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翻译硕士散文精选:How Should One Read a Book

翻译硕士散文精选:How Should One Read a Book
翻译硕士散文精选:How Should One Read a Book

How Should One Read a Book?

怎样读书?

Virginia Woolf

弗吉尼亚·伍尔夫

It is simple enough to say that since books have classes——fiction,biography,poetry——weshould separate them and take from each what it is right that each should give us. Yet fewpeople ask from books what books can give us. Most commonly we come to books with blurredand divided minds,asking of fiction that it shall be true,of poetry that it shall be false,ofbiography that it shall be flattering,of history that it shall enforce our own prejudices. If wecould banish all such preconceptions when we read,that would be an admirable beginning. Donot dictate to your author;Try to become him. Be his fellow-worker and accomplice. If youhang back,and reserve and criticize at first,you are preventing yourself from getting thefullest possible value from what you read. But if you open your mind as widely as possible,thesigns and hints of almost imperceptible fineness,from the twist and turn of the firstsentences,will bring you into the presence of a human being unlike any other. Steep yourselfin this,acquaint yourself with this,and soon you will find that your author is giving you,orattempting to give you,something far more definite. The thirty-two chapters of a novel—if weconsider how to read a novel first——are an attempt to make something as formed andcontrolled as a building:but words are more impalpable than bricks;Reading is a longer andmore complicated process than seeing. Perhaps the quickest way to understand the elementsof what a novelist is doing is not to read,but to write;To make your own experiment with thedangers and difficulties of words. Recall,then,some event that has left a distinct impressionon you—how at the corner of the street,perhaps,you passed two people talking. A treeshook;an electric light danced;the tone of the talk was comic,but also tragic;a wholevision;an entire conception,seemed contained in that moment.

书既然有小说,传记,诗歌之分,就应区别对待,从各类书中取其应该给及我们的东西。这话说来很简单。然而很少有人向书索取它能给我们的东西,我们拿起书来往往怀着模糊而又杂乱的想法,要求小说是真是的,诗歌是虚假的,传记要吹捧,史书能加强我们自己的偏见。读书时如能抛开这些先入为主之见,便是极好的开端。不要对作者指手画脚,而要尽力与作者融为一体,共同创作,共同策划。如果你不参与,不投入,而且一开始就百般挑剔,

那你就无缘从书中获得最大的益处。你若敞开心扉,虚怀若谷,那么,书中精细入微的寓意和暗示便会把你从一开头就碰上的那些像是山回水转般的句子中带出来,走到一个独特的人物面前。钻进去熟悉它,你很快就会发现,作者展示给你的或想要展示给你的是一些比原先要明确得多的东西。不妨闲来谈谈如何读小说吧。一部长篇小说分成三十二章,是作者的苦心经营,想把它建构得如同一座错落有致的布局合理的大厦。可是词语比砖块更难捉摸,阅读比观看更费时、更复杂。了解作家创作的个中滋味。最有效的途径恐怕不是读而是写,通过写亲自体验一下文字工作的艰难险阻。回想一件你记忆忧新的事吧。比方说,在街道的拐弯处遇到两个人正在谈话,树影婆娑,灯光摇曳,谈话的调子喜中有悲。这一瞬间似乎包含了一种完善的意境,全面的构思。

But when you attempt to reconstruct it in words,you will find that it breaks into a thousandconflicting impressions. Some must be subdued;others emphasized;in the process you willlose,probably,all grasp upon the emotion itself. Then turn from your blurred and litteredpages to the opening pages of some great novelist—Defoe,Jane Austen,or Hardy. Now youwill be better able to appreciate their mastery. It is not merely that we are in the presence ofa different person—Defoe,Jane Austen,or Thomas Hardy—but that we are living in a differentworld. Here,in Robinson Crusoe,we are trudging a plain high road;one thing happens afteranother;the fact and the order of the fact is enough. But if the open air and adventure meaneverything to Defoe they mean nothing to Jane Austen. Hers is the drawing-room,and peopletalking,and by the many mirrors of their talk revealing their characters. And if,when we haveaccustomed ourselves to the drawing-room and its reflections,we turn to Hardy,we are oncemore spun around. The other side of the mind is now exposed—the dark side that comesuppermost in solitude,not the light side that shows in company. Our relations are nottowards people,but towards Nature and destiny. Yet different as these worlds are,each isconsistent with itself. The maker of each is careful to observe the laws of his ownperspective,and however great a strain they may put upon us they will never confuseus,as lesser writers so frequently do,by introducing two different kinds of reality into thesame book. Thus to go from one great novelist to another—from Jane Austen to Hardy,fromPeacock to Trollope,from Scott to Meredith —is to be wrenched and uprooted;to be thrownthis way and then that. To read a novel is a difficult and complex art. You must be capable notonly of great finesse of perception,but of great boldness of imagination if you are going tomake use of all that the novelist—the great artist—gives you.

可是当你打算用文字来重现此情此景的时候。它却化作千头万绪互相冲突的印象。有的

必须淡化,有的则应加突出。在处理过程中你可能对整个意境根本把握不住了。这时,还是把你那些写得含糊杂乱的一页页书稿搁到一边,翻开某位小说大师,如笛福,简·奥斯汀或哈代的作品来从头读吧。这时候你就能更深刻地领略大师们驾驭文字的技巧了。因为我们不仅面对一个个不同的人物—笛福、简·奥斯汀或托马斯·哈代,而且置身于不同的世界。阅读《鲁宾逊漂流记》时,我们仿佛跋涉在狂野大道上,事件一个接一个,故事再加上故事情节的安排就足够了。如果说旷野和历险对笛福来说就是一切,那么对简·奥斯汀就毫无意义了。她的世界是客厅和客厅中闲聊的人们。这些人的言谈像一面面的镜子,反映出他们的性格特征。当我们熟悉了奥斯汀的客厅及其反映出来的事物以后再去读哈代的作品,又得转向另一个世界。周围茫茫荒野,头顶一片星空。此时,心灵的另一面,不要聚会结伴时显示出来的轻松愉快的一面,而是孤独时最容易萌生的忧郁阴沉的一面。和我们打交道的不是人,而是自然与命运。虽然这些世界截然不同,它们自身却浑然一体。每一个世界的创造者都小心翼翼地遵循自己观察事物的法则,不管他们的作品读起来如何费力,却不会像蹩脚的作家那样,把格格不入的两种现实塞进一部作品中,使人感到不知所云。因此读完一位伟大作家的小说再去读另一位的,比如说从简·奥斯汀到哈代,从皮科克到特罗洛普,从司各特到梅瑞狄斯,就好像被猛力扭动,连根拔起,抛来抛去。说实在的,读小说是一门困难而又复杂的艺术。要想充分享用小说作者,伟大的艺术家给予你的一切,你不仅要具备高度的感受能力,还得有大胆的想象力。

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翻译 中英对译 英文散文赏析

原文 巷 柯灵译者-张培基 巷,是城市建筑艺术中一篇飘逸恬静的散文,一幅古雅冲淡的图画①。这种巷,常在江南的小城市中,有如古代的少女,躲在僻静的深闺,轻易不肯抛头露面②。你要在这种城市里住久了,和它真正成了莫逆,你才有机会看见她③,接触到她优娴贞静的风度。 人耐心静静走去,要老半天才走完。它又这么曲折, 什么时候,你向巷中踅去,都如宁静的黄昏,可以清晰地听到自己的 斑斑驳驳的苔痕,墙上挂着一串串苍翠欲滴 的藤萝,简直像古朴的屏风。春来 小巷的动人处就是它无比的悠闲。无论是谁, 你的心情就会如巷尾不波的古井,那是一种和平的静穆,而不是阴森和肃杀⑩。它闹中取静,别有天地,仍是人间。它可能是一条现代的乌衣巷(11),家家有自 己的一本哀乐帐, 使人忘忧。 译文 The Lane Ke Ling The lane, in terms of the art of urban architecture, is like a piece of prose of gentle gracefulness or a painting of classic elegance and simplicity①.

a small the lane, a maiden of ancient times hidden away in a secluded boudoir, is reluctant to make its appearance long time.③ The does not taste of the countryside at all. It is long and deep, so it will take you a long while to walk patiently and quietly through it from end to end. It is also so winding that it seems ⑤when you look far ahead, but if you keep walking until you take a turning, you’ll find it again lying endless and still more quiet. There is nothing but stillness there⑥. At any hour of day, you can even distinctly hear in the , which, moss-covered and hung with clusters of fresh green wisteria, look almost like screens of primitive simplicity. Inside the walls are residents’ gardens with In spring, beautiful peach and apricot blossoms atop the walls, ⑧waving their red sleeves, will sway hospitably to beckon the pedestrians. The charm of the lane lies in its absolute serenity. No matter who you are, if you in the lane for a while⑨, your mind will become as unruffled as the ancient well at the end of the lane. There you will a kind of peaceful calmness rather than gloomy sternness⑩. There reigns peace and quiet in the midst of noisy bustle. It is a world of its own on earth. It may be a modern (11)where each family, secluded behind closed doors, has its own covered-up story of (12)The all-pervading and all-purifying atmosphere of water-like placidness makes one forget all cares and worries.

英语背诵美文30篇(翻译)

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致伊丽莎白: 我亲爱的女儿伊丽莎白,感谢你长期以来的鼓励和支持,以及对本书最终稿子的编辑。 致贝蒂 你是甘于奉献的妻子和伟大的母亲。你一直跟我们一起度过快乐和艰难的日子。你从一开始就给我提供许多支持。仅以此书献给你。如果没有你,我们绝不可能完成这本书。

介绍 让观众和间谍捕手失望的是,反间谍活动都是安全计划和行动。为了保护美国的国家利益和秘密,需要各级各类安全活动。维护我们的安全体系,包括安全围墙和障碍、边境、空中和港口的保安员和行人交通或运输控制,以及安全许可管理都属于反间谍的工作范围、 然而,令我们读者高兴的是,书中也有一些跟反间谍有关的有趣进攻活动,比如反间谍和其它进攻技术。 佛吉尼亚州和佐治亚州的联邦“机构”学校以及一些陆军、海军、空军和海军陆战队的DOD学校都教授反间谍课程;他们学习的课程包括基本安全、监视/反监视、特别行动(如主动反间谍和进攻行动)、谍报和背景调查、各种安全检查。当然,课程也必须包括反恐训练和其他反间谍支持活动,这些需要一定的专业知识,如文件制作、技术支持服务,也需要秘密的应急资金。 最后,反间谍活动的每个阶段都必须书面记录,当然这需要费力又无聊的报告写作,但这绝不能忽视。 你可能会觉得本书中的语法并不是很好,但你会从本书中发现,我热爱间谍活动的各个方面,并一直努力作出自己的贡献。如果你觉得我支持或反对任何政治党派;或批评任何其它机构或人员,你可以忽视这些。从艾森豪威尔总统开始,我一直从事反间谍工作,并以此为豪;也为美国情报收集机构和外国情报机构的所有人感到骄傲。此外,由于对情报领域某些方面信息公开的限制,我被迫修改和替换本书中的某些内容。我真诚地希望,我这样做没有减少或降低本书的价值或质量。 我把自己40年的时间奉献给人工情报、进攻反情报和情报收集活动。我们或多或少都会有一些虚荣心。如果没有虚荣心,就不会有自豪感。我对自己的职业生涯感到非常的自豪,在职业中我取得了非凡的成就。

2020翻译硕士复习资料:散文翻译(4)

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英语短文中英文翻译

my friend and I are taking a , we are seeing a boy sit on the chair,he is crying,we go and ask him.“what’s the matter with you” he tell us“I can’t find my dog can you help me”.“yes,I can”.And we help him find his dong .oh it stay under the big tree! 今天我和我的朋友一起去散步。突然我们看见一个男孩坐在椅子上,他哭的很伤心。我们走过去问他:“你怎么了”。他告诉我们:“我的狗不见了,你们能帮我找到它吗”。“是的,我们能帮你找到你的狗”然后我们帮助他找到了他的狗,原来是它呆在一棵大树下。 day an old man siselling a big young man comes to the elephant and begins to look at it old man goes up to him and says inhis ear,“Don't sa y anything about the elephant before I sell it,then i'll give you some money.”“All right,”says the young the old man slles the elephant,he gives the young man some money and says,“Now,can you tell me how you find the bad ears of theelephant?”“I don't find the bad ears,”says the young man.“Then why do you look at the elephant slowly?”asks the old young man answers,“Because I never see an elephant before,and I want to know what it looks like.” 一天,一个老的男人正在卖一头大象。一个年轻的男人走向大象然后开始慢慢看着它(大象),这个老的男人走向他对着他的耳朵说,“不要在我卖出它(大象)之前说关于它(大象)的事,然后我会给你一些钱。”“好的”,这个年轻的男人说。在这个老的男人卖出大象后,他给了年轻的男人一些钱并且说,“现在,你可以告诉我你是怎样知道大象的坏的耳朵了吧?”“我不知道坏的耳朵”,这个年轻的男人说。“然后为什么你慢慢的看着大象?”这个老的男人问。这个年轻的男人回答,“因为我在这之前从来没有见过大象,还有我想知道它(大象)是什么样子的。” 3.An old woman had a cat. The cat was very old; she could not run quickly, and she could not bite, because she was so old. One day the old cat saw a mouse; she jumped and caught the mouse. But she could not bite it; so the mouse got out of her mouth and ran away, because the cat could not bite it.? Then the old woman became very angry because the cat had not killed the mouse. She began to hit the cat. The cat said, "Do not hit your old servant. I have worked for you for many years, and I would work for you still, but I am too old. Do not be unkind to the old, but remember what good work the old did when they were young."? 一位老妇有只猫,这只猫很老,它跑不快了,也咬不了东西,因为它年纪太大了。一天,老猫发现一只老鼠,它跳过去抓这只老鼠,然而,它咬不住这只老鼠。因此,老鼠从它的嘴边溜掉了,因为老猫咬不了它。? 于是,老妇很生气,因为老猫没有把老鼠咬死。她开始打这只猫,猫说:“不要打你的老仆人,我已经为你服务了很多年,而且还愿意为你效劳,但是,我实在太老了,对年纪大的不

英汉翻译中英文小说

Certain Things Last (某些持续的事情) For a year now I have been thinking of writing a certain book. (这一年来,我一直想写一本有把握(在思考着写一本自己已经酝酿许久)的书)―Well, tomorrow I‘ll get at it,‖ I‘ve been saying to myself.(“好吧,明天我就完成它”过去自己一直这么说)(好,明天就开始动手写,我一直对自己这么说。)Every night when I get into bed I think about the book(每天晚上上床睡觉时就想着那本书). The people that are to be put between its covers dance before my eyes. (那些即将出现在作品里面的角色在我眼前跳舞)I live in the city of Chicago and at night motor trucks to rumbling along the roadway outside my house. Not so very far away there is an elevated railroad and after twelve o‘clock at night trains pass at pretty long intervals.(我在芝加哥生活,一到晚上,就听到家外面的公路上那些运货卡车隆隆地响。不远处有一条高架铁路,晚上过了十二点以后火车就开始通过,相互间隔得很远)Before it began I went to sleep during one of the quieter intervals but now that the idea of writing this book has got into me I lie awake and think.(过去在十二点之前趁着那一会儿的安静空隙入睡,但现在我躺在床上思考,脑海出现了写书的想法) For one thing it is hard to get the whole idea of the book fixed in the setting of the city I live in now.(在我如今居住的城 市环境中要想得到这本书确切的想法很难)I wonder if you who do not try to write books, perhaps will understand what I mean.(我很惊奇如果你没有尝试过写书,也许会明白我说什么)Maybe you will, maybe you won‘t. It is a little hard to explain. You see, it‘s something like this. (也许你会明白,或者不明白。这解释起来有点困难。就好比这样)You as a reader will, some evening or some afternoon, be reading in my book and put it down. You will go out of your house and into the street.(你作为一名读者,有些晚上或者下午可能会读我的书,读完后把它放下。你可能会离开家,走到街上)The sun

英语美文(带翻译)

Always will I seek the seed of triumph in every adversity 在困境中寻找成功的希望 1.There is no better school than adversity. Every defeat, every heartbreak, every loss, contains its own seed, its own lesson on how to improve my performance next time. Never again will I contribute to my downfall by refusing to face the truth and learn from my past mistakes. Because I know: gems cannot shine without polish, and I cannot perfect myself without hardship. 2.Now I know that there are no times in life when opportunity, the chance to be and do, gathers so richly about my soul as when it has to suffer cruel adversity. Then everything depends on whether I raise my head or lower it in seeking help. Whenever I am struck down, in the future, by any terrible defeat, I will always inquire of myself, after the first pain has passed how I can turn that adversity into good. What a great opportunity that moment might present… to take the bitter root I am holding and transform it into a fragrant garden of flowers. 3.Always will I seek the seed of triumph in every adversity. 1.逆境是一所最好的学校每一次打击、每一次损失。都蕴含着成功的萌芽。都教会我在下一次有更出色的表现。我再也不会逃避现实,也不会拒绝从以往的错误中获取经验,我不再因此促成自己的失败。因为我我知道,宝玉不经磨砺就不能发光,没有磨练,我也不完善自我。 2.现在我知道,灵魂倍受煎熬的时刻,也正是生命中最多选择与机会的时刻。任何事情的成败取决于我在寻求帮助时是抬起头还是低下头。无论何时,当我被可怕的失败击倒,在最初的阵痛过去之后,我都要想方设法将苦难变成好事。伟大的机遇就在这一刻闪现——这苦涩的根本必将迎来满园芬芳! 3.我将一直在困境中寻找成功希望。 Hold Fast to Dreams 紧紧抓住梦想 1.We all have dreams. We all want to believe deep down in our souls that we have a special gift, that we can make a difference, that we can touch others in a special way, and that we can make the world a better place. 2.At one time in our lives, we all had a vision for the quality of life that we desire and deserve. Yet, for many of us, those dreams have become so shrouded in the frustrations and routines of daily life that we no longer even make an effort to accomplish them. For far too many, the dream has dissipated and with it, so has the will to shape our destinies. Many have lost that sense of certainty that creates the winner’s edge.

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