells, across the snow:The year is going, let him go;Ring out the false, ring in the true.Ring out the grief that saps the mind,For those that here we see no more;Ring out the feud of rich and poor,Ring in redress to all mankind.The Seaside Is My Home I live near the sea for years. The billow sound every night, Enlightens me how to be great,And how to look on greatness.Without seeing great mountains,I form no habit of looking up.I live near the sea for years.Too much water, saltier than tears,Floats some directional boats,Or other drifting boatsTo travel far across the sea.So the shore is always in my heart.I live near the sea for years.With more floaters on the sea,Sweet and LowSweet and low , sweet and low,Wind of the western sea,Low, low, breathe and blow,Wind of the western sea!Over the rolling waters go,Come from the dying noon, and blow,Blow him again to me;While my little one, while my pretty one, sleeps. Sleep and rest, sleep and rest,Father will come to thee soon;Rest, rest on mother s breast,Father will come to thee soon;Father will come to his babe in the nest, Silver sails all out of the westUnder the silver moon;Sleep, my little one, sleep, my pretty one, sleep. I Felt the Sunlight Along the long, long corridorI go on walking . . .—Before me there are dazzling windows, on either side, walls reflecting the light. The sunlight and I,I m standing with the sunlight.—Now I remember how intense that sunlight is! So warm it stops me from taking another step, so bright I hold my breath.The light of the whole universe converges here. —I m unaware of the existence of anything else. There is only me, leaning on sunlight, still for a full ten seconds.Sometimes, ten secondsis longer than a quarter of a century. Finally, I dash down the stairs, push open the door,and run in the spring sunlight … Ask me no moreAsk me no more where Jove bestows, When June is past, the fading rose; For in your beauty’s orient deep,These flowers, as in their causes, sleep. Ask me no more whither do stray The golden atoms of the day;For in pure love heaven did prepare Those powders to eich your hair. Ask me no more whither doth haste The nightingale, when May is past; For in your sweet dividing throatShe winters, and keeps warm her note. Ask me no more where those stars light, That downwards fall in dead of night; For in your eyes they sit, and there Fixed become, as in their sphere.Here we stand togetherHere we stand together,Dressed in our pain,Covered with scarsFrom wounds we did not ask for Or deserve.So what now?We can t go backAnd relive our lives.We can t take backThe innocence we lostOr make the sadness we felt Into happiness.I Think I CanIf you think you are beaten, you are; If you think you dare not, you don If you want to win but think you can It s almost a cinch you won t. If you think you ll lose, you re lost; For out of the world we find Success begins with a fellow s will; It s all in a state of mind. Life s battles don t always go To the stronger and faster man,篇二：最好的最全的最专业的英语诗歌鉴赏一 nothing gold can stay1简介:《美景易逝〔Nothing Gold Can Stay〕》罗伯特?弗罗斯特的代表作之一。

《雪夜林边驻脚》赏析（辜正坤）这是一首充满梦幻情调和淡淡忧思的诗歌。

弗罗斯特本人曾认为这首诗是他所有创作的诗作中他最喜欢提到的诗。

科林斯•布鲁克斯也认为：“在弗罗斯特的诗歌中，这首诗最引人注目。

”《雪夜林边驻脚》至少有5组意象连缀起来表达了一种扑朔迷离、忧思惆怅的情调。

第1组意象是雪夜。

这是寒冷与幽暗二者的结合，象征着诗人心境的凄冷状态。

第2组意象是树林，美丽、幽深，象征着诗人的寄托。

第3组意象是小马，这是无忧无虑、天真烂漫的生命和力的象征。

第4组意象是湖冰，冷的极致，象征着死亡。

是诗人本能地感觉到的必不可免的未来的归宿。

第5组意象是飞舞的雪花，漫天遍野，有点像是其余4组意象的中介物，弥漫而不执著，可见而不可触。

飘然于前，忽焉在后，是扑朔迷离状态的最贴切的写照。

这种扑朔迷离状态由于诗中一连串的疑惑而进一步加强：“纳闷”“为何”“仿佛问，出了什么事情？”此诗的诗眼是“可惜我还有别的承诺等待完成（课文译为：可是许诺的事还得去做）”。

诗人还有强烈的使命感，他还不愿意就此在雪夜的林边永远驻步，生命的路程远未完结，他“不能安睡，除非再走一程（课文译为：还得走好多里才能安睡）”。

死亡这种极其重大的主题在这里被淡化，诗人以一种近乎超然的人生态度来提到它。

苟非有“承诺”，他也许会长此沉睡林边！诗歌的魅力正在于诗人对待生命与死亡的这种近乎超然的心态。

来则来，去则去，人生在世，只要尽其所能地完成承诺，则无所遗憾。

不过，弗罗斯特终究还是愿意执著于生命的。

他的超然也还不能达到苏轼（1037—1101）的那种超逸隽永、泻化无痕的清高境界：“缺月挂疏桐，/漏断人初静。

/谁见幽人独往来？/缥缈孤鸿影。

//惊起却回头，/有恨无人省。

/拣尽寒枝不肯栖，/寂寞沙洲冷。

”苏词的境界亦有类于弗罗斯特诗境界处。

此词意境幽冷深曲，影影绰绰，恰如孤鸿之翩然而至，悠然而往。

“语意高深！似非吃烟火食人语”。

但词旨毕竟有别，此词喻诗人不肯苟合取容、与世俗同流。