丧钟为谁而鸣-约翰·唐恩

海明威《丧钟为谁而鸣》读后感《丧钟为谁而鸣》读后感“任何人的死亡，都是我的减少，作为人类的一员，我与生灵共老。

丧钟在为谁敲，我本茫然不晓，不为幽明永隔，它正为你哀悼。

”——约翰·唐恩种族，利益，战火，冷漠，颓废，卑劣，我在二十一世纪的迷茫中悼念你，你在二十世纪的丧钟中哀悼人类。

欧内斯特·海明威，你是战火纷飞的年代里战斗着的斗士，你用身体捍卫正义，用生命警醒时代，炮火灼伤了一代人的躯体，也灼伤了一代人的精神和梦想，可你究竟有着怎样的坚韧？在创伤中保持坚韧的同时，书写着生命的斗牛之旅。

生命如斗牛，可你深知，若不是你去战胜这危难，便是它来挑死你的勇敢。

当所有人笼罩于生之脆弱，生之肤浅，死之沉坠，人之无奈，你用自己的历程去理解和宽容这迷惘的一代，却同时敲响丧钟，不为祭奠，只为唤醒这一代的坚强和尊严。

当我在这个时代的颓靡中穿行时，当我看见毒品、酒精充斥着天空摧残着人生时，当我成为更加迷惘的一代时，我想，在你敲响丧钟的那一刻，有多少热血和执着重回。

即使它们重回，丧钟也不会停止悲鸣，它一直敲打了一个多世纪，你看见倒下的高大战士，也看见安坐的矮小国王；你看见乔丹将生的希望留下，也看见巴勃罗把生的可能夺走。

你痛斥虚伪，鄙视自私，你是智慧的，你明白没有人是一座孤岛，你成为岛屿中最坚固的那一部分，你为人类敲响丧钟，同时也为自己敲响，这样你才得以成为大陆的一部分，可你会预想到吗？当越来越少的人脱离这大陆，而冷漠和卑劣却愈加猖狂，即使战火已不再无情地燃烧，这个时代也成为孤岛的时代，丧钟一直悲鸣，而我们却不自知。

我在一个世纪后怀念你在战场上泼洒的热血，怀念你在笔尖铸就的韧性，怀念你敲响的丧钟，怀念你奏的哀曲。

你用猎枪结束了人生，消灭了你的生命，成全了你的刚硬，终换来不曾被打败的奇迹。

“恕我站不起来了”，你没有见到信仰让丧钟停鸣的那天，你会不会遗憾？我不知道，我只知道，你的逝去成为人类的遗憾。

欧内斯特·海明威，你的背后是灿烂的军功奖章，是荣耀和财富，也是237处伤痕，是无法磨灭的悲惨的战时记忆，更是人性的反思，是为茫然的时代敲响的丧钟，为我们的不自知，和自知后的无能为力。

读《丧钟为谁而鸣》有感范文5篇从《丧钟为谁而鸣》的书名开始，一向读完最后一页的那首诗。

那首像是对所有的世界人民发出号召一般的诗，是我的心灵产生了强烈的共鸣，始终都在被一种精神震撼着。

下面是的小编为你们整理的文章，希望你们能够喜欢《丧钟为谁而鸣》读后感900字一九三六年初秋到一九三九年春的西班牙内战早已成为历史陈迹，这天已不大为人们所提及。

然而它实际上是第二次世界大战欧洲战线的序幕，是全世界进步力量和德意法西斯政权之间的第一次较量。

由于种种复杂的历史原因，进步力量在这场斗争中失败了。

以文学形式来反映这一页历史的作品为数不多，而这天尚被人推崇、文学阅读的恐怕就只有这一部《丧钟为谁而鸣》了。

这是海明威篇幅最大的一部小说，但全书情节局限于三天之内(一九三七年五月底一个星期六的下午到星期二上午)，写得紧凑非凡。

那时候，由于三月中政府军在首都东北瓜达拉哈拉城附近大败意大利侵略军，首都已转危为安。

戈尔兹将军这时正准备在首都西北向瓜达拉马山区叛军山上防线发动进攻，为了切断敌人的增援路线，派美国志愿人员罗伯特;乔丹到敌后深山中和游击队接上关系，等战斗一打响，炸毁一座铁桥。

本书即从老向导安塞尔莫带乔丹到桥头哨所侦察写起，之后两人就向游击队的营地进发。

老人唤来了小组头头巴勃罗，乔丹和他立刻进行了交锋，矛盾就一步步展开了。

巴勃罗当年原是马贩子，给部队和斗牛场供应马匹，之后在斗牛场做帮手时结识了和斗牛士菲尼托同居的比拉尔，菲尼托被牛挑伤死去后，她跟巴勃罗待在一齐。

革命爆发时，巴勃罗率众在家乡小镇包围了民防晕的兵营，逮捕了所有的法西斯分子，把他们都处死了。

三天后，遭到反动军队的反攻倒算，撤至深山中打游击，一年来，袭击了几次敌人的据点，炸了一次火车，弄到了几匹马，开始酗酒，意气消沉，只求能在这山区混下去。

他得悉了乔丹的来意，当场提出他所谓的狐狸的原则：要在一个地区待得下去，就只能到别的地区去活动，不然会被敌人赶走。

比拉尔是个直爽热情的妇人，和几个苦出身的斗牛士生活过来，多少尝到了些人间的欢乐，因巴勃罗当初富有男人气概而倾心于他，但如今年近半百，看他堕落成个鼠目寸光的酒鬼和胆小鬼，心里十分懊恼，和那些苦大仇深的游击战士一样，正苦于无法为他们所热爱的共和国作出贡献。

Analysis on the theme ofFor Whom the Bell TollsThe themes of Hemingway’s novel are always about the war ,love and death. But they are describe in different ways depending on his different books. For example, the a farewell to arms and the sun also rises were written in 1920s,for whom the bell tolls was written 10 years later. We can see the attitude of Hemingway to love war and death has developed a lot. After struggling in lostness in a long time,he got rid of his lostness.The theme of war.The writing of war in the novel A Farewell to Arms is based on Hemingway’s early experience in World War I．Frederick Henry the protagonist of the novel，goes to the war in a burst of enthusiasm．This is reflected from his blindness in joining the Italian army．The disillusionment of Frederick Henry comes to stand for the disillusionment of the World War I generation：I was always embarrassed by the words sacred，glorious，and sacrifice and the expression in war．．．now for a long time and I had seen nothing sacred，and the things that were glorious and no glory and the sacrifices were like the stock yards at Chicago if nothing was done with the meat except to bury it．There were many words that you could not stand to bear and finally only the names of places had dignity．Certain numbers were the same way and certain dates and these with the names of the places were all you could say and have them mean anything．Abstract words such as glory,honor,courage，or hallow were obscene beside the concrete names of villages，the numbers of roads，the name of rivers，and the numbers of regiments and date.The First World War gave that generation too much pain．That is why they got cynical about it and antiwar sentiment permeated everywhere．After World War I grew a lost generation，among which，Hemingway was the representative．But the attitude towards the war changed in the For Whom the Bell Tolls.In the 1930s，Fascism had become militant，imperialistic，and international．Although the artist devoted to the development of his art，isolated from political and social affairs，he could not ignore it any more．Just as Hemingway said that there was only one form of government that could not produce good writers，and that system was fascism．Robert Jordan，the protagonist of the novel For Whom the Bell Tolls，is not only a teacher of Spanish and a lover of Spain；he is also a writer，just like Hemingway．As an artist he is fully aware of the threat of fascist domination．But he take the duty without hesitate. And he came to the poor village and made friends with the soldiers. In the end of the article , he was not fear of death. He felt he could fight for the people who are oppressed by the fascism.Like the feeling you expected to have but did not have when you made your first communion．It was a feeling of consecration to a duty toward all the oppressed of the world which would be a difficult and embarrassing to speak out as religious experience and yet it is authentic as the feeling you had when you heard Bach，or stood in Charters Cathedral or the Cathedral at Leon and saw the light coming through the great windows⋯．It gave you a part in something that you could believe in wholly and completely．．．．It was something that gave much importance to it and the reasons for it that your own death seemed of complete unimportance ．．．．But the best thing was that there Was something you could do without this feeling--You could fight．Human LifeMany characters die during the course of the novel, and we see characters repeatedly question what can possibly justify killing another human being. Anselmo and Pablo represent two extremes with regard to this question. Anselmo hates killing people in all circumstances, although he will do so if he must. Pablo, on the other hand, accepts killing as a part of his life and ultimately demonstrates that he is willing to kill his own men just to take their horses. Robert Jordan’s position about killing falls somewhere between Anselmo’s and Pablo’s positions. Although Robert Jordan doesn’t like to think about killing, he has killed many people in the line of duty. His personal struggle with this question ends on a note of compromise. Although war can’t fully absolve him of guilt, and he has “no right to forget any of it,”Robert Jordan knows both that he must kill people as part of his duties in the war, and that dwelling on his guilt during wartime is not productive.The question of when it is justifiable to kill a person becomes complicated when we read that several characters, including Andrés, Agustín, Rafael, and even Robert Jordan, admit to experiencing a rush of excitement while killing. Hemingway does not take a clear moral stance regarding when it is acceptable to take another person’s life. At times he even implies that killing can be exhilarating, which makes the morality of the war in For Whom the Bell Tolls even murkier.Romantic LoveEven though many of the characters in For Whom the Bell Tolls take a cynical view of human nature and feel fatigued by the war, the novel still holds out hope for romantic love. Even the worldly-wise Pilar, in her memories of Finito, reveals traces of a romantic, idealistic outlook on the world. Robert Jordan and Maria fall in love at first sight, and their love is grand and idealistic. Love endows Robert Jordan’s life with new meaning and gives him new reasons to fight in the wake of the disillusionment he feels for the Republican cause. He believes in love despite the fact that other people—notably Karkov, who subscribes to the “purely materialistic”philosophy fashionable with the Hotel Gaylord set—reject its existence. This new acceptance of ideal, romantic love is one of the most important ways in which Robert Jordan rejects abstract theoriesin favor of intuition and action over the course of the novelFace the DeathFor Whom the Bell Tolls was written after the defeat of the Republic．During the Spanish War,Hemingway saw many heroic deeds．Hemingway,just as Robert Jordan，the hero of the novel，seemed to have found something worth dying for．If you die as these men did．then physical death means nothing and you can say as you breathe your last“Death，where is thy sting?or to use Hemingway’s own words“Those who have entered it honorably，and no man ever entered earth more honorably than those who died in Spain already have achieved immortality．Even though you died without having won，your sacrifice was not in vain，and victory shall yet be yours．Robert Jordan，like many Hemingway’s heroes，is obsessed by death from the beginning of the novel．death，Robert Jordan grows out of the fear of death at last and shows his courage in the face of death．For he has fervent belief in the cause of fighting for the people he loves deeply,as well as his perfect fulfillment in love.time．The bridge is successfully destroyed，and Jordan is mortally wounded．Instead of committing suicide，he decides to stay behind to cover the retreat of the guerrillas with his sub—machine gun．So he accomplishes his personal achievement through self-sacrifice．Each one does what he can，he thinks．He can do nothing for himself but perhaps he can do something for another．He dies not only for Spain，not only to save the girl Maria who he loves，but also his own sake in fulfillment of a moral duty．The grim world in which he had grown up has not broken Jordan nor forced him to a deal with his conscience．Jordan dies a moral victor．Whether one has fear of it or not．one’s death is difficult to accept．Sordo had accepted it but there was no sweetness in its acceptance even atfifty·two，with three wounds and him surrounded on a hill．He joked about itto himself but he looked at the sky and at the far mountains and heswallowed the wine and he did not want it．If one must die，he thought，andclearly one must，1 can die．But 1 hate it．Dying Was nothing and he had nopicture of it for fear of it in his mind．But living was a field of grain blowingin the wind on the side of a hill．Living Was a hank in the sky．Living was anearthen jar of water in the dust of the threshing with the grain flailed out andthe chaff blowing．Living Was a horse between your legs and a carbine underone leg and a hill and a valley and a stream with trees along it and the farside of the valley and the hills beyond．”Hemingway’s heroes grow up，and step by step their idea of meaning of life changes and crystallizes.参考文献1.靳伟英走出迷惘的迷雾—《丧钟为谁而鸣》的主题思想[学位论文]硕士 20022.张娜解读海明威死亡主题【学位论文】硕士 2006。

丧钟为谁而鸣读后感丧钟为谁而鸣读后感丧钟为谁而鸣读后感1“谁都不是一座孤岛，自成一体。

每个人都是那广袤大陆的一部分。

如果有一块泥土被海水冲走，欧洲就会减少一点；如同一座山岬，也如同你发朋友和你自己。

任何人的死亡都使我有所缺损，因为我与人类难解难分。

所以，千万不要去打听丧钟为谁而鸣，丧钟为你而鸣。

”约翰·唐思的这个美国玄学派诗人，所说的这个诗句是这么的有哲理。

这是书开始的一篇引言，说得很好。

不要打听丧钟为谁而鸣，其实丧钟就是为你自己而鸣的！在这样的时候，是不适合谈论这样悲观的东西的，所以我就记下这一篇哲理就算了。

西班牙的内战，什么炸桥的事情我不喜欢，我也没有多少的兴趣。

海明威的这部书我会看完的，具体写些什么东西自己去看原著。

我希望自己过着与世无争的日子，也不想自己有着过多的压力，可惜都是事与愿违的，我的生活压力重重，在这除夕之夜，那些歌舞升平我看着都具有很多的讽刺。

温州这个地方，现在不是什么天堂，其实就算是天堂也不见得有人喜欢去。

而外界的纷纷扰扰，我也是不大喜欢去知道。

过年了，还是说一点开心的事情了。

20xx年，没有跑路的人都算是比较成功的了，而20xx年的农历春节，多少都是一个新的的开始，什么事情都可以从头来过。

那么就忘记昨日的种种不如意，开始新的一年的计划，展望一下自己心中的美好未来。

我希望自己的20xx年，可以从这个困境中走出来！丧钟为谁而鸣读后感2这是海明威篇幅最大的一部小说，但全书情节局限于三天之内（一九三七年五月底一个星期六的下午到星期二上午），写得紧凑非凡。

海明威发挥他独特的叙事艺术，以细致入微的动作描写及丰富多彩的对白，紧紧环绕着罗伯特·乔丹的行动，一气呵成地把这故事讲到底，同时插入了大段大段的内心独白及回忆，使这个主人公的形象非常丰满……丧钟为谁而鸣读后感3这部小说描写了西班牙战时活跃在敌后的一支游击队奋不顾身、英勇斗争的事迹。

主人公罗伯特。

乔丹是美国志愿军，在西班牙内战中作战。