英文专业毕业论文《巴黎圣母院》

巴黎圣母院的钟楼怪人英语作文The Hunchback of Notre-Dame, also known as Quasimodo, is a fictional character from Victor Hugo's novel "The Hunchback of Notre-Dame." Quasimodo is a deformed bell-ringer who lives in the bell tower of the Notre-Dame Cathedral in Paris. He is often referred to as the "bellringer of Notre-Dame" and is a central figure in the novel's plot.Quasimodo is described as having a hunched back, a wart covering one eye, and a twisted and misshapen body. He is deaf due to the loud ringing of the bells and has a severe speech impediment. Despite his physical deformities, Quasimodo possesses a kind and gentle heart, and he is fiercely loyal to the archdeacon of Notre-Dame, Claude Frollo.Quasimodo's life changes when he meets Esmeralda, a beautiful and kind-hearted gypsy girl who shows him compassion and kindness. Quasimodo falls in love with Esmeralda and becomes fiercely protective of her. However, his love for Esmeralda puts him in direct conflict with Frollo, who also desires her.Throughout the novel, Quasimodo's loyalty and love for Esmeralda are tested as he faces betrayal, heartbreak, and tragedy. Despite the challenges he faces, Quasimodo remains a symbol of unwavering devotion and selfless love.The character of Quasimodo has been portrayed in various adaptations of "The Hunchback of Notre-Dame," including films, stage productions, and television series. He isoften depicted as a tragic and sympathetic figure, showcasing the enduring impact of Hugo's iconic character.《巴黎圣母院》中的钟楼怪人，也被称为卡西莫多，是维克多·雨果小说中的虚构人物。

英语作文推荐一本书巴黎圣母院100The Hunchback of Notre Dame is a timeless classic that has captivated readers for centuries. Written by the renowned French author Victor Hugo, this masterpiece not only tells a compelling story but also serves as a poignant commentary on the human condition. Set in the vibrant city of Paris during the 15th century, the novel delves into the lives of its diverse cast of characters, each with their own struggles and desires.At the heart of the story lies Quasimodo the hunchback, the bell ringer of the iconic Notre Dame Cathedral. Physically deformed but possessing a kind heart, Quasimodo is shunned by society and forced to live in isolation within the cathedral's towers. His only solace comes from the ringing of the bells, which he finds both soothing and empowering. However, Quasimodo's world is turned upside down when he meets the beautiful gypsy dancer Esmeralda, who captures the hearts of both Quasimodo and the archdeacon Claude Frollo.Frollo, a complex and tormented character, is the embodiment of thenovel's themes of power, corruption, and the darker aspects of human nature. As the guardian of the cathedral and the city's judge, Frollo wields immense authority, yet he is consumed by his own personal demons and a deep-seated desire for control. His obsession with Esmeralda and his fear of the gypsy community lead him down a path of cruelty and destruction, ultimately contributing to the tragic events that unfold.Through the intertwining narratives of Quasimodo, Esmeralda, and Frollo, Hugo masterfully explores the universal themes of love, justice, and the struggle between the individual and society. The novel delves into the complexities of human relationships, the consequences of unchecked power, and the search for meaning and purpose in a world that often seems indifferent to the plight of the marginalized.One of the most remarkable aspects of The Hunchback of Notre Dame is its vivid and evocative depiction of 15th-century Paris. Hugo's meticulous attention to detail transports the reader to a time and place that feels both foreign and familiar. The towering presence of the Notre Dame Cathedral, with its intricate architecture and symbolic significance, serves as a powerful backdrop to the unfolding drama. The author's descriptions of the city's streets, markets, and social hierarchy provide a rich tapestry that enhances the reader's understanding of the characters and their motivations.Moreover, the novel's themes resonate deeply with modern readers, as they continue to be relevant in our own time. The struggles of the marginalized, the abuse of power, and the search for love and acceptance are universal experiences that transcend the boundaries of time and place. Through his vivid storytelling and complex character development, Hugo invites the reader to confront their own biases and preconceptions, challenging them to consider the perspectives of those who are often overlooked or mistreated.The Hunchback of Notre Dame is a masterpiece of literature that has stood the test of time. Its enduring popularity is a testament to the power of storytelling and the ability of great works of art to illuminate the human condition. Whether you are a longtime fan of the novel or a first-time reader, this book is sure to leave a lasting impression, inspiring reflection and discussion long after the final page has been turned.。

《巴黎圣母院》英语作文Title: The Hunchback of Notre Dame: A Timeless Tale of Love, Tragedy, and Redemption。

Victor Hugo's "The Hunchback of Notre Dame" stands as a masterpiece in world literature, captivating readers withits rich tapestry of characters, intricate plot, and poignant themes. Set against the backdrop of medieval Paris, the novel delves into the complexities of human nature, exploring themes of love, prejudice, and the pursuit of justice. Through its vivid portrayal of Quasimodo, Esmeralda, and Claude Frollo, Hugo crafts a timeless narrative that continues to resonate with readers today.One of the central characters in the novel is Quasimodo, the hunchbacked bell-ringer of Notre Dame Cathedral.Despite his grotesque appearance, Quasimodo possesses a gentle soul and unwavering loyalty to those he cares about. His love for Esmeralda, the beautiful gypsy dancer, serves as a driving force throughout the story. Quasimodo's tragicfate highlights the novel's exploration of societal prejudices and the cruelty of human nature. Despite his kindness and loyalty, Quasimodo is shunned and mistreated by society due to his physical deformity, emphasizing the novel's themes of injustice and the inherent cruelty of humanity.Esmeralda, with her captivating beauty and free-spirited nature, symbolizes innocence and purity in a world tainted by corruption and greed. Her kindness towards Quasimodo and her unwavering compassion towards others make her a sympathetic and relatable character. However, Esmeralda's tragic fate at the hands of Claude Frollo underscores the novel's exploration of the destructive power of obsession and unchecked desire. Frollo's unrequited love for Esmeralda drives him to commit unspeakable acts, ultimately leading to his downfall. Through Esmeralda's character, Hugo highlights the destructive consequences of lust and the importance of empathy and compassion in human relationships.Claude Frollo, the novel's antagonist, is a complex andmorally ambiguous character whose descent into darkness serves as a cautionary tale about the dangers of unchecked ambition and moral corruption. Initially portrayed as a respected priest and scholar, Frollo's obsession with Esmeralda leads him down a path of moral decay andspiritual ruin. His inability to control his desires ultimately leads to his downfall, highlighting the novel's exploration of the consequences of moral compromise and the corrupting influence of power.In addition to its compelling characters, "The Hunchback of Notre Dame" is renowned for its vividdepiction of medieval Paris and its exploration ofhistorical and social issues. Through Hugo's detailed descriptions of the city's architecture, customs, andsocial hierarchies, readers are transported to a bygone era, immersing themselves in the sights, sounds, and smells of medieval Paris. Moreover, the novel's exploration of themes such as social injustice, religious hypocrisy, and theclash of cultures resonates with contemporary audiences, highlighting the enduring relevance of Hugo's work.In conclusion, "The Hunchback of Notre Dame" remains a timeless masterpiece that continues to captivate readers with its compelling characters, intricate plot, and thought-provoking themes. Through its exploration of love, prejudice, and the pursuit of justice, Victor Hugo's novel reminds us of the enduring power of literature to illuminate the human condition and inspire empathy, compassion, and understanding.。

对巴黎圣母院评论英文作文The Notre-Dame de Paris: A Monument of Timeless Beauty and Cultural SignificanceThe Notre-Dame de Paris is not merely a building; it is a living testament to the rich history and artistic prowess of humanity. Standing majestically on the Île de la Cité in the heart of Paris, this Gothic masterpiece has captured the imagination of people from all over the world for centuries.The architecture of Notre-Dame is a breathtaking display of human creativity and ingenuity. The soaring spires, the intricate rose windows, and the elaborate carvings on the façade are a visual feast that leaves one in awe. The attention to detl and the precision with which it was constructed are a testament to the skills of the craftsmen of the time.Stepping inside the cathedral is like entering a sacred realm. The soft play of light through the stned glass windows creates a magical atmosphere, and the echoes of footsteps on the stone floors seem to carry the whispers of generations past. The sense of peace and spirituality that pervades the space is palpable, making it a place of solace and reflection for countless visitors.Beyond its architectural and religious significance, Notre-Dame holds a special place in the cultural consciousness of the world. It has inspired countless works of art, literature, and music, being an emblem of Paris and a symbol of human civilization. Its presence on the Parisian skyline is not only a physical landmark but also a reminder of our shared heritage and the importance of preserving our cultural treasures.However, the tragic fire that damaged a significant part of Notre-Dame in 2019 was a blow to humanity. But it also sparked a global outpouring of support and a determination to restore this icon to its former glory. The efforts to rebuild and restore are a testament to our collective mitment to safeguarding our history and ensuring that future generations can continue to experience the wonder of this extraordinary monument.In conclusion, the Notre-Dame de Paris is more than just a structure; it is a source of inspiration, a symbol of hope, and a reminder of the beauty and resilience of human spirit. It stands as a reminder of our past, a connection to our present, and a promise for the future.。

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like the Abbey of Tournus, the grave and massive frame, the large and round vault, the glacial bareness, the majestic simplicity of the edifices which have the rounded arch for their progenitor. It is not, like the Cathedral of Bourges, the magnificent, light, multiform, tufted, bristling efflorescent product of the pointed arch. Impossible to class it in that an- cient family of sombre, mysterious churches, low and crushed as it were by the round arch, almost Egyptian, with the exception of the ceiling; all hieroglyphics, all sacerdotal, all symbolical, more loaded in their orna- ments, with lozenges and zigzags, than with flowers, with flowers than with animals, with animals than with men; the work of the architect less than of the bishop; first transformation of art, all impressed with theo- cratic and military discipline, taking root in the Lower Empire, and stop- ping with the time of William the Conqueror. Impossible to place our Cathedral in that other family of lofty, aerial churches, rich in painted windows and sculpture; pointed in form, bold in attitude; communal and bourgeois as political symbols; free, capricious, lawless, as a work of art; second transformation of architecture, no longer hieroglyphic, im- movable and sacerdotal, but artistic, progressive, and popular, which be- gins at the return from the crusades, and ends with Louis IX. Notre- Dame de Paris is not of pure Romanesque, like the first; nor of pure Ara- bian race, like the second.It is an edifice of the transition period. The Saxon architect completed the erection of the first pillars of the nave, when the pointed arch, which dates from the Crusade, arrived and placed itself as a conqueror upon the large Romanesque capitals which should support only round arches. The pointed arch, mistress since that time, constructed the rest of the church. Nevertheless, timid and inexperienced at the start, it sweeps out, grows larger, restrains itself, and dares no longer dart upwards in spires and lancet windows, as it did later on, in so many marvellous cathedrals. One would say that it were conscious of the vicinity of the heavy Romanesque pillars.However, these edifices of the transition from the Romanesque to the Gothic, are no less precious for study than the pure types. They express a shade of the art which would be lost without them. It is the graft of the pointed upon the round arch.Notre-Dame de Paris is, in particular, a curious specimen of this vari- ety. Each face, each stone of the venerable monument, is a page not only of the history of the country, but of the history of science and art as well. Thus, in order to indicate here only the principal details, while the little Red Door almost attains to the limits of the Gothic delicacy of the110fifteenth century, the pillars of the nave, by their size and weight, go back to the Carlovingian Abbey of Saint-Germain des Prés. One would suppose that six centuries separated these pillars from that door. There is no one, not even the hermetics, who does not find in the symbols of the grand portal a satisfactory compendium of their science, of which the Church of Saint-Jacques de la Boucherie was so complete a hieroglyph. Thus, the Roman abbey, the philosophers’ church, the Gothic art, Saxon art, the heavy, round pillar, which recalls Gregory VII., the hermetic symbolism, with which Nicolas Flamel played the prelude to Luther, papal unity, schism, Saint-Germain des Prés, Saint-Jacques de la Boucherie,—all are mingled, combined, amalgamated in Notre-Dame. This central mother church is, among the ancient churches of Paris, a sort of chimera; it has the head of one, the limbs of another, the haunches of another, something of all.We repeat it, these hybrid constructions are not the least interesting for the artist, for the antiquarian, for the historian. They make one feel to what a degree architecture is a primitive thing, by demonstrating (what is also demonstrated by the cyclopean vestiges, the pyramids of Egypt, the gigantic Hindoo pagodas) that the greatest products of architecture are less the works of individuals than of society; rather the offspring of a nation’s effort, than the inspired flash of a man of genius; the deposit left by a whole people; the heaps accumulated by centuries; the residue of successive evaporations of human society,— in a word, species of forma- tions. Each wave of time contributes its alluvium, each race deposits its layer on the monument, each individual brings his stone. Thus do the beavers, thus do the bees, thus do men. The great symbol of architecture, Babel, is a hive.Great edifices, like great mountains, are the work of centuries. Art of- ten undergoes a transformation while they are pending, pendent opera in- terrupta; they proceed quietly in accordance with the transformed art. The new art takes the monument where it finds it, incrusts itself there, assimilates it to itself, develops it according to its fancy, and finishes it if it can. The thing is accomplished without trouble, without effort, without reaction,—following a natural and tranquil law. It is a graft which shoots up, a sap which circulates, a vegetation which starts forth anew. Certainly there is matter here for many large volumes, and often the uni- versal history of humanity in the successive engrafting of many arts at many levels, upon the same monument. The man, the artist, the indi- vidual, is effaced in these great masses, which lack the name of their111author; human intelligence is there summed up and totalized. Time is the architect, the nation is the builder.Not to consider here anything except the Christian architecture of Europe, that younger sister of the great masonries of the Orient, it ap- pears to the eyes as an immense formation divided into three well- defined zones, which are superposed, the one upon the other: the Romanesque zone20, the Gothic zone, the zone of the Renaissance, which we would gladly call the Greco-Roman zone. The Roman layer, which is the most ancient and deepest, is occupied by the round arch, which re- appears, supported by the Greek column, in the modern and upper layer of the Renaissance. The pointed arch is found between the two. The edi- fices which belong exclusively to any one of these three layers are per- fectly distinct, uniform, and complete. There is the Abbey of Jumiéges, there is the Cathedral of Reims, there is the Sainte-Croix of Orleans. But the three zones mingle and amalgamate along the edges, like the colors in the solar spectrum. Hence, complex monuments, edifices of gradation and transition. One is Roman at the base, Gothic in the middle, Greco- Roman at the top. It is because it was six hundred years in building. This variety is rare. The donjon keep of d’Etampes is a specimen of it. But monuments of two formations are more frequent. There is Notre-Dame de Paris, a pointed-arch edifice, which is imbedded by its pillars in that Roman zone, in which are plunged the portal of Saint-Denis, and the nave of Saint-Germain des Prés. There is the charming, half-Gothic chapter-house of Bocherville, where the Roman layer extends half way up. There is the cathedral of Rouen, which would be entirely Gothic if it did not bathe the tip of its central spire in the zone of the Renaissance.21 Facies non omnibus una,No diversa tamen, qualem, etc.Their faces not all alike, nor yet different, but such as the faces of sis- ters ought to be.However, all these shades, all these differences, do not affect the sur- faces of edifices only. It is art which has changed its skin. The very con- stitution of the Christian church is not attacked by it. There is always the 20.This is the same which is called, according to locality, climate, and races, Lombard, Saxon, or Byzantine. There are four sister and parallel architectures, each having its special character, but derived from the same origin, the round arch.21.This portion of the spire, which was of woodwork, is precisely that which was consumed by lightning, in 1823.112same internal woodwork, the same logical arrangement of parts. Whatever may be the carved and embroidered envelope of a cathedral, one always finds beneath it— in the state of a germ, and of a rudiment at the least— the Roman basilica. It is eternally developed upon the soil ac- cording to the same law. There are, invariably, two naves, which inter- sect in a cross, and whose upper portion, rounded into an apse, forms the choir; there are always the side aisles, for interior processions, for chapels,—a sort of lateral walks or promenades where the principal nave discharges itself through the spaces between the pillars. That settled, the number of chapels, doors, bell towers, and pinnacles are modified to infinity, according to the fancy of the century, the people, and art. The service of religion once assured and provided for, architec- ture does what she pleases. Statues, stained glass, rose windows, ar- abesques, denticulations, capitals, bas-reliefs,— she combines all these imaginings according to the arrangement which best suits her. Hence, the prodigious exterior variety of these edifices, at whose foundation dwells so much order and unity. The trunk of a tree is immovable; the fo- liage is capricious.113Chapter 2A BIRD’S-EYE VIEW OF PARISWe have just attempted to restore, for the reader’s benefit, that admirable church of Notre-Dame de Paris. We have briefly pointed out the greater part of the beauties which it possessed in the fifteenth century, and which it lacks to-day; but we have omitted the principal thing,—the view of Paris which was then to be obtained from the summits of its towers.That was, in fact,— when, after having long groped one’s way up the dark spiral which perpendicularly pierces the thick wall of the belfries, one emerged, at last abruptly, upon one of the lofty platforms inundated with light and air,— that was, in fact, a fine picture which spread out, on all sides at once, before the eye; a spectacle sui generis, of which those of our readers who have had the good fortune to see a Gothic city entire, complete, homogeneous,— a few of which still remain, Nuremberg in Bavaria and Vittoria in Spain,— can readily form an idea; or even smal- ler specimens, provided that they are well preserved,— Vitré in Brittany, Nordhausen in Prussia.The Paris of three hundred and fifty years ago—the Paris of the fif- teenth century—was already a gigantic city. We Parisians generally make a mistake as to the ground which we think that we have gained, since Paris has not increased much over one-third since the time of Louis XI. It has certainly lost more in beauty than it has gained in size.Paris had its birth, as the reader knows, in that old island of the City which has the form of a cradle. The strand of that island was its first boundary wall, the Seine its first moat. Paris remained for many centur- ies in its island state, with two bridges, one on the north, the other on the south; and two bridge heads, which were at the same time its gates and its fortresses,— the Grand-Châtelet on the right bank, the Petit-Châtelet on the left. Then, from the date of the kings of the first race, Paris, being too cribbed and confined in its island, and unable to return thither, crossed the water. Then, beyond the Grand, beyond the Petit-Châtelet, a114first circle of walls and towers began to infringe upon the country on the two sides of the Seine. Some vestiges of this ancient enclosure still re- mained in the last century; to-day, only the memory of it is left, and here and there a tradition, the Baudets or Baudoyer gate, “Porte Bagauda”. Little by little, the tide of houses, always thrust from the heart of the city outwards, overflows, devours, wears away, and effaces this wall. Philip Augustus makes a new dike for it. He imprisons Paris in a circular chain of great towers, both lofty and solid. For the period of more than a century, the houses press upon each other, accumulate, and raise their level in this basin, like water in a reservoir. They begin to deepen; they pile story upon story; they mount upon each other; they gush forth at the top, like all laterally compressed growth, and there is a rivalry as to which shall thrust its head above its neighbors, for the sake of getting a little air. The street glows narrower and deeper, every space is over- whelmed and disappears. The houses finally leap the wall of Philip Augustus, and scatter joyfully over the plain, without order, and all askew, like runaways. There they plant themselves squarely, cut them- selves gardens from the fields, and take their ease. Beginning with 1367, the city spreads to such an extent into the suburbs, that a new wall be- comes necessary, particularly on the right bank; Charles V. builds it. But a city like Paris is perpetually growing. It is only such cities that become capitals. They are funnels, into which all the geographical, political, mor- al, and intellectual water-sheds of a country, all the natural slopes of a people, pour; wells of civilization, so to speak, and also sewers, where commerce, industry, intelligence, population,— all that is sap, all that is life, all that is the soul of a nation, filters and amasses unceasingly, drop by drop, century by century.So Charles V.’s wall suffered the fate of that of Philip Augustus. At the end of the fifteenth century, the Faubourg strides across it, passes bey- ond it, and runs farther. In the sixteenth, it seems to retreat visibly, and to bury itself deeper and deeper in the old city, so thick had the new city already become outside of it. Thus, beginning with the fifteenth century, where our story finds us, Paris had already outgrown the three concent- ric circles of walls which, from the time of Julian the Apostate, existed, so to speak, in germ in the Grand-Châtelet and the Petit-Châtelet. The mighty city had cracked, in succession, its four enclosures of walls, like a child grown too large for his garments of last year. Under Louis XI., this sea of houses was seen to be pierced at intervals by several groups of ruined towers, from the ancient wall, like the summits of hills in an in- undation,—like archipelagos of the old Paris submerged beneath the115new. Since that time Paris has undergone yet another transformation, unfortunately for our eyes; but it has passed only one more wall, that of Louis XV., that miserable wall of mud and spittle, worthy of the king who built it, worthy of the poet who sung it,—Le mur murant Paris rend Paris murmurant.22In the fifteenth century, Paris was still divided into three wholly dis- tinct and separate towns, each having its own physiognomy, its own spe- cialty, its manners, customs, privileges, and history: the City, the University, the Town. The City, which occupied the island, was the most ancient, the smallest, and the mother of the other two, crowded in between them like (may we be pardoned the comparison) a little old wo- man between two large and handsome maidens. The University covered the left bank of the Seine, from the Tournelle to the Tour de Nesle, points which correspond in the Paris of to-day, the one to the wine market, the other to the mint. Its wall included a large part of that plain where Julian had built his hot baths. The hill of Sainte-Geneviève was enclosed in it.The culminating point of this sweep of walls was the Papal gate, that is to say, near the present site of the Pantheon. The Town, which was the largest of the three fragments of Paris, held the right bank. Its quay, broken or interrupted in many places, ran along the Seine, from the Tour de Billy to the Tour du Bois; that is to say, from the place where the granary stands to-day, to the present site of the Tuileries. These four points, where the Seine intersected the wall of the capital, the Tournelle and the Tour de Nesle on the right, the Tour de Billy and the Tour du Bois on the left, were called pre-eminently, “the four towers of Paris.”The Town encroached still more extensively upon the fields than the University. The culminating point of the Town wall (that of Charles V.) was at the gates of Saint-Denis and Saint-Martin, whose situation has not been changed.As we have just said, each of these three great divisions of Paris was a town, but too special a town to be complete, a city which could not get along without the other two. Hence three entirely distinct aspects: churches abounded in the City; palaces, in the Town; and colleges, in the University. Neglecting here the originalities, of secondary importance in old Paris, and the capricious regulations regarding the public highways, we will say, from a general point of view, taking only masses and the22.The wall walling Paris makes Paris murmur.116whole group, in this chaos of communal jurisdictions, that the island be- longed to the bishop, the right bank to the provost of the merchants, the left bank to the Rector; over all ruled the provost of Paris, a royal not a municipal official. The City had Notre-Dame; the Town, the Louvre and the Hôtel de Ville; the University, the Sorbonne. The Town had the mar- kets (Halles); the city, the Hospital; the University, the Pré-aux-Clercs. Offences committed by the scholars on the left bank were tried in the law courts on the island, and were punished on the right bank at Mont- fauçon; unless the rector, feeling the university to be strong and the king weak, intervened; for it was the students’ privilege to be hanged on their own grounds.The greater part of these privileges, it may be noted in passing, and there were some even better than the above, had been extorted from the kings by revolts and mutinies. It is the course of things from time imme- morial; the king only lets go when the people tear away. There is an old charter which puts the matter naively: apropos of fidelity: Civibus fidelitas in reges, quoe tamen aliquoties seditionibus interrypta, multa peperit privileyia. In the fifteenth century, the Seine bathed five islands within the walls of Paris: Louviers island, where there were then trees, and where there is no longer anything but wood; l’ile aux Vaches, and l’ile Notre-Dame, both deserted, with the exception of one house, both fiefs of the bishop—in the seventeenth century, a single island was formed out of these two, which was built upon and named l’ile Saint-Louis— , lastly the City, and at its point, the little islet of the cow tender, which was afterwards en- gulfed beneath the platform of the Pont-Neuf. The City then had five bridges: three on the right, the Pont Notre-Dame, and the Pont au Change, of stone, the Pont aux Meuniers, of wood; two on the left, the Petit Pont, of stone, the Pont Saint-Michel, of wood; all loaded with houses.The University had six gates, built by Philip Augustus; there were, be- ginning with la Tournelle, the Porte Saint-Victor, the Porte Bordelle, the Porte Papale, the Porte Saint-Jacques, the Porte Saint-Michel, the Porte Saint-Germain. The Town had six gates, built by Charles V.; beginning with the Tour de Billy they were: the Porte Saint-Antoine, the Porte du Temple, the Porte Saint-Martin, the Porte Saint-Denis, the Porte Mont- martre, the Porte Saint-Honoré. All these gates were strong, and also handsome, which does not detract from strength. A large, deep moat, with a brisk current during the high water of winter, bathed the base of the wall round Paris; the Seine furnished the water. At night, the gates117were shut, the river was barred at both ends of the city with huge iron chains, and Paris slept tranquilly.From a bird’s-eye view, these three burgs, the City, the Town, and the University, each presented to the eye an inextricable skein of eccentric- ally tangled streets. Nevertheless, at first sight, one recognized the fact that these three fragments formed but one body. One immediately per- ceived three long parallel streets, unbroken, undisturbed, traversing, al- most in a straight line, all three cities, from one end to the other; from North to South, perpendicularly, to the Seine, which bound them togeth- er, mingled them, infused them in each other, poured and transfused the people incessantly, from one to the other, and made one out of the three. The first of these streets ran from the Porte Saint-Martin: it was called the Rue Saint-Jacques in the University, Rue de la Juiverie in the City, Rue Saint-Martin in the Town; it crossed the water twice, under the name of the Petit Pont and the Pont Notre-Dame. The second, which was called the Rue de la Harpe on the left bank, Rue de la Barillerié in the island, Rue Saint-Denis on the right bank, Pont Saint-Michel on one arm of the Seine, Pont au Change on the other, ran from the Porte Saint-Michel in the University, to the Porte Saint-Denis in the Town. However, under all these names, there were but two streets, parent streets, generating streets,—the two arteries of Paris. All the other veins of the triple city either derived their supply from them or emptied into them. Independently of these two principal streets, piercing Paris diametric- ally in its whole breadth, from side to side, common to the entire capital, the City and the University had also each its own great special street, which ran lengthwise by them, parallel to the Seine, cutting, as it passed, at right angles, the two arterial thoroughfares. Thus, in the Town, one descended in a straight line from the Porte Saint-Antoine to the Porte Saint-Honoré; in the University from the Porte Saint-Victor to the Porte Saint-Germain. These two great thoroughfares intersected by the two first, formed the canvas upon which reposed, knotted and crowded to- gether on every hand, the labyrinthine network of the streets of Paris. In the incomprehensible plan of these streets, one distinguished likewise, on looking attentively, two clusters of great streets, like magnified sheaves of grain, one in the University, the other in the Town, which spread out gradually from the bridges to the gates.Some traces of this geometrical plan still exist to-day.118Now, what aspect did this whole present, when, as viewed from the summit of the towers of Notre-Dame, in 1482? That we shall try to describe.For the spectator who arrived, panting, upon that pinnacle, it was first a dazzling confusing view of roofs, chimneys, streets, bridges, places, spires, bell towers. Everything struck your eye at once: the carved gable, the pointed roof, the turrets suspended at the angles of the walls; the stone pyramids of the eleventh century, the slate obelisks of the fifteenth; the round, bare tower of the donjon keep; the square and fretted tower of the church; the great and the little, the massive and the aerial. The eye was, for a long time, wholly lost in this labyrinth, where there was noth- ing which did not possess its originality, its reason, its genius, its beauty,—nothing which did not proceed from art; beginning with the smallest house, with its painted and carved front, with external beams, elliptical door, with projecting stories, to the royal Louvre, which then had a colonnade of towers. But these are the principal masses which were then to be distinguished when the eye began to accustom itself to this tumult of edifices.In the first place, the City.—“The island of the City,” as Sauval says, who, in spite of his confused medley, sometimes has such happy turns of expression,—“the island of the city is made like a great ship, stuck in the mud and run aground in the current, near the centre of the Seine.”We have just explained that, in the fifteenth century, this ship was anchored to the two banks of the river by five bridges. This form of a ship had also struck the heraldic scribes; for it is from that, and not from the siege by the Normans, that the ship which blazons the old shield of Paris, comes, according to Favyn and Pasquier. For him who under- stands how to decipher them, armorial bearings are algebra, armorial bearings have a tongue. The whole history of the second half of the Middle Ages is written in armorial bearings,—the first half is in the symbolism of the Roman churches. They are the hieroglyphics of feudal- ism, succeeding those of theocracy.Thus the City first presented itself to the eye, with its stern to the east, and its prow to the west. Turning towards the prow, one had before one an innumerable flock of ancient roofs, over which arched broadly the lead-covered apse of the Sainte-Chapelle, like an elephant’s haunches loaded with its tower. Only here, this tower was the most audacious, the most open, the most ornamented spire of cabinet-maker’s work that ever let the sky peep through its cone of lace. In front of Notre-Dame, and119very near at hand, three streets opened into the cathedral square,— a fine square, lined with ancient houses. Over the south side of this place bent the wrinkled and sullen façade of the Hôtel Dieu, and its roof, which seemed covered with warts and pustules. Then, on the right and the left, to east and west, within that wall of the City, which was yet so contrac- ted, rose the bell towers of its one and twenty churches, of every date, of every form, of every size, from the low and wormeaten belfry of Saint- Denis du Pas (Carcer Glaueini) to the slender needles of Saint-Pierre aux Boeufs and Saint-Landry.Behind Notre-Dame, the cloister and its Gothic galleries spread out to- wards the north; on the south, the half-Roman palace of the bishop; on the east, the desert point of the Terrain. In this throng of houses the eye also distinguished, by the lofty open-work mitres of stone which then crowned the roof itself, even the most elevated windows of the palace, the Hôtel given by the city, under Charles VI., to Juvénal des Ursins; a little farther on, the pitch-covered sheds of the Palus Market; in still an- other quarter the new apse of Saint-Germain léVieux, lengthened in 1458, with a bit of the Rue aux Febves; and then, in places, a square crowded with people; a pillory, erected at the corner of a street; a fine fragment of the pavement of Philip Augustus, a magnificent flagging, grooved for the horses’ feet, in the middle of the road, and so badly re- placed in the sixteenth century by the miserable cobblestones, called the “pavement of the League;” a deserted back courtyard, with one of those diaphanous staircase turrets, such as were erected in the fifteenth cen- tury, one of which is still to be seen in the Rue des Bourdonnais. Lastly, at the right of the Sainte-Chapelle, towards the west, the Palais de Justice rested its group of towers at the edge of the water. The thickets of the king’s gardens, which covered the western point of the City, masked the Island du Passeur. As for the water, from the summit of the towers of Notre-Dame one hardly saw it, on either side of the City; the Seine was hidden by bridges, the bridges by houses.And when the glance passed these bridges, whose roofs were visibly green, rendered mouldy before their time by the vapors from the water, if it was directed to the left, towards the University, the first edifice which struck it was a large, low sheaf of towers, the Petit-Chàtelet, whose yawning gate devoured the end of the Petit-Pont. Then, if your view ran along the bank, from east to west, from the Tournelle to the Tour de Nesle, there was a long cordon of houses, with carved beams, stained-glass windows, each story projecting over that beneath it, an in- terminable zigzag of bourgeois gables, frequently interrupted by the120mouth of a street, and from time to time also by the front or angle of a huge stone mansion, planted at its ease, with courts and gardens, wings and detached buildings, amid this populace of crowded and narrow houses, like a grand gentleman among a throng of rustics. There were five or six of these mansions on the quay, from the house of Lorraine, which shared with the Bernardins the grand enclosure adjoining the Tournelle, to the Hôtel de Nesle, whose principal tower ended Paris, and whose pointed roofs were in a position, during three months of the year, to encroach, with their black triangles, upon the scarlet disk of the setting sun.This side of the Seine was, however, the least mercantile of the two. Students furnished more of a crowd and more noise there than artisans, and there was not, properly speaking, any quay, except from the Pont Saint-Michel to the Tour de Nesle. The rest of the bank of the Seine was now a naked strand, the same as beyond the Bernardins; again, a throng of houses, standing with their feet in the water, as between the two bridges.There was a great uproar of laundresses; they screamed, and talked, and sang from morning till night along the beach, and beat a great deal of linen there, just as in our day. This is not the least of the gayeties of Paris.The University presented a dense mass to the eye. From one end to the other, it was homogeneous and compact. The thousand roofs, dense, an- gular, clinging to each other, composed, nearly all, of the same geomet- rical element, offered, when viewed from above, the aspect of a crystal- lization of the same substance.The capricious ravine of streets did not cut this block of houses into too disproportionate slices. The forty-two colleges were scattered about in a fairly equal manner, and there were some everywhere. The amus- ingly varied crests of these beautiful edifices were the product of the same art as the simple roofs which they overshot, and were, actually, only a multiplication of the square or the cube of the same geometrical figure. Hence they complicated the whole effect, without disturbing it; completed, without overloading it. Geometry is harmony. Some fine mansions here and there made magnificent outlines against the pictur- esque attics of the left bank. The house of Nevers, the house of Rome, the house of Reims, which have disappeared; the Hôtel de Cluny, which still exists, for the consolation of the artist, and whose tower was so stupidly deprived of its crown a few years ago. Close to Cluny, that Roman121。

巴黎圣母院情节英语作文The Notre Dame de Paris, also known as the Notre Dame Cathedral, is a famous landmark in Paris, France. This iconic Gothic cathedral has a rich history and has witnessed many significant events over the centuries.The construction of the Notre Dame Cathedral began in 1163 and was completed in 1345. It is considered a masterpiece of Gothic architecture, with its intricate carvings, stunning stained glass windows, and towering spires. The cathedral is dedicated to the Virgin Mary and is known for its beautiful sculptures and artwork.One of the most famous features of the Notre Dame Cathedral is its magnificent rose windows. These stained glass windows are some of the largest and most intricate in the world, depicting scenes from the Bible and the lives of saints. The rose windows are a true marvel of medieval craftsmanship and are a must-see for visitors to the cathedral.Another highlight of the Notre Dame Cathedral is its impressive bell towers. The cathedral is home to several bells, including the famous Emmanuel bell, which weighs over 13 tons. The bells of Notre Dame have been ringing for centuries, marking the passage of time and calling worshippers to prayer.The Notre Dame Cathedral has also played a significant role in French history. It has witnessed the coronation of numerous kings and queens, as well as important events such as the French Revolution. The cathedral has withstood wars, revolutions, and natural disasters, and remains a symbol of resilience and hope for the people of Paris.In April 2019, tragedy struck when a devastating fire broke out at the Notre Dame Cathedral, causing extensive damage to the roof and spire. The world watched in horror as the iconic cathedral was engulfed in flames, but thanks to the heroic efforts of firefighters and preservationists, much of the cathedral was saved from destruction.Since the fire, efforts have been underway to restore and rebuild the Notre Dame Cathedral. Donations from around the world have poured in to support the restorationefforts, and experts are working tirelessly to ensure that the cathedral will once again stand as a testament to the enduring spirit of the people of Paris.In conclusion, the Notre Dame Cathedral is a true masterpiece of architecture and a symbol of the rich history and culture of Paris. Despite the challenges it has faced, the cathedral remains a beacon of hope and inspiration for people around the world. The restoration of the Notre Dame Cathedral is a testament to the resilience and determination of the human spirit, and it will continue to inspire future generations for years to come.。

推荐一本书100字英文作文巴黎圣母院全文共6篇示例，供读者参考篇1My Favorite Book: The Hunchback of Notre DameHi friends! Today I want to tell you about my favorite book ever. It's called The Hunchback of Notre Dame by a writer named Victor Hugo. This book is so awesome and exciting, with so many cool characters and adventures. I just love it!The main character is a guy named Quasimodo. He's the bellringer at the big Notre Dame Cathedral in Paris, France. Quasimodo is kind of weird looking - he has a hunched back and his face is all ugly and deformed. But he's actually a really nice guy on the inside, even though lots of people make fun of him for how he looks.Quasimodo lives in the big bells up in the towers of Notre Dame Cathedral. His best friends are the stone gargoyle statues that overlook the city. He loves ringing the church bells and watching all the people down below going about their daily lives in Paris. Quasimodo almost never leaves the cathedral though,because he's afraid people will be mean to him and hurt him for being so ugly.One day, Quasimodo ventures out and attends a special festival celebration in the streets of Paris. That's where he meets a beautiful gypsy dancer named Esmeralda. Esmeralda is so pretty, with long black hair, bright eyes, and a sweet singing voice. Quasimodo immediately falls in love with her!But there's a big problem - the evil minister of Notre Dame named Frollo is also obsessed with Esmeralda. Frollo thinks she's a witch and wants to have her arrested and killed! Frollo is such a bad guy, always carrying around a whip and beating up on poor Quasimodo. I hate Frollo!So Quasimodo has to try to save the beautiful Esmeralda from Frollo's evil plans. But it's not easy, because Quasimodo isn't strong or brave since he lives such a sheltered life up in the cathedral tower bells. There's all sorts of crazy adventures and close calls where Quasimodo almost gets caught.My favorite part is when Quasimodo is swinging on a rope from one of the towers, ringing the big bells and shouting "Sanctuary! Sanctuary!" to protect Esmeralda from the evil Frollo. It's just such an exciting, heart-pounding scene with Quasimodobeing a real hero. I get so nervous reading it, hoping he'll save Esmeralda in time!There's also this super handsome guy named Phoebus who Esmeralda falls in love with. He's a dashing captain in the king's guards. I was rooting for Quasimodo to get the girl, but Esmeralda ended up preferring the good-looking Phoebus instead, which was kind of a bummer.At the end (don't worry, no spoilers!), there's a huge battle on top of the Notre Dame Cathedral with the good guys fighting against Frollo and his creepy soldiers. Swords are clashing, people are swinging from ropes, and the bells are ringing like crazy. It's an epic finale that will keep you on the edge of your seat!Overall, I just love love LOVE this book so much. It has everything - adventure, heroes, villains, romance, and the coolest setting of medieval Paris with the famous Notre Dame Cathedral. Whenever I read it, I feel like I'm there, ringing the bells alongside Quasimodo up in those high towers overlooking all the city rooftops.The story has so much excitement and drama, but it also has a great message about inner beauty and being kind to people who are different on the outside. Even though Quasimodo isseen as a ugly monster, he's truly the bravest, most heroic person of all. It just shows you shouldn't judge people by their looks!So that's why The Hunchback of Notre Dame is my number one favorite book of all time. You've gotta read it - the story is an absolute classic with unforgettable characters and non-stop action that will keep you hooked until the very last page. Trust me, you'll love it as much as I do! Thanks for reading my book report!篇2My Favorite Book: The Hunchback of Notre DameHi friends! Today I want to tell you about my absolute favorite book. It's called The Hunchback of Notre Dame and it was written by a French author named Victor Hugo a long, long time ago. This book is seriously awesome and I think everyone should read it!The story takes place in Paris, France in the 1400s. The main character is a poor hunchbacked man named Quasimodo. He was abandoned as a baby and rescued by the kind archdeacon of Notre Dame cathedral. Quasimodo grows up living in the cathedral bell towers, taken care of by the archdeacon. But he isvery lonely since he is not allowed to leave the cathedral because of his ugly appearance.One day, Quasimodo sneaks out to go to a festival called the Feast of Fools. This is where the story gets really exciting! Quasimodo is crowned the King of Fools as a cruel joke because of how deformed he is. A beautiful gypsy dancer named Esmeralda stands up for Quasimodo when the crowd starts making fun of him. From that moment on, Quasimodo falls in love with Esmeralda.Unfortunately, Esmeralda gets accused of attempted murder and gets captured. She is put on trial and sentenced to death! Quasimodo tries his best to save her but there are lots of other characters who cause trouble. There is the handsome Captain Phoebus who Esmeralda also loves. There is the evil archdeacon Frollo who is obsessed with Esmeralda. And there are crowds of people who hate the gypsies just because they are different.I don't want to give away too much of the story, but I can tell you that it is super exciting with so many twists and turns! There are daring escapes, epic battles, and heroes risking their lives for love. The end is so sad yet beautiful. You'll need to have tissues ready when you read the last few chapters!What I love most about this book is how it shows that true beauty comes from the inside, not the outside. Poor Quasimodo may be deformed and ugly on the outside, but he has a heart of gold. He is brave, caring, and willing to sacrifice himself to protect Esmeralda. Meanwhile, characters like Frollo who are traditionally handsome are revealed to be true monsters on the inside.The Hunchback of Notre Dame also has powerful messages about judging others before getting to know them. The people of Paris make fun of Quasimodo just because he looks different. They hate the gypsies without trying to understand their culture. By the end, you realize how wrong this discrimination is.I could go on and on about the incredible characters, thrilling plot, and profound lessons of this book. But you'll have to read it for yourself to fully experience the magic! The descriptions of Notre Dame cathedral alone are so vivid and breathtaking. You'll feel like you've traveled back in time to 15th century Paris.Victor Hugo's writing is very advanced, with lots of bigger vocabulary words. But he tells the story in such an engaging way that makes you want to keep reading. I had to look up a fewwords here and there, but it was totally worth it. I'm only 10 years old and I could follow along just fine.So in conclusion, you NEED to read The Hunchback of Notre Dame if you haven't already! It's an epic tale filled with adventure, romance, tragedy, and so many important life lessons. Quasimodo and Esmeralda will steal your heart. The characters will stay with you long after you've read the final page. This true classic deserves all the praise it has received over the centuries. Put this book at the very top of your reading list - I promise you won't regret it!篇3My Favorite Book: The Hunchback of Notre DameHi friends! Today I want to tell you about my absolute favorite book in the whole wide world. It's called The Hunchback of Notre Dame by a French author named Victor Hugo. This book is so awesome and exciting, with so much cool stuff happening!The story takes place a really long time ago in Paris, France in the 1400s. The main character is a guy named Quasimodo. He's the bell-ringer at the famous Notre Dame cathedral. But here's the crazy thing - Quasimodo is a hunchback! That means his back is really hunched over and he looks kind of weird and scary.Poor Quasimodo has to live all alone up in the bell towers because people are afraid of how he looks.One day, Quasimodo gets to go outside during a special festival called Feast of Fools. That's when everyone dresses up in crazy costumes and parties in the streets. Quasimodo ends up being crowned the King of Fools as a joke because of how ugly he is. That's when he meets a beautiful gypsy girl named Esmeralda and he falls in love with her!But there's a really bad guy who also loves Esmeralda. His name is Frollo and he's an evil judge who wants to get rid of all the gypsies in Paris. Frollo is so obsessed with Esmeralda that he becomes super jealous of Quasimodo's feelings for her. This leads to a ton of action and drama between Quasimodo trying to protect Esmeralda, Frollo hunting her down, and Esmeralda's gypsy friends trying to rescue her.There's sword fights, chases through the streets of Paris, people swinging from ropes at Notre Dame cathedral, and so much more! It's probably the most exciting book I've ever read. And I loved seeing how brave and loyal Quasimodo was, even though the world was so cruel to him because of his looks.My favorite part is at the end (don't worry, I won't spoil it for you!) when there's this epic battle at the cathedral. Quasimodo isswinging from the giant bells, pulling levers to open up molten lead to pour down on the bad guys. It's intense! I was at the edge of my seat reading it. I just couldn't put the book down.If you haven't read The Hunchback of Notre Dame yet, you seriously have to. Victor Hugo is a genius storyteller who makes you feel like you're really there among the twisted streets of medieval Paris. You'll fall in love with the characters, especially Quasimodo who proves that true beauty is what's inside a person's heart. Plus it's just a rollicking good adventure from start to finish!Trust me, read this book and you'll never see Notre Dame cathedral the same way again. Just hearing those huge bells ringing will make you picture Quasimodo up there, his sad, yet heroic figure silhouetted against the skyline of one of the greatest cities in the world. It's an unforgettable tale that I'll cherish forever. Thanks for reading my book report - I hope I convinced some of you guys to pick up this classic story. Happy reading!篇4The Best Book Ever - The Hunchback of Notre DameHave you ever read the most awesome book in the whole wide world? It's called The Hunchback of Notre Dame and it's by this French author named Victor Hugo. Let me tell you all about it!The story takes place a really long time ago in Paris, France in this giant, awesome cathedral called Notre Dame. It has big bell towers and gargoyles and everything! The main character is Quasimodo, but don't let his funny name fool you. He's the coolest guy ever!Quasimodo is the bell-ringer for Notre Dame, which means it's his job to ring the huge bells in the towers. But here's the thing - Quasimodo is a hunchback, which means his back is kind of bent and he doesn't look like everyone else. Because of how he looks, a lot of people are really mean to poor Quasimodo and make fun of him. That's not right at all!The only people who are ever nice to Quasimodo are the archdeacon who runs the cathedral and Quasimodo's pet rats and birds that live in the towers with him. Quasimodo spends basically all his time up in the towers ringing the bells and playing with his animal friends because people down below are so horrible to him.One day, Quasimodo gets a new friend - a beautiful gypsy girl named Esmeralda. Esmeralda is kind to Quasimodo and treats him like a real person, not just a creepy bell-ringer. Quasimodo has a huge crush on her because she's the first person besides the archdeacon to ever be nice to him.But there's this other guy named Frollo who is seriously bad news. Frollo is supposed to be a judge, but he's obsessed with capturing gypsies like Esmeralda and having them arrested or even killed just for being gypsies. He's racist and evil and wants Esmeralda all to himself, even though she could never like an awful guy like him.Long story short, there's a ton of chaos and action and drama that happens. Esmeralda gets arrested by Frollo's guards and put in jail. Quasimodo has to try and save her. There's a war with the gypsies attacking Paris. The cathedral gets invaded by an angry mob. Frollo goes completely insane and turns into a villain. It's crazy!I don't want to give away how it all ends, but just know that The Hunchback of Notre Dame has one of the craziest, most intense climaxes and endings I've ever read. Swords get swung, there's almost a hanging, and the big cathedral bells play a huge role. It's epic!What I loved most about this book is that even though Quasimodo is treated so badly by most people because of the way he looks, he's still an amazing person on the inside. He's brave, kind, caring, and willing to do anything to protect his friend Esmeralda and the gypsies. His looks don't define who he is as a person.Quasimodo also has such a great bond with the animals at Notre Dame and with the archdeacon. They are his true friends and family who love him no matter his appearance. It just goes to show that you should never judge someone based on their outsides.The setting of Paris and Notre Dame Cathedral is also so awesome! Victor Hugo describes everything so vividly and beautifully. I felt like I had climbed up into those big bell towers with the gargoyles and could hear the giant bells ringing. Paris in medieval times seems like such a neat place.Overall, The Hunchback of Notre Dame is quite simply the best book ever written. It has adventure, drama, action, tragedy, romance, and some of the most incredible characters and storylines I've ever experienced between its pages. Quasimodo and Esmeralda are now two of my all-time favorite characters in all of fiction.If you haven't read this classic book yet, you are seriously missing out! Drop whatever you're reading right now and get yourself a copy of The Hunchback of Notre Dame as soon as possible. You'll laugh, you'll cry, you'll be on the edge of your seat the whole time. Just get ready for one wild, unforgettable ride. This book is a 10 out of 10, true masterpiece! I'm going to go read it again right now!篇5My Favorite Book: The Hunchback of Notre DameHi everyone! Today I want to tell you about my favorite book, The Hunchback of Notre Dame. It's a really awesome story that takes place a long, long time ago in Paris, France.The main character is a guy named Quasimodo. He's the bell-ringer at the famous Notre Dame cathedral. Quasimodo has a really hard life though, because he was born with a hunched back and he's not very good-looking. A lot of people treat him badly and call him names just because of how he looks on the outside. But Quasimodo is actually a really nice, caring person on the inside.Quasimodo's best friends are the gargoyles that hang off the side of Notre Dame. He likes to climb up and sit with them on theroof and look out over the city. Up there, nobody can see his ugly face and be mean to him. The gargoyles don't care what he looks like - they accept Quasimodo for who he is.Down below in the streets of Paris, there's a beautiful gypsy dancer named Esmeralda. Quasimodo watches her perform and he falls in love with her kindness and free spirit. Esmeralda is friendly to everyone, even ugly people like Quasimodo who nobody else is nice to.But there's a bad guy named Frollo who is very mean to gypsies like Esmeralda. He's a powerful judge who tries to get Esmeralda arrested and even killed! Frollo controls the king's soldiers and he's super cruel. I don't like him at all.Things get really intense and there's a big fight at the cathedral where Quasimodo tries to save Esmeralda and protects his home. It's an epic battle between good and evil! I don't want to spoil the ending, but just know there's a lot of action and adventure.What I love most about this book is the powerful message about inner beauty. Quasimodo is an outcast because he's deformed on the outside, but he has a heart of gold on the inside. Meanwhile, people like Frollo might seem important andrespected, but they're the real monsters because of their ugly behavior.The Hunchback of Notre Dame shows that you shouldn't judge people just by how they look on the surface. What really matters is having a good soul and being a kind, caring human being. Those are the most beautiful qualities of all.This book has so many exciting parts that I never get bored reading it. Victor Hugo's writing is excellent and he describes everything so vividly. I can picture the whole story playing out as if I'm really there. The grand Notre Dame cathedral looming over medieval Paris...the mysterious Court of Miracles where the gypsies live...the daring escapes and close calls. It's all so thrilling!I've read The Hunchback of Notre Dame like five times already and I'll definitely read it over and over as I get older. It's just that amazing of a story! The messages about love, acceptance, and inner beauty will stay with me forever.If you haven't read this classic book yet, then you're really missing out. Go grab a copy as soon as you can! Get swept away by the magic of 15th century Paris and the unforgettable characters like gentle Quasimodo, free-spirited Esmeralda, and of course, the iconic cathedral of Notre Dame itself. You'll neverlook at life the same way again after experiencing this powerful tale. What are you waiting for? Discover the brilliance of The Hunchback of Notre Dame today!篇6My Favorite Book: The Hunchback of Notre-DameHi friends! Today I want to tell you about my absolute favorite book of all time - The Hunchback of Notre-Dame by Victor Hugo. This book is so awesome and exciting, with knights, a gypsy dancer, and even a hunchbacked bell-ringer! Let me tell you all about it.The story takes place in Paris in the 1400s. The first character you meet is Quasimodo, the bell-ringer of the famousNotre-Dame cathedral. Quasimodo is really nice but he has a super deformed body and an ugly face because he was mistreated as a baby. Even though he looks scary on the outside, he has a kind heart. Quasimodo lives all alone up in the tower of Notre-Dame cathedral, only going outside when he needs to ring the big bells.One day, Quasimodo gets to go out and watch a festival that's happening in the streets. That's where he sees the most beautiful gypsy dancer named Esmeralda. Quasimodo instantlyfalls in love with her kind spirit and her graceful dancing. But there are some bad guys who get jealous of how talented Esmeralda is. The evil priest Frollo doesn't like gypsies at all, and the cruel king's soldier Phoebus is afraid all the men will just admire Esmeralda instead of him.So Frollo and his men start making plans to get rid of Esmeralda! They chase her through the streets until she has to run inside Notre-Dame cathedral to escape them. But by the laws of the cathedral, any criminal who can make it inside is safe and can't be arrested. That makes Frollo so mad! He can't stand that Esmeralda is protected just by standing inside the church.From then on, all kinds of crazy stuff starts happening. Phoebus gets struck by an arrow and almost dies. Esmeralda gets put on trial for a crime she didn't commit. There are riots in the streets and a war breaks out to try to free Esmeralda! And through it all, Quasimodo has to choose whether to hide in the safety of Notre-Dame forever or risk his life to protect the woman he loves.I don't want to spoil the whole story for you, but it's honestly the most exciting book I've ever read. There's romance, action, good vs. evil, and a core message that you shouldn't judge people by the way they look on the outside. The last fewchapters had me on the edge of my seat, reading as fast as I could to find out what would happen! And the descriptions of the grand Notre-Dame cathedral make you feel like you're really there.If you like brave heroes, daring adventures, and the idea that true beauty comes from having a good heart, then you'll love The Hunchback of Notre-Dame. Victor Hugo poured his soul into this book, and reading it feels like being transported to medieval Paris in a way no other book can match. It's a true classic that everyone should experience at least once.So what are you waiting for? Put down this essay and go check out The Hunchback of Notre-Dame from your school library today! Trust me, you'll be just as hooked as I was from those first few pages about the bell-ringer and the gypsy dancer. It's an epic tale you'll never forget!。

巴黎圣母院英语阅读文章这是一篇介绍巴黎圣母院的英语阅读文章，一起来看看吧。

As a testament to the correlation between glorious spaces and heavenly thoughts, the Notre Dame de Paris has stood for 750 years as the apex of European religious architecture.作为荣光之地与神圣思想互相关联的证明，巴黎圣母院至今已有750年的历史了'它是欧洲宗教建筑登峰造极之作。

Seeking to liberate their creation from the sepulchral atmos of the plague-ridden medieval era, the Notre Dame architects conceived of a design more spacious than that of their predecessors. New developments in arched doorways and supports allowed for thinner outer walls and larger windows, including the famous Rose Windows on thecathedral's north, south, and west sides.寻求把他们的创作从中世纪黑死病蔓延的死寂气氛中摆脱出来，圣母院的建筑师们构思出比他们的前人更宽阔的设计。

而拱形门道和支柱的崭新设计，为较薄的外墙和较大的窗户，包括教堂北、南、西三面著名的“蔷薇花瓣小圆窗”的建造作了准备。

The west window is 9.75 meters in diameter and depicts the infant Jesus surrounded by 16 prophets, 32 0ld Testament kings, and 32 high priests, in concentric circles. With the added light and color provided by these windows, the architects created an ethereal ambience with structural integrity.西窗直径长9.75米，上面描绘了16位先知、旧约全书里的32位列王以及32位大祭司，他们呈同心圆围绕着襁褓中的耶稣。

我喜欢的书是巴黎圣母院的英文作文"The Hunchback of Notre Dame" is a compelling novel written by Victor Hugo, which tells the tragic story of Quasimodo, a deformed bell-ringer of Notre Dame Cathedral in Paris. The novel explores themes of loneliness, love, and societal prejudice.Quasimodo, the main character, is a deaf and hunchbacked bell-ringer who has been isolated from society due to his physical appearance. Despite facing ridicule and discrimination, Quasimodo remains loyal to his master, Archdeacon Claude Frollo, who raises him within the cathedral walls.The novel also introduces Esmeralda, a beautiful and compassionate gypsy girl who captures the hearts of both Quasimodo and Captain Phoebus. Esmeralda's kindness and gracestand in stark contrast to the cruelty and injustice shefaces from the people of Paris.Throughout the novel, Hugo explores the themes ofhumanity and compassion, highlighting the tragic consequences of prejudice and discrimination. The tragic fate of Quasimodo, Esmeralda, and other characters serves as a poignant reminder of the importance of empathy and understanding in a worldfilled with cruelty and indifference.In conclusion, "The Hunchback of Notre Dame" is atimeless classic that delves into the depths of human emotion and explores the complexities of love, loneliness, andsocietal prejudice. Hugo's vivid descriptions and heartfelt storytelling make this novel a must-read for anyone lookingto delve into the depths of the human soul.。

介绍巴黎圣母院的英语作文Nestled in the heart of Paris, France, stands the magnificent Notre-Dame de Paris, a cathedral that has been a testament to French history, culture, and religious faith for centuries. This Gothic masterpiece, known worldwide for its stunning architecture and rich historical significance, is a must-visit destination for any traveler to the City of Light.The cathedral's exterior is a masterpiece of Gothic architecture, with its flying buttresses, rose windows, and intricate carvings. The facade, in particular, is a stunning display of the artisan's craftsmanship, with its intricate carvings and detailed sculptures. The cathedral's towering spires, reaching towards the heavens, are a symbol of its spiritual significance and a testament to the heights of human achievement.Inside, the cathedral is as breathtaking as its exterior. The interior is filled with stained glass windows that cast a rainbow of colors across the nave, creating an atmosphere of otherworldly beauty. The cathedral's organ, one of the largest and most renowned in the world, fills the space with its rich, sonorous tones during concerts and religious services.The history of Notre-Dame is as fascinating as its architecture. It has been a witness to many important events in French history, including coronations, royal weddings, and national celebrations. It has also survived wars, revolutions, and fires, emerging each time as a symbol of resilience and hope.In recent years, Notre-Dame has undergone extensive restoration work following a devastating fire that damaged its roof and interior. This restoration is a testament to the cathedral's enduring significance and the dedication of the French people to preserve their cultural heritage.In conclusion, the Notre-Dame de Paris is not just a cathedral; it is a symbol of French history, culture, and faith. Its beauty, both inside and out, and its rich historical significance make it a must-see destination for anyone visiting Paris. Whether you are a history buff, an art lover, or simply seeking a spiritual experience, Notre-Dame will leave a lasting impression on your heart and mind.。

关于巴黎圣母院的说明文English Version (1500 Words)Title: The Majestic Notre-Dame de Paris: A Testament to Gothic GrandeurParis, the city of lights, is home to a plethora of architectural marvels, yet none quite capture the heart and imagination like theNotre-Dame Cathedral. This Gothic masterpiece is not just a cathedral;it is a symbol of France's rich history, a beacon of faith, and a testament to the ingenuity of medieval craftsmanship.The Notre-Dame de Paris, often referred to simply as Notre-Dame, is located on the Île de la Cité in the heart of Paris. It stands majestically on the banks of the Seine, its towering spires reaching towards the heavens, a silent guardian over the city's past and present.Construction of Notre-Dame began in 1163 during the reign of Louis VII, and it took nearly two centuries to complete. The cathedral's design is a prime example of French Gothic architecture, characterized by its pointed arches, ribbed vaults, and flying buttresses. Theexterior is adorned with intricate sculptures and gargoyles that not only serve a functional purpose but also add a touch of whimsy to the otherwise solemn facade.Stepping inside Notre-Dame is like stepping back in time. The vast nave stretches out before you, its high, vaulted ceilings drawing your gaze upwards, inviting you to contemplate the divine. The cathedral's interior is a masterpiece of light and space, with large, stained-glass windows casting a kaleidoscope of colors onto the stone floors. These windows, particularly the famous Rose Windows, are some of the most beautiful and largest in the world, depicting biblical scenes andfigures in a riot of color and light.The cathedral has witnessed many significant events in French history. It was the site of the coronation of Napoleon Bonaparte and has hosted numerous royal weddings and funerals. It has also been a place of refuge during times of war and a symbol of hope in times of peace.As the restoration efforts continue, Notre-Dame remains a symbol of hope and perseverance. It stands as a reminder that, even in the face of adversity, beauty and history can be preserved and cherished. The cathedral's future is as bright as its past, a beacon of light that will continue to inspire generations to come.Chinese Version (1500 Words)标题：巴黎圣母院：哥特式建筑的杰作巴黎，这座光之城，拥有无数的建筑奇迹，但没有任何一座能像巴黎圣母院那样，深深吸引着人们的心和想象。

The Magnificent Notre-Dame de ParisNestled in the heart of Paris, France, stands a testament to over a thousand years of history, culture, and faith - the Notre-Dame de Paris. This cathedral, known worldwide for its intricate Gothic architecture and rich historical significance, is a must-visit destination for anyone who wishes to delve into the deep roots of Parisian history and culture.Construction of Notre-Dame began in 1163 and was completed over a span of two centuries, with the final stone being placed in 1345. The cathedral's exterior is a masterpiece of Gothic architecture, with its towering spires, intricate stained glass windows, and elaborate carvings telling a story of religious devotion and artistic genius. The interior is equally as captivating, with its vast nave, soaring arches, and intricate rose windows casting a sense of transcendental beauty and awe.One of the most remarkable features of Notre-Dame isits rose windows, which are not just works of art but also serve a practical purpose. These windows, made up of thousands of pieces of stained glass, allow natural lightto filter into the cathedral, creating a warm and inviting atmosphere. The colors and designs of the windows are also said to symbolize various biblical themes and stories.Another noteworthy aspect of Notre-Dame is its association with several historical events and figures. The cathedral has played a pivotal role in the lives of many French kings and queens, who were coronated here. It has also been a witness to some of the most significant events in French history, including the French Revolution.However, Notre-Dame's history is not just one of grandeur and triumph. In 2019, the cathedral suffered a devastating fire that destroyed much of its roof and caused extensive damage. But even in the face of such adversity, the spirit of Notre-Dame has prevailed. Restoration efforts have been ongoing since then, with the aim of restoring the cathedral to its former glory.Despite the fire, Notre-Dame remains a symbol of hope and resilience. It stands as a reminder of the resilience of the French people and their unwavering commitment to preserving their cultural heritage. The cathedral's restoration has also been a testament to the power of unityand collaboration, as people from all over the world have come together to support the efforts.Today, Notre-Dame de Paris stands tall as a beacon of history, culture, and faith. Its intricate Gothic architecture, rich historical significance, and association with several historical events and figures continue to attract millions of visitors from around the world. As one of the most visited landmarks in Paris, Notre-Dame de Paris offers a unique glimpse into the deep roots of Parisian history and culture.**巴黎圣母院的壮丽景色**在法国巴黎的心脏地带，矗立着一座见证了一千多年历史、文化和信仰的丰碑——巴黎圣母院。

巴黎圣母院内容英语作文Standing tall in the heart of Paris, the Notre-Dame Cathedral is a masterpiece of Gothic architecture. Itstowering spires and intricate facade have captivated visitors for centuries.A symbol of France's rich history, Notre-Dame has witnessed countless events, from royal coronations to the beatification of saints. Its stained-glass windows cast a kaleidoscope of colors, creating an ethereal atmospherewithin its walls.The cathedral's construction began in the 12th century, a testament to the dedication and craftsmanship of the builders. The flying buttresses, a distinctive feature, providestructural support while allowing for larger windows and open spaces.Notre-Dame has faced its share of trials, including damage during the French Revolution and a devastating fire in 2019. Yet, it stands resilient, a symbol of hope and perseverance.The restoration of Notre-Dame is ongoing, with architects and artisans working tirelessly to return it to its former glory. The world watches, eager to see this architectural gem reborn.In the shadow of its grandeur, one can't help but be moved by the power of human creativity and the enduring spirit of a nation. Notre-Dame de Paris is more than a cathedral; it is a beacon of culture and faith.As I stand before it, I am reminded of the timeless beauty that transcends the ages. Notre-Dame is a living monument, a place where history, art, and spirituality converge.。

巴黎圣母院书评英语作文The Notre-Dame de Paris, also known as the Notre-Dame Cathedral, is a medieval Catholic cathedral located in the fourth arrondissement of Paris. It is considered to be one of the finest examples of French Gothic architecture and is among the largest and most well-known church buildings in the world.The construction of the Notre-Dame Cathedral began in 1163 and was completed in 1345. The cathedral is famous for its iconic flying buttresses, intricate rose windows, and stunning sculptures. It has also been the setting of numerous significant events in French history and literature, including Victor Hugo's novel "The Hunchback of Notre-Dame."The cathedral is a UNESCO World Heritage site and attracts millions of visitors from around the world each year. Its beauty and historical significance make it a must-see attraction for anyone visiting Paris.The Notre-Dame Cathedral has a rich and fascinating history, and its architecture and artwork are trulybreathtaking. From the moment you approach the cathedral, you are struck by its grandeur and beauty. The intricate details of the facade, the imposing towers, and the famous gargoyles all contribute to the cathedral's awe-inspiring presence.Inside, the cathedral's vast interior is filled with stunning stained glass windows, dazzling rose windows, and beautifully carved sculptures. The grand organ, dating back to the 18th century, adds to the cathedral's majestic atmosphere. Visitors can also climb to the top of the towers for a panoramic view of Paris and a close-up look at the famous gargoyles.The Notre-Dame Cathedral is not only a place of worship but also a living museum of art and history. It is a testament to the skill and craftsmanship of the artisans who built it and a symbol of France's rich cultural heritage.In April 2019, the Notre-Dame Cathedral suffered a devastating fire that caused significant damage to the building. However, efforts are underway to restore and rebuild this iconic landmark, ensuring that futuregenerations will continue to be able to marvel at its beauty and significance.Overall, the Notre-Dame Cathedral is a must-visit for anyone interested in history, architecture, and art. Its beauty and historical significance make it a truly special place, and it is a testament to the enduring legacy of human creativity and craftsmanship.巴黎圣母院是一座中世纪天主教大教堂，位于巴黎第四区。

巴黎圣母院书评英语作文English:"The Hunchback of Notre-Dame", penned by Victor Hugo, is a profound exploration of the human condition, set against the backdrop of the iconic Parisian cathedral. Through its intricate narrative and vivid characterizations, Hugo delves into themes of love, obsession, prejudice, and societal injustice. At the heart of the novel lies the tragic tale of Quasimodo, the deformed bell-ringer, whose unrequited love for the beautiful Esmeralda leads to a series of calamitous events. Esmeralda herself becomes a symbol of purity and compassion, juxtaposed against the malevolent forces of Frollo and the societal oppression faced by the marginalized. Hugo's masterful prose not only captivates the reader with its rich descriptions of medieval Paris but also serves as a commentary on the timeless struggle between the outcasts and the establishment. The novel's enduring relevance is a testament to its profound insights into the complexities of human nature and the enduring power of love and redemption.中文翻译:《巴黎圣母院》是维克多·雨果创作的一部作品，深刻探索了人类的生存状态，背景是巴黎标志性的大教堂。

如何设计巴黎圣母院英语作文English:When designing an English essay about Notre Dame Cathedral in Paris, it is important to first introduce the history and significance of this iconic landmark. Discussing the architectural style, such as the Gothic design and the famous flying buttresses, can provide readers with a visual image of the cathedral. Exploring the interior features, such as the stunning stained glass windows and the impressive pipe organ, can showcase the artistic and cultural importance of Notre Dame. Additionally, delving into the different historical events that have taken place at the cathedral, such as the coronation of Napoleon Bonaparte, can add depth to the essay. It is also essential to discuss the devastating fire that occurred in 2019 and the subsequent restoration efforts, highlighting the resilience and importance of this historic monument. In conclusion, emphasizing the lasting impact and influence of Notre Dame Cathedral on art, culture, and history can make for a compelling and informative English essay.中文翻译:在撰写关于巴黎圣母院的英语作文时，首先要介绍这一标志性地标建筑的历史和意义。

巴黎圣母院外貌个人品质英语作文Notre-Dame de Paris and Personal Virtues: A Reflection in English CompositionIn the heart of Paris, a city synonymous with romance and art, stands the iconic Notre-Dame de Paris, a Gothic masterpiece that has witnessed centuries of history. Its towering spires, intricate stone carvings, and magnificent rose windows are not only architectural marvels but also symbols of resilience, craftsmanship, and human aspiration. As I reflect on the grandeur of this cathedral, I am reminded of the personal qualities that mirror the enduring spirit ofNotre-Dame.Firstly, the steadfastness of the cathedral's structure evokes the virtue of perseverance. For nearly two hundred years, artisans and laborers toiled under the guidance of visionary architects to erect this colossal edifice. Their dedication to overcoming challenges—from the intricacies of vaulting to the precision of flying buttresses—is an ode to the human capacity for endurance. Similarly, in our own lives, perseverance is key to achieving long-term goals, whether academic, professional, or personal. It is the ability to persist inthe face of obstacles, much like how Notre-Dame has stood tall through wars, revolutions, and natural disasters.Secondly, the beauty of Notre-Dame lies not just in its imposing presence but in the details that adorn it. The gargoyles and chimeras, though grotesque in appearance, serve a functional purpose while adding an artistic flair to the cathedral. This blend of utility and aesthetics reflects the importance of balance in our personal qualities. We must strive to be both practical and imaginative, combining the mundane tasks of daily life with the pursuit of creative expression. This harmony between the pragmatic and the idealistic is akin to the harmonious design of Notre-Dame, where every element has a role to play in the grand scheme.Lastly, the sense of community that surroundsNotre-Dame speaks to the virtue of compassion. The cathedral has been a place of worship, refuge, and celebration for millions over the years. In times of joy and sorrow, people have come together within its walls, finding solace and unity. This communal spirit is a reminder that we are social beings, dependent on one another for support and understanding. To embody the virtues reflected in Notre-Dame, we mustcultivate empathy and kindness, reaching out to those in need and fostering a sense of belonging among all.In conclusion, the Notre-Dame de Paris is more than a monument; it is a testament to the timeless values that define us as individuals and as a society. By drawing parallels between the cathedral's enduring architecture and our own personal qualities, we can aspire to be as resilient, balanced, and compassionate as this Parisian landmark. May we carry these virtues within us, just as the spirit of Notre-Dame continues to inspire generations to come.。