英语诗歌:Crossing the Bar
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英语诗歌押韵注意点:拼法相同,但是读音不同的音节,不属于谐韵,如right和wright。
真正人与自然的韵脚,就是以轻音节押韵的,所以rating和forming不是谐韵。
最好的谐韵是重音后所有音节都押韵,fascinate和deracinate。
必须防止同一元音的韵脚在即将来临诗行中发生。
相距太将近不好,但是也无法相距太远,比方说第一句和第十句押韵。
有些字看着押韵,但是元音不一样,其实没押韵,例如flash和wash。
押韵诗基本内容我们就谈完了,英诗中除了很多无韵诗(blank verse),而且我在这个专题刚开始就提及过,诗歌最重要的不是韵,就是节奏。
所以呢,那些无韵诗虽不押韵,但是建议诗人用韵脚停滞、中断或者发生改变音节的重音,发生改变用字利尼县减少节奏和音乐感,所以也很难哦!这种无韵诗常用在创作短的剧诗、哲理诗、叙事诗。
押单韵(single rime)这种押韵方式建议元音必须相同,后面的辅音也必须一样,比方说fan和ran。
这种韵也被称作男韵(masculine rime/male rime,据传是因为韵脚健而有力,我感觉这个理由有点gender stereotype啊!)如果只押元音,而不顾及后面的辅音,这种押韵方式被称为半谐韵(assonance),例如lake和fate。
采用这种韵的典型诗人存有亚历山大·蒲柏(alexander pope)和阿尔加侬·查尔斯·斯温伯恩(algernon charles swinburne)。
我们暂时不看例子了,等讲完基础知识之后,我们会用典型诗歌来做分析哦!枭首双韵 (double rime)这种押韵方式又被称为长短二音韵,重音多在前一个音节上。
如motion和ocean。
因为韵律轻快,优美,所以又被称为女韵(feminine rime/female rime)。
三重韵 (triple rime)句末三个音节同时押韵,例如glorious和victorious。
英美文学资料( I )英国文学Chapter 1 Renaissance文艺复兴时期The father of English poetry: Geoffrey Chaucer:heroic couplet The Canterbury Tales英国文学史上现实主义第一部杰作(他是最早有人文主义思想的作家,现实主义文学的奠基人)The House of FameI. Edmund Spenser : ―the poet’s poet‖Epithalamion 《贺新婚曲》The Faerie Queene 《仙后》II.Christopher MarloweTamburlaine 铁木耳转Dr. Faustus 浮士德悲剧The Jew of Malta 马乐他岛的犹太人Edward II 爱德华二世Hero and Leander 海洛与勒安德尔Thomas More: Utopia 乌托邦III. William ShakespeareRape of Lucrece 鲁克斯受辱记Venus and Adonis 维纳斯与安东尼斯Titus Andronicus 泰托斯安东尼The Comedy of Errors 错误的喜剧The Two Gentlemen of Verona 维洛那二绅士The Taming of the Shrew 驯悍记Love’s Labour’s Lost 爱的徒劳Richard II 理查二世King John 约翰王Henry IV, Parts I and II, Henry VSix Comedies:A Midsummer Night’s Dream 仲夏夜之梦The Merchant of Venice 威尼斯商人Much Ado About Nothing 无事无非As You Like It 皆大欢喜Twelfth Night 第十二夜The Merry Wives of Windsor 温莎的风流娘儿们Two Tragedies:Romeo and Juliet 罗米欧与朱丽叶Julius Caesar 凯撒HamletOthelloKing LearMacbethAntony and Cleopatra 安东尼与克里佩特拉Troilus and Cressida, and Coriolanus 特洛伊勒斯与克利西达All’ s Well That Ends Well (comedy) 终成成眷属Measure for Measure (comedy) 一报还一报Pericles 伯里克利Cymbeline 辛白林The Winter’s Tale 冬天的故事The Tempest 暴风雨Henry VIIIThe Two Noble Kinsmen两位贵族亲戚IV. Francis Bacon:philosopher, scientist, essayist the first English essayist The Advancement of Learning 论科学的价值与发展Novum Organum (New Instrument) 新工具Apophthagmes New and Old 新旧格言录The History of the Reign of Henry VIIThe New Atlantis 新大西岛Maxims of Law 法律原理The Learning Reading upon the Statute of Uses法令使用读书Essays 论说文集,随笔V. John Donne: the leading figure of the ―Metaphysical school‖玄学派Conceit ―奇喻‖: a far-fetched metaphor or simileThe Elegies and Satires挽歌与十四行诗The Songs and Sonnets 歌谣与十四行诗Holy Sonnets 圣十四行诗A Hymns to God the Father 给圣父的赞美诗VI. John Milton: the greatest English poet and writer of political pamphlets Paradise Lost 失乐园Paradise Regained 复乐园Samson Agonistes力士参孙Lycidas 利西达斯Areopagitica 论出版自由Chapter 2 The Neoclassical Period 新古典主义时期(1660-1798)Enlightenment literature:The reign of so-called classicismThe revival of romantic periodThe beginnings of the modern novelThe Realistic Novel:pioneers: Daniel Defoe ,Samuel Richardson,Henry Fielding,Laurence Sterne,Tobias Creorge Smollott,& Oliver Goldsmith.I. John BunyanThe Pilgrim’s Progress 天路历程Grace Abounding to the Chief of Sinners 罪人头目的赫免The Life and Death of Mr. Badman 拜德门先生生死录The Holy War 圣战II. Alexander Pope --poet & satiristThe Dunciad 群愚史诗;愚人志An Essay on Criticism 论批评The Rape of the Lock 夺发记III. Daniel DefoeRobinson Crusoe 鲁宾逊漂流记Captain Singleton 辛立顿船长Moll Flanders 莫尔弗兰德斯A Journal of the Plague Year 灾疫之年的日记Colonel Jack 杰克上校Roxana 罗克萨那IV. Jonathan Swift : Proper words in proper places make the true definition of a style.A Tale of a Tub 木桶传The Battle of the Books 书籍的战斗Gulli ver’s Travels 格列弗游记A Modest Proposal 一个小小的建议The Drapier’s Letters 布商的书信V. Henry Fielding: Father of the English NovelThe Coffee House Politician 咖啡屋的政治家The Tragedy of the Tragedies 悲剧中的悲剧The Historical Register for the Year 1736 1736历史年鉴The History of the Adventures of Joseph Andrews and of His Friend Mr. Abraham Adam s, Written in Imitation of the Manner of CervantesThe History of Jonathan Wild the GreatThe History of Tom Jones, a Foundling 汤姆琼斯The History of Amelia 阿米亚Joseph AndrewsVI. Samuel Johnson English writer,critic,& lexicographerThe Vanity of Human Wishes 人生希望多空幻The History of Rasselas, Prince of Abyssinia (a romance)阿比西尼亚王子的故事Irene (a tragedy) 艾琳The Rambler and The Idler 漫游者和闲散者Lives of PoetsA Dictionary of the English LanguageVII. Richard Brinsley Sheridan: British dramatist & statesmanThe Rivals 情敌The School for Scandal 造谣学校St. Patrick’s Day圣特帕里克节日Scheming Lieutenant 诡计多端的中尉The Duenna 少女的监护人The Critic 批评家Pizarro 比扎罗VIII. Thomas GrayElegy Written in a Country Churchyard 写在教堂墓地的挽歌Ode on a Spring 春之颂Ode on a Distant Prospect of Eton College 伊顿远眺Ode on the Death of a Favourite Cat 爱猫之死颂Hymn to Adversity 逆境颂Chapter 3 The Romantic Period 浪漫住义时期Lyric Ballads Wordsworth and ColeridgeI. William BlakePoetic Sketches 诗歌扎记The Songs of Innocence 天真之歌The Songs of Experience 经验之歌Marriage of Heaven and Hell 天堂与地狱联姻The Book of Urizen 尤里曾的书The Book of Los 洛斯的书The Four Zoas 四个成熟的个体Milton 弥尔顿Robert Burns: A Red, Red Rose, My Heart’s in the HighlandAn excellent native poet of ScotlandII. William Wordsworth (Worshiper of Nature): Lake Poets Coleridge, Robert Southey Wordsworth is regarded as a " worshipper of nature."Lyrical Ballads (抒情歌谣集)The PreludeThe ExcursionWorshipper of Nature(The Sparr,w’s Nest, To a Skylark, To the Cuckoo, To a Butterfly, I Wandered Lonely as a Cloud, An Evening Walking, My Heartn Leaps up, Tintern Abbey)She Dwelt Among the Untrodden Ways, The Solitary ReaperIII. Samuel Taylor Coleridge :poet & criticLyrical BalladsThe Rime of the Ancient Mariner (古舟子咏)Kubla Khan (忽必烈汗)This Lime Free Bower My Prison (酸橙树亭------我的监牢)Frost at Midnight 午夜霜The Nightingale 夜莺Biographia Literaria文学传记ChristabelIV. George Gordon ByronHours of Idleness 闲散的时光Childe Harold’s Pilgrimage恰尔德哈罗德游记Oriental Tales 东方化的传奇The Prisoner of Chillon 锡庸的囚徒Manfred 曼弗雷德Don Juan 唐璜Cain 该隐The Island 岛屿The Vision of Judgement 审判的想象V. Percy Bysshe ShelleyOde to the West WindTo a SkylarkThe CloudThe Necessity of Atheism 无神论的必要性Queen Mab: A Philosophical Poem 仙后麦布Alastor, or The Spirit of Solitude 复仇者或隐居者的精神Julian and Maddalo 朱利安与麦达格The Revolt of Islam 伊斯兰的反叛The Cenci 钦契一家The Prometheus Unbound解放了的普罗米修斯Adomais 阿多尼斯Hellas 海娜斯A Defense of Poetry 诗之辩护VI. John Keats: pursuits a kind of romantic beauty iOn First Looking into Chapman’s HomerEndymion[希神]恩底弥翁(月神)Lamia, Isabella, The Eve of St. Agnes, and Other Poems (Ode on Melancholy, Ode on a Grecian Urn, Ode to a Nightingale, Ode to Psyche)Lyric masterpiece (To Autumn, Hyperion)VII. Jane AustenSense and Sensibility 理智与情感Pride and Prejudice 傲慢与偏见Northanger Abbey 诺桑觉寺Mansfield Park 曼斯菲尔德花园Emma 埃玛Persuasion 劝导The Watsons 屈陈氏一爱Fragment of a Novel 小说的片断Plan of a Novel 小说的计划Walter Scott : the first major historical novelistWaverleyIvanhoeRob RoyChapter 4. The Victorian Period 维多利亚时期(1836-1901)I. Charles Dickens:the greatest representative of English critical realism Sketches by Boz 博兹特写集The Posthumous Papers of the Pickwick Club 皮克威克外传Oliver Twist 雾都孤儿The Old Curiosity Shop 老古玩店Nicholas Nickleby 尼古拉斯尼克尔贝American NotesDavid Copperfield 大卫科波菲尔Martin Chuzzlewit 马丁朱尔述维特A Christmas CarolDombey and Son 董贝父子Barnaby RudgeBleak House 荒凉山庄Hard Times 艰难时世Little Dorrit 小杜丽A Tale of Two Cities 双城记Great Expectations 远大前程Our Mutual Friend 我们共同的朋友II. The Bronte SistersPoems by Currer, Ellis, and Acton Bell (Charlotte, Emily, Anne)Agnes Grey(Anne)The Tenant of Wildfell Hall(Anne)The Professor (Charlotte) 教师Jane Eyre (Charlotte Bronte) 简爱Wuthering Heights (Emily Bronte) 呼啸山庄III. Alfred TennysonPoems by Two Brothers 两兄弟诗集Poems, Chiefly Lyrical 诗集,主要是抒情诗Poems 诗集The Princess 公主In Memoriam 悼念Idylls of the King 国王叙事集Crossing the BarBreadk, Breadk, BrealIV. Robert Browning: Dramatic MonologueMy Last DuchessPauline 波琳Sordello 索尔戴洛Dramatic Lyrics 戏剧抒情诗Dramatic Romances and Lyrics 戏剧罗曼史和抒情诗Bells and Pomegranates 铃铛与石榴Men and Women 男人与女人Dramatic Personae 剧中人The Ring and the Book指环与书Dramatic Idylls 戏剧田园诗V. George Eliot:woman novelist psychological analysisMost of her novels are characterized by two features:moral teaching & psychological realism. Scenes of Clerical Life 教区生活场景Adam Bede 亚当比德The Mill on the Floss 弗洛斯河上的磨坊Romola 罗慕拉Felix holt, the Radical 激进分子菲尼克斯霍尔特Middlemarch 米德尔马契Daniel Deronda 但尼尔狄隆达VI. Thomas Hardy: novels of Character and Environment―Fatalism‖—pessimistic philosophyThe Dynasts 列后A Pair of Blue EyesThe Trumpet Major 号兵长Desperate RemediesThe Hand of EthelbertaThe Mayor of Casterbridge 卡斯特桥市长Under the Greenwood 林间居民Far from the Madding Crowd 远离尘嚣The Return of the Native 还乡Tess of the D’Urbervilles苔丝Jude the Obscure 无名的裘德Chapter 5 现代主义时期(end of the 19c –20c)I. George Bernard Shaw: dramatistCashel Byron’s Profession 卡歇尔拜伦的职业[novel]Our Theaters in the Nineties 90年代的英国戏剧[criticism]Widowers’ Houses 鳏夫的房产Candida 堪迪达Mrs. Warren’s Profession 沃伦夫人的职业Caesar and Cleopatra 凯撕与克利奥佩特拉 [history play]St. Joan 圣女贞德[history play]Back to Methuselah 回归玛士撒拉 [life power]Man and Superman人与超人[life power]Apple CartJohn Bull’s Other Island 约翰布尔的另外岛屿Pygmalion 茶花女Getting Married 结婚Misalliance 不合适的媳妇Fanny’s First Play 范尼的第一部戏剧The Doctor’s Dilemma医生的困境Too True to Be Good 难以置信II. John GalsworthyFrom the Four Winds 来自四位吹奏者The Man of Property 财主;The Silver Box 银盒The Forsyte Saga弗尔赛特三部曲 ( The Man of Property, 有产业的人 In Chancery 骑虎难下, To Let 出租)A Modern Comedy 现代喜剧End of the Chapter 篇章未尾III. William Butler Yeats: In 1923,he was awarded NobeI Prize for 1iterature.The Lake of Innisfree 伊尼斯岛Easter of 1916New Era 新的纪元Sailing to Byzantium 驶向拜占庭:explored the problems of death, love,old age and art Down by the Salley GardensHis Play:The Countess Cathleen 女伯爵凯瑟琳Cathleen ni Houlihan 故里痕的凯瑟琳The Land of Heart’s Desire 心里渴望的地方The Shadowy Waters 浅水区Purgatory 炼狱IV. T. S. EliotHis play:Murder in the Cathedral (1935)教堂里的谋杀The Family Reunion (1939)家人团聚The Cocktail Party (1950)鸡尾酒会The Confidential Clerk (1954)机要秘书The-Elder Statesman (1959)政治家His poem:The Love Song of J. Alfred Prufrock 布鲁富劳克的情歌The Waste Land 荒园His prose:Tradition and Individual TalentV. D. H. LawrenceSons and Lovers 儿子与情人The White Peacock白孔雀The Trespasser 过客The Rainbow彩虹Women in Love 恋爱中的女人Aaron’s Rod亚伦神仗Kangaroo 袋鼠The Plumed Serpent带羽毛的蛇Lady Chatterley’s LoverSt. Mawr 圣摩尔The Daughter of the Vicar 主教的女儿The Horse Dealer’s Daughter贩马人的女儿The Captain’s Doll 般长的娃娃The Prussian Officer 普鲁士军官The Virgin and the Gypsy贞女和吉普塞人Trilogy(A Collier’s Friday Night, 矿工周五的夜晚The Daughter-in-law,儿媳The Widowing of Mrs. Holroyed 守寡的霍尔伊德夫人VI. James Joyce: the most prominent stream of consciousness novelistDubliner 都柏林人A Portrait of the Artist as a Young Man青年艺术家的自画像Ulysses 尤利西斯Finnegans Wake 为芬尼根守灵Herbert George WellsThe Time MachineThe Island of Dr.MoreauWilliam Somerset Maugham毛姆Of Human bondageThe Moon and SixpenceVirginia Woolf 沃尔夫novelist and essayistMr. DallowayTo the Lighthouse 到登塔去The WavesWilliam Golding:was awarded the Nobel Prize for literature in 1983Lord of the Flies 蝇王美国文学Chapter 1 The Romantic Period (the end of 18c ---the outbreak of the Civil War)Longfellow 朗费罗:poetEvangeline (1847) 伊凡吉兰The Song of Hiawatha (1885) 海华沙之歌[在美国文学史上这是描写印第安人的第一部史诗]I. Washington Irving : Most of Irving's subject matter are borrowed heavily from European sources,which are chiefly Germanic. He was the first American writer of imaginative literature to gain international fame.A History of New York form the Beginning of the World to the End of Dutch Dynasty 自古至荷兰占领为止的纽约史The Sketch Book of Geoffrey Crayon, Gent 见闻扎记Bracebridge Hall 布雷斯布里奇庄园Tales of a Travel 旅行者的故事Rip Van WinkleThe Legend of Sleepy Hollow 睡谷的传说II. Ralph Waldo Emerson:Transcendentalism 超验主义–an American version of Romantism Emersonian Transcendentalism inspired a whole generation of famous American authors like Thoreau,Whitman,and Dickinson.Nature 论自然Essay 散文集The American Scholar 论美国学者Self-Reliance 论自助The Over-Soul 论超灵Henry David Thoreau: transcendentalist writerWalden瓦尔登湖James Fenimore Cooper: the first great American writer of fictionThe PioneersThe Last of the MohicansThe PrairieThe PathfinderThe DeerslayerEdgar Allan Poe: poet and critic, the first master of the short story formThe Murder in the Rue MorgueIII. Nathaniel HawthorneMosses from an Old Manse古宅青苔The Snow-Image and Other Twice-Told Tales 雪像和其他故事新编The Scarlet Letter 红字The House of Seven Gables 七个尖角阁的房子The Blithedale Romance 福谷传说The Marble Faun 大理石雕像IV. Herman Melville : Moby-dick is regarded as the Great American Novel,the first American prose epic(散文史诗:a long narrative poem telling of heroic deeds of reflecting the values of the society from which it originated),though it is presented in the form of a novel. Typee 泰比Omoo 奥穆Mardi 玛迪Redburn 雷德本White Jacket 白外衣Pierre 皮埃尔Confidence-Man 信心人Moby-Dick 白鲸:It is a mixture of romanticism and realismBilly Budd 比利伯德V.Harriet Beecher StowerUncle Tom’s CabinWalt Whitman: He is the poet of the common people and the prophet and singer of democracy. Leaves of GrassChapter 2 The Realistic Period 现实主义时期(1865-1914)I. Mark Twain : Mark Twain is a great literary giant of America, whom H.L.Mencken considered ―the true father of our national literature.‖Adventures of Huckleberry Finn: The book marks the climax of Twain's literary creativityLife on MississippiThe Celebrated Jumping Frog of Calaveras CountyInnocent Abroad 傻瓜出国记Roughing It 含莘如苦The Adventures of Tom SawyerThe Gilded Age 镀金时代A Connecticut Yankee in King Arthur’s Court 亚瑟王宫庭中的美国佬The Tragedy of Pudd’nhead Wilson 傻瓜威尔逊The Man That Corrupted Hadleyburg 败坏哈德莱堡的人The Mysterious Stranger 神秘的陌生人II. Henry James: a novelist and criticThe American 美国人Daisy Miller 黛西米勒The European 欧洲人The Protrait of A Lady 贵妇人的画像The Bostonians 波士顿人Princess Casamassima 卡撒玛西公主The Private Life 私生活The Middle Years 中年The Turn of the Screw 螺丝的拧紧The Beast in the Jungle 丛林猛兽What Maisie Knows 梅西所知道的The Wings of the Dove 鸽翼The Ambassadors 大使The Golden Bowl 金碗The Death of a Lion 狮之死The Art of Fiction:literary criticismIII. Emily Dickinson: American best known female poetIf you were coming in the fallThere came a day Summer’s fullI cannot live with YouI’m ceded-I’ve stopped being theirsI like to see it lap the MilesBecause I could not stop for deathIV. Theodore Dreiser [naturalism]Sister Carrie 嘉莉妹妹 Nigger Jeff 黑人杰夫Old Rogaum and His Theresa 老罗格姆和他的特里萨 Jennie Gerhardt珍妮姑娘Trilogy of Desire The Financier 金融家 The Titan The Stoic The Genius 天才An American Tragedy 美国悲剧 Dreiser at Russia 德莱塞对俄罗斯的观感Stephen Crane [naturalism]The red badge of courageJack LondonThe Call of the WildThe Sea WolfWhite FangThe Iron HeelMartin EdenChapter 3 The Modern Period 现代主义时期[20世纪初期至中叶]I. Ezra Pound : Imagist MovementHis poetic works:The Cantos 诗章Collected Early Poems of Ezra Pound 庞德的诗章Personae 人物Cantos Hugh Selwyn Mauberley 休塞尔温莫伯利His critical essays:Make It New 要革新Literary Essays 文学散文The ABC of Reading 阅读入门Polite Essays 优雅的随笔His translations:The Translations of Ezra Pound 庞德译文集Confucius 孔子Shih-Ching 诗集II. Robert Lee Frost :He won the Pulitzer Prize four times and read poetry at the inauguration of President John F. Kennedy in 1961.Known for his verse concerning New England life.After Apple-PickingThe Road Not TakenA Boy’s Will 一个男孩儿的愿望North of Boston 波士顿以北Mountain IntervalNew Hampshire 新罕布什尔Snowy Evening 雪夜停马在林边West-Running Brook 向西流去的小溪Collected Poems 诗选A Winter TreeIII. Eugene O’Neill: the Greatest American playwright, Nobel Prize 1936Eugene O'Neill is unquestionably America's greatest playwright. He won the Pulitzer Prize four times and was the only dramatist ever to win a Nobel Prize (1936)。
《现代版灰姑娘》,《灰姑娘》的爱情故事。
不过本片,这一切不是发生在“很久很久”以前,而是发生在21世纪的美国,萨姆是个高中生,自从父亲去世后,她就不得不和继母和同父异母的姐姐生活在一起,忍受着奚落、轻视和无休止的家务劳动,但是事情在萨姆结识了一个身份神秘的男生之后又了改变,当然,这个穿着牛仔裤的男生将担负起传说中“白马王子”的责任……中文名:灰姑娘的玻璃手机外文名:A Cinderella Story其它译名:无线知两心,无线两心知,灰姑娘的故事出品时间:2004年出品公司:华纳制片地区:加拿大,美国导演:Mark Rosman编剧:Leigh Dunlap主演:Hilary Duff ,Jennifer Coolidge,ChadMichael Murray类型:爱情,喜剧片长:96分钟上映时间:2004年7月16日imdb编码:tt0356470查德麦可莫瑞 (11) 希拉里达夫Quoting Tennyson. Impressive.丁尼生的一首情诗~~(2010-06-29 10:43:48)转载Half the night I waste in sighs,Half in dreams I sorrow afterThe delight of early skies;In a wakeful doze I sorrowFor the hand, the lips, the eyes,For the meeting of the morrowThe delight of happy laughter,The delight of low replies.——《Maud》by Alfred Tennyson.莫娣作者:阿尔弗雷德坦尼森Half the night I waste in sighs,一整夜,一半在叹息中浪费,另一半在睡梦中消散,在清晨的天空带来的片刻欢愉后我又陷入了哀愁之中无法成眠,我沉浸在忧郁之中只因她的手,她的唇,和她的双眸还有那明朝的相会那快乐的欢笑所带来的愉快还有那低声的回答荡起的喜悦——《Maud》by Alfred Tennyson丁尼生(Tennyson,Alfred Tennyson Baron,1809—1892),英国维多利亚时期的―桂冠诗人‖。
“英美文学”必读作品
“英美文学”为外语系英语专业三年级学生在第五、六学期所开设的专业课。
为了指导广大学生了解英美文学,更好地学习、理解和掌握英美文学,“英美文学重点课程组”列出了“英美文学”课程中要涉及的基本的文学作品或选段,基本上涵盖了各个阶段主要作家的重要作品。
由于英美文学所涉及的内容多、知识面广,要求长期的文学阅读和积累,因此,我们建议各位同学能够从一年级一进校后就开始有计划地阅读该目录中的所有作品或选段的英语和汉语两种版本,并且适当地阅读一些相关的文学评论文章,以便为以后该课程的学习打下良好的基础。
相关的文学评论文章可在我校校园网的“校园专网”下的“中国学术期刊(NKI)”和“万方数据库(学院镜像)”中查阅。
如果你在阅读或学习中遇到任何问题,请发邮件至私人信箱:bobxhbbai@,baixihan@(或发至本课程学生用公用信箱:zhongdiankecheng@,zhongdiankecheng@。
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英美文学选读(英国文学部分)
英美文学选读(美国文学部分)。
国外关于道路的诗全文共四篇示例,供读者参考第一篇示例:近代以来,随着交通工具的发展和交通网络的不断完善,人们的生活变得更加方便和便捷。
而道路作为连接城市和乡村,连接人们心灵和情感的纽带,在世界各地都扮演着重要的角色。
下面我将为大家介绍一些关于国外道路的诗歌,让我们一同感受道路的奇妙之处。
首先是英国诗人罗伯特·弗罗斯特的《路远漫漫》(The Road Not Taken):Two roads diverged in a yellow wood,And sorry I could not travel bothAnd be one traveler, long I stoodAnd looked down one as far as I couldTo where it bent in the undergrowth.这首诗讲述了一个人在森林中遇到了两条分岔的道路,他犹豫不决,无法同时选择两条道路。
最终他选择了一条少人走过的路,而这个选择改变了他的一生。
这首诗描绘了在人生道路上做出抉择的矛盾和困惑,道路的选择往往会决定我们的命运。
接下来是美国诗人卢斯·卡尔森的《十字街头》(Crossing the Bar):这首诗以海上航行为隐喻,描绘了一个人即将踏上未知的道路,在日落时分做出自己的选择。
作者希望自己能够平静地启航,没有任何悔恨和不安,正如船驶过海岬时并没有潮声哀鸣一般。
这首诗让人感受到一种无限美好和希望的力量,也让我们思考自己在人生道路上做出选择时的态度和信念。
这首诗描绘了一个在马路上漫无目的行走的人,他没有归属感,没有目的地,只有无尽的孤独。
作者通过这个人物反映了现代社会中人们在道路上迷失的心灵状态,无论是物质上的还是精神上的。
这首诗让人深深反思自己在人生道路上的方向和目标,是否迷失在无尽的马路上。
以上这些关于国外道路的诗歌,不仅描绘了道路的奇妙与美丽,更让我们思考着人生的选择和方向。
艾米·洛威尔经典诗歌:The Cross-Roads艾米·洛威尔,美国诗人,她的第一部诗集是《多彩玻璃顶》。
1913年她在实验性的意象派运动中脱颖而出,并继埃兹拉·庞德之后而成为该运动的领袖人物。
她运用“自由韵律散文”和自由诗的形式进行创作,被称为“无韵之韵”。
下面店铺为大家带来艾米·洛威尔经典诗歌:The Cross-Roads,欢迎大家阅读!A bullet through his heart at dawn. Onthe table a letter signedwith a woman's name. A wind that goes howlinground the house,and weeping as in shame. Cold November dawnpeeping throughthe windows,cold dawn creeping over the floor, creeping up hiscold legs, creeping over his cold body, creeping across his coldface.A glaze of thin yellow sunlight on the staring eyes. Windhowlingthrough bent branches. A wind which never dies down. Howling,wailing.The gazing eyes glitter in the sunlight. The lids arefrozen openand the eyes glitter.The thudding of a pick on hard earth. A spade grindingand crunching.Overhead, branches writhing, winding, interlacing, unwinding, scattering;tortured twinings, tossings, creakings. Wind flingingbranches apart,drawing them together, whispering and whining among them. Awaning,lobsided moon cutting through black clouds. A streamof pebbles and earthand the empty spade gleams clear in the moonlight, then is rammedagaininto the black earth. Tramping of feet. Menand horses.Squeaking of wheels."Whoa! Ready, Jim?""All ready."Something falls, settles, is still. Suicideshave no coffin."Give us the stake, Jim. Now."Pound! Pound!"He'll never walk. Nailed to the ground."An ash stick pierces his heart, if it buds theroots will hold him.He is a part of the earth now, clay to clay. Overheadthe branches sway,and writhe, and twist in the wind. He'll never walk witha bulletin his heart, and an ash stick nailing him to the cold, black ground.Six months he lay still. Six months. And thewater welled up in his body,and soft blue spots chequered it. He lay still, for theash stickheld him in place. Six months! Then her facecame out of a mist of green.Pink and white and frail like Dresden china, lilies-of-the-valleyat her breast, puce-coloured silk sheening about her. Under the younggreen leaves, the horse at a foot-pace, the high yellow wheels ofthe chaisescarcely turning, her face, rippling like grain a-blowing,under her puce-coloured bonnet; and burning beside her, flamingwithinhis correct blue coat and brass buttons, is someone. What has dimmed the sun?The horse steps on a rolling stone; a wind in the branches makesa moan.The little leaves tremble and shake, turn and quake, over and over,tearing their stems. There is a shower of young leaves,and a sudden-sprung gale wails in the trees.The yellow-wheeled chaise is rocking -- rocking,and all the branchesare knocking -- knocking. The sun in the sky is a flat,red plate,the branches creak and grate. She screams and cowers,for the green foliageis a lowering wave surging to smother her. But she seesnothing.The stake holds firm. The body writhes, the body squirms.The blue spots widen, the flesh tears, but the stake wears well in the deep, black ground. It holds the body in the still,black ground.Two years! The body has been in the ground twoyears. Itis worn away;it is clay to clay. Where the heart moulders, agreenishdust, the stakeis thrust. Late August it is, and night; a nightflauntinglyjewelledwith stars, a night of shooting stars and loud insectnoises.Down the road to Tilbury, silence -- and the slow flapping of largeleaves.Down the road to Sutton, silence -- and the darkness of heavy-foliagedtrees.Down the road to Wayfleet, silence -- and the whirring scrape ofinsectsin the branches. Down the road to Edgarstown, silence-- and stars likestepping-stones in a pathway overhead. It is very quietat the cross-roads,and the sign-board points the way down the four roads, endlesslypointsthe way where nobody wishes to go.A horse is galloping, galloping up from Sutton. Shakingthe wide,still leaves as he goes under them. Striking sparks withhis iron shoes;silencing the katydids. Dr. Morgan riding to a child-birthover Tilbury way;riding to deliver a woman of her first-born son. Oneo'clock fromWayfleet bell tower, what a shower of shooting stars! Anda breezeall of a sudden, jarring the big leaves and making them jerk upand down.Dr. Morgan's hat is blown from his head, the horse swerves, andcurves awayfrom the sign-post. An oath -- spurs -- a blurring ofgrey mist.A quick left twist, and the gelding is snorting and racingdown the Tilbury road with the wind dropping away behind him.The stake has wrenched, the stake has started,the body, flesh from flesh,has parted. But the bones hold tight, socket and ball,and clamping them downin the hard, black ground is the stake, wedged through ribs andspine.The bones may twist, and heave, and twine, but the stake holds themstillin line. The breeze goes down, and the round stars shine,for the stakeholds the fleshless bones in line.Twenty years now! Twenty long years! The bodyhas powdered itself away;it is clay to clay. It is brown earth mingled with brownearth. Only flakybones remain, lain together so long they fit, although not one boneis knitto another. The stake is there too, rotted through, butupright still,and still piercing down between ribs and spine in a straight line.Yellow stillness is on the cross-roads, yellowstillness is on the trees.The leaves hang drooping, wan. The four roads point fouryellow ways,saffron and gamboge ribbons to the gaze. A little swirlof dustblows up Tilbury road, the wind which fans it has not strength todo more;it ceases, and the dust settles down. A little whirlof windcomes up Tilbury road. It brings a sound of wheels andfeet.The wind reels a moment and faints to nothing under the sign-post.Wind again, wheels and feet louder. Wind again -- again-- again.A drop of rain, flat into the dust. Drop! -- Drop! Thickheavy raindrops,and a shrieking wind bending the great trees and wrenching off theirleaves.Under the black sky, bowed and dripping with rain,up Tilbury road,comes the procession. A funeral procession, bound forthe graveyardat Wayfleet. Feet and wheels -- feet and wheels. Andamong themone who is carried.The bones in the deep, still earth shiver and pull. Thereis a quiverthrough the rotted stake. Then stake and bones fall together in a little puffing of dust.Like meshes of linked steel the rain shuts downbehind the procession,now well along the Wayfleet road.He wavers like smoke in the buffeting wind. Hisfingers blow out like smoke,his head ripples in the gale. Under the sign-post, inthe pouring rain,he stands, and watches another quavering figure drifting downthe Wayfleet road. Then swiftly he streams after it. Itflickersamong the trees. He licks out and winds about them. Over, under,blown, contorted. Spindrift after spindrift; smoke followingsmoke.There is a wailing through the trees, a wailing of fear,and after it laughter -- laughter -- laughter, skirling up to the black sky.Lightning jags over the funeral procession. A heavy clapof thunder.Then darkness and rain, and the sound of feet and wheels.艾米·洛威尔经典诗歌:The Cross-Roads 将本文的Word文档下载到电脑,方便收藏和打印推荐度:点击下载文档文档为doc格式。
扎西尼玛汉译英诗歌以下是扎西尼玛的一首诗歌及其英文翻译:《在路上》在路上我不停地走从一个地方到另一个地方有时候我感到疲惫有时候我感到孤独但是我知道我必须继续前进因为在路上我找到了自己我找到了生命的意义在路上我看到了美丽的风景我遇到了有趣的人有时候我感到快乐有时候我感到悲伤但是我知道这一切都是生命的一部分因为在路上我学会了成长我学会了坚强在路上我不停地走从一个地方到另一个地方我不知道未来会怎样但是我相信只要我坚持走下去就会有美好的明天On the RoadOn the road,I keep walking,from one place to another. Sometimes I feel tired, sometimes I feel lonely, but I knowI must keep going. Because on the road,I find myself,I find the meaning of life. On the road,I see beautiful scenery,I meet interesting people. Sometimes I feel happy,sometimes I feel sad,but I knowall of this is part of life.Because on the road,I learn to grow,I learn to be strong.On the road,I keep walking,from one place to another.I don't know what the future will be like, but I believeas long as I keep walking,there will be a better tomorrow.。
1.十四行诗(Sonnet)源于中世纪民间抒情短诗,十三、十四世纪流行于意大利,意大利彼特拉克(Petrarch)为代表人物,每行十一个音节,全诗一节八行,加一节六行,韵脚用abba, abba, cdcdcd (cdecde)。
前八行提问,后六行回答。
后来,怀亚特(Thomas Wyatt,1503-1542)将十四行诗引人英国,五音步抑扬格,全诗三个四行一个二行,前三节提问,后二句结论。
斯宾塞(Edmund Spenser,1552-1599)用韵脚abab, bcbc,cdcd,ee。
莎士比亚(William Shakespeare,1564-1616)用韵脚abab,cdcd,efef,gg,称英国式或莎士比亚式。
2.打油诗(Limericks)通常是小笑话甚至是胡诌,一般没有标题也无作者姓名,含有幽默讽刺性,常运用双关,内韵等手法。
每首诗五个诗行,押韵为aabba,格律以抑扬格和抑抑扬格为主。
1) There was a young lady of NiggerWho smiled as she rode on a tiger;They returned from the rideWith the lady inside,And the smile on the face of the tiger.2) A tutor who taught on the fluteTried to teach two tooters to toot,“Is it harder to toot, orSaid the two to the tutor,To tutor two tooters to toot?”3、素体诗(无韵体诗)(Blank Verse)五音步抑扬格,不押韵诗体。
the unrhymed iambic pentameter lineWilliam Wordsworth: There Was a BoyThere was a Boy; ye knew him well, ye cliffsAnd islands of Winander! many a time,At evening, when the earliest stars beganTo move along the edges of the hills,Rising or setting, would he stand alone,Beneath the trees, or by the glimmering lake;And there, with fingers interwoven, both handsPressed closely palm to palm and to his mouthUplifted, he, as through an instrument,Blew mimic hootings to the silent owlsThat they might answer him.—And they would shoutAcross the watery vale, and shout again,Responsive to his call,—with quivering peals,And long halloos, and screams, and echoes loudRedoubled and redoubled; concourse wildOf jocund din! And, when there came a pauseOf silence such as baffled his best skill:Then, sometimes, in that silence, while he hungListening, a gentle shock of mild surpriseHas carried far into his heart the voiceOf mountain-torrents; or the visible sceneWould enter unawares into his mindWith all its solemn imagery, its rocks,Its woods, and that uncertain heaven receivedInto the bosom of the steady lake.This boy was taken from his mates, and diedIn childhood, ere he was full twelve years old.Pre-eminent in beauty is the valeWhere he was born and bred: the churchyard hangsUpon a slope above the village-school;And through that churchyard when my way has ledOn summer-evenings, I believe that thereA long half-hour together I have stoodMute —looking at the grave in which he lies!3.自由诗(Free Verse)自由诗(Free Verse):现代诗中常见的体式,长短不同的诗行存在于同一首诗中,不讲究押韵与格律,只注重诗歌所表达的意象和传递的情感。
英美诗歌简史美国英国诗歌简史诗歌简史William Cullen Bryant (1794--1878)W illiam Shakespeare (1564--1616)1. To A Waterfowl1. Sonnet 182. The Yellow Violet2. Sonnet 293. Sonnet 116Edgar Allen Poe (1809--1849)1. The Raven J ohn Donne (1572--1631)2. To Helen1. Death, Be Not Proud3. Annabel Lee2. A Valediction: Forbidding MourningHenry Wadsworth Longfellow (1807--1882)J ohn Milton (1608--1674)1. The Song of Hiawatha1. To Cyriack Skinner Upon His Blindness2. My Lost Youth2. Paradise Lost3. A Psalm Of LifeA lexander Pope (1688--1744)James Russell Lowell (1819--1891)1. An Essay On Criticism1. Biglow Papers2. Intended For Sir Isaac Newton in Wesminster-AbbeyOliver Wendell Holmes (1809--1894)T homas Gray (1716--1771)1. Elegy Written in a Country ChurchyardJohn Greenleaf Whittier (1807--1892)W illiam Blake (1757--1796)1. Snow-Bound1. The Tyger2. LondonWalt Whitman (1819--1892)1. Leaves of Grass R obert Burns (1759--1796)2. I Hear America Singing1. My Heart's in the Highlands3. Song of Myself2. A Red, Red Rose4. O Captain! My Captain!3. For A' That and A'ThatEmily Dickinson (1830--1886)W illiam Wordsworth (1770--1850)1. Success Is Counted Sweetest1. Travelled Among Unknown Men2. The Soul Selects Her Own Society2. I Wandered Lonely as a Cloud3. A Bird Came Down the Walk3. Lines Written in Early Spring4. Because I Could Not Stop for Death5. There's a Certain Slant of Light S amuel Taylor Coleridge (1772--1834)6. Again His Voice Is at the Door1. Kubla KhanG eorge Gordon Byron (1788--1824)Edwin Arlington Robinson (1860--1935)1. Don Juan1. Man Against The Sky2. Richard Cory P ercy Bysshe Shelley (1792--1822)3. Miniver Cheevy1. Love's Philosophy4. The Children Of the Night2. Ode to the West WindRobert Frost (1874--1963)J ohn Keats (1995--1821)1. Stopping by Woods on a Snowy Evening1. On the Grasshopper and Cricket2. Neither Far Nor Deep2. Ode to a Nightingale3. The Road Not Taken4. Design E lizabeth Barrett Browning (1806--1861)5. Mending Wall6. After Apple-Picking7. Fire and Ice8. Once By the Pacific A lfred Tennyson (1809--1889)9. Birches1. Break, Break, Break10. Nothing Gold Can Stay11. Provide, Provide2. Crossing the BarCarl Sandburg (1878--1967)3. Eagle1. Chicago2. Fog M atthew Arnold (1822--1888)3. The Harbor1. Dover BeachEzra Pound (1885--1972)T homas Hardy (1840--1928)1. In a Station of the Metro1. The Darking Thrush2. A Pact2. In Time Of "The Breaking of Nations"T.S.Eliot(1888--1965)W illiam Bulter Yeats (1865--1939)1. The Love Song Of J.Alfred Prufrock1. The Lake Isle of Innisfree2. The Waste Land2. When You Are Old3. The Second ComingWallace Stevens (1879--1955)4. Sailing to Byzantium1. Anecdote of the Jar5. Leda and the Swan2. Sunday Morning6. Down by the Salley Gardens3. Thirteen Ways of Looking at Blackbird4. The Snow Man W ystan Hugh Auden (1907--1973)5. Peter Quince at the Clavier1. Musee Des Beaus ArtsWilliam Carlos Williams (1883--1963)D ylan Thomas (1914--1953)1. The Red Wheelbarrow1. Do Not Go Gentle Into That Good Night2. Spring and All3. This is just to sayP hilip Larking (1922--1985)E. E. Cummings (1894--1963)1. Church Going1.The Enormous Room2. Chanson Innocenter T ed Hughes (1930--)3. l(a1. Hawk Roosting4. In Just-5. anyone lived in a pretty how town S ylvia Plath (1932--1963)1. DaddyAllen Ginsberg2. Metaphors1. HowlS eamus Heaney (1909--Langston Hughes (1902--1977)1. The Negro Speaks of Rivers2. DreamRobert Lowell (1917--1977)1. Life Studies。
I. Alfred Tennyson1. His literary positiona. Tennyson was recognized as the greatest poet in Victorian Age.b. He was made poet laureate in 1850 when Wordsworth died.2. His life (see textbook)a. the 4th son of a clergyman in Sombersby.b. Started writing very early, with Byron as his youthful hero.c. In 1827, published Poems by Two Brothers.d. The same year, went to study at Cambridge and joined the “Apostles”, a group of gifted students headed by Arthur Henry Hallam.e. In 1830, published his first volume of verse “Poems, Chiefly Lyrical”.f. In 1831, called home due to death of his father and financial difficulties.g. In 1832, published another volume of poems but not well-received, so he remained silent for 10 years perfecting his poems.h. In 1842, returned to public notice with the publication of his “Poems” in two volume.i. In 1850, appointed Poet Laureate in succession to Wordsworth.j. Made a peer in 1882 and ever since called Lord Tennyson.k. Died in 1892 and buried in Westminster Abbey.3. Features of His PoemsHe has a total mastery of the sounds and rhythms of the English language.He is able to create a sense of nostalgia, a strong longing for the past.He is good at linking descriptions of nature or setting to the state mind of the speaker.His poems reflects his conservative ideas.Break, break, breakBreak, break, break,On thy cold gray stones, O sea!And I would that my tongue could utter The thoughts that arise in me.O well for the fisherman's boy,That he shouts with his sister at play!O well for the sailor lad,That he sings in his boat on the bay!And the stately ships go onTo their haven under the hill;But O for the touch of a vanish'd hand, And the sound of a voice that is still!Break, break, break,At the foot of thy crags, O sea!But the tender grace of a day that is dead Will never come back to me. 冲激,冲激,冲激大海呀,冲激灰而冷的岩石!我但愿我的舌端能说出我内心涌起的情思。
本文供考研英国文学复习第二遍和第三遍的时候使用,第一遍要把教材细读一遍。
ﻫ很多人觉的文学学的乱七八糟,主要是因为脑子里没有一个清晰的纲领,在临考前脑子里要对文学有很清晰的纲领,这样就算复习的差不多了。
有人又问?什么是纲领?比如说英国文学吧,你要知道英国文学大致分为多少个时期,每一个时期有什么总体特点,有什么总体的literarytrend,然后这个时期有那些重要的作家,每一个重要的作家都写过什么重要的作品,这些重要的作品大致内容是什么,有什么意义,有什么写作特色,除了这些之外,再对基本的文学术语有所了解就差不多了。
当然如果要求选读的,选读作品得另看。
Part One:Early and Medieval English Literature 1.Beowulf:national epicof theEnglish people; Denmark story; alliteration, metaphors and understatements(此处可能会有填空,选择等小题)3. “Sir Gawainand the Green Knight”: 2.Romance(名词解释)ﻫafamousroman about KingArthur’s story5. Character of Robin Hoodﻫ6. Geoffre 4.Ballad(名词解释)ﻫyChaucer:founder ofEnglish poetry; The Canterbury Tales(main contents; 124 stories planned,only 24finished; written in Middle English; significance; form:heroic couplet)7. Heroic couplet (名词解释)Part Two: TheEnglish Renaissanceﻫ8. The Authorized Version of English Bible and its significance(填空选择)10.Thomas More——Utopia 9.Renaissance(名词解释)ﻫ11. Sonnet(名词解释)ﻫ12. Blankverse(名词解释)ﻫ13.EdmundSpenser“The Faerie Queene”;Amoretti(collection ofh is sonnets)ﻫSpenserian Stanza(名词解释)14.Francis Bacon “essays”esp.“Of Studies”(推荐阅读,学习写正式语体的英文文章的好参照,本文用词正式优雅,多排比句和长句,语言造诣非常高,里面很多话都可以引用做格言警句,非常值得一读)15.ChristopherMarlowe(“Doctor Faustus”and1. WilliamShakespeare可以说是英国6his achievements)ﻫ文学史中最重要的作家,一定要看熟了。
英文诗体裁[一] 诗的格律等知识一、诗的格律格律是指可以用脚打拍子的节奏”,是每个音步轻重音节排列的格式,也是朗读时轻重音的依据。
而音步是由重读音节和非重读音节构成的诗的分析单位。
重读音节为扬(重),在音节上用“-”或“ˊ”标示,非重读音节为抑(轻),在音节上用“)”标示,音步之间可用“/”隔开。
以下是五种常见格式:1.抑扬格(轻重格)Iambus:是最常见的一种格式,每个音步由一个非重读音节加一个重读音节构成。
As fair / art thou / my bon/nie lass,So deep / in luve / am I :And I / will luve / thee still,/ my dear,Till a` / the seas / gang dry:Robert Burns(1759-1796): My Luve Is like a Red, Red Rose注;art=are;luve=love???bonnie=beautiful???a`=all???gang=go上例中为四音步与三音步交叉,可标示为:)-/)-/)-/()-)2.扬抑格(重轻格)Trochee:每个音步由一个重读音节加一个非重读音节构成。
下例中为四音步扬抑格(少一个轻音节),可标示为:-)/-)/-)/-Tyger!/ Tyger!/ burning / brightIn the / forests / of the / nightWilliam Blake: The Tyger3.抑抑扬格(轻轻重格)Anapaestic foot: 每个音步由两个非重读音节加一个重读音节构成。
如:三音步抑抑扬格))-/))-/))-Like a child / from the womb,Like a ghost / from the tomb,I arise / and unbuild / it again.4.扬抑抑格(重轻轻格)Dactylic foot:?每个音步由一个重读音节加两个非重读音节构成。
侨活动外语朗诵诗句1.《世界上最远的距离》——泰戈尔世界上最远的距离,The most distant way in the world.不是生与死的距离。
Is not the way from birth to the end.而是我站在你面前,It is when I sit near you.你不知道我爱你。
That you don't understand I love you.世界上最远的距离,The most distant way in the world.不是我站在你面前,Is not that you're not sure I love you.你也不知道我爱你。
It is when my love is bewildering the soul.2.《晨歌》——西尔维亚·普拉斯Love set you going like a fat gold watch.爱将你发动,像一块胖胖的金表。
The midwife slapped your foot soles, and your baldcry.助产士拍打你的脚底,光着头你的哭喊。
Took its place among the elements.在万物中占据一席之地。
Our voices echo, magnifying your arrival. New statue.我们的声音回响,将你的到来放大。
新的雕像。
In a drafty museum, your nakedness一座通风的博物馆里,你的裸露。
Shadows our safety. We stand round blankly as walls.给我们的安全蒙上阴影。
我们如墙般,面无表情地围站。
I'm no more your mother than the cloud that distills a mirror to reflect its own slow.我比云更不像你的母亲,那云蒸馏出一面镜子,映出它缓慢的消失。
英语散文集锦Remonstrance with the Snails Ye little snails,With slippery tails, Who noiselessly travelAlong this gravel, By a silvery path of slime unsightly, I learn that you visit my pea-rows nightly.[译文欣赏]Sand and Foam 《沙与沫》(一) If you can see only what light reveals and hear only what sound announcesThen in truth you do not see,nor do you hear.假如你只能看到光所显示的,只能听到声所宣告的,那么实际上你没有看,也没有听。
The Trees Are Down They are cutting down the great plane-trees at the end of the gardens.For days there has been the grate of the saw, the swish of the branches as they fall,The crash of the trunks, the rustle of trodden leaves,With the Deaths Of Flowers I would if I could chooseAge and die outwards as a tulip does;Not as this iris drawing in, in-coilingIts complex strange taut inflorescence, willingItself a bud again - though all achieved isNo more than a clenched The Garden How vainly men themselves amazeTo win the palm, the oak, or bays, And their uncessant labours seeCrowned from 1/ 15some single herb or tree, Whose short and narrow vergèdshadeDoes prudently their toils upbraid, While allThe Darkling Thrush I leant upon a coppice gate When Frost was spectre-gray, And Winter's dregs made desolateThe weakening eye of day. The tangled bine-stems scored the sky Like strings of broken lyres, And all mankind that haunted nighHadChristmas Morning A light drizzle was falling as my sister Jill and I ran out of the Methodist Church, eager to get home and play with the presents that Santa had left for us and our baby sister, Sharon.Catch the Star that will Take You to Your Dream Catch the star that holds your destiny, the one that forever twinkles within your heart. Take advantage of precious opportunities while they still sparkle before you.Run Patti Run At a young and tender age, Patti Wilson was told by her doctor that she was an epileptic. Her father, Jim Wilson, is a morning jogger. One day she smiled through her braces and said, Daddy what Id really love to do is Never Judge A Book by Its Cover A lady in a faded gingham dress and her husband, dressed in a homespun threadbare suit,stepped off the train in Boston, and walked timidly without 2/ 15an appointment into the president of Harvard’s outer office .『诗歌欣赏:Crossing the Bar』 Crossing the Bar By Alfred Tennyson Sunset and evening star, And one clear call for me! And may there be no moaning of the bar, When I put out to sea, But such a tide as moving seems asleep, Too full for sound and foam,[散文]I Want to Know 我想知道你的故事It doesn’t interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. Heaven Fish (fly-replete, in depth of June,Dawdling away their wat'ry noon)Ponder deep wisdom, dark or clear,Each secret fishy hope or fear.Fish say, they have their Stream and Pond;But is there anything Beyond?This life[英语散文]-It is my brithday Two weeks ago was my 45th birthday, but I wasn'tfeeling too hot that morning anyway. I went to breakfast knowing my wife would be pleasant andsay "Happy Birthday" and probably have a presentfor me.美丽人生beauty There were a sensitivity and a beauty to her that have nothing to do with looks. She was one to be listened to, whose words were so easy to take to heart. Itis said that the true nature of being is veiled.3/ 15[散文]We Have to Say Goodbye No rose, no diamond ring, that’s the simple and romantic love stories in college. The graduates have to face the approaching of June, a time to farewell their beloved.Ode To A Nightingale My heart aches, and a drowsy numbness painsMy sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drainsOne minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But [诗歌欣赏]泰戈尔《飞鸟集》节选 Sorrow is hushed into peace in my heart like the evening among the silent trees. 忧思在我的心里平静下去,正如暮色降临在寂静Some unseen fingers, like an idle breeze, are playing upon my heart the music of the ripples.孩子的守护天使 Once upon a time there was a child ready to be born. So one day he asked God, “They tell me you are sending me to earth tomorrow but how am I going to live there being so small and helpless?” God replied, “Among the我有一个梦想 I have a drea m ……I say to you, my friends, so even though we must face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American d ream.[英语散文]-美丽人生 Beauty There were a sensitivity and 4/ 15a beauty to her that have nothing to do with looks. She was one to be listened to, whose words were so easy to take to heart.It is said that the true nature of being is veiled. [英语散文]-我的挚友阿诺德 I recently lost my best friend Arnold in an automobile accident while moving my family to our new home in Arizona. Arnold was an 8-month-old pot belly who taught me so much about love, devotion and companionship. [英语诗歌]-匆匆 Rush 文:朱自清燕子去了,有再来的时候;杨柳枯了,有再青的时候;桃花谢了,有再开的时候。
【英诗汉译】(英)阿尔弗雷德·丁尼⽣《Crossing the Bar 穿越沙洲》Crossing the Barby Alfred, Lord TennysonSunset and evening star,And one clear call for me!And may there be no moaning of the bar,When I put out to sea,But such a tide as moving seems asleep,Too full for sound and foam,When that which drew from out the boundless deepTurns again home.Twilight and evening bell,And after that the dark!And may there be no sadness of farewell,When I embark;For though from out our bourne of Time and PlaceThe flood may bear me far,I hope to see my Pilot face to faceWhen I have crossed the bar.穿越沙洲原⽂/ 阿尔弗雷德·丁尼⽣译⽂/ 樱娘薄暮与长庚,分明唤我⾏。
但愿出航⽇,沙洲莫悲鸣。
潮涌似沉睡,涛声泡沫盈。
辗转出深渊,返家⼜归程。
黄昏与晚钟,相携夜⾊浓。
但愿启程⽇,离别莫伤情。
源⾃时空溪,洪载我远⾏。
待过沙洲⽇,愿见舵⼿容。
注释:每天傍晚太阳落⼭,天快⿊的时候,西南⽅就会出现⼀颗很亮的星,出现的最早,⽽且很亮,这就是⾦星(Hesperus),⾦星在中国古代称之为“太⽩⾦星”、“太⽩”、“启明”、“长庚”。
它有时是晨星,黎明前出现在东⽅天空,被称为“启明”;有时是昏星(evening star),黄昏后出现在西⽅天空,被称为“长庚”。
英语诗歌:Crossing the Bar
By Alfred Tennyson
Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
But such a tide as moving seems asleep,
Too full for sound and foam,
When That which drew form out the boundless deep Turns again home.
Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;
For though from out our bourne of Time and Place The flood may bear me far,
I hope to see my Pilot face to face
When I have crost the bar.
渡沙渚
阿尔费雷德丁尼生
夕阳下,闪疏星,
召唤一声清朗!
愿沙渚宁静,
我将出海远航;
潮汐如梦幻,
涛声似止,浪花息;
大海深处涌来,
又悄然退却。
暮霭钟鸣,
黑夜将笼罩!
愿诀别无悲声,
登舟起锚;
千古洪流,时空无限,滔滔载我至远方;
渡沙渚一线,
泰然见领航。