John Donne

作品风格
• 多恩的诗不仅具有高度的美感（常常是富于高度的感官刺激），强烈的理性，而且具 有惊人的个人化倾向。通过使用有时复杂，有时粗暴直接的比喻，多恩将感觉和理性 融于一处，他的手法似乎非常为我们的口味所接受。在他写得最差的作品中，他的比 喻也表达出天才的观念，这一点令直率的约翰逊博士[59]恼怒不已，而在他写的最好 的作品中，他的比喻似乎与他的思想完全合二为一。 • • 多恩的爱情诗不仅超越了一切伊丽莎白时代的传统，而且超越了他以前所有情诗 的典范式情感。“看在上帝面上，请闭上嘴，让我爱你。”用这样的话语做诗的开头 的人不会模仿任何一个人。他不是在进行写作练习，他是个真正的人在说话，他的声 音就回荡在房间里。多恩既能使人惊讶，令人愤怒，也能温柔博学，明白如话，他时 而幻想，时而热情，时而虔诚，时而绝望。有的时候，他会在一首爱情诗中将几种情 感集于一处。他能够认识到感情是复杂的，这一点使他适应于我们这个不再单纯的时 代。他爱情诗中的特点同样适用于他的祈祷诗，这些诗中也带有一些情欲的色彩，这 些作品反映是全部人性，也包括人的肉体。
家庭情况
• 多恩生于一个罗马天主教家庭，他的母亲与壮烈牺牲的托马斯莫尔爵士(Sir Thomas Moore)沾亲。多恩在牛津和剑桥学习过几年，然后开始学习法律，并在伦敦度过了 一段世俗而耽于情欲的生活，此后他被外派到国外工作，然后和他雇主，托马斯· 伊 戈尔顿爵士(Sir Thomas Egerton)出身名门的侄女结了婚，从务实的角度说，这段婚 姻是不明智的。多恩的事业陷入了低谷，年轻的夫妻二人整整度过了十年悲伤而贫 困的生活。四十二岁时，经过认真的反复思考，多恩抛弃了对于家庭的忠诚，听命 于英国国教教会。直到他成为圣保罗大教堂的教长(Dean of St. Paul’s)后才有了声 望，成为他那个时代最著名的牧师。那个早先撰写爱情诗的勇敢的年轻人变成了一 个忍受上帝折磨的人，时时被死亡的想法和疾病的侵袭所困扰。他排斥那“诗歌， 我少年时的情人”，转而热爱“神学，我中年时的伴侣”。随着时间的流逝，死亡 对他的困扰也越发强烈。今天如果参观圣保罗大教堂的地下室，还可以看到多恩的 塑像，这个塑像是在他生前制作的，用布单缠绕着。生命的最后时刻降临时，多恩 在床边设想了一幅图画，他被裹在尸布当中，双目紧闭，似乎死神已经来到了他的 身边。

死神，你莫骄傲>这首诗选自约翰-多恩的《神圣十四行诗》。

诗中说明死亡是瞬间的，而死后的欢乐则是永恒的。

死 0<死神，你莫骄傲>这首诗选自约翰-多恩的《神圣十四行诗》。

诗中说明死亡是瞬间的，而死后的欢乐则是永恒的。

死亡是我们必须面对的问题，死亡可以带走一个人的一切，但我们不必为此而感到恐惧。

约翰·多恩是英国17世纪最伟大的诗人之一,也是玄学诗派的代表人物,他的《死神,你莫骄傲》是他最杰出的玄学诗。

在《死神,你莫骄傲》这首诗中,他看透生死,体现出了一种艺术人生观,这与道家庄子笑谈生死的艺术人生观有着异曲同工之妙。

Death Be Not Proud 死神，你莫骄傲----美音版Death Be Not Proud 死神，你莫骄傲----英音版Death Be Not Proud 死神，你莫骄傲 by John Donne 约翰.多恩Death be not proud, though some have called theeMighty and dreadful, for, thou art not so,For, those, whom thou think'st, thou dost overthrow,Die not, poor death, nor yet canst thou kill me;From rest and sleep, which but thy pictures be,Much pleasure, then from thee, much more must flow,And soonest our best men with thee do go,Rest of their bones, and soul's delivery.Thou art slave to fate, chance, kings, and desperate men,And dost with poison, war, and sickness dwell,And poppy, or charms can make us sleep as well,And better than thy stroak; why swell'st thou then?One short sleep past, we wake eternally,And death shall be no more; Death, thou shalt die.死神，你莫骄傲，尽管有人说你如何强大，如何可怕，你并不是这样;你以为你把谁谁谁****了，其实，可怜的死神，他们没死;你现在也还杀不死我。

And pampered swells with one blood made of two, 饱餐了我们的血滴后大腹便便， And this ,alas, is more than we would do. 这种享受我们无能企及。 Oh stayபைடு நூலகம் three lives in one flea spare, 住手，一只跳蚤，三条生命啊， Where we almost, nay more than married are. 它是我们婚姻的见证。 This flea is you and I, and this 它，你和我， Our marriage bed and marriage temple is; 以及我们的婚床，婚姻的殿堂； Though parents grudge, and you, we are met. 父母怨恨，你不情愿，我们还是相遇了，
Die not, poor death, nor yet canst thou kill me. 可怜的死神，他们没死，你现在也还杀不死我。 From rest and sleep, which but thy pictures be, 休息,睡眠，这些不过是你的写照， Much pleasure; then from thee much more must flow, 既能给人享受，那你本人提供的一定更多， And soonest our best men with thee do go, 我们最美好的人随你去得越早， Rest of their bones, and soul’s delivery. 越能早日获得身体的休息，灵魂的解脱。
His works
Songs and Sonnets《歌曲与十四行诗》 The Sun Rising《日出》 The Flea《跳蚤》 Devotions upon Emergent Occasions《紧急场 合的祈祷》 Death, Be Not Proud《死神，你莫骄横》 The Elegies《挽歌》 The First and Second Anniversaries《一周年与 二周年》

I. John Donne-the Flea
Cruel and sudden, hast thou since Purpled thy nail in blood of innocence? Wherein could this flea guilty be, Except in that drop which it sucked from thee? Yet thou triumph'st and sy'st that thou Find'st not thy self nor me the weaker now; "Tis true; then learn how false fears be; Just so much honor, when you yield'st to me. Will waste, as this flea's death took life from thee.
I. John Donne-the Flea
多么残忍，你毫无犹豫 用无辜的鲜血染红自己的指甲？ 它不过吸了你一滴血 罪不至死啊？ 你却以胜利者的口吻说 你我并没有因失血而有些虚弱； 的确，担心不过是虚惊一场： 接受我的爱， 你的名誉不会有丝毫损失， 就象跳蚤之死不会让你的生命有所损失。
II. John Milton
II. John Milton
Feature: Inheritance from traditional writings 1) Influence from France, Switzerland inherited from Shakespeare; 3) Influenced and inspired by Greek and Roman epics by Homer and Virgil; 4) The Bible as source material and the themes of tragedy and redemption in the Old Testament mini-epic

约翰•邓恩《Death, Be Not Proud》二译本对比作者：陈昊周四, 2009年08月13日14:56 John Donne: Death, Be Not ProudV1：汪剑钊译；V2：于中旻译Death, Be Not ProudJohn Donne 约翰•邓恩V1：死神，你莫骄横V2：死亡，你不要骄狂Death,be not proud,though some have called theeMighty and dreadful,for thou art not so;For those whom thou think'st thou dost overthrowDie not,poor Death,nor yet canst thou kill me.From rest and sleep,which but thy pictures be,Much pleasure; then from thee much more must flow,And soonest our best men with thee do go,Rest of their bones, and soul's delivery.Thou art slave to fate, chance,kings,and desperate men,And dost with poison, war, and sickness dwell,And poppy or charms can make us sleep as wellAnd better than thy stroke; why swell'st thou then?One sort sleep past, we wake eternallyAnd death shall be no more; Death,thou shalt die.V1：死神，你莫骄横，尽管有人将你看得如何强大，如何可怖，你呀，名不符实；你自以为已经把芸芸众生毁灭，可怜的死神，他们没死．你至今还杀不死我；休憩和睡眠，其实就是你的写照，你定然比它们更让人感到舒适惬意，而我们最出色的人们随你而去越早，越能早日让灵魂获救，肉体安息，你是命运、时机、君主和狂徒的奴隶，你与毒药、战争和病魔同流合污，鸦片与巫术也能灵验地进行蛊惑，而且效果更佳，你又何必颐指气使？人们小憩一会，精神便得以永远清朗，便再不会有死亡，死神你自己将死亡。

9
Impossible and absurd
cynicism
Go and catch a falling star, Get with child a mandrake root, Tell me where all past years are, Or who cleft the Devil’s foot, Teach me to hear mermaids singing, Or to keep off envy’s stinging, And find What wind Serves to advance an honest mind.
a lawyer.
5
Song
By John Donne
Go and catch a falling star, Get with child a mandrake root, Tell me where all past years are, Or who cleft the Devil’s foot, Teach me to hear mermaids singing, Or to keep off envy’s stinging, And find What wind Serves to advance an honest mind.
Or who cleft the Devil’s foot,
Though at next door we might meet;
Teach me to hear mermaids singing, Though she were true when you met
Or to keep off envy’s stinging,
ababccddd
And swear

John Donne（约翰·多恩）是英国文艺复兴时期的一位重要诗人。

他的诗歌作品充满了深邃的思考、丰富的意象和独特的语言风格。

以下是一些John Donne的诗歌作品：
1. 《歌与十四行诗》
2. 《挽歌》
3. 《一周年与二周年》
4. 《圣十四行诗》
这些诗歌作品涵盖了爱情、死亡、信仰等多个主题，展现了John Donne独特的思考和表达方式。

他的诗歌语言简练而富有力量，常常使用隐喻和象征手法，让读者在思考中感受到诗人的智慧和情感。

以上只是John Donne的一部分诗歌作品，他的作品数量庞大且质量上乘，是英国文学史上的重要遗产之一。

the sun rising john donne 赏析最后一句摘要：1.概述约翰·唐纳的诗歌背景和影响力2.分析诗歌《日出》的主题和结构3.赏析诗歌最后一句的意义和艺术价值4.总结诗歌对读者产生的启示和感悟正文：约翰·唐纳（John Donne）是16世纪末17世纪初英国文坛最具影响力的诗人之一。

他的诗歌作品涵盖了宗教、爱情、死亡、颂扬和悲剧主题，以其独特的语言技巧和深邃的思考著称。

在他的诗歌《日出》（The Sun Rising）中，唐纳以日出为背景，表达了对爱情的渴望和生命的思考。

诗歌《日出》的主题围绕着自然界的日出展开，诗人将自己的情感和人生感悟融入其中。

在诗歌中，唐纳以第一人称视角，描述了日出时分的美好景象，并通过与爱人的对话，表达了自己对爱情的向往和生命的珍视。

诗歌的结构严谨，采用抒情诗的形式，共分为五个诗节，每个诗节八行。

诗节之间逻辑紧密，情感层层递进，使整首诗歌读来朗朗上口，富有音乐美感。

在诗歌的最后一句，“And thou, my love, art all the heaven that I have”，唐纳将自己对爱人的赞美升华至对天堂的向往。

这句诗意味着，爱人就是诗人所拥有的一切，是他人生的天堂。

这句诗既表达了诗人对爱情的真挚情感，也透露出他对生命和幸福的追求。

通过这一句，诗人将个人的爱情升华为对人生价值和意义的探讨，使得整首诗歌具有了更高的艺术价值。

约翰·唐纳的诗歌《日出》以其优美的语言、独特的结构和深刻的思考，给读者带来了丰富的启示和感悟。

诗歌教导我们珍惜眼前的美好，珍惜与亲人朋友相处的时光，同时激励我们追求更高的人生境界，思考生命的真谛。

The Metaphysical School
• The diction is simple, and echoes the words and cadences of common speech.
• The imagery is drawn from the actual life.
• The form is frequently that of an argument with the poet’s beloved, with god, or with himself.
subtle and often outrageous logic.
• It is usually organized in the dramatic or rhetorical form of an urgent or heated argument (first drawing in the reader and then launching the argument).
Donne's first literary work, satires was written during this period . This was followed by Songs and Sonnets.
Then in 1617 Anne Donne died in giving birth to the couple's 12th child. Her death affected Donne greatly, though he continued to write, notably Holy Sonnets (1618).
Mighty and dreadful, for, thou art not soe,...

John Donne 约翰•多恩（1572 - 1631)诗人简介John Donne 约翰•多恩（1572 - 1631）英国诗人。

1572年生于伦敦的一个富商之家，1631 年3月31日卒于伦敦。

信仰罗马天主教。

早年曾参加埃塞克斯伯爵对西班牙的海上远征军，后成为女王大臣托马斯•埃格尔顿爵士的秘书。

1615年改信英国国教，后出任教职，成为当时著名的布道者，1621年起被任命为伦敦圣保罗大教堂的教长。

多恩是玄学派诗歌的创始人和主要代表人物，他的创作启迪了包括乔治•赫伯特(George Herbert)、安德鲁•马维尔等一大批杰出诗人在内的所谓“玄学诗派”。

作品包括爱情诗、讽刺诗、格言诗、宗教诗以及布道文等。

诗歌节奏有力，语言生动，想象奇特而大胆，常使用莎士比亚式的机智的隐喻，这些特点在他的诗集《歌与短歌》中体现得十分明显。

多恩和他开创的玄学诗派在18世纪遭到人们冷落，到了20世纪，现代派诗人叶芝、T.S.艾略特等都从多恩的诗歌中广泛汲取营养，多恩因而被看成是现代派诗歌的先驱。

约翰•多恩死后出版第一部诗集，长期受人争议，直到二十世纪才被公认为大师。

在十七世纪初期,出现了一批以奇特的比喻,口语化诗体,富于变化的格律等为主要特征的诗人,人们称之为“玄学派诗人(Metaphysical poets)”.这些诗人是一群博学多才的人.正如塞缪尔•约翰逊在The Lives of the English Poets 所描述的那样：“… the metaphysical poets were men of learning, and to show learning was their whole endeavor.”“玄学派诗人”的主要代表者是约翰•多恩(John Donne, 1572—1631), 乔治•赫伯特(George Herbert, 1593—1633), 理查德•克拉肖(Richard Crashaw, 1613?—1649) 和亨利•沃恩(Henry V augham 1621—1695)等等。

他的玄学风格，大胆显露的博学多才， 以及机智和幽默，都在他的布道中得到了 淋漓尽致的发挥。邓恩的诗歌与其前人和 同龄人的作品迥然不同。伊丽莎白时代的 诗歌大多讲究雕饰，意象华丽。邓恩通过 使用一种更注重智力的比喻，激情与推理 融为一体，而给诗歌重新注入了活力。他 创造了极为凝炼意象，这些意象通常包含 着一种戏剧性对比的因素。他在诗中嘲笑 传统的爱情诗的陈词滥调。邓恩不仅在意 象和观念上作大胆的实验，而且在诗的节 奏和诗节形式也作创新。
诗人营造的氛围是 ：尽管两人的肉
Moving of th’earth brings harms and fears, 地动会给我们带来伤害与恐惧 Men reckon what it did and meant; 人们总是在猜想它要干什么，准备怎样 But trepidation of the spheres, 但是其他天体的震动 Though greater far, is innocent. 尽管厉害得多，也不会有带来任何伤害 Dull sublunary lovers' love 俗世男女的爱情 （Whose soul is sense） cannot admit 最忌讳的来源 Absence, because it doth remove 是离别，因为它取消了 Those things which elemented it. 构成爱情的元素
So let us melt, and make no noise, 让我们悄然无声地融化来源 No tear-floods, nor sigh-tempests move; 没有一滴泪浪，也没有一声长叹 ‘ Twere profanation of our joys 对俗人诉说我们的爱情 To tell the laity our love. 是对我们欢迎的亵渎

没有人是自成一体、 与世隔绝的孤岛，
每一个人都是广袤大陆的一部分。
如果海浪冲掉了一块岩石， 欧洲就减少。
如同一个海岬失掉一角， 如同你的朋友或者你自己的领地失掉一块。
每个人的死亡都是我的哀伤， 因为我是人类的一员！
登录后才能查看或发表评论立即登录或者逛逛博客园首页
《丧钟为谁而鸣》 -JohnDonne
No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and, therefore, never send to know for whom the bell tolls; it tolls for thee.

约翰·邓恩诗歌中的神学观约翰邓恩（JohnDonne），是英国七世纪末八世纪初的伟大诗人，也是最出名的“文艺复兴派”诗人之一。

他的诗歌极富哲理性，表达了一种非凡的观点，这种观点被称为“约翰邓恩诗歌中的神学观”。

其哲理表达的特点主要是重视“心灵”的概念，强调“有限的人的个体与永恒的上帝连结会发生神奇的事件”，认为“整个宇宙都是一个凝聚在一起的体系”，并宣扬“神赐人类智慧和恩赐，而个体应尽可能地努力去持守它”。

约翰邓恩认为，“心灵”是一切东西的中心，它是宇宙中最神圣的一点，人类应该尊重它，也应该尊重另一个神圣的实体，那就是上帝。

在他的诗歌中，他把心灵作为一个能够连接人与上帝的桥梁，强调人与上帝的联系，重视“心灵”的概念。

在他的诗歌中，他表达的是唯物辩证法的理论，表达了一种“双重实体”的观念，认为“人类和上帝本来就是一体，二者不是分离的实体，很多时候，这种相互联系是必要的”。

他的诗歌也重视“智慧”的概念，认为“人类有智慧可以理解上帝的心意”，因此，“人类应该努力去发现智慧的真谛，并奔向正义的光辉”。

此外，他的诗歌还重视“宽容”的概念，强调“人类应涵容别人的缺点，同情他人的苦难”，从而激发“爱的花朵绽放”的思维。

约翰邓恩的诗歌主要探讨的是“双重实体”的观念，他强调“心灵”的概念，把人与上帝的联系提升到一种新高度。

他也重视“智慧”、“宽容”等概念，遵循“双重实体”的观念，努力将个体与上帝联系起来。

他的诗歌不仅仅是一种文学形式，也可以说是一种观点，他的具体表达方式也极为有趣，他在古典和现代文学中都具有重要的影响力。

总之，约翰邓恩的诗歌极具哲理性，非常有价值，其中的神学观也极为独特，值得深入研究。

综上所述，约翰邓恩诗歌中的神学观表达的特点是重视“心灵”的概念，强调“有限的人的个体与永恒的上帝连结会发生神奇的事件”；认为“整个宇宙都是一个凝聚在一起的体系”，宣扬“神赐人类智慧和恩赐，而个体应尽可能地努力去持守它”。

全人类就是一本书。每一个人都是书本中的一个篇章，当 他死去的时候，他的篇章并不是被撕掉了，而是被翻译成 了另外一种更美好的语言。且每一个篇章都是注定被如此 翻译的。
——John Donne
an English poet, satirist and priest.
Works: Songs and Sonnets:
Me it sucked first, and now sucks thee, And in this flea our two bloods mingled be… Oh stay, three lives in one flea spare, Where we almost, nay more than married are. This flea is you and I, and this Our marriage bed and marriage temple is…
你回来会滔滔不绝地讲述 你所遭遇的奇怪事物， 到最后 都赌咒 说美人而忠心，世界上可没有。
你万一找到了，通知我一句 向这位千里进香也心甘； 可是算了吧，我决不会去， 哪怕到隔壁就可以见面； 尽管你见她当时还可靠， 到你写信了还可以担保， her, 她不等 我到门 准已经对不起两三个男人。 （卞之琳译）
歌
A GO and catch a falling star, B Get with child a mandrake root, A Tell me where all past years are, B Or who cleft the devil's foot, C Teach me to hear mermaids singing, C Or to keep off envy's stinging, D And find D What wind D Serves to advance an honest mind.

JOHN DONNE
JOHN DONNE(约翰· 邓恩 ）
• • • • • • 个人简历 个人经历 家庭情况 影响 后人评价 作品推荐
个人简介
• 约翰 邓恩 (1572~1631), 曾就读于牛津和剑桥两所学校， 但未获任何学位。尽管他从其父处继承了一笔钱，但远远 不能使他经济上获得自立。他不善经商，不得不以另一种 途径在这个世界上立足。他只得依靠智慧、幽默、情趣、 学识、勇敢以及别人的恩惠。他广泛阅读了神学、医学、 法律和古典著作，因此在写作中，他有时显示出其不凡的 学识、机智和幽默。 • 邓恩虽婚姻美满，但他上层的朋友们对他耿耿于怀， 不肯原谅他。那些爵士解除了邓恩的职务，并命人逮捕、 拘禁了他。获释后，邓恩不得不干各种差使，以供养妻儿。 30多岁的邓恩已风光不再，他疾病缠身，穷困潦倒，郁郁 不乐。
影响
• 邓恩与他其后的模仿者通常被称为“玄学派诗 人”。到19世纪末20世纪初，读者对他的作品重 新进发出巨大兴趣，仿佛发现了一块埋藏在地下 的宝玉，并且立即对现代诗歌产生了深刻的影响。 当时的诗人对邓恩所代表的那种诗风如饥似渴， 想极力摆脱19世纪末浪漫主义诗歌的陈腐的语言。 所有这些，都使邓恩在英国诗人中的地位产生了 天翻地覆的变化。邓恩被公认为文学大师。艾略 特对他情有独钟。二者的诗风有颇多的相似之处。
在如此一番享受之后，我将醒来， 除了觉醒之外，将无可怨悔； 将给爱情作出更多的感谢之诗， 哪怕耗费更多荣誉、痛苦和泪水。 最亲爱的心，和更亲爱的影像，但请留驻； 咳，真正的欢乐至多只是充足的梦； 虽说你暂留在此，但你逝去得太匆促： 甚至最初，生命之就是燃过的烛芯。 充满着她的爱，我宁愿因太多的心 而变疯狂，也不愿成为无心的痴人。
作品推荐
• 《歌与十四行诗》(Songs and Sonnets) • 《挽歌》(the Elegies) • 《一周年与二aries ) • 《圣十四行诗》(Holy Sonnets) • 《突发事件的祷告》(Devotions upon Emergent Occasions)

john donne 妻子John Donne (John Donne, 1573 ~ 1631), is the seventeenth century British metaphysical poet, especially for T · E Eliot respected, in which Brotsky and the long years of foreign poet. Mainland travel. But also the court chic suave, promising immeasurable gentleman. In 1598, he was appointed as the private secretary of the most important jazz of the Elizabeth court. His career seemsto be bright. Dunne is also able to meet those dignitaries. But in 1601, hislife had a major turning point. He and a 17-year-old girl secretly married, which ruined his excellent career.In recent years, scholars interested in John Dunne (1573 ~ 1631),especially the modern poet Eliot is highly respected to him. Dunne studied at Oxford and Cambridge, but did not receive any degree. Although he inherited a sum of money from his father's office, he was far from being economicallyself-reliant. He is not good business, had to another way in this world based. He had to rely on wisdom, humor, taste, knowledge, courage and the favor of others. He has read theology, medicine, law and classical works extensively,so in writing he sometimes shows his extraordinary knowledge, wit and humor.Dunn was happy with his marriage, but his friends at the top told him, refused to forgive him. The jazz lifted Dunne's duties and ordered him toarrest and detain him. After the release, Dunne had to do all kinds of poor to support his wife and children. 30-year-old Dunn has no longer scenery, his illness ridden, impoverished, depressed.Dunne was born in a Catholic family. At first he had flatly refused totake the clergy. In 1615, Dunne finally became an outstanding British Catholic priest. His metaphysical style, bold and revealing knowledgeable, as well aswit and humor, are in his sermon has been most vividly play. In 1621, he became dean of the Cathedral of St. Paul (Dean), there are many excellent sermon to be handed down. It is not difficult to understand that Dunne created a large number of religious poems in his life. Dunn's poetry is very different from his predecessors and peers' works. Most of Elizabeth's poems payattention to carvings and images. Dunne through the use of a more emphasis on intellectual metaphor, passion and reasoning integration, and to re-injected into the vitality of poetry. He creates a very condensed image, which usually contains a dramatic contrast. He laughed at the clichés of traditional love poems in his poems. Dunn not only in the imagination and ideas for bold experiments, but also in the rhythm of poetry and the form of poetry is alsoinnovative. Ben Jones once said, "Dunn is the first poet in the world in many ways.Dorn's "Devotions" and "Sermons" are very different from traditional religious literature. They are all works of art, will be a very frightening strong feelings and delicate and meticulous combination of rhythm and metaphor. "Prayer" is mainly written to him, and the sermon is in front of many viewers, especially in front of the king. The performance here is not a pilgrimage only when Sunday sermon, but specifically to influence the feelings of people,until today this effect is still effective, even if the doctrine is no longer popular, its art is still able to make people moving.Donne's poem not only has a high degree of beauty (often a highly sensory stimulus), a strong rationality, but also a surprising personal tendency. Through the use of sometimes complex, sometimes violent direct metaphor, Donne will feel and rational blend in one place, his approach seems to be very acceptable for our tastes. In his worst writings, his metaphor also expresses the idea of genius, which makes the straightforward Dr. Johnson angry, and in his best works, his metaphor seems to be complete with his thoughts Combined into one.Donne's love poem not only transcends all the traditions of theElizabethan era, but also transcends the exemplary emotions of all hisprevious love poems. "Look at the face of God, please close your mouth and let me love you." The person who starts the poem in such words does not imitate anybody. He is not in the writing practice, he is a real person to speak, his voice echoed in the room. Donne can be surprising, angry, but also gentle and learned, understand words, he sometimes fantasy, sometimes warm, sometimes devout, sometimes desperate. Sometimes, he will be in a love poem will be afew emotions in one place. He can realize that feelings are complex, which makes him adapt to us this is no longer a simple era. The characteristics ofhis love poems also apply to his prayer poems, which also have some lustful colors that reflect all human nature and human flesh. The following two sentences are often cited, these two words condensed most of John Dorn's characteristics:The myth of love is indeed sprouting in the human soul, and the human body is like a book page that records myths.We can be very roughly the poem of Donne than El Greco (El Greco) oil painting. El Gregg is distorted by lines, while Dorn is distorted by language.He is not eager to try, but in order to achieve the exact effect to emphasize the content, strengthen the sense and direct expression, in addition, there is no other way. El Gregg's color looks rough and unnatural at the beginning, and the rhyme of Donne is neat and neat, and the reflection of the poet is also rough and not coherent. In the paintings of El Gerry, we will feel the pain and tension of the mind, this feeling in the poems of Donne also can appreciate. His devotion is not calm, but is anxious, confused, contradictory cover, seems to indicate our atmosphere of this era of sorrow.感谢您的阅读，祝您生活愉快。

• • • • • • • • • • •
看呀，这只跳蚤，叮在这里， 你对我的拒绝多么微不足道； 它先叮我，现在又叮你， 我们的血液在它体内溶和； 你知道这是不能言说的 罪恶、羞耻、贞操的丢失， 它没有向我们请求就得到享受， 饱餐了我们的血滴后大腹便便， 这种享受我们无能企及。 住手，一只跳蚤，三条生命啊， 它的身体不只是见证我们的婚 约。 • 还是你和我，我们的婚床，婚 姻的殿堂；
The flea
How little that which thou[1] deniest me is; Me it sucked first, and now sucks thee And in this flea our two bloods mingled be Thou know'st that this cannot be said A sin, or shame, or loss of maidenhead, Yet this enjoys before it woo, And pampered swells with one blood made of two, And this, alas, is more than we would do. Oh stay, three lives in one flea spare, Where we almost, nay more than married are. This flea is you and I, and this Our marriage bed and marriage temple is;
Metaphysical Poets
began in the last decade of the sixteenth century, in the poems of John Donne, a new and very strange style of verse.