Titanic（泰坦尼克号）1997
Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it -- from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.
In each of his previous outings, Cameron has pushed the special effects envelope. In Aliens, he cloned H.R. Giger's creation dozens of times, fashioning an army of nightmarish monsters. In The Abyss, he took us deep under the sea to greet a band of benevolent space travelers. In T2, he introduced the morphing terminator (perfecting an effects process that was pioneered in The Abyss). And in True Lies, he used digital technology to choreograph an in-air battle. Now, in Titanic, Cameron's flawless re-creation of the legendary ship has blurred the line between reality and illusion to such a degree that we can't be sure what's real and what isn't. To make this movie, it's as if Cameron built an all-new Titanic, let it sail, then sunk it.
Of course, special effects alone don't make for a successful film, and Titanic would have been nothing more than an expensive piece of eye candy without a gripping story featuring interesting characters. In his previous outings, Cameron has always placed people above the technological marvels that surround them. Unlike film makers such as Roland Emmerich and Dean Devlin, Cameron has used visual effects to serve his plot, not the other way around. That hasn't changed with Titanic. The picture's spectacle is the ship's sinking, but its core is the affair between a pair of mismatched, star-crossed lovers.
Titanic is a romance, an adventure, and a thriller all rolled into one. It contains moments of exuberance, humor, pathos, and tragedy. In their own way, the characters are all larger-than- life, but they're human enough (with all of the attendant frailties) to capture our sympathy. Perhaps the most amazing thing about Titanic is that, even though Cameron carefully recreates the death of the ship in all of its terrible grandeur, the event never eclipses the protagonists. To the end, we never cease caring about Rose (Kate Winslet) and Jack (Leonardo DiCaprio). Titanic sank during the early morning hours of April 15, 1912 in the North Atlantic, killing 1500 of the 2200 on board. The movie does not begin in 1912, however -- instead, it opens in modern times, with a salvage expedition intent on recovering some of the ship's long-buried treasure. The expedition is led by Brock Lovett (Bill Paxton), a fortune hunter who is searching for the mythical "Heart of the Ocean", a majestic 56 karat diamond which reputedly went down with the ship. After seeing a TV report about the salvage mission, a 101-year old woman (Gloria Stuart) contacts Brock with information regarding the jewel. She identifies herself as Rose DeWitt Bukater, a survivor of the tragedy. Brock has her flown out to his ship. Once there, she tells him her version of the story of Titanic's ill-fated voyage.
The bulk of the film -- well over 80% of its running time -- is spent in flashbacks. We pick up the story on the day that Titanic leaves Southampton, with jubilant crowds cheering as it glides away from land. On board are the movie's three main characters: Rose, a young American debutante trapped in a loveless engagement because her mother is facing financial ruin; Cal Hockley (Billy Zane), her rich-but-cold-hearted fiance? and Jack Dawson, a penniless artist who won his third-class ticket in a poker game. When Jack first sees Rose, it's from afar, but circumstances offer him the opportunity to become much closer to her. As the voyage continues, Jack and Rose grow more intimate, and she tries to summon up the courage to defy her mother (Frances Fisher) and break off her engagement. But, even with the aid of an outspoken rich women named Molly Brown (Kathy Bates), the barrier of class looms as a seemingly-insurmountable obstacle. Then, when circumstances in the Rose/Cal/Jack triangle are coming to a head, Titanic strikes an iceberg and the "unsinkable" ship (that term is a testament to man's hubris) begins to go down.
By keeping the focus firmly on Rose and Jack, Cameron avoids one frequent failing of epic disaster movies: too many characters in too many stories. When a film tries to chronicle the lives and struggles of a dozen or more individuals, it reduces them all to cardboard cut-outs. In Titanic, Rose and Jack are at the fore from beginning to end, and the supporting characters are just that -- supporting. The two protagonists (as well as Cal) are accorded enough screen time for Cameron to develop multifaceted personalities.
As important as the characters are, however, it's impossible to deny the power of the visual effects. Especially during the final hour, as Titanic undergoes its death throes, the film functions not only as a rousing adventure with harrowing escapes, but as a testimony to the power of computers to simulate reality in the modern motion picture. The scenes of Titanic going under are some of the most awe-inspiring in any recent film. This is the kind of movie that it's necessary to see more than once just to appreciate the level of detail.
One of the most unique aspects of Titanic is its use of genuine documentary images to set the stage for the flashback story. Not satisfied with the reels of currently-existing footage of the sunken ship, Cameron took a crew to the site of the wreck to do his own filming. As a result, some of the underwater shots in the framing sequences
are of the actual liner lying on the ocean floor. Their importance and impact should not be underestimated, since they further heighten the production's sense of verisimilitude.
For the leading romantic roles of Jack and Rose, Cameron has chosen two of today's finest young actors. Leonardo DiCaprio (Romeo + Juliet), who has rarely done better work, has shed his cocky image. Instead, he's likable and energetic in this part -- two characteristics vital to establishing Jack as a hero. Meanwhile, Kate Winslet, whose impressive resume includes Sense and Sensibility, Hamlet, and Jude, dons a flawless American accent along with her 1912 garb, and essays an appealing, vulnerable Rose. Billy Zane comes across as the perfect villain -- callous, arrogant, yet displaying true affection for his prized fiancé ? The supporting cast, which includes Kathy Bates, Bill Paxton, Frances Fisher, Bernard Hill (as Titanic's captain), and David Warner (as Cal's no-nonsense manservant), is flawless.
While Titanic is easily the most subdued and dramatic of Cameron's films, fans of more frantic pictures like Aliens and The Abyss will not be disappointed. Titanic has all of the thrills and intensity that movie-goers have come to expect from the director. A dazzling mix of style and substance, of the sublime and the spectacular, Titanic represents Cameron's most accomplished work to date. It's important not to let the running time hold you back -- these three-plus hour pass very quickly. Although this telling of the Titanic story is far from the first, it is the most memorable, and is deserving of Oscar nominations not only in the technical categories, but in the more substantive ones of Best Picture, Best Director, Best Actor, and Best Actress.
No.2 Titanic（泰坦尼克号）1997
Bloated spectacle movie from James Cameron in which the central romance between Leonardo DiCaprio's poor artist and Kate Winslet's society girl is overwhelmed by the monumental recreation of the historical disaster
The Oscar giant-killer critics love to hate, probably because Titanic has the distinction of being one of the few Best Picture winners not to include any acting or screenplay awards among its tally.
Many cite this as proof positive that modern blockbusters sacrifice everything in favour of computer-generated magic and, while the central romance isn't without its charm, it's still the weakest element of the film.
Thus, first-class rich kid Rose DeWitt Bukaer (Winslet) and steerage urchin and struggling artist Jack Dawson (DiCaprio) fall helplessly in love, indulge in some back seat cherry popping and decide on the basis of their two-day relationship that they can't live without each other - until a big iceberg gets in the way of their new-found happiness.
Cameron is no stranger to spectacle, and the amazing boat-sinking effects paper over the cracks in the story so well that even the most cynical viewer is drawn in.
Verdict
You don't like Winslet. You don't care about DiCaprio. You're grimly aware of every hyper-efficient emotional trigger and fast-forward through whole tranches of bad acting and writing, but in the end, Cameron's monumental epic still prises open the tear ducts.
The chase of life ----the Comments on Titanic Abstract : Looking at the portrait ,all the memories come before her --- rose , who lives in the high society . Because the nature of herself is pure , she don’t like the circle she lives in . She is screaming until she meets jack .They fall in love with each other . However , it is a tragedy that the sinking of the Titanic separate them far apart. Key words : love , moving , a superb epic , class differences , romance , The Titanic , the ship of dream , presents a young love between rose and jack , who lives in the polite society . She detests human injustice , hypocritical , and also don’t like people make unrealistic comparison with each other . She thinks herself just like a golden freckle , beautiful , shining with brilliance , envied by others , but to be herself , she feels lonely , helpless . She want to escape . Jack is a boy who comes form lower society . He is simply but happy , and she does things , which polite society can never accept , just he wants to do . He is different from the people rose meet . I think this is the most important reason that they fall in love with each other . In short , they have the same nature human , good and honest , or ugly and repulsive , will show out . If love is true love , nothing will be important . Just as the case between jack and rose . The most moving part is that jack gives the survival chance to rose . As the old say is going , love is selfless . The most moving part of this film is not only soul—stirring love between protagonists , but also for the tears on the face of people who just have seen it . A great shock the Titanic gives us lasting a very very long time . Life is precious , but love is more valuable . Always tragedy can leave a deep memory for audiences . But
《泰坦尼克号》影视鉴赏 时隔多年后的今天,重温了《泰坦尼克号》这部经典的电影,细心品味,不一样的心情不一样的体会不一样的感慨。影片它主要讲述了一段“生死不渝的爱情和一个惊心动魄的灾难”。影片以年轻的杰克救了从英国到美国的泰坦尼克号豪华客轮上相遇的想跳海自杀的露丝的命，并相爱了为线索。讲述了接下来船因为撞到了冰山而不得不沉入大海，杰克为了让露丝生存下来便安慰她，自己却冻死在冰冷的海水中的爱情故事，以及在灾难来临时一船的人各自不同的行动。内容很简单，但影片所反映的思想却很深刻，它以爱情故事贯穿影片，却又折射出社会的复杂性。 人在死亡面前如此渺小，极度的恐慌和因此产生的种种丑恶的行为便全都表现得一览无遗。为了存活，有人在海面将别人的头往水里溺，自己靠此浮在海上，为了登上妇女、儿童优先的救生船，一个男人用钱买通了船员，为了保障自己的安全，可以乘坐70多人的救生船字只承载了十几人，而船上的人因担心自己的性命，竟不愿去救客轮上众多患难的人，包括亲人在内。这些现象那么的可恶而又现实。然而人性中的美好总是多于丑恶的。大多数的男人们遵守着制度。将妻子、儿女送上希望之船后，自己留在泰坦尼克号上，沉着冷静的船员们作好了殉职的准备，安排着乘客有序登上救生船，当船身倾斜，人们纷纷向后滑去时有人紧抱着柱子，另一只手去拉别人的手。当影片中两位主角被席卷而来的海水追逐，却看见一个无人照看的孩子不知所措地大哭时，毅然抱起那个孩子，带他一起逃亡……这些都是面对生死抉择时崇高的精神的做法。 杰克是个顽强、乐观的人，他的这种精神感染了露丝。泰坦尼克号沉没之后 露丝和杰克找到了一张竹筏。经过一场惊险、辛苦的逃亡。他们在海上被疲惫和寒冷折磨得精疲力竭。活下去的决心让他们不停的说话，只有不停的说话，才有生存的可能。满天星斗在夜空中闪闪烁烁，这本应是个浪漫的夜晚，却发生了历史上最惨重的一次沉船事件。北大西洋的海面上漂浮着一群群穿着救生衣的尸体。只有一艘救生船回来救人。船员的探照灯灯光在海面上来回的寻找活着的人。冻得瑟瑟发抖的露丝看到了希望之光，她满心喜悦的想唤醒杰克。可是她的呼喊显得那么苍白无力，杰克在沉睡中已无力醒来。露丝的热泪滑过冰凉的脸。救生船此时正往远方驶去。露丝眼中含着痛苦的神色将杰克的尸体放入海洋，哆嗦着爬下竹筏——她要履行她的诺言。她曾答应过杰克一定要活下去。“come bace,come back,come back……”露丝微弱的呼唤伴随着坚定的眼神 那眼神透着无比的决心，蕴含着对生命无限的渴求，她在绝望的边缘拼命挣扎，顽强的与死神搏斗。她必须登上救生船，否则她会被茫无涯际的黑暗与死的沉寂所吞噬，她的灵魂会在北大西洋刺骨的寒水中融化。她不要在刚领悟了生命的意义之后就失去了它，她不要违背她亲口答应的诺言。她颤抖着游向一个已死的船员 取过他挂着的口哨，用所有的力气吹响了它，吹响了她对生命的热爱，吹响了她对世间万物的留恋，吹响了她对一切美好事物的眷念。上帝听见了她虔诚的祷告，救生船调转方向，朝哨声响起的地方驶来。探照灯明亮的灯光照在了露丝写满坚强的脸上，她终于在救生船上温暖的毯子里沉沉睡熟了。睁开双眼时她看到了旭日柔和的光芒，黑暗过去了。 然而世界不只是有美好的一面，让我感触很深的还有那些利欲熏心的人。例如卡尔。他为了自己所想要得到的东西而不择手段威逼利诱，即使算不上是十恶不赦，也绝对不是一个好东西。卡尔以为钱可以支配这一切，但是他的想法是错误的。之后的事实很明显地告诉了我们一点，至少钱是买不到爱情和生命的。当然卡尔也看不起那些住在三等仓的人，把他们和老鼠并称，靠运气才上船的杰克就更是他的眼中钉、肉中刺了。这是嫌贫爱富的庸俗人物迟早会被社会所遗弃。可气的是卡尔为了自己要活命，竟然在船上抱了一个孩子，装作是他
After seeing the film TITANICT,what impressed me most is that the film is really well written and I love the way it is told in flashback. It begins with a group of present-day treasure hunters exploring the wreckage of the Titanic (which results in some brilliant underwater footage). However They find nothing but an old safe that's completely empty save for a drawing of a woman. An elderly woman suddenly phones them and says she's the woman in the picture which makes them surprising. She then tells the divers and her granddaughter the main plot of the film. One thing that I really like as well about the flashback format is the editing. Each time the film always shifts between the past or present via a match cut, such as a video of the wreckage of the Titanic in the present day changing into the Titanic before it left in 1912 or a close-up shot of young Rose's eye to the eye of the elderly Rose in the present. The characters are all really well developed. I love how the film manages to blend some of the real historical figures (I.E. the crew of the Titanic) with fictional characters (I.E. Rose, Jack) and yet it is still incredibly believable, as if this really was a true story. The story is largely focused on the relationship between Rose and Jack, but the film constantly manages to develop other characters. Even the present-day characters are really well developed. The story is very well written, and I love the way how it changes in tone throughout. The film starts off exciting, with many people excited, yet still manages to portray Rose in a somewhat sympathetic role. A large portion of it is the romance between Jack and Rose, but the film manages to have some dramatic scenes, with a large sub-plot of the story being the conflict between Rose and the rest of her upper-class family. The film even manages to include a bit of humour here and there, but doesn't take it too far. However everything changes near the end, when we have the iceberg, and all of a sudden the film becomes very dark and tragic. The climax is very impressive. It takes place once the Titanic hits the iceberg. At this point, the film manages to successfully shift focus between different people. It manages to focus on the protagonists, but also manages to focus on the chaos and tension as the ship sinks and the crew struggle to keep order and get the passengers off safely. It brilliantly manages to capture the tragedy and horror of the disaster. Overall this movie is a cinematic masterpiece and one that you definitely should see if you haven't already.
《泰坦尼克号》电影音乐赏析 【论文摘要】： 多年以后，人们回忆第一次看《泰坦尼克号》的时候，脑子里能想起来的，除了那震撼人心的画面，那就是爱情；当然，那首经典的爱情旋律《My Heart Will Go On》也会不时的在我们脑海中回荡。多年以后，爱情这个选项在社会里似乎已经变得越来越遥不可及，人们获得一次机会，重温《泰坦尼克号》，重温爱情。在《泰坦尼克号》这部电影中，音乐与叙事的关系极为密切。它既可以抒情，又可以渲染气氛，还可以让人了解故事情节和人物关系，更可以塑造完美的银幕艺术形象。而通过研究电影本身这样一个画面与音乐共存的载体，也能看出音乐与叙事的关系。本文从《泰坦尼克号》入手，分析电影音乐是怎样在影片中参与、烘托和强化叙事的。 【关键词】： 电影音乐、《My Heart Will Go On》、《泰坦尼克号》 如果当时的电影只是在海水的咆哮声和众人的叫喊声中进行的话，那将会让观众少了多少情感？其实电影音乐在其中起到相当大的作用。电影音乐不仅能够渲染引人入深的环境气氛，而且电影音乐还能够刻画人物的内心世界、推动电影剧情发展并深化主题思想、凸显美学功能，并且能够给观众留下深刻的印象。 音乐是一部电影重要的组成部分。它以音乐特有的旋律和节奏为
电影增添意蕴和魅力，并在故事情节的发展中发挥叙事的功能。从最早的黑白默片开始，电影音乐就开始辅佐电影画面，直到现在，各大电影公司出品的大片都配以了气势磅礴或优雅动听的音乐。它与电影视觉画面一起展现在银幕上，推动故事情节的发展，增强剧情的表现力，使画面富有节奏感，刻画人物的内心世界，塑造完美的艺术形象。现在，我们以《泰坦尼克号》，讨论电影音乐与电影叙事的关系。 电影《泰坦尼克号》在1997年12月拍摄完成，是当时电影史上第一昂贵的电影，在前期投入（2亿美金），这部荣获了第70届奥斯卡最佳影片、最佳导演等11项大奖的影片，其音乐方面则是以一首主题曲带多段由不同乐器演奏的其他乐曲组成。 该片的主题曲就是我们非常熟悉的《My Heart Will Go On》。还有《Hymn to the sea》（《大海的咏叹》）。 第一次出现是在开场时由女声演唱，用“啊”声代替原曲中的歌词，飘渺之中蕴含着安静，目的就是将观众引入泰坦尼克号的故事情节。然而，之后每一次主题曲的出现，都有其深刻的含义，下面逐次分析。 第二次主题曲出现是在该片Rose登上船尾欲跳海时。该场景首先引入一段画外音：Rose对富有和俗不可耐的未婚夫Cal充满了厌倦。她讨厌上流社会假惺惺的应酬和阿谀奉承，她实在闲的无聊，便离开大厅跑到船尾的甲板上，翻过栏杆，面对波涛汹涌的茫茫大海，她想结束自己的生命。试想，一个上流社会的人，其生活条件和人缘关系想必都不差，但也就是身处上流社会，人们必须要进行应酬或奉
泰坦尼克号观后感影评5篇 《泰坦尼克号》这部耗资巨大的影片确实给人带来的感触颇深，我想任何人看完了都会陷入沉默深思。这里给大家整理了一些有关泰坦尼克号的观后感,希望对大家有所帮助. 泰坦尼克号观后感1 在我的心目中，《泰坦尼克号》一向是我心目中的最佳感情片之一，它不止让我在电影院里模糊了双眼，也让我的泪在电脑前一流再流。1912年4月，一艘号称“永不沉没”的轮船沉睡在大西洋底，至今还成为人们津津乐道的话题。可能船上未必真的有Jack和Rose，但我却如此执着的相信这个感情故事，相信有那样两个人，一见钟情，一见永别。 电影是在用插叙的形式讲故事，Rose透过摄影机看到沉入海底锈迹斑斑的泰坦尼克号时，回忆起了那艘邮轮上的明亮的灯火，精致的回廊，喧嚣的筵席，但最美的但是是某人单纯的笑容，尽管他从未说出“ILoveYou”。 我更喜欢用“浪漫”来形容这部电影，毕竟，这是个一见钟情的故事。Jack靠打牌赢来了两张船票，对于他这样一个穷小子来说，能有机会登上泰坦尼克号简直是世界上最完美的事。大船起航，Jack向岸边挥手，对于我这个明白结局的人来说，他如此幸
运又如此不幸，他登上了这艘豪华的游轮，他遇见了此生的真爱，但他又在最灿烂的时候陨灭，在冰冷的大西洋里。 如果说电影的前半部分给人的大多是温馨的感觉，那么当大船撞上冰山之后，你能够感受到各种情绪都即将爆发。《泰坦尼克号》的伟大之处在于它不仅仅仅呈现了一段绝美的感情，也展现了灾难来临前的各种冲突。下等舱的乘客被关在闸门之外，务必在上等舱的乘客之后上船，是谁决定了他们不该被拯救?为了减缓进水速度，锅炉房的闸门落下，但是又有多少工人们被活生生淹死在水里呢?有的人没有资格上救生艇，有的人却在抱怨救生艇上位置太挤;有人千方百计的疏通船员，只为了救生艇上的一个位置，有的人拿起小提琴，拿起大提琴，谱写生命最后的悲歌。“与各位合作是我的荣幸。”——这是怎样的一种从容，应对死亡而以歌曲送别，他们纵然是贵族眼中低人一等的演奏家，纵然在这慌乱的时刻没有人认真听他们的音乐，但在电影里，那些或欢快或沉郁的曲调成为了震耳欲聋的背景音，船上的惊慌奔跑的人群都已成了远景，生命的最后，只应当这样尊严的告别。 泰坦尼克号的沉没是恐怖的，船身越来越倾斜，船尾高高翘起，巨大的螺旋桨暴露在空气中，船上灯光全灭，广阔的大西洋，无人救援。Jack攀在木板上，Rose说，“Jack，Iloveyou。”这是全片唯一的一句告白，在濒死的时刻，在期望快要破灭的瞬间。最
在这里，让我结合一部具体的艺术作品——电影《泰坦尼克号》——来集中具体地阐述一下美丽的美学关于艺术的定义与看法。 《泰坦尼克号》是由美国20世纪福克斯公司和派拉蒙影片公司在1997年联合摄制而成的著名电影，编导为詹姆斯?卡梅隆，主演为凯特?温斯莱特（饰露丝）、莱昂纳多?迪卡普里奥（饰杰克）、比利?泽恩（饰卡尔）等。该片在1998年获得14项奥斯卡奖提名，最终获得平历史记录的11项奥斯卡大奖。袁智忠在《影视鉴赏》一书中告诉我们，该影片几乎有两成的观众至少看过两遍，而一般好片子的回头率只有4℅-8℅。该片也创造了一个经济上的奇迹，大约3个月的时间，全球票房就达到了12亿美元，同时，其它周边的产业也是财源滚滚。可以说，《泰坦尼克号》创造了一个令人惊叹的神话1。 为什么《泰坦尼克号》会取得如此巨大的成功呢？宏观的与笼统的分析把其成功的原因归结为巨大的投资、饱和的包装与宣传等，然而这些原因都不是主要原因，最重要的和最主要的原因还是在这部影片本身。在美丽的美学看来，《泰坦尼克号》是一部真正的电影，是一部活的电影教科书，是一部活的艺术教科书，她应该教会人们懂得什么是电影、什么是艺术。下面我们就结合影片的具体内容与形式来探讨一下这部影片取得巨大成功的奥秘所在。 一、《泰坦尼克号》的故事情节 影片一开始是一些关于现代的内容。一支寻宝队正在打捞“泰坦尼克号”的残骸以寻找那颗名叫“海洋之心”的钻石吊坠。这个打捞过程本身就具有一定的吸引力，先进的打捞技术、梦幻般的海底世界、打捞的宝贝等无疑能激发人们的积极情绪与兴趣。但是，这个打捞过程也是有起伏的，随着船上保险箱的打开，所寻宝贝并没有出现，观众的情绪就一下子变成消极的了，观众与寻宝人员一样充满了失望之情。但接下来打捞出的一张素描画引出了老年露丝的出现，观众与寻宝人员又似乎有了希望，然而老年露丝给人们带来的却是那段令人神往而又凄美绝伦的爱情故事。 84年前（1912年），世界超级豪华邮轮“泰坦尼克号”开始了她的处女航。在轮船出发前，影片极力渲染了码头与船上极其热闹的场面，烘托出女主人公露丝的高贵身份与气质。另一方面，男主人公杰克正在赌博，影片通过对杰克在赌博过程中进行作弊这一细节的描绘，让观众如身临其境而很受感染。露丝所受的压抑和苦闷导致她想自杀。影片对露丝的自杀过程的描述也颇具激发情绪与情感的力量。影片一方面描绘轮船的高大与速度，另一方面影片又尽力表现露丝自杀的决心与行为，让观众的情绪一度十分紧张。这时杰克出现了，他用智慧和令人感动的语言与行为打动了露丝，同时也让观众稍微感觉到了一点希望。但这时露丝
人性的礼赞 ——关于《泰坦尼克号》的影评 流光容易把人抛，红了樱桃，绿了芭蕉。转眼十五年，《泰坦尼克号》已经披上了她怀旧的外衣……我们呢？十五年前，我还是一个懵懂的小学生，远远没能领悟《泰坦尼克号》带来的震撼。 时隔久远，它依然是我最喜欢的一部电影。反复地观赏使其中的情节和人物深深烙印在我的脑海里。下面我就来侧重盘点下电影里的灵魂人物和它对于人性的礼赞吧！ 一、灵魂人物分析 1.Jack Jack出场于赌桌上。Jack其实是个“人生的赌徒”，或者说，是个彻底的存在主义者，全部的家当都带在身上，四海为家，今朝有酒今朝醉，绝不虚度人生，从他在贵族酒桌上的一席话可以看出这点。他说：’我喜欢早上一起来是一切都是未知的，不知会遇见什么人，会有什么样的结局。”他知道，人生充满不确定性，每天醒来都是崭新的一天，因此他努力生存，享受每一天的日出与日落，欣然接受上帝赐予的每一个机会与运气。 他和Rose的第一次对话很有趣。对于Rose的诉苦，他一直追问一个问题“你到底爱不爱他”。因为他真正关注的是人的内心感受，人必须坦诚对待自己的心，不能逃避。只有当你尊重自己的感受，和自己沟通的时候，你才能找到出路。人最高贵的地方在于选择。 通常在表白时大家都会说我对你的爱“天长地久、永远不变”，但这个痴情种说的却是“我对你的爱火总有一天会熄灭的”。这是多么的出人意料！其实他想表达的是：我们拥有的只有当下，即使我们的身份地位相差悬殊，但是，这一刻，我们彼此相爱，我爱你，我也知道你爱我，那我们就应当把握当下，别管未来。我不能保证我爱你生生世世，但我保证这一刻，我对你的爱火是那么炙热！其实这是一番非常坦诚、也非常感人的表白。 2.Rose Rose读弗洛伊德。在二十世纪初读弗洛伊德，说明她是个思想非常前卫的姑娘，她脱离了她所在的贵族阶级，接受新潮的后现代主义思想，但她的身份禁锢了她的思想，她试图以自己的力量来反抗，但没什么用。Rose喜欢毕加索和莫奈的画。他们一个是抽象主义大师（虽然当时还不是），一个是印象派先驱，这两种艺术思潮在当时还算前卫和小众。她对这些艺术家的欣赏折射出她在艺术修养上的独特品味。Rose来自一个没落的贵族家庭。母亲利用她钓到Cal这样一个金龟婿，以排解家中的经济之忧。但这种观念把Rose绑得紧紧，让她无法追求自我。她特立独行，跟Jack去参加三级舱派对、他们喝酒、跳舞、大声欢笑、在船舷上摆出整个世纪最拉风、被后世人无数次COS的浪漫造型、画像、和管家玩捉迷藏、在老爷车里做爱......Jack的爱让Rose找到自我，追求自由。
“泰坦尼克号”英文观后感 After the appreciation of the film “Titanic”，I have noticed some meaningful details behind the peoples' general impression of simply an affectional film. The wreck of the Titanic occurred in 1912, in which the great recession started from the end of the 19th Century still hasn't ended. Most critics pointed out that the sinking of the Titanic represents the collapse of the Capitalism in the end of the 19th Century. However, I would like to say that, in this movie, the director had not only foreran the crisis of the Capitalism, but also showed some of the human nature, from both gloomy and brilliant aspects, like selfish, mammonish, vainglorious, and love, hope, bravery, faith, and so on. In this essay, I will first reveal this film's indication of the social context of that age, then I will analyse the two contrary aspects of human nature indicated in this film through some impressive shots. Under the development of industrial technology, the economy in the Capitalism countries took off. People lived a rich, luxury and expensive life, and this rapid economic development lasted for almost 20 years. People had got used to this kind of life. The huge development in machinery changed people's life greatly. Innovations of transportation, such as vehicles and tankers, allowed people to travel around. The appearance of these modern transportations was an important milestone of the industrialization. People thus became very confident on human intellectual capabilities. They believed their power of conquering the nature is inapproachable. While the Titanic is also called “The Ship of Dreamers”，in this film, when it bearing in with the ocean in the darkness, the mysterious ocean represents the unknown nature and the ship itself represents the advanced material capabilities people owned. In a shot that Mr Bruce explains his design of the Titanic, he said “the ship possesses huge size, stability, luxury, and strength”，and that“ the supremacy will never be challenged”。In fact, all these words can be thought of the symbols of the Capitalism of that time in many people's eyes. They thought the Capitalism
After watching the three-hour classical movie ,I feel so impressed, though I had watched it before. Now some ideas about love arise in my mind. As far as I can see, I can not define what love is, and even do not have a clear idea about it. Does love means duty ,romantic , sex , or even the mix of the above? As to duty , I think Rose have the duty to marriage Hockley. After all they had been engaged and her mother need her to earn money for her family . And in the case of romantic, I think Hockley can bring as much as Jack to Rose. Maybe someone will say Jack has a nice personality trait. But it only shows in the emergency, if they were not that bad luck they might live a happy life. While, Rose, I think, is not very nice. When she had trouble, he did not tell her mother or fiancé ,. After being saved by a stranger, she even had affair with him. It could not be accepted even in our modern sight. Strangely, I do not have these ideas when watching the film , my mind was filled up with the ideas that they must have a happy ending. So what is love on earth? After thinking for a while, I have the following ideas: Film is beautiful because of the exaggeration, but the exaggeration may have a negative on our thought about something. In the case of Titanic, the role and their character may not be similar with the real life. So the ideas coming from the film are not that reliable ,they may be a little extreme. In a word, film is only film , there is nothing that is perfect. We are so common ,having so vulgar ideas about love . That is why we need the film, but we can not treat is as absolute truth.
泰坦尼克号影评 《泰坦尼克号》影评 看电影的一句话评价：一份让少男少女撕心裂肺的爱情。 这是一艘曾真实存在的巨轮，它的沉没夺走了上千人的生命，成为一场史无前例的海难；这是一个虚构的爱情故事，它的悲剧 夺走了亿万观众的眼泪，成为影史上最成功的商业大片。不论有 多少人对这部电影指手划脚，但是你无法忽视那全球累计18.45 亿美元的票房成绩以及迄今难以逾越的卖座程度，还有奥斯卡上 的11项大奖的册封，而十余年来观众对该片的持续发烧也是最好 的证明。詹姆斯.卡梅隆斥资之重令人咋舌，可终究为其赢得了世 界级导演的声誉，同时也成了自己无法超越的高峰。而他也通过 本片树立了“灾难+爱情”的模式，为灾难片增添人情味，为爱情 片增添观赏性。可以说，一艘大船的沉没却成就了一种电影文化 现象的诞生。 84年后电影的片头是一段发黄的老镜头，但是其实是运用技 术手段模拟出来的效果，其用意就是再现当年这艘船出发时的壮 观景象，令观众的思绪飘回到那个发冷的日子。1912年4月10日，当时世界上最大的、号称“永不沉没的客轮”的泰坦尼克号从英 国南普顿出发,计划的目的地是美国纽约，开始了这艘“梦幻邮轮”的处女航。4月14日晚11点40分，泰坦尼克号在北大西洋撞上 冰山，两小时四十分钟后，4月15日凌晨2点20分沉没，由于缺
少足够的救生艇，1500人葬生海底，造成了当时在和平时期最严 重的一次航海事故，也是迄今为止最为人所知的一次海难。导演 詹姆斯.卡梅隆了解这个事件之后就打算将本片改编成电影。但是 在这之前，泰坦尼克号的故事已经四次搬上过银幕（其中1958年 的《冰海沉船》最为中国观众所知）。卡梅隆就自己构思了一个发生在这艘轮船上的一个关乎生离死别的爱情故事。没想到成为了 经典。 在这一段镜头中，我们可以听到一段十分舒缓而熟悉的音乐，在本片中也多次出现，代表了主人公生死不渝的爱情。这段音乐 是著名电影配乐大师詹姆斯.霍纳的作品，由他创作的《勇敢的心》《燃情岁月》等电影音乐都以动听的旋律深得全世界观众的喜爱和收藏。通过他的作品可以听出他本人的音乐创作受到爱尔兰地方 音乐的影响很大，风笛等元素的加入使得这些音乐拥有了如梦似 幻的唯美特质。《泰坦尼克号》在各方面都做得很出色，其中音乐的紧密配合显得尤为重要，下文会提到。 影片采取倒序的结构。一开始的时间是1996年，一艘比较先 进的深海探测船潜入大西洋3821公尺的深度，船舱里的探险队员 是要在沉没的泰坦尼克号中寻找一块价值连城的钻石“海洋之心。跟随他们的在迷宫一般的沉船里游弋，能够看到当年乘客们的皮鞋、眼镜、破败的钢琴。终于，探险队员们找到了一个保险箱。 当他们上船后满怀期望敲开后却发现里面只有一滩毫无用处的泥 浆和一张画稿。那幅画稿经过清理之后，竟然可以看出是一幅裸
公共艺术课程论文 题目：《泰坦尼克号》影视赏析 课程名称：影视艺术欣赏 上课时间： 2012-2013 学年第二学期 学生姓名：潘德翔学号：201005020052 院系：化学与环境工程专业年级10应用化学 任课教师：刘波职称：讲师
《泰坦尼克号》影视赏析 潘德翔 （安阳工学院化工学院河南安阳201005020052） 摘要：这是一艘曾真实存在的巨轮，它的沉没夺走了上千人的生命，成为一场史无前例的海难；这是一个虚构的爱情故事，它的悲剧夺走了亿万观众的眼泪，成为影史上最成功的商业大片。它通过本片树立了“灾难+爱情”的模式，为灾难片增添人情味，为爱情片增添观赏性。可以说，一艘大船的沉没却成就了一种电影文化现象的诞生。 关键词：泰坦尼克号、爱情、灾难、奇迹
第七十届(97年)奥斯卡最佳影片——《泰坦尼克号》又名《铁达尼号》Titanic。 《泰坦尼克号》上演不到二十天，票房就超过了两亿美元，到1998年4月已近十一亿美元（国内票房为3亿元人民币）。它是美国电影史上迄今为止制作时间最长（五年），制作费用最高（二亿五千万美元），获奥斯卡奖提名最多，获奥斯卡奖项最多，票房最高的影片。在7O年的奥斯卡奖历史上，只有1959年的影片《宾虚》获得过11项奥斯卡奖。尽管如此，它却与四项表演奖无缘。 美国第70届电影艺术与科学学院奖(奥斯卡金像奖)于1998年3月23日晚颁发。故事影片《泰坦尼克号》共获11项奥斯卡金像奖：最佳影片奖、最佳导演奖、最佳编辑奖、最佳插曲奖、最佳音乐奖、最佳艺术指导奖、最佳摄影奖、最佳视觉效果奖、最佳音响奖、最佳音响编辑奖和最佳服装奖。该片拍摄历时五年，耗资二亿五千万美元。《泰坦尼克》1997年底公映以来，获得巨大的成功，曾获得金球奖的四个奖项。 若要评选该片最风光的人物那无疑是集导演、编剧、制片人和剪辑于一身的詹姆斯.卡梅隆了。他执导的《泰坦尼克号》，是一部根据人类历史上曾经建造的最大客轮－－"泰坦尼克"号那悲剧性的沉没为背景拍摄的史诗性灾难爱情片。 电影的片头是一段发黄的老镜头，但是其实是运用技术手段模拟出来的效果，其用意就是再现当年这艘船出发时的壮观景象，令观众的思绪飘回到那个发冷的日子。1912年4月10日，当时世界上最大
泰坦尼克号观后感英文带翻译《泰坦尼克号》给了我太多的感触。记得以前看这部影片时，被其中惊心动魄的场面所震撼，偶尔也会在心中柔软的沙滩上留下一行足迹。但现在，是完完全全地被它感动了，也将它深深地印入了记忆之中。以下是由聘才网小编为大家整理的相关内容，仅供参考阅读。 泰坦尼克号观后感英文 "Do you believe in love?" When a stranger into an acquaintance, sometimes I will ask him. If he says: don't believe. I will not alert. A person, even the love doesn't believe that his heart would not soft, not light, he will only believe in money, power, also will not believe friendship. He probably has a breakup would think so, so he must be very pessimistic: see a leaf, suspected that the whole forest withered. He may think about whether to believe in love a little bit silly, then his life will not love. "Do you believe in love at first sight?" When an acquaintance into a friend, I might ask him. If he says: don't believe. I feel a bit disappointed. A person, even love at first sight do not believe that his heart would not romantic, even dreamed of have no ability. What is
浅谈电影《泰坦尼克号》的美学意义 被誉为二十世纪电影艺术“终结者”的《泰坦尼克号》，在人们心中无疑是一个神话般的存在，不管是影片中再现的浓烈的海难氛围，还是表现的富有传奇色彩的浪漫爱情预言，都给观众强烈的感官刺激，最终衍化为观众心中强烈的美感，可以说，《泰坦尼克号》是卡梅隆大师送给全球观众的一场视觉盛宴。 一、社会美中内容与形式之美的有机结合 社会美是现实生活中美的存在形式之一，主要包括人物、事件、场景等等，所谓“事件”、“场景”也是以人物活动为中心。社会美是人的自由创造的体现，倡导的是积极肯定的生活形象。围绕社会美的实质，我们就需要结合影片中的人物加以分析。在《泰坦尼克号》这部影片中，社会美的一个方面——形式美在故事一开始就抓住了观众的眼球：泰坦尼克号上的男士都是穿着优雅、干净的礼服，女士都穿着坠地长裙，紧身的胸衣，还带着蝴蝶结、领带、帽子等，无不透露出电影人物的外表特点：气质高雅、身份尊贵、有着良好的教养。 这些二十年代欧洲古典服饰，给大众化休闲服饰流行的二十世纪末的观众带来强烈的美感。除去人物服饰，影片中的主人公是青春靓丽的俊男美女，男主角莱昂纳多&iddot;迪卡普尼奥年轻英俊、充满朝气，女主角凯特·温丝莱特容貌美丽、气质优雅都令观众为之深深迷恋，“明星的体貌、气质、性格，无不与观众心目中早已潜在希求的美好形象异质同构”[1]。 除去人物所带给观众的形式上的美感，人物的性格、精神风貌、品质等等内在特质也给观众带来独特的内容美。人的美不能只以外表来看，是和人的本质紧密联系在一起的，人的珍贵特性在于自由创造，在创造的过程中体现出人的聪明、质朴、勇敢、诚实等，因此人的美不等于长相漂亮，说某人长相漂亮只是从形式方面来看的，一个人的美应该是和人的内在品质紧密联系的。[2]影片中的男主角是一名流浪艺术家，虽然穷困，但是活泼聪明而乐观向上，对待爱情也坚贞不渝，为了自己心爱的人，可以舍弃一切哪怕是生命。女主角是一名贵族小姐，有美丽的容貌和良好的教养，但却是一个具有反叛思想的贵族小姐，她勇敢、坚强而执着地看待自己这段跨越阶级局限的爱情。影片中的主人公内心美好的特质为主人公赢得了更多观众的喜爱，在观众看来，他们就好像美丽的化身，一举一动，一颦一笑都散发无尽的魅力。重视影片中社会美中内容与形式的统一，是当时乃至今天观众的审美要求。 二、爱情与死亡冲撞之下的悲剧之美 《泰坦尼克号》这部影片的结局是在爱情和死亡冲撞融合之后的升华。一直以来，死亡与爱情都是人类表现的两大主题，也是艺术创作反复演绎的永恒主题。[3]《泰坦尼克号》所讲述的灾难是一个真实的历史事件，导演卡梅隆在这个真实的历史悲剧中融入了自己的感受， “使虚构的爱情故事与那艘梦幻之船的死亡之通过一个极其浪漫的爱情故事来展示历史真实。 旅巧妙而有机地联系在一起，从而使爱情获得了合理的根据与真实性内涵。”[4]这艘号称永不沉没之船的“TITANIC”豪华巨轮，从它载着欢乐的人们开 始航行的那一刻起，也就一步步地走向死亡。灾难为浪漫爱情悲剧结局提供了契机，同时也升华了男女主人公的爱情，爱情获得了永恒。从这个角度来看，影片冲突了传统灾难片的模式，演绎出感人至深的不朽的爱情传奇。 美学中对悲剧这样表述：“悲剧是崇高的集中形态，是一种崇高的美。”[5]影片中，在生存或是死亡面前，人性的本真得以充分暴露，深沉复杂的人性内涵得以充分显现，影片的结尾部分在批判人类劣根性的同时，更表现了人类美好的本性及崇高的牺牲精神。从男主角那句著名的“You jump,I jump！（你跳，我也跳！）”，到水满船舱时依然躺在床上相互依偎着的老夫妇，以及誓死捍卫“只许妇女儿童下船逃生”这一道德律令的水手……这一些小小的细节，触及了观众内心最柔软的部分，令观众在为灾难哀叹的同时也看到了人性的魅力。 悲剧能够给人一种特殊的审美感情，就是在审美愉悦中产生一种痛苦之感，并使心灵受