关于汉语流行语特点及翻译策略的探究
摘要
流行语是指在一定社会时期广泛流传，并且能够反映当时的社会文化、风土人情的语言。人们通过它了解一个国家的社会变迁。同样地，汉语流行语也可以帮助外国读者更好地了解中国的社会风貌和最新发展。随着中外交流的日趋频繁，汉语流行语英译的实践与理论研究越发显得重要。然而由于汉语流行语英译的无先例可循加之理论研究的滞后，汉语流行语英译中还存在不少问题。为了提高汉语流行语的翻译质量，本文在翻译理论与实践的基础上，提出了切实可行的汉语流行语的翻译原则与方法。第一章介绍了翻译与文化之间的紧密关系以及汉语流行语的相关知识。第二章阐述汉语流行语的定义，并在此基础上归纳出汉语流行语的特点。第三章综述了翻译的定义及普遍原则。第四章在第三章的基础上提出了一套切实可行的翻译策略以帮助解决汉语流行语英译中出现的问题。第五章结论部分强调了作好汉语流行语英译必备的两个条件:一是译者要掌握一定的翻译策略并根据具体情况灵活运用;二是译者要具备跨文化交际、语言学等多方面的知识，不断学习，与时俱进，提高自身素质。
关键词：流行语；特点；翻译；策略
On the Features and Translation of
Chinese Catchwords
Abstract
Catchwords refer to those widely and quickly spread words and expressions in a certain period, area or group, which, from a certain point of view, express people’s values, ideas and states of mind and reflect social phenomena. Through catchwords people can observe social changes in a country. Likewise, Chinese catchwords through which foreign audiences may have an all-round view of China’s latest situation and development, which will help them understand us better. With the increasingly frequent exchange between China and foreign countries, the theory as well as the practice of translating this kind of words is becoming more and more important. This thesis, based on the theory and practice of translation, established some translating strategies to solve problems that may arise in the translation of Chinese catchwords. Chapter 1 introduce the close relationship between translation and culture as well as some relative knowledges about Chinese catchwords. Chapter 2, on the basis of thorough analysis of Chinese catchwords’definition, generalizes 5 features of Chinese catchwords, paving the way for the further study. Chapter 3 introduces the definition and general principles of translation .Chapter 4, on the basis of translation theory, proposes some practical strategies for the
translation of Chinese catchwords into English. The conclusive chapter, chapter 5, lays stress on two points: one, translators should master a set of translation strategies and apply them flexibly; two, translators should always keep improving their overall quality to be learned people with knowledge of cross-culture communication, linguistics and so forth.
Key words: Catchwords; Translation; Strategies On the Features and Translation of
Chinese Catchwords
1.Introduction
As a means of intercultural communication, the role of translation will be more and more important in an age of globalization, which not only embodies in economics but also in cultures as well. "Since many scholars of translation studies perceive translation as a cultural issue, it will be proper to do translation studies in the broad context of cultural studies."(王宁，2000:10 )
As translation involves the communication between two linguistically different cultures, the transference of cultural factors from one language into another should be the essence of translation. Different cultures have different ways of expressing
their specific factors presented by their particular languages and that's why language is regarded as a symbol of culture. Therefore, in performing translation, it is very important to convey in a precise way the cultural connotations of the source language into the target language in addition to language elements. It has been proved by Nida's idea on translation: "For truly successful translating, biculturalism is even more important than bilingualism" (Eugene A. Nida, 2001:10). He analyzes the interrelationship between language and culture, translation and culture. He points out that translation involves not only two languages but two cultures as well.
Along with the rising of China's international status, more and more foreign friends are interested in learning what China is really like and what is really happening in China. For many foreigners China is a country both exotic and modern. It has long history of culture of thousands of years and its economy has developed vigorously over the last two decades, arousing worldwide attention. Indeed, China has a glorious history of 5,000 years; China is standing up in the East; China has become a big market.
Under these circumstances, how to do better Chinese-English translations and produce readable English
materials for the western readers is an urgent, yet very complicated problem. Especially in the past decades along with China's reform, a large number of new popular terms in Chinese have appeared, they describe unique things and phenomena in Chinese culture. We must understand the connotation of the terms first if we want to translate them into proper English. However, different nations have different ways of living, traditions and customs, so these specific things will certainly find their way into the language, which may carry features of different cultures. Therefore, rendering only the linguistic forms from one language into another is inadequate because some of the cultural connotation would be neglected.
Traditional translation theorists regard translation as a process of language transferring and regard faithful reproduction of the meaning of the source text on a linguistic level as the sole task for the translator. Influenced by the communication theory, in recent years translation has been viewed as an intercultural communication, involving two linguistically different cultures. Accordingly our present age has witnessed a shift of translation studies from a linguistic approach to a cultural approach.
During recent years, China has been going through considerable changes. These changes are reflected prominently
in the use of words, the most dynamic part in language, among which catchwords show their salient features.
Catchwords exist all the time; especially thrive during the social and cultural reform periods. They always appear initially in some social group, and then spread to all walks of life. They appear in people's daily speeches, newspapers, magazines, and TV programs, etc.
Catchwords are a kind of language phenomena. Some changes and developments in the word systems can be discovered from the categorization of the words.
Catchwords are a kind of popular culture phenomena as well. They convey notable characteristics of the time, reflecting modern social life and people's thoughts directly and subtly. Compared with the ordinary words, catchwords have much more linguistic and social-cultural values.
2. Definition and Characteristics of Catchwords
2.1 Definition of Catchwords
The term catchword has been defined from different perspectives. Several definitions from some well-established dictionaries are shown below:
--A favorite saying of a sect or political group (https://www.doczj.com/doc/c48933117.html,)
--A word or expression repeated until it becomes representative of a party, school, or point of view (https://www.doczj.com/doc/c48933117.html,)
--A catchy name or slogan (https://www.doczj.com/doc/c48933117.html,)
--A word or phrase that is often repeated by, or becomes connected with a particular organization, especially a political group (https://www.doczj.com/doc/c48933117.html,)
--Popular word: a word or phrase that is so frequently used, often over a short period of time, that it comes to be identified with a particular feeling, quality, or idea (https://www.doczj.com/doc/c48933117.html,)
From these definitions we can see some distinct features of catchwords. And we think that catchwords refer to those widely and quickly spread in a certain period, area or group, which, from a certain point of view, express people's values, ideas and state of mind and reflect social phenomena.
2.2 Features of Catchwords
2.2.1 Dynamic
Catchwords are dynamic. Every word undergoes the same process: being produced, becoming popular, being ignored and becoming unpopular, being forgotten or assimilated as part of the common language. "There are but two ends for catchwords: disappearing, that is being eliminated in practical use; or being accepted into the daily vocabulary." (Jin Song, 1999)
The popular courses for catchwords are usually short. Their lives depend much on their "freshness". Most catchwords show strong freshness, with lively time features. But after being repeated too much, they will become plain, even stereotyped. Then they will be discarded or be replaced by fresher ones. Most of them do not last very long, though the duration of their popularity usually ranges from about several years to several decades. For example, the word "bloomer", which means "loose pant gathered at the knee, worn by women for cycling or swimming in the late 19th century” used to be very popular in the early 1900s because that kind of pants were worn by nearly all American women. But now people seldom use this word. Another
example is the Chinese phrase "da di"(打的).It used to be a popular term when taxis first appeared in China. But now it has become an ordinary phrase in people's daily speech.
2.2.2 High Frequency
Catchwords are popular within a certain period of time. Once introduced and spread, most people in a social group accept them and use them as frequently as possible. They become words of high frequency in people's daily communication. And they are also used a lot in mass media to lead the fashion and become eye-catching. They turn to be more and more popular. Of course, the high frequency is also relative. Different people use catchwords in different ways in accordance with their occupation, age, sex, education and way of talking. And the choices of these words also according to the contexts situations and people with whom they are talking. So high frequency is just relative to those ordinary words with average frequency.
2.2.3 Derivational
Catchwords are derivational. When one word or sentence becomes popular, some similar words or sentences are usually derived from the original one example, ever since the word IQ (Intelligence Quotient) becoming popular, have many more "Qs" in our vocabulary: EQ (Emotional Quotient), LQ (Love
Quotient), SQ (Smile Quotient) and CQ (Charisma Quotient or Creation Quotient).When we want to express our disagreement with something, we usually say,
Not that 1 disagree with you, but...
Then some similar expressions are derived from this:
Not that I want to contradict you，but ... ,
Not that this is all nonsense，but…，’
Not that this proves you are wrong，but…，.
Not to disagree with you, but...
2.2.4 Enclosed
Some catchwords are only popular within a certain society or cultural group. Some are popular in many societies and cultural groups, but their meanings differ a lot. That makes catchwords comparatively enclosed in a specific cultural community, which brings about difficulties in cross-cultural communications. That is to say, these catchwords can not achieve the same intercourse effect in different cultural groups.
2.2.5 Slangy and Dialectical
Catchwords usually appear in a certain dialect. They are created by some particular social group, or some low-educated social classes. Then as more and more people are using them, their influences get extended. So catchwords have a lot of
dialectical characteristics. Catchwords in different places always reflect different regional cultures. Since the creators and users of catchwords are mainly common citizens, catchwords are thought to mainly carry the notes of so called "lower" social culture. No matter how commendatory or derogatory they are, they reflect the interests and values of ordinary people. Besides, catchwords are much more used in spoken languages. They are colloquial and not elegant sometimes. And the contents are much limited in daily life. They are concerned with the things and phenomena that people care about.
Catchwords are a mirror of social life. They reflect all its dimensions. We can learn the local culture and psychology of a certain place from these words. Compared with written language, which is serious, formal and strict, catchwords are usually more popular, common and jocose.
3.A Brief Discussion on Translation
3.1 The definition, principles of translation
Before initiating a close study of translating Chinese catchwords into English, we should be clearly aware that translation involves skill, art and science. On one side, skill results usually from years of practice. On the other side, a theory of translation is indispensable in translating practice. According
to Jin Di and Nida, as stated in the book entitled on translation, "the processes of encoding thoughts into sounds are largely automatic, but in contrast with intralingua communication, translation (which is simply a form of interlingua communication) requires concentrated attention and awareness. One must see the whole of a discourse, as well as recognize how the parts tit together. It is the combination of the broad picture and the numerous details which not only implies, but also requires, a theory as to what one should do and why."(Jin Di &Nida 1984:9) In this sense, translating activities do not only involve skills, but also a science. One must be sensitive to certain basic principles of translation and, on the basis of these principles, acquire the necessary skills through extensive practice. As a result, the blend of skill and theory can pave the way for sensitivity to the beauty and power of language, which will transform the result from perfunctory reproduction to an aesthetic production. Then, what are the definitions, principles, and criteria of translation?
3.1.1The definition of translation
The linguists at home and abroad have given several definitions to the word "translation". According to Modern Chinese Dictionary, "translation" means "using one language to
render what is expressed in another language". Ordinary textbooks of translation express it this way: "translation means using one language to accurately and completely render what is expressed in another language", or ``using one language to render what is expressed in another language on the basis of not changing the content"12. Peter Newmark, a famous translation theorist of the United Kingdom, defined "translation", in his book entitled A Textbook of Translation, as "what is translation? Often, though not by any means always, it is rendering the meaning of a text into another language in the way that the author intended the text"(Newmark2001:5) Eugene Nida, another well-known translation theorist of the United States remarked, ``translating means translating the meaning", "translating consists in reproducing in the receptor language the closest natural equivalent of the source language message, first in terms of meaning, second in terms of style" (Nida &Taber 1969: 12). In addition, he pointed out in another book entitled language, culture and translating, that employing both information theory and communication theory, that "translating means communicating, and this process depends on what is received by the persons hearing or reading a translation."(Nida 1993: 116) According to the views of Nida, it will be regarded
as unqualified and meaningless if the receiver does not understand the target language text and the target Language text fails in achieving the goal of effective communication between sender and receiver. Though different words are employed in different definitions of the word, "translation", one can find commonality in them. That is, the basic task of translation does not lie in blind transformation of the language form, but it is a task of accurately rendering the content, message, and meaning. Thus, translation does not mean translating word-by-word, sentence-by-sentence. Anyone who merely attempts to match formally the target language text with the original text, in order to produce a translation that would look like the original without taking the reader's responses into consideration and, thus, produces the translation where the message of the original is not faithfully and accurately conveyed, will be regarded as not accomplishing the task of translation. On the basis of knowing the task of translation, translators should also adopt a proper set of principles and criteria for translation.
3.1.2General principles of translation
Speaking of principles of translation, we should first look back upon the early Tang Dynasty When Xuan Zang, a learned monk designed principles of translation with emphasis placed on
accuracy and general knowledge. From then on, a lot of scholars have put forward quite a number of principles of translation, such as the three characters“信、达、雅”(faithfulness, readability and refinement ) formulated
by Yan Fu in Introductory Remarks to his translation《天演论》(Evolution and Ethics and Other Essays)，“忠实、通顺、美”( fidelity, mellifluence and aesthetic quality ) introduced by Lin Yutang,“信与顺"(faithfulness and smoothness) proposed by Lu Xun and“化境”(transforming the words of a work written in one language into the words of another language without the slightest trace of rigid, awkward translation arising from discrepancies in speech habits or linguistic peculiarities, while at the same time keeping the stylistic flavor of the original) laid down by Qian Zhongshu etc. Among them, the three-character principle‘唁、达、雅”has long enjoyed most popularity and been supported as the one and only maxim all translators must observe.‘唁”means faithfulness to the original text;“达”means readability of
the translated text;“雅”means refinement of the language in translated text. Today new meaning has been given to “雅”.Many translation theorists explain it as faithfulness to the style of the original text. There are, however, certain difficulties
involved in trying to follow a set of changeless principles of translation on a strictly historical basis. The three-character principled formulated by Yan Fu, for translation, especially some of the method related with them, seem to be not completely applicable to the work of translation today. It is necessary for the translators of today to revalue them, and then absorb the essence and reject the dross of them. In recent decades, many scholars have espoused new principles of translation based upon that of Yan Fu. Some argue that there is no need to rut“雅”into the principles of translation, because“忠实、通顺”are more than enough; some consider that it is better to regard“信、达、切”as a set of principles than“信、达、雅”in today's translation activities; some even completely change“信、达、雅”into“正确、通顺、易懂”.Anyway no matter how the principles of translation are revised or completely changed by employing different words, one can find commonality among them, that is faithfulness to the original text and accuracy in rendering the meaning are essential in translation. And at the same time, smoothness and readability of the translated text are also important.
In western countries, Nida, in his book entitled Toward A Science of Translating, initially introduced the concept of
"dynamic equivalence", pointing out that the relationship between the language receiver and the target language text should be roughly equivalent to the relationship between the original receiver and the original text. In other words, the central task of translators is to reproduce in the receivers' language the closest natural equivalent of the source language message. The principles of translation that Nida put forward here are called the principles of “equivalent effect". Some people also call it "the principles of functional equivalent" or "the principles of dynamic equivalence" According to it, translators should not restrict themselves in trying to match formally the target language text with the original text in order to produce a translation that would look like the original. What they should be concerned with is whether the receivers of a translated text will be able to understand and appreciate it in essentially the same way as the original readers did. In other words, what translators pursue is equivalent, not identicalness. The principle of functional equivalent is an important component of Nida's communication theory of translation, in which he applied information theory and communication theory to the study of translation, emphasizing that translating means communicating, thus translators should take author, reader, content, background
and writing features into consideration in order to achieve a translated text with same communicating functions as the original one. Many scholars, however, have disagreed with the views of Nida and have put forward some viewpoints that deserve consideration. Peter Newmark is among them. He pointed out that，first, absolute equivalence is impossible and, second, that the translated text, that is faithful to the original author, does not necessarily mean that is faithful to the receivers of the original text. Moreover, he put forward two kinds of translation methods, namely, semantic and communicative translation, that he thinks can fulfill the two main aims of translation: first, accuracy; second, economy. He also stressed that even the communicative translation can't achieve the absolute equivalence. Thus, one can see that no theory of translation is perfect, and all the people favor no single set of principles of translation. What the translators should do is to absorb the essence and reject the dross and, then, formulate a proper set of principles of translation according to different features of different translations to deal with the constantly changing fashions of translation.
4.S trategies for Translating Chinese Catchwords into
English
Translation involves not only two languages but two cultures as well. Translation concerns not only the linguistic rendering but the transference of the cultural connotations as well. As a matter of fact, translation is a cross-language and cross-culture communication. It is a bridge between different cultures.
Along with the rising of China's international status, more and more foreign friends are interested in learning what China is really like and what is really happening in China. For many foreigners, China is a country both exotic and modern. It has very long history of culture of thousands of years and its economy has developed vigorously over the last two decades, arousing worldwide attention. Indeed, China has a glorious history of 5,000 years; China is standing up in the East; China has become a big market.
Under these circumstances, how to do better C-E translations and produce readable English reading materials for the western readers is an urgent, yet very complicated problem. Especially in the past decades along with China's reform, a large number of new popular terms in Chinese have appeared, they describe unique things and phenomena in Chinese culture. We must understand the connotation of the terms first if we want to
translate them into proper English. However, different nations have different ways of living, traditions and customs, so these specific things will certainly find their way into the language, which may carry features of different cultures. Therefore, rendering only the linguistic forms from one language into another is inadequate because some of the cultural connotation would be neglected.
What we are facing now is the mammoth task of the C-E translation which is much more difficult to us Chinese learners of English, as English is not our mother tongue. In doing C-E translation Chinglish (Chinese English) is our number one taboo, in a sense it is our "enemy". How to overcome this hurdle will need our lifelong efforts. Most difficulties originate from the obstacle of untranslatability caused by the difference between the source language/source culture and target language/target culture.
In this chapter, based on the differences between Chinese and English arising from their respective culture, some strategies for translating popular modern-Chinese sayings into English will be discussed, and some examples of C-E translation for these popular sayings will be given to reflect the cultural perspective.
网络流行语翻译大全 Document serial number【KKGB-LBS98YT-BS8CB-BSUT-BST108】
网络流行语翻译大全：卖萌小清新英文逐个 说 网络流行语翻译大全：卖萌小清新英文逐个说：“坑爹”、“伤不起”、“吐槽”均是时下年轻人经常挂在嘴边的新鲜词。这些词无论生命力多强，都给我们的语汇带来一丝喜感，给我们的生活带来一份轻松。此外，这些流行语(如“富二代”、“剩女”)往往反应了许多现实的社会问题，是对这些问题凝练的调侃。 “坑爹”、“伤不起”、“吐槽”均是时下年轻人经常挂在嘴边的新鲜词。这些词无论生命力多强，都给我们的语汇带来一丝喜感，给我们的生活带来一份轻松。此外，这些流行语(如“富二代”、“剩女”)往往反应了许多现实的社会问题，是对这些问题凝练的调侃。 高中生可以通过熟悉这些新鲜词来让自己想起一些社会现象、社会事件，并将它们作为事例佐证自己的作文。哲学家维特根斯坦(LudwigWittgenstein)曾说：“我语言的极限就是我世界的极限。我所知道的东西仅是我可以用语言表述的。”(Thelimitsofmylan－guagearethelimitsofmyworld.AllIknowiswhatIhavewordsfor。)因此，当学生们常常抱怨举例困难时，不妨用这其中部分现成而短小精悍的词来提示自己，那么作文举例会变得左右逢源。 笔者罗列了近年来活跃于青少年唇间的中文新鲜词40例，并提供了它们的英语说法。这些译文有些来自权威英语媒体如《中国日报》、《上海日报》，有些来自于笔者对众多网络翻译的精心筛选，其余则是笔者自己的翻译如“纠结”、“忐忑”、“淡定”等。可以说，与其看着学生草率地将这些中文流行词翻译成英文并运用于作文中，还不如尊重他们的选择，并将标准的讲法告知他们。由于笔者水平有限，译文中有不妥之处，欢迎读者朋友不吝指正。 中文英文 1.神马都是浮云It’sallfleetingcloud。 2.山寨fake,counterfeit,copycat 3.宅男Otaku(“homebody”inEnglish)；geek 4.被雷倒(到)了inshock 5.纠结ambivalent 6.忐忑anxious 7.悲催atear-inducingmisery 8.坑爹thereverseofone’sexpectation
从翻译目的论浅析网络流行语的汉英翻译 随着中国国际化进程日益加快、国际影响力不断增强以及国内经济持续发展，越来越多的外国友人关注中国，渴望了解他的昨天与今天、语言与文化。而随着互联网的普及，中国网民也创造了不少幽默诙谐、充满智慧的语言，一些鲜活的流行语不仅在网络上迅速传播，还渗透到社会生活中。俗话说的好，中国文字博大精深，要了解中国的文化，少不了“翻译”这个环节。然而，如何将这些流行与自然得体地翻译出来，让外国友人了解它们的意义与文化内涵呢？本论文将对此进行探析。 一、网络流行语 网络流行语，顾名思义就是在网络上流行的语言，是网民们约定俗成的表达方式。他有两大特征：一是年轻化，二是有文化。年轻人思想活跃，思维灵活，喜欢新鲜事物，渴望交流，崇尚创新，追逐时尚，而且不愿意承受现实生活中太多的约束（包括主流语言规范的约束）。具有匿名性的网络虚拟世界，无疑给以年轻人为主的网民群体提供了发挥的空间；同时，由于他们又具有较高的文化素质，熟悉英语及计算机语言，使"网络流行语"的产生具有了必然性和可能性。语言是时代的反映，网络语言在一定程度上也是当前"网络时代"的反映，与现代人的生存方式和思维状态密切相关。因而，随着网络飞速发展，"网络流行语"必将扩大其影响范围。同时，网络流行语具有一定的实效性，例如自2012年4月，毒果冻、毒老酸奶疑云未散，毒胶囊风波又起。在互联网上出现了破皮鞋很忙的恶搞段子：忙着被提炼成工业明胶，被无良商人掺入食品中，被消费者吃进肚子里。于是网络一时爆红一首打油诗想吃果冻了,舔下皮鞋, 想喝老酸奶了,舔下皮鞋， 感冒要吃药了,还是舔下皮鞋 上得了厅堂,下得了厨房, 爬得了高山,涉得了水塘， 制得成酸奶,压得成胶囊, 2012,皮鞋很忙…… 这是目前网上热传的段子，它让人在忍俊不禁之余，不免也有些淡淡的悲凉。中国的食品安全竟会到如此田地？可见网络流行语用诙谐
英语对现代汉语网络语言的影响 “语言，像文化一样，很少是自给自足的”（语言学家萨丕尔） 姓名：万玉梅学号：080114316 院系：文学院 摘要：语言本身就是社会生活发展的产物。随着网络的出现和发展而产生的网络语言也是社会进步的结果、历史发展的必然。英语是当今世界上通用的语言，而汉语是目前世界上使用人数最多的语言，现在，却因为网络语言产生千丝万缕的联系。网络语言作为新生事物，具有强大的生命力，在这种状况下，英语就不可避免的对现代汉语网络语言产生影响。 我们先来看一个例子： 新浪网2000年8月29日有一篇文章中有一段话是很典型的网络语言，部分记录如下： “7456（气死我了）！大虾（网络高手）、菜鸟（初学上网技术不熟练的人）一块儿到偶（我）的烘焙鸡（home page，主页）上乱灌水（发表没有意义的文章），这些水桶（经常灌水的人）真是BT（变态）！BS（鄙视） u（you，你们）！哥们儿用不着PMP（拍马屁），到底谁是好汉，光棍节过招。94（就是）酱紫（这样子），待会儿再打铁（发帖）。：p（吐舌头的鬼脸）呵呵！” 从这个例子看来，如果一个不懂网络语言的人来看这段文字是很难看懂的，但是这种简短的表达方式很适合网民交流，没有语法限制，可以任意表达，也正是这种随心所欲的交流方法，为网民们提供了充分发挥想象力和创造性的最自由的空间，这种空间因缺少了传统社会生活中无所不在的“监督”而显得更加自由、更加珍贵。网民们能够在网络上最大限度地发挥自己的想象力和创造性。同传统的书面语言相比较，网络语言由于减少了外来的束缚，发挥了作者的自由性，往往在构思上更为巧妙，往往语出惊人、令人瞠目，从而最大限度地反映出每个人在语言上的创造力。 一、网络语言的概况 随着国际互联网技术的发展，网络的普及和网名民的大量增多，网络语言也随之越来越丰富。目前，网络语言已经日渐成为网民在网络交流上必不可少的“通行证”。 1.网络语言的含义 网络语言是人们在网络交际时所运用的语言形式，它是夹杂了数字代码、英语字母、谐音假借文字和电脑键盘上符号写成的特殊语言，是一种新的媒体语言。 网络语言分为广义和狭义的两种，根据词汇的语义功能和文化内涵，广义的网络语言可分为三类：一是与网络有关的专业术语，如：鼠标、硬件、软件、病毒、登陆、在线、聊天室、局域网、防火墙、浏览器等。二是与网络有关的特别用语，如：网民、网吧、第四媒体、电子商务、虚拟空间、信息高速公路等。三是网民在聊天室和BBS上的常用词语和符号。狭义的网络语言仅指第三类，即网友之间为了方便交流，加强沟通而创造的有它独特的风格的习惯用语，是由网民创造并在网上使用的语言。前两种一旦被广泛运用，便在现代汉语词汇中固定下来，形成相对的稳定性；而第三种语言由于其五彩缤纷的词汇超越常规的语法和
微博Microblog,山寨copycat,异地恋long-distance relationship 剩女3S lady(single,seventies,stuck/left girls,熟女cougar (源自电影Cougar Club,裸婚naked wedding,炫富flaunt wealth,团购group buying,人肉搜索flesh search,潮人:trendsetter,发烧友:fancier,骨感美女:boney beauty 卡奴:card slave,下午茶 high tea,愤青young cynic,性感妈妈yummy mummy,亚健康sub-health,灵魂伴侣soul mate,小白脸toy boy,精神出轨soul infidelity,钻石王老五diamond bachelor,时尚达人fashion icon,御宅otaku,橙色预警orange signal warning,预约券reservation ticket,上相的,上镜头的photogenic,80后: 80's generation,百搭:all-match,限时抢购:flash sale,合租: flat-share,荧光纹身:glow tattoo,泡泡袜:loose socks,裸妆: nude look,黄牛票:scalped ticket,扫货:shopping spree,烟熏妆: smokey-eye make-up,水货:smuggled goods,纳米技术: nanotechnology 正妹hotty,对某人念念不忘get the hots for,草莓族Strawberry generation,草根总统grassroots president笨手笨脚have two left feet,拼车car-pooling,解除好友关系unfriend v. ;暴走go ballistic,海外代购overseas purchasing,跳槽jump ship 闪婚flash marriage,闪电约会speeddating,闪电恋爱whirlwind romance 刻不容缓,紧要关头 crunch time,乐活族LOHAS(Lifestyle Of Health And Sustainability一夜情one-night stand 偶像派idol type,脑残体leetspeak,挑食者picky-eater,伪球迷fake fans 狂热的gaga eg: I was gaga over his deep blue eyes when I first set eyes on him 防暑降温补贴high temperature subsidy,奉子成婚shotgun marriage 婚前性行为premarital sex,开博 to open a blog,房奴车奴mortgage slave 上课开小差zone out,万事通know-it-all,赌球soccer gambling,桑拿天sauna weather,假发票fake invoice,二房东middleman landlord,笑料 laughing stock,泰国香米
2009年中国十大网络流行语英文版 这是一个充满无限可能的时代，也是一个网络推动的时代。岁末将至，盘点2009年中出现的每一句网络流行语，无一不与我们的生活息息相关；细读每一个网络流行语诙谐和无厘头的背后，无一不是对现实问题的最理性的思考。 值此之际，特别推出2009年度十大网络流行语的英文版，让我们一起来对刚刚走远的集体记忆温故知新。 1. 不差钱 Money is not a problem. 出处：2009年央视春晚，赵本山、小沈阳等演出了小品《不差钱》。几乎一夜之间，二人转演员小沈阳连同小品中的多句经典台词，红遍大江南北。 入选理由：赵本山的小品历年来都不乏经典台词，这次有了小沈阳的加盟，语录更是经典。春晚过后，老百姓去餐馆点菜，和餐馆服务员之间最常见的对白就是“这个真没有”，“这个可以有”“咱不差钱”。 2. 哥抽的不是烟，是寂寞！ What brother is smoking is not a cigarette, but loneliness! 出处：7月初，在百度贴吧里突然有人发了一张一名非主流男子吃面的图片，图片配文“哥吃的不是面，是寂寞”。之后一发不可收拾，有网友相继模仿“哥×的不是×，是寂寞”的句式，“哥上的不是网，是寂寞”、“哥爱的不是你，是寂寞”…… 入选理由：今年，“寂寞体”成为很多人的MSN、QQ签名，仿佛什么事情都可以化作“寂寞”两个字，它折射出现代人需要抚慰的心灵。寂寞是一种病，我们都在寻找治愈它的药片。 3. 贾君鹏你妈妈喊你回家吃饭！ Jia Junpeng, your mother wants you to go home to have some food. 出处：贾君鹏只是个网络虚拟人物，但是在2009年7月16日百度贴吧里的魔兽世界吧里，一个只有标题《贾君鹏，你妈妈喊你回家吃饭！》的空帖，短短几个小时就被390617名网友浏览，引来超过1.7万条回复，并在接下来的一天时间内吸引了710万点击和30万的回复。入选理由：相当长一段时间内，“×××，你妈妈喊你回家吃饭！”这种兼具家庭式温馨的调侃语录成了最流行的网络问候语，并影响了社会各界和媒体们对此语录的深度分析。 4. 人生就像茶几，上面摆满了杯具。 Life is like a tea table, with bitter cups placed all over it. 出处：首先是易中天因为在一期《百家讲坛》中瞪大眼睛感叹了一句“悲剧啊”，结果就被网友截了图并上传到了网上，随即成为无数网友争相引用的签名档。其实，这句流行语的句式模板来自张爱玲笔下的———“人生是一袭华美的袍，上面爬满了虱子。” “杯具”一词诞生后，网上出现了“杯具党”，网友们又创造了“餐具（惨剧）”、“洗具（喜剧）”和“茶具（差距）”。 入选理由：在网友看来，“杯具”这个词比“悲剧”能表现内心的无奈，同时又多了一分自嘲的乐观态度，比之前单纯的悲观也多了一分希望。 5. 不要迷恋哥，哥只是个传说。 Don't be obsessed with brother. He is only a legend. 出处：这句话的起源是猫扑大杂烩，由网友“不要迷恋哥”的一个帖子引起的恶搞。
汉语网络流行语及其英译的对比研究 一、引言 汉语网络流行语是产生于我国社会文化环境，体现着国人生活方式、思维方式与文化现状，传达了中国人独特的精神意趣、诉求与生存状态。汉语网络流行语是国际友人了解中国的一扇窗口，对于展现中国国际形象的作用不可小觑。ChinaSmack就是一个以报道中国热点话题及网友评论为主旨的新兴网站，每天及时更新中国热点事件和最新网络流行语的英译。因流行语所含有的特定含义，翻译这些新兴热词不可避免地存在着难点。通过对语料的筛选和分析，研究当代网络流行语的英译现状。 二、网络流行语的概念界定 网络流行语是从网络平台中产生和发展起来、并通过互联网迅速在广大网民中间流行起来的词汇。网络流行语的特点在于“新”。它的“新”首先指时间上的新，即在一定的时间参照点之下，对其产生时间的新鲜性的限制；其次是内容上的“新”，网络新词大多是旧词义通过引申、转义等方式被赋予了新义，它们从最新的社会问题与现象中被提炼出来，能够在第一时间表达广大网民对新鲜事件的看法。 三、网络流行语的英译现状 目前网络流行语的英译现状不容乐观，主要体现在以下几个方面： （1）英译资料匮乏 网络流行语相关的英译资料不足。目前国内出版的双语专科词典（书）只有两本，其他双语综合性词典、等工具书往往交叉收录部分网络流行语的英译。此外，随着网络等媒体的发展，以沪江英语等为代表的网络资源开始为部分网络流行语提供英译，但此类网站尤其是权威网站为数不多，收录的语料也不够全面。 （2）译文缺乏统一性 在网络资源中，同一个网络流行语的不同英译往往比比皆。如，“山寨”搜集到多种译文如下： 山寨版：cheap copy （《英汉双解流行语辞典》） 山寨：bandit；copycatting （《汉英词典》） 山寨手机：unlicensed cell phone（《这个词原来这样说》）
网络流行语大全及翻译一、汉字谐音 人不叫人,叫----淫 我不叫我,叫----偶 年轻人不叫年轻人,叫----小P孩 蟑螂不叫蟑螂,叫----小强 什么不叫什么,叫----虾米 不要不叫不要,叫----表 喜欢不叫喜欢,叫----稀饭 这样子不叫这样子,叫----酱紫 好不叫好,叫----强 强不叫强,叫----弓虽 纸牌游戏不叫纸牌游戏,叫----杀人 被无数蚊子咬了不叫被无数蚊子咬了,叫----~~~新蚊连啵~~~ 毛片不叫毛片,叫----av 追女孩不叫追女孩,叫----把MM 看MM不叫看MM,叫----鉴定 好看不叫好看,叫----养眼 兴奋不叫兴奋,叫----high xx不叫xx,叫----日 吃喝不叫吃喝,叫----腐败 请人吃饭不叫请客,叫----反腐败 看不懂不叫看不懂，叫--晕 不满不叫不满，叫--靠 见面不叫见面，叫--聚会 有钱佬不叫有钱佬，叫--VIP 提意见不叫提意见，叫--拍砖 支持不叫支持，叫--顶 强烈支持不叫强烈支持，叫--狂顶
不忠不叫不忠，叫--外遇 追女孩不叫追女孩，叫--泡妞 吃不叫吃，叫--撮 羡慕不叫羡慕，叫--流口水 乐一乐不叫乐一乐，叫--happy 跳舞不叫跳舞，叫--蹦的 东西不叫东西，叫--东东 别人请吃饭不叫请吃饭，叫--饭局 特兴奋不叫特兴奋，叫--至high 有本事不叫有本事，叫--有料 倒霉不叫倒霉，叫--衰 单身女人不叫单身女人，叫--小资 单身男人不叫单身男人，叫--钻石王老五 网上丑女不叫丑女－－叫恐龙 网上丑男不叫丑男－－叫青蛙 网上高手不叫高手－－叫大虾 网上低手不叫低手－－叫菜鸟 看帖不叫看帖——叫瞧瞧去 不错不叫不错叫8错 祝你快乐不叫祝你快乐.........叫猪你快乐 不要不叫不要——叫表 二、数字谐音 4242：是啊是啊 7456：气死我了 748：去死吧 886，88：再见 847：别生气 987：就不去，就不去 55555：哭 771：亲亲你
中文流行语的英语表达 小事一桩 That's a piece of cake. That's as easy as pie! I can do it with my eyes closed. 请你客气点 Who do you think you're talking to? Don't get fresh with me (get fresh with 大多用于母亲对孩子的斥责之时). 来源:恒星英语学习网-口语频道 等着瞧. you'll see. / Time will tell. 多管闲事. (It is) None of your business. Mind yourown business. Who asked you? This has nothing to do with you. 别狗眼看人低. Do I look like a fool? Who do you think I am? What kind of a fool do you take me for? 来自:恒星英语学习网-口语频道
不要告诉别人. Don't tell anybody (about it). This is just between you and me. This doesn't leave this room. This is for your ears only. 当然. you bet. you know it. you betcha. 来源:恒星英语学习网-口语频道 你在开玩笑. you are kidding(joking). you have got to be kidding(joking). Are you kidding(joking). 没错,就是这样. you got that right. you wit the rail on the head. 世界真小. It is a small world! Small world! You never know whom you will bump into! 出自:恒星英语学习网-口语频道
龙源期刊网 https://www.doczj.com/doc/c48933117.html, 浅析网络流行语的翻译 作者：王丽琴万菲 来源：《大观》2017年第10期 摘要：网络流行语在网络的传播之下孕育而生，是反映社会现状和人们思想的语言现象和社会现象。由于网络传播速度之快，网络流行语给人们的日常生活带来巨大乐趣和丰富词汇量，给传统语言注入了大量的活力和生机的同时，也在一定程度上对传统语言和社会带来了威胁。因此，研究和分析网络流行语成为了必然之举和当务之急。本文从网络流行语的由来，种类，特点和利弊进行分析，从而提出了直译、意译和音译的翻译方法，以帮助大家更好地了解和使用网络流行语。 关键词：网络流行语；特点；翻译方法 随着新事物和新思想的出现，社会上涌现了大量的流行语，而这些流行语尤其为年轻人广泛运用。流行语，顾名思义，指的是那些被人们接受、采用，进而迅速推广的语言。语言是文化的重要载体和反映，它犹如一面镜子，反映了某个国家的风俗习惯、生活方式、思维特点等文化因素。通过网络的快速传播，网络流行语逐渐为人们所知，从而进一步反映了我国，某地区在某时段所发生的事件以及所关注的问题。网络流行语大大地丰富了词汇量，也在原有词汇量的基础上赋予了创新精神。由于流行语已渗透我们的日常生活，为了使我国文化为全世界所了解以及熟知，为了避免在交流中出现误解，我们急需对网络流行语的翻译进行研究。 一、网络流行语的特点 （一）创新性及阶段性 创新是指人们在发展的过程中，运用已知的信息，创造出某种新颖、独特的有价值的新事物、新思想的活动。网络流行语作为语言的一个重要组成部分，其产生体现了人们对新事物的关注和新思想的出现。人们充分发挥自己的想象力和创造性，创造出很多新词，如： 2012年的“屌丝”“躺着也中枪”“元芳，你怎么看？” 2013年的“土豪，我们做朋友吧！”“高端大气上档次”“低调奢华有内涵”“我和我的小伙伴们都惊呆了”； 2014年的“不作死就不会死”“我也是醉了”“且行且珍惜”； 2015年的“城会玩”“么么哒”“吓死本宝宝了”“我的内心几乎是崩溃的” 2016年的“蓝瘦香菇”“友谊的小船说翻就翻”“一言不合，就...”；
1. 要么忍，要么残忍 Either bear or be brutal like a bear. 2. 誓言只是一时的失言。 Oath is just a temporary a slip of the tongue。 3. 既宅又腐，前途未卜。 Being indoor and corrupt makes our future uncertain. 4. 最初不相识，最终不相认。\ In the beginning, we don not know each other; in the end, we can not recognize each other. 5. 等待你的关心，等到我关上了心。 I wait for your heart until I close my heart. 6. 我本有心向明月，奈何明月照沟渠。 My heart is open for moon, but it shines on canals. 7. 人生没有彩排，每天都是现场直播。 Life has no rehearsal; every day is a live show. 8. 帅有个屁用!到头来还不是被卒吃掉! It is no use being handsome! It will be eaten by a sudden death in the end. 9. 过去的事情可以不忘记，但一定要放下。 We may be able to forget the old thing, but we should put it away. 10. 世界上难以自拔的，除了牙齿，还有爱情。 One can not help himself falling in love as he can not help himself to touch his nose with his own mouth. 11. 即使是不成熟的尝试，也胜于胎死腹中的策略。 Even an immature try is better than a dead plan. 12. 这个年头找到真爱的机率和被雷劈的机率差不多。 The percentage is so slim to find the true love. 13. 魅力的代表人物：康师傅。每天都有成千上万的人泡它。 The most popular man is Face Book (the name of somebody) because there are
2015年即将要过去了。回首一年，都有哪些网络流行语红极一时呢？你知道用英文怎么讲嘛？跟小编一起看看吧！ 1. 上交给国家(handover sth to the government) “上交给国家”出自电视剧版《盗墓笔记》，为了能顺利过审，主角吴邪一改原著中的盗墓说辞，改成将所有看到的文物“上交国家”，于是片中的所有宝藏，都摆脱不了“上交国家”的命运，由此引发原著粉和看剧党的大规模的吐槽。 这个词组也是属于中国特有滴，所以小编认为直译会比较靠谱，即为handover sth to the government 或者说handover sth to the authority，你觉得呢？ 2. 吓死本宝宝了(scared to death) “吓死宝宝了”这里的“宝宝”指的是自己，是吓死我了的意思，自称本宝宝只是为了卖萌，说自己很可爱！可以译成I'm scared to death或者说It scared my pants off! 3. 明明可以靠脸吃饭(could have earned a living with face) 贾玲昔日的清秀照片被网友翻出来后，大家发现，经常跟男生“掰腕子”的"女汉子"贾玲竟也曾经“女神”过！而贾玲在微博上回应道：“我深情地演绎了：明明可以靠脸吃饭，偏偏要靠才华。” 小编认为这句话用英语表达就是：She could have earned a living with face, but instead, she uses her talent. 4. 世界那么大，我想去看看(The world is big and I want to see it.) 2015年4月14日，一封辞职信引发热评，辞职的理由仅有10个字：“世界那么大，我想去看看”，网友热评这是“史上最具情怀的辞职信，没有之一”，仅一天时间微博转发多达6000余次，评论超过1700条。 5. 睡什么睡，起来嗨(Wake up and get high with us!) 这句话最早出自微博上的一个短视频，在“快乐崇拜”的旋律下，外貌魔性的男主对着屏幕各种自言自语，这句话终于成为了经典。 6. 重要的事情说三遍(Important things cannot be underscored too much.) 最早说的应该是某房地产网站的电台广告语：“走直线，走直线，走直线，重要的事情说三遍。”此广告一经推出，迅速火遍各大电台，重要事情说三遍被各类广告和跟风使用，洗脑作用可见一斑。 7. 傻白甜(blonde)
1.引言 社会发展越来越迅速，语言作为体现社会文化的载体也在不断发展。从与民生息息相关的“房改”、“医改”，到体现社会现实的“小三”，“潜规则”，汉语词汇在短短几十年产生了十分流行的新词汇。随着网络科技的不断发展，一些网友们也创造出很多汉语新词，如“艳照门”，“偷菜”，等。这些词的英译版也在网上流传开来，其中不乏一些翻译的非常绝妙的词语。这些新词的翻译对传播中国文化，让外国人认识中国社会以及文化有很重要的意义。而能正确体现出这些词语内涵的翻译才能有效完成这一文化的传递，让更多的其他文化的人能通过这些词汇正确了解发生的新闻事件，中国人的精神文化生活以及中国的社会现状。本文试图评析一些新词英译版的文化内涵，指出其中的妙笔与瑕疵，并发现在翻译汉语新词方面的技巧。 2.翻译中文化传递 文化是社会历史的产物，来自人们的长期社会实践和智慧结晶。不同民族不同文化间的相互认识了解是靠翻译来实现的，因为翻译的本身就是文化的交流与传播。巴斯奈特和勒菲弗尔在他们《翻译，历史和文化》中指出了翻译不仅仅是语言本身，而是与语言所处文化紧密相关的；语言极大的受限于其所处文化的历史，传统，语境等[1]。在勒菲弗尔《翻译，重写以及对文学名声的操控》一书中，他强调了翻译中意识形态的重要作用与地位，认为翻译是处于某一利益群体的人对原文进行重写的过程，其目的是具有一定意识形态的[2]。因此，翻译在翻译过程中时，我们必须考虑除语言本身外的众多文化因素。 3.中国式英语与具有中国特色的英语词汇的区别 中国式英语（Chinglish），或中式英语，是以中文为母语的英语学习者在学习过程中因欠缺英语能力及受汉语的干扰而产生的不合英语表达习惯的错误英语表达，是错误分析的对象。最常见的例子比如： （1）Good good study， day day up.（好好学习，天天向上）（2）People hill people sea（人山人海） 这些例子都是一些根据汉语的语言习惯生造的英语表达，是错误的。 具有中国特色的英语词汇，或者可以称为中国英语，由葛传槼先生最早提出，后来汪榕培、李文中、谢之君等都对此进行了定义，张宏武、林琼、文秋芳等人也提出了自己的观点[3]。王建国[4]在《中国英语研究存在的问题》一文中提到中国英语必须满足两个标准：一是能够表达中国特有的事物，二是要为英语本族语者所接受。这两个标准，只涵盖了词汇层面，并未包括句法层面，也就是说只要满足这两个要求的词汇才能叫做中国英语。谢之君[5]认为，中国英语是一种干扰性英语变体，且这种干扰表现在语言各个层面上，包括语言、思维和文化等。本文中所分析的中国英语是以规范英语为基础，表达中国社会文化诸领域特有事物，通过音译、译借及语义再生等手段进入英语交际，得到英语母语者认同的英语变体。而中国英语和中国式英语虽然同在一个连续体上，但是后者向前者的转化非常有限。因此，笔者认为，文中一些为人们所接受的汉语新词的英译属于具有汉语特色的中国英语，是有别于中国式英语的。 4.网络新词的英译例示 一些汉语网络新词的出现本身已足够精炼与巧妙，其网络上流行的英译版本更令人叫绝。如“躲猫猫”一词，原本指的是一新闻事件，一个因盗伐林木被关进看守所的青年，2009年2月8日在看守所内受伤，被送进医院，2月12日死亡。警方称其受伤的原因是放风时和狱友躲猫猫撞在墙上。若按其原意，翻译为“hide-and-seek”（字面为英文中躲猫猫，捉迷藏的意思），外国人只能看懂其然，却不懂其所以然。笔者在网络上发现现在网上热传的中国式英语将其翻译为“suihide”，是suicide（自杀）和hide（躲）的合成词，两个词和在一起正好概括了云南的“躲猫猫”事件。并且“suihide”连起来读完全符合英语读音规则，可称之为是翻译“信达雅”的典范。另外，“躲猫猫”本来的翻译并不能完全的表达其本来的内涵以及其希望译文读者所领略到得一丝。相反，网友们的英译版虽然在形式上与汉语相差甚远，却很好的表现出了其文化与社会内涵。笔者认为，此翻译符合前文所提到的中国英语的标准，可以将其视为具有中国特色的英语新词汇，即属于中国英语，延续使用。 另外一个具有中国特色的词汇“笑而不语”，中国为典型的高语境文化国家，根据霍尔的高语境与低语境理论，中国人的交流方式偏向于含蓄婉转，不会轻易在众人面前表现情绪，尤其是不满情绪，而更多的是依赖非言语交流，如面对某一事件采取“笑而不语“的姿态。在美国英国等这些低语境国家，人们倾向于直接表达自己的观点与情绪，因此没有相对应的“笑而不语”的英文表达。有网友将其翻译为smilence，是smile（微笑）和silence（沉默）的合成词，同样，smilence取义英文smile和silence各一部分，既全面的表达了中文此词的内涵，又很合英文的发音习惯，也可以称得上是典型中国特色英译新词的绝妙翻译。 5.新词翻译技巧 关于新词的翻译，借鉴之前很多对于中国特色词汇的翻译，主要有音译加意译法，直译法，意译法，移译法，以及合成法等。 5.1 音译加意译 采用音译法来翻译中国英语非常普遍。音译，即直接采用汉语拼音来书写的形式。如：2008 年北京奥运会吉祥物“福娃”译名“Fuwa”，通过英译法，向世界传达中国奥运吉祥物的民族特色和文化内蕴，而之前的译文“Friendlies”则饱受争议，让很 汉语网络新词的文化内涵及英译 冯晶晶 西安外国语大学研究生部 陕西西安 710128 摘 要：随着社会的发展和网络的普及，越来越多的网络新词也随之产生。这些新词大部分都体现了中国的社会现状与人民的日常生活。翻译是不同文化间沟通交流的方式，而这些新词的英译词也慢慢流行起来。通过对中国式英语和中国特色英语词汇的对比，本文提出这些词汇的英译符合中国特色英语词汇的特点，属于较为成功的翻译，并对其翻译技巧进行总结，提出一些翻译策略以供参考。 关键词：网络新词；英译；文化内涵；中国特色英语词汇 （下转第333页）
1.有钱就是任性（rich and bitch） “有钱就是任性”具有嘲笑有钱人做事风格的意思，并常在微博炫富的时候使用，作为朋友间的调侃用语。微博红人王思聪曾说过“我交朋友不管他有钱没钱，反正都没我有钱”，从这话开始众网友对有钱人，又有了一次新的认识。进而产生了“有钱就是任性”等事件性的串联。 2.也是醉了。（Are you kidding me？或I become crazy） 这一神回复的创始人，可以追朔到金庸《笑傲江湖》里的令狐大侠。爱开玩笑的令狐冲曾这样讽刺别人的谄媚：“我一看到那些人的谄媚样，可就浑身难受，摇摇晃晃几欲醉倒。”之后一群DOTA玩家们对此词情有独钟，不管对方的技术很渣，还是技术很牛，小伙伴们都喜欢说：“呵呵，这货的技术，我也是看醉了”、“哇，这大神的技术，我也是醉了”。 3.那画面太美我不敢看（That's such a beautiful scene that I dare not have my ey es fixed on it.） 这个流行语出自蔡依林的一首歌《布拉格广场》，“这画面太美我不敢看”，被网友引申为对奇葩事物的形容，比如看到一张很雷人的图片，以此表达自己看到这张图片受到的视觉或心理冲击。 4.且行且珍惜（It is to be cherished） 2014年3月31日，马伊琍微博回应文章出轨事件，全文如下：恋爱虽易，婚姻不易，且行且珍惜。迅速有众多网友开始用“且行且珍惜”造句。比如：吃饭虽易，减肥不易，且吃且珍惜。 其实“且行且珍惜”在不同的语境中，可能会有不同的译法。比如，在一部交通安全宣传片中，“且行且珍惜”被译作“It can wait.”可谓无比贴切。 5. 挖掘机技术哪家强？（Which excavator school tops the list?） 源于演员唐国强为蓝翔职业学院代言的广告。由于蓝翔近日出现了各种负面新闻，网民智慧喷薄而出，每说完一件事，发表一个评论跟帖，无论有无关系，末尾都加上一句：“那么，问题来了。挖掘机技术哪家强？” “那么问题来了”则可以翻译成“So here comes the question…” 6.蛮拼的（Pretty strenuous） 挺努力的意思。但是即使很努力了，却没有成功，有反讽刺意味。因在《爸爸去哪儿2》中被歌星曹格多次提及而引发关注。主要表达一些说话者对其所说事件或任务的嘲讽、嘲笑或者鄙夷。 7.保证不打死你（I promise you won't get killed.）
2020年网络流行语大全 2014年,又有很多新的网络词汇“横冲直撞”进入我们的生活, 下面总结2014网络流行语,排名不分先后,快来看看哪句才是你的菜. 2014年,又有很多新的网络词汇“横冲直撞”进入我们的生活, 下面总结2014网络流行语,排名不分先后,快来看看哪句才是你的菜. 1、请你吃包辣条 走红原因:辣条是曾经的廉价小吃.因为也是80后、90后美好的回忆,近日走红. 2、有钱就是任性 走红原因:江西大叔明知是诈骗,仍然坚持向骗子汇款,就想看看钱去哪.网友评论:有钱就是任性！ 3、不约,叔叔我们不约！ 走红原因:源自于一组网友恶搞的80年代标语.
4、100块都不给我 走红原因:起源于深圳两男子因开房在路边争执,其中一人说:他骗我！他一百块钱都不给我！ 5、我项链2000多 走红原因:两位女子因取款发生冲突,其中一个女子大喊“我项链2000多“,引发网友吐槽. 6、摩擦,摩擦 走红原因:源自于网络神曲《我的滑板鞋》中的一句经典歌词. 7、我跟你什么仇什么冤 走红原因:苏州公交车上男子乱丢瓜子皮,身旁小伙劝阻,瓜子男叨叨了7分钟:我跟你什么仇什么怨,被暴打. 8、天德池里丢东西
走红原因:因为游人在天德池乱扔杂物,一长发大叔略带喜感地在街边边拍手边骂人,引发网友热议. 走红原因:本是蓝翔技校招生的广告语,后演变成网络流行语,并被段子手发扬光大,出了古文体、学术体等多种版本的段子. 10、也是醉了 走红原因:这个口头禅据说是来自于dota,大意是:“我服了”,使用语境原是在游戏当中遇到猪一样队友时不好说,只好说一句“我也是醉了”,蕴含嘲讽之意. 11、只想安静地做个美男子
奔奔族rushing clan 奔奔族是生于75-85这10年间的一代人，也是目前中国社会压力最大、最热爱玩乐却最玩命工作的族群。奔奔族被称为“当前中国社会中最重要的青春力量”，他们一路嚎叫地奔跑在事业的道路上；同时他们又是中国社会压力最大的族群，身处于房价高、车价高、医疗费用高的“三高时代”，时刻承受着压力，爱自我宣泄表达对现实抗争！ 漫游roam 气候变化climate change 万人迷mack daddy 循环经济Cyclic Economy 模仿大自然的整体、协同、循环和自适应功能去规划、组织和管理人类社会的生产、消费、流通、还原和调控活动的简称，是一类融自生、共生和竞争经济为一体、具有高效的资源代谢过程、完整的系统耦合结构的网络型、进化型复合生态经济。 视频直播live streaming 博客blog 小留学生parachute kids 非法食品添加剂illegal food additive 骑墙族fence sitters “二” thick 过劳死death from overwork 反恐部队counter-terrorism unit 游戏化gamification 肥胖谈话fat talk 指女同胞之间以抱怨身材不好为话题的闲聊，虽然她们本身都并不算胖 蚁族ant tribe 是“80后”甚至“90”后一个鲜为人知的庞大群体——“大学毕业生低收入聚居群体”，指的是毕业后无法找到工作或工作收入很低而聚居在城乡结合部的大学生。 家中度假staycation 毒黄瓜contaminated cucumbers 网络水军online “water army” 网络水军即受雇于网络公关公司，为他人发帖回帖造势的网络人员。为客户发帖回帖造势常常需要成百上千个人共同完成，那些临时在网上征集来的发帖的人被叫做“网络水军”。版主把主帖发出去后，获得最广大的“网民”的注意，进而营造出一个话题事件，所有网络公关公司都必须雇佣大批的人员来为客户发帖回帖造势。网络水军有专职和兼职之分。 边境争端border dispute 代驾司机designated driver 抹布女duster women 即全心全意帮助爱人成功，最后被抛弃的悲剧女性。 醉驾drunk driving 利好因素feel-good factor 好人综合症nice guy syndrome
网络流行语翻译大全：卖萌小清新英文逐个 说 网络流行语翻译大全：卖萌小清新英文逐个说：“坑爹”、“伤不起”、“吐槽”均是时下年轻人经常挂在嘴边的新鲜词。这些词无论生命力多强，都给我们的语汇带来一丝喜感，给我们的生活带来一份轻松。此外，这些流行语(如“富二代”、“剩女”)往往反应了许多现实的社会问题，是对这些问题凝练的调侃。 “坑爹”、“伤不起”、“吐槽”均是时下年轻人经常挂在嘴边的新鲜词。这些词无论生命力多强，都给我们的语汇带来一丝喜感，给我们的生活带来一份轻松。此外，这些流行语(如“富二代”、“剩女”)往往反应了许多现实的社会问题，是对这些问题凝练的调侃。 高中生可以通过熟悉这些新鲜词来让自己想起一些社会现象、社会事件，并将它们作为事例佐证自己的作文。哲学家维特根斯坦(LudwigWittgenstein)曾说：“我语言的极限就是我世界的极限。我所知道的东西仅是我可以用语言表述的。”(Thelimitsofmylan－guagearethelimitsofmyworld.AllIknowiswhatIhavewordsfor。)因此，当学生们常常抱怨举例困难时，不妨用这其中部分现成而短小精悍的词来提示自己，那么作文举例会变得左右逢源。 笔者罗列了近年来活跃于青少年唇间的中文新鲜词40例，并提供了它们的英语说法。这些译文有些来自权威英语媒体如《中国日报》、《上海日报》，有些来自于笔者对众多网络翻译的精心筛选，其余则是笔者自己的翻译如“纠结”、“忐忑”、“淡定”等。可以说，与其看着学生草率地将这些中文流行词翻译成英文并运用于作文中，还不如尊重他们的选择，并将标准的讲法告知他们。由于笔者水平有限，译文中有不妥之处，欢迎读者朋友不吝指正。 中文英文 1.神马都是浮云It’sallfleet ingcloud。 2.山寨fake,counterfeit,copycat 3.宅男Otaku(“homebody”inEnglish)；geek 4.被雷倒(到)了inshock 5.纠结ambivalent 6.忐忑anxious 7.悲催atear-inducingmisery 8.坑爹thereverseofone’sexpectation 9.哥只是传说Brotherisonlyalegend。
中文英文 1.神马都是浮云It’s all fleeting cloud。 2.山寨 fake, counterfeit, copycat 3.宅男Otaku (“homebody” in English)； geek 4.被雷倒(到)了 in shock 5.纠结 ambivalent 6.忐忑 anxious 7.悲催 a tear-inducingmisery 8.坑爹the reverse of one’s expectation 9.哥只是传说 Brother is only a legend。 10.伤不起 vulnerable; be prone to getting hurt 11.你懂的It goeswithout saying that… 12.吐槽disclose one’s secret 13.小清新 like [好似] a breath of fresh air 14.穿越剧 time-travelTV drama 15.至于你信不信，反正我是信了。Whether you believe it or not, I am convinced。 16.拼爹 daddy-is-the-key; parents privilege competition 17.做人呢，最重要是开心。 Happiness is theway。 18.卖萌 act cute 19.腹黑 scheming 20.折翼的天使 an angelwith brokenwings 21.淡定 calm; unruffled 22.羡慕嫉妒恨 envious, jealous and hateful 23.团购 group purchasing