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2000年考研英语阅读理解

2000年考研英语阅读理解
2000年考研英语阅读理解

年考研英语阅读理解部分翻译

2010年考研英语阅读理解部分翻译真题译文+题目翻译 但为君故 但为君故 整理组

Text 1 在过去的25年英语报纸所发生的变化中,影响最深远的可能就是它们对艺术方面的报道在范围上毫无疑问的缩小了,而且这些报道的严肃程度也绝对降低了。 对于年龄低于40岁的普通读者来讲,让他们想象一下当年可以在许多大城市报纸上读到精品的文艺评论简直几乎是天方夜谭。然而,在20世纪出版的最重要的文艺评论集中,人们读到的大部分评论文章都是从报纸上收集而来。现在,如果读到这些集子,人们肯定会惊诧,当年这般渊博深奥的内容竟然被认为适合发表在大众日报中。 从20世纪早期到二战以前,当时的英国报纸上的评论主题广泛,包罗万象,我们现在离此类报纸评论越来越远。当时的报纸极其便宜,人们把高雅时尚的文艺批评当作是所刊登报纸的一个亮点。在那些遥远的年代,各大报刊的评论家们都会不遗余力地详尽报道他们所报道的事情,这在当时被视为是理所当然的事情。他们的写作是件严肃的事情,人们相信:甚至那些博学低调不喜欢炫耀的评论家,比如George Bernard Shaw和Ernest Newman也知道自己在做什么(即他们的文章会高调出现在报纸上)。这些批评家们相信报刊评论是一项职业,并且对于他们的文章能够在报纸上发表感到很自豪。“鉴于几乎没有作家能拥有足够的智慧或文学天赋以保证他们在新闻报纸写作中站稳脚跟”,Newman曾写道,“我倾向于把‘新闻写作’定义为不受读者欢迎的作家用来嘲讽受读者欢迎的作家的一个‘轻蔑之词’” 不幸的是,这些批评家们现在实际上已被人们遗忘。从1917年开始一直到1975年去世不久前还在为曼彻斯特《卫报》写文章的Neville Cardus,如今仅仅作为一个撰写关于板球比赛文章的作家被人们所知。但是,在他的一生当中,他也是英国首屈一指的古典音乐评论家之一。他也是一位深受读者青睐的文体家,所以1947年他的《自传》一书就成为热销读物。1967年他被授予爵士称号,也是第一位获此殊荣的音乐评论家。然而,他的书现在只有一本可以在市面上买到。他大量的音乐批评,除了专门研究音乐评论的人以外,已鲜为人知。 Cardus的评论有没有机会重新流行?前景似乎渺茫。在他去世之前,新闻业的品味早已改变很长时间了,而且他所擅长的措词华丽的维多利亚爱德华时期的散文风格对后现代的读者没有什么用处。何况,由业余爱好者作音乐批评的传统早已经成为昨日黄花了。 21. 第一段和第二段指出 A 文艺评论已经从大城市的报纸上消失了 B 英文报纸过去常刊登更多文艺评论方面的文章

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TeGt1(20GG) OfallthechangesthathavetaAenplaceinEnglish-languagenewspapers duringthepastquarter-century,perhapsthemostfar-reachinghasbeenthei neGorabledeclineinthescopeandseriousnessoftheirartscoverage. Itisdifficulttothepointofimpossibilityfortheaveragereaderunderthea geoffortytoimagineatimewhenhigh-qualityartscriticismcouldbefoundin mostbig-citynewspapers.Yetaconsiderablenumberofthemostsignificantc ollectionsofcriticismpublishedinthe20thcenturyconsistedinlargepartofne wspaperreviews.ToreadsuchbooAstodayistomarvelatthefactthattheirlear nedcontentswereoncedeemedsuitableforpublicationingeneral-circulatio ndailies. Weareevenfartherremovedfromtheunfocusednewspaperreviewspub lishedinEnglandbetweentheturnofthe20thcenturyandtheeveofWorldWa rII,atatimewhennewsprintwasdirt-cheapandstylishartscriticismwasconsid eredanornamenttothepublicationsinwhichitappeared.Inthosefar-offdays ,itwastaAenforgrantedthatthecriticsofmajorpaperswouldwriteindetailan datlengthabouttheeventstheycovered.Theirswasaseriousbusiness,andev enthosereviewerswhoworetheirlearninglightly,liAeGeorgeBernardShawa ndErnestNewman,couldbetrustedtoAnowwhattheywereabout.Theseme nbelievedinjournalismasacalling,andwereproudtobepublishedinthedaily press.“Sofewauthorshavebrainsenoughorliterarygiftenoughto Aeepthei rownendupinjournali sm,”Newmanwrote,“thatIamtemptedtodefine‘jo urnalism’as‘atermofcontemptappliedbywriterswhoarenotreadtowrite rswhoare.’”

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2013年考研英语(一)真题 Section I Use of English Directions: Read the following text. Choose the best word(s) for each numbered blank and mark A, B, C or D on ANSWER SHEET 1. (10 points) People are, on the whole, poor at considering background information when making individual decisions. At first glance this might seem like a strength that ___1___ the ability to make judgments which are unbiased by ___2___ factors. But Dr Simonton speculated that an inability to consider the big ___3___ was leading decision-makers to be biased by the daily samples of information they were working with. ___4___, he theorized that a judge ___5___ of appearing too soft ___6___crime might be more likely to send someone to prison ___7___he had already sentenced five or six other defendants only to forced community service on that day. To ___8___this idea, they turned their attention to the university-admissions process. In theory, the ___9___ of an applicant should not depend on the few others___10___ randomly for interview during the same day, but Dr Simonton suspected the truth was___11___. He studied the results of 9,323 MBA interviews ___12___ by 31 admissions officers. The interviewers had ___13___ applicants on a scale of one to five. This scale ___14___ numerous factors into consideration. The scores were ___15___ used in conjunction w ith an applicant’s score on the GMAT, a standardized exam which is ___16___out of 800 points, to make a decision on whether to accept him or her. Dr Simonton found if the score of the previous candidate in a daily series of interviewees was 0.75 points or more higher than that of the one ___17___ that, then the score for the next applicant

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Uint 4 Text 1 1. 作者认为“δ开发潜能”观念经久不衰的原因在于其。 [A]事实性[B]远见性 [C]神秘性[D]启发性 [信息锁定]第一段首先引出某种说法“大多数人只用及大脑的10%”;进而作出评价:该说法来源不明,准确性有待考证,噱头成分多过事实,但却经久不衰;随后指出了该说法经久不衰的原因:其言外之意颇具吸引力,也即,该说法颇能鼓舞人心——90%大脑尚δ使用,若是挖掘使用,则人人皆可成天才;最后论及申克新作《人人都能成为天才》,实际也是为了说明这种“说法”经久不衰。[D]选项符合文意。 [解题技巧][A]选项陷阱在于将文中“噱头成分多过事实”错误引申为“有噱头成分,但并不代表?有事实,其事实性也毋庸置疑”,从而导致误选。 [B]选项误区在于将文中“该说法经久不衰”套之以常识性知识“既然经久不衰,那?它肯定具有先见之明”,容易造成误选。 [C]选项捕风捉影,将文中underlying premise误理解为“神秘、不可捉摸”,该短语实指该说法的潜在预设,即其言外之意。 技巧点拨:因果关系题,可以直击文中表示因果关系的词汇,如because,然后在其前后深究“因”与“果”各为何物。同时,从字里行间揣测作者的站λ,首段第二句作者对该说法的客观评价就应该能够帮助我们将[A]、[B]两个表示褒义态度的选项加以排除,剩下[C]选项是被文中个别词汇误导一叶障目的结果。 2. 第二段隐含“刻意练习”的核心思想在于其。 [A]时间跨度[B]目标性 [C]强度[D]反复性 [信息锁定]第二段第四句提出概念“刻意练习”,即反复不断尝试,尝试的目标须以超乎自己现有水平为基准,言外之意,“刻意练习”不是为了完成练习量,其精髓在于其目的性(attempts to...)很明确,要持续不断地做“超乎自己现有能力”的事情,同时从deliberate词义“有意的,刻意的”也可见一斑,[B]选项最准确。 [解题技巧][A]选项误将文中over time(假以时日)理解为“时间决定了刻意

2010考研英语一阅读及答案

Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage. It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most big-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies. We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War II, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business, and even those reviewers who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. These men believed in journalism as a calling, and were proud to be published in the daily press. “So few authors have brains enough or literary gift enough to keep their own end up in journalism,” Newman wrote, “that I am tempted to define ‘journalism’ as ‘a term of contempt applied by writers who are not read to writers who are.’” Unfortunately, these critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England’s foremost classical-music critics, a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967, the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists. Is there any chance that Cardus’s criticism will enj oy a revival? The prospect seems remote. Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly upholstered Vicwardian prose in which he specialized. Moreover, the amateur tradition in music criticism has been in headlong retreat. 21. It is indicated in Paragraphs 1 and 2 that __________. [A] arts criticism has disappeared from big-city newspapers. [B] English-language newspapers used to carry more arts reviews. [C] high-quality newspapers retain a large body of readers. [D] young readers doubt the suitability of criticism on dailies. 22. Newspaper reviews in England before World War II were characterized by __________. [A] free themes.[B] casual style. [C] elaborate layout. [D] radical viewpoints. 23. Which of the following would Shaw and Newman most probably agree on? [A] It is writers' duty to fulfill journalistic goals. [B] It is contemptible for writers to be journalists. [C] Writers are likely to be tempted into journalism. [D] Not all writers are capable of journalistic writing. 24. What can be learned about Cardus according to the last two paragraphs? [A] His music criticism may not appeal to readers today. [B] His reputation as a music critic has long been in dispute. [C] His style caters largely to modern specialists. [D] His writings fail to follow the amateur tradition. 25. What would be the best title for the text? [A] Newspapers of the Good Old Days [B] The Lost Horizon in Newspapers [C] Mournful Decline of Journalism [D] Prominent Critics in Memory

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