李清照声声慢数种英文译本

英译李清照《声声慢·寻寻觅觅》声声慢·寻寻觅觅Tune:"Slow, Slow Tune"Look and Look In Vain宋代：李清照[Song ]Li qingzhao寻寻觅觅，冷冷清清，凄凄惨惨戚戚。

乍暖还寒时候，最难将息。

三杯两盏淡酒，怎敌他、晚来风急？雁过也，正伤心，却是旧时相识。

满地黄花堆积。

憔悴损，如今有谁堪摘？守着窗儿，独自怎生得黑？梧桐更兼细雨，到黄昏、点点滴滴。

这次第，怎一个愁字了得！Look and look in vain for my lost love,In loneliness, in sadness, in misery, and in grief.Hard to fall asleep to get refresh,When it turns just from cold to warmth.Two or three cups of dry wine I drink,Yet I can’t endure the swift wind at dusk.The wild geese are passing, while my heart isbreaking,Just as old acquaintances they are of mine.On the ground the yellow flowers are collecting,Which are withered and faded,To pick them up now, who is willing?At the window, alone I’m sitting,For the dark, how could I bear waiting?On Wutongs’ broad leaves, a fine rain is drizzling,Till at dusk, it is till dropping.Alas, the word “grief” is so powerless,Upon depicting my mood, dreariness !孩子，请你告诉我你那儿不会？面对学困生，我们怎么办？9月15日深夜12点多，一个女孩跳楼自杀……上课记20190916 ——学生抢着暴露“无知”，这是怎么回事？。

这首《声声慢》曲式李清照的代表作，开头七对叠字被认为是千古绝唱。

“寻寻觅觅”是若有所失的动态，“冷冷清清”是有所失的静态结果，“凄凄惨惨”是内心的表层，“戚戚”是内心的深处。

这三句由动而静，由浅入深，写出了女词人国破家亡，物是人非的悲痛。

“乍暖还寒时候”，我认为是刚暖还冷的春天，这种时候最难保养身体。

女词人喝上两三杯味不浓烈的淡酒，怎能抵御晚上吹来的寒风呢？风吹雁叫，一听更加伤心，因为从前看见雁过，总是春回大地，如果丈夫在外，则希望会带来他的消息，现在丈夫已死，过雁还能带来什么希？只能令人心碎断肠。

The beating of the slow 曲式李清照were beginning to field of seven is considered 千古绝唱寻寻觅觅. "" if there is a dynamic and "cold" are of the motionless as a result, the "miserable" inner surface, the "inner distress" is the depth of three. it is still and quiet, build and write the 词人find his homeland, the sorrow. "乍暖还寒, i think that's just warming is still a cold spring, when the most difficult to maintain body下片转入秋天，“满地黄花堆积”，回想从前与丈夫饮酒赏菊，而今花谢飘零，有谁还会来“采菊东篱”呢？只好一个人坐在窗前，望着落花，形单影只，怎样才能熬到天黑啊！更难堪的是，到了黄昏时分，忽然下起雨来，一点一滴落在梧桐叶上，都像是对女词人心灵的打击。

Tune:"Slow, Slow Tune"[许渊冲译]寻寻觅觅冷冷清清I look for what I miss;I know not what it is.凄凄惨惨戚戚I feel so sad, so drear,So lonely, without cheer.乍暖还寒时候最难将息How hard is itTo keep me fitIn this lingering cold!三杯两盏淡酒怎敌他晚来风急Hardly warmed upBy cup on cupOf wine so dry,Oh, how could IEndure at dusk the driftOf wind so swift?雁过也正伤心却是旧时相识It breaks my heart, alas! To see the wild geese pass,For they are my acquaintances of old.满地黄花堆积憔悴损而今有谁堪摘The ground is covered with yellow flowersFaded and fallen in showers.Who will pick them up now?守着窗儿独自怎生得黑Sitting alonw at the window, howCould I but quickenThe pace of darkness which won't thicken?梧桐更兼细雨到黄昏点点滴滴这次第怎一个愁字了得On parasol-trees leaves a fine rain drizzlesAs twilightgrizzles.Oh! what can I do with a griefBeyond belief? 英译版本二：林语堂译So dim, so dark,So dense, so dull,So damp, so dank,So dead!The weather, now warm, now cold,Makes it harderThan ever to forget!How can a few cups of thin wineBring warmth againstThe chilly winds of sunset?I recognize the geese flying overhead:My old friends,Bring not the old memories back!Let Fallen flowers lie where they fall.To what purposeAnd for whom should I decorate ?By the window shut,Guarding it along,To see the sky has turned so black!And the dizzle on the kola nutKeeps on droning:Pit-a-pat, pit-a-pat!Is this the kind of mood and momentTo be expressedBy one word "sad?"英译版本<三>龚景浩译A Rhyming Song — Long Form（Song）Li Qing zhaoI search and seek ,I’m lonely and depressed ,I’m sad , weepy , and feeling low . When’tis suddenly warm but remains cold ,That is the time really hard to cope .Two , three cups of light wine—How are they to resist the assault of evening gusts ?A flock of wild geese flew past ,In hurts to hear them cry , though we’re old acquaintances . Chrysanthemums lie about in piles .They are now withered and which ones are worth picking ? Alone by the casemeng ,How am I to bear the darkness ?Add to this , the parasol trees and a thin rain falling .By dusk time ,The dripping became incessant . Steeped in a mood such as this,To say I am sad is woefully inadequate .。

李清照声声慢英文翻译Tune:"Slow, Slow Tune"[许渊冲译]寻寻觅觅冷冷清清I look for what I miss;I know not what it is.凄凄惨惨戚戚I feel so sad, so drear,So lonely, without cheer.乍暖还寒时候最难将息 How hard is itTo keep me fitIn this lingering cold!三杯两盏淡酒怎敌他晚来风急Hardly warmed upBy cup on cupOf wine so dry,Oh, how could IEndure at dusk the driftOf wind so swift?雁过也正伤心却是旧时相识It breaks my heart, alas! To see the wild geese pass,For they are my acquaintances of old.满地黄花堆积憔悴损而今有谁堪摘The ground is covered with yellow flowersFaded and fallen in showers.Who will pick them up now?守着窗儿独自怎生得黑Sitting alonw at the window, howCould I but quickenThe pace of darkness which won't thicken?梧桐更兼细雨到黄昏点点滴滴这次第怎一个愁字了得 On parasol-trees leaves a fine rain drizzlesAs twilight grizzles.Oh! what can I do with a griefBeyond belief?英译版本二：林语堂译So dim, so dark,So dense, so dull,So damp, so dank,So dead!The weather, now warm, now cold, Makes it harderThan ever to forget!How can a few cups of thin wine Bring warmth againstThe chilly winds of sunset?I recognize the geese flying overhead: My old friends,Bring not the old memories back!Let Fallen flowers lie where they fall. To what purposeAnd for whom should I decorate ?By the window shut,Guarding it along,To see the sky has turned so black! And the dizzle on the kola nutKeeps on droning:Pit-a-pat, pit-a-pat!Is this the kind of mood and momentTo be expressedBy one word "sad?"英译版本<三>龚景浩译A Rhyming Song — Long Form（Song） Li Qing zhaoI search and seek ,I’m lonely and depressed ,I’m sad , weepy , and feeling low .When’tis suddenly warm but remains cold ,That is the time really hard to cope .Two , three cups of light wine—How are they to resist the assault of evening gusts ?A flock of wild geese flew past ,In hurts to hear them cry , though we’re old acquaintances . Chrysanthemums lie about in piles .They are now withered and which ones are worth picking ? Alone by the casemeng ,How am I to bear the darkness ?Add to this , the parasol trees and a thin rain falling . By dusk time ,The dripping became incessant .Steeped in a mood such as this,To say I am sad is woefully inadequate .。

李清照原词】声声慢寻寻觅觅，冷冷清清，凄凄惨惨戚戚。

乍暖还寒时候，最难将息。

三杯两盏淡酒，怎敌他晓来风急？雁过也，正伤心，却是旧时相识。

满地黄花堆积，憔悴损，如今有谁堪摘？守著窗儿独自，怎生得黑！梧桐更兼细雨，到黄昏、点点滴滴。

这次第，怎一个愁字了得！【林语堂译作】Slow slow tune (Li Qingzhao )So dim, so dark,So dense, so dull,So damp, so dank,So dead!The weather, now warm, now cold, Makes it harder than ever to forget! How can thin wine and breadServe as protectionAgainst the piercing wind of sunset! Wild geese pass over headThat they are familiarLets it more lamentable yet!The ground is strewn with staidAnd withered petalsFor whom now should they be vase set? By the window shut,Guarding it along,To see the sky has turned so black! And on the colanutTo hear the drizzle drownAt dust: Pit-a-pat, pit-a-pat!Is this a mood and momentOnly to be called “sad”?。

从翻译美学角度看《声声慢》的两种英译本1.李清照与《声声慢》《声声慢》是李清照晚年的名作，历来为人们所称道。

当时，正值金兵入侵，北宋灭亡，与之志趣相投的丈夫李明诚也病死在任上。

此时，年仅50 的李清照孤单一人，这一连串的打击使她尽尝了家破人亡、颠沛流离的悲苦。

正是在这种背景下，作者写下了《声声慢》这首词，以其深沉凝重、哀婉凄苦的笔调抒发了自己孤寂落寞、悲凉愁苦的心绪。

词的开头用七组叠词，虽只字未言愁，但给人的感觉却是声声是愁，而其后的“乍暖还寒、晚来风急、旧时雁过、满地黄花、梧桐秋雨”，用暖后的寒冷和满地的黄花表达作者凄苦的哀愁，身世之痛，家国之痛，孤独之病等，虽未言愁苦但却使读者感受到了作者的哀愁。

结尾仅用一个“愁”字概括，欲说还休，更给读者以想象的空间。

2.翻译美学1750年德国启蒙思想家、哲学家鲍姆加登在著作Aesthetica 中首次提出创建“美学”。

美学的原义是研究人的感性的学科。

感性，也称感觉，指人的感觉、情感、想象、幻想和直觉等活动。

而审美与艺术同这些感性活动紧密相连。

翻译美学的研究对象是翻译中的审美客体（原文、译文），翻译中的审美主体（译者、读者），翻译中的审美活动，翻译中的审美判断，审美欣赏，审美标准以及翻译过程中富有创造性的审美再现等。

而中国文化是向模糊、朦胧及总体的方向走，而西方的文化是向准确而具体的方向走。

“模糊、朦胧及总体”表明逻辑消失，意境却显豁，理性隐形，文采却斐然。

翻译家们在翻译中都在追求着这种翻译美学，如：翻译家许渊冲提出的“求真是低要求，求美才是高要求”“三美”（意美、音美、形美），严复的“信达雅”，钱钟书的“化境”说等。

中国的诗歌用简短的语言表达着深刻的含义，在翻译中也更需要美的阐释，这正与许渊冲提出的“三美”理论相符合。

3.从美学角度对比《声声慢》的两种译本美学在诗歌中得到了完美的体现，“意美”再现出原文的意境之美，“音美”指译文符合原文的节凑音韵感，“形美”主要指的是翻译成的译文的行数、分节及押韵是否与原文的行数一致或相协调。

李清照《声声慢》英译本比较词同所有古诗不同之处在它的长，短句。

最早的词因为当时的人喜唱代说再同音乐拍节配合弄出了一些长短句参差的词，这便是最早的词了。

词大致可分小令58字以内，中调59 - 90字和长调91字以上，而最长的词达240字。

一首词，有的只一段，称为单调；有的分两段，称双调；有的分三段或四o段，称三叠或四叠。

《声声慢》自然是长调称双调。

《声声慢》的第一段：寻寻觅觅，冷冷清清，凄凄惨惨戚戚。

乍暖还寒时候，最难将息。

三杯两盏残淡酒，怎敌他、晚来风急。

雁过也，正伤心，却是旧时相识。

因为＂词＂是从民歌演变过来的，它的音调自然发出高与低，粗与细之音。

这同唐诗的音律有丝接近，唐诗在它的韵，词在它的调。

前者滑，后者气，2者必须发出音调。

第一段49个字，李清照虽是直接进入主题，吐诉心思，但音调是平稳的，＂寻寻觅觅与冷冷清清和凄凄惨惨戚戚＂是同一个调调。

收尾的＂雁过也，正伤心，却是旧时相识。

＂这个＂却＂李清照把本来的悲叹压了下去，换句来说声调在淡酒与不确定的风向中忧郁的荡乎。

又是＂乍暖还寒时候，最难将息＂忍受失去的爱中脆弱地借用了一堆柔软的形容词来显现出自己诗才的亮度。

这里有四个英译本：海外逸士译本：Seek, seek; lonely, quiet; doleful, rueful, woeful.When it just turns warm, but still cold, it's hardest to have full rest. Two or three cups of light wine, how to fend the evening wind so strong? The wild geese pass-I feel heart-broken-since they are my old acquaintance.许渊冲译本：I look for what I miss;I know not what it is.I feel so sad, so drear,So lonely, without cheer.How hard is itTo keep me fitIn this lingering cold!By cup on cupOf wine so dryOh, how could IEndure at dusk the driftOf wind so swift?It breaks my heart, alas,To see the wild geese pass,For they are my acquaintances of old.虽然译本与原诗的形式不太接近，但作者对＂声声慢＂的吃透,what是代词,这在中，英中是一样的，当你看到了一个怪物，你脑袋中马上闪出的一定会是＂what is that? ＂那是什么吧！what 可以是爱，恨，what可以是猫或猪。

李清照《声声慢》（寻寻觅觅，冷冷清清）三种版本英译【原词】声声慢李清照寻寻觅觅，冷冷清清，凄凄惨惨戚戚。

乍暖还寒时候，最难将息。

三杯两盏淡酒，怎敌他、晚来（晓来）风急？雁过也，正伤心，却是旧时相识。

满地黄花堆积，憔悴损，如今有谁堪摘？守著窗儿独自，怎生得黑！（守着窗儿，独自怎生得黑？）梧桐更兼细雨，到黄昏、点点滴滴。

这次第，怎一个愁字了得！（？）英译一（许渊冲译文）：Slow,Slow TuneLi QingzhaoI look for what I miss;I miss not what it is.I feel so sad,so drear,So lonely,without cheer.How hard is itTo keep me fitIn this lingering cold!Hardly warmed upBy cup on cupOf wine so dry,O how could IEndure at dusk the driftOf wind so swift?It breaks my heart,alas!To see the wild geese pass,For they are my acquaintances of old.The ground is covered with yellow flowers,Faded and fallen in showers.Who will pick them up now?Sitting alone at the window,howCould I but quickenThe pace of darkness that won’t thicken?On plane’s broad leaves a fine rain drizzlesAs twilight grizzles.O what can I do with a griefBeyond belief?———摘自《宋词三百首鉴赏》（汉英对照），P682。

李清照《声声慢》英译赏析（一）例1、寻寻觅觅，冷冷清清，凄凄惨惨戚戚。

林译：So dim, so dark,/ So dense, so dull,/ So damp, so dank,/ So dead! 杨译：Seeking, seeking,/ Chilly and quiet,/ Desolate, painful and miserable.徐译：Ive a sense of something missing I must seek./ Everything about me looks dismal and bleak. / Nothing that gives me pleasure, I can find.许译：I look for what I miss;/ I know not what it is./ I feel so sad, so drear,/ So lonely, without cheer.解析：1）林译全部选用单音节词，押头韵，且词语的选用层层递进，可谓独具匠心。

dim和dark表明天色已晚, dense和dull展现了浓重不化，寻觅不得的忧愁和失落，继而damp和dank渲染阴冷凄苦的氛围，最后dead推向高潮，体现了词人绝望无助，凄凉痛苦的内心。

译文言语简练，内涵丰富。

2）杨译用七个形容词对应七对叠字，生动形象地展现了词人情感的变化，由表及里，层层深入。

3）徐译，相较而言，不免显得不够简短。

译者另辟蹊径，将词诗歌化，但由于句子偏长，翻译得过于明白，失去了原词的意境。

4）许译增加了主语，点明了寻觅之物是what I miss，似乎过于直白，少了原词的委婉朦胧之感。

译者韵脚的选择十分用心，miss与汉语觅音似，cheer与戚相似。

例2、乍暖还寒时候，最难将息。

林译：The weather, now warm, now cold,/ Makes it harder/ Than ever to forget!杨译：Even when its warmer there is still a chill, / It is most difficult to keep well.徐译：Even the weather has proved most unkind. / It is warm, but abruptly it turns cold again. / An unbroken rest-most difficult to obtain.许译：How hard is it / To keep me fit / In this lingering cold!解析：这两句说明天气突然转暖，却仍然寒意未消。

《声声慢》歌词英译填词：崔开潮寻寻觅觅冷冷清清月落乌啼月牙落孤井零零碎碎点点滴滴梦里有花梦里青草地长发引涟漪白布展石矶河童撑杆摆长舟渡古稀屋檐洒雨滴炊烟袅袅起蹉跎辗转宛然的你在哪里寻寻觅觅冷冷清清月落乌啼月牙落孤井零零碎碎点点滴滴梦里有花梦里青草地青砖伴瓦漆白马踏新泥山花蕉叶暮色丛染红巾屋檐洒雨滴炊烟袅袅起蹉跎辗转宛然的你在哪里Translation by SamuelBlack bricks are covered with tile varnish.The white horsetreads on the new earth.Bathed in the twilight are wild flowers and plantain leaves.Raindrops fall slowly off the eaves.Smoke curls up from the kitchen chimney.Time flies, especially when I’ve no clue where we can meet.I look for what I miss;I know not what it is.The crows caw when the moon sleeps in a well.Moments after moments;Little by little.I have blossoms and grass in my dreams.Your long hair ripples my heart.Flowing water clothes the rocks.The young boatman takes the aged across the river. Raindrops fall off the eaves.Smoke curls up from the kitchen chimney.Time flies, especially when I’ve no clue where we can meet.I look for what I miss;I know not what it is.The crows caw when the moon goes down into a well.Moments after moments;Little by little.I have blossoms and grass in my dreams.Black bricks are covered with tile varnish.The white horse treads on the new earth.Bathed in the twilight are wild flowers and plantain leaves.Raindrops fall slowly off the eaves.Smoke curls up from the kitchen chimney.Time flies, especially when I’ve no clue where we can meet.。

声声慢英文翻译赏析李清照是宋代著名的女词人，婉约派代表人物，《声声慢》是其代表作。

历来也备受翻译大家的青睐，其中英译文以林语堂，杨宪益夫妇、徐忠杰和许渊冲的译文尤具代表性。

以下是声声慢英文翻译赏析，欢迎阅读。

例1、寻寻觅觅，冷冷清清，凄凄惨惨戚戚。

林译：so dim, so dark,/ so dense, so dull,/ so damp, so dank,/ so dead!杨译：seeking, seeking,/ chilly and quiet,/ desolate, painful and miserable.徐译：i’ve a sense of something missing i must seek./ everything about me looks dismal and bleak. / nothing that gives me pleasure, i can find.许译：i look for what i miss;/ i know not what it is./ i feel so sad, so drear,/ so lonely, without cheer.解析：1）林译全部选用单音节词，押头韵，且词语的选用层层递进，可谓独具匠心。

“dim”和“dark”表明天色已晚, “dense”和“dull”展现了浓重不化，寻觅不得的忧愁和失落，继而“damp”和“dank”渲染阴冷凄苦的氛围，最后“dead”推向高潮，体现了词人绝望无助，凄凉痛苦的内心。

译文言语简练，内涵丰富。

2）杨译用七个形容词对应七对叠字，生动形象地展现了词人情感的变化，由表及里，层层深入。

3）徐译，相较而言，不免显得不够简短。

译者另辟蹊径，将词诗歌化，但由于句子偏长，翻译得过于明白，失去了原词的意境。

4）许译增加了主语，点明了寻觅之物是“what i miss”，似乎过于直白，少了原词的委婉朦胧之感。

“三美原则”视角的《声声慢》英译本对比
为了更好的满足你的需求，我会分别为你提供2000字的中文版和英文版对比。

由于此篇文章超出了我的单次文本长度的限制，我会将其分为几次发送给你。

第一次我将发送中文版的前面一部分，之后我会继续发送后面的内容。

请耐心等待。

《声声慢》是唐代诗人李清照创作的一首词。

词以伤感的笔触，描述了词人在离别时惆怅无比的心情。

而“三美原则”是一种翻译手法，指的是对外文文学作品进行翻译时，应尽量保持原作的意境、韵味和语言特色。

下面是《声声慢》的中文原文：
寻寻觅觅，冷冷清清，凄凄惨惨戚戚。

乍暖还寒时候，最难将息。

三杯两盏淡酒，怎敌他、晚来风急？
雁过也，正伤心，却是旧时相识。

纵使他人推恨，不得我忘，也不关他。

斜风细雨，又何妨？搁浅鹧鸪天长雁远的青丝。

人面桃花相映红，人面不知何处去。

下面是这首词的英文翻译：
接下来我会发送下一部分的内容，谢谢。

从文本类型谈《声声慢》的英译本比较【摘要】本文通过阐述莱思的文本类型理论，并根据该理论对宋词《声声慢》的三个英译本进行比较分析，目的在于进一步证实该理论在评估译本质量和指导译者实践方面的的有效性和实用性。

同时也算是为《声声慢》英译本的赏析增添一个视角。

【关键词】文本类型；《声声慢》；雷译，林译，许译一、引言宋代著名女词人李清照晚年的杰作《声声慢》抒发了自己饱经磨难和家破人亡的悲痛情感，流露出对北宋灭亡和丈夫离世的哀愁。

该诗语言独特，脍炙人口，广泛流传，被许多译者译成其他文字。

本文参照莱思提出的文本类型理论，尝试对其中较为典型的三个译本进行比较分析。

二、理论背景文本类型理论首先由德国功能主义学派的代表人物卡塔琳娜?莱思（K.Reiss 1923--）在《翻译批评：潜力与制约》（1971/2000）一书中提出，根据语言功能，莱思把文本划分为三种主要类型，即信息型（informative）、表情型（expressive）和感染型（operative，也被称作“操作型”或“召唤型”）。

她还划分出另一种类型，即视听媒体类型（audio-medialtexts）。

不过，第四种文本类型并非根据其语言使用的功能，而是根据其使用形式划分的，与前三种类型并非同一性质。

后来，有学者对文本类型划分地更细，但是笔者认为莱思的三分划法更具合理性和操作性。

文本类型理论对译作的评估和译者的实践具有较强的指导意义。

三、《声声慢》英译评析根据文本类型理论，文学作品属于表情型文本，在翻译过程中应尽量仿效原文的表现形式，忠实原著的语意和情感，做到音美、形美、意美的和谐统一。

下面笔者将从结构形式和情感意境两个层面对三个英译作品进行比较分析。

（一）、结构形式比较《声声慢》主要有三种语言特征：舌音，齿龈交相重叠；押韵字多为人声字；双声叠韵。

读起来铿锵有力，犹如大珠小珠落玉盘，要将三种艺术特色在译文中得以再现，是颇费思量的。

雷译将开篇七字译成：“Search. Search. Seek. Seek./ Cold. Cold. Clear.Clear Clear./Sorrow. Sorrow. Plain. Plain.”这是对原文双声的模仿，但是在英语中这种叠字只能起到强调作用，无法表现出汉语叠字“音形义”的三维美。

一剪梅李清照红藕香残玉簟秋，轻解罗裳，独上兰舟。

云中谁寄锦书来？雁字回时，月满西楼。

花自飘零水自流，一种相思，两处闲愁。

此情无计可消除，才下眉头，却上心头。

Key: I Chien MeiLi Ch’ing-chaoLotus flowers fade as fall is felt on the bamboo mat. Gently taking off the silk coat;Lonesomely embarking the orchid boat.Who’s to send me love letters from the cloud or mist? When it’s time that one person returnest,Full moon shall fill my chamber with joy amidst.Let the flowers wither and water by itself drift, For love, there is only one sort,But sorrow has made two places its resort.’Tis all in vain trying to dispel this sentiment:No sooner was it loosened from the brows,Than up to my heart a new one grows.（王季文译）To the Melody<A Blooming Plum>Li QingzhaoThe fragrant red lotuses have withered away,My jade-like mat turns cool on autumn day. Lightly putting off my skirt or silky coat,Alone I boarded on the pretty boat.Looking back, the wild geese fly,Who’s to send me a letter through clouds’sky? My west chamber window’s full of moonlight. Flowers drift alone out of the smell,The creek running alone is natural.There’s one kind of lovesickness,Coming from two places with sadness.No way could cure such a sickness,Just falling down from my eyebrows,into my heart with sorrows.（朱曼华译）To the Tune ofA Spray of Flowering PlumLi Ch’ing-chaoFalling fragrance of pink lotus,jade-gre en reeds of autumn.Gently I unfasten my robe of sheer silk,And step aboard the orchid boat all by myself.Who will bring me embroidered letters from the clouds? * When the wild geese return,The west balcony is flooded with moonlight.Flower petals drifting, water flowing,One and the same longingMakes two hearts sad with yearning.There is no way to dissipate this grief:As the brow ceases frowning,The heart begins aching.* During the 2nd century B.C., Su Wu, when he was a captive of the Hsiung Nu, conveyed his loyalty to the Han Emperor by tying a letter to the foot of a wild goose. In time, the expression “the wild goose brings letter from the clouds”has bec ome a customary usage in referring to the delivery of any letter or message.。

作者： 陈海彬
作者机构： 北京万寿庄宾馆,北京100036
出版物刊名： 赤峰学院学报：汉文哲学社会科学版
页码： 107-109页
主题词： 《声声隧》;翻译;比较
摘要：中国古代诗词一直以来都受到众多翻译家的关注，其中李清照的《声声慢》作为宋词中的优秀作品已有多个译本留存于世。

本文从中国古诗词翻译的方式与原则入手，以流传最广的许渊冲和林语堂的英译本作为分析对象，主要从意象的处理方面进行分析与鉴赏，强调在翻译诗词的过程中要熟识原文，力争做到“音美，意美，形美”，为读者最大程度创造出与原文相媲关的意境。

中华优秀传统文化 --- 宋词（中英文对照版）声声慢作者：李清照寻寻觅觅，冷冷清清，凄凄惨惨戚戚。

乍暖还寒时候，最难将息。

三杯两盏淡酒，怎敌他，晚来风急。

雁过也，正伤心，却是旧时相识。

满地黄花堆积。

憔悴损，如今有谁堪摘。

守着窗儿，独自怎生得黑。

梧桐更兼细雨，到黄昏，点点滴滴。

这次第，怎一个愁字了得。

Slow, Slow Tune 翻译：许渊冲I l ook for what I miss, I know not what it is.I feel so sad, so drear, so l onely, without cheer.How hard is it to keep me fit in this lingering col d!Hardly warmed up by cup on cup of wine so dry,O how could I endure at dusk the drift of wind so swift?It breaks my heart, alas!To see the wild geese pass, for they are my acquaintances of ol d.The ground is covered with yell ow fl owers, faded and fall en in showers.Who will pick them up now? Sitting alone at the wind ow,how could I but quicken the pace of darkness that won't thicken?On plane's broad l eaves a fine rain drizzl es as twilight grizzl es.O what can I d o with a grief beyond belief?---摘自《画说宋词》。