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In the actual sex-thrill within the body, the sisters nearly succumbed48 to the strange male power. But quickly they recovered themselves, took the sex-thrill as a sensation, and remained free. Whereas the men, in gratitude49 to the woman for the sex experience, let their souls go out to her. And afterwards looked rather as if they had lost a shilling and found sixpence. Connie's man could be a bit sulky, and Hilda's a bit jeering50. But that is how men are! Ungrateful and never satisfied. When you don't have them they hate you because you won't; and when you do have them they hate you again, for some other reason. Or for no reason at all, except that they are discontented children, and can't be satisfied whatever they get, let a woman do what she may. However, came the war, Hilda and Connie were rushed home again after having been home already in May, to their mother's funeral. Before Christmas of 1914 both their German young men were dead: whereupon the sisters wept, and loved the young men passionately, but underneath51 forgot them. They didn't exist any more.
L'amour avait possé par8 là, as somebody puts it. But he was a man of experience himself, and let life take its course. As for the mot a nervous invalid43 in the last few months of her life, she wanted her girls to be `free', and to `fulfil themselves'. She herself had never been able to be altogether herself: it had been denied her. Heaven knows why, for she was a woman who had her own income and her own way. She blamed her husband. But as a matter of fact, it was some old impression of authority on her own mind or soul that she could not get rid of. It had nothing to do with Sir Malcolm, who left his nervously44 hostile, high-spirited wife to rule her own roost, while he went his own way. So the girls were `free', and went back to Dresden, and their music, and the university and the young men. They loved their r espective young men, and their respective young men loved them with all the passion of mental attraction. All the wonderful things the young men thought and expressed and wrote, they thought and expressed and wrote for the young women. Connie's young man was musical, Hilda's was technical. But they simply lived for their young women. In their minds and their mental excitements, that is. Somewhere else they were a little rebuffed, though they did not know it. It was obvious in them too that love had gone through them: that is, the physical experience. It is curious what a subtle but unmistakable transmutation it makes, both in the body of men and women: the woman more blooming, more subtly rounded, her young angularities softened45, and her expression either anxious or triumphant46: the man much quieter, more inward, the very shapes of his shoulders and his buttocks less assertive47, more hesitant.
Both sisters lived in their father's, really their mother's, Kensington housemixed with the young Cambridge group, the group that stood for `freedom' and flannel52 trousers, and flannel shirts open at the neck, and a well-bred sort of emotional anarchy53, and a whispering, murmuring sort of voice, and an ultra-sensitive sort of manner. Hilda, however, suddenly married a man ten years older than herself, an elder member of the same ห้องสมุดไป่ตู้ambridge group, a man with a fair amount of money, and a comfortable family job in the government: he also wrote philosophical essays. She lived with him in a smallish house in Westminster, and moved in that good sort of society of people in the government who are not tip-toppers, but who are, or would be, the real intelligent power in the nation: people who know what they're talking about, or talk as if they did. Connie did a mild form of war-work, and consorted54 with the flannel-trousers Cambridge intransigents, who gently mocked at everything, so far. Her `friend' was a Clifford Chatterley, a young man of twenty-two, who had hurried home from Bonn, where he was studying the technicalities of coal-mining. He had previously55 spent two years at Cambridge. Now he had become a first lieutenant56 in a smart regiment57, so he could mock at everything more becomingly in uniform. Clifford Chatterley was more upper-class than Connie. Connie was well-to-do intelligentsia, but he was aristocracy. Not the big sort, but still it. His father was a baronet, and his mother had been a viscount's daughter.