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Studies in Literature and Language
V ol. 7, No. 1, 2013, pp. 52-59
DOI:10.3968/j.sll.1923156320130701.2620
A Probe Into the Narrative Structure of Jude the Obscure
LI Lingling [a],*
[a]Foreign Languages Department, Binzhou University, China.*
Corresponding author.
Received 18 June 2013; Received 12 August 2013
Abstract
This paper attempts to explore the narrative structure Hardy employed in Jude the Obscure . Based on close reading and textual analysis of Jude the Obscure, the essay argues that the text takes on the form of circular structure and contrastive symmetry. With such pluralistic forms, a perfect harmony is thus achieved between the content, especially in the tragic themes, and form so as to enhance the tragic effect and irony of the text. It is concluded that both in time span and narrative structure Hardy transcends the 19th century Victorian norms, thus Hardy may be also acknowledged as a modernist writer.
Key words: Jude the Obscure ; Narrative structure; Circular structure; Symmetry; Contrast
LI Lingling (2013). A Probe Into the Narrative Structure of Jude the Obscure . Studies in Literature and Language , 7(1), 52-59. Available from: https://www.doczj.com/doc/bc4013174.html,/index.php/sll/article/view/j.sll.1923156320130701.2620 DOI: https://www.doczj.com/doc/bc4013174.html,/10.3968/j.sll.1923156320130701.2620
This essay spotlights the narrative structure of Jude the Obscure . First, the text takes on the form of circular structure in terms of space transition and plot development model. Second, symmetry is employed by Hardy to expose marital relations between the major characters as well as the process of transformation in the religious beliefs of the protagonists. Finally, contrast or conflict is embodied in the same person, between the characters or reflected in the themes of the novel. It is concluded that both in time span and narrative structure Hardy transcends the 19th century Victorian norms. In this sense Hardy may be also acknowledged as a modernist writer for his proficiency in the manipulation of circular structure, symmetry and
contrast. With such pluralistic forms, a perfect harmony is thus achieved between the content, especially in the tragic themes, and form so as to enhance the tragic effect and irony of the text.
Jude the Obscure (JO ) is the last novel of Thomas Hardy. Since its publication, it has provoked most heated repercussions and criticism from literary critics across the entire world. It is considered by many as the best novel Hardy ever wrote, being called his “swan song”. However, over the century critics still tend to focus on the content and themes of the story. Few have touched the artistic form of the novel. This tendency, which emphasizes the content while neglecting the form of Hardy’s novels, is more likely to mislead the readers and researchers as well – while reading a novel they are vigorously tempted by its fascinating plot, characters or themes, etc as exposed in the content of the novel. Hence, this essay is designed to concentrate on the narrative structure of the novel by applying recent theories in narratology.
Narrative structure is probably an essential element concerning the form of JO . In a large sense, Hardy’s training in architecture and music exerts an immensely significant influence on his literary form. As Merry Williams points out, “It was his architectural training that enabled him to say that Casterbridge met the countryside in a mathematical line and that Jude the Obscure was ‘almost geometrically constructed’ (Williams, 2005, p.21)”. He always values his architectural background and draws upon it when composing his own novels. In the novel Hardy mixes together such geometrical structure or elements as circular or ring structure, symmetry and contrast with an attempt to achieve perfect integrity between architecture and literature. For Hardy, the true architect was like an artist, a ‘creator of forms’. Art must remain close to the rhythms of life, and he went on feeling this after he had given up architecture for literature:
That the author loved the art of concealing art was undiscerned. For instance, as to rhythm, years earlier he had decided that
LI Lingling (2013). Studies in Literature and Language, 7(1), 52-59
too regular a beat was bad art. He had fortified himself in his
opinion by thinking of the analogy of architecture, between
which art and that of poetry he had discovered, to use his own
words, that there existed a close and curious parallel, both
arts, unlike some others, knew that in architecture cunning
irregularity is of enormous worth, and it is obvious that he
carried on into his verse, perhaps in part unconsciously,... (Hardy,
1962, p.300)
1. CIRCULAR STRUCTURE
As a post-Victorian writer, Hardy revolts against the then invariable and prevailing Victorian narrative norm, i.e. linear narration and pursues a non-linear narrative mode. This attempt of Hardy is primarily reflected on his adept application of circular structure or ring in geometry into his literary work Jude. The arrangement of circular structure roughly lies in space transition and plot development model.
1.1 Circular Structure in Space Transition
First and Foremost, JO is divided into six parts, each identified by the name of the places in Wessex, centering about the fictitiously-named university town of Christminster. Two of the six parts, in fact, are set in Christminster: Part Second, and Part Sixth. Jude’s transient life moves on along with five particular place names which follow the route: Marygeenà Christminsterà Melchesterà Shastonà Aldbrickham and elsewhereà Christminster. After a thorough reading of the text, we may observe that this arrangement is not merely a simple circulation of places but that of Jude and Sue’s life experience.
Figure 1
Circular Structure in Space Transition
As depicted in the flow chart, Marygeen seems to be the first stop or commencement of Jude’s life. This is absolutely not the case. He was brought up at Marygeen, but practically Marygeen does, in no sense, pertain to him. He is merely abandoned there in a night just as his son at Aldbrickham. (Zhang, 1987, p.70) To this extent, Jude begins his pursuit in life in Christminster, which is “paradise of the learned” and “a castle, manned by scholarship and religion” from Jude’s perspective. It is in that very scholarly city, that Jude initiates his persevering struggle for a scholarly life in Christminster, and that having met his cousin Sue Bridehead, Jude develops a growing affection or love for her. The latter, however, turns out to thwart or melt away his scholarly ambitions apart from lack of “trained teachers or coaches”. “All that was clear to him amounted to this, which the whole scheme had burst up, like an iridescent soap-bubble, under the touch of a reasoned inquiry.” (Thomas Hardy, 1991, p.118)
After the collapse of his University hopes at Christminster, Jude continues his life at Melchester, where he sustains his second dream - “the ecclesiastical and altruistic life as distinct from the intellectual and emulative life.” But this pursuit is also discouraged by his infatuation for Sue until Sue gets married to Phillotson, who used to be his schoolmaster.
Shaston is the next stop in Jude’s life, which serves as the turning point in the destiny of Jude and Sue and also the attributing factor procuring their union of love, unmarried. Jude moves on to Shaston to date with Sue, and there they kiss. “The kiss is a turning-point in Jude’s career since it was glaringly inconsistent for him to pursue the idea of becoming the soldier and servant of a religion in which sexual love was regarded as at its best a frailty, and at its worst damnation (227).” Just as his first aspiration - towards academic proficiency - is checked by a woman - Arabella, his second aspiration - towards apostleship – is also checked by a woman - this time, Sue.
Afterwards, the unmarried couple left Shaston for Aldbrickham and elsewhere in order to sustain a living while finding refuge from the inquisitive and unwelcome eyes of the world. There they are always on the move from one place to another, leaving to the readers with agitation and depression.
The final stop of Jude’s life is still Christminster, the starting and end point of his life and dream, which also functions as the peak of Jude’s tragedy. The alarming and catastrophic child-murder committed by the precocious Little Father Time is the final deathblow to Sue’s belief in love and religion. She resigns herself physically back to Phillotson and that proves to be the deathblow to Jude’s life. He closes his journey of life at Christminster.
To summarize, the life course of Jude and Sue practically starts from Christminster and ends at that right place taking the form of a circular structure. In a sense, Jude experiences his circle of life with the transition of places: Christminsterà Melchesterà Shastonà Aldbrickham and elsewhereà Christminster. Christminster is an enchanting city imbued Jude with all his aspirations in life; Christminster is also a city with disillusionment and lethality to Jude. During the process each step on for Jude and Sue is an intensified tragedy. Thus an irony of fate
A Probe Into the Narrative Structure of Jude the Obscure
and tragic effect is accomplished.
1.2 Circular Structure in Plot Development Model In addition, circular structure also appears in the plot development model of the novel. As shown in the previous section, Jude’s travelling route between the five places can also be described as his life-long persistent but hopeless pursuit for learning and love. The plot extends gradually to the readers according to Jude’s personal experience. The plot development model of the text can be illustrated as follows in sequence:
1 Jude parted from her wife Arabella and went to Christminster pursuing his aspirations for learning (and love)à
2 Handicapped in learning, Jude followed Cousin Sue to Melchester, only to find that she had been wedded to another personà
3 Thwarted in love, he followed Sue to Shaston and they fell in love unmarriedà
4 The couple reached Aldbrickham and elsewhere living happilyà
5 They returned to Christminster experiencing the child-murder; they returned to their former spouse separately; Jude died lonely there with unfulfilled or lost love and career. And this sequence can be simplified as the
following chart:
Figure 2
Circular Structure in Plot Development Model 1: Jude’s Pursuit of Love and Career
These narrative lines or sequence constitutes the framework of the text in terms of plot development. Along with the development of time sequence, Jude went through his whole life course with space transition and eventually reverted to his starting point finishing his circle of life. Hence it is obvious that in plot development model, the text takes on the form of a closed circle. The novel starts with Jude’s attempt to pursue his love and career and ends up with the loss of his love and career. The protagonist starts with nothing and culminates in nothing. The two things combined mould a unique circular structure. First, the geographical reversion (Christminster — Melchester — Shaston — Aldbrickham and elsewhere — Christminster) shown in Jude and Sue’s life circle is one clear marker of circular structure in space transition of the fiction. Second, another circle of their doomed destiny or fate shapes with the sequence “misfortune — struggle — happiness — misfortune”, as depicted in the following
chart.Figure 3
Circular Structure in Plot Development Model 2: The Protagonists’ Destiny
Therefore, like a circle, this circular narrative structure, encloses every taste of life. In this life course, Jude does not undergo much change from beginning to end, whether geographically or in his social status and living conditions. Ambitious as he is, he can never practice other careers except as a stone-mason; his final wife is also her first one; Christminster - the enchanting city of light where his life starts is also where his life ends; He ultimately dies in a renting house in misery, just as is the case he once lived humbly in her aunt’s shabby home. Likewise, his cousin Suzanne Bridehead – his dearest love also undergoes a circular life. Revolting against the Victorian conventions, Sue divorced his husband Phillotson, eloping with her true love – Jude, in cohabitation; whereas her willfully rebellious spirit fell thoroughly into collapse in face of the child massacre. In salvation she returned to her husband selling torpidly her flesh and soul. In this circular narrative structure, the plot develops upwards from some particular crises or coincidences. To a great extent, every time Jude steps on to a new place, there is invariably a coincidence or chance which acts as a turning point in his life, leading the protagonist, step by step, to a tragic ending. This preconceived storyline breaks the Victorian narrative conventions of linear narration and strengthens the personal tragedy of the characters.
2. SYMMETRY
Apart from circular structure, Jude is also marked by perfect contrastive symmetry. Influenced by his experience in architecture, Hardy ingeniously arranged symmetrical structure in the text in dealing with marital relations between the main characters and the changing course of their religious beliefs. They are Jude and Sue, Arabella as well as Philloson.
2.1 Symmetry in Marital Relations Between the Characters
Above all, there exists symmetrical structure in marital relations between the four characters.
LI Lingling (2013). Studies in Literature and Language, 7(1), 52-59
When it comes to Jude, Arabella Donn is his first marriage partner. In Part First, young Jude was concentrating on his promising future career concerning Christminster: “Christminster shall be my Alma Mater; and I’ll be her beloved son, in whom she shall be well pleased,” (35) when something smacked him sharply in the ear, and he was aware that a soft cold substance had been flung at him and had fallen at his feet. It was - a piece of flesh, the characteristic part of a barrow-pig. Overwhelmed at her sensual beauty, he grovelled before her red skirt. “The unvoiced call of woman to man, which was uttered very distinctly by Arabella’s personality, held Jude to the spot against his intention -- almost against his will...” (37) This new experience diverted his attention from his scholarly aspirations for Christminster, and he felt himself to be another man from the Jude of yesterday. His books and his intentions hitherto adhered to so strictly was of no use and even a sheer waste of time to him. He was just living for the first time: not wasting life. As for him, it was better to “love a woman than to be a graduate, or a parson, or a pope”! With such new outlook, he was seduced into an unwise marriage with Arabella.
However, this matrimonial union that based a permanent contract on a temporary feeling had no necessary connection with affinities that alone render a lifelong comradeship tolerable. “She soon found him such a slow old coach that there was no prospect of his ever bettering himself or her.” Abandoned by his first wife, his former hopes reburned in his heart. For this he left Marygreen for Christminster. But the fact of his being married was the first barrier to his craving for true love, i.e. his later marital relations with his cousin Sue.
Strictly speaking, Jude’s moving on for Christminster was more on the basis of passion for Sue than a scholarly one: “So would she be to him a kindly star, an elevating power, a companion in Anglican worship, a tender friend.”
(91) So there do exist essential affinities that alone render a lifelong comradeship with Sue. Despite the three crushing reasons for his affection for her, he yielded to her temptation after all. That is why he accompanied her wherever she went, regardless of potential consequences even in the case of Sue’s marriage with his respected schoolmaster - Phillotson - out of mere impulse and gratitude for the assistance and protection the other offered, just like his first marriage, worked as another forcible obstacle for their permanent comradeship.
On the other hand, there is so much in common between them. Sue was intellectually unorthodox, anticlerical, contemptuous of conventions and brilliant in a way that dazzled Jude. Both of them were of high ideals, strongly attracted to each other, possessing abundance of sympathy, common interests and pursuits. Sue would never find an internal peace if she left Jude, nor would he. They are mutually loved so that Sue felt it unbearable to be wife of Phillotson. As she said: “Though I like Phillotson as a friend, I don’t like him - it is a torture to me to -- live with him as a husband!” (223) What tortures Sue most is “the necessity of being responsive to that man whenever he wishes, good as he is morally!” Consequently the dreadful contract between Sue and Phillotson came to a close under the table. With Phillotson’s permission, this right match began their practically married happy life.
Had it not the catastrophe of child-murder committed by Little Father Time, they might have lived in harmony regardless of criticism from the outer world. However, for all their rebellion, this harsh reality broke through their ultimate psychological line especially from Sue’s side. “We must conform!... All the ancient wrath of the Power above us has been vented upon us, His poor creatures and we must submit. There is no choice. We must. It is no use fighting against God!”(361) “We ought to be continually sacrificing ourselves on the altar of duty!” With this steep shift in Sue, this “Nature’s own marriage” gave way to “Heaven’s.” Both of them reverted to their original marriage.
Such being the case, the two pairs of protagonists witness a symmetrical process of development in their marital relations: “union – partition – reunion” and “marriage between Jude and Arabella and that between Sue and Phillotson – two divorces – remarriage between the original pairs.” Transparently, Sue’s return to Phillotson accounts for Jude’s mortality of the body and Sue’s mortality of the soul (Wang, 2003, pp.59-62).
2.2 Symmetry in Religious Beliefs of the Characters
Finally, the characters’ attitudes towards religion demonstrate a structure of contrastive symmetry in their shifting process, Jude and Sue in particular.
As a boy of eleven, Jude had developed a keen aspiration for Christianity and worshiped Christminster as “the Heavenly Jerusalem”. For this he made strenuous efforts in his self study of Latin and Greek to fulfill his dream of being ordained at Christminster. Even after the collapse of his University hopes, his fervent passion for the priesthood reflamed in his heart. So pious and devoted a Christian was he that he went to church frequently and made daily prayers. Whereas having realized the purity of his love with Sue unacceptable to the world, he began to feel the absurdity and paradox of religion. Therefore when Christianity and conventions killed their true love, he burned all his books on theology and ethnics and halted his services in the church. He ended his life as a man of sin from Christian perspective. In short Jude’s shifting orientations to religion are marked by the paradigm: Jude the Saintà Jude the Sinner.
On the contrary, Sue experienced a thoroughly opposing shift in religion. Sue appeared first as a religious skeptic, buying pagan figures like the Venus and the Apollo which symbolize liberty. As an independent and rebellious figure, “her intellect played like lambent
A Probe Into the Narrative Structure of Jude the Obscure
lightning over conventions and formalities.” Unlike Jude, however, facing their love despised by the world, Sue gradually gave in to Christian dogmas spiritually, sacrificing herself on the altar of duty as a wife. She turned out to be a “Saint” destroying all her emotions and feelings. Hence, Sue’s paradigm in religion flows like this: Sue the Sinnerà Sue ‘the Saint’.
Based on the analysis above, this symmetrical structure in the changing of marital intercourse and worship between the characters constitutes Hardy’s bitter criticism and satire of Victorian reality which is Hardy’s philosophy in tragedy.
3. CONTRAST
JO is a novel rich in contrast. Contrast or contradiction dominates and contributes a great deal to the themes and relationship between characters of the novel, or it is embodied in the same character. The following aims at dwelling on and exploring the various contrasts reflected or implied in the novel with an attempt to further investigate Hardy’s skillful application of contrast into his literary works.
3.1 Contrast as Embodied in the Same Character First, contrast or conflict may lie in one character like that in Jude. Hardy ascertained that the tragic end of man lay in “the contrast between the ideal life man wished to lead and the squalid life he was fated to lead’. (Hardy, 1962, p.289) So as for Hardy, contrast goes hand in hand with tragedy. “Tragedy may be created by an environment of... human institutions.” The idea revealed Hardy’s great progress in understanding tragedy. By relating Jude’s fate to Victorian society, Hardy endeavored to seek the cause of tragedy from social institutions, referring tragedy to the contrast, or conflict between man and society. In the blighted unjust society, it was inevitable that the laboring people with aspirations for a better life were made to meet tragedy. “The best tragedy - highest tragedy in short - is that of the WORTHY encompassed by the INEVITABLE”. (Pinion, 1968, p.145) In this case, the two most significant protagonists Jude and Sue are the best instances.
In Jude, we see two contrasting sides of his character: the sensual Jude versus the spiritual or intellectual Jude, or we might say Jude the scholar and Jude the lover, Jude the Christian and Jude the Pagan, Jude as a knight in his dauntless struggle for his dream and true love versus Jude as a villain. Walking leisurely with the hungrily sensuous Arabella, he found ‘it was better to love a woman than to be a graduate, or a parson; ay, or a pope,’ totally oblivious of his life-long sacred aspirations. He is apt to be lost to all conditions of things in the advent of a fresh and wild pleasure just as is the case of his encountering Arabella. In the (implied) author’s words, “He was a man of too many passions to make a good clergyman; the utmost he could hope for was that in a life of constant internal warfare between flesh and spirit the former might not always be victorious.” (201) As a matter of fact it is the dual nature in his character that sparks off his ultimate failure in love and career.
As mentioned in the previous chapter, the narrator presents Jude from the inside, as it were, whereas readers and critics must grasp Sue almost entirely from external evidence - what she says and does, and what people report about her. The usual assertion that the narrative is never presented as from Sue’s perspective is mistaken, but internal glimpses certainly are infrequent. Readers, like Jude, have to trust to empathy. Consequently, Jude is understandable even if one doesn’t admire what one sees; with Sue, the reader must intuit the narrator’s (and Hardy’s) intentions. The result is that even though the novel is most clearly readable as the impassioned speculation on the career of its male protagonist, who deserves sympathy for the frustration and pain caused him by personal and intellectual dilemmas, for most readers the core of their reactions to the novel lies within the conflicting values and feelings of Sue. (Kramer, 1991, p.172)
3.2 Contrast Between the Characters
There also exists a sharp contrast between characters, such as the gap between sexless Sue Bridehead and sensual Arabella Donn as well as the one between Jude and Phillotson.
To begin with, Sue and Arabella constitute the most transparent contrastive pair in Jude. Sue and Arabella, in Hardy’s JO, are like a Pre-Raphaelite painting of Sacred and Profane Love. There they stand—assuming the absent man, the abashed, overwhelmed Jude. Sue is thin, pretty, with a light, abstracted, questioning gaze; Arabella is round, sly-eyed and sleepy, with the dreaming torpor of a destitute girl pondering an exchange of sexual coin. In contrast with sensual and pragmatic Arabella, Sue is “intellectual and intensely seeking”. (Kramer, 1991, p.164) It is scarcely worth noting that they are thoroughly different, forming almost two opposites. The sources of feeling could not be more reflective than they are in Sue, or more immediate and formless than they are in Arabella. Experience, with them, is not merely the sum of events gone through; it is the response of their differing consciousness to love, want, greed, or renunciation.
Then Sue is sexless with repressed feelings for love. She insists on virginity or remaining a ‘bachelor girl’, fiercely resisting men’s possession of her body as a symbol of independence from male enslavement. However, her ideal for a bachelorette goes to extremity in Victorian Age. She craves for passionate love, but fears physical relations with men. Therefore, Sue may be described as a vivacious woman, a perplexed Victorian maiden, a ruined weaker, in dreaming of being a typical free “bachelor” girl, inevitably renounces her love and
LI Lingling (2013). Studies in Literature and Language, 7(1), 52-59
falls in with the wishes of Patriarchal moral codes and struggles for salvation. Sue fails and is denied in the ache of modernism. (Zhang, 2006, pp.51-53)
On the other hand, Arabella is sensual, “she was a complete and substantial female animal - no more, no less.” 36) Compared with Sue, she is a seducer to men, who, by any means, attains her goal by regaining Jude from Sue. Sue’s return to Phillotson derives from her self-punishment, but Arabella’s regaining of Jude is based on her belief that Jude is the very man she likes. The latter one does not conceal her own desire while Sue is always evasive in her feelings to Jude. Arabella explains to Phillotson her idea on how a man can control a woman and make her yield.
However, she shares her perspective and insight with the author as an acute observer of Sue, who hesitates between her sexual desire and hysterical abstinence, while Arabella, through the whole story, decides her own destiny. So Arabella prevails or wins in Victorian society. The down-to-earth Arabella is a heartless seductress, but that does not mean she is not a survivor. Arabella encompasses the archetype of the Mother Earth who lives off of her fertility and sexuality. Arabella is just that, a sexual creature that understands the cycle of life and death, and what must be done in order to accomplish that cycle. She does everything in her power to survive as a Victorian woman while also fulfilling the duties of the Mother Earth, which consequently depicts her as being a vile, selfish, and promiscuous person. She has a power Jude cannot possess nor understand -
the power of life and death. In this sense, Arabella is the Earth Mother, the survivor, and the hero of JO. The reasons are listed as follows:
First, Arabella’s actions are animalistic and overt, but only because the Mother Earth must conform to the standards of the Victorian woman in order to accomplish her goals. Arabella marries in order to survive in the Victorian society, and she goes about it in a direct manner: On a sudden something smacked him sharply in the ear, and he became aware that a soft cold substance had been flung at him and had fallen at his feet. A glance told him what it was—a piece of flesh, the characteristic part of a barrow-pig, which the country-men used for greasing their boots, as it was useless for any other purpose. (J0, 35)
Then here Arabella uses the pig penis as her missile to portray to Jude what she wants from him. She does not want a sentimental relationship, but a sexual relationship. The goddess of fertility simply wants to have sex, not engage in an emotional affair, but Jude sees the penis and says, “… used for greasing their boots, as it was useless for any other purpose.” Jude does not understand the gesture, which results in mixed communication. He does not see that he is dispensable, just as the pig’s penis. All Arabella needs is a man to help her reproduce, she can easily throw him away like the pig. Her action of throwing the penis was a sign for Jude. That is all he is to her, that is all she wants from him, and it is easy for her to throw away. Jude assumes that all love is the same; he is unable to open his mind to different concepts of the feeling. His love is a courtly one, where secrecy and passion motivates the pursuit. Arabella’s idea of love is a more practical sense of the feeling. What she wants from Jude is his body – his social status, prestige, future, and goals do not matter at all to her. Even with these conflicting ideas of love, Arabella and Jude marry. Arabella is the only character in JO that is able to survive by the end of the novel.
In this sense, Arabella and Sue belong to two contradicting types of new woman.
3.3 Contrast as Reflected in the Themes
As can be inferred from JO, Hardy handles the classic theme of love and marriage along with that of flesh and spirit, each pair of which constitutes a distinct contrast or contradiction.
First and foremost, in contemporary views, marriage should be based on love and love perpetuates marriage. Whereas in JO, love and marriage is always at war with each other and seems to be an irreconcilable one. In the novel Jude’ s marriage with Arabella illustrates Hardy’ s view that such a union based entirely on the passing surge of sexual passion tends to be immensely fragile and is doomed to failure and misfortune. Arabella tricks Jude into marriage partly by coercion and tapping his sensuality. Drastically different in personality, educational background and disposition, the couple has no shared interests or common pursuits. Arabella’s concept about marriage is nothing but to gain a husband “with a lot of earning power for buying her frocks and hats... and throw aside those stupid books for practical undertaking,”(Culler, 1975, p.72) While Jude’s spiritual pursuits and his imaginative disposition is far from gratifying her practical needs and material comforts. Their marriage is doomed to end up in failure.
Jude’s marriage with Arabella is plainly absurd. She forces Jude into marriage by manipulating his presence in her house as to make him compromised. He marries her because he is still sensitive to such abandoned concepts as ‘honor’ and ‘integrity’. In fact, his remarriage with Arabella is a black parody of Sue’s with Philotson, the one made possible only by will, the other through stolidity. After the remarriage, Jude’s hope after Sue’s desertion of him melts away and his vitality is steadily fading. Arabella’s selfishness and mercilessness intensifies his despair and further accelerates his destruction.
Jude and Arabella’s first and second marriages, though well protected by the law and the social norms, in no way provide the couple with real love and sweet happiness. On the contrary, it serves as the accomplice of the wicked, the schemer of marriage - Arabella - to procure what she hunts for. Under the disguise of law, it justifies lies and deceits, produces conflicts and pain, tortures the tender-
A Probe Into the Narrative Structure of Jude the Obscure
hearted and deprives the individuals of their right to seek for true affection. Marriage claims to bond the couple happily together; in the novel, however, it is by no means the guarantee and protector of love. Marriage and love, once a harmonious whole, is split apart. Arabella and Jude’s marriage is nothing less than a ridicule of the prevailing marital institution in Victorian Age.
Furthermore, another theme of Jude is the conflict between flesh and spirit. Thomas Hardy himself once described the book as “a deadly war waged between flesh and spirit”.. The contradiction between flesh and spirit dominates the whole novel. Jude’s entanglement with Arabella clearly reveals the fierce struggle of flesh and spirit in Jude.
Jude encounters Arabella for the first time when Jude is reciting the list of Classical authors whom he has mastered and is making plans for further study. However, his quiet dream of scholarship is abruptly disturbed by Arabella Donne, a country wench, who deliberately tosses a pig’s pizzle at him to draw his attention. The pizzle is a symbol of sex which signifies that there is to be nothing else in their relationship but sex. Jude singles Arabella out from other girls and his first sight at her arouses in him overwhelming passion of its kind which is usually lighted when the first woman, whatever her kind, comes into contact with him. This is the first time that Jude has been with a girl for a while and their first acquaintance brings to Jude a kind of feeling that is new and fresh overflowing with excitement and passion. Arabella begs Jude to keep visiting her on Sundays and on the first Sunday that comes after this casual meeting he weighs for an instant whether to spend the afternoon in reading classics or phone her. Although he soon realizes that this girl is somewhat incompatible with his academic pursuits and alerts him of not being distracted from his study, yet blind to all her coarseness, he is driven to the girl. At length, flesh subdues spirit while Jude’s sense overcomes sensibility.
In essence, it is a hidden sexual drive that takes hold of or seizes Jude. He cannot help yielding to the temptation although he knows clearly that Arabella is not the type of girl that he really appreciates, whether in appearance or in temperament, nor even to say a spiritual companion to accompany him through his journey of academic pursuits. Jude is totally seduced by Arabella’s physical charms and yields to the desires of the flesh. His “great expectations” give way to sensuality. Jude marries Arabella because she lies in saying that she is pregnant. To be responsible for Arabella’s “pregnancy”, Jude, out of sympathy and the pressure of social conventions rather than affection, agrees to marry her immediately. It is Jude’s misfortune that his first woman is not of a finer kind, not of a kind that could promise sweet conjugal comradeship through life’s rough journey or encouragement in his difficult course towards a goal far distant and far higher than his present position: “...she was a complete and substantial female animal -- no more, no less”. Later, Jude encounters Arabella in a pub in Christminister spending a night living together, though legally in a sense that they are still a couple, yet not morally in that Jude, at that time, has already been deeply attached to Sue. His contemptible action distresses the more refined nature of Sue. The animal part of him is always too strong for the spiritual.
Hence Arabella reflects Jude’s character flaws in nature -- his unquenchable sexual desire always overwhelms. The very fact that Jude allows himself to be deceived by her, in succession -- even spending a night with her in a casual husband-and-wife relationship after her having once abandoned him and while he falls in love with Sue, indicates the strength of the sensual portion of his nature.
Jude has his share of patience and steadfastness, but he is more a physical creature. In the eyes of Arabella, he is more of a desirable sexual object. Eventually, the conflict between Jude “the scholar” and Jude “the lover” intertwines, and the pursuit for love involves abandoning his once burning ideals and aspirations. When sex is drawing a young man in one direction and his ideals in another, he is destined to undergo tremendous emotional anguish. The conflict between flesh and spirit is the essence with Jude throughout his life. As a basically good man with a potentiality for some kind of greatness within his own sphere, Jude is pulled this way and that by desires and his character flaws, until he finally dies in misery.
To sum up, contradictions or contrasts are prevalent in the novel. In addition to what is discussed above, there are other pairs of contrastive elements, such as love and career; humanity and Christianity. All serves well to delineate the inner conflicting emotions of the characters which bring about their predicaments and despair and to project the irreconcilable conflicts between character and environment. The sharp contrasts between the two are so intense that the whole novel is overwhelmed with grim pathos and poignancy. (Zhang, 2008, pp.9-10)
CONCLUSION
Based on the above analysis, it may be seen that Hardy takes the lead in his manipulation of circular structure as well as contrast and symmetry. All this strengthens and highlights the tragedy of the protagonists, especially Jude and Sue. Bitter irony is also achieved with such structural arrangement. As a transitional writer, Hardy challenges the overwhelming Victorian conventions of linear structure and breaking new ground of modern fictional structure – circular structure with symmetry and contrast which constitutes Hardy’s unique aesthetic vision on architecture and literature.
Nowadays, modern readers or scholars are coming to realize its glorious aesthetic value in art form. They are increasingly aware of the perfect harmony achieved between the content and form of the text. Just as Dale Kramer points out, Hardy was “read” by Jude as much as Jude is a reading by Hardy of his times (1991, p.168).
LI Lingling (2013). Studies in Literature and Language, 7(1), 52-59
REFERENCES
Culler, Jonathan (1975). Structuralist poetics (p.72). Comell University Press.
Hardy, F. E. (1962). The life of Thomas Hardy (pp.289, 300).
London: Macmillan.
Hardy, Thomas (1991). Jude the Obscure (pp.35-361). Oxford: Oxford University Press.
Giordano, Frank Jr. (1984). “I’d Have My Life Unbe”- Thomas Hardy’s self-destructive characters. Alabama: The University of Alabama Press.
Kramer, Dale (1991). Critical approaches of the fiction of Thomas Hardy (164-168). London: Macmillan Press. Pinion, F. B. (1968). A hardy companion (p.145). London: Macmillan.Wang, Y. M. (2003).Form is content: An interpretation of Jude the Obscure. Journal of Foreign Languages and Literature.
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Williams, Merryn (2005). A preface to Hardy (p.21). Beijing: Peking University Press.
Zhang, W. N. (2008). On binary oppositions in Jude the Obscure.
Journal of Language and Literature Studies, 53(12), 8-10. Zhang, Y. T. (2006). The bewilderment and destruction of female characters in Thomas Hardy’s major novels (57-60). Xi’an: Foreign Institute of Northwest University.
Zhang, Z. Z. (1987). Thomas Hardy’s thinking and writing, (p.70). Beijing: Foreign Languages Teaching & Research Press.
普通员工辞职申请书范文【三篇】 尊敬的xx人力资源部： 您好! 因为个人职业规划和一些现实因素，经过慎重考虑之后，特此提出离职申请，敬请批准。 在xx工作一年多的时间里，我有幸得到了各位领导及同事们的倾心指导及热情协助，在本职工作和音乐专业技能上，我得到了很大水准的提升，在此感谢xx提供给我这个良好的平台，这个年多的工作经验将是我今后职业生涯中的一笔宝贵财富。 在这里，特别感谢各位领导在过去的工作、生活中给予的大力支持与协助;尤其感谢xx，xx等，一年来对我的信任和关照，感谢所有给予过我协助的同事们。 望批准我的申请，并请协助办理相关离职手续，在正式离开之前我将认真继续做好当前的每一项工作。 祝公司事业蓬勃发展，前景灿烂。 申请人：### 20xx年xx月xx日 【篇二】 尊敬的韩总： 作为一名在酒店工作了大半年的员工，我对酒店有着一种格外亲切的感觉。每一个人在他年轻的时候，都有很多第一次，我当然也不例外。
我的第一份工作是在酒店，我最青春的三年也是在酒店度过的。 在这里，我学会了很多东西，能够跟同事们在一起工作，我觉得很开心，这里的每一位都是我的大哥大姐，我的叔叔阿姨，是他们教给了 我在学校里面学不到的知识，如何为人、如何处事、如何工作……在 酒店里，领导们也对我十分的关心，从刚进入酒店开始，我就感受到 从上至下的温暖。因为我是酒店里年龄还一般，还不算小，也从来没 有在这么大的集体里生活过，自不过然的，心里面就会产生一种被呵 护的感觉。这是一种以前在集体里未曾有过的感觉，很温馨，很自豪，而且它一直陪伴着我，直到我离开…… 但这种感觉不会随着我的离开而走远，我想我永远也不会忘记， 毕竟我以前生活在一个温暖而又温馨的集体里。韩总，还记得第一次 跟您近距离接触和理解是在20xx.3.16号。随着时间的流逝，斗转星移，您多年积累的工作经验与个人才华也得到充分的施展。您是我们 酒店的经理。在我上班之前，制定了一系列的政策与方针，重新定位 了酒店的经营策略，持续地尝试新的机制与奖励、分配办法，力争让 酒店的经济效益持续迈上新高，也让酒店员工的福利待遇如芝麻开花 一般节节高樊。，这才是为员工谋利益的举动，这才是一位被员工在 心里面所认可的经理。 而我，作为这个集体的一份子，更加感觉到您对员工的关心与培养。您肯定想到，酒店要想在竞争激烈的社会中立于不败之地，人才 的培养与发展是不可忽视的环节之一。因为我自身水平的不足，近期 的工作让我觉得力不从心，所以想公司提出了辞呈，忘领导批准。 申请人：### 20xx年xx月xx日 【篇三】 尊敬的公司领导：
辞职报告文本辞职报告范文大全 辞职报告 （篇一） 尊敬的领导： 我很遗憾自己在这个时候向公司正式提出辞职申请。 来到公司也已经快两年了，在这近两年里，得到了公司各位同事的多方帮助，我非常感谢公司各位同事。正是在这里我有过欢笑，也有过泪水，更有过收获。公司平等的人际关系和开明的工作作风，一度让我有着找到了依靠的感觉，在这里我能开心的工作，开心的学习。或许这真是对的，由此我开始了思索，认真的思考。 但是最近我感觉到自己不适合做这份工作，同时也想换一下环境。我也很清楚这时候向公司辞职于公司于自己都是一个考验，公司正值用人之际，公司新的项目的启动，所有的后续工作在公司上下极力重视下一步步推进。也正是考虑到公司今后在这个项目安排的合理性，本着对公司负责的态度，为了不让公司因我而造成的决策失误，我郑重向公司提出辞职。 我考虑在此辞呈递交之后的2—4周内离开公司，这样您将有时间去寻找适合人选，来填补因我离职而造成的空缺，同时我也能够协助您对新人进行入职培训，使他尽快熟悉工作。 能为公司效力的日子不多了，我一定会把好自己最后一班岗，做好工作的交接工作，尽力让项目做到平衡过渡。离开这个公司，离开
这些曾经同甘共苦的同事，很舍不得，舍不得领导们的尊尊教诲，舍不得同事之间的那片真诚和友善。 在短短的两年时间我们公司已经发生了巨大可喜的变化，我很遗 憾不能为公司辉煌的明天贡献自己的力量。我只有衷心祝愿公司的业绩一路飙升!公司领导及各位同事工作顺利! （篇二） 尊敬的办公室人力资源管理领导： 我向公司正式提出辞职。 我自**日进入公司，到现在已经一年有余了，正是在这里我开始 踏上了社会，完成了自己从一个学生到社会人的转变。在过去的一 年多里，公司给予了我许多学习和锻炼的机会，开阔眼界、增长见识。我对公司给予的照顾表示忠心的感谢!但是，经过近段时间的思考， 我越来越迷惘！我越来越觉得现在的工作、生活离自己想要的越来越远。所以，我必须离开，去过我思想深处另一种有别于目前的生活。我想，生活应该是在选择到适合自己的道路以后，再持之以恒地坚持！ 公司目前已经过了一年最忙的时间，是充电、整顿、储备人才的 时刻。相信，我的离开会很快有新生力量补充。因为这不是我想要的工作、生活状态，所以，我现在对工作没有激情、对生活也极其懒散。本着对公司负责的态度，为了不让公司其他同事受到我消极情绪 * ，也为了不让公司因为我出现业务上的纰漏等，我郑重向公司提出辞职，望公司给予批准！ 祝公司稳步发展，祝公司的领导和同事们前程似锦、鹏程万里!
辞职申请书范文大全500字 辞职申请书500字 辞职一般是提前30天向上级或公司递交辞职，无需公司批准，30天之后您就能顺利辞职了，以下是为大家搜集的范文，欢迎阅读! 尊敬的公司领导： 由于工作调动，现正式向公司提出调离原工作岗位。 舍不得，舍不得这里的人，舍不得自己曾经的付出。每一次出差、每一次报价、每一次谈判、每一次争吵，在飞机上、在吉普车上、在会议室里、在工地上，所有这一切，都充斥着我的记忆，那么清晰，就像是在昨天。但时间的指针总是忠诚地一步一步往前走，昨天终究会结束。 在公司四年半的时间里，我收获了很多，除了朋友和知识，更 重要的是，我到了成长的快乐。感谢命运，让我在最青春的年华里遇到了装备公司;感谢公司领导，你们的关注和欣赏让我一直充满自信，你们的指点和教诲让我在成长的路上少走了很多弯路;感谢公司的同事，和你们的沟通，轻松愉悦;感谢我自己，能够一直保持着一份纯净，真诚地付出，真诚地享受每一次收获。
鉴于目前的身体及生活状态，自认为不能够为公司创造更大的价值，现向公司提出辞职。 虽然我不能在这里继续“战斗”下去，但真心的希望，xx公司能够梦想成真，在世界的舞台上舞出属于自己的精彩。 此致 敬礼! 辞职人： 20xx年xx月xx日 尊敬的x总： 您好! 转眼间，我到公司已有X年了，这X年的工作时间里，虽然我的工作并不是尽善尽美，但在公司同事们的帮助，尤其是您的信任与教导下，我也努力的去完成每一项您布置给我的工作，都用了自己的
热情努力去对待。凭心而论，我开始对基础工程毫无了解，但在您这里我基本了解了基础工程，使我学到了很多东西，特别是一些做人的道理和对生活的理解。在这里，我真诚的对袁总说一声：谢谢您了! 但犹豫再三，经过了长时间的考虑，我还是写了这封辞职申请书。 加入公司以来，您对我的信任、教导与严格要求，令我非常感动，也成为激励我努力工作的动力。在您及同事们的热心指导与悉心帮助下，我在工程技术和管理能力方面都有了一定的提高。我常想，自己应该用一颗感恩的心，去回报您及公司对我的栽培，真的想用自己的努力去做好您交给的每一份工作任务，但自己的能力真的很有限，有很多地方没有做得能让您满意，所以对过去工作中失误与不足的地方，我真诚的对您说声抱歉，请您原谅! 经过这段时间的思考，我觉得我可能技术能力方面有所不足， 也缺少工作的积极性和脚踏实地的工作精神，没能很好的适应这个工作，所以一直没有把工作做到令您满意的程度。这是我在以后的人生中需要注意的地方，也是袁总经常教导我的地方，我一定会铭记于心! 再一次真诚地感谢您及公司全体同事对我的关爱与帮助!
简短辞职申请书范文大全 想必每一位在职场混迹多年的职场人士都应曾经写过辞职信之类的。在现在这个发展速度如此之快的社会，跳槽也就成了常见现象。而离职前的辞职信是必写的。下面就是小编给大家带来的简短辞职申请书范文大全，希望大家喜欢! 尊敬的xx： 我自xx年来到公司，工作中得到公司和您的培养，个人得到了很大的成长，公司的文化和环境也令我工作得非常开心。 现由于个人原因，我不得不提出辞职，希望能于x年x月x日正式离职，请公司批准我的这份辞职书。并请公司在x月x日前安排好人员接替我的工作，我将尽心交接。 再次对您x年来的培养和指导表示衷心的感谢。 最后祝您及公司的所有同事一切顺利! 此致 敬礼 辞职人：xxx 20xx年x月x日 尊敬的X经理： 您好! 感谢公司在我入职以来的培养关心和照顾，从X年X月份来到[公司]至今，我学到了很多东西，今后无论走向哪里，从事什么，这段经历都是一笔宝贵的财富，我为在彩卡的这段工作经历而自豪。 而今，由于个人原因提出辞职，望领导批准。 辞职人： 20xx年x月x日
公司人事部： 我因为要去美国留学，故需辞去现在的工作，请上级领导批准。 公司的企业文化感化了我，我对公司是深有感情的。我留学归来之后，仍愿意回公司就职。 感谢公司领导和同事在工作中对我的关心和支持，并祝公司兴隆。 辞职人：xxx 20xx年x月x日 尊敬的公司领导： 在递交这份辞呈时，我的心情十分沉重。现在由于我的一些个人原因的影响，无法为公司做出相应的贡献。因此请求允许离开。 当前公司正处于快速发展的阶段，同事都是斗志昂扬，壮志满怀，而我在这时候却因个人原因无法为公司分忧，实在是深感歉意。 我希望公司领导在百忙之中抽出时间受理我的离职事项。 感谢诸位在我在公司期间给予我的信任和支持，并祝所有同事和朋友们在工作和活动中取得更大的成绩。 辞职人： 20xx年x月x日 尊敬的xx： 自xx年入职以来，我一直很喜欢这份工作，但因某些个人原因，我要重新确定自己未来的方向，最终选择了开始新的工作。 希望公司能早日找到合适人手开接替我的工作并希望能于今年5月底前正式辞职。如能给予我支配更多的时间来找工作我将感激不尽，希望公司理解!在我提交这份辞呈时，在未离开岗位之前，我一定会尽自己的职责，做好应该做的事。 最后，衷心的说：“对不起”与“谢谢”! 祝愿公司开创更美好的未来!
8253-5的结构和功能 8253-5为具有三个独立的16位计数器，它可用程序设置成多种工作方式，按十进制计数或二进制计数，最高计数速率可达2.6MHz。8253-5能用于多种场合，例如作为可编程方波频率发生器、分频器、实时时钟、事件计数器以及程控单脉冲发生器等。 8253-5的结构框图及引脚排列如图7-17所示。 图7-17 8253-5的结构框图和引脚排列 (a)结构框图；(b)引脚图 24条引脚中，D 7~D 为8条双向数据线；为写输入信号；为读输入信号；为片 选输入信号；A 0、A 1 为片内寄存器地址输入信号。上述信号线都和CPU相接。三 个计数器中每一个都有三条信号线；计数输入CLK用于输入定时基准脉冲或计数脉冲；输出信号OUT以相应的电平指示计数的完成，或输出脉冲波形；选通输入（门控输入）GATE用于起动或禁止计数器的操作，以使计数器和计测对象同步。 每个计数器中有三个寄存器：①控制寄存器。初始化时，将控制字寄存器内容写入该寄存器；②计数初值寄存器。初始化时写入该计数器的初始值；③减1计数寄存器。计数初值由计数初值寄存器送入减1计数寄存器，当计数输入端输入一个计数脉冲时，减1计数寄存器内容减1，当减到零时，输出端输出相应信号表示计数结束。 8253-5的读写控制逻辑接受系统总线的输入信号，当接收到低电平时，8253-5根据和端的电平，控制本器件接受CPU的访问，双向三态的数据总线缓冲器根据指令接收或发送数据。这些数据是：编程8253工作方式的控制字；装入各计数器的初始值；读出各计数器的当前值。 用作寄存器选择的地址输入信号A 1和A 决定CPU访问的对象。8253-5内部寄存器 选择如表7-4所示。 表7-4 8253-5内部寄存器地址 8253-5内部有三个控制寄存器控制对应计数器的工作。它决定计数器的工作方式，
离职申请书怎么写范文5篇 工作当中几乎每个人都会有经历辞职，那么大家知道离职申请书怎么写吗?下面就是给大家带来的离职申请书怎么写范文5篇，希望大家喜欢! 辞职报告怎么写模板 辞职理由 辞职之前必须想好理由，不管是世界那么大，我想去看看。还是老子就是不想干了。 书面格式 标题：标题一般有辞职报告、辞职书、辞职函、辞职申请等不同的写法，书面一般多用辞职书 称谓：在工作中称呼一般都是“尊敬的XXX”格式，你想谁递交辞职书就写TA的尊称。 正文： ①空格2字符，问好。如：您好。
②辞职理由，短到几个字，长到几百字，个人自由发挥。例如：世界那么大，我想去看看。 ③尾段可以写写对公司的祝福等等。如：祝公司业绩蒸蒸日上。 结语：结尾要求写上表示敬意的话。如“此致——敬礼”等。 署名：写上自己的名字，辞职人：XXX 。署名的格式，为*末尾换行后起，然后署名下面加上日期. 日期：辞职报告写的当天日期，当然公司的规定不同，可以灵活的变动。 注意事项 不要说上司坏话。如果你认为有必要向管理层反映一下上司的问题，要尽量以委婉的言辞口头提出。 不要满纸抱怨，抨击公司制度。 不要指责同事，尤其忌讳把同事的“罪行”白纸黑字写在辞职书上。 离职申请书范文【一】 尊敬的罗总： 您好!
首先感谢您在我工作期间对我照顾与支持，感谢公司给我这个平台，让我锻炼让我成长。 很遗憾在这个时候向xx正式写出辞职报告，或许我还不是正式职工，不需要写这封辞职信。当您看到这封信时我大概也不在这里上班了。 来到这里也快两个月了，开始感觉这里的气氛就和一个大家庭一样，大家相处得融洽和睦。在这里有过欢笑，有过收获，当然也有过痛苦。虽然多少有些不快，不过在这里至少还是学了一些东西。在这一个多月的工作中，我确实学习到了不少东西。然而工作上的毫无成就感总让自己彷徨。我开始了思索，认真地思考。思考的结果连自己都感到惊讶——或许自己并不适合xx 这项工作。而且到这里来工作的目的也只是让自己这一段时间有些事可以做，可以赚一些钱，也没有想过要在这里发展。因为当初连应聘我都不知道，还是一个朋友给我投的资料，也就稀里糊涂地来到了这里。一些日子下来，我发现现在处境和自己的目的并不相同。而且我一直以为没有价值的事情还不如不做，现在看来，这份工作可以归为这一类了。n多的时间白白浪费掉了。我想，应该换一份工作去尝试了。 离开这里，离开这些曾经同甘共苦的同事，确实很舍不得，舍不得同事之间的那片真诚和友善。但是我还是要决定离开了，我恳请xx和领导们原谅我的离开。
申请离职书范文6篇 Sample application for resignation 编订：JinTai College
申请离职书范文6篇 小泰温馨提示：辞职报告是个人离开原来的工作岗位时向单位领导或上级组织提请批准的一种申请书，是解除劳动合同关系的实用文体。本文档根据辞职报告内容要求展开说明，具有实践指导意义，便于学习和使用，本文下载后内容可随意修改调整及打印。 本文简要目录如下：【下载该文档后使用Word打开，按住键盘Ctrl键且鼠标单击目录内容即可跳转到对应篇章】 1、篇章1：申请离职书范文 2、篇章2：申请离职书范文 3、篇章3：申请离职书范文 4、篇章4：酒店离职申请范文 5、篇章5：酒店离职申请范文 6、篇章6：酒店离职申请范文 为离职写一份离职申请书，本文是小泰为大家整理的申请离职书范文，仅供参考。 篇章1:申请离职书范文
您好!首先感谢您在百忙之中抽出时间阅读我的离职信。 我是怀着十分复杂的心情写这封离职信的。自我进入公司之后，由于您对我的关心、指导和信任，使我获得了很多机遇和挑战。经过这段时间在公司的工作，我在酒店领域学到了很多知识，尤其是办公室合规的相关方面，积累了一定的经验，对此我深表感激。 由于自身存在很多尚不完善的地方，想通过继续学习来 进一步加强自己的能力。为了不因为我个人原因而影响公司的工作，决定辞去目前的工作。我知道这个过程会给公司带来一定程度上的不便，对此我深表歉意。 我会尽快完成工作交接，以减少因我的离职而给公司带 来的不便。为了尽量减少对现有工作造成的影响，我请求在公司的员工通讯录上保留我的手机号码一段时间，在此期间，如果有同事对我以前的工作有任何疑问，我将及时做出答复。 非常感谢您在这段时间里对我的教导和照顾。在平安的 这段经历于我而言非常珍贵。将来无论什么时候，我都会为自己曾经是平安公司的一员感到荣幸。我确信这段工作经历将是我整个职业生涯发展中相当重要的一部分。
第27课 8253工作方式以及应用举例 8253的六种工作方式，8253的实际应用举例。本课主题: 教学目的:掌握8253六种工作方式的特点以及使用方法，通过实际应用举例强化8253的使用方法。 教学重点:8253的硬件连接和软件初始化方法。 教学难点:8253的在系统中的应用。 授课内容: 8253的每个通道都有6种不同的工作方式，下面分别进行介绍。 1.方式0--计数结束中断方式(Interrupt on Terminal Count) 2.方式1--可编程单稳态输出方式(Programmable One-short) 3.方式2--比率发生器(Rate Generator) 4.方式3--方波发生器(Square Wave Generator)
5.方式4--软件触发选通(Software Triggered Strobe) 6.方式5--硬件触发选通(Hardware Triggered Strobe) 由上面的讨论可知，6种工作方式各有特点，因而适用的场合也不一样。现将各种方式的主要特点概括如下: 对于方式0，在写入控制字后，输出端即变低，计数结束后，输出端由低变高，常用该输出信号作为中断源。其余5种方式写入控制字后，输出均变高。方式0可用来实现定时或对外部事件进行计数。 方式1用来产生单脉冲。 方式2用来产生序列负脉冲，每个负脉冲的宽度与CLK脉冲的周期相同。 方式3用于产生连续的方波。方式2和方式3都实现对时钟脉冲进行n分频。
方式4和方式5的波形相同，都在计数器回0后，从OUT端输出一个负脉冲，其宽度等于一个时钟周期。但方式4由软件(设置计数值)触发计数，而方式5由硬件(门控信号GATE)触发计数。 这6种工作方式中，方式0、1和4，计数初值装进计数器后，仅一次有效。如果要通道再次按此方式工作，必须重新装入计数值。对于方式2、3和5，在减1计数到0值后，8253会自动将计数值重装进计数器。 8.2 8253的应用举例 一、8253定时功能的应用例子 1(用8253产生各种定时波形 在某个以8086为CPU的系统中使用了一块8253芯片，通道的基地址为310H，所用的时钟脉冲频率为1MHz。要求3个计数通道分别完成以下功能: (1)通道0工作于方式3，输出频率为2kHz的方波; (2)通道l产生宽度为480us的单脉冲; (3)通道2用硬件方式触发，输出单脉冲，时间常数为26。 2.控制LED的点亮或熄灭 用8253来控制一个LED发光二极管的点亮和熄灭的例子，要求点亮10秒钟后再让它熄灭10秒钟，并重复上述过程。假设这是一个8086系统，8253的各端口地址为81H、83H、85H和87H。
岗位辞职申请书（精选6篇） 岗位辞职申请书 在当今不断发展的世界，我们都会用到申请书，我们在写申请书的时候要注意语言简洁、准确。写起申请书来就毫无头绪？下面是帮大家整理的岗位辞职申请书，供大家参考借鉴，希望可以帮助到有需要的朋友。 岗位辞职申请书1尊敬的企业领导： 您好! 鉴于我个人能力及不能胜任工作岗位要求等多方面原因的考虑，很遗憾自己在这个时候向企业提出辞职。 我也很清楚这时候向企业辞职于企业于自己都是一个考验，企业正值用人之际，企业业务的开展，所有的前续工作在企业上下极力重视下一步步推进。也正是考虑到企业今后推进的合理性，本着对企业负责的态度，为了不让企业因我而造成的决策失误，我郑重向企业提出辞职，望企业领导给予批准。 希望领导能早日找到合适的人手接替我的工作，我会尽力配合做好交接工作，保证企业的正常运作，对企业，对领导尽好最后的责任。要离开企业的这一刻，我衷心向您说声谢谢!也感谢全体同事对我无微不至的关怀，对此我表示诚挚的谢意，也同时对我的离去给企业带来的不便表示深深地歉意。希望领导能早日找到合适的人手接替我的工作，我会尽力配合做好交接工作，保证企业的正常运作，对企业，
对领导尽好最后的责任。要离开企业的这一刻，我衷心向您说声谢谢!也感谢全体同事对我无微不至的关怀，对此我表示诚挚的谢意，也同时对我的离去给企业带来的不便表示深深地歉意。在离开之前我仍将按往常一样尽力将自己的工作做好。 祝企业领导及同事们前程似锦，鹏程万里! 此致 敬礼! 申请人： 申请日期： 岗位辞职申请书2尊敬的领导： 您好! 怀着复杂的心情，我提出辞职的请求。屈指算来，我到公司已有两年多时间了。在这段时间里，虽然我的工作并不能尽善尽美，但在公司同事们的指导下，我尽量严格要求自己尽心尽职.按时按量完成了公司分配的销售任务。 鉴于两年多来我在公司的发展与期望有些距离，加之近来的工作中我常常觉得力不从心，故遗憾的提出辞职。 非常感谢在这段时间里公司对我的培育和关怀，在公司的这段经历对我而言弥足珍贵。将来无论什么时候，我都会为自己曾经是公司的一员而感到荣幸，在公司的这段工作经历也将是我整个职业生涯中相当重要的一部分。 祝公司领导和所有同事身体健康、工作顺利!
辞职申请书理由精选十篇 想换份工作，每个人辞职总有一个理由,一个员工要辞职,领导 总会要求提交一个离职的原因。以下是为大家的辞职申请书理由范文，欢迎大家阅读参考。 辞职申请书理由范文一 尊敬的各位领导: 你们好! 首先无可非议的要郑重感谢贵公司给予我近两年的工作机会。 由于个人职业规划和一些现实因素，经过慎重考虑之后，特此 提出离职申请，敬请批准。 来到本公司也快两年了，正是这里我开始踏上了社会，完成了 自己从一个学生到社会人的转变，有过欢笑收获，也有过辛酸和痛苦，公司平等的人际关系和开明的工作作风，让我感觉找到了一种依靠的感觉，工作了一年多，给我自己的感觉就是没有什么起色，由此我对于我最近在工作上的一些态度心理进行回想，最后我连自己想干什么，爱好做什么也不是很清楚，一连串的问号让我沮丧，也让我萌发了辞职的念头，并且让我确实了这个念头，或许有从新再跑到社会遭遇挫折，在不断打拼中去找属于自己职业定位才是我人生的下一步选择。 在这一年多的时间里，我有幸得到了各位领导及同事们的倾心 指导及热情的帮助，尤其感谢工段长对我的信任，支持和帮助，感谢所有给予帮助过我的同事们，忠心的祝愿贵公司蒸蒸日上，各位领导同事，工作愉快，身体健康。
此致 敬礼 申请人： XXXX年XX月XX日 辞职申请书理由范文二 尊敬的领导您好: 我进xx已经有几个月了，由于我个人的原因。经过深思熟虑地考虑，我决定辞去我目前在公司所担任的职位。 我非常重视在xx公司内这段经历，也很荣幸成为xx的一员，特别是xx的处事风范及素质使我倍感钦佩。在xx这几个月所学到的知识也是我一生宝贵的财富。也祝所有xx成员在工作和活动中取得更大的成绩及收益! 望领导批准我的辞职申请，并请协助办理相关离职手续(本人在2xx年x月x日离职)。在正式离开之前我将认真继续做好目前的每一项工作。 愿祝xx生意兴隆! 敬请领导同意并批复! 此致 敬礼 申请人： XXXX年XX月XX日 辞职申请书理由范文三
简短离职申请书范文4篇 简短离职申请书范文4篇 简短离职申请书范文篇一： 尊敬的公司各位领导： 您好。 经过深刻冷静的思考后，我郑重的向公司提出离职申请。来到公司这段时间，我学到了很多知识、积累了宝贵的经验，对此我深怀感激。由于诸多原因，不得不向公司提出离职申请，由此给公司带来的不便我深表歉意。虽有很多不舍，但还是做出以上决定，希望公司领导能对我的申请予以考虑并批准。 感谢领导一直以来对我的照顾和栽培，以及各位同事的支持与帮助，我在这半年多的时间中工作很充实、愉快。在此对部门领导和同事表示感谢。 我希望可以在此辞呈递交一周后离开公司。望领导批准。祝愿公司在今后的发展中蒸蒸日上，并祝愿各位领导及同事工作愉快! 此致 敬礼！ 离职人： 201X年X月X日 简短离职申请书范文 篇二： 尊敬的领导们：
天要下雨，娘要嫁人，生亦何苦，死亦何欢，生死由命，富贵由天。本来我想在~~~~~公司工作终老，但是现实是残酷的，世界是疯狂的!巨大的生活压力迫使我抬不起头来。遥望那碧蓝的天空!这时，我多么羡慕那自由飞翔的小鸟，还有那些坐得起飞机的人啊!!!每个月的中旬，我会满怀欢喜的拿着微薄的工资去还上个月的欠债! 今辞去一职，只因生活所迫，正所谓人往高处走，水往低处流;人生短短几十年光阴眨眼就过，何不出去外面世界一闯呢!望各领导们成全。 此致 敬礼！ 离职人： 201X年X月X日 简短离职申请书范文 篇三： 尊敬的公司领导： 首先感谢公司近段时间来对我的信任和关照，给予了我一个发展的平台，使我有了长足的进步。如今由于个人原因，无法继续为公司服务，现我正式向公司提出离职申请，将于xx年XX月XX日离职，请公司做好相应安排，在此期间我一定站好最后一班岗，做好交接工作。对此为公司带来的不便，我深感歉意。 望公司批准!谢谢! 祝公司业绩蒸蒸日上，大展宏图! 此致 敬礼！
领导辞职申请书范文大全 领导辞职申请书范文一 尊敬的学校领导: 你们好! 首先感谢领导对我在二小8年来的工作肯定和信任，以及对我那份切切栽培的厚爱!自从事我校的教科室副主任工作以来，我勤勤恳恳，认真工作。 回顾这一年来的教科室工作，尽管我倾尽努力，但深感力不从心，这无形中使我倍感压力。经过深思熟虑，在此，我郑重向领导提出书面申请书——辞去教科室副主任职务。 一、个人业务能力不足 我理解领导恨铁不成钢的心情，也肯请领导理解我此刻内疚的心情。这一年来，我深感自己业务水平不足，没有使我校的教科室的工作，在原有的基础上进步，甚至比之前有
所停滞。不是我言不由衷，乱找借口。例如，在工作安排方面，我没有足够的协调能力，给许多教师带来不便。在上级下达的任务中，由于没有足够的业务能力，应对深感吃力，致使在日常工作中偶尔出错。教科室工作做不好，致使原来自己得心应手，引以为傲的班级管理工作、教学工作也跟不上，辜负了信任我的家长和学生。世上没有两全其美的方法，如果一定要在两者中选择一个做好，我只能选择做一名勤勤恳恳班主任和语文教师，继续前行。 二、本人身体差，没有足够的精力应付 自从我接手该工作以来，虽然一直很努力，但往往事与愿违。教科室工作、班主任工作、教学工作，家庭中年迈多病的父母需要照顾等等，致使我身心疲惫、有心无力、常常失眠，这不仅对工作无益，而且对我的健康存有潜在威胁。由于身体上的不适，每天总担心教科室工作失误，对整个学校造成不良影响。同时，对以往感兴趣的教学工作也提不起精神来。面对这样的精神状况，我不得已而作出辞去教科室工作的决定。 三、本人在人际处理及工作安排上，处理方式欠佳 由于我是那种大大咧咧的性格，做事不成熟，经常缺乏全面考虑，在上级与下级工作安排中缺乏成熟的协调能力，
辞职申请书范文大全4篇Complete sample of resignation application 编订：JinTai College
辞职申请书范文大全4篇 前言：申请书是个人或集体向组织、机关、企事业单位或社会团体表述愿望、提出请求时使用的一种文书。申请书的使用范围广泛，也是一种专用书信，表情达意的工具。本文档根据申请书容要求和特点展开说明，具有实践指导意义，便于学习和使用，本文下载后内容可随意调整修改及打印。 本文简要目录如下：【下载该文档后使用Word打开，按住键盘Ctrl键且鼠标单击目录内容即可跳转到对应篇章】 1、篇章1：辞职申请书范文 2、篇章2：辞职申请书范文 3、篇章3：辞职申请书范文 4、篇章4：辞职申请书范文 辞职申请书格式 辞职申请通常有五部分构成。 （一）标题
在申请书第一行正中写上申请书的名称。一般辞职申请书由事由和文种名共同构成，即以“辞职申请书”为标题。标题要醒目，字体稍大。 （二）称呼 要求在标题下一行顶格处写出接受辞职申请的单位组织或领导人的名称或姓名称呼，并在称呼后加冒号。 （三）正文 正文是申请书的主要部分，正文内容一般包括三部分。 首先要提出申请辞职的内容，开门见山让人一看便知。 其次申述提出申请的具体理由。该项内容要求将自己有关辞职的详细情况一一列举出来，但要注意内容的单一性和完整性，条分缕析使人一看便知。 最后要提出自己提出辞职申请的决心和个人的具体要求，希望领导解决的问题等。 （四）结尾 结尾要求写上表示敬意的话。如“此致——敬礼”等。 （五）落款
辞职申请的落款要求写上辞职人的姓名及提出辞职申请的具体日期。 篇章1:辞职申请书范文 尊敬的公司领导： 首先，致以我深深地歉意，很遗憾在这个时候向公司提出辞职，离职的原因纯粹是出于个人未来的工作发展而考虑，无法继续在公司发展!离开前我也会认真做好工作地交接，把未完成的工作做一下整理，以保证公司工作的顺利延续。也很荣幸曾身为XX公司的一员，能有机会在这里工作学习，不胜感激!衷心祝愿所有在XX公司辛勤工作的同事工作顺利，事业有成! 此致 敬礼! 申请人： 申请日期： .辞职申请书范文2 尊敬的公司领导：
教师辞职申请书范文大全 篇一：教师辞职申请书范文 尊敬的县教育局和校领导： 您们好! 首先我只能说声对不起，我辜负了您们对我的期望，今天写信是向您们提出辞职的。自 xx 年 8 月分配到四中以来，我一直受到了教育局和学校的各方面的帮助，尤其是学校领导，李校长，对我工作和生活都很关心，对此我是感恩不尽的。刚大学毕业时，我由一名学生成了一位光荣的人民教师，对教师这职业我是既熟悉又陌生。记得在我来校的当天，就受到了学校领导和同事们的欢迎，心里感到非常的温暖 ;教学工作也是无私的将许多教学经验传授给我。从备课到讲解，从和学生相处到批改作业，从教态到板书设计，从语言运用到为人处世等等，让我学了不少东西。学校是很器重我的，近三年连续让我教高三。应该说我是很认真很努力地在工作，我敢发誓的说，我没有哪一天，哪一节课是在混日子，在敷衍学生，我都尽我最大的力做好我的本职工作。但今天我决定选择离开四中，有这么几个原因：第一：虽然我很尽力的从事教学工作，但教学还是不如人意，取得的成绩微乎其微，辜负了学校领导对我的期望，我也是很无奈，有时真怀疑自己的能力了。想来，可能验证了一句话：本科大学毕业的不如一般大学毕业的，一般大学毕业的不如师专毕业的，师专毕
业的不如高中毕业的。因此，我觉得我不适合在四中工作，再这样下去的话，肯定会影响学校的升学率。在现在如此看中升学率的环境下，请考虑批准我的辞职报告。第二：就是学校的管理。开始的时候觉得还能跟上学校改革的步伐，但越到后面，越觉得难以适应。比如学校规定没有课也要坐班，我也赞同的，也坐班的。但我的课经常是早上 4、5 节，而学校只能 10：00 到 10：30 去吃早点，那样只能来不及，但不吃的话我身体又吃不消，更怕影响教学质量。因此经常 9：30 去吃，从而违反了学校的规定，要算我脱岗。我想，我是不适应学校的管理了，因此选择离开。第三：就是工资，每个月打到卡上的 1024 元，让我很难想象什么时候能在弥勒买得起按揭的住房，倍感压力重大。四中是强调不为薪水而工作的，而我，还做不到这点。因为我家里还有父母，以后还会成家，会有孩子，都需要薪水。第四：也许是能力有限，我认为我在四中已经没有更大的发展机会了，已经工作了 5 年多，基本上定型了。因此，我决定选择一个新的工作环境，希望领导批准，敬请早些安排。当然，无论我在哪里，我都会为四中做力所能及的事情，因为我为我曾经是四中人而感到骄傲。最后，诚恳地说声：对不起!也衷 心地祝愿四中力挫群芳，永往直前!学校越办越好，升学率一年比一年高!四中所有的学生都考上重点大学!
离职申请书范文大全必胜客离职申请书范文离职申请书是必胜客员工在离职申请过程中的拍门砖。下面是为大家带来的必胜客离职申请书范文，相信对你会有帮助的。 尊敬的领导： 我是在必胜客兼职的一个大学生，今天我怀着歉意在此向您提出辞职。 在我不多的上班生活中，我工作的很开心，感觉餐厅的气氛就和一个大家庭一样，大家相处的融洽和睦。同时我在餐厅也学会了如何与同时相处，如何向同事们请教询问。 我真心的感谢大家对我的照顾，由于我自己的能力和时间等方面的原因，没有能很好地位餐厅的运作做出什么贡献，我深深地觉得愧对餐厅对我的培养。由于一些个人的因素，我在过去一段时间的表现不能让我自己和大家感觉满意，给大家添了不少的麻烦，所以为了不给餐厅增加更多的麻烦，我做了决定，而且经过自己慎重的考虑，我怀着莫大的歉意，向您提出辞职，请您给予批准。以后，有合适的机会我还是会选择回到这个美好的地方快乐的工作。渴盼得到您的谅解和批准。
此致 敬礼! XXX XXXX年XX月XX日 尊敬的XX经理: 您好!首先感激您在百忙之中抽出时刻开阅读我的辞职信。 我是怀着非常复杂的心境写这封的。自从我进到了餐厅之后，由于你对我的指点和信任，使我取得了许多机遇和应战。经历这段时刻在餐厅的任务，我从中学到了许多知识，积聚了一定的经历，对此我深表感谢。由于我本身任务才能不够，近期的任务让我觉得力所能及，为此我作了很长时刻的思考，我确定递上辞呈。 为了不由于我本人才能不够的缘由影响了餐厅的正常运作，更迫切的缘由是我必需在xx年1月后参与计算机等级证的培训，较长时刻内都不能下班，因此经历沉思熟虑之后，我确定在xx年1月前
8253的工作方式 1.方式0 计数结束产生中断 8253用作计数器时一般工作在方式0。所谓计数结束产生中断，是指在计数值减到0时，输出端（OUT）产生的输出信号可作为中断申请信号，要求CPU进行相应的处理。方式0有如下特点： ① 当控制字写进控制字寄存器确定了方式0时，计数器的输出（OUT端口）保持低电平，一直保持到计数值减到0。 ② 计数初值装入计数器之后，在门控GATE信号为高电平时计数器开始减1计数。当计数器减到0时输出端OUT才由低变高，此高电平输出一直保持到该计数器装入新的计数值或再次写入方式0控制字为止。若要使用中断，可以计数到0的输出信号向CPU发出中断请求，申请中断。 ③ GATE为计数控制门，方式0的计数过程可由GATE控制暂停，即GATE=1时，允许计数；GATE=0时，停止计数。GATE 信号的变化不影响输出OUT端口的状态。 ④ 计数过程中，可重新装入计数初值。如果在计数过程中，重新写入某一计数初值，则在写完新计数值后，计数器将从该值重新开始作减1计数。
2.方式1 可编程的单拍负脉冲 可编程的单拍负脉冲又称为单稳态输出方式，简称单稳定时。方式1的特点是： ① CPU写入控制字后，计数器输出OUT端为高电平作为起始电平，在写入计数值后计数器并不开始计数（不管此时GATE 是高电平还是低电平），而要由外部门控GATE脉冲上升沿启动，并在上升沿之后的下一个CLK输入脉冲的下降沿开始计数。 ② GATE上升沿启动计数的同时，使输出OUT变低，每来一个计数脉冲，计数器作减一计数，直到计数减为 0时，OUT 输出端再变为高电平。OUT端输出的单拍负脉冲的宽度为计数初值乘以CLK端脉冲周期。设计数初值为N，则单拍脉冲宽度为N个CLK时钟脉冲周期。 ③ 如果在计数器未减到0时，GATE又来一触发脉冲，则由下一个时钟脉冲开始，计数器将从初始值重新作减1计数。当减至0时，输出端又变为高电平。这样，使输出脉冲宽度延长。 3. 方式2 分频脉冲发生器 方式2是一种具有自动予置计数初值N的脉冲发生器。从OUT
本文部分内容来自网络整理，本司不为其真实性负责，如有异议或侵权请及时联系，本司将立即删除！ == 本文为word格式，下载后可方便编辑和修改！ == 离职申请书 精选范文:离职申请书(共2篇) 尊敬的公司领导： 您好！ 我很遗憾自己在这个时候向公司正式提出辞职。 我因经济危机的影响以及家庭原因，无法在继续工作下去，只能提前回国，希望公司能谅解我们的处境。经过慎重考虑之后，特此提出申请：我自愿申请辞去在公司的一切职务，敬请批准。 来到公司大约二年了，公司里的每个人对我都很好。我衷心感谢各位领导以及各位同事对我的照顾与错爱，在这近二年里，我学到了很多以前从未接触过的知识，开阔了视野，锻炼了能力。工作上，我学到了许多宝贵实践技能。生活上，得到各级领导与同事们的关照与帮助；思想上，得到领导与同事们的指导与帮助，有了更成熟与深刻的人生观。这近二年多的工作经验将是我今后学习工作中一笔宝贵的财富。感谢所有给予过我帮助的同事们。 望领导批准我的申请，并请协助办理相关离职手续，在正式离开之前我将认真继续做好目前的每一项工作。 离开这个公司，我满含着愧疚、遗憾。我愧对公司上下对我的期望，愧对各位对我的关心和爱护。遗憾我不能经历公司的发展与以后的辉煌，不能分享你们的甘苦，不能聆听各位的教诲，也遗憾我什么都没能留下来。结束我来新加坡的第一份工作。 最后，衷心祝愿公司健康成长，事业蒸蒸日上！祝愿各位领导与同事：健康快乐，平安幸福！ 辞职人： 201X年04月10日 [ 离职申请书(共2篇) ] 篇一：离职申请书范文
范文一 离职申请书 尊敬的公司领导： [ 离职申请书(共2篇) ] 您好！首先感谢您在百忙之中抽出时间阅读我的辞职信。 我是怀着十分复杂的心情写这封辞职信的。自我进入公司之后，由于您对我的 关心、指导和信任，使我获得了很多机遇和挑战。经过这段时间在公司的工作，我在保险领域学到了很多知识，尤其是办公室合规的相关方面，积累了一定的 经验，对此我深表感激。 由于自身存在很多尚不完善的地方，想通过继续学习来进一步加强自己的能力。为了不因为我个人原因而影响公司的工作，决定辞去目前的工作。我知道这个 过程会给公司带来一定程度上的不便，对此我深表歉意。 我会尽快完成工作交接，以减少因我的离职而给公司带来的不便。为了尽量减 少对现有工作造成的影响，我请求在公司的员工通讯录上保留我的手机号码一 段时间，在此期间，如果有同事对我以前的工作有任何疑问，我将及时做出答复。 非常感谢您在这段时间里对我的教导和照顾。在平安的这段经历于我而言非常 珍贵。将来无论什么时候，我都会为自己曾经是平安公司的一员感到荣幸。我 确信这段工作经历将是我整个职业生涯发展中相当重要的一部分。 祝公司领导和所有同事身体健康、工作顺利！再次对我的离 职给公司带来的不便表示歉意，同时我也希望公司能够理解我的实际情况，对 我的申请予以考虑并批准。 此致 敬礼 申请人：XXX X年X月X日 范文二 离职申请 尊敬的领导：
离职申请书范文模板大全 有些人在写离职申请的时候往往不知道该怎么下笔，明明自己心里有想法，但却就是写不出来，而且还不知道离职申请的格式。“公司员工离职申请怎么写”呢？下面小编整理离职申请书范文模板，欢迎阅读。 离职申请书范文模板1 尊敬的公司领导： 您好！首先感谢您在百忙之中抽出时间阅读我的离职申请书。 我是怀着十分复杂的心情写这封辞职信的。自我进入公司之后，由于您对我的关心、指导和信任，使我获得了很多机遇和挑战。经过这段时间在公司的工作，我在原料采购领域学到了很多知识，积累了一定的经验，对此我深表感激。 由于我自身经验的不足，近期的工作让我觉得力不从心。为此，我进行了长时间的思考，觉得公司目前的工作安排和我自己之前做的职业规划并不完全一致。 为了不因为我个人的原因而影响公司的生产销售进度，经过深思熟虑之后我决定辞去这份工作。我知道这个过程会给您带来一定程度上的不便，对此我深表抱歉。 我会在这段时间里完成工作交接，以减少因我的离职而给公司带来的不便。 为了尽量减少对现有工作造成的影响，我请求在公司的员工通讯录上保留我的手机号码1个月，在此期间，如果有同事对我以前的工作有任何疑问，我将及时做出答复。 非常感谢您在这段时间里对我的教导和照顾。在公司的这段经历于我而言非常珍贵。将来无论什么时候，我都会为自己曾经是公司的一员而感到荣幸。我确信在公司的这段工作经历将是我整个职业生涯发展中相当重要的一部分。 祝公司领导和所有同事身体健康、工作顺利！ 此致 敬礼！ 申请人：xxx 20xx年xx月xx日 离职申请书范文模板2 敬爱的xx公司领导： 您好。
由于身体的原因，不适应扫描这份工作。在这个月底交完班后，我打算回家休养。对此，我向信任我给予我期望的公司领导和同事们表示深深的歉意。 作为大姐与领导，我想把我这三个月来在xx公司学习成长的收获与您分享。 首先，向您表示感谢。感谢您给予了我进入xx公司学习锻炼的机会，让我在此不 仅学习到证券知识还认识了许多可亲可爱的同事们。xx公司就像是一个和谐的大家庭，在这里工作不仅感受到温暖而且充实快乐。在公司最忙碌的日子里，我亲眼目睹了同 事们紧张、有条不紊的工作。虽然很累但没有人叫苦。让我看到了一个团结战斗的群体，一个年轻活泼的群体。每当我工作疲惫烦躁厌倦时，看到他们，心中不自觉地就 有一股力量。心中的暖流来自于同事们乐观敬业的精神，来自于大家的相互关照和鼓励。是这个战斗的群体不断的激励着我，给予我力量，让我看到了自己的许多不足。 我为有这麽一群同事而骄傲。 在弟弟妹妹身上，我看到了朝气，看到了这个公司的未来。在大哥大姐身上，我 看到了亲切与平和，看到了这个公司的历史和积淀。感谢公司领导为我们创造了这麽 一个和谐快乐的工作氛围。 其次，我要感谢这个公司里所有的同事们。是大家给了我温暖和帮助。让我在这 里工作快乐而温馨。感谢xx姐、xxx姐、xxx哥、xx哥等同事对我工作的鼓励和支持。感谢前台活泼可爱的同事们。 祝愿xx公司的事业蒸蒸日上。道路越走越广！ 此致 敬礼！ 申请人：xxx 20xx年xx月xx日 离职申请书范文模板3 尊敬的领导： 由于我的一些个人原因，经过一段时间的慎重考虑后，我决定向公司提出辞职。 在短短一年的时间里，公司给予了我多次机会，使我在这个工作岗位上积累了一 定的技术技能和工程经验。我在公司里工作的很开心，感觉公司的气氛就和一个大家 庭一样，大家相处的融洽和睦，同时在公司里也学会了许多工作以外的处世为人等做 人的道理。所有的这些我很珍惜也很感谢公司，因为这些都为我在将来的工作和生活 中带来帮助和方便。另外，在和各位同事的朝夕相处的时间里，也使我对过去的、现
精选辞职申请书范文10篇 精选辞职申请书范文10篇 在现在社会，申请书起到的作用越来越大，写申请书的时候要注意内容的完整。为了让您不再为写申请书头疼，以下是为大家的辞职申请书10篇，仅供参考，大家一起来看看吧。 尊敬的经理： 您好!我是项目的系统集成工程师，负责项目第三阶段的集成工作，我知道在这个时候向您提出辞职申请是不对的，会给公司带来不少麻烦，然而一些突发事件，使得我不得不辞职，对此还请您谅解。人家说系统集成工程师是个好工作，我也确信是个好工作，公司也是个好公司，现在让我辞职我也很不舍，可是某此不可抗拒的因素让我没得选择。 我自也了一些项目三阶段的工作内容： 1、硬件集成，主要任务包括服务器、存储设备安装调试、分区、微码升级等工作，并编写安装报告;
2、系统初始化，主要任务包括安装虚拟化软件、操作系统和相应补丁升级工作，并编写安装报告; 3、系统配置，主要任务包括网络、磁盘存储、文件系统、用户、交换分区、系统日志以及管理逻辑和物理设备等工作，并编写安装报告; 4、ha软件安装，主要任务包括规划配置ha环境，安装ha软件等工作，并编写安装报告; 5、应用软件安装，主要任务包括安装数据库软件、备份、监控和应用软件等，并编写安装报告。 6、与产品规划人员沟通，掌握产品需求及变更，具有项目进度规划和管理，技术难点公关，各项性能优化能力)，希望对交接人员有所帮助。 最后，祝愿公司发展越来越来，同事们事事顺心。 尊敬的xx经理： 您好!
工作近*年来，发现自己在工作、生活中，所学知识还有很多欠缺，已经不能适应社会发展的需要，因此渴望回到校园，继续深造。经过慎重考虑之后，特此提出辞职：我自愿申请辞去在xxxx机修公司的一切职务。 在XXX近*年的时间里，我有幸得到了单位历届领导及同事们的倾心指导及热情帮助。工作上，我学到了许多宝贵的经验和实践技能，对科研工作有了大致的了解。生活上，得到各级领导与同事们的关照与帮助;思想上，得到领导与同事们的指导与帮助，有了更成熟与深刻的人生观。这近四年多的工作经验将是我今后学习工作中的第一笔宝贵的财富。 在这里，特别感谢YYY(XXX的上级单位) A主任、B主任、C主任在过去的工作、生活中给予的大力扶持与帮助。尤其感谢XXX Z主任在XXX近二年来的关照、指导以及对我的信任和在人生道路上对我的指引。感谢所有给予过我帮助的同事们。 祝您身体健康，事业顺心。并祝YYY、XXX事业蓬勃发展。 此致