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新世纪大学英语第二册课文和翻译

新世纪大学英语第二册课文和翻译
新世纪大学英语第二册课文和翻译

第一单元:"I Forgive You"

Marriage isn't the only relationship that needs forgiveness. It's required with our children, friends, workmates, neighbours and even strangers. In fact, no human relationship can survive without the oxygen of forgiveness. It's not the kind of quality that only good-tempered people choose to have; it's a universal necessity for relationships and for your own physical and mental health.

Some of us may think that we've been hurt too deeply, or too often, to forgive. But ironically, it's those of us who've been most hurt that really need to forgive, for one simple reason: like cancer, bitterness can destroy its host. Unless it's swiftly rooted out, it takes hold and grows, crippling and eventually even killing those who insist on clinging determinedly to it.

For the truth is that unless we can forgive, we can never recover. Our wounds will continue to grow worse and never heal. As the ancient Chinese proverb puts it, "Whoever seeks revenge should dig two graves."

For some people forgiveness seems impossible because they have no idea how to go about it. The first and most important thing you need to accept is that the act of forgiveness is not going to be easy. In fact, it will probably be the hardest thing most of us ever have to do.

It seems totally unfair that we should forgive when we're the ones who have been hurt. And that's the core of forgiveness.

The saying "Forgive and forget" may roll off the tongue, but it's as shallow as it is short. For one thing, it's totally impossible. For another, it misses the whole point of forgiveness. The things we most need to forgive in life are the things we can't forget. Rather than sweeping them under the carpet, we need to draw a line under them, deliberately choosing not to count them against the person who did them, and moving on.

That's why, sometimes, the initial act of forgiveness may seem relatively easy, but dealing with the emotions that follow every time you see that person, or speak to or just think about him or her, can be harder. True forgiveness is not a one-off act; it's a constant emotional confrontation.

And the longer you wait to forgive someone, the harder it becomes. Time really doesn't heal; it just gives the bitterness and resentment longer to eat away at you from inside. If you wait for the "right time", you may never do it.

A question you should ask yourself before you begin to tackle the art of forgiveness is this: How many of us are ever completely innocent in any given

situation?

Some years ago, my wife and I bought a piece of cheap furniture. For the first few months, it fooled everyone — it was smart, functional and impressive, and we felt it fitted our home perfectly. But as time rolled by, the thin covering slowly began to peel at the edges. It didn't create the same impression any more, but at least it was being honest!?The fact is that, like it or not, behind our smart covering, we're all just chipboard. So before we become other people's judge and jury, we'd be wise to take a long, hard look at ourselves in the mirror. And the more we see ourselves, warts and all, the more we'll want to and be able to forgive others for their flaws, and the more we forgive, the more we'll know true contentment.

Forgiving others can get a satisfying reaction. I've found that saying sorry to my kids has not only healed broken relationships but has helped ease the situation, making it easier for my kids to ask for forgiveness themselves. So if you think you're right and can't find it in yourself to forgive, ask yourself this question: would you rather be right or happy?

One of the hardest things about forgiveness is making that first move especially when you haven't spoken to the person who hurt you for a while. But remember they'll probably be happy to hear from you. They might even be

impressed that you've done what they've wanted to do for years. But keep in mind you're doing this for you just as much as for them, so don't be upset if they don't react as you hoped.

Of course, some people don't believe they've done anything wrong, or don't care, so telling them you forgive them would only frustrate them and you. But that doesn't mean you can't find forgiveness in your heart. In fact, that's what true forgiveness is: letting go of your anger and hurt, becoming at peace with what happened and moving on.

The more you nurture your resentment, the more unhappy you'll become. Unless you learn to develop the "lost art" of forgiving, you'll always remain a victim, not just of people who've done you wrong, but also of your own emotions.

Forgiving puts you in control. However tough it is, the alternative is far worse. The phrase "Forgive us our sins, though we refuse to forgive those who sin against us" doesn't exist in the Bible. And there's a reason for that.

我原谅你”

1、并非只有婚姻关系才需要宽恕。我们与子女、朋友、同事、邻居,甚至陌生人相处时同样需要宽恕。事实上,没有宽恕的氧气,任何人际关系都无从维系。

宽恕并不是脾气好的人们才拥有的特质;它是所有关系的必要条件,也是自己的身心健康不可缺少的。

2、有些人可能认为,自己受伤太深、次数太多,无法宽恕。可耐人寻味的是,恰恰是被伤得最深的人,才真正需要宽恕别人,原因很简单:仇恨就像癌症,会毁掉宿主。如果不尽快铲除,它就会生根发芽,使那些执意仇恨无法释怀的人受伤甚至死亡。

3、因为事实是,除非我们能宽恕他人,否则就永远无法恢复。伤口会继续溃烂,永不愈合。中国有句古谚,“复仇者必自绝”。

4、对有些人来说,宽恕他人似乎是不可能的,因为他们根本不知从何做起。首先你要接受一个非常重要的事实:宽恕他人并不是件容易的事。事实上,对于我们大多数人来说,这也许是最难做到的。

5、被伤害的是我们,却还要宽恕他人,这似乎毫无公平可言,然而这正是宽恕的关键所在。

6、“宽恕并忘记”,这句俗话谁都会脱口而出,但实际上既简单又肤浅。一则这是绝对不可能的,二则它完全偏离了宽恕的真正含义。生活中最需要宽恕的事正是那些无法忘记的事。我们不应把这些事掩饰起来,而需记住它们,并有意不因此对做过这些事的人怀有成见,然后继续生活。

7、这就是为什么有的时候会感到:宽恕别人,一开始会相对容易些,难的是每次你看到那个人,与他谈话,甚至只是想起他之后如何控制自己的感情。真正的宽恕不是一劳永逸之举,而是持久的情感面对。

8、等待越久,宽恕就越难。实际上,时间不会愈合伤口,只会让愤懑和仇恨更长时间地吞噬你的内心。如果要等待“适当的时候”,你也许永远都找不到机会。

9、开始运用宽恕的艺术之前,你先要问自己这样一个问题:我们中有多少人在特定的场合下是完全无辜的呢?

10、几年前,我和妻子买了一件便宜家具。最初几个月,它蒙蔽了所有人——美观、实用、人见人爱。我们认为它太适合我们家了。可时间一长,表面薄层的边角部分开始慢慢脱落。再也没有当初的效果了,不过至少它现在是以真实面目示人!事实是,不管喜欢不喜欢,在漂亮的表层下,我们都只是刨花板。因此,在我们评判别人之前,明智的做法是先在镜子里认真审视自己。我们越是审视自己,正视自己的缺点,便越愿意也越能够宽恕他人的缺点,宽恕得越多,也就越能体会到真正的满足。

11、宽恕他人能得到令人满意的反应。我发现向自己的孩子道歉不仅修复了我们破裂的关系,也有助于缓和紧张的局面,使孩子们更容易自己开口请求我的宽恕。如果你认为自己是对的,没有办法宽恕,那么问自己这个问题:要正确,还是要快乐?

12、要宽恕别人,最难的一点是迈出第一步——如果你已经好长时间不和伤害你的人讲话,就更是如此。但请记住,他们很可能会很高兴得到你的消息。他们也许甚至会因为你做了他们多年来想着要做的事而深受感动。但谨记你这样做是为他们,同样也是为自己,所以即便他们的反应有违你的期望也不要难过。13、当然,有些人并不认为自己做错了什么,或者根本不在乎,因此如果你说要宽恕他们,那只会让两个人都懊恼。但这并不意味着你自己的心里没有宽恕。实际上,这才是真正的宽恕:不再生气,不再感觉受伤,心平气和对待发生的事,继续自己的生活。

14、怨恨越深,越不开心。如果不能学会宽恕这门“失传的艺术”,你就将永远是

受害者,不仅是伤害你的人的受害者,也是自己情感的受害者。

15、宽恕别人能让你处于主动地位。尽管宽恕很难,但不宽恕的话情况还会更糟。“宽恕我们的罪过吧,虽然我们拒绝宽恕对不起我们的人”,《圣经》里没有这样的话,这可是有道理的。

第二单元Three Days to See

All of us have read thrilling stories in which the hero had only a limited and specified time to live. Sometimes it was as long as a year; sometimes as short as twenty-four hours. But always we were interested in discovering just how the doomed man chose to spend his last days or his last hours. I speak, of course, of free men who have a choice, not condemned criminals whose sphere of activities is strictly confined.

Such stories set us thinking, wondering what we should do under similar circumstances. What events, what experiences, what associations, should we crowd into those last hours as mortal beings? What happiness should we find in reviewing the past, what regrets?

Sometimes I have thought it would be an excellent rule to live each day as if we should die tomorrow. Such an attitude would emphasize sharply the value

of life. We should live each day with a gentleness, a vigor, and a keenness of appreciation which are often lost when time stretches before us in the constant panorama of more days and months and years to come. There are those, of course, who would adopt the motto of "Eat, drink, and be merry", but most people would be punished by the certainty of death.

Most of us take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in good health, death is all but unimaginable. We seldom think of it. The days stretch out endlessly. So we go about our petty tasks, hardly aware of our listless attitude towards life.

The same listlessness, I am afraid, characterizes the use of all our faculties and senses. Only the deaf appreciate hearing, only the blind realize the blessings that lie in sight. Particularly does this observation apply to those who have lost sight and hearing in adult life. But those who have never suffered loss of sight or hearing damage seldom make the fullest use of these blessed faculties. Their eyes and ears take in all sights and sounds hazily, without concentration, and with little appreciation. It is the same old story of not being grateful for what we have until we lose it, of not being conscious of health until we are ill.

I have often thought it would be a blessing if each human being were stricken

blind and deaf for a few days at some time during his early adult life. Darkness would make him more appreciative of sight; silence would teach him the joys of sound.

Now and then I have tested my seeing friends to discover what they see. Recently I was visited by a very good friend who had just returned from a long walk in the woods, and I asked her what she had observed. "Nothing in particular," she replied. I might have shown disbelief had I not been accustomed to such responses, for long ago I became convinced that the seeing see little.

How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough bark of a pine. In spring I touch the branches of trees hopefully in search of a bud, the first sign of awakening Nature after her winter's sleep. I feel the delightful texture of a flower, and discover its remarkable folds; and something of the miracle of Nature is revealed to me. Occasionally, if I am very fortunate, I place my hand gently in a small tree and feel the happy quiver of a bird in full song. I am delighted to have cool waters of a brook rush through my open fingers. To me a thick carpet of pine needles or soft grass is more welcome than the most

luxurious Persian rug. To me the colorful seasons are a thrilling and unending drama, the action of which streams through my finger tips.

At times my heart cries out with longing to see all these things. If I can get so much pleasure from mere touch, how much more beauty must be revealed by sight. Yet, those who have eyes apparently see little. The panorama of color and action which fills the world is taken for granted. It is human, perhaps, to appreciate little that which we have and to long for that which we have not, but it is a great pity that in the world of light the gift of sight is used only as a mere convenience rather than as a means of adding fullness to life.

Oh, the things that I should see if I had the power of sight for three days!

假如拥有三天光明

海伦·凯勒

1、我们都读过一些扣人心弦的故事,主人公将不久于人世,长则1年,短则24小时。而我们总是很感兴趣,这个即将辞世的人会如何度过他最后的时日。当然,我指的是拥有选择权利的自由人,不是那些活动范围受到严格限制的死囚。>

2、这一类故事会促使我们思考,在类似的处境下,我们自己会做些什么?身为生命有限的人类,我们会把什么样的事件、经历、联想,塞进这最后的时光里?回首往事,我们又会有哪些快乐和遗憾呢?

3、有时我想,把每天都当作生命的最后一天来度过,会是一个很好的原则。这样的态度将更能凸显人生的价值。每一天我们都会怀着柔情、充满活力、心存感激,而这些,在来日方长时却常被我们所忽视。当然,也有一些人会奉行享乐主义——吃喝玩乐,但是绝大多数人在得知死期将至时都会更加珍惜生命。

4、我们大多数人都不珍惜生命。我们知道有一天自己定会死去,但是总觉得这一天很遥远。我们身体健康时,死亡是完全无法想象的,我们很少会加以考虑。日复一日,没有尽头。所以我们忙于琐事,几乎不曾意识到自己对生活的态度有多么冷漠。

5、在运用所有的感官时我们的态度恐怕同样冷漠。只有聋人才珍惜听力,只有盲者才知道能见光明的幸运。对于那些成年后才失明失聪的人来说尤其如此。但是那些听力或视力从未遭受损失的人却很少充分利用这些幸运的能力。他们眼睛看见的、耳朵听到的,都是模糊的,不专心,也不带感激。这个道理,就是常说的失去才懂得珍惜,生病才知健康可贵。

6、我常想,如果每一个人在刚成年时,有几天突然既盲又聋,也不失为一件幸事。黑暗会令他更感激光明;寂静会教他领会声音的乐趣。

7、有时我会试探视力正常的朋友,问他们看见了什么。最近,一位非常要好的朋友来看我,她刚刚在树林里走了很长时间,我问她看见了什么。“没什么,”她回答说。我本应觉得难以置信,不过我早已习惯类似回答,因为很久以前我就知道视力正常的人看到的东西很少。

8、我问自己,在树林里散步一个小时,看不到任何值得注意的东西,这怎么可能呢?我看不见东西,只凭触摸,却也能发现数以百计的有趣的东西。我感觉到树叶的精巧对称。我的手爱抚着白桦树光滑的树皮,或是松树粗糙的树干。春天

里,我怀着希望触摸着树枝寻找新芽,那是大自然从冬眠中苏醒后的第一个征象。我感受花朵的悦人纹理,发现它的可爱褶皱,大自然的神奇一角展现在我的面前。偶尔,如果幸运的话,当我把手轻轻地放在一棵小树上,会感到放声歌唱的小鸟欢快的颤动。张开手指,让清凉的溪水从指间冲过,我会很开心。对我来说,厚厚的松针或松软的草坪比奢华的波斯地毯更惹人喜爱。对我来说,多彩的季节如同一场动人心魄的不会完结的戏剧,剧中情节从我的指尖流过。

9、我的心不时地在呐喊,渴望能亲眼看到这一切。仅仅通过触摸,我就能获得如此多的喜悦,那光明又将展示多少美啊。然而,有眼睛的人看到的却分明不多。整个世界色彩缤纷、生机勃勃,人们却都漫不经心。也许,已经拥有的不加珍惜,还没得到的却想拥有,这是人之常情,但是在光明的世界里只把视物的天赋作为使生活方便的工具,而不是丰富生活的工具,这实在是太令人遗憾了。

10、啊,假如拥有三天光明,我将能看见多少事物啊!

第三单元:The Shadowland of Dreams

Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there's a difference between "being a writer" and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the type-writer. "You've got to want to write,"

I say to them, "not want to be a writer."

The reality is that writing is a lonely, private and poor-paying affair. For every

writer kissed by fortune, there are thousands more whose longing is never rewarded. Even those who succeed often know long periods of neglect and poverty. I did.

When I left a 20-year career in the Coast Guard to become a freelance writer, I had no prospects at all. What I did have was a friend with whom I'd grown up in Henning, Tennessee. George found me my home--a cleaned-out storage room in the Greenwich Village apartment building where he worked as superintendent. It didn't even matter that it was cold and had no bathroom. Immediately I bought a used manual typewriter and felt like a genuine writer.

After a year or so, however, I still hadn't received a break and began to doubt myself. It was so hard to sell a story that I barely made enough to eat. But I knew I wanted to write. I had dreamed about it for years. I wasn't going to be one of those people who die wondering, "What if?" I would keep putting my dream to the test--even though it meant living with uncertainty and fear of failure. This is the Shadowland of hope, and anyone with a dream must learn to live there.

Then one day I got a call that changed my life. It wasn't an agent or editor offering a big contract. It was the opposite, a kind of siren call tempting me to give up my dream. On the phone was an old acquaintance from the Coast

Guard, now stationed in San Francisco. He had once lent me a few bucks and liked to egg me about it. "When am I going to get the $15, Alex?" he teased.

"Next time I make a sale."

"I have a better idea," he said. "We need a new public-information assistant out here, and we're paying $6,000 a year. If you want it, you can have it."

Six thousand a year! That was real money in 1960. I could get a nice apartment, a used car, pay off debts and maybe save a little something. What's more, I could write on the side.

As the dollars were dancing in my head, something cleared my senses. From deep inside a bull-headed resolution welled up. I had dreamed of being a writer--full time. And that's what I was going to be. "Thanks, but no," I heard myself saying. "I'm going to stick it out and write."

Afterward, as I paced around my little room, I started to feel like a fool. Reaching into my cupboard--an orange crate nailed to the wall--I pulled out all that was there: two cans of sardines. Plunging my hands in my pockets, I came up with 18 cents. I took the cans and coins and jammed them into a crumpled paper bag. There Alex, I said to myself. There's everything you've made of

yourself so far. I'm not sure I ever felt so low.

I wish I could say things started getting better right away. But they didn't. Thank goodness I had George to help me over the rough spots.

Through him I met other struggling artists, like Joe Delaney, a veteran painter from Knoxville, Tennessee. Often Joe lacked food money, so he'd visit a neighborhood butcher who would give him big bones with small pieces of meat, and a grocer who would hand him some withered vegetables. That's all Joe needed to make his favorite soup.

Another Village neighbor was a handsome young singer who ran a struggling restaurant. Rumor had it that if a customer ordered steak, the singer would dash to a supermarket across the street to buy one. His name was Harry Belafonte.

People like Delaney and Belafonte became role models for me. I learned that you had to make sacrifices and live creatively to keep working at your dreams. That's what living in the Shadowland is all about.

As I absorbed the lesson, I gradually began to sell my articles. I was writing about what many people were talking about then: civil rights, black Americans

and Africa. Soon, like birds flying south, my thoughts were drawn back to my childhood. In the silence of my room, I heard the voices of Grandma, Cousin Georgia, Aunt Plus, Aunt Liz and Aunt Till as they told stories about our family and slavery.

These were stories that black Americans had tended to avoid before, and so I mostly kept them to myself. But one day at lunch with editors of Reader's Digest, I told these stories of my grandmother and aunts and cousins. I said that I had a dream to trace my family's history to the first African brought to these shores in chains. I left that lunch with a contract that would help support my research and writing for nine years.

It was a long, slow climb out of the shadows. Yet in 1970, 17 years after I left the Coast Guard, Roots was published. Instantly I had the kind of fame and success that few writers ever experienced. The shadows had turned into dazzling limelight.

For the first time I had money and open doors everywhere. The phone rang all the time with new friends and new deals. I packed up and moved to Los Angeles, where I could help in the making of the Roots TV mini-series. It was a confusing, exciting time, and in a sense, I was blinded by the light of my success.

Then one day, while unpacking, I came across a box filled with things I had owned years before in the Village. Inside was a brown paper bag.

I opened it, and there were two corroded sardine cans, a nickel, a dime and three pennies. Suddenly the past came flooding in like a tide. I could picture myself once again huddled over the typewriter in that cold, bleak, one-room apartment. And I said to myself, The things in this bag are part of my roots, too.

I can't ever forget that.

I sent them out to be framed. I keep that clear plastic case where I can see it every day. I can see it now above my office desk in Knoxville, along with the Pulitzer Prize, a portrait of nine Emmys awarded to the TV production of Roots, and the Spingarn medal - the NAACP's highest honor. I'd be hard pressed to say which means the most to me. But only one reminds me of the courage and persistence it takes to stay the course in the Shadowland.

It's a lesson anyone with a dream should learn.

追梦

亚历克斯·哈利

1、很多年轻人告诉我,他们想当作家。我总是鼓励这些人,但我也会解释,“当

作家”和写作是有区别的。在多数情况下,这些人是在梦想名利,而不是在打字机前独自度过漫长的时间。我对他们说,“你得渴望写作,而不是渴望当作家。”

2、孤独、冷清、低薪,这就是写作的现实写照。幸运之神会眷顾一些作家,但数以千计的人心中的渴望永远无法满足。就算是成功者,大多也曾长期无人问津、穷困潦倒,包括我。

3、我离开工作了20年的美国海岸警备队成为一名自由作家时,前途一片渺茫。唯一拥有的是一个儿时的朋友乔治,他跟我在田纳西州的亨宁一起长大。乔治在格林尼治村公寓看门,他在那里帮我找了间腾出来的储藏室。那儿很冷,又没有卫生间,可是我不在乎。我马上买了一部二手的打字机,感觉就像一个真正的作家了。

4、然而,过了一年左右还没有时来运转,我开始怀疑自己。作品很难卖出去,我只能勉强维持生计,但我知道,我渴望写作,多少年来我一直梦想着写作。我不要像有些人一样,临死时还想,“假如··”我要坚持不懈地试验着我的梦,哪怕衣食无着,害怕失败,也决不放弃。这是希望的阴影地带,每个有梦的人都必须学会在那里安居。

5、一天,我接到一个电话,我的一生从此改变。不是经纪人或编辑打来要和我签一份大额合同。刚好相反,这个电话像海妖的歌声,诱使我放弃梦想。打电话的是海岸警备队的一个老熟人,警备队现在设在旧金山。他借过一些钱给我,不时提起这件事。“我什么时候才能拿回那15块钱啊,亚历克斯?”他揶揄道。

6 、“等我下次卖了稿子吧。”

7、他说,“我有个更好的主意。我们这里要新招一个公共信息助理,年薪六千。想要的话,这位子就是你的了。”

8、一年六千!在1960年,那可是一大笔钱了。我可以买套不错的房子,一辆二手车,还清所有的债,甚至还可以有点积蓄,而且我还可以在业余时间写作。

9、钞票在我脑海中舞动,但我的头脑蓦地清醒了。从内心深处,一个固执的决定涌上心头。我的梦想是要当作家,全职作家。我一定要实现梦想。“谢谢,我不去,”我听到自己在这样说,“我要坚持写作。”

10、放下电话,我在小小的房间里踱着步,开始觉得自己像个傻瓜。我把手伸进壁橱(一个钉在墙上的装桔子的板条箱),拿出里面所有的东西:两个沙丁鱼罐头。我把手伸进口袋,找到了18分钱。我把罐头和硬币塞进一个皱巴巴的纸袋。我对自己说,看吧,亚历克斯,这就是你的全部家当了。我觉得前所未有的沮丧。

11、我希望我可以说,情况马上有了好转,可是没有。幸亏还有乔治帮我渡过难关。

12、通过他,我认识了一些正在苦苦奋斗的艺术家,比如乔·德莱尼,绘画多年,来自田纳西的诺克斯维尔。乔经常穷得连食物都买不起,所以他会去附近的一家肉店,那屠夫会给些沾着肉末的大骨头;他还去杂货店,店主会给他一些蔫了的蔬菜。用这些,乔就可以做他喜爱的汤了。

13、村里还有一位邻居,是个英俊的年轻歌手,开一家生意清淡的餐馆。据说,要是顾客点了牛扒,这歌手就会冲到街对面的超市里买一份回来。他的名字叫哈里·贝拉方特。

14、德莱尼和贝拉方特等人成了我的楷模。我懂得了,要追求梦想,就得做出牺牲,有创意地生活。在梦想的阴影里生活就是这样的。

15、我品味着这个教训,这时我文章的销路也慢慢好起来。我写的是当时街头

巷尾大众谈论的话题:公民权利、美国黑人、非洲。很快,就像南归的鸟儿一样,我的思绪回到了童年。在寂静的房间里,我仿佛可以听见亲人的声音,祖母、乔治亚表姐、普卢思阿姨、利兹阿姨、蒂尔阿姨,在向我讲述我们的家族历史和奴隶制度。

16、以前,美国黑人对这些故事避而不谈,所以我也很少向别人说起。但有一天,我与《读者文摘》的编辑们共进午餐时,我讲了祖母、阿姨和表姐她们的故事。我说,我有一个梦想,就是要追溯我的家族史,找到那戴着枷锁来到美国海岸的第一个非洲人。午餐结束时,我已经得到一份合同,资助我的调查与写作,为期九年。

17、爬出阴影所在,是一个漫长而艰难的过程。不过,到了1970年,我离开海岸警备队十七年之后,《根》发表了。一夜之间,我拥有了大多数作家都不曾拥有的名望和成功。阴影已经变成了令人目眩的聚光灯。

18、平生第一次,我有钱了,机会之门处处为我敞开。电话响个不停,总是有新的朋友,还有新的合约。我收拾好,搬到洛杉矶,协助拍摄《根》的电视系列短篇。这段时间,我应接不暇,令我精神振奋。在某种意义上,我被成功的光环蒙蔽了双眼。

19、有一天,整理行装时,我看到一个箱子,装的是多年前我在格林尼治村时的家当。里面有一只棕色的纸袋。

20、我打开来,看到两个锈迹斑斑的沙丁鱼罐头,一枚五分硬币,一枚十分硬币,三枚一分硬币。突然,往事潮涌而来。我仿佛看到自己又蜷缩在打字机前,在那个凄冷的单间里。我对自己说,这袋子里的东西也是我的一部分根。我可不能忘了。

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Text A compelled 迫使destruction 破坏eternal 永恒的output 产量retreat 撤退threaten 威胁transfer 转移Text B bare 赤裸consumed 耗尽have emerged 出现hollow 空心mass 大量miracle 奇迹pile 一堆scrape擦spark 火星thereby 由此tipped 顶端trigger 触发 1. If you had had a spark of consideration for your family ,you wouldn't have taken so many stupid risks. 如果你有为你的家人多一点考虑,你就不会有那么多愚蠢的风险。 2. Due to the lack of labor force, even women in this village were compelled to work in the coal mines. 由于缺乏劳动力这个村的妇女甚至被迫在煤矿工作。 3. We went through lovely countryside with great mountains, some of them beautiful and green and wooded, while others bare and wild. 我们穿过了美丽的农村巨大的群山,其中一些美丽的绿色和繁茂的,而其他人赤裸的和野生。 4. The cleaner took off his coat and began to scrape the ashes from the furnace with his bare hands. 清洁脱掉外套,开始擦去炉上的灰烬随着他的赤裸的双手。 5. People in that area are already threatened with environmental destruction since 60% of the forest there has been destroyed. 人们已经感受到环境破坏方面的威胁,因为有60%的森林已被破坏 6. The auto company has seen a huge increase in the output of private can this year due to the improved working efficiency. 汽车公司已经看到了今年由于提高了工作效率,私人产量大幅增加。 7. Under the severe attack from enemy aircraft, the troops were forced to retreat from front. 在敌机的严厉打击下,前面的部队被迫撤退。 8. When I came up to a giraffe lying on the grasses, I found that it had been killed with a spear tipped with poison. 当我来到一个长颈鹿躺在草,我发现它已经被带毒尖矛杀死。 9. He stayed eight days in an open boat with no food, and he was still alive; his survival was a(n) miracle. 他在无遮档的小船上呆了八天,又无食物,还活下来了,这真是个奇迹。 10. Survival of the Fittest is an eternal truth of nature. 适者生存是一个自然界的永恒的真理。 11. His hear sank when he saw the fresh pile of mails, memos and telephone messages on his desk. 他听到沉没时,他看到邮件的新的一堆,在他的书桌上的备忘录和电话留言。 12. The military government refused to transfer power to a democratically elected civilian government. 军事政府拒绝将权力移交给一个民选的文官政府. 13. In that area nearly six million people are affected by the drought and the civil war, and there is a real danger of mass starvation. 在那个地区近六百万人受到干旱和内战的影响,并有大规模饥荒的一个真正的危险。 14. Postal service personnel who are severely irresponsible purposely delay sending mail, thereby giving rise to great loss of public trust. 谁是严重不负责任的邮政服务人员故意延迟发送邮件,致使公共信任的巨大损失。 15. With the increase in the number of foreign funded enterprises, various kinds of financial disputes have emerged. 随着外资企业的增加,各类经济纠纷的出现。 16. The earthquake may trigger landslides that cause great damage and loss of life. 地震可能引发的山体滑坡造 成巨大的破坏和生命损失。 17. Deforesting and global warming threaten to ruin the current and future state of our environment. 毁林和全球变暖的威胁破坏我们的环境的当前和未来的态。 18. It was reported that almost 7 million liters consumed during the 16-day beer festival in Germany that year. 据报道,每年大约7000000 公升的啤酒节的16 天在德国消耗。 19. On a bitterly cold night, the only shelter he could find was the hollow trunk of a great tree. 在一个寒冷的夜晚,他能找到的唯一的栖身之处是空心的大树的树干。

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新编大学英语(第二版)第一册阅读文参考译文 Unit One 以生命相赠 1 炸弹落在了这个小村庄里。在可怕的越南战争期间,谁也不知道这些炸弹要轰炸什么目标,而他们却落在了一所有传教士们办的小孤儿院内。 2 传教士和一两个孩子已经丧生,还有几个孩子受了伤,其中有一个小女孩,8岁左右,她的双腿被炸伤。 3 几小时后,医疗救援小组到了。救援小组由一名年轻的美国海军医生和一名同样年轻的海军护士组成。他们很快发现有个小女孩伤势严重。如果不立即采取行动,显然她就会因失血过多和休克而死亡。 4 他们明白必须给小女孩输血,但是他们的医药用品很有限,没有血浆,因此需要相配血型的血。快速的血型测定显示两名美国人的血型都不合适,而几个没有受伤的孤儿却有相配的血型。 5 这位医生会讲一点越南语,忽视会讲一点法语,但只有中学的法语水平。孩子们不会说英语,只会说一点法语。医生和护士用少得可怜的一点共同语言,结合大量的手势,努力向这些受惊吓的孩子们解释说,除非他们能输一些血给自己的小伙伴,否则她将必死无疑。接着问他们是否有人愿意献血来救小女孩。 6 对医生和护士的请求,孩子们(只是)瞪大眼睛,一声不吭。此时小病人生命垂危。然而,只有这些受惊吓的孩子中有人自愿献血,他们才能够得到血。过了好一会儿,一只小手慢慢地举了起来,然后垂了下去,一会儿又举了起来。 7 “噢,谢谢,”护士用法语说。“你叫什么名字?” 8 “兴,”小男孩回答道。 9 兴很快被抱到一张床上,手臂用酒精消毒后,针就扎了进去。在整个过程中,兴僵直地躺着,没有出声。 10 过了一会儿,他发出了一声长长的抽泣,但立即用那只可以活动的手捂住了自己的脸。 11 “兴,疼吗?”医生问。 12 兴默默地摇了摇头,但一会儿忍不住又抽泣起来,并又一次试图掩饰自己的哭声。医生又问是不是插在手臂上的针弄疼了他,兴又摇了摇头。

新世纪大学英语综合教程2课文翻译

陌生人的善意 1. 一年夏天,我从家乡加利福尼亚州的塔霍城开车前往新奥尔良。在沙漠深处,我碰到一个年轻人站在路旁。他一只手打出拇指向外的手势,另一只手里拿着一个汽油罐。我直接从他身边开过去了。别人会停下来的,我想。再说,那汽油罐只是个让车停下、好抢劫司机的幌子而已。在这个国家,曾有那么一段时间,你要是对需要帮助的人置之不理,大家会认为你是混蛋,而如今你要是帮了你就是笨蛋。到处潜伏着犯罪团伙、吸毒上瘾者、杀人犯、强奸犯、盗窃犯还有劫车犯,为什么要冒险呢?“我不想卷进去”已经成为全国性的信条。 2. 开过了几个州以后,我还在想着那个想搭便车的人。把他一个人留在沙漠中倒并没有让我有多么不安。让我不安的是,我多么轻易地就做出了这个决定。我甚至根本没把脚从油门上抬起来。我很想知道,现在还有人会停车吗? 3. 我想到我此行的目的地——新奥尔良。那里是田纳西·威廉姆斯的剧作《欲望号街车》的背景地。我回想起布兰奇·杜波依斯的名句:“我总是依赖陌生人的善意。” 4. 陌生人的善意。听起来好怪。如今这年头还有谁能指望陌生人的善意吗? 5. 要验证这一点,一个办法是一个人从东海岸旅行到西海岸,不带一分钱,完全依靠美国同胞的善意。他会发现一个什么样的美国?谁会给他饭吃、让他歇脚、捎他一程呢? 6. 这个念头激起了我的好奇心。但谁会这么不切实际、愿意去尝试这样一次旅行呢?好吧,我想,那不如我来试试? 7. 满37岁那个星期,我意识到我这辈子还从没冒过什么险呢。所以我决定来个观念的跨越,美洲大陆那么宽——从太平洋去大西洋,不带一分钱。要是有人给我钱,我会拒绝。我只接受搭顺风车、提供食物和让我歇脚的帮助。这将是穿越这片金钱至上的土地上一次无钱的旅行。我的最终目的地是北卡罗来纳州的“恐惧角”(即开普菲尔),它象征着我沿途必须克服的所有恐惧。 8. 1994年9月6日,我早早起床,背起一个50磅重的包,朝金门桥走去。我从背包里拿出一个牌子,向过路的车辆展示我的目的地:“美利坚”。 9. 司机们隔着挡风玻璃念出这个词,然后笑了。两个女人骑自行车经过。“有点含混,”其中一个说。一名带有德国口音的年轻男士走上前来问,“你这个‘美利坚’在哪儿?”10. 实际上,整整六个星期的时间里我试图找出答案。我搭了82次便车,行程4223英里,穿越了14个州。在旅途中,我发现其他人跟我一样有担心。人们总是在警告我当心别的某个地方。在蒙大拿州,他们叫我留神怀俄明州的牛仔,而在内布拉斯加州,人们提醒我说艾奥瓦州的人可不如他们友好。 11. 然而,在我所去的每个州,我都受到了友善的对待。我诧异于美国人执意帮助陌生人的能力,甚至于在看来与自己的最大利益相冲突时他们也绝不袖手旁观。有一天,在内布拉斯加,一辆四门小轿车在路肩停下。我走到车窗边,看到两位穿着节日盛装的瘦小老妇人。12. “我知道这年头不该带搭便车的,但这里前不着村后不着店的,不停车感觉真不好。”自称“维”的司机说。她和姐姐海伦是去内布拉斯加的安斯沃思看眼疾的。 13. 她们为我停了车,我都不知道是该亲吻她们呢还是该责备她们。这个女人是在告诉我,她宁肯冒生命危险也不愿意因为没为一个站在路边的陌生人停车而感到内疚。她们在一个高速路口把我放下时,我望着维。我们俩异口同声地说,“小心。” 14. 有一次我在雨中没能搭上便车。一名长途卡车司机停了车,他把刹车踩得那么重,车子都在草地路肩上滑行了一段。司机告诉我他有一次被搭便车的人持刀抢劫了。“但我不愿意看到有人在雨里站着。”他补充说,“现在大家都没有良心了。” 15. 然而,我发现,总体而言,人们还是挺有同情心的。艾奥瓦州一对中年夫妇为了帮我找宿营地领着我走了一个小时。在南达科他州,一个女人让我在她家住了一晚之后递给我两张

Unit 7 The Joy of Travel新编大学英语第二版第三册课文翻译

Unit 7 The Joy of Travel Transformative Travel Twenty-five years ago I felt like a wreck. Although I was just 23, my life already seemed over. The future appeared as much like a wasteland as the emptiness I could see while looking back to the past. I felt lost, without choices, without hope. I was stuck in a job I hated and trapped in an engagement with a woman I didn't love. At the time, both commitments seemed like a good idea, but I suppose it was the fantasy of being a successful, married businessman that appealed to me far more than the reality. I decided to take a class just for the entertainment value. It happened to be an introductory counseling course, one that involved personal sharing in the group. We were challenged to make commitments publicly about things we would like to change in our lives, and in a moment of pure impulsiveness, I declared that by the next class meeting I was going to quit my job and end my engagement. A few days later I found myself unemployed and unattached, excited by the freedom, yet terrified about what to do next. I needed some kind of transition from my old life to a new one, a sort of ritual that would help me to transform myself from one person into another. So I did something just as impulsive as my previous actions: I booked a trip for a week in Aruba. In spite of what others might have thought, I was not running away from something but to something. I wanted a clean break, and I knew I needed to get away from my usual environment and influences so as to think clearly about where I was headed. Once settled into my room on the little island of Aruba, I began my process of self-change. I really could have been anywhere as long as nobody could reach me by phone and I had the peace and quiet to think about what I wanted to do. I spent the mornings going for long walks on the beach, the afternoons sitting under my favorite tree, reading books and listening to tapes. Probably most important of all, I forced myself to get out of my room and go to meet people. Ordinarily shy, I now decided that I was someone who was perfectly capable of having a conversation with anyone I chose. Since nobody knew the "real" me, the way I had always been, I felt free to be completely different. It took me almost a year to pay off that trip, but I am convinced that my single week in Aruba was worth three years in therapy. That trip started a number of processes that helped me to transform myself. This is how I did it: I created a mindset that made me ready for change. I expected that big things were

新世纪大学英语综合教程1翻译答案(全)

(1)这个婴儿还不会爬(crawl),更不要说走了。(let alone) The baby can’t even crawl yet, let alone walk! (2)威尔声称谋杀案发生时他正在与一群朋友吃饭,但是我认为他在说谎。(claim, in one’s opinion) Will claimed he was dining with a group of friends at the time of the murder, but in my opinion he told a lie. (3)一定程度上阅读速度与阅读技巧密切相关;有了阅读技巧,你就可以更好地应对课外阅读了。(to a certain extent, relate …to …, cope with) To a certain extent the speed of reading is closely related to reading skills; and with reading skills you can cope with outside class reading better. (4)根据规则他俩都可以参加比赛。(according to) According to the regulation/rule, they both can play the game/participate in the game. (5)有些人想当然地认为日语(Japanese)中的每一个词在汉语中都有对应的词语。(assume, equivalent) Some people assume that there is a Chinese equivalent for every Japanese word. (6)我们已将所有的相关信息告知了警方。(relevant) We have passed all relevant information on to the police. (7)关于那件事你问我再多的问题也没用,因为我是不会回答你的。(it’s no use) There is no use asking me any more questions about that matter because I won't answer. (8)事先没有仔细阅读合同(contract)就签了名是吉姆的错误。(on one’s part) It was a mistake on Jim's part to sign the contract without reading it carefully. (9)他们拒绝向我们提供所需要的全部信息。(provide …with) They refused to provide us with all the information we need. (10) 这起事故与三年前发生的一起事故极为相似。(similar to) This accident is very similar to the one that happened three years ago. (11)这部影片是根据莎士比亚的戏剧改编的。(base on) The film is based on a play by Shakespeare (12)如果你的英语和电脑技能都掌握得好,那么你在谋职时就一定比别人更有优势。(have an advantage over) If you have a good command of English and computer skills, you will surely have an advantage over others in finding a job.

大学英语课文翻译及习题答案

大学英语课文翻译及习 题答案 标准化管理部编码-[99968T-6889628-J68568-1689N]

Unit 1 1. A very curious boy, Tom, is interested not only in whats but also in whys and hows. 汤姆是个非常好奇的男孩,他不仅对“是什么”感兴趣,而且也对“为什么”和“怎么会”感兴趣。 2. Happiness, according to Prof. Smith, is the ability to make the most of what you have. 据史密斯教授说,幸福就是你能充分利用你所有的一切。 3. You’d better keep the book where your 15-year-old son can’t get his hands on. 你最好把这本书放在你15岁的儿子找不到的地方。 4. The story was very funny and Bill kept laughing while reading it. 这故事非常滑稽,比尔一边读一边不停地笑。 5. High-achieving students do not necessarily put in more time at their studies than their lower-scoring classmates. 成绩优秀的学生未必比他们得分较低的同学在学习上花费更多的时间。 6. How did you manage to persuade these students to take the speed-reading course 你是怎样设法说服这些学生修读快速阅读课的 7. Working hard is important, but knowing how to make the most of one's abilities counts for much more. 用功是重要的,但知道如何充分利用自己的才能更重要得多。 8. She asked her students to think for themselves rather than telling them what to think. 她要求学生独立思考,而不是告诉他们该思考什么。 Unit 2 1. Referring to the differences between American English and British English, he said, “The United States and Britain are, after all, two different countries.” 在谈及美国英语和英国英语的差别时,他说:“美国和英国毕竟是两个不同的国家。” 2. Prof. Smith encourages his students to think for themselves. “I am just as happy,” he often says, “even if you challenge me or completely disagree with me.” 史密斯教授鼓励他的学生独立思考。他常说:“即使你们对我提出质疑或者完全不同意我的看法,我也同样高兴。” 3. We called on him to take part in our conversation about pop music, but as soon as he joined in, he introduced a new topic and referred to the NBA finals of the previous week. 我们请他参加我们关于流行音乐的谈话,但他一参加进来就引入一个新的话题,谈起了上周的NBA决赛。 4. The driver is responsible for this accident. His car knocked down a tree and a man on his bike. 司机应对这次事故负责。他的车撞倒了一棵树和一个骑车的人。

新世纪大学英语课文翻译

UNIT1 人在自然界 1) 人类生活在大自然的王国里。他们时刻被大自然所包围并与之相互影响。人类呼吸的空气、喝下的水和摄入的食物,无一不令人类时刻感知到大自然的影响。我们与大自然血肉相连,离开大自然,我们将无法生存。 2) 人类不仅生活在大自然之中,同时也在改变着大自然。人类把自然资源转变为各种文化,社会历史的财富。人类降服并控制了电,迫使它为人类社会的利益服务。人类不仅把各种各样的动植物转移到不同的气候环境,也改变了他生活环境的地貌和气候并使动植物因之而发生转变。 3) 随着社会的发展,人类对大自然的直接依赖越来越少,而间接的依赖却越来越多。我们远古的祖先生活在大自然的威胁及破坏力的恐惧之中,他们常常连基本的生活物资都无法获取。然而,尽管工具不甚完备,他们却能同心协力,顽强工作,并总是有所收获。在与人类的相互作用中,大自然也发生了改变。森林被破坏了,耕地面积增加了。大自然及其威力被看成是和人类敌对的东西。譬如,森林被认为是野性的和令人恐惧的,因此人类便想方设法使其面积缩小。这一切都是打着“文明”的旗号进行的,所谓“文明”,就是人类在哪里建立家园,耕耘土地,哪里的森林就被砍伐。 4) 然而,随着岁月的流逝,人类越来越关注的是在何处得到和如何得到生产所需的不可替代的自然资源的问题。科学与人类改变大自然的实践活动已经使人类意识到了工业在改变地球的进程中对地质产生的重大影响。 5) 目前,人与自然以及自然与社会整体之间过去存在的动态平衡,已呈现崩溃的迹象。生物圈中所谓可替代资源的问题变得极为尖锐。人类和社会的需求,即便是简单得像淡水一样的物质,也变得越来越难以满足。清除工业废物的问题也变得日益复杂。 6) 现代技术的特征是生产和使用日益丰富的人工合成产品。人们生产成千上万的人工合成材料。人们越来越多地用尼龙和其他人造纤维把自己从头到脚地包裹起来,这些绚丽的织物显然对他们无益。年轻人或许很少注意到这一点,他们更关注的是外表,而不是健康。但是上了年岁之后,他们就会感受到这种有害的影响。 7) 久而久之,这些合成物质转变成废弃物,那些原本毒性不大的物质在自然循环中变为极其有害的物质。自然科学家和哲学家如今都在问自己这样一个问题:人类对生物圈的破坏难道是无法避免的吗?

新编大学英语3 课文翻译及习题答案 unit9

Unit 9 Music In-Class Reading Music to Your Gear 参考译文 音乐与开车 安迪·埃利斯 1 尽管音乐能使你胸中的怒气平息,但是开车时听音乐也会损害你的健康。近期研究表明,听声音很响的音乐会严重地影响司机的注意力,而且心理学家也提醒人们,不断地在车里放这种音乐是很危险的,尤其是处于车流中或在高速公路上开车时。 2 音乐有两个极端,任何一个极端都有可能带来危险。重金属音乐以其强烈的节奏会使人莽撞驾驶,而聆听处于另一个极端的优美的、令人舒心的音乐,会使司机过分放松,以至于丧失安全意识,陷入迷迷糊糊的欲睡状态。 3 英国汽车协会一直关注道路安全,它委托搞了一个项目,研究严重车祸与音乐之间的关系。这项研究发现,17至25年龄段的男人是最危险、最易产生车祸的群体。研究还发现,这个群体的人70%的开车时间都在听音乐。 4 快节奏或重金属音乐要是放得很响,会使人易怒好斗,开起车来就会冲劲十足,这种司机也就更容易去冒险。开车的速度受到了音乐的速度和节奏的控制。 5 在试验中,给那些自愿参加实验的司机听声音很响的音乐,他们说尽管他们不一定感到非要开快车,但的确发现自己换档更快了,加速也快了,刹车更急了。若是让这些司机听慢节奏的抒情曲,他们承认经常感到自己走神,他们在高速公路上长途开车时,至少有两位参试的司机发现自己不知不觉地在跨越车道标记。 6 这些自愿参试的司机(有些刚刚拿到驾驶执照)所发表的意见非常说明问题。十八岁的西蒙告诉英国汽车协会,“《走出地狱的蝙蝠》里的快节奏摇滚乐真会让人送命的。我发现自己不知不觉地越开越快。” 7 另一名自愿参试的司机一直在听ZZ Top乐队最流行的曲子,他说,“我一直在快速行驶,扯着嗓门唱歌,没有看见也没有听见那辆一直想超过我的消防车。” 8 还有些人说:“我陷入了深思”…… “人的感觉会变得麻木” …… “听不见别的汽车是个问题”,“我一直在随着音乐的节奏加快速度。” 9 一些慢节奏的背景音乐,如肖邦的音乐,会刺激人的大脑,使思维模式发生变化,激发阿尔法脑波,使人有一种舒服愉快的感觉。处于放松状态在大多数情况下对我们有好处,但开车时则不然。心理学家雪利?费希尔教授提醒人们说:“最大的危险是疲劳驾驶。有些音乐会使你无法集中注意力,甚至陷入轻度睡眠状态,那样就会造成可怕的惨祸。” 10 “问题的关键在于根据具体情况选择合适的音乐。刺激性的音乐适合在漫长、枯燥的道路上听,但是当交通状况糟糕时,或是交通拥挤时,这种音乐会分散你的注意力。” 11 然而,音乐也有其好的一面,正如英国汽车协会的心理学家罗伯特?韦斯特所指出的那样:“如果有些音乐影响我们安全行驶,那么反过来也是有道理的。

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