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T TEXT 5
Stuff of dreams
梦想的精粹
Feb 16th 2006 | CORK AND LONDON
From The Economist print edition
（译者注：本文是关于画展的评论。）
Two exhibitions show how a pair of 18th-century painters, James Barry and Henry Fuseli, inspired the modern visual ★romance with[1] the gothic
两个画展展示的是，两位18世纪画家——詹姆斯?巴里和亨利?富塞利——如何唤起了现代人从视觉上对哥特式艺术的憧憬。
THIS spring the bad boys of British art are ★
making a comeback[2]. Not Damien Hirst and
his friends, but the original ★enfants
terribles[3]—★Henry Fuseli[4] (1741-1825)
and James Barry (1741-1806)—who aimed,
above all, to depict extremes of passion and
terror in what they called the new art of the
Sublime.
今春，英国艺术界的坏孩子再次粉墨登场了。
我们说的不是达米恩?赫斯特和他的朋友们，
而是亨利?富塞利（1741-1825）和詹姆斯?
巴里（1741-1806），这两位“莽撞少年”的
始作俑者，他们的首要目标就是要用所谓的“新派高尚艺术”去描绘极度激情与恐怖。
Barry and Fuseli are hardly household names; indeed since Victorian times they have been virtually ignored. But in the late 18th century, Fuseli, and for a short time Barry also, were prominent members of the young Royal Academy of Arts (RA) and influential professors of painting there. Barry's ★fall from grace[5] was the most dramatic, but there is much to admire in this irascible Irish artist who, like Fuseli, once taught William Blake. Barry's prolific historical paintings demonstrate his ambition to rival the painters of antiquity and the Renaissance and to practise what the then president of the RA, Sir Joshua Reynolds, always preached—that history painting was the noblest form of art. （1）But Barry found it hard to be bound by rules, and he turned history and myth into a series of ★tableaux[6] that were at once oddly expressionistic and deeply personal.巴里和富塞利这两个名字算不上家喻户晓，实际上自维多利亚时代以来，世人对他们已经不闻不问。不过，在18世纪晚期，富塞利曾经是早期皇家美术学院（RA）的杰出会员和颇具影响力的画师，巴里曾一度也是如此。巴里的失宠于众最富于戏剧性，但跟富塞利一样曾给威廉?布莱克传授过技艺的这位性情暴躁的爱尔兰艺术家，还是拥有许多让人敬佩的地方。他的众多历史性画作都表明，他热望与古代以及文艺复兴时期的画家相抗衡，始终信奉历史画乃是最为尊贵的艺术形式，而这恰恰也是皇家美术学院当时的院长约书亚?雷诺兹爵士所一直倡导的。但是历史画受制于过多约束让巴里感到难以接受，遂将史实与神话融为一体，并用一系列舞
台造型加以表现，随即成为与主流格格不入的表现派，并打上了深深的个人主义烙印。
His melodramatic “King Lear Weeping over the Body of Cordelia”and his sexually charged “★Jupiter and Juno on Mount Ida[7]”, now both part of a retrospective of the artist's work in Cork, （2）proved too full of feeling for a British audience raised on portraits and landscape paintings. His only loyal patron was Edmund Burke, who had ★coined[8] a theory of the Sublime.
巴里的情景画《泪洒科蒂利亚亡体的李尔王》以及他那幅洋溢着性爱的《艾达峰上的朱庇特和朱诺》，现已成为科克城（爱尔兰南部港口城市）艺术家作品回顾展的一部分。这两幅画作表明英国观众对肖像画和风景画投注了极大的热情。埃德蒙?伯克是唯一自始至终资助巴里的人，正是他创立了“高尚艺术”理论。
Barry felt he was a persecuted soul, and he painted himself as various ill-fated characters, most bizarrely ★Philoctetes[9], the sailor whom Odysseus abandoned on the island of Lemnos because he smelled so bad. As if that weren't enough, Barry also incited his RA students to revolt and then allegedly accused Reynolds of financial impropriety. When he became too unbearable, Barry became the first artist to be expelled by the academy.
巴里认为自己的灵魂受到了戕害，便将自己画成形形色色充满晦气的人物，其中最为怪异的是菲罗克忒忒斯，那位由于臭气熏天而被奥德修斯抛弃在利姆诺斯岛上的水手。似乎这还不够，巴里还鼓动他在皇家美术学院的学生造反，而且据说后来甚至指控雷诺兹在财政上存在违法问题。巴里变得越来越让人忍无可忍，于是成了第一个被学院开除的艺术家。
Barry knew Fuseli, and （3）he makes a minor appearance in “Gothic Nightmares: Fuseli, Blake and the Romantic Imagination”, the ★brainchild[10] of an engaging British ★polymath[11], Sir Christopher Frayling, who heads the Arts Council of England and the Royal College of Art. Sir Christopher has long been fascinated by the horror ★genre[12]—he once presented a popular television programme on the topic—and his favourite painting is Fuseli's “The Nightmare”(pictured above), an unsettling image of a sleeping maiden, with an ★incubus[13] ★perched[14] on her stomach and a ★ghoulish[15] horse peering through a curtain.
巴里认识富塞利，作为特邀嘉宾参加了《哥特式梦魇——富塞利、布莱克和浪漫主义幻想》画展。那次画展是由英格兰艺术理事会和皇家艺术学院主席、富于号召力的英国人克里斯托弗?弗雷林爵士策划的。克里斯托弗爵士长期以来痴迷恐怖艺术——曾以此为主题推出一档颇受欢迎的电视节目——他最钟爱的画作是富塞利的《梦魇》（上图），画中描绘的是一位熟睡的女人，腹部上栖息着一个梦淫恶鬼，而布帘后面一匹长得像食尸鬼一般的马正探头窥视，整幅画看了让人感到心神不宁。
Sir Christopher sees this painting, together with Fuseli's scenes from Milton and Shakespeare, as part of a search for national myths in the late 18th century. （4）Indeed, his interpretation illuminates an Enlightenment world that hovered between reason and ★bigotry[16], and where a quasi-scientific interest in the ★occult[17] and the emerging genre of the novel fed a public that was hungry for “tales of wonder”.
克里斯托弗爵士认为，富塞利的这幅画以及取材于密尔顿和莎士比亚作品的那些画作，乃是探寻18世纪民族神话的一部分。事实上，他的这一评注为纠缠在理智与偏见之间的“教化世界”带来了曙光。在这样一个“教化世界”中，对玄妙之事的半带科学性的热诚和涌现出的相关小说流派，让大众对“惊愕故事”的渴求得到了极大满足。
Unlike Barry, Fuseli—a former preacher who was forced to leave his native Zurich—looked rationally at the London art scene. He saw that（5）the only way to compete for “wall power”at the all-important annual exhibition of the RA was to carve out his own niche, the more eye-catching and ★esoteric[18] the better. In 1782 Fuseli exhibited “The Nightmare”for the first time, drawing record crowds of up to 3,000 people a day.
Perplexed critics asked what the painting was about. In an age when art was supposed to depict an actual person or event, （6）it came as a shock that this was a painting not of a nightmare, but of the nightmare as a generalized experience.
当过传教士后来被迫离开祖国瑞士的富塞利跟巴里不一样，他较为理智地看待伦敦艺术境况。他发现，要想在至关重要的皇家美术学院年度画展上争取到“支持力量”，只有标新立异，越引人注目、越生涩越好。1782年，富塞利首次展出《梦魇》一作，每天观摩者创纪录地达到3000人。批评家们对画中所要表现的主题感到百思不得其解。在一个艺术被认为应该是描写真人真事的年代，这幅画的诞生让世人感到震惊：它并不单单是对一般恶梦的简单描绘，而是对恶梦体验的一次真实再现。
Interestingly, it was not until 1793 that anyone suggested publicly that the painting of a scantily ★clad[19] woman stretched out on a bed might be about sex. In a post-Freud world, it is impossible to look at “The Nightmare”and see anything else.（7）There is a soft-porn ★perversity[20] about many of Fuseli's muscular super-heroes and ★nubile[21] ★nymphs[22], particularly his Titania from “A Midsummer Night's Dream”. The ★erotic[23] drawings and prints by him and his pupil Theodor von Holst are so explicit that the Tate has hung a veil between them and Fuseli's popular fairy paintings nearby, which are a favourite with children.
有意思的是，直到1793年才有人公开指出，这幅画上的女人几乎一丝不挂地躺在床上，因此可能与性有关。在后弗洛伊德时代，盯着《梦魇》而又不想入非非是不可能的。富塞利画中肌肉结实的超级英雄和含苞欲放的美丽少女，尤其是取材于《仲夏夜之梦》的泰坦尼亚，模糊的色情描绘让人多少有些心慌意乱。由于富塞利及其学生霍尔斯特的素描和版画色情描绘过于直接，泰特美术馆就悬挂起一块幕布，将在这些画与近旁富塞利那些迎合大众的、尤其是孩子们最爱看的仙女画隔开。
Unsurprisingly, Fuseli's work was ★vilified[24] by the Victorians, and he came back into favour only when the Surrealists—（8）★enthralled[25] by his weird mix of deviance, death and dreams—claimed him as a hero. Today, the artist who bred his own moths in order to depict them accurately in his fairy paintings hangs in the same gallery as those other attention-seekers, Mr Hirst and Tracey Emin; it is almost as if he were their long-lost ancestor.
富塞利的作品遭到了维多利亚女王时代艺术家们的非难，这是意料之中的事。直到超现实主义者――集反社会、死亡、幻想等诡异元素于一身的富塞利令他们着迷――称之为英雄的时候，他这才重新受宠。如今，这位为了准确描绘仙女画中的飞蛾而亲自养殖的艺术家，同其他那些万众瞩目的人如赫斯特、特雷西?艾明一样，也进入了美术陈列室，看上去就像是这些人的鼻祖。
While Fuseli's rehabilitation is admirable, the Tate's obsession with inclusiveness dilutes Sir Christopher's ideas. （9）Viewers are overloaded with ★mawkish[26] pictures that the curators call “Gothic gloomth”, borrowing a phrase from Horace Walpole. Instead of rising to Sir Christopher's wide-ranging themes, which link Fuseli and Blake with other great European painters, including Goya and Caspar David Friedrich, the Tate has taken a ★parochial[27] view, showing virtually every mediocre British artist who ever ★dabbled[28] in gothic fantasy. Thankfully James Gillray is also there, and his ★biting[29] caricatures lift the spirits.
虽然富塞利的重振旗鼓令人肃然起敬，但坚持包罗万象的泰特美术馆还是弱化了克里斯托弗的观念。众多索然无味的绘画充斥着观众的视野，美术馆长们引用贺瑞斯?沃波尔的一条成语，把这些画称作“哥特式晦暗”。克里斯托弗爵士崇尚的主题广泛，将富塞利、布莱克同包括戈亚、卡斯帕?戴维?弗雷德里希在内的欧洲其他杰出画家有机结合在一起，但泰特美术馆却反其道而行之，几乎展出了所有和哥特式幻想沾点边、不入流的英国艺术家的作品，其眼界之狭窄可见一斑。令人欣慰的是，这里面也包括了詹姆斯?基尔雷，他的讽刺画发人深省，令人精神振奋。
The last room is one of the best.（10）Here Sir Christopher has added his cross-cultural ★hallmark[30]: a series of horror film clips that invoke Fuseli's “The Nightmare”as the ultimate shock-horror icon. And at the exit, Angela Carter's words, “We live in gothic times”, are emblazoned on the wall. The spirit of Barry and Fuseli lives on.
最后一间是最好的展室之一，克里斯托弗爵士的“跨文化”印记在此得以展现，那就是一系列以富塞利《梦魇》为最终惊悚形象的恐怖电影短片。并且，在展室出口处的墙上，安吉拉?卡特的名言“我们生活在哥特式时代”也赫然在目。巴里和富塞利的精神常驻人间。
★★★注释★★★
[1]romance with：对……的迷恋、向往
如：a childhood romance with the sea 儿时对大海的浪漫向往（憧憬）
[2]make a comeback: 恢复、复原（指名誉、地位、知名度、流行性）
如：The film star made an unexpected comeback. 这位电影明星出人意料地复出了。
[3]enfant terrible：莽汉（因其令人惊愕的不合传统的行为、工作或思想而使他人困窘或惊慌的人）；复数形式为enfants terribles
如：The radical painter was the enfant terrible of the art establishment.激进派画家是艺术当权派的可怕莽汉
[4]亨利?富塞利，生于瑞士的英国画家，作品包括恶梦（1781年），风格怪诞恐怖，对20世纪二三十年代的超现实主义者有一定影响
[5]fall from grace: 失去天恩，堕落（名誉、地位的贬低）
[6]tableaux: 舞台造型,(由活人扮演的)静态画面、场面
[7]Jubiter：朱庇特（古罗马的保护神）；另：木星
Juno：：罗马万神庙里最主要的女神，朱庇特的妻子亦是其姐姐，主司婚姻和妇女的安康；
Mount Ida：艾达峰，克里特岛中部一山峰，海拔2,457.7m(8,058英尺）。它是该岛的最高点，在古代它与人们对宙斯的崇拜有密切的相关。
[8]coin：设计，杜撰（新词语）
如：Do not coin terms that are intelligible to nobody.不要生造谁也不懂的词语。
[9]Philoctetes：菲罗克忒忒斯，希腊神话中人物，在特洛伊战争中用其父大力神Hercules所遗之弓和毒箭杀死特洛伊王子Paris的英雄
[10]brainchild：指计划,想法,创作等脑力劳动的创造物
[11]polymath：学识渊博的人
[12]genre：类型，流派（文艺作品）
[13]incubus：阴库巴斯恶鬼，梦淫妖（据说会趁女人熟睡压而在女人身上并与其交配的恶鬼）；梦魇；沉
重负担
[14]perch：v. 栖息，栖止
如：Birds perched on the branch.鸟停在树枝上。
[15]ghoulish：adj.食尸鬼似的，残忍的 ghoul：n.食尸鬼；盗尸者
[16]bigotry：n.固执，顽固，偏见
[17]occult：n.神秘学，神秘之事，玄妙之事
[18]esoteric：adj.深奥的，秘传的，不公开披露的
如：Some words are really too esoteric for this dictionary. 有些单词实在太生僻了,未收入本词典内。
[19]clad：穿衣的，覆盖着的
如：The woods on the mountain sides were clad in mist.高山坡上的小树林都笼罩在一片薄雾中。
[20]perversity：n.反常；刚愎，任性；错乱
[21]nubile：adj.适于结婚的，到结婚年龄的；性成熟的
[22]nymph：n.美少女；居于山林水泽的仙女；罗马神话中宁芙女神
[23]erotic：adj.性欲的，好色的，色情的
[24]vilify：v.污蔑；诋毁；诽谤；辱骂
[25]enthrall：v.迷住，着迷
如：The boy was enthralled by the stories of adventure.这孩子被冒险故事迷住了。
[26]mawkish：adj.自作多情的，多愁善感的；令人作呕的，令人厌恶的
[27]parochial：adj.教区的；眼界狭窄的，地方性的
[28]dabble：v.涉水，涉足 dabble in：涉猎，涉足；不经意做……
如：She just dabbles in chemistry.她只不过是随便搞一下化学。
[29]biting：adj.尖锐的，尖刻的；刺痛的
如：His remark has a biting edge to it.他的评语非常尖锐。
[30]hallmark：n.标记；特点
如：The sense of guilt is the hallmark of civilized humanity.犯罪感是文明人显而易见的特征。[31]emblazon：v.用纹章装饰，醒目装饰；颂扬
★★★砖已抛，玉何在？★★★（见文中划线部分）
（1）But Barry found it hard to be bound by rules, and he turned history and myth into a series of tableaux that were at once oddly expressionistic and deeply personal.
（2）proved too full of feeling for a British audience raised on portraits and landscape paintings.
（3）he makes a minor appearance in “Gothic Nightmares: Fuseli, Blake and the Romantic Imagination”（4）Indeed, his interpretation illuminates an Enlightenment world that hovered between reason and bigotry, and where a quasi-scientific interest in the occult and the emerging genre of the novel fed a public that was hungry for “tales of wonder”.
（5）the only way to compete for “wall power”at the all-important annual exhibition of the RA was to carve out his own niche, the more eye-catching and esoteric the better.
（6） it came as a shock that this was a painting not of a nightmare, but of the nightmare as a generalized experience.
（7） There is a soft-porn perversity about many of Fuseli's muscular super-heroes and nubile nymphs,
particularly his Titania from “A Midsummer Night's Dream”.
（8）enthralled by his weird mix of deviance, death and dreams
（9）Viewers are overloaded with mawkish pictures that the curators call “Gothic gloomth”, borrowing a phrase from Horace Walpole.
（10） Here Sir Christopher has added his cross-cultural hallmark: a series of horror film clips that invoke Fuseli's “The Nightmare”as the ultimate shock-horror icon.
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个词就
法说明。
如何突破考研英语阅读细节题 由历年考研英语真题可知，阅读理解部分的试题中，大多数是针对段落的细节设计的，其目的是为了测试考生对组成段落的主体部分的理解。在每年的考试中，细节题的数量是最多的，大约占50%，其中涉及对文章中复杂句，列举，例证，引用，转折，因果关系等的处理，因此做好这类题至关重要。那么，xx年考研英语如何做好阅读细节题? 另外，细节题的测试在另一方面也可以考察考生对段落结构的理解程度，哪些是辅助论点，哪些是主要脉络，只有对这些细节有一定的了解，我们才能更深入地领会文章。文章的细节并不是孤立的，它总要与其他事实前后呼应，一般来说，作者总会把同等性质的事实放在一起，并借助不同的衔接手段进行组合，从而达到说服读者或阐明观点的目的。其提问方式不外乎有以下几种： The author provides following examples except …? Aording to the author, all of the following are true except (that)____. Which is among the best possible ways to…? Which of the following would NOT be an example____? Which of the following is the LEAST likely…? 对于细节题我们要从词义与语法(句法)着手，从这个角度来说，此类考题又可被细划分以下几个次范畴： 1)因果标志语 表因果关系的标志词可具体分为：
a.表原因 because of, since, for, as, now that, seeing that, owing to, caused by, the main reason for…is b. 表结果 hence, thus, so, therefore, consequently, as a consequence, aordingly, for that reason 2)结论标志语 in general, generally speaking, in short, in a word, to be brief in all, in simple words 3) 转折与对比题 but, however, nevertheless, otherwise, dissimilarly, unlike, on the contrary, in contrast, in opposition to, on the opposite side 4) 比较类型标记语 similarly, likewise, in similar fashion, in similar way, in the same matter, just as 5) 列举标志语 one… another…still another, first…second…third 6) 举例标志语 for example, as an example, as an instance, take…as an example, let me cite… as a proof 细节题举例说明 xx年Passage 1 Specialization can be seen as a response to the problem of an increasing aumulation of scientific knowledge. By splitting up the subject matter into smaller units, one man could continue to handle the information and use it as the basis for further research. But specialization was only one of a series of related developments in science
考研英语阅读理解试题及解析 Being a man hasalways been dangerous. There are about 105 males born for every 100 females,but this ratio drops to near balance at the age of maturity, and among70-year-olds there are twice as many women as men. But the great universal ofmale mortality is being changed. Now, boy babies survive almost as well as girlsdo. This means that, for the first time, there will be an excess of boys inthose crucial years when they are searching for a mate. More important, anotherchance for natural selection has been removed. Fifty years ago, the chance of ababy(particularly a boy baby) surviving depended on its weight. A kilogram toolight or too heavy meant almost certain death. Today it makes almost nodifference. Since much of the variation is due to genes, one more agent ofevolution has gone。 There is another way to commit evolutionary suicide: stay alive,but have fewer children. Few people are as fertile as in the past. Except insome religious communities, very few women have 15 children. Nowadays thenumber of births, like the age of death, has become average. Most of us haveroughly the same number of offspring. Again, differences between people and theopportunity for natural selection to take advantage of it have diminished.India shows what is happening. The country offers wealth for a few in the greatcities and poverty for the remaining tribal peoples. The grand mediocrity oftoday―everyone being the same in
考研英语阅读理解模拟试题及答案(三) Passage 11 Dream is a story that a personwatchesor even takes part in during sleep. Dream events are imaginary, but they are related to real experiences and needs in the dreamer's life. They seem real while they are taking place. Some dreams are pleasant, others are annoying, and still others are frightening. Everyone dreams, but some persons never recall dreaming. Others remember only a little about a dream they had just before awakening and nothing about earlier dreams. No one recalls all his dreams. Dreams involve little logical thought. In most dreams, the dreamer cannot control what happens to him. The story may be confusing, and things happen that would not happen in real life. People see in most dreams, but they may also hear, smell, touch, and taste in their dreams. Most dreams occur in color. but persons who have been blind since birth do not see at all in dreams. Dreams are a product of the sleeper's mind. They
1.主旨题 (考察理解文中具体信息和概念性的含义的能力） ?识别：题干中出现：subject，summary，topic，title等表达方式的为主题句?实质：对论点和论题提问 ?解题方法： 寻找主题句，主题句通常出现在文章首段首句，或出现在文章开头的转折处或文章开头结束处 主题句特征：主体句通常是一个概括总结性的结论或者判断 寻找主题词：主题句首段末段或全文中多次出现 解题原则：正确选项不能描述太细节，不能包含无依据的信息，应该包含主题词或同义替换词 优先考虑议论文的标题 2.例子证明题（主要考察区分论点和论据的能力） ?识别：题干中出现example，case，illustrate等词 ?解题思路：例子为观点和结论服务，寻找到例子对应观点和结论，通常往上或往下寻找 ?错误选项特征：就事论事，自我总结 ? 3.推理题 ?识别：题干中出现infer，learn,conclude等词 ?分类 a.细节性的推理题(题干中包含具体的定位信息） 理解文中具体信息和概念性的含义的能力 b.段落性的推理题（题干中包含具体段落） 理解文中单句之间，段落之间关系的能力，进行有关的判断，推断和引申的能力 c.全文性的推理题（题干中包含主体词或无定位信息） 理解文章总体结构的能力 ?常考出题点：段落首末段，主题句，观点句，转折处，强调或递进关系的地方
?实质和解题原则：考研推理题本质上还是一种同义改写，推理通常为正反推理和归纳总结 解题原则重在推理原文依据，特别关注转折，选择答案方面，主体大于细节，观点大于论据（意思就是选择原文中对应的总结性句子，而不是论据） 4.细节题：题干中不包含提起题型特征的题为细节题 （考察理解稳重的具体信息和概念性的能力，理解文章的总体解雇以及单句之间，段落之间的关系能力） ?事实识别：问题中出现文章相关的具体信息，可以用相对明显的本文词汇定位 ?因果关系：问题中除了有相对具体的定位信息词外，还有表示因果关系的词汇，要重点把握 ?观点识别：与观点结论有关，通常有suggest，found等引导的宾语从句 ?which题型：问题中没有具体的定位词只出现which提问 解题思路： a.识别题型 b.定位：寻找题干定位词（具体的定位词，因果词，观点词，比较词，原文词汇的替换词）与包含定位词的句子 c.读取： ?分析线索句主干与其他各项的对比（表达方式不同，意思最为接近的为正确选项） ?必要时需要分析线索句的上一句和下一句（支持句） ?当线索句为段落首末段时，支持句为段落的其他句子 d.注意事项：顺序原则（出题顺序和行文顺序基本一致）段落原则（一个段落通常只出现一个细节题，细节题通常不跨段（除非段落间存在指代或明显的逻辑关系） 5.词汇题 (考察上下文推测词义的能力） a.识别：要求对题干中的某个单词，词组或句子的含义进行推测 b.实质：通过上下文确定单词含义 c.解题流程： ?返回原文确定题干位置 ?根据上下文推测含义 ?代入原文，确定答案
广大考生请注意：为了帮助广大考生顺利通过2016年研究生入学考试，勤思考研隆重推出考研公共课（政治和英语）的全面辅导，为你扫除考研道路上的一切障碍。我们会在第一时间为广大考生搜集整理2016年考研英语复习资料及相关信息，敬请大家关注！ 2016考研英语阅读：如何解答细节题 由历年考研英语真题可知，阅读理解部分的试题中，大多数是针对段落的细节设计的，其目的是为了测试考生对组成段落的主体部分的理解。在每年的考试中，细节题的数量是最多的，大约占50%，其中涉及对文章中复杂句，列举，例证，引用，转折，因果关系等的处理，因此做好这类题至关重要。 另外，细节题的测试在另一方面也可以考察考生对段落结构的理解程度，哪些是辅助论点，哪些是主要脉络，只有对这些细节有一定的了解，我们才能更深入地领会文章。文章的细节并不是孤立的，它总要与其他事实前后呼应，一般来说，作者总会把同等性质的事实放在一起，并借助不同的衔接手段进行组合，从而达到说服读者或阐明观点的目的。其提问方式不外乎有以下几种：The author provides following examples except … According to the author, all of the following are true except (that)____. Which is among the best possible ways to…? Which of the following would NOT be an example____? Which of the following is the LEAST likely…? 对于细节题我们要从词义与语法(句法)着手，从这个角度来说，此类考题又可被细划分以下几个细类： 1. 因果标志语 表因果关系的标志词可具体分为： 1)表原因 because of, since, for, as, now that, seeing that, owing to, caused by, the main reason for…is 2)表结果 hence, thus, so, therefore, consequently, as a consequence,
考研备考英语阅读之新题型解析 选择搭配题是考研备考英语在2005年改革以后出现的一种新题型，主要考查学生理解文章结构、以及文章连贯性的能力。通常有三种考查方式，其中有一种是从500-600词的文章中留出5个空白，再从题后的6-7个备选答案中分别选出能填入文章的5个。 解题步骤： 1. 速读文章，弄清文章主旨和大体意思 2. 读被插入的句子，找出句首或句尾的关键词或关键意思 2. 阅读可以插入空格前后的信息，寻找与插入句相关的意思 3. 选择与插入句最相关的空格 注意：如果出现以下情况，答案都可能是错误的： ★打乱了相邻句子之间的逻辑性 ★影响了转折语的正确使用 ★打乱了代词与其指代对象之间的逻辑关系 ★隔开了本是相邻的两句话 解题技巧： 1.快速通读整篇文章，大致理解文章意思，可以看出文章主要是在讲加拿大的药物价格问题。 Canada's premiers (the leaders of provincial governments), if they have any breath left after complaining about Ottawa at their late July annual meeting, might spare a moment to do something, to reduce health-care costs. They're all groaning about soaring health budgets, the fastest-growing component of which are pharmaceutical costs. 41. What to do? Both the Romanow commission and the Kirby committee on health care-to say nothing of reports from other experts recommended the creation of a national drug agency. Instead of each province having its own list of approved drugs , bureaucracy, procedures and limited bargaining power, all would pool resources , work with Ottawa, and create a national institution. 42. But “national”doesn't have to mean that. “National”could mean inter-provincial combining efforts to create one body. Either way, one benefit of a “national”organization would be to negotiate better prices, if possible, with drug manufacturers. Instead of having one province-or a series of hospitals within a province-negotiate a price for a given drug on the provincial list, the national agency would negotiate on behalf of all provinces. Rather than, say, Quebec, negotiating on behalf of seven million people, the national agency would negotiate on behalf 31 million people. Basic economics suggests the greater the potential consumers, the higher the likelihood of a better price.
2020年考研英语阅读模拟试题及答案(2) The fossil remains of the first flying vertebrates, the pterosaurs, have intrigued paleontologists for more than two centuries. How such large creatures, which weighed in some cases as much as a piloted hang-glider and had wingspans from 8 to 12 meters, solved the problems of powered flight, and exactly what these creatures were — reptiles or birds — are among the questions scientists have puzzled over. Perhaps the least controversial assertion about the pterosaurs is that they were reptiles. Their skulls, pelvises, and hind feet are reptilian. The anatomy of their wings suggests that they did not evolve into the class of birds. In pterosaurs a greatly elongated fourth finger of each forelimb supported a winglike membrane. The other fingers were short and reptilian, with sharpclaws. In birds the second finger is the principal strut of the wing, which consists primarily of feathers. If the pterosaurs walked on all fours, the three short fingers may have been employed for grasping. When a pterosaur walked or remained stationary, the fourth finger, and with it the wing, could only turn upward in an extended inverted V shape along each side of the animal’s body. The pterosaurs resembled both birds and bats in their overall structure and proportions. This is not surprising because the design of any flying vertebrate is subject to aerodynamic constraints. Both the pterosaurs and the birds have hollow bones, a feature that represents a savings in weight. In the birds, however, these bones are reinforced more massively by internal struts.
2018考研英语冲刺阶段阅读细节题解题 秘诀 首先，根据题干关键词，回文定位。细节题一定考察考生对于文中某一细节信息的具体理解，因此根据关键词精确回文定位是解题之关键。考生只要能精确回文定位，细节题已经成功了一半。 其次，准确理解定位句。由于细节题必定考察文章当中的某一具体信息，而不是我们的常识，所以考生要重点分析这个定位句。但是，有时候答案并不是蕴含于一个句子，而是在定位句的前一句或者后一句。 最后，和选项进行精确比对，直击答案。一般来说，细节题的正确答案是一定是原文信息的同义改写。因此，考生能否准确理解定位句和进行同义改写决定其在细节题的成败。 下面以最近2012-2014年真题为例，为大家详细剖析细节题解题秘诀。 真题：2014年Text 1 26. A lot of students take up law as their profession due to _______. [A] the growing demand from clients [B] the increasing pressure of inflation [C] the prospect of working in big firms [D] the attraction of financial rewards During the decade before the economic crisis, spending on legal services in America grew twice as fast as inflation. The best lawyers made skyscrapers-full of money, tempting ever more students to pile into law schools. But most law graduates never get a big-firm job. Many of them instead become the kind of nuisance-lawsuit filer that makes the tort system a costly nightmare. 【直击答案】根据题干A lot of students take up law as their profession due to，可以定位至该段第二句，其中 A lot of students take up law as their profession是more students to pile into law schools的同义改写。准确理解定位句“The best lawyers made skyscrapers-full of money, tempting ever more students to pile into law schools.”（最好的律师挣钱极多，这吸引更多的学生想要挤进法学院。）由此可以判断很多学生从事法律史由于“律师挣钱极多”。题干中due to是文中tempting的改写。因此，选项D the attraction of financial rewards（金钱回报的吸引）是原文The best lawyers made skyscrapers-full of money的改写。 真题：2013年Text 1 21. Priestly criticizes her assistant for her _______. [A] lack of imagination [B] poor bargaining skill [C] obsession with high fashion [D] insensitivity to fashion In the 2006 film version ofThe Devil Wears Prada, Miranda Priestly, played by
考研英语模拟试题：阅读理解 Faces, like fingerprints, are unique. Did you ever wonder how it is possible for us to recognize people? Even a skilled writer probably could not describe all the features that make one face different from another. Yet a very young child-or even an animal, such as a pigeon-can learn to recognize faces. We all take this ability for granted. We also tell people apart by how they behave. When we talk about someone’s personality, we mean the ways in which he or she acts, speaks, thinks and feels that make that individual different from others. Like the human face, human personality is very complex. But describing someone’s personality in words is somewhat easier than describing his face. if you were asked to describe what anice facelooked like, you probably would have a difficult time doing so. But if you were asked to describe anice person,you might begin to think about someone who was kind, considerate, friendly, warm,and so forth. There are many words to describe how a person thinks, feels and acts. Gordon all ports, an American psychologist, found nearly 18 000 English words characterizing differences in people’s behavior. And many of us use this information as a basis for describing, or typing, his personality. Bookworms, conservatives, military types-people are described with such terms. People have always tried totypeeach other. Actors in early Greek
Text 4 In a rare unanimous ruling, the US Supreme Court has overturned the corruption?conviction of a former Virginia governor, Robert McDonnell.?But it did so while holding its nose at the ethics of his conduct, which included accepting gifts such as a Rolex watch and a Ferrari automobile from a company seeking access to government. The high court’s decision said the judge in Mr. McDonnell’s trial failed to tell a jury that it must look only at his “official acts,”or the former governor’s decisions on “specific”and “unsettled”issues related to his duties. Merely helping a gift-giver gain access to other officials, unless done with clear intent to pressure those officials, is not corruption, the justices found. The court did suggest that accepting favors in return for opening doors is “distasteful”and “nasty.”But under anti-bribery laws, proof must be made of concrete benefits, such as approval of a contract or regulation. Simply arranging a meeting, making a phone call, or hosting an event is not an “official act”. The court’s ruling is legally sound in defining a kind of favoritism that is not criminal. Elected leaders must be allowed to help supporters deal with bureaucratic problems without fear of prosecution for bribery.”The basic compact underlying representative government,”wrote Chief Justice John Roberts for the court,”assumes that public officials will hear from their constituents and act on their concerns.” But the ruling reinforces the need for citizens and their elected representatives, not the courts, to ensure equality of access to government. Officials must not be allowed to play favorites in providing information or in arranging meetings simply because an individual or
考研英语阅读理解试题及名师解析(3) When a new movementin art attains a certain fashion, it is advisable to find out what itsadvocates are aiming at, for, however farfetched and unreasonable theirprinciples may seem today, it is possible that in years to come they may beregarded as normal. With regard to Futurist poetry, however, the case is ratherdifficult, for whatever Futurist poetry may be―even admitting thatthe theory on which it is based may be right―it can hardly beclassed as Literature。 This, in brief, is what the Futurist says: for a century, pastconditions of life have been conditionally speeding up, till now we live in aworld of noise and violence and speed. Consequently, our feelings, thoughts andemotions have undergone a corresponding change. This speeding up of life, saysthe Futurist, requires a new form of expression. We must speed up ourliterature too, if we want to interpret modern stress. We must pour out a largestream of essential words, unhampered by stops, or qualifying adjectives, orfinite verbs. Instead of describing sounds we must make up words that imitatethem; we must use many sizes of type and different colored inks on the samepage, and shorten or lengthen words at will。 Certainly their descriptions of battles are confused. But it is alittle upsetting to read in the explanatory notes that a certain line describesa
2020年考研英语阅读模拟试题：理学类(5) The once radical notion that birds descended from dinosaurs——or may even be dinosaurs， the only living branch of the family that ruled the earth eons ago——has got stronger and stronger since paleontologists first started taking it seriously a couple of decades ago. Remarkable similarities in bone structure between dinos and birds were the first clue. Then came evidence， thanks to a series of astonishing discoveries in China's Liaoning province over the past five years， that some dinosaurs may have borne feathers. But a few scientists still argued that the link was weak; the bone similarities could be a coincidence， they said. And maybe those primitive structures visible in some fossils were feathers——but maybe not. You had to use your imagination to see them. Not anymore. A spectacularly preserved fossil of a juvenile dinosaur， announced by a team of paleontologists from the Chinese Academy of Geological Sciences and New York City's American Museum of Natural History in the latest issue of Nature， is about as good a missing link as anyone could want. “It has things that are undeniably feathers，” exults Richard Prum， of the University of Kansas Natural History Museum，an expert on the evolution of feathers. “But it is clearly a small， vicious theropod similar to the velociraptors that chased the kids around the kitchen in Jurassic Park.” The find helps cement the dinosaur-bird connection， but it also casts new light on the mystery of why nature invented feathers in the first place. For the better part of a century，
考研英语阅读理解试题解题方法及步 骤 考研可以说是人生的一个转折驿站，一次改变命运的艰辛历练。作为考研路上的重要科目--英语，也成为不少考生脚下的牵绊石，而占分数比重的阅读理解，自然也是考试中的重头戏，能否巧妙的用对技巧，灵活应答，成为考生研路中的棘手问题，下面我们就层层推进，分析一下阅读的方法技巧和步骤攻略，揭开这层久未露面的神秘面纱。 一、阅读方法 阅读文章基本方法有3种，一是略读，二是精读，三是寻读。略读是一种快速阅读方法，在非常短的时间内浏览全文获得文章的中心思想和主要事实。精读则是仔细阅读每句话，理解分析其含义，弄清句与句之间的逻辑关系，进而理解整个段落的意思。而寻读则是通过目光扫视，迅速确定你所期望得到的信息的位置。考试中3种基本方法可以用在不同的情况。 通过略读，我们可以了解材料的结构安排和主要信息，利用精读我们可以针对考题中的某些信息或难点做具体细致的解析，而寻读则在解题过程中起着一个定位的作用。 二、阅读步骤 第一步：略读短文把握方向 用尽量短的时间扫视短文，特别留意每段的第一句和末段的最后一句。因为各段的主题句往往在句首，而文章的最后一句很可能是概括总结。略读的目的是掌握短文的主旨大意，做到对全文的内容心中大致有数，有一个思考的方向。 第二步：浏览问题有的放矢 浏览5个问题，揣测出题者出此题的目的并侧重阅读短文相关部分。由于对所问问题及文章主旨都已了解，在阅读时自然会知道哪些地方得细读哪些地方可一带而过甚至跳过不读。
所有问题都是根据文章内容提出的，基本反映并覆盖了文章的主要内容。先阅读问题再阅读全文，这种方法的优点是：可在较短的时间内有针对性地阅读相关内容，便于给相关问题定位，有的放矢，事半功倍。 第三步：分析判断确定答案 在完成上面两步的基础上，对5个问题逐一解答。需要注意的是：要是文章内容涉及自己熟悉的题材和知识范畴，在选项时绝对不能单凭自己的主观判断解决问题。因为文章考的是你对该篇的阅读理解能力，而不是你的某种知识，因此选项不能脱离文章的题意。 对于英语水平相对较低，阅读速度较慢的考生来说，我们建议不妨直接从第二步开始：先浏览所有5道题的题目，对文章所涉及的内容有个粗略的估计或了解，然后逐一解答。先寻读文章的相关部分，然后选择正确答案。如遇到有关文章主旨大意或需要推理的题，可先放一放，等做完其他题再做这类题。先难后易，各个击破。 另外，在阅读过程中，不妨在自己认为比较重要的某些句子或词语（主题句，关键词）下面划线，标上符号，这样有助于突出重点，活跃思维，同时也便于阅读，节省时间，使阅读更加积极，并且对于记忆力稍差的考生而言，记住几个重要句子和信息要比记住全文容易得多了。所以，我们建议对阅读文章中的主要句子和关键词标出记号并重点阅读。 总之，英语水平的提高在于日积月累，冰冻三尺，非一日之寒，一分耕耘就有一分收获！考生一定要多探索，选择适合自己的学习方法，以便更快更全面的提高自己的知识容量及做题方法，从容应对，你就是最后的赢家。