新大纲规定的英语专业自考英美文学重点要记的作家有: William Shakespeare
威廉.莎士比亚
1564-1616
John Milton
约翰.弥尔顿
1608-1674
Daniel Defoe
丹尼尔.笛弗
1660-1731
Jonathan Swift
乔纳森.斯威夫特
1667-1745
Henry Fielding
亨利.菲尔丁
1707-1754
William Blake
威廉.布莱克
1757-1827
William Wordsworth
威廉.华兹华斯
1770-1850
Percy Bysshe Shelley铂.比.雪莱
1792-1822
Jane Austen
简.奥斯汀
1775-1817
Charles Dickens
查尔斯.狄更斯
1812-1870
The Bront? Sisters
Charlotte Bront? (1816-1855),
Emily Bront? (1818-1848),
Anne Bront? (1820-2849)
布郎帝姐妹
Thomas Hardy
托马斯.哈代137240324481840-1928
George Bernard Shaw萧伯纳
1856-1950
T. S. Eliot
T.S.艾略特
1888-1965
D. H. Lawrence
戴维.赫伯特.劳伦斯
1885-1930
Nathaniel Hawthorne
纳萨尼尔.霍桑
1804-1864
Walt Whitman
华尔特.惠特曼
1819-1892
Herman Melville
赫尔曼.麦尔维尔
1819-1891
Mark Twain
马克.吐温
1835-1910
Henry James
亨利.詹姆斯
1843-1916
Emily Dickinson
艾米莉.狄金森
1830-1886
Theodore Dreiser西奥多.德莱塞
1871-1945
Robert Lee Frost罗伯特.弗罗斯特
1874-1963
F. Scott Fitzgerald弗.斯科特.菲茨杰拉德
1896-1940
Ernest Hemingway厄内斯特.海明威1899-1961 William Faulkner威廉.福克纳
1897-1962
祝你考试成功!
这是广外知名老师的PPT的WORD版,
我们上课就用这个,感觉比较其它的简洁,
讲得更精炼,对考试更有效,内容也没那么多.
我有PPT的,不过太大了,我不知道如何上传,
WORD版内容一样,希望对大家有帮助,
你们的考试都是他们批卷,
我知道的几个原则,
1.答题作者人名,可以差一个两个这母,只要大体相同.
2.用自己的话答题,不用原文,没有问题,只要成句子通顺,不要是单词.
3.背大题的内容要答点,答不出来,就答那一时期的也给部分数.
4.不要空,都知道自考不容易,老师们都会尽量找点分给你,空了没办法.
5.实在不会,从前的选择题看一下,有时会被用来答后边大题.
例,我考试时,前边的选择题,是下列那个不是四大悲剧,单选题.
后边的大题是四大悲剧是什么,哈哈,起码你能答出来三个,
而且有直接的英文抄.
想到这了,希望有帮助,认识BUS里的朋友,有动力,希望一起进步,实现愿望!!
英美文学选读》应用English Literature
Chapter One The Renaissance Period
I. Shakespeare’s sonnets
1. With a few exceptions, Shakespeare writes his sonnets in the popular English form of three quatrains and a couplet. The couplet usually ties the sonnet to one of the general themes, leaving the quatrains free to develop the poetic intensity.
2. The sonnet’s most common themes concern the destructive effects of time, the quickness of physical decay, and the loss of beauty, vigor, and love. Although the poems celebrate life, they are always with a keen awareness of death.
3. His sonnet 18 expresses that beautiful things can rely on the force of literature to reach eternity. Literature is created by man, thus it declares man’s eternity. The poem shows the mighty self-confidence of
the newly class. The vivid, variable and rich images reflect the lively and adventurous spirits of those who were opening new world.
II. Shakespeare’s A Merchant of Venice
1. Theme
(1) Justice vs. mercy: Shakespeare suggests that all men should be merciful. There is a further aspect of justice—the injustice revealed in the Christians’ treatment of the Jews.
(2) Appearance vs. reality: e.g. superficial or external beauty vs. moral or spiritual beauty or truth (in the case of three caskets); the letters of law vs. the spirit of the law.
(3) Commercial or material values vs. love: True love is much more worthwhile than money and material values. Antonio epitomizes true love in his friendship for Bassanio.
2. The character analysis of Shylock
Shylock is a Jewish usurer, and he is a tragic-comic character.
He is comic because he finally becomes the one punished by his own evil deed. He is avaricious. He accumulates as much wealth as he can and he even equates his lost daughter with his lost money. He is also cruel. In order to revenge, he would rather claim a pound of flesh from his enemy Antonio than get back his loan.
He is tragic, because he is the victim of the society. As a Jew, he is not treated equally by the society. The law is harsh to him. He has to make as much money as he can in order to protect him. He is abused by Antonio, so he wants to get revenge.
III. The character analysis of Hamlet
Hamlet is a scholar and a warrior. His father has been killed by his uncle, Claudius, who then take the throne and marries his mother. Hamlet is informed by the ghost of his father to take revenge, but the weakness of indecisiveness or indetermination in his character always delay his action, and finally leads to his tragic fall of death. Hamlet is not a man of action, but a man of thinking at first. He hesitates at some crucial moments. At last when he is forced to take some actions, he does kill Claudius gloriously, but he also sacrifices his own life.
V. Milton’s Paradise Lost :
1.Structure: The story is taken from the Old Testament. It extends chronologically from the exaltation of Christ before the creature of universe to the second coming of Christ. Geographically, it ranges over the entire world.
2. The character analysis of Satan:
He has the strength, the courage and the capacity for leadership, but he devoted all those qualities to evil. His defiance of God shows his egoistic pride, his false conception of freedom, and his alienation from all good. His own evil and damnation give him potentially tragic dimensions. Therefore, Satan is enveloped in dramatic irony because he fight in ignorance of the unshakable power of God and goodness.
3.Features: Parallel and contrast
The central conflict and contrast between good and evil are intensified by the contrast between heaven and hell, light and darkness, love and hate, reason and passion, etc.
Chapter Two The Neo-classical Period
III. The social satire of Jonathan Swift’s Gulliver’s Travels
The account of Lilliputian life, especially the games for people at court, alludes to the similar ridiculous practices or tricks in the English government. The description of the competition in the games before the royal members leads to the fact that the success of those government officials such as the Prime Minister lies not in their being any wiser or better but in their being more dexterous in the game. This alludes to the practices in England. And the pompous words singing of the Lilliputian emperor ridicule the aristocratic arrogance and vanity.
IV. Henry Fielding and his Tom Jones
It is a good example of “comic epic in prose”. Fielding describes the fight between Molly and the villagers and her fistfight with Goody Brown in the grand style of the Homeric epic. He first of all calls on the Muses to assist him in recounting the fight as if it were of great historical importance. Like Homer who would list names of gods involved in the battle, he lists the names of the villagers. He treats Molly as a great hero at battle, an “Amazonian heroine”.Besides, he uses a mock-epic tone and seems very solemn about what he is describing. He uses formal words and
refined language. Finally, he makes use of different figures of speech, particularly, irony and hyperbole.
Chapter Three The Romantic Period
I. Wordsworth and his “I wandered lonely as a cloud”
The poem is crystal clear and lucid. Below the immediate surface, we find that all the realistic details of the flowers, the trees, the waves, the wind, and all the realistic details of the active joy, are absorbed into an over-all concrete metaphor, the recurrent image of the dance. The flowers, the stars, the waves are units in this dancing pattern of order in diversity, of linked eternal harmony and vitality. Through the revelation and recognition of his kinship with nature, the poet himself becomes as it were a part of the whole cosmic dance.
II. Shelley and his “Ode to the West Wind”
In the poem, Shelley eulogizes the west wind as a powerful phenomenon of nature that is both destroyer and preserver. The wind enjoys boundless freedom and has the power to spread messages far and wide. The keynote in the poem is Shelley’s ever-present wish for himself and his fellow men to share the freedom of the west wind, remembering meanwhile his own and common human miseries. And the dominant mood is that of hope rather than despair, as the poet is hoping for the realization of the freedom and joy. The optimism expressed in the last two lines show the poet’s
critical attitude toward the ugly social reality and his faith in a bright future for humanity.
IV. The character analysis of Elizabeth in Jane Austen’s Pride and Prejudice
Elizabeth is a beautiful young lady in the Bennets. She is intelligent, contrasting her empty-minded, snobbish and vulgar mother. She is a women of distinct character. She is not passive, but pursue her true love bravely. She turns down Mr. Collin’s marriage proposal and seeking her happiness with Darcy, the one she possesses true affection for her. She is also courageous. When Darcy’s aunt lady comes to force her into a promise of never consenting to marry Darcy, she boldly challenges her authority, contempt and arrogance. On the whole, Elizabeth is a typical image of the good, attractive lady in the 19th century.
Chapter Four The Victorian Period
I. The features of Charles Dickens
1. His critical realism: While sticking to the principle of faithful representation of the 18th-century realist novel, he carried the duty to the criticism of the society and the defense of the mass.
2. He is a master storyteller. With his first sentence, he engages the reader’s attention and holds it to the end.
3. What he writes is mainly the middle and lower-middle class life in London.
4. He is a master of language with a large vocabulary and an adeptness with the vernacular.
5. He is a great humorist as well as a great painter of pathos. He always mingles the two to make his fictional world realistic.
6. His characters are not only true to life but also large than life. There are both individual characters and type characters.
II. Charlotte Bronte’s Jane Eyre
1. Theme: The novel sharply criticizes the religious hypocrisy of charity institutions like Lowood School, where girls are trained to be humble slaves. It rebukes the social discrimination and false convention about love and marriage. Besides, the novel is a moral fable. It tells us that people have to go through all kinds of physical or moral tests to obtain their final happiness.
2. The character analysis of Jane Eyre: Jane Eyre is an orphan child with
a fiery spirit and a longing to love and be loved. She is poor and plain, but she dares to love her master, a man superior to her in many ways, as a little governess. She is brave enough to declare to the man her love for him. She cuts a completely new women image. She represents those middle-class working women who are struggling for recognition of their basic rights and equality as a human being.
III. Emily Bronte’s Wuthering Height
1. The novel is an extraordinary moving love story: the passion between Heathcliff and Catherine is the most intense, beautiful, and the most horrible passions ever found among human beings.
2. It is also a work of critical realism. Heathcliff is abused, rejected and distorted by the society only because he is a poor orphan of obscure parents. He suffers all kinds of inhuman treatment after the death of his benefactor. He loves Catherine dearly but forced to be separated from her. So, Heathcliff’s cruel revenge upon his enemies is justified in
a way.
3. The author makes clear that it is wrong to discriminate on the basis of social status, and it is cruel and destructive to break genuine, natural human passions. Although Catherine and Edgar’s marriage is ideal in the eyes of the whole neighborhood, her love for Heathcliff is hard and everlasting.
Chapter Five The Modern Period
I. The features of Shaw’s plays:
1. Problem plays: He took the modern social issues as his subject with the aim of directing social reforms. Most of his plays are concerned with political, economic, or religious problems.
2. In his characterization, he makes the tricks of showing up one character vividly at the expense of another. His characters are the representatives of ideas, which shift and alter during the play.
3. The strong sense of comedy in his play are achieved through his witty dialogues, sharp satires, and vivid portrayal of characters.
II. The theme of Shaw’s Mrs. Warren’s profession
1. The play is not only moral, but also has a strong realistic theme. The guilt for prostitution lies more upon the social system than immoral woman. He shows all human sufferings are consequences of the economic exploitation.
2. The play is a spiritual triumph for Vivie who experiences a journey from illusion to reality. At first, she is ignorant of the evil, and through a series of temptations, she understands the capitalist world better.
IV. T. S. Eli ot’s“The love song of J. Alfred Prufrock”
Written in the form of monologue, the poem is the song of a being divided between passion and timidity. It is about the impotence and futility of a modern everyman and his existence. Prufrock is an interesting tragic figure. He is a man caught in a sense of defeated idealism and tortured by unsatisfied desire. He does not dare to seek love because even if he could find it, it would not satisfy his needs. He compares himself with Hamlet. As a result of his timidity he has become incapable of action of any sort.
V. D.H. Lawrence’s Sons and Lovers
1. Theme: Sociologically, it is a novel about modern civilization, the “sickness of a whole civilization”.Psychologically, it is a case study of the Oedipus complex theory, for it deals with a son who loves the mother
too dearly and hates the father too despisingly. The psychic conflict (between dark self and white self) in human relationships is the central theme of the novel.
2. The character analysis of Paul Morel:
He is a light, quick, slender boy. From his childhood, he is especially sensitive, artistic and imaginative, and he becomes extraordinarily dependent on his mother. When he gets older, his distorted relationship with his mother prevents him from loving girls as fully as he feels he should. Besides, Paul is also an artist, and a likeable young man adored by many girls.
VI. The features of stream of consciousness
1. The unspoken thoughts and feelings of their characters are described without resorting to objective description or conventional dialogue.
2. The flux of a character’s thoughts, impressions, emotions are often shown without logical sequence or syntax.
American Literature
Chapter one : The romantic period
II. Hawthorne’s Puritanism and his black vision of man:
1. Puritanism—it is the religious belief of the Puristans, who had intended to purify and simplify the religious ritual of the church of England.
2. his black vision of man—by the Calvinistic concept of original sin, he believed that human being are evil natured and sinful, and this sin is ever present in human heart and will pass one generation to another.
3. Young Goodman Brown—it shows that everyone has some evil secrets. The innocent and na?ve Brown is confronted with the vision of human evil in one terrible night, and then he becomes distrustful and doubtful. Brown stands for everyone ,who is born pure and has no contact with the real world ,and the prominent people of the village and church. They cover their secrets during daily lives, and under some circumstances such as the witch’s Sabbath, they become what they are. Even his closed wife, Faith, is no exception. So Brown is aged in that night.
III. The symbolism of Melville’s Mobby-Dick
1.The voyage to catch the white whale is the one of the mind in quest of the truth and knowledge of universe.
2. To Ahab, the whale is an evil creature or the agent of an evil force that control the universe. As to readers, the whale is a symbol of physical limits, or a symbol of nature. It also can stand for the ultimate mystery of the universe and the wall behind which unknown malicious things are hiding.
IV. Whitman and his Leaves of Grass :
1. Theme: sing of the “en-mass”and the self / pursuit of love, happiness, and sexual love / sometimes about politics (Drum taps)
2. Whitman’s originality first in his use of the poetic form free verse
(i.e. poetry without a fixed beat or regular rhyme scheme),by means of which he becomes conversational and casual.
3.He uses the first person pronoun “I” to stress individualism, and oral language to acquire sympathy from the common reader.
Chapter two : The realistic period
I. The character analysis and social meaning of Huck Finn in Adventure of Huckleberry Finn by Mark Twain
Huck is a typical American boy with “a sound heart and a deformed conscience”. He appears to be vulgar in language and in manner, but he is honest and decent in essence. His remarkable raft’s journey down on the Mississippi river can be regarded as his process of education and his way to grow up. At first, he stands by slavery, for he clings to the idea that if he lets go the slave, he will be damned to go to hell. And when the “King” sells Jim for money, Huck decides to inform Jim’s master. After he thinks of the past good time when Jim and he are on the raft where Jim shows great care and deep affection for him, he decide to rescue Jim. And Huck still thinks he is wrong while he is doing the right thing.
Huck is the son of nature and a symbol for freedom and earthly pragmatism. Through the eye of Huck, the innocent and reluctant rebel, we see the pre-Civil War American society fully exposed. Twain contrasts the life
on the river and the life on the banks, the innocence and the experience, the nature and the culture, the wilderness and the civilization.
II. Daisy Miller by Henry James
1. Theme: The novel is a story about American innocence defeated by the stiff, traditional values of Europe. James condemns the American failure to adopt expressive manners intelligently and point out the false believing that a good heart is readily visible to all. The death of Daisy results from the misunderstanding between people with different cultural backgrounds.
2. The character analysis of Daisy: She represents typical American girl, who is uninformed and without the mature guidance. Ignorance and parental indulgence combine to foster he assertive self-confidence and fierce willfulness. She behaves in the same daring naive way in Europe as she does at home. When someone is against her, she becomes more contrary. She knows that she means no harm and is amazed that anyone should think she does. She does not compromise to the European manners.
3. The character analysis of Winterbourne: He is a Europeanized American, who has live too long in foreign parts. He is very experience and has a problem understanding Daisy. He endeavors to put her in sort of formula, i.e. to classify her.
III. Sister Carrie by Theodore Dreiser:
1. Theme: The author invented the success of Carrie and the downfall of Hurstwood out of an inevitable and natural judgment, because the fittest
can survive in a competitive, amoral society according to the social Darwinism.
2. The character analysis of Carrie: She follows the right direction to
a pursuit of the American dream, and the circumstances and her desire for a better life direct to the successful goal. But she is not contented, because with wealth and fame, she still finds herself lonely. She is a product of the society, a realization of the theory of the survival of the fittest.
3. The character analysis of Hurstwood: He is a negative evidence of the theory of the survival of the fittest. Because he is still conventional and can not throw away the social morals, he is not fitted to live in New York.
Chapter three : The Modern Period
I. Ezra Pound and his theory of Imagism
1. The principles: a. direct treatment of the thing; b. to use absolutely no word that does not contribute to the presentation; c. to compose in the sequence of the musical; d. to use the language of common speech and the exact word; e. to create new rhythms; f. absolutely freedom in the choice of subject.
2. Imagism is to present an intellectual and emotional complex in an instant of time. An imagistic poem must present the object exactly the way the thing is seen. And the reader can form the image of the object through the process of reading the abstract and concrete words.
II. Frost and his poetry on nature:
Frost is deeply interested in nature and in men’s relationship to nature. Nature appears as an explicator and a mediator for man and serve as the center of reference of his behavior. Peace and order can be found in Frost’s poetical natural world. With surface simplicity of his poems, the thematic concerns are always presented in rich symbols. Therefore his work resists easy interpretation.
III. F. Scott Fitzgerald and his The Great Gatsby
1. Theme: Gatsby is American Everyman. His extraordinary energy and wealth make him pursue the dream. His death in the end points at the truth about the withering of the American Dream. The spiritual and moral sterility that has resulted from the withered American Dream is fully revealed in the article. However, although he is defeated, the dream has gave Gatsby a dignity and a set of qualities. His hope and belief in the promise of future makes him the embodiment of the values of the incorruptible American Dream .
2. The character analysis of Gatsby: Gatsby is great, because he is dignified and ennobled by his dream and his mythic vision of life. He has the desire to repeat the past, the desire for money, and the desire for incarnation of unutterable vision on this material earth. For Gatsby, Daisy is the soul of his dreams. He believe he can regain Daisy and romantically rebels of time. Although he has the wealth that can match with the leisured class, he does not have their manners. His tragedy lies in his possession of a naive sense and chivalry.
IV. Ernest Hemingway’s artistic features:
1. The Hemingway code heroes and grace under pressure:
They have seen the cold world ,and for one cause, they boldly and courageously face the reality. They has an indestructible spirit for his optimistic view of life. Whatever is the result is, the are ready to live with grace under pressure. No matter how tragic the ending is, they will never be defeated. Finally, they will be prevail because of their indestructible spirit and courage.
2.The iceberg technique:
Hemingway believe that a good writer does not need to reveal every detail of a character or action. The one-eighth the is presented will suggest all other meaningful dimensions of the story. Thus, Hemingway’s language is symbolic and suggestive.
V. The character analysis of Emily in A Rose for Emily:
Emily is a symbol of old values, standing for tradition, duty and past glory. But she is also a victim to all those she cares and embrace. The source of Emily’s strangeness is from her born pride and self-esteem, the domineering behavior of her father and the betrayal of her lover. Barricaded in her house, she has frozen the past to protect her dreams. Her life is tragic because the defiance of the community, her refusal to accept the change and her extreme pride have pushed her to abnormality and insanity.
《英美文学选读自学考试大纲》的考核知识点与考核要求
（一）关于考核知识点的调整
考核知识点中的各章概述内容仍为考核内容；对知识点中的作家只保留对如下主要作家的考核。
英国文学：
Chapter 1 III. William Shakespeare
John Milton
Chapter 2 III. Daniel Defoe
IV. Jonathan Swift
V. Henry Fielding
Chapter 3 I. William Blake
II. William Wordsworth
V. Percy Bysshe Shelley
VII. Jane Austen
Chapter 4 I. Charles Dickens
II. Charlotte Bronte
VI. Thomas Hardy
Chapter 5 I. George Bernard Shaw
IV. T. S. Eliot
V. D. H. Lawrence
美国文学：
Chapter 1 III. Nathaniel Hawthorne
IV. Walt Whitman
V. Herman Melville Chapter 2 I. Mark Twain
II. Henry James
III. Emily Dickinson
IV. Theodore Dreiser Chapter 3 II. Robert Lee Frost
IV. F. Scott Fitzgerald
V. Ernest Hemingway
VI. William Faulkner （二）关于考核要求的调整
Chapter I The Renaissance Period Definitions of the Literary Terms: 文艺复兴时期的界定 1. The Renaissance: The Renaissance marks a transition from the medie val to the modern world. Generally, it refers to the period between the 14 th & 17th centuries. 历史文化背景It first started in Italy, with the flowering of painting, sculpture & literature. From Italy the movement went to emb race the rest of Europe. The Renaissance, which means "rebirth" or "reviva l," is actually a movement stimulated by a series of historical events, such as the re-discovery of ancient Roman & Greek culture, the new discoverie s in geography & astrology, the religious reformation & the economic expa nsion. The Renaissance, therefore, in essence is a historical period in whic h the European humanist thinkers & scholars made attempts to get rid of those old feudalist ideas in medieval Europe, to introduce new ideas that e xpressed the interests of the rising bourgeoisie, & to recover the purity of the early church from the corruption of the Roman Catholic Church. 2. 文艺复兴到英国比较晚的原因The Renaissance was slow in reaching Englan d not only becaus e o f England?s separation from the Continent but also be cause of its domestic unrest. It was not until the reign of Henry VIII that the Renaissance really began to show its effect in England. With Henry VII I?s encouragement the Oxford reformers, scholars and humanists introduc ed classical literature to England. 15th century, began the English Renaissa nce, which was perhaps England?s Golden Age, especially in literature. 人文主义H umanism: Humanism is the essence of the Renaissance. It sprang from the endeavor to restore a medieval reverence for the ancient author s and is frequently taken as the beginning of the Renaissance on its consci ous, intellectual side, for the Greek and Roman civilization was based on s uch a conception that man is the measure of all things. Through the new l earning, humanists not only saw the arts of splendor and enlightenment, b ut the human values represented in the works. Renaissance humanists fou nd in the classics a justification to exalt human nature and came to see th at human beings were glorious creatures capable of individual development in the direction of perfections, and that the world they inhabited was thei rs not to despise but to question, explore, and enjoy. Thus, by emphasizin g the dignity of human beings and the importance of the present life, they voiced their beliefs that man did not only have the right to enjoy the bea uty of this life, but had the ability to perfect himself and to perform wond ers. Thomas More, Christopher Marlowe and William Shakespeare are the b est representatives of the English humanists. The first period of the English Renaissance was one of imitation and assimi lation.
要通过《英美文学选读》这门课考试，不是考前“冲刺”一类的短训能奏效的。这门课难就难在它的阅读量很大，它包括英国和美国的诸多作家的诸多作品，而每一部作品就是一部书。现行统一教材在作家和作品的选取方面尽管已经是精而又精了，但还是不得不采用节选的办法来压缩篇幅。即便如此，为了更好地理解作品，考生还不得不在对整部作品了解的基础上，在教师指导下反复阅读节选，才能对节选部分的内容以及思想有较好的理解。不过文学阅读也有规律可循。下面的文字就“选读”课的性质、阅读时读取什么信息、现行试题各个部分的考查点是什么、如何回答简单论述题等问题，给考生一点提示，希望能对考生学习、复习《英美文学选读》课提供一些帮助。 第一部分《英美文学选读》课的性质 一、《英美文学选读》课的重点是作品顾名思义，“英美文学选读”是有选择地阅读英美文学史上有影响作家的重要作品，熟知作品内容，了解大多数批评家和读者已经接受的对这些作品主题的表述，并能从作品中找到、列举出证明这些表述的细节。这样的定义里有三个要注意的问题。一是作品内容，二是作品里的细节，三是节作品主题。三个同等重要，学习者不能只取其一。以小说为例，所谓作品内容，是指情节(plot)、场景(setting)、人物(characters)、语气(tone)、以及语言(style)。情节是指故事里所展示的事件和这些事件按作家意愿有序的安排，如事件发生的背景、事件中涉及的人物、事件本身(即冲突)、以及解决冲突的办法和结果。情节就是故事；没有情节就没有故事；熟知情节是理解文学作品，特别是小说和戏剧的第一、也是不可缺少的一步。不掌握故事情节，对作品进行深入分析就无从谈起。有故事当然就有人，对人物的分析是对作品分析的核心。语气是指作者在他／她刻画人物、安排情节、描写场景时所持的态度，而作者的态度直接影响我们对作品思想的理解。作者要表达自己对人物、事件的态度，只有通过文字才能与读者交流，而不同的作家使用语言的风格(style)是不一样的。如果掌握了以上内容，就掌握了细节，之所以把细节单列出来，是因为多数考生只记得大概情节，考试中不能用具体的细节进行人物或思想分析、评述，空话太多。劳伦斯小说《儿子与情人》(Sons and Lovers)里，成年的保罗是如何仍然生活在他母亲的掌控之下的细节，是分析这部作品里的人物和主题的关键，不能引用相关细节作为根据，分析就失去了基础。阅读文学作品一定要在一般性的了解情节的基础上，尽量记一些细节，细节显示考生对作品的熟悉程度。主题是对作品思想的高度概括。教材里作家作品概述和作品简介(斜体部分)，对作品主题已有简明准确的表述，考生不可不读。对这些表述的理解，又是以考生对作品内容、细节的掌握为基础的。作品内容、细节、主题是考生学习的重点。 两点说明： (一)这里我们姑且不讨论新批评对作者和作品关系的观点，也不去讨论接受美学和读者反映理论，本科阶段没有开设文学批评理论课，没有必要进行那样的讨论，教师也不要引入类似的话题，以免造成不必要的困惑。 (二)从历年考题来看，作家的生卒年月、家庭背景、接受教育情况、作品发表年代等都不在考察范围，考生不必在这些方面浪费时间。目前市场上有一些英美文学教材和辅导材料在作家生平上花费了相当的篇幅，有的甚至远远超过了对文学作品本身的介绍和分析，这类书籍对考生复习没有多大帮助。教育部组织专家编写的现行教材尽管可以再修改、完善，但它的最大好处是它给考生提供了学生最需要的作品概要和精确而恰当的分析(教材里作品前的斜体部分)，对考生从作品全貌理解文学作品很有帮助。 二、文学作品与文学史的关系关于文学作品和文学史哪个在先、以及哪个更重要的问题，我们还是留给专门的学者去争论，我们要搞清楚的是考生学习过程中应该以哪一个为重点的问题。前面讲选读课的性质时已经讲过，《英美文学选读》课的重点是作品，以往考试所包括的内容也充分说明了这一点，似乎没有争论的必要。但我们不得不考虑另一个无法回避的问题：如何对待教材中每个文学阶段前对该时期影响文学作品的经济、文化、社会、思想思
英美文学选读翻译（英语专业自考） 第一部分：英国文学 第一章文艺复兴时期 文艺复兴标志着一个过渡时期,即中世纪的结束和现代社会的开始。一般来说,文艺复兴时期是从十四世纪到十七世纪中叶。它从意大利兴起,伴随着绘画、雕塑和文学领域的百花齐放,而后文艺复兴浪潮席卷了整个欧洲。文艺复兴,顾名思义即重生、复苏,是由一系列历史事件激发推动的,其中包括对古希腊罗马文化的重新发现。地理天文领域的新发现,宗教改革及经济发展。因此,文艺复兴从本质上是欧洲人文主义者竭力摒弃中世纪欧洲的封建主义,推行代表新兴城市资产阶级利益的新思想,并恢复早期宗教的纯洁性,远离腐败的罗马天主教廷的一场运动。 文艺复兴浪潮影响到英国的速度比较慢,不仅因为英国远离欧洲大陆,而且还因为其国内的动荡不安。乔叟去世后的一个半世纪是英国历史上最动荡不安的时期。好战的贵族篡取了王位,使英国走上自我毁灭之路。著名的玫瑰之战就是极好的例子。后来理查三世的恐怖统治标志着内战的结束,在都铎王朝的统治下英国的民族情感又成长起来。然而直到亨利八世统治期间(1509-1547),文艺复兴的春风才吹入英国。在亨利八世的鼓励下,牛津的改革派学者和人文主义者们将古典文学引入英国。基于古典文学作品及《圣经》的教育重获生机,而十五世纪就被广泛传阅的文学作品则更加流行了。自此,英国的文艺复兴开始了。英国,尤其是英国文学进入了黄金时代。这个时期涌现出莎士比亚、斯宾塞、约翰逊、锡德尼、马洛、培根及邓恩等一大批文学巨匠。但英国的文艺复兴并未使新文学与旧时代彻底决裂,带有十四、十五世纪特点的创作态度与情感依然贯穿在人文主义与改革时代。 人文主义是文艺复兴的核心。它源于努力恢复中世纪产生的对古希腊罗马文化的尊崇。人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以"人"为中心,人是万物之灵。通过这些对古代文化崭新的研究,人文主义者不仅看到了光彩夺目的艺术启明星,还在那古典作品中寻求到了人的价值。在中世纪的社会中,个人完全隶属于封建统治,没有独立和自由可言;在中世纪的神学理论中,人与周围世界的关系仅仅是人消极适应或消极遁世,不允许追求快乐,以备死后灵魂得以超脱。然而人文主义者们却从古代文化遗产中找到了充足的论据,来赞美人性,并开始注意到人类是光荣的生命,人自己可以不断发展,至善至美,而且人们生存的世界是属于他们的,供他们怀疑、探索以及享受。由此,人文主义者通过强调人类的尊严、强调今生今世的重要性,喊出了他们的信仰,即人类不仅有权利在今生今世美好生活,而且还有能力完善自我,创造奇迹。人文主义遍布英国思想领域的。标志是荷兰学者伊拉斯谟先后到牛津大学与剑桥大学讲授古典文化研究。托马斯·漠尔、克利斯朵夫·马洛和威廉·莎士比亚是英国人文主义的代表。
绝密★考试结束前 全国2014年4月高等教育自学考试 英美文学选读试题 课程代码：00604 请考生按规定用笔将所有试题的答案涂、写在答题纸上。全部题目用英文作答。 选择题部分 注意事项： 1．答题前，考生务必将自己的考试课程名称、姓名、准考证号用黑色字迹的签字笔或钢笔填写在答题纸规定的位置上。 2．每小题选出答案后，用2 B铅笔把答题纸上对应题目的答案标号涂黑。如需改动，用橡皮擦干净后，再选涂其他答案标号。不能答在试题卷上。 I. Multiple Choice(40 points in all, 1 for each) Select from the four choices of each item the one that best answers the question or completes the statement. Mark your choice by blackening the corresponding letter A, B, C or D on the answer sheet. 1. Shakespeare has established his giant position in world literature with his ______ plays, 154 sonnets and 2 long poems. A. 27 B. 38 C.47 D. 52 2. john Milton’s literary achievement can be divided into three groups: the early poetic works, the middle prose pamphlets and the last ______. A. romances B. dramas C. great poems D. ballads 3. The novels of ______ are the first literary works devoted to the study of problems of the lower— class people. A. John Milton B. Daniel Defoe C. Henry Fielding D. Jonathan Swift
美文学这门科目庞大之极，堪称英本自考之最。自己一个人看那么厚的一本书，不用说能不能看下来，能记住多少实在不好说！ 我在复习的时候，总结了一些规律，与大家分享，望对你有用，帮你顺利通过！ 1.题型分析： 一般来讲，肯定是这种类型：a.单项选择题（40道，40分） b.引文简析（无非就是问问作者是谁，出自哪个作品，主题意象什么的，4道，16分）c.简答题（4道，24分）d.论述题（无非就是分析加读后感，20分） 经验：你应该可以看出来了，重点当然是单选了，分数大，又好得分，实在不行还可以蒙。建议尽可能把书看一遍，但不要看作者生平，那肯定不会考。有个印象就可以了，不用去背，如果你汉语文学功底好，可以省去不少时间。 2.比例分析 据本人统计，历年来英美文学的国考试卷中英国文学占52%，美国文学占48%。（2003年4月例外，其中英国部分58%）其中，可以看出 单选题：前22题肯定为英国部分，其余为美国部分。 大题部分：基本上是一人一半，各占50% 经验：书上共652页，英国411页，美国241页。英国作家共38位，美国15位。其中，美国部分中，诗歌作品也比较少，比较好确认。结论：死学美国，顺带英国。 3.内容分析 历年命题的趋势逐渐由课文内容向选读作品转移，选读的比重越来越大。 经验：课文内容作到大体了解，但要特别重视作家艺术特色。选读部分加大力度，多注意书上的注释及选文大意和某些细节，尽量作到能用英语复述。实在不行，也至少作到能用汉语复述。 4.真题解析及预测 自学考试的一大特点就是重复率高，所以历年试题是必惫的复习材料，不可缺少。有人说：“一套真题等于3套模拟题！”这话绝对没错。所以要花大力气在上面。记得我考那回就有一道10分大题和前一年的一模一样。 注：马克吐温的《哈克贝里费恩历险记》的分析在2000~2002年中，连续考了三次。 经验：注意历年真题，尤其是去年的。去年的10分大题大致如下： a.《傲慢与偏见》中的三种婚姻 b.《白鲸》选文作品复述几分析象征意义。 ================================================ 4月14日]投机取巧教你过英美文学[压题篇] 本文是投机取巧过英美文学的最后一篇，收录北京市2004年4月10日英美文学考试的试题(除选择题外)，是我在北京自考论坛处网友处所得，特此对提供帮助的朋友表示感谢。 二、1、Thomas Gray：Elegy in the Country Churchyard的第一段 2、Yeats的Down by the sallen garden，考的是他俩站在河边，那个女孩*在他肩头，他觉得自己年轻懵懂，而且泪流满面。 3、Emyly Bronte的Whuthering Heights里面Hethcliff在他lover临死之前的那段表现，还问了narrator 是谁 4、Emlily Dikinson的I Heard a Fly Buzz--When I died，问那个blue Buzz是什么意思
英美文学选读要点总结精心整理(只考26位作家) [英国』Chapter1 The Renaissance period（14世纪至十七世纪中叶）文艺复兴 1. Humanism is the essence of the Renaissance.人文主义是文艺复兴的核心。 2. the Greek and Roman civilization was based on such a conception that man is the measure of all things.人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以“人”为中心，人是万物之灵。 3. Renaissance humanists found in then classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy.人文主义者们却从古代文化遗产中找到充足的论据，来赞美人性，并开始注意到人类是崇高的生命，人可以不断发展完善自己，而且世界是属于他们的，供他们怀疑，探索以及享受。 4. Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English humanists.托马斯.摩尔，克利斯朵夫.马洛和威廉.莎士比亚是英国人文主义的代表。 5. Wyatt introduced the Petrarchan sonnet into England.怀亚特将彼特拉克的十四行诗引进英国。 6. The first period of the English Renaissance was one of imitation and assimilation.英国文艺复兴初期只是一个学习模仿与同化的阶段。 7. The goals of humanistic poetry are: skillful handling of conventions, force of language, and, above all, the development of a rhetorical plan in which meter, rhyme, scheme, imagery and argument should all be combined to frame the emotional theme and throw it into high relief.人文主义诗歌的主要目标是对传统习俗的熟练运用，语言的力度与气概，而最重要的是发展了修辞模式，即将格律，韵脚（式），组织结构，意象（比喻，描述）与议论都结合起来勾画出情感主题，并将其极为鲜明生动的表现出来。 8. The most famous dramatists in the Renaissance England are Christopher Marlowe, William Shakespeare, and Ben Jonson.文艺复兴时期英国最著名的戏剧家有克利斯朵夫.马洛，威廉.莎士比亚与本.约翰逊。 9. Francis Bacon (1561-1626), the first important English essayist.费兰西斯.培根是英国历史上最重要的散文家。(III)William Shakespeare威廉.莎士比亚 17. The first period of his dramatic career, he wrote five history plays: Henry VI, Parts I, II, and III, Richard III, and Titus Andronicus; and four comedies: The Comedy of Errors, The Two Gentlemen of Verona, The Taming of the Shrew, and Love’s Labour’s Lost.在他戏剧创作生涯的第一个阶段，他创作了五部历史剧：《亨利六世》，《理查三世》，《泰托斯.安东尼》以及四部喜剧：《错误的戏剧》，《维洛那二绅士》，《驯悍记》和《爱的徒劳》。 18. In the second period, he wrote five histories: Richard II, King John, Henry IV, Parts I and II, and Henry V; six comedies: A Midsummer Night’s Dream, The Merchant of Venice, Much Ado About Nothing, As You Like It, Twelfth Night, and The Merry Wives of Windsor; and two tragedies: Romeo and Juliet and Julius Caesar.在第二阶段，他写了五部历史剧：《理查三世》，《约翰王》，《亨利四世》，《亨利五世》以及六部喜剧《仲夏夜之梦》，《威尼斯商人》，《无事生非》，《皆大欢喜》，《第十二夜》，《温莎的风流娘儿们》，还有两部悲剧：《罗密欧与朱丽叶》和《裘利斯.凯撒》。 19. Shakespeare’s third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus. The two comedies are All’s Well That Ends and Measure for Measure.第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧（或悲喜剧），悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。两部喜剧是《终成眷属》和《一报还一报》。 20. The last period of Shakespeare’s work includes his principle romantic tragicomedies: Pericles, Cymbeline, The Winter’s Tale and The Tempest; and his two plays: Henry VIII and The Two Noble Kinsmen.最后一个时期的作品主要有浪漫悲喜剧：《伯里克利》《辛白林》《冬天的故事》与《暴风雨》。他最后两部剧是《亨利八世》与《鲁克里斯受辱记》。21. Shakespeare’s sonnets are the only direct expression of the poet’s own feelings.这些十四行诗都是莎翁直抒胸臆的成果。 22. Shakespeare’s history plays are mainly written under the principle that national unity under a mighty and just sovereign is a necessity.莎翁的历史剧都有这样一个主题：在一个强大英明的君主统领下的国家，统一是非常必要的。 23. In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth, and the romantic elements are
自考英美文学选读要点总结精心整理 [英国』Chapter1 The Renaissance period（14世纪至七世纪中叶）文艺复兴 1、Humanism is the essence of the Renaissance、人文主义是文艺复兴的核心。 2、 the Greek and Roman civilization was based on such a conception that man is the measure of all things、人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以“人”为中心，人是万物之灵。 3、 Renaissance humanists found in then classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy、人文主义者们却从古代文化遗产中找到充足的论据，来赞美人性，并开始注意到人类是崇高的生命，人可以不断发展完善自己，而且世界是属于他们的，供他们怀疑，探索以及享受。 4、 Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English
威廉-莎士比亚 威廉-莎士比亚（1564-1616）是世界有史以来最著名的作剧家和诗人之一。凭着38部作品，154首十四行诗和2首长诗，他建立了他在世界文学史中的赫赫威名。他也被全世界各式各样的学者和评论家给予了最高的赞誉。在过去4百年间，关于莎士比亚的书籍和文章还不断大量出版。 莎士比亚可能出生于1564年4月23日埃文河畔斯特拉特福城的一户商人家庭。他的父亲的职业被传为是卖手套的、羊毛商人、农夫或者是屠夫，是一个镇上有点地位的人，并多次当选为镇委员会的成员。莎士比亚在哪个美丽的贸易小镇度过了他的童年并上了斯特拉特福语文小学。他真正的老师是大自然和周围的百姓。1587年，莎士比亚娶了大他几岁的安妮-哈撒韦为妻。妻子为他生了3个孩子，苏珊娜和双胞胎朱迪斯和哈姆尼特。也许由于要养活不断壮大的家庭，莎士比亚在1586或1587年离开斯特拉特福去了伦敦。 莎士比亚去了伦敦一处为戏剧发展提供了优越环境的地方。他既当演员又做作剧家，为张伯伦家族做事，张伯伦家族后来又成为了王族。莎士比亚的事业发展得如此的好以致被誉为‘大学才子’之一的罗伯特-格林气极败坏地地称呼他是只‘向上扑腾的乌鸦’。 大约从1591到1611年间，莎士比亚到达了他戏剧生涯的顶峰，他的作品一部又一部地不断问世。莎士比亚没有把他的天赋局限于戏院里，在1593和1954年，他发表了2篇叙事诗，《维纳斯与阿多尼斯》和《路易斯受辱记》，都是写给南安普顿伯爵的。1609年他也写了短诗并出版了。到1597年时莎士比亚已经很有钱了，他在斯特拉特福买套大宅子作为新居。大约于1610年莎士比亚从伦敦退隐回了斯特拉特福，即便如此他还是坚持写作了一段时间。他卒于1616年4月23日。 由于对莎士比亚的许多作品的创作准确时间仍然存有争议，评论家们对把莎士比亚戏生涯的戏剧作品划分阶段方面存有不同的观点。但总体来说他的戏剧生涯可以分为4个时期。 莎士比亚戏剧创作生涯的第一个阶段是创作早期。他写了5部历史剧：《亨利六世》的第一、二、三部，和《泰特斯·安特洛尼克斯》；4部戏剧：《错误的戏剧》，《维罗纳的2位绅士》，《驯悍记》和《爱的徒劳》。 第二个阶段，莎士比亚的创作风格和方式变得极具个性。在不同的人物之间、现象和现实之间，莎士比亚构造了复杂的典范，他对人类各种缺点进行了精妙的诠释。在这个时期他写了5部历史剧：《理查二世》，《约翰国王》，《亨利四世》第一、二部和《亨利五世》;6部戏剧：《仲夏夜之梦》，《威尼斯的商人》，《无事生非》，《皆大欢喜》，《第12夜》和《温莎的风流妇人》；2部悲剧：《罗密欧和朱丽叶》和《裘里斯凯撒》 莎士比亚的第三时期作品包括他最杰出的悲剧和所谓的黑色喜剧。这个时期的悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》，《麦克白》，《安东尼与克利奥帕特拉》，《特洛伊罗斯与克雷西达》和《科里奥兰纳斯》。2部喜剧是：《终成眷属》和《争锋相对》。 莎士比亚最后时期的作品包括他主要的烂漫悲喜剧：《伯利克里》，《辛白林》，《冬天的故事》和《暴风雨》；和他最后两部作品：《亨利八世》和《两个贵亲戚》。 莎士比亚真正的跟戏剧五官的是个主要是两首叙述长诗：《维纳斯和阿多尼斯》和《路易斯受辱记》，和他的154首系列短诗。莎士比亚的十四行诗都单是
C.威廉莎士比亚《威尼斯商人》《哈姆雷特》 《暴风雨》 十四行诗 F.约翰弥尔顿 《利西达斯》 《失乐园》 《复乐园》 《力士参孙》 C.丹尼尔笛福 《鲁滨逊漂流记》D.乔纳森斯威夫特《格列佛游记》 E.亨利菲尔丁 《汤姆琼斯》 A.威廉布莱克 B.威廉华兹华斯 E.珀比雪莱 G.简奥斯汀 《傲慢与偏见》 A.查尔斯狄更斯《雾都孤儿》 B.布朗蒂姐妹 《简爱》 《呼啸山庄》 F.托马斯哈代 《德伯家的苔丝》A.萧伯纳 《华伦夫人的职业》D.T.S.艾略特 《荒原》 E.戴维赫伯特劳伦斯《儿子与情人》 C.纳撒尼尔霍桑《红字》 《小伙子布朗》 D.华尔特惠特曼《草叶集》 E.赫尔曼麦尔维尔《白鲸》 A.马克吐温 《哈克贝里费恩》B.亨利詹姆斯
《黛西米勒》 C.艾米莉狄金森 D.西奥多德莱塞 《嘉丽妹妹》 B.罗伯特弗洛斯特 《摘苹果后》 《未选择的路》 《雪夜停马在林边》 D.司各特菲兹杰拉德 《了不起的盖茨比》 E.欧内斯特海明威 《在我们的时代里》 网格本下载地址《外国文学名著丛书》上海译文出版社 https://www.doczj.com/doc/9418366234.html,/topics/2749655/ 目录: 【外国文学名著丛书】·网格本 【外国文学名著丛书】·网格本\【外国文学名著丛书】亨利四世(上册)[德]亨利希·曼董问樵.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】亨利四世(下册)[德]亨利希·曼董问樵.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】亨利四世(中册)[德]亨利希·曼董问樵.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】呼啸山庄[英]艾米莉·勃朗特方平.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】红与黑[法]司汤达郝运.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】红字[美]霍桑侍桁等.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】斯巴达克思.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】死魂灵[俄]果戈理满涛等.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】谁在俄罗斯能过好日子[俄]涅克拉索夫飞白.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】鲵鱼之乱[捷克]卡·恰佩克贝京.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】唐璜[英]拜伦查良铮.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】堂吉诃德[西]塞万提斯杨绛译上.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】堂吉诃德[西]塞万提斯杨绛译下.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】汤姆大伯的小屋[美]斯陀夫人黄继忠.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】特利斯当与伊瑟[法]贝迪耶罗新璋.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】变形记[古罗马]奥维德杨周翰.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】悲剧二种[古希腊]埃斯库罗斯罗念生.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】悲剧二种[古希腊]欧里庇得斯罗念生.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】悲剧二种[古希腊]索福克勒斯罗念生.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】沙恭达罗[印度]迦梨陀娑季羡林.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】社会毒瘤[菲律宾]何塞·黎萨尔陈尧光.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】神曲地狱篇[意大利]但丁朱维基.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】神曲地狱篇[意大利]但丁田德望.pdf
Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality. We slowly drove, he knew no haste, And I had put away My labor, and my leisure too, For his civility. We passed the school, where children strove At recess, in the ring; We passed the fields of gazing grain, We passed the setting sun. Or rather, he passed us; The dews grew quivering and chill, For only gossamer my gown, My tippet only tulle. We paused before a house that seemed A swelling of the ground; The roof was scarcely visible, The cornice but a mound. Since then 'tis centuries, and yet each Feels shorter than the day I first surmised the horses' heads Were toward eternity. 我无暇去会死亡 爱米莉·伊丽莎白·狄更生 我无暇去会死亡， 死神便和善地接我前往，我只好放下劳作与闲暇，无法拒绝他的殷勤礼让。 我们一起坐上马车， 还有永生陪伴身旁， 我们驱车缓缓前行， 他悠然自得不慌不忙。 我们经过校园， 娱乐的孩子挤满操场， 我们经过田野，麦穗张望，我们经过西沉的太阳。 或许该是夕阳经过我们吧，露珠抖动，略显苍凉， 只为我的面纱、斗篷， 还有我薄丝织就的衣裳。 我们经过一个隆起的土堆，那似乎是一座住房， 屋顶几乎无法看见， 屋架也在地下埋藏。 感觉比一天还要短暂， 虽然自此千万年岁月漫长，我初次产生这种猜测： 永恒正是马头所向。
1. …I glaneed back once. A wafer of a moon was shining over Gatsby's house, making the ni ght fine as before, and survi ving the laughter and the sound of his still glowing garden. A sudden emptiness seemed to flow now from the windows and the great doors, endowing with complete isolation the figure of the host, who stood on the porch, his hand up in a formal gesture of farewell. A. lden tify the author and the title of the no vel from which this passage is take n. F. Scott Fitzgerald, The Great Gatsby B. The passage describes the end of an eve nt. What is it? It is a description of the end of a big party C. What implied meaning can you get from read ing this passage? The passage hints at the meaninglessness, spiritual emptiness and vanity of such a life of pleasure-seeking. There is a tragic sense that the party ”will be over. 2. My ton gue, every atom of my blood, form'd from this soil, this air, Born here of pare nts born here from pare nts the same, and their pare nts the same, I, now thirty-seve n years old in perfect health begi n, Hoping to cease not till death. A. Iden tify the poet and the title of the poem. Whitman, Song of Myself B. What do "soil" and "air" represe nt in the first line? America, his coun try, his n ative land C. What does the poet try to say in the above four lin es? I was born and nurtured by this land and shall from now on devote my whole life to the coun try. 3. I celebrate myself, and sing myself, And what I assume you shall assume, For every atom bel onging to me as good bel ongs to you. I loafe and inv ite my soul, I lea n and loafe at my ease observ ing a spear of summer grass. ” (From Walt Whitman ' So ng of Myself ”) A. Who does myself ” refer to ? The poet himself and the America n people. B. How do you un dersta nd the line I loafe and in vite my soul? ” The line in dicates a separati on of the body and the soul. C. What does a spear of summer grass "symbolize? The phrase in dicates Whitma n ' optimism and experie nee. 4. "A nd the n ative hue of resoluti on/Is sicklied o 'r with the pale cast of thought." (Shakespeare, Humlet) A. What does the "n ative hue of resoluti on" mea n? determ in ati on (determ inedn ess, actio n, activity, ...) B. What does the "pale cast of thought" sta nd for? con siderati on (in decisi on, in activity, hesitati on,...) C. What idea do the two lines express? Too much thi nking (con siderati on,...) made (makes) activity (acti on) impossible. 5. "Wild Spirit, which art moving everywhere; /Destroyer and Preserver; hear, O hear!" A. Ide ntify the poem and the poet. Shelley ' Ode to the West Wind B. What is the "Wild Spirit"? The West Wind; "breath of Autumn ' being" C. What does the "Wild Spirit" destroy and preserve? It destroys things that are dead, it preserves new life. 6. "Whe n the mini ster spoke from the pulpit, with power and fervid eloque nee, and, with his hands on the ope n bible, of the sacred truths of our religi on, and of sain t-like lives and triumpha nt deaths, and of future bliss or misery unu tterable, the n did Goodma nBrow n turn pale, dreadi ng, lest the roof should thun der dow n upon the gray blasphemer and his hearers. A. Ide ntify the title of the short story from which this part is take n. Hawthorne ' Young Goodman Brown B. What had happe ned in the story before this church sce ne? Brow n had atte nded a witches ' party where he saw many prom inent people of the village, the mini ster in cluded. C. Why was Goodma n Brow n afraid the roof might thun der dow n? Brow n was shocked by the mini ster, secretly a member of the evil club, who could talk about sacred truths of the religi on ope nly and un ashamedly. He thought God would punish such hypocrites dow n on them. 7. (A lot of comm on objects have bee n enu merated before, and here are the last two lines of There Was a Child Went Forth :) The horizon ' edge, the flying sea-crow, the fragranee of salt marsh and shore mud. These became part of that child who went forth every day, and who now goes, and will always go forth every day. A. Who is the author of this poem? What is the title of the poem? Whitma n. There was a Child Went Forth B. What does the "Child" sta nd for in the poem? The young grow ing America. C. In one or two senten ces, i nterpret the implied meaning of the two lin es. The poet uses his childhood experie nee of grow ing up and lear ning about the world around him to imply that young America will grow and develop like that. D. How do you un dersta nd These became part of the child ”？ It is interesting to reexamine the sequenee of the items list in this poem which became part of the child ". They reflect the natural process of a boy ' growth. At first, his world was limited within the barnyard. Later, he sought into fields and streets. Then, he became interested in something more mysterious —his fellow huma n bein gs. Fin ally, he was on the symbolic threshold of the outside world, the sea. He had grow n in to a young man from a boy. 8. And when I am formulated, sprawling on a pin, Whe n I am pinned and wriggli ng on the wall. Then how should begi n