17. Izuka 2013

希崎杰西卡希崎杰西卡是一位备受争议的人物，她是一名著名的日本AV女演员，曾在业界引起不小的轰动。

本文将对希崎杰西卡的个人经历、职业生涯以及对社会的影响做出客观评价。

希崎杰西卡，原名金泽妮可，于1988年出生在日本的东京。

她在日本长大，从小就展示出了对演艺界的浓厚兴趣。

她在高中时期加入了一个偶像组合，开始了自己的演艺生涯。

希崎杰西卡进入成人娱乐行业的转折点是在2012年，当时她发现自己的事业发展陷入了困境。

她决定尝试进入成人影视行业，希望能够通过这个途径获得更多的知名度和机会。

虽然她的决定受到了很多争议和非议，但她依然选择了这条具有挑战性的道路。

希崎杰西卡在进入成人影视行业后，很快获得了巨大的成功。

她的外貌和气质非常出众，加之她在偶像组合的经历，使她很快在业界崭露头角。

她与多个知名电影制作公司签约，并且在业内赢得了声誉。

然而，希崎杰西卡的职业生涯也并非一帆风顺。

她曾面临来自一些人的抵制和攻击，认为她的职业选择不道德。

不过，希崎杰西卡坚持自己的选择，并表示这是她为了自己的经济独立和事业发展而做出的决定。

希崎杰西卡的存在对于日本社会来说是一个挑战和反思。

一方面，她的成功表明成人影视行业在日本是一个巨大的产业，为经济发展做出了贡献。

另一方面，她也引发了对于性产业的道德和伦理问题的争议。

一些人认为在这一行业中工作的女性受到社会的歧视和压迫，而希崎杰西卡的成功可能会进一步加剧这种现象。

无论如何，希崎杰西卡作为一名成人影视女演员，她的选择应得到尊重。

她通过自己的努力获得了经济独立和人生的发展，这值得我们欣赏。

同时，我们也需要思考和关注性产业对女性的影响，以确保女性在这个行业中能够获得公平和正义的对待。

总之，希崎杰西卡是一个备受争议的人物，她的职业选择引发了社会各界的争议和讨论。

她的个人经历和职业生涯体现了日本社会对性产业的态度和对女性的看待方式。

无论我们是否支持她的职业选择，我们应该尊重她的决定，并同时思考和关注性产业对女性的影响，以确保女性在这个行业中能够获得公平和正义的对待。

CRYPTON社作品第一代CRV1：メイコMEIKO（同人设定姓氏“起音”）年龄：20+岁（另有亚种咲音メイコ），现16岁，与MEIKO并非同一人）发售日：04.11.声源：拝郷メイコ（拜乡芽衣子）擅长曲风：流行曲、摇滚乐、爵士乐、R&B、童谣象征物：酒（啤酒罐）、耳机（？）这个就是官方最初人设啦！“手拿麦克风，充满朝气的女孩”……不过其实是个暴力女。

公认的大姐，虽无确切年龄设定，但比KAITO要年长，不折不扣的御姐。

还有喜欢喝酒之类的设定也都是在初音火了之后才被设定的呢~ 腹黑双子RIN和LEN唯一不敢招惹的人，传说中最强的长女！CRV2：カイトKAITO（同人设定姓氏“始音”）年龄：20岁（非官方设定）发售日：06.2.17声源：风雅なおと（风雅直人）擅长曲风：民谣、童谣、POP象征物：冰激凌、围巾、正露丸(日本著名的止泻药？)爱称：うたのお兄さん天然呆，FANS爱称为大哥。

首个日本语男声音声合成歌唱软件！酷爱冰淇淋，常备正露丸（腹泻药），静冈出身，戴上眼镜会变鬼畜。

第二代CV01：初音ミク（Hatsune Miku）（初音未来）年龄：16岁身高：158cm体重：42kg发售日：07.8.31声源：藤田咲擅长曲风：偶像风格，擅长pop和舞曲，从80年代的老歌到流行歌曲都是擅长范围萌点：葱、双马尾衣服和机械部分以Yamaha于1983年发售的DX系列为蓝本。

左臂“01”的初期设定是一个QR码，就连袖子上面也有琴键的设计，整体融合了麦克风的感觉初音：“最初的声音（初めての音）”“出发点” “最初的VOCALOID2”ミク：汉字写作“未来”，指“VOCALOID所象征的将来音乐之可能性”最初的成名曲为《Ievan Polkka》[2007]改编自芬兰波尔卡舞曲“Ievan Polkka”[也就是甩葱歌啦]之后引发热潮的是《true my heart》和《把你给MIKUMIKU掉》（みくみくにしてあげる）除了很早就关注V家的日党们，中国国内有很多人都是09,10年从《甩葱歌》开始认识和喜欢上初音的，也有很多人认为《甩葱歌》毁了初音的形象。

1.1 Opera(歌剧)•S.1, Don Sanche, ou Le château de l'amour (1824–25) 歌剧《唐切桑》1.2 Sacred Choral Works(神圣的合唱作品)•S.2, The Legend of St. Elisabeth (1857–62) 清唱剧《圣伊丽莎白传奇》•S.3, Christus (1855–67) 清唱剧《基督》•S.4, Cantico del sol di Francesco d'Assisi [first/second version] (1862, 1880–81) 清唱剧《阿西西的圣方济圣歌》•S.5, Die heilige Cäcilia (1874)•S.6, Die Glocken des Strassburger Münsters (Longfellow) (1874)•S.7, Cantantibus organis (1879)•S.8, Missa quattuor vocum ad aequales concinente organo [first/second version] (1848, 1869)•S.9, Missa solennis zur Einweihung der Basilika in Gran (Gran Mass) [first/second version] (1855, 1857–58)•S.10, Missa choralis, organo concinente (1865)•S.11, Hungarian Coronation Mass (1866–67)•S.12, Requiem (1867–68)•S.13, Psalm 13 (Herr, wie lange ?) [first/second/third verion] (1855, 1858, 1862)•S.14, Psalm 18 (Coeli enarrant) (1860)•S.15, Psalm 23 (Mein Gott, der ist mein Hirt) [first version: chorus, soloist & orchestra] [second version: chorus, soloist & violin, piano, harp, organ] (1859, 1862)•S.15a, Psalm 116 (Laudate Dominum) (1869)•S.16, Psalm 129 (De profundis) (1880–83)•S.17, Psalm 137 (By the Rivers of Babylon) [first/second version] (1859–62)•S.18, Five choruses with French texts [5 choruses] (1840–49)•S.19, Hymne de l'enfant à son réveil (Lamartine) [first/second version] (1847, 1862)•S.20, Ave Maria I [first/second version] (1846, 1852)•S.21, Pater noster II [first/second version] (1846, 1848)•S.22, Pater noster IV (1850)•S.23, Domine salvum fac regem (1853)•S.24, Te Deum II (1853?)•S.25, Beati pauperes spiritu (Die Seligkeiten) (1853)•S.26, Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (1858)•S.27, Te Deum I (1867)•S.28, An den heiligen Franziskus von Paula (b. 1860)•S.29, Pater noster I (b. 1860)•S.30, Responsorien und Antiphonen [5 sets] (1860)•S.31, Christus ist geboren I [first/second version] (1863?)•S.32, Christus ist geboren II [first/second version] (1863?)•S.33, Slavimo Slavno Slaveni! [first/second version] (1863, 1866)•S.34, Ave maris stella [first/second version] (1865–66, 1868)•S.35, Crux! (Guichon de Grandpont) (1865)•S.36, Dall' alma Roma (1866)•S.37, Mihi autem adhaerere (from Psalm 73) (1868)•S.38, Ave Maria II (1869)•S.39, Inno a Maria Vergine (1869)•S.40, O salutaris hostia I (1869?)•S.41, Pater noster III [first/second version] (1869)•S.42, Tantum ergo [first/second version] (1869)•S.43, O salutaris hostia II (1870?)•S.44, Ave verum corpus (1871)•S.45, Libera me (1871)•S.46, Anima Christi sanctifica me [first/second version] (1874, ca. 1874)•S.47, St Christopher. Legend (1881)•S.48, Der Herr bewahret die Seelen seiner Heiligen (1875)•S.49, Weihnachtslied (O heilige Nacht) (a. 1876)•S.50, 12 Alte deutsche geistliche Weisen (Chorales) [12 chorals] (ca. 1878-79) •S.51, Gott sei uns gnädig und barmherzig (1878)•S.52, Septem Sacramenta. Responsoria com organo vel harmonio concinente (1878) •S.53, Via Crucis (1878–79)•S.54, O Roma nobilis (1879)•S.55, Ossa arida (1879)•S.56, Rosario [4 chorals] (1879)•S.57, In domum Domino imibus (1884?)•S.58, O sacrum convivium (1884?)•S.59, Pro Papa (ca. 1880)•S.60, Zur Trauung. Geistliche Vermählungsmusik (Ave Maria III) (1883)•S.61, Nun danket alle Gott (1883)•S.62, Mariengarten (b. 1884)•S.63, Qui seminant in lacrimis (1884)•S.64, Pax vobiscum! (1885)•S.65, Qui Mariam absolvisti (1885)•S.66, Salve Regina (1885)• 1.3 Secular Choral Works(世俗的合唱作品)•S.67, Beethoven Cantata No. 1: Festkantate zur Enthüllung (1845)•S.68, Beethoven Cantata No. 2: Zur Säkularfeier Beethovens (1869–70)•S.69, Chöre zu Herders Entfesseltem Prometheus (1850)•S.70, An die Künstler (Schiller) [first/second/third verion] (1853, 1853, 1856)•S.71, Gaudeamus igitur. Humoreske (1869)•S.72, Vierstimmige Männergesänge [4 chorals] (for Mozart-Stiftung) (1841)•S.73, Es war einmal ein König (1845)•S.74, Das deutsche Vaterland (1839)•S.75, Über allen Gipfeln ist Ruh (Goethe) [first/second version] (1842, 1849)•S.76, Das düstre Meer umrauscht mich (1842)•S.77, Die lustige Legion (A. Buchheim) (1846)•S.78, Trinkspruch (1843)•S.79, Titan (Schobert) (1842–47)•S.80, Les quatre éléments (Autran) (1845)•S.81, Le forgeron (de Lamennais) (1845)•S.82, Arbeiterchor (de Lamennais?) (1848)•S.83, Ungaria-Kantate (Hungaria 1848 Cantata) (1848)•S.84, Licht, mehr Licht (1849)•S.85, Chorus of Angels from Goethe's Faust (1849)•S.86, Festchor zur Enthüllung des Herder-Dankmals in Weimar (A. Schöll) (1850)•S.87, Weimars Volkslied (Cornelius) [6 versions] (1857)•S.88, Morgenlied (Hoffmann von Fallersleben) (1859)•S.89, Mit klingendem Spiel (1859–62 ?)•S.90, Für Männergesang [12 chorals] (1842–60)•S.91, Das Lied der Begeisterung. A lelkesedes dala (1871)•S.92, Carl August weilt mit uns. Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar am 3 September 1875 (1875)•S.93, Ungarisches Königslied. Magyar Király-dal (Ábrányi) [6 version] (1883)•S.94, Gruss (1885?)1.4 Orchestral Works(管弦乐作品)1.4.1 Symphonic Poems(交响诗)•S.95, Poème symphonique No. 1, Ce qu'on entend sur la montagne (Berg Symphonie) [first/second/third version] (1848–49, 1850, 1854) 第一交响诗山间所闻•S.96, Poème symphonique No. 2, Tasso, Lamento e Trionfo [first/second/third version] (1849, 1850–51, 1854) 《塔索，哀叹与胜利》•S.97, Poème symphonique No. 3, Les Préludes (1848) 第三交响诗“前奏曲”•S.98, Poème symphonique No. 4, Orpheus (1853–54) 第四交响诗《奥菲欧》•S.99, Poème symphonique No. 5, Prometheus [first/second version] (1850, 1855) 第五交响诗《普罗米修斯》•S.100, Poème symphonique No. 6, Mazeppa [first/second version] (1851, b. 1854) 第六交响诗《马捷帕》•S.101, Poème symphonique No. 7, Festklänge [revisions added to 1863 pub] (1853) 第七交响诗《节日之声》•S.102, Poème symphonique No. 8, Héroïde funèbre [first/second version] (1849–50, 1854) 第八交响诗《英雄的葬礼》•S.103, Poème symphonique No. 9, Hungaria (1854) 第九交响诗《匈牙利》•S.104, Poème symphonique No. 10, Hamlet (1858) 第十交响《哈姆雷特》•S.105, Poème symphonique No. 11, Hunnenschlacht (1856–57) 第十一交响诗《匈奴之战》•S.106, Poème symphonique No. 12, Die Ideale (1857) 第十二交响诗《理想》•S.107, Poème symphonique No. 13, Von der Wiege bis zum Grabe (From the Cradle to the Grave) (1881–82) 第十三交响诗《从摇篮到坟墓》1.4.2 Other Orchestral Works(其他管弦乐作品)•S.108, Eine Faust-Symphonie [first/second version] (1854, 1861)•S.109, Eine Symphonie zu Dante's Divina Commedia (1855–56)•S.110, Deux épisodes d'apres le Faust de Lenau [2 pieces] (1859–61)•S.111, Zweite Mephisto Waltz (1881)•S.112, Trois Odes Funèbres [3 pieces] (1860–66)•S.113, Salve Polonia (1863)•S.114, Künstlerfestzug zur Schillerfeier (1857)•S.115, Festmarsch zur Goethejubiläumsfeier [first/second version] (1849, 1857)•S.116, Festmarsch nach Motiven von E.H.z.S.-C.-G. (1857)•S.117, Rákóczy March (1865)•S.118, Ungarischer Marsch zur Krönungsfeier in Ofen-Pest (am 8 Juni 1867) (1870)•S.119, Ungarischer Sturmmarsch (1875)1.5 Piano and Orchestra(钢琴与乐队)•S.120, Grande Fantaisie Symphonique on themes from Berlioz Lélio (1834)•S.121, Malédiction (with string orchestra) (1833) 诅咒钢琴与弦乐队•S.122, Fantasie über Beethovens Ruinen von Athen [first/second version] (1837?, 1849) •S.123, Fantasie über ungarische Volksmelodien (1852) 匈牙利民歌主题幻想曲为钢琴与乐队而作•S.124, Piano Concerto No. 1 in E flat [first/second version] (1849, 1856) 降E大调第一钢琴协奏曲•S.125, Piano Concerto No. 2 in A major [first/second version] (1839, 1849) A大调第二钢琴协奏曲•S.125a, Piano Concerto No. 3 in E flat (1836–39)•S.126, Totentanz. Paraphrase on Dies Irae [Feruccio Busoni's 'De Profundis'/final version] (1849, 1859) 死之舞为钢琴与乐队而作•S.126a, Piano Concerto "In the Hungarian Style" [probably by Sophie Menter] (1885)1.6 Chamber Music(室内乐等)S.126b, Zwei Waltzer [2 pieces] (1832)•S.127, Duo (Sonata) - Sur des thèmes polonais (1832-35 ?)•S.128, Grand duo concertant sur la romance de font Le Marin [first/second version] (ca.1835-37, 1849)•S.129, Epithalam zu Eduard. Reményis Vermählungsfeier (1872)•S.130, Élégie No. 1 [first/second/third version] (1874)•S.131, Élégie No. 2 (1877)•S.132, Romance oubliée (1880)•S.133, Die Wiege (1881?)•S.134, La lugubre gondola [first/second version] (1883?, 1885?)•S.135, Am Grabe Richard Wagners (1883)1.7 Piano Solo1.7.1 Studies(钢琴练习曲)•S.136, Études en douze exercices dans tous les tons majeurs et mineurs [first version, 12 pieces] (1826) 12首钢琴练习曲•S.137, Douze grandes études [second version, 12 pieces] (1837) 《12首超技练习曲》•S.138, Mazeppa [intermediate version of S137/4] (1840) 练习曲“玛捷帕”•S.139, Douze études d'exécution transcendante [final version, 12 pieces] (1852) 12首超技练习曲•S.140, Études d'exécution transcendante d'après Paganini [first version, 6 pieces] (1838) 帕格尼尼超技练习曲•S.141, Grandes études de Paganini [second version, 6 pieces] (1851) 6首帕格尼尼大练习曲•S.142, Morceau de salon, Étude de perfectionnement [Ab Irato, first version] (1840) 高级练习曲“沙龙小品”•S.143, Ab Irato, Étude de perfectionnement [second version] (1852) 高级练习曲“愤怒”•S.144, Trois études de concert [3 pieces] (1848?) 3首音乐会练习曲1. Il lamento2. La leggierezza3. Un sospiro•S.145, Zwei Konzertetüden [2 pieces] (1862–63) 2首音乐会练习曲1. Waldesrauschen2. Gnomenreigen•S.146, Technische Studien [68 studies] (ca. 1868-80) 钢琴技巧练习1.7.2 Various Original Works(各种原创作品)•S.147, Variation on a Waltz by Diabelli (1822) 狄亚贝利圆舞曲主题变奏曲•S.148, Huit variations (1824?) 降A大调原创主题变奏曲•S.149, Sept variations brillantes dur un thème de G. Rossini (1824?)•S.150, Impromptu brilliant sur des thèmes de Rossini et Spontini (1824) 罗西尼与斯蓬蒂尼主题即兴曲•S.151, Allegro di bravura (1824) 华丽的快板•S.152, Rondo di bravura (1824) 华丽回旋曲•S.152a, Klavierstück (?)•S.153, Scherzo in G minor (1827) g小调谐谑曲•S.153a, Marche funèbre (1827)•S.153b, Grand solo caractèristique d'apropos une chansonette de Panseron [private collection, score inaccessible] (1830–32) [1]•S.154, Harmonies poétiques et religieuses [Pensée des morts, first version] (1833, 1835) 宗教诗情曲•S.155, Apparitions [3 pieces] (1834) 显现三首钢琴小品•S.156, Album d'un voyageur [3 sets; 7, 9, 3 pieces] (1835–38) 旅行者札记•S.156a, Trois morceaux suisses [3 pieces] (1835–36)•S.157, Fantaisie romantique sur deux mélodies suisses (1836) 浪漫幻想曲•S.157a, Sposalizio (1838–39)•S.157b, Il penseroso [first version] (1839)•S.157c, Canzonetta del Salvator Rosa [first version] (1849)•S.158, Tre sonetti del Petrarca [3 pieces, first versions of S161/4-6] (1844–45) 3首彼特拉克十四行诗•S.158a, Paralipomènes à la Divina Commedia [Dante Sonata original 2 movement version] (1844–45)•S.158b, Prologomènes à la Divina Commedia [Dante Sonata second version] (1844–45)•S.158c, Adagio in C major (Dante Sonata albumleaf) (1844–45)•S.159, Venezia e Napoli [first version, 4 pieces] (1840?) 威尼斯和拿波里•S.160, Années de pèlerinage. Première année; Suisse [9 pieces] (1848–55) 旅行岁月（第一集）- 瑞士游记•S.161, Années de pèlerinage. Deuxième année; Italie [7 pieces] (1839–49) 旅行岁月（第二集）- 意大利游记•S.162, Venezia e Napoli. Supplément aux Années de pèlerinage 2de volume [3 pieces] (1860) 旅行岁月（第二集补遗）- 威尼斯和拿波里•S.162a, Den Schutz-Engeln (Angelus! Prière à l'ange gardien) [4 drafts] (1877–82) •S.162b, Den Cypressen der Villa d'Este - Thrénodie II [first draft] (1882)•S.162c, Sunt lacrymae rerum [first version] (1872)•S.162d, Sunt lacrymae rerum [intermediate version] (1877)•S.162e, En mémoire de Maximilian I [Marche funèbre first version] (1867)•S.162f, Postludium - Nachspiel - Sursum corda! [first version] (1877)•S.163, Années de pèlerinage. Troisième année [7 pieces] (1867–77) 旅行岁月（第三集）•S.163a, Album-Leaf: Andantino pour Emile et Charlotte Loudon (1828) [2] 降E大调纪念册的一页•S.163a/1, Album Leaf in F sharp minor (1828)降E大调纪念册的一页•S.163b, Album-Leaf (Ah vous dirai-je, maman) (1833)•S.163c, Album-Leaf in C minor (Pressburg) (1839)•S.163d, Album-Leaf in E major (Leipzig) (1840)•S.164, Feuille d'album No. 1 (1840) E大调纪念册的一页•S.164a, Album Leaf in E major (Vienna) (1840)•S.164b, Album Leaf in E flat (Leipzig) (1840)•S.164c, Album-Leaf: Exeter Preludio (1841)•S.164d, Album-Leaf in E major (Detmold) (1840)•S.164e, Album-Leaf: Magyar (1841)•S.164f, Album-Leaf in A minor (Rákóczi-Marsch) (1841)•S.164g, Album-Leaf: Berlin Preludio (1842)•S.165, Feuille d'album (in A flat) (1841) 降A大调纪念册的一页•S.166, Albumblatt in waltz form (1841) A大调圆舞曲风格纪念册的一页•S.166a, Album Leaf in E major (1843)•S.166b, Album-Leaf in A flat (Portugal) (1844)•S.166c, Album-Leaf in A flat (1844)•S.166d, Album-Leaf: Lyon prélude (1844)•S.166e, Album-Leaf: Prélude omnitonique (1844)•S.166f, Album-Leaf: Braunschweig preludio (1844)•S.166g, Album-Leaf: Serenade (1840–49)•S.166h, Album-Leaf: Andante religioso (1846)•S.166k, Album Leaf in A major: Friska (ca. 1846-49)•S.166m-n, Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (1847)•S.167, Feuille d'album No. 2 [Die Zelle in Nonnenwerth, third version] (1843) a小调纪念册的一页•S.167a, Ruhig [catalogue error; see Strauss/Tausig introduction and coda]•S.167b, Miniatur Lieder [score not accessible at present] (?)•S.167c, Album-Leaf (from the Agnus Dei of the Missa Solennis, S9) (1860–69)•S.167d, Album-Leaf (from the symphonic poem Orpheus, S98) (1860)•S.167e, Album-Leaf (from the symphonic poem Die Ideale, S106) (1861)•S.167f, Album Leaf in G major (ca. 1860)•S.168, Elégie sur des motifs du Prince Louis Ferdinand de Prusse [first/second version] (1842, 1851) 悲歌•S.168a, Andante amoroso (1847?)•S.169, Romance (O pourquoi donc) (1848) e小调浪漫曲•S.170, Ballade No. 1 in D flat (Le chant du croisé) (1845–48) 叙事曲一•S.170a, Ballade No. 2 [first draft] (1853)•S.171, Ballade No. 2 in B minor (1853) 叙事曲二•S.171a, Madrigal (Consolations) [first series, 6 pieces] (1844)•S.171b, Album Leaf or Consolation No. 1 (1870–79)•S.171c, Prière de l'enfant à son reveil [first version] (1840)•S.171d, Préludes et harmonies poétiques et religie (1845)•S.171e, Litanies de Marie [first version] (1846–47)•S.172, Consolations (Six penseés poétiques) (1849–50) 6首安慰曲•S.172a, Harmonies poétiques et religieuses [1847 cycle] (1847)•S.172a/3&4, Hymne du matin, Hymne de la nuit [formerly S173a] (1847)•S.173, Harmonies poétiques et religieuses [second version] (1845–52) 诗与宗教的和谐•S.174, Berceuse [first/second version] (1854, 1862) 摇篮曲•S.175, Deux légendes [2 pieces] (1862–63) 2首传奇•1. St. François d'Assise. La prédication aux oiseaux (Preaching to the Birds)•2. St. François de Paule marchant sur les flots (Walking on the Waves)•S.175a, Grand solo de concert [Grosses Konzertsolo, first version] (1850)•S.176, Grosses Konzertsolo [second version] (1849–50 ?) 独奏大协奏曲•S.177, Scherzo and March (1851) 谐谑曲与进行曲•S.178, Piano Sonata in B minor (1852–53) b小调钢琴奏鸣曲•S.179, Prelude after a theme from Weinen, Klagen, Sorgen, Zagen by J. S. Bach (1859) 前奏曲“哭泣、哀悼、忧虑、恐惧”S.179 - 根据巴赫第12康塔塔主题而作•S.180, Variations on a theme from Weinen, Klagen, Sorgen, Zagen by J. S. Bach (1862) 巴赫康塔塔主题变奏曲•S.181, Sarabande and Chaconne from Handel's opera Almira (1881)•S.182, Ave Maria - Die Glocken von Rom (1862) 圣母颂“罗马的钟声”•S.183, Alleluia et Ave Maria [2 pieces] (1862) 哈利路亚与圣母颂•S.184, Urbi et orbi. Bénédiction papale (1864)•S.185, Vexilla regis prodeunt (1864)•S.185a, Weihnachtsbaum [first version, 12 pieces] (1876)•S.186, Weihnachtsbaum [second version, 12 pieces] (1875–76) 钢琴曲集《圣诞树》•S.187, Sancta Dorothea (1877) 圣多萝西娅•S.187a, Resignazione [first/second version] (1877)•S.188, In festo transfigurationis Domini nostri Jesu Christi (1880) 我主耶稣基督之变形•S.189, Klavierstück No. 1 (1866)•S.189a, Klavierstück No. 2 (1845)•S.189b, Klavierstück (?)•S.190, Un portrait en musique de la Marquise de Blocqueville (1868)•S.191, Impromptu (1872) 升F大调即兴曲“夜曲”•S.192, Fünf Klavierstücke (for Baroness von Meyendorff) [5 pieces] (1865–79) 5首钢琴小品•S.193, Klavierstuck (in F sharp major) (a. 1860) 升F大调钢琴小品•S.194, Mosonyis Grabgeleit (Mosonyi gyázmenete) (1870) 在莫佐尼墓前•S.195, Dem andenken Petofis (Petofi Szellemenek) (1877) 纪念裴多菲•S.195a, Schlummerlied im Grabe [Elegie No 1, first version] (1874)•S.196, Élégie No. 1 (1874)•S.196a, Entwurf der Ramann-Elegie [Elegie No 2, first draft] (1877)•S.197, Élégie No. 2 (1877)•S.197a, Toccata (1879–81) 托卡塔•S.197b, National Hymne - Kaiser Wilhelm! (1876)•S.198, Wiegenlied (Chant du herceau) (1880) 摇篮曲•S.199, Nuages gris (Trübe Wolken) (1881) 灰色的云•S.199a, La lugubre gondola I (Der Trauergondol) [Vienna draft] (1882)•S.200, La lugubre gondola [2 pieces] (1882, 1885) 葬礼小船。

矶崎新矶崎新（1931年—），日本大分市，世界著名建筑师。

自从东京大学工学部建筑系毕业以后，矶崎新在丹下健三（KenzoTange ）的带领下继续学习和工作，1963年，他创立了矶崎新设计室，自此活跃在国际建筑界。

基本信息个人概况 国籍：日本出生地：日本大分市出生日期：1931年7月17日个人背景 东京大学其他信息 中文名：矶崎新目录1 个人简介2 生平经历3 主要作品4 设计风格1 个人简介2 生平经历2.1 生活趣事2.2 设计风格2.3 设计特征2.4 “反建筑史”3主要作品4设计风格1个人简介矶崎新1931年7月17日出生于日本大分市，1954年毕业于东京大学工学部建筑系。

1961年完成东京大学建筑学博士课程。

1967年获日本建筑学会大奖，1963年创立了矶崎新设计室，自此成为几十年来活跃在国际建筑界的大师，作品众多，获奖无数。

于20世纪六十年代开始实践，以新陈代谢主义的设计成名。

此后他的建筑里融合了来自多方面的影响。

其作品兼取东西方文化的设计思想，将文化因素表现为诗意隐喻，体现了传统文化与现代生活的结合。

其作品多为大型公共建筑，设计风格尤以创新、有气魄著称。

他参加深圳文化中心竞赛获胜的方案已在实施中。

作品包括：美术馆、艺术馆、歌剧院、天文台、办公大楼和居住区。

他设计了大量著名作品，尤以美国佛罗里达州的迪斯尼总部大楼、日本京都音乐厅、德国慕尼黑近代美术馆、日本奈良百年纪念馆、西班牙拉古民亚人类科学馆、美国俄亥俄21世纪科学纪念馆、意大利佛罗伦萨时尚纪念馆、日本群马天文台、中国大剧院方案竞赛等最为著名。

2生平经历矶崎新1931年7月17日出生于日本大分市，1954年毕业于东京大学工学部建筑系。

1961年完成东京大学建筑学博士课程。

1967年获日本建筑学会大奖，1963年创立了矶崎新设计室，自此成为几十年来活跃在国际建筑界的大师，作品众多，获奖无数。

于20世纪六十年代开始实践，以新陈代谢主义的设计成名。

5January 2024Your comments are welcome!Please feel free to contact us with your personal stories or vivid pictures!Address: 24 Baiwanzhuang St., Xicheng Dist., Beijing, 100037E-mail:*************************LETTERS (website) (E-magazine) Sina weibo Founded in 1952 by Mme Soong Ching Ling (Mme Sun Yat-sen) (1893-1981), then ies of the University of Chile. In light of my research, the emer-gence of China’s economic sys-tem is one of the most significant economic accomplishments of the 21st century. With the Asian nation being the leading destina-tion for Chilean goods, traderelations between Chile and China have been steadily growing. Last September, I was invited to take a three-day visit to the coastal city of Qingdao in east China’s Shandong Province, which has carried out a slew of megaprojects to accelerate the development of its maritime industry. I read China Today ’s report on our visit and the international forum themed on marine ecological protection, and found the article titled “Expanding Global Blue Cooperation” in the November issue very impressive. China has accumulated a lot of valuable experience in the sus-tainable development of its blue economy, by focusing on the sus-tainable use of ocean resources for economic growth, the improve-ment of livelihoods, job creation, and the protection of the marine and coastal ecosystems. Qingdao is such a good example. As a maritime hub in China, it boasts bountiful marine resources, including research institutions, high-end research and develop-ment platforms, academicians, and marine experts. The booming development of infrastructure in the city has greatly promoted the progress of sustainable ocean science and related international cooperation. I believe Chile has potential for more cooperation with China in the fields of explor -ing marine resources and also protecting the blue planet.Juan Enrique Serrano MorenoChileI am the deputy secretary-gen-eral of the Shanghai Cooperation Organization (SCO). Last Novem-ber I visited northwest China’s Xinjiang Uygur Autonomous Re-gion, where I was fascinated with the picturesque scenery and the hospitality of the local people. In Urumqi, I attended the four-day SCO Year of Tourism 2023 forum. The SCO intended to support the tourism industry and increase the appeal of SCO cities and regions to tourists worldwide by bringing together heads of tourism adminis-trations, representatives of interna-tional organizations, and tourism businesses from our memberstates. Owing to the Belt and Road Initiative (BRI), Xinjiang has been playing a greater role on the Silk Road Economic Belt. Since the BRI was put forward in 2013, the Chinese government has invested heavily in the region’s infrastruc-ture, and Xinjiang has taken on a new look. I read the book review titled “The Chief Architect of the BRI” in China Today ’s December issue, which recommends thebook The Belt and Road Initiative . I think the book is very useful in helping foreign readers understand Chinese President Xi Jinping’s conception about the BRI and the effort he has made to enrich and develop the initiative. The BRI, drawing inspiration from the ancient Silk Road and focusing on enhancing connectivity, has enhanced policy, infrastructure, trade, finance, and people-to-people connectivity, thus building a new platform for international cooperation.Nuran NiyazalievKyrgyz I am an assistant professor at the Institute of International Stud-。

IndexAAcetylene black(AB),137AC impedance,153Acrylic rubber,10,192ActA,478Actin,12,474,475,477,478Actin/myosin,459Activated carbon,137Activated carbon nanofiber(ACNF),127 Active,electrochemical-poroelasticbehavior,293Active self-organization(AcSO),460 Actuation pressure,180Actuator,29,135,248,409application,369drive circuit,362Additives,128–131Adenosine triphosphate(ATP),12 Adsorption(or ion exchange),334,335 process,78rate,334Aerogel,11AFM phase image,145Agent,332Agent model,332–333Air-buffer interface,467Amoeba-like creep,163Anion drive,92Anion-driven actuation,293Anionic gel,337Anisotropic,100Anisotropic LC networks,228 Antenna,21Application,131Aqueous electrolytes,96Arcomeres,454Artificial arm,193Artificial cilia,59Artificial muscles,191,231,344,412Artificial pupil,7Asymmetric charge distribution,165 Atomic force microscope(AFM),41ATP-driven bio-machine,459 Automobiles,23Autonomous intestine-like motion,66–67 Azobenzene,7BBackward motion,288Barium ferrite,8Beam-shaped,342Belousov-Zhabotinsky(BZ)reaction,4,52 Bending motion,123Bimorph,8,91,229Bio-actuator,12,473–475,477 Biocompatibilities,416Bioinspired,1Biomaterial,2Biomedical devices,21–22 Biomimetic,1,5Biomimetic robot,389Biomolecular motor,459Biotin,460Biot’s theory,294Bis-peroxides,30Black-box modeling,317Block copolymer,137Blocking force,94Block-like,42©Springer Japan2014K.Asaka,H.Okuzaki(eds.),Soft Actuators,DOI10.1007/978-4-431-54767-9499Body-length normalized wave number,375 Boltzmann factor,278Braille cell,117Braille display,357Braille size,359Breakdown strength,181Brunauer-Emmett-Teller(BET),107Bucky gel,5,84,122Bucky gel actuators,122,276Bucky paper,121Butterfly-inspired biomimetic locomotion,393 BZ reaction,4CCapillary network,455Carbide-derived carbon(CDC),128Carbon black(CB),129Carbon microcoil(CMC),29Carbon nanotubes(CNT),2,121 Cardiomyocytes,12Cardiomyoplasty,448κ-Carrageenan,8Carrageenan(CA),265Catheter,5,410Cation drive,92Cation-driven actuation,293Cationic and anionic volumes,141Cationic surfactant molecules,337C2C12,451Cellular PP,206Chain structure,266Charge transfer,154–155,282Chemical plating method,78Chemical wave,53Chemomechanical system,4Chiral polymer,202Chromophore,7Cis-trans isomerization,7Coil-globule transition,42Coions,281Cole-Cole plot,154,348Collagen,3Colloidal particle,106Complexation,255Compliant electrode,10,177Composite gel,246Composite materials,30Compression modulus,154Condition action rules,341Conducting polymer actuator,19 Conducting polymers,89,293Conductive polymers(CP),2,8,121Conical meniscus,247π-Conjugated polymer,8Constant-voltage grand-canonicalensemble,278Constitutive equation,334Consumer electronics,19–21Contractile force,452Contractile strain,115Contractile stress,113Contraction force,94Contraction type PVC gel actuator,347 Controller,362–364Control system,333Conversion efficiencies,95Cooperative,163Copolymer,163Copolymerization,40Coulomb force,192Counterions,281Crawling,166Creep(ing),99,117Creeping deformation,344Current density,334,335Cyclic voltammograms(CV),157 Cytoskeleton,459Cytotoxicity,417DDamper,248Damping factor,272DE cartridges,436Dedoping,106Deformable machine,331Deformation,142,335Deformation of the gel,335Deformation ratio of DE,183DE Generator system on the buoy,441 Degree of crosslinking,3D-E hysteresis loop,200Desorption,105DE stress-strain performance,434DE transparent Dipole-speakers,438DE vibrators,438Diaphragm pump,9Dibutyl adipate(DBA),344Dielectric breakdown strength,192 Dielectric constant,10,192Dielectric elastomer actuators,19,191 Dielectric elastomers(DEs),10,118,178,343 Dielectric gels,7Dielectric solvent,165–166Diffusion coefficient,40500IndexDimensional change,41Dimethyl sulfoxide(DMSO),166Dipole speakers,436Direct drive,364Dispersibility,30Dispersing/flocculating oscillation,69 Displacement,141Distributed generator applications,185 Dopant,8Doping,106Double-layer charging kinetic model,124 Drug delivery systems,39,410Drug release,263Durability,147Dynamic light scattering,49Dynamic sensors,390EEffect of solvation,96Eigenfunction expansion,306 Eigenvalue problem,306Elastic electrode layers,192Elasticity,94Elastic modulus,145Elastomers,2,10,153,414Electret,206Electrical conductivity,153,334 Electrical double layers(EDLs),278 Electric double layer,303Electric double-layer capacitor(EDLC),137 Electricfield,334Electric impedance measurement,348–350 Electric potential,334Electric power density,112Electroactive polymer(EAP),135,152,410 Electroactive polymer(EAP)actuators,17 Electroactive polymer gel,331 Electroactive polymer gel robots,332 Electroactive soft actuators,275 Electrochemical actuator,237 Electrochemical(EC)-creeping,99 Electrochemical doping,8 Electrochemical kinetic model,124 Electrochemical oxidation,92 Electrochemical reaction,5,159 Electrochemical window,98 Electrochemomechanical deformation(ECMD),92 Electrodeposition,96Electro-discharge machining(EDM),378 Electrohydrodynamic insability,165 Electromagnetic waves,29Electro-mechanical,163Electro-mechanical coupling system,305–307π-Electron,91Electronic EAPs,17Electro-optical,163Electroosmosis,288Electro-osmotic waterflow,80 Electrophoresis,334Electrophoretic polarization,5 Electrophoretic transport,5Electro-rheological,166 Electrospinning,40Electrostatic effect,123Electrostatic force,43Electro-stress diffusion couplingmodel,80,303Emeraldine salt,8Encapsulation,258–259Energy conversion,165,223Energy conversion efficiency,441Energy density,179Energy efficiency,115Energy harvesting,23–24,173Engine,1Entanglement,45Equivalent cantilever beam,391 Equivalent circuit,154Equivalent circuit model,124Ethical and safety issues,3681-Ethyl-3-methylimidazolium bis(trifluoromethylsulfonyl)imide,1521-Ethyl-3-methylimidazolium bis(trifluoromethylsulfonyl)imide([EMI][TFSI]),1521-Ethyl-3-methylimidazoliumtetrafluoroborate(EMIBF4),122 Euler-Bernoulli beam model,304 Extracellular matrix,447FFaradaic mechanism,128Faradic current,156Fast speed of response,178Feedback control,315Ferroelectret,207Ferroelectric,10Ferroelectricity,198Ferroelectric liquid crystal,10 Ferromagnetic,8Ferromagnetic particle,246Field-activated polymers,177Finite element formulation,288Index501Finite element method,294Fish-like microrobot,393Flemion,288Flexible electrode,156Flory-Huggins theory,3Force control,322Forward motion,288Free-ended,337Free volume,7Frequency,159Frequency dependence,124GGait of turtle,380Galerkin method,288Gel,2,415Gel deformation,334Gel-fish,5Gel-looper,5Gel machine,12Gel-pump,262Gel robots,337Gel-valve,264Generative force,146Grafting,29Guide wire,5HHairpin-shape,342Haptics,20Haptic sense,271Harvesting energy,434Heat conduction,49Heat of water condensation,109 Helical structure,98Hierarchical structure,106High energy efficiency,193Highly efficient transduction,434 High strain rate,178Hook law,8Human arm,443Human-machine interface(HMI),197 Hydrodynamic characteristics,246–247 Hydrogel,5,164,237Hydrogen,188Hydrogen bonding,4Hydrogen generation system,444 Hydrolysis,12Hydrophilic,35Hydrophobic,35Hydrophobic interaction,46 Hysteresis loss,192IImage device and image apparatus,19 Immobilization magneticfluid,249Impact sensor,172Inchworch-inspired microrobot,394 Inchworm-inspired crawling and graspinglocomotion,404Inchworm-inspired microrobot,396 Independent of wave period,186Inert chamber system(ICS),464 Information apparatuses,23 Intercalation,282In vitro motility assay,460Ion drag,165Ion-exchange by copper metal,381Ion gels,136Ionic conducting polymer-metalcomposites,287Ionic conductive polymer gelfilms(ICPF),77Ionic conductive polymers,75–84Ionic conductivity,144,156Ionic crosslink,92,100Ionic EAP(i-EAP),17,121Ionic EAP actuator,121Ionic hydrogel,238Ionic liquids(ILs),5,80–81,98,136,153 Ionic polymer actuator,136Ionic polymer conductor network composite (IPCNC),84Ionic polymer gel,334Ionic polymer-metal composite(IPMC),5,75, 121,372,410Ionic polymer metal compositeactuator,19Ionic transport mechanism,140 Ionization,3Isosteric heat of sorption,109Isothermal sorption curve,108JJellyfish-inspired biomimeticlocomotion,392Jellyfish-inspiredfloating/divinglocomotion,404Joule heating,10,93,106KKerr effect,171Ketjen black(KB),137Kharitonov’s theorem,326Kinesin,474,475,480502IndexLLaminatedfilms,230Langmuir’s theory,334Latching mechanism,364–367Leg slippage,400Lens,168Leucocyanide,7Leuco-emeraldine salt,8Leverage actuator,105Light-driven actuator,223Light-volume transduction,212Linear actuators,115,347Liquid-crystalline elastomers(LCEs),10,224 Listeria,478,479Lobster-like microrobot,395,397,404Loss modulus,265Lower critical solution temperature(LCST),4,29,39MMacro azo-initiater,30Macro-fiber composite,207Macroscopic deformation,228Magnetic elastomer,269Magneticfield,8Magneticfluid,246,261Magneticfluid composite gels,249–255 Magneticfluid gels,251–255Magnetic hydrogels,269Magnetic levitation,247–248Magnetic particles,261Magnetic soft material,261 Magnetization,245Magnetorheological effect,268Magneto-rheological function,259 Magnetorheology,269 Magnetostriction,249–251Maxwell stress,10MCM-41(mesoporous silica),129 Measurement circuit of generated energy,185 Mechanical strength,144Mechanism for deformation,141 Mechanisms,275Mechanochemical engine,3 Mechanochemical turbine,3Mechano-electric functions,163Medical devices,409Memory effects,100Mesh electrodes,345Metallic counter cations,80Metal nanoparticles,237Micelle-like,42Microactuators,12Microchannel,218Micro-electro-mechanical system(MEMS),9Microfluidic system,217Micro-nano devices,438 Micropatterned irradiation,216Micro pump,421Microrelief formation,216Micro-soft gripper,168Microtubule/kinesin,459 Microtubules,474,475,480Miniaturized IPMCs,82–83Model,316Modeling,315Molecular alignment,228Molecular assembly reaction,5 Molecular weight,42Monodomain particle,245Monte Carlo simulation,123,276 Morphology,40,43,249–250Mother robot,389Motion,336Motion design,331,333–341Motor,1,11Motor proteins,475,479Multi-functionality,398Muscles,409,4488.5MW of power,441Myogenesis,454Myogenic regulatory factor,454 Myooid,450Myosatellite,449Myosin,12,474,475NNafion,5,137,288Nano-Carbon Actuator,357–369Nanofibers,40National Institute of Advanced Industrial Science and Technology(AIST),357 New generations of devices,433Next-generation DE actuators,445 NMR,141Noble-metal electrodes,75Non-Faradaic mechanism,128Nylons,170OObstacle-avoidance experiments,401 Onsager’s law,295Index503Operating principal of DE power generation, 183,439Operators,337Ordinary differential equations(ODEs),304 Oscillation,165Osmotic pressure,3PPaper actuator,160Paramagnetic property,245Passive,poroelastic behavior,293 Patents,17Percutaneous transluminal coronaryangioplasty(PTCA),411Perfluorocarboxylic acid,7Perfluorosulfonic acid,77Peristaltic motion,55Permanent deformation,400Phase diagram,338–340Phase separation,168Phase transition,5,40,117,164Phase transition temperature,4pH Change,3Photocatalysis,239Photochromism,224 Photocrosslinking,226 Photoelectrochemical actuator,237 Photoinduced proton dissociation,213 Photo-ionization,7 Photoisomerization,211 Photomechanical effect,224Photon mode,219Photo-polymerization,32 Photoresponsive actuators,212 Photoresponsive cell culture surfaces,220 Photoresponsive dehydration,212 Photoresponsive hydrogels,212 Photoresponsive hydrogel sheet,218 Photoresponsive microvalve,218Photo-responsive shrinking,211 Photoresponsive swelling,212 Photothermal effect,227Phydrophilicity/hydrophobicity,7 Physical cross-link,45Physical crosslinking,138PID control,318Piezoelectric actuators,118Piezoelectric polymers,197Piezoelectric tensors,199Plasmon-induced charge separation,242 Plasmon resonance,242Plasticizer,163PLLAfibers,205Pockels effect,171Point generator applications,185Point group theory,199Poisson’s ratio,11,335Polarity,7Polarization,156Polaron or bipolaron,91Poling process,200Poly(3,4-ethylenedioxythiophene)(PEDOT), 91,98,152Poly(acrylamide)(PAAm),3Poly(acrylic acid)(PAA),3Poly(ethylene glycol)(PEG),4Poly(ethylene terephthalate)(PET),170Poly(methacrylic acid)(PMMA),4Poly(methyl methacrylate)(PMMA),138 Poly(methyl methacrylate(MMA)-b-n-butylacrylate(nBA)-b-MMA),167 Poly(N-isopropylacrylamide),53Poly(N-isopropylacrylamide)(PNIPAM),4,39 Poly(vinyl methyl ether)(PVME),4Poly(vinylidenefluoride-co-hexafluoropropylene)(P(VDF-co-HFP)),137Poly(vinylidenefluoride-trifluoroethylene),10 Polyaniline(PANI),8,91,105,129,298 Polycarbonate,193Polydispersity index,41Polyether-segmented polyurethaneurea(PEUU),140Poly(2-acrylamido-2-methylpropane sulfonic acid)gel(PAMPS gel),331 Polyimide,144Poly-ion complex,106Poly-L-lactic acid(PLLA),198,202 Polymer,410actuator,135electrolyte,136fabrication methods,181gels,18,225,246motor,9PolyMuscle,117Poly(3,4-ethylenedioxythiophene)/poly(4-styrenesulfonate)(PEDOT/PSS),9,106Poly(vinylalcohol)-poly(acrylic acid)-poly (allylamine)(PVA-PAA-PAlAm),3 Polypyrrole(PPy),8,91,105,129,293,343 Polystyrene,138Polythiophene(PT),8,91,105504IndexPolyurethane(PU),10,153,269Polyvinyl alcohol(PVA),3,164,262Poly vinyl chloride(PVC),7,164,343 Polyvinylidenefluoride(PVDF),198,200 Polyvinylidenefluoride-co-hexafluoropropylene(PVDF-HFP),122 Porous electrodes,276Porous polypropylene(cellular PP),198 Positioning,99Power density,3Power generation efficiency,441Power generation mode,439Power generation phenomenon,440Precise locomotion,398Preparation process,336,337Pressure-and position-sensors,182 Pressure gradient,80Prestrain,10Primitive model,279Printed actuator,160Printing method,146Proof-of-principle devices,435Properties and performance,181 Proportional-integral-derivative control(PID),318Prosthesis,415Protic ionic liquid(PIL),72Protofilaments,462Ptosis,412Pulsed-field gradient spin-echo(PGSE),140–141Pumps,1,411PVA-DMSO gel,166PVA-NMP gel,171PVA-PAA,4PVC gel actuator,344QQuadruped robot,378–383RRadiation force,7Radius of curvature,335Rajiform swimming,372Rate-determining step,9γ-Ray,4Ray-like robot,373–378Reactive oxygen species(ROS).,464 Redox,157Reduction(or primary plating)process,78Refreshable Braille display,131Relative water vapor pressure,108 Relaxation,159Relaxation phenomenon,310Release control,257–258Remote control,259Reproducibility,117Resonance frequency,272Resorption,111Response speed,147Ring opening and closing,7Robot-hand,5Robotics,22–23Robust,322Robust control,325Rod-like hydrogel,214Role actuators having3-DOF,435Roll-type structure,193Rotation,11Rotational motion,462–463Ruthenium tris(2,20-bipyridine),53SScalpel,412Seal bearing,248Selective gold plating,82Selective plasma treatment,82Self-assembly,12,138Self-deformation,89Self-diffusion,288Self-driven gel conveyer,64Self-oscillatingfluids,68–72Self-oscillating gels,51–72Self-oscillating micelle,71Self-oscillating microgels,58Self-oscillating polymer brushes,67–68Self-propelled motion,63Self-walking gel,60–63Sensor,23–24Sensor grove,435Servo control,321Shape memory,100Shape memory alloy(SMA),117Shape memory polymers,225Short-range proximity sensors,401 Silicone,10Silicone rubber,192Simulation,333,340Single-walled carbon nanotubes(CNTs),5,11 Sizes from micrometers to several meters,182 Skeletal muscle,3,89,113Index505Skin layer,46Slide ring materials(SRM),191Small-angle neutron scattering,49 Small-scale power-generation device,443 Small size brakes,347Smart materials,332Smooth muscle,449Soft actuators,1,17,177Soft segment,164Solventflow,163Sorption degree,108Sorption isotherm,107Specifications of Braille dots,359Specific surface area,107Spherical robot,388Sphincter,412Spirobenzopyrane,7Spiropyran,212State equation,305State space model,305Stearyl acrylate(SA),40 Stereolithography,453Stick insect-inspired two-phase walking locomotion,404Stirling engine,187Storage modulus,8,265Strain difference,123Streptavidin,460Stress relaxation,324Sulfonated polyimide,144Super artificial muscle,187 Supercritical CO2,204Super-growth,127Super-growth CNT,368Super-paramagnetism,246Supra-macromolecular,478–480 Surface stress,335Surface stress and strain,335Surface tension,43Surfactant,334Surfactant molecules,334Swelling of the interface,247Swelling ratio,30TTacking,170Tactile display,9Tendons,451Terpyridine(tpy),70 Tetrahydrofuran(THF),344The correlation effect,282The electrical double layer,123The electrostatic interaction,279The Guoy-Chapman theory,282Thermal expansion,112Thermal-mode,212 Thermodynamics,276Thermo-sensitive polymer gels,29The structure of the direct drive type,359 The volume exclusion interaction,279 Three-layered,122Time constant(CR),126Tissue engineering,448Touch sensor,165Tracking controller,319Training,100Training effect,94Transducer,89,248Transference numbers,141Transition process,336,337 Transmittance,42Traveling wave,374–377Treadmilling,474–479Tri-block copolymer,167,204 Triboelectric series,173Tubulin,460Turning over,336Typical scope trace,185UUltra-light and thin Braille display,131 Underwater monitoring operations,388 Unimorph,8Utility function,333VVapor grown carbonfiber(VGCF),127,137 Variable texture surfaces,438Variable viscoelasticity,265–272 Vibration damping,21Vibration device,195Viscosity oscillation,68–70Voltage of electrodes,335Volume exclusion effect,123WWarburg impedance,155Water mill device,442Water vapor,93,96,109Water vapor sorption,106Wearing assist garments with variablestiffness,347506IndexWelfare device,193 Wet-process,160White-box modeling,316 Wireless network,443 Work capacity,115YYamaue’s model,303–304 Yarns,11Young’s modulus,10,94,114,335Index507。

有个建筑师盖了两个房子，一个因为被炸了而出名，一个因为出名而被炸了。

大师作品赏析山崎实（雅玛萨奇）山崎实（Minoru Yamazaki，1912年12月1日－1986年2月6日），美国已故日裔建筑师。

他生于西雅图，是当地的第二代日裔美国人。

在他的建筑设计中，以纽约的世贸中心最知名。

雅马萨奇是著名的日裔美国建筑师。

雅马萨奇的许多建筑作品都做到融汇东西古今，并且有一种典雅、细巧的个人风格。

纽约最高的110层的世界贸易中心大厦是雅马萨奇最重要的作品之一。

雅玛萨奇作品：欧洲盛行粗野主义时，美国的典雅主义也有发展，典雅主义的代表建筑师是雅玛萨奇，主要作品云集在20世纪50年代之20世纪70年代，有（1953）、日本神户美国总领事馆（1957）、麦格拉格纪念会议中心（1958）、伊利诺州格林柯北岸犹太教会堂（1964）、洛杉矶世纪城世纪广场酒店（1966）、克莱斯勒汽车公司造型与产品规划楼（1972）、纽约“世贸中心双子楼”（1973）等等。

在他的建筑设计中，以纽约的世贸中心最知名。

代表作品赏析：1.世贸中心主楼“双子塔”（被炸之一）纽约世界贸易中心（World Trade Center，1973年—2001年9月11日，简称世贸中心）原为美国纽约的地标之一，原址位于美国的纽约州纽约市曼哈顿西南端，西临哈德逊河，由美籍日裔建筑师雅玛萨基设计。

纽约市的标志建筑——世界贸易中心大楼位于曼哈顿闹市区南端，雄踞纽约海港旁，是美国纽约市最高、楼层最多的摩天大楼。

大楼于1966年开工，历时7年，1973年竣工。

世贸大楼共110层，411米高，是由几幢建筑物组成的综合体。

其主体（北楼和南楼）呈双塔形，塔柱边宽63.5米。

地基扎在坚固的岩石层上。

大楼采用钢结构，用钢7万8千吨，楼的外围有密置的钢柱，墙面由铝板和玻璃窗组成，有“世界之窗”之称。

大楼一切机器设备都用电脑控制，不论热暑寒冬，均能自动调节，被誉为“现代技术精华的汇集”。