经典电影名言
导读: 经典电影名言
1、做人如果没有梦想，那跟咸鱼有什么区别？快回火星吧，地球上是很危险滴！——《少林足球》
2、真相是一种美丽又可怕的东西，需要格外谨慎地对待。——《哈里波特》
3、这世上只有两种人：骗人的和被骗的。——《不夜城》
4、我说了不要动手，你当我放屁吗？——《侠盗高飞》
5、我听别人说这世界上有一种鸟是没有脚的，它只能一直飞呀飞呀，飞累了就在风里面睡觉，这种鸟一辈子只能下地一次，那边一次就是它死亡的时候。——《阿飞正传》
6、我要你知道，这个世界上有一个人会永远等着你。无论是在什么时候，无论你在什么地方，反正你知道总会有这样一个人！——《半生缘》
7、我愿意游荡在你身边，做七天的野鬼，跟随你。就算落进最黑暗的地方。我的爱，也不会让我成为永久的孤魂。——《卧虎藏龙》
8、我知道这世上有人在等我，但我不知道我在等谁，为了这个，我每天都非常快乐。——《那时花开》
9、小时候，看着满天的星斗，当流星飞过的时候，却总是来不及许愿，长大了，遇见了自己真正喜欢的人，却还是来不及。“——《停不了的爱》
10、星星在哪里都是很亮的，就看你有没有抬头去看他们。——《玻璃樽》
11、也许每一个男子全都有过这样的两个女人，至少两个。娶了红玫瑰，久而久之，红的变了墙上的一抹蚊子血，白的还是”床前明月光“；娶了白玫瑰，白的便是衣服上的一粒饭粘子，红的却是心口上的一颗朱砂痣。——《红玫瑰与白玫瑰》
12、一边是平常的现实，一边是美丽的谎言，你选哪一样呢？——《大鱼老爸》
13、一个人杀了一个人，他是杀人犯，是坏人。当他杀了成千上万人后，他是大英雄，是好人。——《和平饭店》
14、因为感受别人对你的感觉，是很痛苦的。——《都市情缘》
15、有人就有恩怨，有恩怨就有江湖。人就是江湖，你怎么退出？——《东方不败》
16、云芳，世界上最好的就是这饭，饭里边最好的就是这面，面里边最好的就是里边这蒜，蒜再好，也不如你好看。云芳，你就算了吧。——《没事偷着乐》
17、我拼命读书为了将来，谁知道没有将来！——《后天》
18、上帝会把我们身边最好的东西拿走，以提醒我们得到的太多！——《四根羽毛》
19、生活不是电影，生活比电影苦。——《天堂电影院》
20、生活就像一盒巧克力，你永远不知道你会得到什么。——《阿甘正传》
21、人老了，弦也调不准了。——《洪湖赤卫队》
22、人生不能象做菜，把所有的料都准备好了才下锅。——《饮食男女》
23、傻丫头，回去泡个热水澡，睡个好觉，明天早上起来，满街都是男人，个个都比豹哥好。——《甜蜜蜜》
24、生下来的时候都只有一半，为了找到另一半而在人世间行走。有的人幸运，很快就找到了。而有人却要找一辈子。——《玻璃樽》
25、失去了的东西永远不会再回来。——《冷山》
26、什么是权利？当一个人犯了罪，法官依法判他死刑。这不叫权利，这叫正义。而当一个人同样犯了罪，皇帝可以判他死刑，也可以不判他死刑，于是赦免了他，这就叫权利！——《辛德勒名单》
27、世界上总有一半人不理解另一半人的快乐——《爱玛》
28、世界上最遥远的距离不是生和死，而是站在你面前却不能说：”我爱你“。——《星愿》
29、为什么每个人都讨厌我只有你喜欢我呢？因为我不是别人！——《绿茶》
30、我不相信有天堂，因为我被困在这个地狱的时间太长了。——《亚瑟王》
31、我觉得生命是最重要的，所以在我心里，没有事情是解决不了的。--不是每一个人都可以幸运的过自己理想中的生活，有楼有车当然好了，没有难道哭吗？所以呢，我们一定要享受我们所过的生
活。——《新不了情》
32、我们太快的相识，太快的接吻，太快的发生关系，然后又太快的厌倦对方。——《大城小事》
33、我们要学会珍惜我们生活的每一天，因为，这每一天的开始，都将是我们余下生命之中的第一天。除非我们即将死去。——《美国美人》
34、去，给我烙两张糖饼！——《青松岭》
35、爱，就是永远也用不着说对不起。——《爱情故事》
36、牵着你的手，就象左手牵右手没感觉，但砍下去也会疼！（爱情的终结）——《一声叹息》
37、其实爱情是有时间性的，认识得太早或太晚都是不行的，如果我在另一个时间或空间认识她，这个结局也许会不一样。——《2046》
38、朋友之间无所谓谁欠谁，不然要朋友来干什么？——《喋血双雄》
39、你以为我穷。不漂亮，就没有感情吗？如果上帝赐给我美貌和财富，我也会让你难于离开我的！就象我现在难于离开你一样！——《简爱》
40、你个娘们，脱了裤子和我风流快活，穿上裤子你就不认帐了？——《红高粱》
41、高层社会是建立在贫穷和无知上的……——《华氏9.11》
42、好多东西都没了，就象是遗失在风中的烟花，让我来不及
说声再见就已经消逝不见。——《男人四十》
43、好功夫是没有用的，感情这种事啊，功夫再好也是挡不住的。遇到这玩意儿啊，男人就死定了，不然怎么叫英雄难过美人关呢？——《中南海保镖》
44、黑夜给了我黑色的眼睛，我却用鼻孔迎接光明。——《不见不散》
45、见过磕长头的人吗？他们的脸和手都很脏，可是心灵却很干净。——《可可西里》
46、敬仰天上的神明，热爱自己的女人，保护自己的祖国。——《特洛伊》
47、恐惧让你沦为囚犯，希望让你重获自由。——《肖申克的救赎》
48、每天你都有机会和很多人擦身而过，而你或者对他们一无所知，不过也许有一天他会变成你的朋友或是知己。——《重庆森林》
49、能力越大，责任越重。——《蜘蛛侠》
50、你不要对我这么好，你对我这么好、要是有一天你对我不好了，我会很伤心。——《夏日的么么茶》
51、你打我可以，只是不要弄乱我的头发！——《东京攻略》
52、纷乱人世间，除了你一切繁华都是背景，这出戏用生命演下去，付出的青春不可惜。——《我和春天有个约会》
53、当我站在瀑布前，觉得非常的难过，我总觉得，应该是两个人站在这里。——《春光乍泻》
54、不要相信漂亮女人，尤其是不穿衣服的裸体女人。——《偷天陷阱》
55、不记得也好，忘却也是一种幸福……——《功夫》
56、别以为长得帅我就不打你！——《功夫》
57、别跟我说你是无辜的，这让我愤怒，因为它侮辱了我的智慧。——《教父》（经典台词）
王小贱经典台词对白爱情电影英文独白 1、我突然有一种感觉，现在的糟糕处境，都是我应得的，是我那张布满漏洞的人际关系网中，一段一段的漠视带来的后果。 2、我知道，市面上的好青年还有很多，一定有一个人，幽默而不做作，温柔而不咸湿，相貌不用多端庄，但随便一笑，便能击中我心房。茫茫人海活跃着这么多的怪胎，难道还容不下这样一个人存在? 3、失恋最痛的也许不是失去了那个人，而是忘不掉与那个人一起时的那份曾经。突然想起了一句话：故事不过是别人的事故，现实是一个人的生活。 4、我毫无头绪，根本不知道该如何向前走。若是奢望他回头，连身上最不堪的污垢，或许都会看轻我;可用尽力气死撑的结果，就是身体背叛我。 5、回家去洗个澡，好好睡一觉，把自己好好整理整理，别搞得一适龄少女跟库存甩货似的。 6、你看，美食，好酒，都不会因为你失恋了就停止供应，是，牙疼不能忍，但它也要不了你命。 7、我只所以这么刻薄，是因为你太值得我刻薄了。 8、我看向身边，恍惚间，觉得那沙发旁，他坐过的痕迹还在，卫生间里，还有他那把备用的牙刷，镜框里，两个人的合影永不过期，笑的那么灿烂。我知道，世上的某处，一定正在进行着更悲壮
的生离死别，但是，此刻的我，一个人，四处皆是回忆，因而处处都在凌迟我，这样的极刑，更可怕。 9、感情其实是好感情，所以才让我心心念念朝思暮想的纠结，如果一开始就是你来我往不失客气的随便玩玩，那分手时一定比蹩脚电影散场，还令人不想多留恋。 10、这么个时代，这么个世界，不得个抑郁症什么的，你都不好意思见朋友。 11、是啊，快一年了，也许今年给自己的圣诞节礼物，就是独身一人穿越圣诞夜的大雪，走过曾经一起并肩走过的路，彻彻底底的回忆一次，然后将一切过往冰封。当然，如果圣诞节下雪的话。 12、我不会骂你浑蛋，但我会证明给你看，你是个彻头彻尾的浑蛋。再见。 13、我恨这个不入戏的对手，明明我们能演一出好戏，有一个happyending，但他却偏偏要逼我精神分裂满怀阴暗，人物性格复杂到值得捧回一尊奥斯卡奖杯。 14、都在对那些将要被我藏进记忆深渊中的往昔说，对不起，不是我不留恋。 15、每次一想到这段感情留给你的尾巴居然这么温软这么多愁善感，我就会觉得脸上被实实在在的狠抽了一记耳光。 28、我慌张得快要把持不住我自己了，想要撞墙，想摔东西，想要放声尖叫。我打开手机的通讯录，我想要和谁说说话，是个人就好，能回应就好。但长长的联系人名单上，却没有一个这样的人。这
Journey to the Center of the Earth（地心游记）2008 There is a part of me that will always have affection for a movie like "Journey to the Center of the Earth." It is a small part and steadily shrinking, but once I put on the 3-D glasses and settled in my seat, it started perking up. This is a fairly bad movie, and yet at the same time maybe about as good as it could be. There may not be an 8-year-old alive who would not love it. If I had seen it when I was 8, I would have remembered it with deep affection for all these years, until I saw it again and realized how little I really knew at that age. You are already familiar with the premise, that there is another land inside of our globe. You are familiar because the Jules Verne novel has inspired more than a dozen movies and countless TV productions, including a series, and has been ripped off by such as Edgar Rice Burroughs, who called it Pellucidar, and imagined that the Earth was hollow and there was another world on the inside surface. (You didn't ask, but yes, I own a copy of Tarzan at the Earth's Core with the original dust jacket.) In this version, Brendan Fraser stars as a geologist named Trevor, who defends the memory of his late brother, Max, who believed the center of the Earth could be reached through "volcanic tubes." Max disappeared on a mysterious expedition, which, if it involved volcanic tubes, should have been no surprise to him. Now Trevor has been asked to spend some time with his nephew, Max's son, who is named Sean (Josh Hutcherson). What with one thing and another, wouldn't you know they find themselves in Iceland, and peering down a volcanic tube. They are joined in this enterprise by Hannah (Anita Briem), who they find living in Max's former research headquarters near the volcano he was investigating. Now begins a series of adventures, in which the operative principle is: No matter how frequently or how far they fall, they will land without injury. They fall very frequently, and very far. The first drop lands them at the bottom of a deep cave, from which they cannot possibly climb, but they remain remarkably optimistic: "There must be a way out of here!" Sure enough, they find an abandoned mine shaft and climb aboard three cars of its miniature railway for a scene that will make you swear the filmmakers must have seen "Indiana Jones and the Temple of Doom." Just like in that movie, they hurtle down the tracks at breakneck speeds; they're in three cars, on three more or less parallel tracks, leading you to wonder why three parallel tracks were constructed at great expense and bother, but just when such questions are forming, they have to (1) leap a chasm, (2) jump from one car to another, and (3) crash. It's a funny thing about that little railway: After all these years, it still has lamps hanging over the rails, and the electricity is still on. The problem of lighting an unlit world is solved in the next cave they enter, which is inhabited by cute little birds that glow in the dark. One of them makes friends with Sean, and leads them on to the big attraction -- a world bounded by a great interior sea. This world must be a terrible place to inhabit; it has man-eating and man-strangling plants, its waters harbor giant-fanged fish and fearsome sea snakes that eat them, and on the further shore is a Tyrannosaurus rex. So do the characters despair? Would you despair, if you were trapped miles below the surface in a cave and being chased by its hungry inhabitants? Of course not. There isn't a moment in the movie when anyone seems frightened, not even during a fall straight down for thousands of feet, during which they link hands like sky-divers and carry on a conversation. Trevor gets the ball rolling: "We're still falling!" I mentioned 3-D glasses earlier in the review. Yes, the movie is available in 3-D in "selected theaters." Select those theaters to avoid. With a few exceptions (such as the authentic IMAX process), 3-D remains underwhelming to me -- a distraction, a disappointment and more often than not offering a dingy picture. I guess setting your story inside the Earth is one way to explain why it always seems to need more lighting. The movie is being shown in 2-D in most theaters, and that's how I wish I had seen it. Since there's that part of me with a certain weakness for movies like this, it's possible I would have liked it more. It would have looked brighter and clearer, and the photography wouldn't have been cluttered up with all the leaping and gnashing of teeth. Then I could have appreciated the work of the plucky actors, who do a lot of things right in this movie, of which the most heroic is keeping a straight face. 1
乱世佳人英文电影名人名言 2017-05-02飘(乱世佳 人)https://www.doczj.com/doc/c618206353.html,ndistheonlythingintheworldworthworkingfor,wort hfightingfor,worthdyingfor.becauseit’stheonlythingthatlasts.(土地是世界上唯一值得你去为之工作,为之战斗,为之牺牲的东西,因为它是唯一永恒的东西)2.iwishicouldbemorelikeyou.(我要像你一样就好 了)3.whatevercomes,i’llloveyou,justasidonow.untilidie.(无论发生什么事,我都会像现在一样爱你,直到永 远)4.ithinkit’shardwinningawarwithwords.(我认为纸上谈兵没什么作用)5.sir,you’renogentleman.andyoumissarenolady.(先生,你可真不是个君子,小姐,你也不是什么淑 女)6.inevergiveanythingwithoutexpectingsomethinginreturn.ialwaysgetpai d.(我做任何事不过是为了有所回报,我总要得到报 酬)7.inspiteofyouandmeandthewholesillyworldgoingtopiecesaroundus,ilov eyou.(哪怕是世界末日我都会爱着 你)8.iloveyoumorethani’veeverlovedanywoman.andi’vewaitedlongerforyo uthani’vewaitedforanywoman.此句只可意会不可言传 9.ifihavetolie,steal,cheatorkill,as godasmywitness,i’llneverbehungryagain!(即使让我撒谎,去偷,去骗,去杀人,上帝作证,我再也不要挨饿 了)10.nowifindmyselfinaworldwhichformeisworsethandeath.aworldinwhic hthereisnoplaceforme.(现在我发现自己活在一个比死还要痛苦的世界,
经典电影赏析 如何解读一部影片呢？我们应该从主题和元素这两个角度来看。 主题：你应该知道一部电影想告诉我们什么，我们从中感受到了什么。 元素：视觉和听觉的两方面组成了电影的元素，画面和声音就是电影语言的基本语汇。 1. 画面 A.镜头元素 （1）景别运用，分为远景，全景，中景，近景和特写 特写：拍摄人像的面部、被摄对象的一个局部的镜头。它可使表现对象从周围环境中突现出来，造成清晰的视觉形象，得到强调的效果。特写镜头能表现人物细微的情绪变化，揭示人物心灵瞬间的动向，使观众在视觉和心理上受到强烈的感染。 近景：摄取人物胸部以上的电影画面。它能使观众看清人物的面部表情，或某种形体动作，有利于对人物的容貌、神态、衣着、仪表作细致的刻画。 中景：摄取人物膝盖以上部分的电影画面。它有利于显示人物的形体动作，有利于交代人与人之间的关系，可以加深画面的纵深感，表现出一定的环境、气氛，而且通过镜头的组接，还能把某一冲突的经过叙述得有条不紊，常用以叙述剧情。 全景：摄取人物全身或场景全貌的电影画面。它可以充分展示人物的整个动作和人物的相互关系。在全景中，人物与环境常常融为一体，能创造出有人有景的生动画面。 远景：是指表现广阔空间或者开阔场面的画面的景别，是所有景别中视距最远、表现空间范围最大的一种景别。在电视节目中常用于表现地理环境、自然风貌和开阔的场景和场面。 大远景：通常是从高角度拍摄的画面，用来做为定场镜头或提示宽广开阔的空间。 （2）运动镜头——相对于固定镜头，通过相机的推，拉，摇，移和升降 来表现 推：分为变位置和变焦距（霸王别姬） 拉，相对与推 摇：借助三脚架来上下左右移动 移：横移，纵跟和斜移 升降：用升降车或升降臂（罗马假日） B、转场： 每个段落（构成电视片的最小单位是镜头，一个个镜头连接在一起形成的镜头序列）都具有某个单一的、相对完整的意思，如表现一个动作过程，表现一种相关
匆匆那年电影经典台词对白爱情电影英文独白电视剧匆匆那年讲述了一群80后的青春，陈寻与方茴之间的爱情从高中的互相喜欢，到了大学，陈寻却遇到了志同道合的沈晓棠。陈寻与沈晓棠雨夜狂奔，陈寻发出了爱情应该是一场平静的相逢这样的内心独白。 陈寻觉得爱情应该是一场平静的相遇而方茴却在困惑和犹豫里，错过了最真挚的时刻，最美好的人，陈寻和方茴注定不是一个世界的人，他们也要以分开结尾。 匆匆那年电影经典台词 1.年轻的时候，我们对未知的事，既好奇又害怕，想要接近又不敢触碰，往往在这困惑和犹豫里，错过了最真挚的时刻，最美好的人。 2.很多时候青春往往不是鲜花的盛放，而是一场兵荒马乱的草草收场。方茴 3.有人说爱情就是一场玩命的折腾，我们总是以爱为借口，伤害着最爱的那个人，好像只有这样，才能反复确认对彼此的爱。 4.其实越害怕失去，就越容易失去，爱情应该是一场平静的相逢，两人并肩站在世界的同一边，再一起往前走。 5.爱情中，最难办的命题就是这两个，爱我的人我不爱和我爱的人不爱我。左右为难之间，往往伤害了三个人。 6.永远是一个很简单的词，却代表最难兑现的诺言。
7.在这个新旧交替的夜晚，我们曾天真地以为，只要跨过千年，就抓住了永远，其实没人知道什么会成为永远，下一个千年，我们又在哪里。 8.不是不重视，只是太在乎。 9.据说，五瓣丁香会给人带来幸福。 10.人生是一场永不止息的旅程，我们被人海裹挟着向前，不能回头。 如果过去还值得眷恋别太快冰释前嫌谁甘心就这样彼此无挂也无牵我们要互相亏欠要不然凭何怀缅我们要互相亏欠我们要藕断丝连 匆匆那年电影主题曲：匆匆那年 演唱：王菲 匆匆那年我们究竟说了几遍再见之后再拖延 可惜谁有没有爱过不是一场七情上面的雄辩 匆匆那年我们一时匆忙撂下难以承受的诺言 只有等别人兑现 不怪那吻痕还没积累成茧 拥抱着冬眠也没能羽化再成仙 不怪这一段情没空反复再排练 是岁月宽容恩赐反悔的时间 如果再见不能红着眼是否还能红着脸 就像那年匆促刻下永远一起那样美丽的谣言
Seven(七宗罪)1995 David Fincher's classic tale of inventive serial killing and urban degredation, with Brad Pitt and Morgan Freeman on excellent form Who'd have thought? An absurd-sounding tale of a serial killer basing his crimes around the seven deadly sins, directed by the man behind the mess that was Alien3, turning out to be one of the most chilling and original thrillers of the 1990s. From the outset, through the film's brilliantly designed deliberate under-lighting - we see very little blood and guts - and muffled sound, the audience is encouraged to lean towards the screen, immerse itself in the film's unbearably grim world. Pitt is in career-making form as Mills, a simple cop moving with his sweet young wife (Paltrow) to a grim, anonymous city, determined to make a difference, to do some good. He is assigned to track down a vengeful killer, and works alongside Somerset (Freeman), a jaded, wise policeman on the verge of retirement. The two are that modern movie cliché -the mismatched pair thrown together by circumstance, who gradually learn mutual respect. But Fincher and Walker take these hackneyed ingredients, play with them in the context of a brilliantly cohesive plot, and present something consistently fresh - the police finding themselves with too much evidence, the premature unmasking of the killer - and very, very dark. 1
经典电影英语名人名言大全 】no matter how long night, the arrival of daylight association。黑夜无论怎样悠长，白昼总会到来。words can not express true love, loyalty behavior is the best explanation。真正的是不能用言语表达的，行为才是忠心的最好说明。 【经典英语】you can get the whole world with love, you can also use hate to lose the whole world. 你可以用爱得到全世界，你也可以用恨失去全世界。 【经典英语】only two things are infinite, the universe and human stupidity, and i m not sure about the former. - albert einstein 只有两件事是永恒的：宇宙和人类的愚蠢。对于前者我并不是太了解。() 【经典英语】evil is unspectacular and always human.and shares our bed... and eats at our table. 恶魔通常只是凡人并且毫不起眼，他们与我们同床，与我们同桌共餐。 【电影经典英语】the farther backward you can look,the farther forward you will see. 你回首看得越远，你向前也会看得越远。 【经典英语】in delay there lies no plenty , then come kiss me , sweet and twenty , youth s a stuff that will not endure . 迁
欧美电影中的经典台词 1.《卡萨布兰卡》 “of all the gin joints in all the towns in all the world，she walks into mine.” －humphrey bogart，“casablanca”译文：“世界上有那么多的城镇，城镇中有那么多的酒馆，她却走进了我的。”亨普瑞-鲍格特，《卡萨布兰卡》，1942 2.《阿甘正传》 death is just a part of life, something we’re all destined to do.(死亡是生命 的一部分，是我们注定要做的一件事) don’t know if we each have a destiny, or if we’re all just floating around accidental—like on a breeze.(我不懂我们是否有着各自的命运，还是只是到处随风飘荡) 3.《肖申克的救赎》 you know some birds are not meant to be caged, their feathers are just too bright. 你知道，有些鸟儿是注定不会被关在牢笼里的，它们的每一片羽毛都闪耀着自由的光辉。 there is something inside ,that they cant get to , that they cant touch. thats yours. 那是一种内在的东西, 他们到达不了,也无法触及的,那是你的。 .it takes a strong man to save himself, and a great man to save another. (坚 强的人只能救赎自己，伟大的人才能拯救他人。) remember, hope is a good thing, maybe the best of things and no good thing ever dies!(记着，希望是件好东西，没准儿是件最好的东西，而且从没有一样好东西会消逝！) get busy living, or get busy dying. (忙活，或者等死。) 4.《the lion king狮子王》 im only brave when i have to be. being brave doesnt mean you go looking for trouble. 我只是在必要的时候才会勇敢，勇敢并不代表你要到处闯祸。 when the world turns its back on you, you turn your back on the world. 如果这 个世界对你不理不睬，你也可以这样对待它。 5.《sleepless in seattle西雅图不眠夜》 work hard! work will save you. work is the only thing that will see you through this. 努力工作吧!工作能拯救你.埋头苦干可令你忘记痛楚. you make millions of decisions that mean nothing and then one day your order takes out and it changes your life. 你每天都在做很多看起来毫无意义的决定,但某天你的某个决定就能改变你的一生. when youre attracted to someone it just means that your subconscious is attracted to their subconscious, subconsciously. so what we think of as fate, is just two neuroses knowing theyre a perfect match. 当你被某个人吸引时,那只是意味着你俩在潜意识里相互吸引.因此,所谓命运,就只不过 是两个疯子认为他们自己是天造一对,地设一双. destiny takes a hand.命中注定. 6.《garfield加菲猫》 money is not everything. theres mastercard. 钞票不是万能的, 有时还需要信用卡。 one should love animals. they are so tasty.
Tess(苔丝)1979 Thomas Hardy's Tess of the D'Urbervilles, which Roman Polanski has turned into a lovely, lyrical, unexpectedly delicate movie, might at first seem to be the wrong project for Mr. Polanski in every way. As a new biography of the director reports, when Tess was shown at the Cannes Film Festival, the press pointed nastily and repeatedly to the coincidence of Mr. Polanski's having made a film about a young girl's seduction by an older man, while he himself faced criminal charges for a similar offense. This would certainly seem to cast a pall over the project. So would the fact that Hardy's novel is so very deeply rooted in English landscapes, geographical and sociological, while Mr. Polanski was brought up in Poland. Finally, Tess of the D'Urbervilles is so quintessentially Victorian a story that a believable version might seem well out of any contemporary director's reach. But if an elegant, plausible, affecting Tess sounds like more than might have been expected of Mr. Polanski, let's just say he has achieved the impossible. In fact, in the process of adapting his style to suit such a sweeping and vivid novel, he has achieved something very unlike his other work. Without Mr. Polanski's name in the credits, this lush and scenic Tess could even be mistaken for the work of David Lean. In a preface to the later editions of Tess of the D'Urbervilles, Mr. Hardy described the work as "an impression, not an argument." Mr. Polanski has taken a similar approach, removing the sting from both the story's morality and its melodrama. Tess Durbeyfield, the hearty country lass whose downfall begins when her father learns he had noble forebears, is sent to charm her rich D'Urberville relations. She learns that they aren't D'Urbervilles after all; instead, they have used their new money to purchase an old name. Tess charms them anyhow, so much that Alec D'Urberville, her imposter cousin, seduces and impregnates her. The seduction, like many of the film's key scenes, is presented in a manner both earthy and discreet. In this case, the action is set in a forest, where a gentle mist arises from the ground and envelops Tess just around the time when she is enveloped by Alec. Alec, as played by Leigh Lawson, is a slightly wooden character, unlike Angel Clare, Tess's later and truer lover, played with supreme radiance by Peter Firth. Long after Tess has borne and buried her illegitimate child, she finds and falls in love with this spirited soul mate. But when she marries Angel Clare and is at last ready to reveal the secret of her past, the story begins hurtling toward its final tragedy. When Tess becomes a murderer, the film offers its one distinctly Polanski-like moment—but even that scene has its fidelity to the novel. A housemaid listening at a door hears a "drip, drip, drip" sound, according to Hardy. Mr. Polanski has simply interpreted this with a typically mischievous flourish. Of all the unlikely strong points of Tess, which opens today for a weeklong engagement at the Baronet and which will reopen next year, the unlikeliest is Nastassja Kinski, who plays the title role. Miss Kinski powerfully resembles the young Ingrid Bergman, and she is altogether ravishing. But she's an odd choice for Tess: not quite vigorous enough, and maybe even too beautiful. She's an actress who can lose her magnetism and mystery if she's given a great deal to do (that was the case in an earlier film called Stay As You Are). But here, Mr. Polanski makes perfect use of her. Instead of a driving force, she becomes an echo of the land and the society around her, more passive than Hardy's Tess but linked just as unmistakably with natural forces. Miss Kinski's Tess has no inner life to speak of. But Mr. Polanski makes her surroundings so expressive that her placidity and reserve work very beautifully. Even at its nearly three-hour running time, Mr. Polanski's Tess cannot hope for anything approaching the range of the novel. But the deletions have been made wisely, and though the story loses some of its resonance it maintains its momentum. There are episodes—like one involving Tess's shabby boots and Mercy Chant, the more respectable girl who expects to marry Angel—that don't make the sense they should, and the action is fragmented at times. That's a small price to pay for the movie's essential rightness, for its congruence with the mood and manner of the novel. Mr. Polanski had to go to Normandy and rebuild Stonehenge to stage his last scene, according to this same biography. As is the case throughout his Tess, the results were worth the trouble. 1
电影中的经典名言 导语：一部好的电影会让人印象深刻，一部经典的电影个中台词更是让人回味无穷!今天，橙子就为大家整理了50句电影中的经典名言!以供欣赏。 1、《左走向右走》：生命中充满了巧合，两条平行线也会有相交的一天。 2、《玻璃之城》：我手上的爱情线、生命线和事业线，都是你的名字拼成的。 3、《半生缘》：我要你知道，这个世界上有一个人会永远等着你。无论是在什么时候，无论你在什么地方，反正你知道总会有这样一个人! 4、《春光乍泄》：当我站在瀑布前，觉得非常的难过，我总觉得，应该是两个人站在这里。 5、《开往春天的地铁》：我一直怀疑27岁是否还会有一见钟情的倾心。我不知道该说什么，我只是突然在那一刻很想念她。 6、《男人四十》好多东西都没了，就象是遗失在风中的烟花，让我来不及说声再见就已经消逝不见。 7、《阿飞正传》：我听别人说这世界上有一种鸟是没有脚的，它只能一直飞呀飞呀，飞累了就在风里面睡觉，这种鸟一辈子只能下地一次，那边一次就是它死亡的时候。 1 / 6
8、《停不了的爱》：“小时候，看着满天的星斗，当流星飞过的时候，却总是来不及许愿，长大了，遇见了自己真正喜欢的人，却还是来不及。” 9、《新不了情》：我觉得生命是最重要的，所以在我心里，没有事情是解决不了的。不是每一个人都可以幸运的过自己理想中的生活，有楼有车当然好了，没有难道哭吗?所以呢，我们一定要享受我们所过的生活。 10、《英雄本色》：有信心不一定会成功，没信心一定不会成功。 11、《笑傲江湖之东方不败》：有人就有恩怨，有恩怨就有江湖。人就是江湖，你怎么退出? 12、《堕落天使》：当你年轻时，以为什么都有答案，可是老了的时候，你可能又觉得其实人生并没有所谓的答案。 13、《东邪西毒》：最了解你的人不是你的朋友，而是你的敌人。 14、《2046》：爱情这东西，时间很关键，认识得太早或太晚，都不行。 15、《大鼻子情圣》：我的心分成两半，一半因为责任留给我的妻子，另一半留在新桥底下，用此一生来思念你。 16、《大鼻子情圣》：人生那个东西，也许只是在一段刻骨铭心之后才算是真正的开始，但有时候想想，徒留遗憾罢了。 17、《阿甘正传》：生活就像一盒巧克力，你永远不知道你会得到什么。(励志电影) 2 / 6
我的1919经典台词对白爱情电影英文独白 1919年，参加巴黎和会的中国代表团拒绝在凡尔赛和约上签字，震动了世界，影片《我的1919》正是以此为背景，讲述了中国外交才子顾维钧作为中国代表团一员参加巴黎和会的经历。 1919年，随着第一次世界大战结束，被战火蹂躏的欧洲尚未恢复元气，旨在解决战争遗留问题和奠定和平基础的巴黎和会准备召开，中国作为战胜国之一，派出了时任驻美公使、全权代表顾维钧(陈道明饰)等五人组成的代表团参加和会。然而在欧美各国以及日本等列强意欲重新划分势力范围的大环境下，中国代表团人数遭到削减、德国在山东的利益眼看也要落入日本之手。顾维钧在会议上慷慨陈词，驳斥日方无理要求，然而公理在利益面前显得多么脆弱。顾维钧好友肖克俭(何政军饰)之妻梅(许晴饰)专程赶赴巴黎，寻找投身爱国工人运动的克俭。克俭在法国的活动、以及国内浩大的群众呼声令和会中的顾维钧等感受到责任重大。 《我的1919》经典台词 请允许我在正式发言之前，让大家看一样东西。 (掏出金表) (牧野发言：我的，我的怀表) 进入会场之前，牧野先生为了讨好我，争夺山东的特权，把这块金表送给了我。 (牧野发言：我抗议，这是盗窃，中国代表偷了我的怀表，这是公开的盗窃!无耻!极端的无耻!) 牧野男爵愤怒了，他真的愤怒了，姑且算是我偷了他的金表，那我倒想问问牧野男爵，你们日本，在全世界面前偷了整个山东省，山东省的三千六百万人们该不该愤怒，四万万中国人该不该愤怒!我想请问日本的这个行为算不算是盗窃，是不是无耻啊，是不是极端的无耻!!! 山东是中国文化的摇篮，中国的圣者孔子和孟子就诞生在这片土地上，孔子，孔子犹如西方的耶稣，山东是中国的，无论从经济方面还是战略上，还有宗教文化，中国不能失去山