Hamlet赏析
真正构成哈姆雷特的精华部分Best parts，是剧中哈姆雷特十数段或长或短的“独白”。它们全面而完整地勾画了悲剧主人公的心路历程，反映了当时人们对社会，人生，自我，善恶，正义与腐败，美好与丑恶等的思考，也正是这些独白，使哈姆雷特具备了深刻的人文主义精神和深邃的思想，超越了同时代一般意义上的复仇悲剧。
Constitute the essence of the real Hamlet, Hamlet is a play a dozen or long or short paragraph of the "monologue." They are comprehensive and complete picture of the tragedy of the mentality of the main character, at that time reflected the people's social life, self, good and evil, justice and corruption, good and evil, such as thinking, it is these monologues, so that Hamlet has a deep The spirit of humanism and deep thinking, from the same period beyond the general sense of revenge tragedy.真正构成哈姆雷特的精华部分，哈姆雷特是一打一打或长或短的“独白段落。”他们的主要人物的心理悲剧的全面和完整的画面，体现了当时人们的社会生活，自我，善与恶，正义与腐败，好的邪恶的，如思想，正是这些独白，让哈姆雷特具有深厚的人文精神和深刻的思考，从超越
复仇悲剧一般意义上的同一时期。
There are thousand Hamlets in a thousand people's eyes.
一千个读者眼中有一千个哈姆雷特。
Once the "Oak" to be inflated to open the root, the "vase" on the non-breaking is not to squeeze, and this is a tragedy. Found in Hamlet, the vulnerability of
people and the environment is so brutal and contrary to each other, as well as the unique aspects of the character appears in the connotations of dense and thick, it is also in the extension of broad and deep. By doing so, some experts have claimed that Hamlet is not an objective of the role of out-of-date, but each of us own.
Shakespeare does not belong to an era which belongs to the whole century, his plays like a brilliant Star of the Big Dipper, the direction of guidelines for people.
"The survival or destruction, this is a problem worth considering," he raised the issue of philosophy is the basic proposition. Because just occurred to him of these things lead to his philosophy of life, thinking, in his life, everything good or bad times, he will not take into account this issue, then the only life he saw the light face, then life is good, and now, the sudden tragedy forced him to face up to the dark side of life and the ugly side of human nature.
It can be said that Hamlet to life the dark side or a more profound understanding. The past he only turned a blind eye to it all. Now the harsh reality forced him to face all this. He had a premonition that he had been dragged into the inevitable fate of a tragedy. If it was to kill his father, then became a father for revenge can not shirk his life's mission. And his enemy is today's king, to kill him, certainly not an easy task, but no matter how difficult, is not hatred of killing father reported,
His immediate task is to think of a clever way to verify whether his uncle killed his father. Plot, plot and the killing, which is contrary to the nature of Hamlet kind of innocence, but his mission of revenge necessary. In the Mood for Love in the life of Hamlet in the back of a heavy revenge mission, the hearts of all day is full of hatred, the dark and his heart heavy, he can not extricate themselves into the abyss of suffering.
一旦“橡树”充气打开根，“花瓶”的不间断不挤，这是一个悲剧。发现在哈姆雷特，脆弱的人和环境是如此的残酷相反，以及独特的方面的人物出现在浓密的内涵，也正是在延长的广泛和深入。通过这样做，一些专家认为哈姆雷特是不是过时的客观作用，但我们每个人自己。
莎士比亚不属于一个时代属于整个世纪，他扮演一个星光灿烂的北斗七星，指引方向的人。
“生存还是毁灭，这是一个值得思考的问题，”他提出的问题是哲学的基本命题。因为他刚刚想到这些事情导致他的人生哲学，思考，在他的生活中，一切好的或坏的时代，他没有考虑到这一问题，那么唯一的生活他看到光的脸，然后生活是好的，现在，突然发生的悲剧使他面对的生活的阴暗面和人性丑恶的一面。
可以说，哈姆雷特生活的阴暗面和更深刻的理解。过去他只视而不见这一切。现在，严酷的现实迫使他面对这一切。他有一种预感，他被拖进了不可避免的悲剧命运。如果是杀死自己的父亲，然后成为一个父亲报仇不可推卸他一生的使命。他的敌人是今天的王，杀了他，当然不是一件容易的事，但无论怎样困难，不杀父亲报告的仇恨，
他当前的任务是把一个来验证他的叔叔杀害了他的父亲聪明的方式。阴谋，阴谋和杀戮，这是违背自然的哈姆雷特的纯真，但他的使命所需的复仇。想在在沉重的复仇使命后哈姆雷特的爱的生活，所有人的心是充满了仇恨，黑暗和他的心重，他无法自拔地陷入了痛苦的深渊。
从《哈姆雷特》解析莎翁戏剧的4个关键词
莎士比亚（William Shakes beare
1564～1616）这位伟大的英国著名戏剧家和诗人。他的每一部戏剧几乎都是经典的传世之作，但是可能由于东西方文化的差异，对于他那华丽、夸张而极富表演性质的戏剧对白可能许多人都不太接受，包括我在内，甚至会有一丝肉麻之感。但是除了这些，莎翁的戏剧还是有许多值得一看的地方。那么今天，让我们抛开其它想法，从一部《哈姆雷特(Hamlet)》中去感受一下莎士比亚戏剧的特点。
而题目中所说的这4个关键词便是：复仇、爱情、悲剧、夸张。Shakespeare (William Shakes beare
1564 ~ 1616) the great famous English dramatist and poet. Each of his
plays are almost all classical masterpieces, but may be due to the East West cultural differences, for his gorgeous, exaggeration and so
dramatic properties dramatic dialogue may be a lot of people do not
accept, including me, even the slightest rouma sense. But in addition to
that, Savon's drama, there are still many places worth visiting. So today ,let us put aside other ideas, from a "Hamlet (Hamlet)" to feel the characteristics of Shakespeare's drama.
These 4 words and the said is: revenge, love, tragedy and exaggeration.
关键词1．复仇
复仇往往是许多戏剧中所会运用的手段之一，比如《罗密欧与朱丽叶(Romeo and Juliet)》中，罗密欧就是为了替好友报仇而杀死了朱丽叶的堂兄。而《哈姆雷特(Hamlet)》的中心内容便是讲了丹麦王子哈姆雷特复仇的故事。自己的父王被杀，而凶手正是已经篡位的叔父，无知的母亲更是成为了杀父仇人的妻子。这样的屈辱打乱了哈姆雷特原本平静的生活，复仇的种子过早的被埋在哈姆雷特的心中，为了死去的父亲，为了正义，他别无选择，即使他知道要复仇是多么不容易，而自己也可能会付出更为惨痛的代价。
于是，复仇的戏码上演。他的装疯卖傻，骗过了所有的人，然而结果呢？他成功地为父亲报了仇，但是他错手杀死了自己所爱的姑娘的父亲和哥哥，他所爱的姑娘奥菲利娅也死了，而他也最终赔上了自己的性命。没有人能告诉他这是否值得，而我们也只能看着原本善良的小王子哈姆雷特成为复仇这场悲剧下的牺牲品。Keywords 1 revenge
Revenge is often one of the many uses in the drama "means, such as Romeo and Juliet (Romeo and Juliet)", Romeo is to kill Juliet revenge for
friends and cousins. Hamlet (Hamlet) "and" the core idea is about the Danish Prince Hamlet the story of revenge. His father was killed, and the murderer
is already usurping uncle, ignorance of the mother is becoming more enemies killed father's wife. Such humiliation disrupted life calm
Hamlet, seed early Revenge of the buried in the heart of the Hamlet, in order to dead father, in order to justice, he had no choice, even though he
knew to revenge is how not easy, and the oneself also may have to
pay more painful price.
So, the revenge drama. His play the fool, fool all the people, but the results? He successfully avenged his father, but he accidentally kills his beloved girl's father and brother, he loved the girl Offe Liah is dead, and he is eventually lost their lives. No one can tell him whether it is worth, and Hamlet, we can only look at the good little prince has become a victim of the tragedy of revenge.
关键词2．爱情
复仇的同时，也葬送了哈姆雷特与奥菲利娅原本一帆风顺的爱情。一个王子，一个御前大臣的女儿，这样难得的门当户对，情投意合，却被哈姆雷特的仇恨给拆散了，尤其当他在无意间杀死了奥菲利娅的父亲——御前大臣波洛涅斯，这场爱情注定是以悲剧收场的。哈姆雷特不会为爱情而放弃复仇，在他看来，复仇充斥着血腥的味道，和求爱的罗曼蒂克很不相称，同时这种悠闲的感情和他背负的责任也是格格不入的。当他假装发疯的同时，使奥菲利娅为了他痛苦，也使自己伤心无奈。当他情不自禁地思念起可爱的奥菲利娅，他开始为自己的冷酷无情感到内疚和不解，来看看哈姆雷特给奥菲利娅的情书吧：
“给我灵魂的偶像，只应天上有的、绝顶美艳的奥菲利娅—愿此数行留在她皎洁的杯中：
你可以怀疑星辰的发光，你可以怀疑日月的运行；
你可以疑心真理会说谎，决不要怀疑我的爱情。”
虽然言辞十分夸张，但从这里我们可以看到哈姆雷特对于奥菲利娅的一份纯真的爱情，也为这一部悲剧增添了一些柔和、浪漫的感觉。
2 words of love
Revenge at the same time, but also ruin Hamlet and Ophelia was Everything is going smoothly. love. A prince, a minister's daughter, so rare
a Mendanghudui, agree in opinion, but Hamlet hate to break up, especially when he killed Offe Liah's father -- imperial former minister Pologne
J inadvertently, this love is doomed to end in tragedy. Hamlett was not going to give up love and revenge, in his view, revenge filled with the taste of blood, is not commensurate with the romantic courtship, and this laid
back feeling and he bears the responsibility and be misfits .When
he pretended to be insane at the same time, in order to make Offe Liah his pain, also make their own sad helpless. When he couldn't help missing the lovely Offe Liah, he began to feel guilty and confused for
hisruthlessness, came to see Hamlet to Offe Liah letter:
"Give me the soul of the idol, should only be the sky, very beautiful some Ophelia - may the number of rows to stay in her bright cup:
Light you can suspect that the stars, the sun and the moon you can doubt the operation;
Doubt truth to be a lie, never doubt my love."
Although the words are very exaggerated, but from here we can see
Hamlet for a pure love Ophelia, also added some soft and romantic
feelings for this tragedy.
关键词3．悲剧
莎士比亚的戏剧中，优秀的喜剧作品很多，如《皆大欢喜(All's Well That Ends Well)》、《仲夏夜之梦(A Midsummer Night's Dream)》等等，但是莎翁的悲剧往往更胜一筹。这可能与其写作时期有关，几部喜剧大多在其早期（1590~1600）所写。而之后，他的作品往往以悲剧为主，而同时期的几部喜剧如《一报还一报(Measure for Measure)》等也都带上了几许悲剧色彩。
莎翁的悲剧不用多说，四大悲剧以及《罗密欧与朱丽叶(Romeo and Juliet)》等都是人们耳熟能详的，而今天我们就从《哈姆雷特(Hamlet)》这部戏剧中来看一看。无疑，这是一部情节复杂的悲剧，谋杀、篡位、爱情、装疯、错杀、阴谋，直到最后有关人物的统统死亡，令人震惊且悲哀。权力和地位一直是人们追逐的对象，欲望之火一旦点燃，人类种种丑恶的本性便暴露无遗，为此，亲情、道德显得那么渺小，那么无力，而上演了一出出无奈的悲剧，帝王之家便成了最合适的舞台。正如哈姆雷特的好友霍拉旭在最后一幕哈姆雷特死后所说的一段话：“让我对至今还一无所知的外界讲一讲事情的底细。你们会听到荒淫、残杀、反常背理的行为、处于偶然的灾殃、意外的送命、迫不得已、将计就计的成功，以及，这一个收场里，谋害别人、反害自己的结局。”
中国的戏剧往往以大团圆为结局，或者假手于上天来惩罚恶者。而西方戏剧中尤其是莎翁笔下，悲剧反而成为了最完美的结局。
Keywords 3 tragedy
Shakespeare's plays, a good comedy. A lot of work, such as "to the satisfaction of all (All's Well That Ends Well)", "A Midsummer Night's
dream (A Midsummer Night's Dream)" and so on, but Savon's tragedy is often better. This may be associated with several comedy writing period, mostly in their early (1590~1600) wrote. After that, his works often tragedies, but same time several comedy as "requite like for
like(Measure for Measure)" also brought many tragic color.
The tragedy of Savon needless to say, the four major tragedy, "Romeo
and Juliet (Romeo and Juliet)" are familiar, and today we have from the "Hamlet (Hamlet)" this play a look. Undoubtedly, this is a complex plot of the tragedy, murder, usurped the throne, love, madness, kill the
wrong ,conspiracy, until finally the relevant figures are all dead, shocking and sad. Power and status have been chasing, the fire of desire once lit, all kinds of ugly human nature is exposed, therefore, affection, moral seems so small, so helpless, and staged a tragedy out of helpless, the imperial
family became the most suitable stage. As Hamlet's friend Horatio said in the final scene after the death of Hamlet a few words:
"Let me say things to still ignorant outside. You will hear a dissolute,
illing, abnormal foolish behavior, in accidental disaster, accidentally
illed, forced,'s beat him at his own game success, and, this one end,
gainst others, anti pest own ending."
China's play often concluded with a happy ending, or hand to God top nish the wicked. While the western drama especially under the pen of
Savon, tragedy has instead become the most perfect ending.
关键词4．夸张
看过莎翁作品的人往往会对他笔下那华丽而夸张的对白印象深刻，可对于我们来说，用“夸张”一词来形容这些对白可能更为恰当。认真读下来之后虽然感动不已但往往也已经鸡皮疙瘩掉一地了。《罗密欧与朱丽叶(Romeo and Juliet)》就不用说了，爱情嘛，夸张还是需要的，而《哈姆雷特(Hamlet)》中也不乏夸张的对白。
在最后一幕中哈姆雷特得知自己已经中毒时所说的一段话：“我死了，霍拉旭。苦命的王后，再见。你们做了这场变故的哑角，面色发白、浑身打抖的见证啊！要不是死神来拘捕，决不能通融、让我留一下，我可以告诉你们——可是就随他去吧。霍拉旭，我死了；你还在；把我的品行和道义好好对不明白真相的讲讲吧！”还有霍拉旭的话：“一颗高贵的心现在是碎了。晚安，可爱的王子！成群的天使们唱歌来送你安息吧！”
从这两段对白中不难看出，即使是让人最难以接受的死亡，在莎翁笔下此时的对白也变得柔和许多。当然，戏剧总是需要对白去表现的，否则台下的观众就难以看懂剧情，更不用说是欣赏了。但是听着一个人不断地重复着自己就要死了，是一种很奇怪的感觉，而“夸张”也就是体现在这一点吧！
Keywords 4 exaggeration
Read Savon's work often to his pen that gorgeous and exaggerated mpression, but for us, "exaggerated" to describe these dialogue may be more appropriate. After carefully read down although moved but often
ave gooseflesh dropped a. "Romeo and Juliet (Romeo and Juliet)"needless to say, love well, exaggerated or need, and "Hamlet" (Hamlet)are exaggerated. In the last act Hamlet that says he has been poisoning a few words: "I'm dead, Horashi. Poor queen, goodbye. You do the storm's dumb angle, ale complexion, body shaking witness ah! If not death to arrest, never ccommodation, let me stay, I can tell you -- but to go along with him. oratio, I died; you still; my character and moral good to not understand he truth about it!" And Horatio's words: "a noble heart is now broken Goodnight, sweet prince! Flocks of angels sing to send you the rest!"
From this two dialogue is not difficult to see, even let a person is the most ifficult to accept death, in the dialogue at the Shakespeare has become soft a lot. Of course, the drama always need dialogue to act, otherwise the dience would not understand the story, not to mention the appreciation
of. But listen to a person constantly repeats itself will die, isa very strange feeling, but "exaggerated" is reflected in this point!
这部剧作描写王子哈姆雷特犹豫徬徨、忧伤苦闷的复仇过程，真挚纯洁、感伤无奈的爱情，到最后虽然复仇成功但也付出了一切甚至生命的悲剧结局。那夸张华
丽的对白和引人入胜的情节，使得这部《哈姆雷特(Hamlet)》也成为了舞台上经久不衰的演出剧目之一。
以《哈姆雷特》为例分析莎士比亚戏剧艺术特色
威廉·莎士比亚是欧洲文艺复兴时期的巨人，世界戏剧史上的泰斗，被认为是古往今来少数最伟大的作家之一。《哈姆雷特》是莎士比亚的代表作，在艺术上代表了莎士比亚戏剧的最高成就。This drama
described Prince Hamlet hesitate, sad depressed revenge process, pure sincere, sentimental helpless love, to the last althoughrevenge success but also pay all even life tragedy. The rhetoricaldialogue and fascinating
story, making this "Hamlett" (Hamlet) has become one of the performances on the stage of enduring.
In the "Hamlett" as the example to analysis the artistic characteristics ofShakespeare drama
William Shakespeare of the European Renaissance giants, the dean ofthe world drama history, is considered one of the greatest writers of all ages a few. "Hamlett" is the masterpiece of Shakespeare, in the artrepresents the highest achievement of Shakespeare's drama.
首先，莎士比亚善于刻画人物性格。
莎士比亚剧中的人物性格鲜明生动，具有多面性和复杂性的特点，同时人物性格随着清洁的发展、矛盾的计划发生变化，有个性化特点，剧中的主要人物都是
一定阶层和时代思想的代表，如克劳狄斯象征着文艺复兴晚期以满足个人私欲为核心的“新信仰、新道德”，他为权势所诱惑杀死自己的亲哥哥老哈姆雷特；又为情欲所驱使，霸占其兄嫂，又为了保住自己的地位而想尽各种办法杀害王子哈姆雷特，克劳狄斯的种种行为正是文艺复兴时期私欲泛滥、社会混乱的真实写照；挪威王子福丁布拉斯代表了一种不顾一切的冒险和掠夺精神，他是一个丧失了理性的冒险家；而哈姆雷特是一个人文主义者的典型，他标榜平等互爱，打破传统等级观念，如霍拉旭对哈姆雷特说“我永远是您卑微的仆人。”哈姆雷特却回答说：“不，你是我的好朋友，我愿意和你朋友相称。”他把友谊和爱情看成是人间最美好的事情，是人文主义者的生活理想，同时哈姆雷特又是一个德才兼备的人，体现了文艺复兴时期对人的理想，我们借剧中人物奥菲利娅的话来形容最贴切不过了“朝臣的眼睛、学者的辩舌、军人的利剑、国家所瞩望的一朵娇花；时流的明镜、人伦的雅范、举世瞩目的中心……”她给我们描述了一个看问题深刻、有洞察力；口才好、思维敏捷；有军事才能、武艺好；代表着民族和国家的希望；同时又很时尚，能正确处理各种关系；被世界关注着的哈姆雷特形象。寥寥几句话就精辟而且形象地道出了哈姆雷特的特点，莎士比亚的功力可见一斑。First of all, Shakespeare is good at portraying characters.
Shakespeare plays the character vivid, has the characteristic ofversatility and complexity, at the same time character as cleandevelopment, conflicting
plans change, personalized characteristics, the main character in the
play is representative of a certain class and age of thought, such as G Lao Di Si symbolizes the late Renaissance to satisfypersonal desires as the
core "new religion, new morality", he is apowerful temptation to kill
his dear brother old Hamlett; and driven bylust, occupy the brother, and in order to keep their status and tried various ways to kill the
prince Hamlett, various acts of Claudius is theRenaissance spread, social chaos of the true desires portrayal ofNorway; Prince Fortin Blas represented a fling caution to the winds of adventure and predatory spirit, he is
a lost rational adventurer; and Rett Hamm is a typical humanist, he advertised equality and mutual love,breaking the traditional hierarchy, such
as Horatio said to Hamlett, "I will always be your humble
servant." Hamlett answered and said: "no, you are my good friend, I am willing to match with your friend." He to friendship and love is regarded as the best of things. And humanist ideal of life, at the same time Hamlett is a person with ability and political integrity, embodies
the ideal of the Renaissance man, we borrow the characters of Offe
Liah's words to describe the most appropriate but "the court's
eyes, scholars debate the tongue, soldier's sword and countrieslooked forward to a tender flower; when the flow of Der Spiegel, human relations elegant fan, the world-renowned center......" She gave us a description of
the problem, see profound insight; eloquence good, quick thinking; military skills, Wu Yi; represents the nation and the country'shope; at the same time very fashion, can correctly handle variousrelations; the image of Hamlett was the world's attention with the. A fewwords on the incisively and vividly shows the characteristic of Hamlett,Shakespeare's skill is.
莎士比亚刻画人物性格善于把人物放在内外两重冲突中，通过对人物内心矛盾冲突的描写来揭示人物的深度。在《哈姆雷特》中，哈姆雷特于以其叔父为代表的强大黑暗势力的冲突，以及老哈姆雷特被害死，其母乔特鲁德改嫁克劳狄斯等客观现实构成了外部冲突；哈姆雷特内心对理想的追求与残酷现实的冲突形成了内在冲突，在外在冲突与内在冲突此消彼涨的过程中，逐渐揭示出哈姆雷特由于延宕的本质特性。随着两重矛盾的发展变化，哈姆雷特的性格也随之变化，家庭遭遇变故后，他由“快乐的王子”变为“忧郁王子”，经历过一件件事和内心的挣扎后，他终于变成了“行动王子”。在面对矛盾时不同的行动，也表现出人物不同的性格，如丹麦国易主后，原先哈姆雷特的朋友罗森格兰兹和吉尔登斯吞背叛了哈姆雷特的友情，而霍拉旭却仍旧是哈姆雷特的挚友，彼此能互相信任的人。Shakespeare portrayed the good to people on the two conflicts, to revealthe depth of character by character inner
conflicts description. In"Hamlett", Hamlett to the powerful forces of the
dark conflict with his uncleas a representative of the old, and Hamlett
was killed, his motherremarried Claudius J Jo Trude objective
reality constitute the externalconflict; Hamlett inner pursuit of ideal and conflict the brutal reality form the internal conflicts, external conflict and internal conflict in this elimination process he rose, gradually reveals
the essential characteristics of Hamlett because of delay. With the change and development of dual contradiction, Hamlett's character is also changing,the family suffered misfortune, he from "the Happy Prince" into "melancholy Prince", experienced a thing and inner struggle, he finallybecame
"action prince". Differences in the face of contradictions of the
action, also show the character of different character, such as
Denmark'sowners, the original Hamlett friends Rosen Glanz and Jill Dinse whobetrayed Hamlett friendship, Horatio who still is Hamlett's best friend,each other can confidence between people.
莎士比亚十分善用内心独白这一艺术手段来展示人物心灵世界和刻画人物性格．在剧中哈姆雷特的独白占六段，如＂人是一件多么了不起的杰作！多么高贵的理性！多么伟大的力量！多么优美的仪表！多么文雅的举动！在行为上多么像一个天使！在智慧上多么像一个天神！宇宙的精华！万物的灵长！＂通过这段哈姆雷特充分肯定人的议论，我们可以看出哈姆雷特曾经是个怀抱理想的乐观的人文主义者。在国王对哈姆雷特表示假意的关心并说到“我的孩子——”时，哈姆雷特的旁白“超乎寻常的亲族，漠不相干的路人'，一针见血地道出了他与克劳狄斯的关系和哈姆雷特对他的态度以及蕴含其中的各种情感纠葛。又如他“生存还是毁灭，这是一个值得考虑的问题……”这段旁白，传神地表达了他内心的矛盾、苦闷、彷徨，既有哲理，又富艺术感染力，有效地刻画了哈姆雷特犹豫延宕的性格，推动了剧情的发展。它也向我们展示了哈姆雷特思索的问题：人为什么活着？生命的意义是什么？宿命的力量到底有多大？现实的出路在哪？……旁白的运用，能深入人内心，窥探人心内在的秘密，加深人物的深度和复杂性，是对人精神世界的深层关怀。这些独白使《哈姆雷特》具有深度，也使哈姆雷特有了思想家的特点。Shakespeare is very good use of interior monologue of this artisticmeans to show the characters mind world and the character in the playHamlett. Accounted for six section of monologues, such as "people is a
great masterpiece! How noble in reason! What a great power! What a beautiful instrument! How gentle act! In action how like an
angel on! Inapprehension how like a god! The essence of the universe! The measure of all things! "Through this period of Hamlett fully affirmed thepeople's discussion, we can see that Hamlett was
an idealistic optimismhumanist. In the king said to Hamlett hypocrisy care and said "my child",Hamlett's narrator "extraordinary kinship, desert irrelevant passer-by ',point out his relationship with Claudius J and Hamlett to his attitude andcontains in its various emotional entanglements. And
as he "survival or destruction, this is a question worth considering......" This aside, vividexpression of contradictions, his depression, hesitation, both philosophical, and rich artistic appeal, effectively portrays Hamletthesitate to delay character, promoted the development of the plot. It also shows us
the Hamlett question: why do people live? What is the meaning of life? Much of the power of fate in the end? The realistic way in?......The
narrator's use, can go deep into the human heart, mind the
innersecret, deepen the depth and complexity of the characters, is the deepconcern for people's spiritual world. These monologues that "Hamlett"has a depth of, also make Hamlett a thinker's characteristics.
莎士比亚把对比手法用于人物的塑造，使人物性格丰富、鲜明、突出。如剧中扣人心弦的一段情节：哈姆雷特与奥菲利娅的“疯”，在他们同样都失去了父亲、都处在爱情逆境中，哈姆雷特是装疯，一方面有效地保护了自己，另一方面使自
己有时间思索，在面对人生困境时如何把危机变成转机，最终成长为“行动王子”，表现了哈姆雷特刚毅顽强的性格特征；而奥菲利娅是真疯，最终死去，酿成了悲剧，既表现了她的天真，又应了哈姆雷特那句话“脆弱啊，你的名字就是女人！”的另一种解法。这是剧中同一类人的对比。另外，剧中还有很多正反人物之间的对比，如哈姆雷特对老哈姆雷特与克劳狄斯的对比评价：“高雅优美”对“霉烂的禾穗”，“矫健的姿态”“精神威凛”对“庸奴”，“完善卓越”对“恶徒”……莎士比亚在许多诸如此类的对比中将人物刻画得栩栩如生。Shakespeare put
the contrast for the shaping of the characters, thecharacters
rich, vivid, prominent. As the exciting episode: Hamlett and Offe
Liah's "Crazy", they also lost his father in love, are in adversity,Hamlett
is mad, one hand effectively protected itself, on the other hand,so that they have time to think, in the face of life difficulties how to turn the crisis into a turning point, the final grow into "action Prince", the strong performance of
the character Hamlett resolute; and Offe Liah is really crazy, eventually
die, causing the tragedy, which showed her innocence, and should be the Hamlett that sentence "frailty, thy name is woman!" Another solution. This is in contrast to the same people. In addition, there are a lot of play between
the positive and negative character contrast, such as the Hamlett of old Hamlett and Claudius Jcomparative evaluation: "elegant" to "rotten Sui Wo", "vigorous attitude" and "the spirit of" Yong Lin
Wei "slave", "perfect" excellence "of thevillain"...... Shakespeare in many
such comparison will figure depicted lifelike.
其次，《哈姆雷特》情节曲折生动，波澜起伏，具有生动性和丰富性。
戏剧的情节是由人物复杂的性格特征和人物所处的复杂情势所决定的。哈姆雷特是既忧郁又犹豫延宕的王子，在他美好的理想被现实击破后，作为一个人文主义者，他正视现实，寻找出路，最终担负起“扭转乾坤”的重任，哈姆雷特的思考融在剧情的一步步激化中，他的犹豫也给敌人留下了喘息的时间。我想，如果哈姆雷特是果断冲动的，就像同是莎翁悲作的《奥瑟罗》中的奥瑟罗一样，那么这一悲凄的王子复仇记也许将会是个完美的大结局吧？
莎士比亚的句做往往有多重情节线，《哈姆雷特》也不例外。《哈姆雷特》有三条复仇线：第一条是丹麦王子即作品中的主人翁哈姆雷特为父报仇，这是主线；两条副线，第一条是挪威王子福丁布拉斯为父报仇，第二条副线是大臣拨洛涅斯之子雷欧提斯为父报仇。这三条情节线构成紧张尖锐的戏剧冲突，互成对比，激化矛盾，扣人心弦，共同表现全剧的主题。另外，《哈姆雷特》中还写了哈姆雷特与他母亲乔特鲁德的矛盾激化发展过程，通过描写哈姆雷特与奥菲利娅、霍拉旭的故事情节，表达了哈姆雷特所歌颂的爱和友谊的美好，同时也写了罗森格兰兹、吉尔登斯吞对友谊的背叛等情节，起到了辅助并推动主要情节的作用。Secondly, "Hamlett" vivid plot twists and turns, ups and downs, with vivid and rich.
The plot of the play is determined by the complex circumstances by thecharacter of complex character and the character of the. Hamlett is both sad and hesitate to delay prince, was the real break in his beautiful ideal,as
a humanist, he face the reality, to find a way out, eventually assume the "turn"
of the task, Hamlett's thought of integrating step by step in the
plot development, his hesitation also gave the enemy left breathing time.I think, if Hamlett is a decisive impulse, just like
with Savon as "Osero" thetragedy of Osero
as revenge, so this cold Prince recorded perhaps will be a perfect ending? Shakespeare's words do tend to have multiple plot lines, "Hamlet" is no exception. "Hamlet" has three lines: the first is the Revenge of the prince of Denmark is in the works of master Von Hamlet to avenge his father ,this is the main line; two vice line, the first is the prince of Norway Fortin Blas to avenge his father, second vice line is secretary Bologne J's son Laertes father revenge. This three plots constitute the drama conflict sharp, contrast each other, the intensification of the contradictions ,thrilling, common manifestation of the subject. In addition, the "Hamlet" also wrote Hamlet and his mother Jo Trude's contradictions and development process, through the description
of Hamlet and Offe Liah,Huo Laxu's story, Hamlet expresses the praise of love and friendship of good, also wrote Luo Senge Lanz, Guildenstern to the betrayal of friendship circumstances, played an auxiliary the main
plot and promotethe role of.
《哈姆雷特》表现了十分广阔的社会生活面。剧中既写了宫廷生活，又写了将士站岗、伶人演剧、掘墓人小丑的滑稽场景以及教士、侍从、仆人、水手队长等社会生活各个方面的人物，他们的形象栩栩如生，个性鲜明，有时代特色，通过他们的言行、心理，反映出了生活的本质和深度。再次，莎士比亚能综合运用
在一种悲喜交集的情绪之下，让幸福和忧郁分据了我的两眼，殡葬的挽歌和结婚的笙乐同时并奏，用盛大的喜乐抵消沉重的不幸（克劳狄斯） 啊，但愿这一个太坚实的肉体会融解、消散，化成一片露水！或者那永生的真神不曾制定禁止自杀的律法！上帝啊！上帝啊！人世间的一切在我看来是多么可厌、陈腐、乏味而无聊！（哈姆雷特独白之一） 脆弱啊，你的名字就是女人！（哈姆雷特独白之一） 他有这样高的地位，他的意志并不属于他自己，因为他自己也要被他的血统所支配；他不能像一般庶民一样为自己选择，因为他的决定足以影响整个国本的安危，他是全身的首脑，他的选择必须得到各部分肢体的同意（雷欧提斯） 一个自爱的女郎不应该向月亮显露她的美貌；圣贤也不能逃避馋口的中伤；春天的草木往往还没有吐放它们的蓓蕾，就被蛀虫蠹蚀；朝露一样晶莹的青春，常常会受到罡风的吹打。所以留心吧，戒惧是最安全的方策；即使没有旁人的诱惑，少年的血气也要向他自己叛变。（雷欧提斯） 不要想到什么就说什么，凡事必须三思而行。对人要和气，可以不要过分狎昵。相知有素的朋友，应该用钢圈箍在你的灵魂上，可是不要对每一个泛泛的新知滥施你的交情。留心避免和人家争吵，可是万一争端已起，就应该让对方知道你不是可以轻侮的。倾听每一个人的意见，可是只对极少数人发表你自己的看法；接纳每一个人的批评，可是保留你自己的判断。尽你的财力购制贵重的衣服，可是不要炫新立异，必须富丽而不浮艳，因为服装往往可以可以表现人格……不要向人告贷，也不要借钱给人，因为贷款放了出去，往往不但丢了本钱，而且还失去了朋友；向人告贷的结果，是容易养成因循懒惰的习惯。有其要紧的，你必须对你自己忠实；正像有了白昼才有黑夜一样，对自己忠实，才不会对别人欺诈。（波洛涅斯） 在热情燃烧的时候，一个人无论什么盟誓都会说出口来……不要相信他的盟誓，因为它们都是诱人堕落的淫谋，用庄严神圣的的辞令，掩饰淫邪险恶的居心。（波洛涅斯） 在个人方面也常常是这样，有些人因为身体上长了丑陋的的黑痣——这本来是天生的缺陷，不是他们自己的过失——或者生就一种令人侧目的怪僻，虽然特每年此外还有很多纯洁优美的品性，可是为了这一个缺点，往往会受到世人的歧视。一点点恶癖往往遮盖了高贵的品性，败坏了一个人的声誉。（哈姆雷特） 最轻微的一句话，都可以使你魂飞魄散，使你年轻的血液凝冻成冰，使你的双眼像脱了轨道的星球一样向前突出，使你的纠结的鬈发根根分开，像愤怒的豪猪身上的刺毛一样森然耸立；可是这一种永恒的神秘，是不能向血肉的凡耳宣示的。（哈姆雷特父亲的鬼魂） 可是正像一个贞洁的女子，虽然淫欲罩上神圣的外表也不能把她煽动一样，一个淫妇虽然和光明的天使为偶，也会有一天厌倦于天上的唱随之乐，而宁愿搂抱人间的朽骨。（哈姆雷特父亲的鬼魂） 是的，我要从我的记忆的碑版上拭去一切琐碎愚蠢的记录、一切书本上的格言、一切陈言套语、一切过去的印象、我的少年的阅历所留下的痕迹，只让你的命令留在我的脑筋的书卷里，不搀杂一点下贱的废料；是的，上天为我作证！（哈姆雷特独白之二） 简洁是智慧的灵魂、冗长是肤浅的藻饰（波洛涅斯） “给那天仙化人的、我的灵魂的偶像，最美丽的奥菲利娅——”（波洛涅斯读哈姆雷特给奥菲利娅的信）“你可以疑心星星是火把；
The Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601. The play, set in the Kingdom of Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius for murdering the old King Hamlet (Claudius's brother and Prince Hamlet's father) and then succeeding to the throne and marrying Gertrude (the King Hamlet's widow and mother of Prince Hamlet). The play vividly portrays real and feigned madness – from overwhelming grief to seething rage – and explores themes of treachery, revenge, incest, and moral corruption. The play's structure and depth of characterisation have inspired much critical scrutiny, of which one example is the centuries-old debate about Hamlet's hesitation to kill his uncle. Some see it as a plot device to prolong the action, and others see it as the result of pressure exerted by the complex philosophical and ethical issues that surround cold-blooded murder, calculated revenge and thwarted desire. More recently, psychoanalytic critics have examined Hamlet's unconscious desires, and feminist critics have re-evaluated and rehabilitated the often maligned characters of Ophelia and Gertrude. Hamlet is Shakespeare's longest play and among the most powerful and influential tragedies in the English language. It has a story capable of "seemingly endless retelling and adaptation by others." During Shakespeare's lifetime, the play was one of his most popular works,and it still ranks high among his most-performed, topping, for example, what eventually became the Royal Shakespeare Company's list since 1879. It has inspired writers from Goethe and Dickens to Joyce and Murdoch, and has been described as "the world's most filmed story after Cinderella". The title role was almost certainly created for Richard Burbage, the leading tragedian of Shakespeare's time. Critical history From the early 17th century, the play was famous for its ghost and vivid dramatisation of melancholy and insanity, leading to a procession of mad courtiers and ladies in Jacobean and Caroline drama。Though it remained popular with mass audiences, late 17th-century Restoration critics saw Hamlet as primitive and disapproved of its lack of unity and decorum This view changed drastically in the 18th century, when critics regarded Hamlet as a hero—a pure, brilliant young man thrust into unfortunate circumstances. By the mid-18th century, however, the advent of Gothic literature brought psychological and mystical readings, returning madness and the Ghost to the forefront.] Not until the late 18th century did critics and performers begin to view Hamlet as confusing and inconsistent. Before then, he was either mad, or not; either a hero, or not; with no in-betweens. These developments represented a fundamental change in literary criticism, which came to focus more on character and less on plot.] By the 19th century, Romantic critics
精品文档 精品文档 Hamlet (Act 3, Scene 1, lines 55-86) To be, or not to be: that is the question, Whether'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. To die, to sleep; No more; and by a sleep to say we end The heartache, and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wished. To die, to sleep. To sleep, perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, Th' oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office, and the spurns That patient merit of th'unworthy takes, When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action. 生存还是毁灭，这是一个值得考虑的问题；默然忍受命运暴虐的毒箭，或是挺身反抗人世无涯的苦难，这两种行为，哪一种更加高尚？死了；睡着了；什么都完了；要是在这一种睡眠之中，我们心头的创痛，以及其他无数血肉之躯所不能避免的打击，都可以从此消失，那正是我们求之不得的结局。死了；睡着了；睡着了也许还会做梦；嗯，阻碍就在这儿：因为当我们摆脱了这一具朽腐的皮囊以后，在那死的睡眠里，究竟将要做些什么梦，那不能不使我们踌躇顾虑。人们甘心久困于患难之中，也就是为了这个缘故；谁愿意忍受人世的鞭挞和讥嘲、压迫者的凌辱、傲慢者的冷眼、被轻蔑的爱情的惨痛、法律的迁延、官吏的横暴和费尽辛勤所换来的小人的鄙视，要是他只要用一柄小小的刀子，就可以清算他自己的一生？谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的磨折，不敢向我们所不知道的痛 苦飞去？这样，重重的顾虑使我们全变成了懦夫，决心的赤热的光彩，被审慎的思维盖上了一层灰色，伟大的事业在这一种考虑之下，也会逆流而退，失去了行动的意义。 ——《哈姆雷特》（英·William Shakespeare ）中的经典独白soliloquy [s ?'l ?l ?kw ?] This is an internal philosophical debate on the advantages and disadvantages of existence, and whether it is one ’s right to end his/her own life.
毕业设计（论文） Analysis of the Character of Hamlet 学院：外国语学院 专业：姓名：指导老师：英语 xx 学号： 职称：教授 中国·珠海 二○一○年五月
xx学院毕业设计（论文） 诚信承诺书 本人郑重承诺：我所呈交的毕业设计（论文）Analysis of the Character of Hamlet是在指导教师的指导下，独立开展研究取得的成果，文中引用他人的观点和材料，均在文后按顺序列出其参考文献，设计（论文）使用的数据真实可靠。 承诺人签名： 日期：年月日
Analysis of the Character of Hamlet ABSTRACT William Shakespeare, the most remarkable playwright and a poet of England in the period of the Renaissance in European, an outstanding representative of humanitarianism, is one of the founders of modern European literature. Being one of the world’s greatest writers, he was recognized as the pinnacle of English Renaissance. In his works, Hamlet, one of the four tragedies, is considered the summit of Shakespeare’s art. Many characters were created by Shakespeare with unique creative technique in writing. These characters were alive with the unique personality, particularly in Hamlet, the image of Hamlet; the Prince of Denmark is most well-known. Hamlet is a prince with humanistic ideas. He has “The courtier’s, soldier’s, scholar’s eye tongue, sword,”he is “Th’expectancy and rose of the fair state, The glass of fashion and the mould of form,” However, he was dithery and delayed. His melancholy is the reason that makes the image has a monumental artistic charm. In this paper, the main target is to analyze the character of Hamlet. Through the overview of the plot of Hamlet, the main characters of Hamlet in Hamlet were shown---melancholy and delay have analyzed. As the representative of humanitarianism, how has Hamlet shown the psychology of hesitation in his revenge, and at the same time we should analyze how to realize his character of delay in the contradiction of his family and love. This thesis also analyzes the causes and the background of the formation of Hamlet’s character. In conclusion, in order to achieve a better understanding and excavation the literary value of Hamlet, the thesis summarizes Hamlet has melancholy, delay of the personality traits, and then expresses the view of the author in Hamlet, as well as the impact of this work. Deepening the analysis and understanding of the character in British and American literature, we can have a better understanding the social background at that time by analyzing Hamlet’s character. Key words: Hamlet Analysis of the character Melancholy Delay
哈姆雷特经典台词-哈姆雷特经典台 词 《哈姆雷特》，莎士比亚的著名的悲剧小说，尽管是悲剧，但是，里面有些台词还是值得思考的。下面的小编就给大家盘点一下《哈姆雷特》里的经典台词吧! 生存还是死亡，那是个问题。 嫉妒的手足是谎言! 放弃时间的人，时间也会放弃他。 黑暗无论怎样悠长，白昼总会到来。 简洁是智慧的灵魂，冗长是肤浅的藻钸。 一个骄傲的人，结果总是在骄傲里毁灭了自己。
勤劳一天，可得一日安眠;勤奋一生，可永远长眠。 不要只因一次挫败，就放弃你原来决心想达到的目的 脆弱啊，你的名字是女人! 留心，我亲爱的妹妹，不要放纵你的爱情，不要让欲望的利箭把你射中。 我知道一个人在热情燃烧的时候，一个人无论什么盟誓都会说出口来这些火焰，女儿，是光多于热的，刚刚说出可口就会光销焰灭，你不能把它们当做真火看待。 简洁是智慧的灵魂，冗长是肤浅的藻饰。 你可以疑心星星是火把;你可以疑心太阳会转移;你可以疑心真理是谎话;可是我的爱用没有改变。 人类是一件多么了不起的杰作!多么高贵的理性!多么伟大的力量!多么优美的仪表!多么文雅的举动!在行为上多么像一个天使!在智慧上多么像一个天神!宇宙的精华!万物的灵长!
一个老年人是第二次做婴孩 人们往往用至诚的外表和虔敬的行动，掩饰一颗魔鬼般的心。 生存还是毁灭，这是一个值得考虑的问题;默然忍受命运的暴虐的毒箭，或是挺身反抗人世的无涯的苦难，通过斗争把他们扫清，这两种行为，哪一种更高贵? 大人物的疯狂是不能听其自然的。 不，不要以为我在恭维你;你除了你的善良的精神以外，身无长物，我恭维了你又有什么好处呢?…自从我能够辨别是非，察择贤愚以后，你就是我灵魂里选中的一个人。 志愿不过是记忆的奴隶，总是有始无终，虎头蛇尾。 世界也会有毁灭的一天，何怪爱情要随境遇变迁?有谁能解答这一个哑谜，是境由爱造?是爱逐境移? 失财势的伟人举目无亲;走时运的穷酸仇敌逢迎。 要是言语来自呼吸，呼吸来自生命，
哈姆莱特的经典台词 1、人是一件多么了不起的杰作！多么高贵的理性！多么伟大的力量！多么优美的仪表！多么优雅的举动！在行为上多么像一个天使！在智慧上多么像一个天神！宇宙的精华！万物的灵长！ 2、生存还是毁灭，这是一个值得考虑的问题；默然忍受命运的暴虐的毒箭，或是挺身反抗人世的无涯的苦难，通过斗争把它们扫清，这两种行为，哪一种更高贵？死了；睡着了；什么都完了；要是在这一种睡眠之中，我们心头的创痛，以及其他无数血肉之躯所不能避免的打击，都可以从此消失，那正是我们求之不得的结局。死了；睡着了；睡着了也许还会做梦；嗯，阻碍就在这儿：因为当我们摆脱了这一具朽腐的皮囊以后，在那死的睡眠里，究竟将要做些什么梦，那不能不使我们踌躇顾虑。人们甘心久困于患难之中，也就是为了这个缘故；谁愿意忍受人世的鞭挞和讥嘲、压迫者的凌辱、傲慢者的冷眼、被轻蔑的爱情的惨痛、法律的迁延、官吏的横暴和费尽辛勤所换来的小人的鄙视，要是他只要用一柄小小的刀子，就可以清算他自己的一生？谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的磨折，不敢向我们所不知道的痛苦飞去？这样，重重的顾虑使我们全变成了懦夫，决心的赤热的光彩，被审慎的思维盖上了一层灰色，伟大的事业在这一种考虑之下，也会逆流而退，失去了行动的意义。 3、谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的磨折，不敢向我们所不知道的痛苦飞去？这样，重重的顾虑使我们全变成了懦夫，决心的赤热的光彩，被审慎的思维盖上了一层灰色，伟大的事业在这一种考虑之下，也会逆流而退，失去了行动的意义。 4、这是一个颠倒混乱的时代，唉。。倒霉的我却要负起重整乾坤的责任！ 5、脆弱啊，你的名字就是女人！短短的一个月以前，她哭得像个泪人儿似的，送我那可怜的父亲下葬；她在送葬的时候所穿的那双鞋子还没有破旧，她就，她就——上帝啊！一头没有理性的畜生也要悲伤得长久一些——她就嫁给我的叔父，我的父亲的弟弟，可是他一点不像我的父亲，正像我一点不像赫剌克勒斯一样。只有一个月的时间，她那流着虚伪之泪的眼睛还没有消去红肿，她就嫁了人了。啊，罪恶的匆促，这样迫不及待地钻进了乱伦的衾被！ 6、葬礼中剩下来的残羹冷炙，正好宴请婚筵上的宾客。 7、让蜜糖一样的嘴唇区吮舐愚妄的荣华，在有利可图的所在弯下他们生财有道的膝盖来吧 8、波洛涅斯：还在这儿，雷欧提斯！上船去，上船去，真好意思！风息在帆顶
海头高级中学高二年级语文名著阅读复习资料 《哈姆雷特》 第一幕 1．哈姆雷特的名言：“软弱者, 你的名字就是女人!”是他在什么样的情况下说的？ 答：克劳狄斯与王后结婚大典上，哈姆雷特看不出王后有任何悲伤的表情，并请求他留在王宫后，他发出的感慨，认为他父亲对他母亲真是怜爱的无微不致, 甚至不肯让强风吹抚於她的脸颊。可是, 一月之内，她竟全忘记了，于是他发出这样的感叹。 2．先王的鬼魂出现的时候穿的是什么衣服？有什么样的表情？他为什么要以这样的形象显灵？ 答：他穿着他身披之盔甲，就是昔日他奋战那野心勃勃的挪威王时所穿的，他脸上蹙眉怒目，就和他当年在冰原上大破波兰雪车军时一样。 这个形象一方面表现了先王的威武与赫战功，另一方面表现他的愤怒之情。 3．霍拉旭他们为何竭力劝阻哈姆雷特不要跟鬼魂去？ 答：霍拉旭生怕鬼魂把他勾引至那汪洋大海或岸旁之峭壁边缘时, 再显露其恐怖原形, 令他丧失理智或发狂, 或是露出狞恶的面目吓坏了年轻的王子。表现了朋友之间的关心。 4．老国王在告诫哈姆雷特不要忘记复仇时，告诫他如何对待王后的呢？ 答：老国王说“无论你是怎样的去进行此事, 别让你的脑子萌起报复於你母之念。把她留给天堂裁判, 让她受自己良心的谴责及刺戳。” 第二幕 克劳狄斯虽然不知道老国王鬼魂出现的事，但他心中有鬼。哈姆莱特装疯后，克劳狄斯对此表示怀疑，他派大臣普隆涅斯去试探哈姆雷特。普隆涅斯被哈姆雷特骗过去了。克劳狄斯又派两个奸细---罗森格兰兹和吉尔登斯吞来试探哈姆雷特，奸细也被哈姆雷特当面戳穿。哈姆雷特一方面想复仇，一方面又碍于母亲的面子，同时他也不十分确定父亲鬼魂的话，非常苦恼。哈姆雷特决定要证实克劳狄斯的罪行，正好这时宫中来了一个戏班子，他命戏子排演“捕鼠机”，自己加编新台词，准备试探克劳狄斯。 1．分析“戏中戏”的作用。 2．哈姆莱特是否真的疯？历来解释各异。请谈谈你的看法。 3．分析《哈姆莱特》第二幕所表现的哈姆莱特性格的复杂性。 参考答案： 1．为了证实克劳狄斯的罪行。
英语翻译1301 2013011275 The specific analyzes of characters of Hamlet Hamlet is a humanist of which involved in the contradictory of ideal and reality, and a person who has some beautiful views on the world human and society . But the cruelty and hideous of the real world have destroyed his expectation and broke his faith of humanism. As a humanist ,his hesitation on the way of revenge indicated the great gap of power between the humanism and feudalism. The author is aim at pointing out his introspection of The Renaissance and preoccupation of fate of human and our society. Humlet is the model of humanism idealist in the period of Renaissance. Although he wears the black suits , been serious at the first time when he showing up as a melancholy prince. But before story begins he is a happy prince studied in the Wittenburg, the headquarter of humanism. He has a fully rational faith to human. The mankind ,how a amazing craft he is, how nobly his rational is, what a great power and glamorous character he has , behaves like an angle, be intelligent as a god, the essence of the world and universe. But the world changed so fast, the sudden death of his father ,the idealized king in his mind, broke his life. His
生命中令人悲伤的一件事是你遇到了一个对你来说很重要的人，但却最终发现你们有缘无份，因此你不得不放手。 ------ A sad thing in life is when you meet some one who means a lot to you，only to find out in the end that it was never meant to be and you just have to let go. 没有人值得你流泪，值得让你这么做的人不会让你哭泣。 No man or woman is worth your tears, and the one who is, won’t make you cry. 别和意志坚定的人争辩，因为他们可以改变事实！ Don't argue with the people of strong determination，because they may change the fact! 我比昨天多爱你一点，又比明天少一点。 I love you more than yesterday and less than tommorow. You say that you love the rain, but you open your umbrella when it rains. You say that you love the sun, but you find a shadow spot when it shines. You say that you love the wind, but you close the windows when it blows. This is why I'm afraid, you said that you love me too. 为王者无安宁。 Uneasy lies the head that wears a crown. 人生苦短，若虚度年华，则短暂旳人生就太长了。 The time of life is short ; to spend that shortness basely, it would be too long . 世间本无善恶，端看个人想法. There is nothing either good or bad, but thinking makes it so 豁达者长寿。 A light heart lives long . 再深的记忆也有淡忘的一天 And then there are unforgettable memories of the day 分手后不可以做朋友,因为彼此伤害过 Can not be friends after breaking up, because the two sides hurt 我只想现在认真过的精彩无所谓好与坏。 I would like now to seriously indifferent room of wonderful。 笑是一切罪恶的根源。 Laughter is the root of all evil. 爱情是叹息吹起的一阵烟；恋人的眼中有它净化了的火星；恋人的眼泪是它激起的波涛。它又是最智慧的疯狂，哽喉的苦味，吃不到嘴的蜜糖。 Love is the season Yizhenyin sigh; The eyes have it purified the lovers of Mars; Love it aroused waves of tears. It is the wisdom of madness, choking bitterness, it does not tip of honey. 谈一场恋爱学会了忍耐总有些意外会让人受伤害。 Love to talk about a bit of a surprise to people to learn the total patient injury。 爱，和炭相同，烧起来，得想办法叫它冷却。让它任意着，那就要把一颗心烧焦。
哈姆雷特梁实秋译本 《哈姆雷特》的中文译本中，比较受推崇的有卞之琳译本、梁实秋 译本、 朱生豪译本。那么梁实秋作家的大家了解? 《哈姆雷特》梁实秋的散文 体翻译 用散文体译莎剧的代表人物就是梁实秋先生。 梁实秋先生以近四十年的漫漫 人生完成煌煌四十卷《莎士比亚全集》的翻译，是中国文化史上的不朽盛事，海 内外能独自把莎剧全部译成汉语的， 迄今只有梁实秋先生一人。 并且他对待翻译 的态度与他的人生观一样，传统，十分严谨，一丝不苟。在翻译莎士比亚时，他 经过大量的“爬梳剖析”， 最终选定未经任何增删的牛津版本作为原 文材料，还广泛阅读了许多莎剧专家的大量注释，作细致的比较鉴别，尽量使译 作与原作保持一致。 梁实秋的译文：死后还是存在，还是不存在，——这是问题;究 竟要忍受这强暴的命运的矢石， 还是要拔剑和这滔天恨事拼命相斗， 才是英雄气 概呢?死， ——长眠， ——如此而已;梁实秋采用了散文体， 把原文中的“无韵体”一律译成散文，而“原文中押韵之处则 悉数译为韵语。”用散文体翻译莎剧，也在一定程度上推进了白话文运动 的进一步发展和完善。 关于译为散文的原因， 他在 30 年代出版的莎剧译本的 《例 言》中提出了自己的观点。他这样谈到，“莎翁的原文大部分是‘ 无韵诗’，凡原文为‘无韵诗’，则亦译为散文。因为‘ 无韵诗’中文根本无此体裁，莎翁之运用‘无韵诗’体亦甚自 由，实已接近散文，不过节奏稍微齐整;莎士比亚戏剧在舞台上演员并不咿呀吟 诵，亦读若散文一般。所以译文以散文为主。”“不过，所谓无韵诗 并不是等于把散文拿来分开排印，这是很重要的一点。 他的译文不是单纯的直译， 逐字直译会成为令人无法卒读的文字， 也不是完 全意译，因为意译能产生流畅的文字，但与原文的语气和节奏相差太远了。梁实 秋的散文译本通俗易懂，读起来不会那么枯燥，索然无味。“死后还是存 在， 还是不存在， ——这是问题;”一个踌躇满志又迷茫敏感的 王子形象跃然纸上。 三.卞之琳的诗体翻译用诗体翻译莎士比亚戏剧的有孙大雨， 方平，林同济等人，但最著名的代表人物是卞之琳先生。 卞之琳先生认为莎剧本
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《哈姆雷特》人物性格分析 1601年。剧作写的是丹麦王子哈姆雷特对谋杀他的父亲、骗娶他的母亲并篡夺了王位的叔父进行复仇的故事。哈姆雷特是体现作者人文主义理想的典型形象。剧作通过描写他与现实之间的不可调和的矛盾，和他在复仇过程中的犹豫彷徨、忧伤苦闷及其惨遭失败的悲剧结局，深刻地体现出人文主义者要求冲破封建势力束缚的强烈愿望，同时也揭示出英国早期资产阶级的局限性。而正是哈姆雷特的这种人文主义理想与现实的不可调和的矛盾导致了他人生悲剧的必然。 个月就改嫁丈夫的弟弟葛夫，而这个婚礼在当时引起全国人民的注意，。因为葛夫是个邪恶、性情卑劣之人，自然而然在人民的心里起了一个疑心，是葛夫谋杀了前任国王。他十分不明白为何母亲判作两人，在父亲去世未满两个月，就再婚了。他的母亲及新任国王让他快乐，但他依旧穿著丧服，不肯脱去，他怀疑叔父给他父亲致死的理由─被毒蛇咬死的真实性。他一直认为母亲和葛夫就是那毒蛇，共同谋害了他的父亲，这个疑虑使他心神不安。现在又有一个谣言满天飞，有一个十分像先王的鬼魂出现在午夜十二点时，他欲言又止，一下子就消失。于是哈姆雷特就前去观看，他看见了那鬼魂，于是追了去，来到一空地，鬼魂终于开口说道“儿啊！我是你的父王，我是被我的弟弟葛夫害死的，他趁着我睡着时，拿着毒草汁渗入我的耳里，使我悲苦的灵魂无法安睡。儿啊！你的母亲不能为我守节，证明她的虚伪，你可以为我报仇，但绝不能加害于你的母亲，就让她听天由命好了，让她受天良发现的责备好了。”就这样，鬼魂消失了，哈姆雷特答应为他父亲报仇。哈姆雷特要他的部属不准透露他遇见了鬼魂，但实际上他的精神已受到惊吓，他有点恍惚。一方面他害怕他报仇的计画引起叔父的疑心，另一方面又害怕叔父有加害于他的心态，于是他决定伪装于疯癫之下。他们认为他一定是太思念先王而如此的或是因为爱情的缘故。因为哈姆雷特爱慕一位名叫可莉的女孩，她是大臣的女儿，在他发疯之前，曾送过情书及戒指给她，在他发疯之后，更是有过之而不及，因此哈姆雷特的叔父及母亲都认为一定是爱情的缘故。可莉是个好女孩，并不因为哈姆雷特变成如此，而远离他，反而更加的怜悯他、关爱他。哈姆雷特心中有着疑惑，他开始怀疑他当日看见的鬼魂，以及他是否真要报仇，于是他找来一批伶人演戏，试探着叔父的反应。那些伶人照着哈姆雷特的指示上演了一出弟弟杀害哥哥的戏码，结果这出戏令叔父不悦，借故生病离席了，这举动更加让哈姆雷特信心大增，原来那鬼魂所言不假。当天夜里，王后将哈姆雷特唤去，告诉他，他的新父王是葛夫，不准在上演这令人不悦的戏码，哈姆雷特不悦，和母亲起了争吵，母亲害怕已疯癫的哈姆雷特，就在此时，躲在屏风后面的大臣喊了出来，反令哈姆雷特吃惊，拔了剑，刺了过去，杀死了可莉的父亲。这样一来，哈姆雷特被放逐了，但他已明确的把话说给母亲听，已引起她良心的谴责。葛夫将他送往英国，那时英国是丹麦的管辖之下，葛夫秘密的写了一封信要他们一到英国就杀了哈姆雷特。哈姆雷特早就发现事有蹊跷。于是偷了信将人名给改了，一到英国哈姆雷特就被释放了，不久后哈姆雷特搭船要回丹麦，结果那艘船被海盗船给攻打了，哈姆雷特刻意表现其英勇的行为，反被海盗们所佩服。海盗们要哈姆雷特将来在朝中可以酬谢他们的不杀之恩，于是他们带着哈姆雷特回到丹麦。一回到城内，哈姆雷特就听到可莉的丧礼，原来自从可莉的父亲被哈姆雷特刺死之后，她的神志就恍惚了，一日
《哈姆雷特经典台词》 哈姆雷特经典台词（一）： 莎士比亚《哈姆雷特》最经典对白 To be， or not to be- that is the question: whether it's nobler in the mind to suffer the slings and arrows of outrageous fortune， or to take arms against a sea of troubles， and by opposing end them? To die:to sleep;no more; andby a sleep to say we end the heartache and the thousand natural shocks that flesh is heir to。 'tis a consummation devoutly to be wish'd。 To die: to sleep; To sleep: perchance to dream: ay， there's the rub: for in that sleep of death what dreams may e when we have shuffled off this mortal coil， must give us pause: there's the respect that makes calamity of so long life;For who would bear the whips and scorns of time， the oppressor's wrong， the proud man's contumely， the pangs of despis'd love， the law's delay， the insolence of office， and the spurns that patient merit of the unworthy takes，when he himself might his quietus make with a bare bodkin? Who would fardels bear， to grunt and sweat under a weary life， but that the dread of something after death， the undiscover'd country， from whose bourn no traveller returns， puzzles the will and makes us rather bear those ills we have than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution is sicklied o'er with the pale cast of thought， and enterprises of great pith and moment with this regard their currents turn awry， and lose the name of action。 译文： 生存还是毁灭，这是个值得思考的问题: 默然忍受命运暴虐的毒箭，或是挺身反抗人 世无涯的苦难，透过斗争把他们扫清，这两种行为，哪一种更高贵? 死了，睡着了，什么都 完了。倘若在这一种睡眠之中，我们心头的创痛，以及其他无数血肉之躯所不能避免的打击，都能够从此消失，这正是我们求之不得的结局。死了，睡着了，睡着了也许还会做梦。嗯， 阻碍就在这: 因为当我们摆脱了这一具腐朽的皮囊以后，在那死的睡眠里，究竟将要做些什 么梦，那不能不使我们踌躇顾虑。人们甘心久困于患难之中，也就是为了这个缘故。谁愿意忍 受人世的鞭挞和讥嘲、压迫者的凌辱、傲慢者的冷眼、被轻蔑的感情的惨痛、法律的迁延、 官吏的横暴和费尽辛勤所换来的小人的鄙视，要是他只用一柄小小的刀字，就能够清算他自 我的一生？谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘若不是因为惧怕不可 知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们 宁愿忍受目前的折磨，不敢向我们所不明白的痛苦飞去？这样，重重的顾虑使我们全变成了懦夫，决心的炽热的光彩，被审慎的思维盖上了一层灰色，伟大的事业在这一种思考下，也会 逆流而退，失去了行动的好处。 （出自《哈姆雷特》第三幕第一场） 哈姆雷特经典台词（二）：