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大学英美文学讲义

大学英美文学讲义
大学英美文学讲义

5.1真题分析

2、第2本书《美国文学简史》:

5.3重点知识点汇总分析(大纲)

第七部分大学英语语言文学专业英美文学与中文作文基础知识点框架梳理及

基础阶段,复习时间是从5月份至9月份或10月份,这一阶段需要大家认真看完《英国文学史》与《美国文学史》,理清文学史的线索,例如文学史的大致分期,每一阶段的大致时间,社会背景,思想背景及每一阶段的代表人物及其代表作。文学史这两本书每本至少看两遍。文学史的复习方法主要以熟悉知识点为主,脑海中线索清晰,重点部分最好能在理解的基础上识记。

文学史的复习时应注意归纳总结出一下内容:

●英美文学史的大致分期(整合标题)、每一时期大致的时代背景及思想特征.

●记住每一时期最重要的作家及作品,知道文学的基本常识,例如文学术语。

●主要作品的故事情节,主要人物,人物形象,主题思想,作品评价。

A Survey of English History ChangYaoxin

A Glossary of Literary Terms:

For the convenience of discussion, historians divide the continuity of English literature into segments of time which are called “p eriods”. The e xact numbers, dates and names of these periods vary, but the list below conforms on each period, in chronological order.

450-1066 Old English (or Anglo-Saxon)Period Chapter1

1066-1500 Middle English Period Chapter1、2

文学成就不是很高。文学形式:骑士浪漫传奇;抒情歌谣;神秘剧、传奇剧及道德剧

骑士浪漫传奇:《亚瑟王和他的圆桌骑士》、《高文爵士和绿衣骑士》、《查理大帝的传奇》、《亚历山大的传奇》等

抒情歌谣:短诗,大多数比较悲哀、凄凉,例如英国的Robin Hood

神秘剧:取材于《圣经》中的旧约全书,上帝耶和华

传奇剧:《新约》,基督

1500-1660 The Renaissance(or Early Modern) Chapter3-4

思想、文化、文学运动,最初出现在意大利,然后遍及其他国家。

意大利早在14世纪就开始,英国16世纪才开始,因为与欧洲大陆隔海相望,地理上与欧洲有所距离。自1400年乔叟死后一百多年,英国国内十分动荡。

1660-1785 The Neoclassical Period Chapter 6-8

启蒙运动是一场思想运动。新古典主义是启蒙运动的文学形式。

1785-1830 The Romantic Period Chapter9-10

德国开始。反对新古典主义文学运动。

1832-1901 The Victorian Period Chapter 11-18

19世纪中叶-20世纪初。主要在小说与戏剧领域。

1901-1914 The Edwardian Period Chapter 19

1910-1936 The Georgian Period Chapter19

1914- The Modern Period Chapter 20-23

在不同的国家开始的时间不同,一般认为最初从法国的象征主义诗歌开始,代表人物波德莱尔。

1945- Postmodernism Chapter 24-26

The Old English(Anglo-Saxon)Period & Middle English Period

Chapter 1 The Old English(Anglo-Saxon)Period ·Beowulf · The Middle English Period

Chapter 2 Chaucer ·The Pre-Elizabethan Period ·More

知识点1:《贝奥武夫》

(1)史诗概念(2)主要故事情节(3)艺术特征(4)历史意义

知识点2:乔叟《坎特伯雷故事集》

.(1)故事梗概(知道集中最著名的几个故事)

(2)乔叟的地位及贡献

(3)《坎特伯雷故事集》的社会意义

[例题]

1. Beowulf is ______.

A. an English novel

B. a Medieval romance

C. an Anglo-Saxon epic

D. an English drama of manners

2. The wife of Bath is well-known character from____.

A. Piers the Plowman

B. The Canterbury Tales

C.The Fairie Queene

D. King Authur

The Renaissance Period

Chapter 3 The Elizabethan Age · Spenser · Sidney · Marlowe

Chapter 4 Shakespeare ·Bacon · Jonson·King James’ Bible

知识点:

一、文艺复兴概述

1. 了解:(1)文艺复兴时期的界定

(2)历史文化背景

2. 掌握: (1)文艺复兴运动的意义与影响

(2)文艺复兴时期的文学特点

(3)人文主义的主张及对文学的影响

3. 应用:文艺复兴,人文主义的解释

The Renaissance; Humanism; Spenserian stanza

二、该时期的重要作家:Edmund Spenser; Christopher Marlowe; William Shakespeare; Francis Bacon

1.一般识记:重要作家的文学生涯

2.识记:重要作品及主要内容

3.领会:重要作家的创作思想,艺术特色及其代表作品的主题结构,人物塑造,语言风格,艺术手法,

社会意义等。

[例题]

1. “To be or not to be —that is the question:

Whether’tis nobler in the mind to suffer” are from_______.

2. Identify the following quotations by author and title of work, and explain their meanings briefly.

So long as men can breathe, or eyes can see,

So long lives this, this gives life to thee.

Chapter 5 The 17th century · Donne · Milton · Dryden ·Bunyan · The Restoration Theater

a transitional period

知识点:(1)掌握玄学派诗歌的特点。

(2)弥尔顿史诗的结构,人物性格,语言特点等的分析

(3)《天路历程》的体裁

(4)重点作家:John Donne; John Milton; John Bunyan

[例题]

The central conflict and contrast between good and evil as presented in John Milton’s “Paradise Lost” are reflected and intensified in all the following contrasts excerpt between ____.

A. heaven and hell

B. light and darkness

C. order and chaos

D. science and religion

The Neoclassical Period

Chapter 6 The Classic Age · Pope · Johnson · Gray · Goldsmith · Sheridan

Chapter 8 18th-century Fiction ·Swift · Defoe · Richardson · Fielding · Sterne · Smollett

知识点:

一、新古典主义的概述

1.了解:(1)新古典主义时期的界定

(2)政治经济背景

(3)启蒙运动的意义与影响

2. 领会:(1)启蒙运动的主张与文学的特点

(2)新古典主义时期文学的艺术特点

3. 应用:启蒙运动,新古典主义,英雄双行诗,英国现实主义小说等名词的解释The Enlightenment

Movement; Neoclassism; heroic couplet; the Realisitic Novel

二、该时期的重要作家:Alexander pope;Daniel Defoe;Jonathan Swift;Henry Fielding; Samuel Johnson

Richard Brinsley Sheridan; Thomas Gray

1.一般识记:重要作家的创作生涯

2.识记:重要作品及主要内容

3.领会:重要作家的创作思想,艺术特色其代表作的主题结构,人物刻画,语言风格,艺术特色,社会

意义等。

[例题]

Alexander Pope wrote highly polished verse and brought ____ to ultimate perfection.

A. iambic pentameter

B. alliteration

C. the heroic couplet

D. blank verse

The Romantic Period

Chapter 7 Movement towards Romanticism · Thomson · Young · Cowper · Crabbe ·Blake · Burns Chapter 9 The Romantic Period ·Wordsworth ·Coleridge ·Scott · Austen

Chapter 10 Byron · Shelley · Keats

知识点:

一、浪漫主义时期概述

●浪漫主义时期英国社会的政治,经济,文化背景

●浪漫主义文学创作的基本主张

●英国浪漫主义文学的特色

●浪漫主义文学对同时代及后世英国文学的影响

二、知识要求

1 浪漫主义时期概述

(1).了解:(a)浪漫主义时期的界定

(b)历史文化背景

(2).领会:(a)浪漫主义思潮的意义与影响。

(b)浪漫主义文学创作的基本主张及对后世文学的影响

(3).应用:(a)名词解释:浪漫主义

(b)浪漫主义时期文学特点的分析

2 该时期的重要作家:William Blake, Burns; Wordsworth; Coleridge; Byron; Shelley; Keats; Austin

(1)识记:浪漫主义时期的重要作家,代表作品及其主要内容。

(2)领会:重要作家的创作思想,艺术特色及其代表作品的主题结构,人物塑造,语言风格,社会意义等。

[例题]

With its great achievement in English poetry, ____ has been considered the second great period in English literature, second only to the Elizabethan period.

A. he Victorian age

B. he Renaissance

C. the age of Neoclassicism

D. the Romantic period

The Victorian Period

Chapter 11 The Victorian Period · Victorian Prose · Carlyle · Mill · Newman

Chapter 12 Victorian Fiction · Dickens · Thackeray

Chapter 13 Charlotte and Emily Bronte · Meredith

Chapter 14 George Eliot · Trollope · Butler

Chapter 15 Hardy · Gissing · Moore · Wilde · Stevenson

Chapter 16 Victorian Poetry · Tennyson · Browning · Arnold

Chapter 17 Clough · Hopkins · Edward Fitzgerald’s Rubaiyat · The Aesthetic Movement

Chapter 18 Victorian Drama · Shaw · Wilde

知识点:

一. 维多利亚时期概述

(1)了解:(a)维多利亚时期的界定

(b)社会政治,经济,文化背景。

(2)领会:(a)维多利亚时期的文学特点

(b)批判现实主义小说对后世文学的影响。

(3) 应用:宪章运动,功利主义,批判现实主义,戏剧独白等名词的解释

二. (1)小说(2)诗歌(3)戏剧

三. 维多利亚时期的重要作家: Dickens,Thackeray, the Bronte Sisters, George Eliot, Hardy, Tennyson,

Browning, Arnold, Shaw, Wilde.

1.一般识记:重要作家的生平与创作生涯

2.识记: 重要作品及主要内容

3.领会:重要作家的创作思想,艺术特色及其代表作品的主题思想,人物塑造,语言风格,社会意义等。

[例题]

Dickens’A Tale of Two Cites has ____ as its background, the action in the novel taking place in the two cities London Paris.

A. the French Revolution of 1789-94

B.the Elizabethan age of sixteenth century

C.the Glorious Revolution

D. the religious reformation and economic expansion

The Edwardian Period & The Georgian Period

Chapter 19 The Early 20th Century · The Edwardians · The Georgians · The War Poets

知识点:重点部分:爱德华七世时期的重要作家

爱德华七世时期的许多主要文学成就都集中在散文体小说(prose fiction)上。

例如哈代、康拉德、高尔斯华绥、E.M.福斯特、凯瑟琳·曼斯菲尔德、H.G.威尔斯、吉卜林等。

[例题]

The title of Joseph Conrad’s story Heart of Darkness most probably signifies all of the following except ____.

A. the heart of Africa

B. the heart of evil

C. the heart of ecstasy

D. the heart of man

The Modern Period

Chapter 20 The 1920s · Woolf · Joyce

Chapter 21 Lawrence · Yeats · Imagism · T.S.Eliot

Chapter 22 Poetry of the 1930s ·Auden · The Audenic Group · Thomas Empson

Chapter 23 Fiction of the 1930s · Huxley ·Orwell · Waugh · Greene · Isherwood

一、学习目的和要求

通过本章的学习,了解20世纪批判现实主义文学和现代主义文学产生的历史、文化背景。认识该时期文学创作的基本特征、基本主张,及其对现当代英国文学乃至文化的影响;了解该时期重要作家的文学创作思想、艺术特色及其代表作品的主题结构、人物刻画、语言风格、思想意义等;同时结合注释,读懂所选作品,了解其思想内容和写作特色。

二、本章重点及难点

1.英国现代文学的特征

2.主要作家的创作思想、艺术特色及其代表作品的主题结构、人物刻画和语言风格

3.名词解释:现代主义

4.应用:选读作品的主题结构、艺术特色、人物刻画和语言风格,如

(1)叶芝和艾略特诗歌(所选作品)的主题、意象分析

(2)小说《儿子与情人》的主题和主要人物的性格分析

(3)意识流小说的主要特色分析

三、知识要求

(一)现代时期概述

1.了解:

A. 20世纪英国社会的政治、经济、文化背景

B.英国20世纪批判现实主义文学

C.现代主义文学的兴起与衰落

2.领会:

A. 现代主义文学创作的基本主张

B.英国现代主义文学

(1)小说

(2)诗歌

3.应用:

(1)名词解释:现代主义

(2)英国现代主义文学的特点

(3)现代主义文学对当代文学的影响

(二)现代时期的主要作家

A. 弗吉尼亚·伍尔夫

1.一般识记:伍尔夫的生平与创作生涯

2.识记:代表作

3. 领会:(1)二十世纪世界公认的意识流创作大师

(2)伍尔夫小说的主要艺术特色及思想意义

(3)伍尔夫的作品对现当代世界文学的影响

B. 詹姆斯·乔伊斯

1.一般识记:乔伊斯的生平与创作生涯

2.识记:乔伊斯的主要作品简介

(1)《都柏林人》

(2)《青年艺术家的肖像》

(3)《尤利西斯》

3.领会:

(1)乔伊斯的文学创作主张与美学思想

(2)乔伊斯小说的主要艺术特色及思想意义

(3)乔伊斯的艺术成就

(4)乔伊斯的作品对现当代世界文学的影响

C.戴维·赫伯特·劳伦斯

1.一般识记:劳伦斯的生平及文学生涯

2.识记:劳伦斯的主要小说

3.领会:

(1)劳伦斯的创作思想

(2)劳伦斯小说的主要艺术特色及社会意义.

(3)劳伦斯的小说对现当代英国文学的影响

D. 乔治·奥威尔《动物农庄》

E. 威廉·勃特勒·叶芝

1.一般:叶芝的生平及文学生涯

2.识记:叶芝诗歌的代表作品

(1)早期诗歌:《茵尼斯弗利岛》、《梦见仙境的人》、《玫瑰》

(2)中期诗歌:《新的纪元》、《1916年的复活节》

(3)晚期诗歌:《驶向拜占廷》、《丽达及天鹅》、《在学童们中间》

F、T.S.艾略特

1.一般识记:艾略特的生平及创作生涯

2.识记:艾略特的主要诗歌作品

(1)《普鲁弗洛克的情歌》

(2)《荒原》

(3)《灰星期三》

(4)《四个四重奏》

3.领会:

(1)艾略特的文学理论与文艺批评观

(2)艾略特诗歌的艺术特色及社会意义

(3)艾略特的戏剧

(4)文略特的艺术成就

(5)艾略特的文学创作及文艺批评思想对现当代英国文学的影响

[例题]

T. S. Eliot’ famous doctrine on poets and poetry is known as the ____ theory.

A Survey of American Literature Chang Yaoxi I Colonial Period (1607—1765)

II Revolutionary Period (1765—1800)

III The Age of Romanticism (1800—1865)

IV The Age of Realism (1865—1918)

V American Modernism (1918—1945)

VI Contemporary Literature (1945-- )

Colonial Period

Chapter 1 Colonial America

Chapter 2 Edwards ·Franklin· Crevecoeur

一、了解清教主义的背景、特征及影响

二、了解这一时期总体的文学特征,代表作家,例如富兰克林。

I. Background: Puritanism

1. Features of Puritanism

(1) Predestination: God decided everything before things occurred.

(2) Original sin: Human beings were born to be evil, and this original sin can be passed down from generation to generation.

(3) Total depravity

(4) Limited atonement: Only the “elect” can be saved.

2. Influence

(1) A group of good qualities – hard work, thrift, piety, sobriety (serious and thoughtful) influenced American literature.

(2) It led to the everlasting myth. All literature is based on a myth – garden of Eden.

(3) Symbolism: the American puritan’s metaphorical mode of perception was chiefly instrumental in calling into being a literary symbolism which is distinctly American.

(4) With regard to their writing, the style is fresh, simple and direct; the rhetoric is plain and honest, not without a touch of nobility often traceable to the direct influence of the Bible.

II. Overview of the literature

1. types of writing

diaries, histories, journals, letters, travel books, autobiographies/biographies, sermons

2. writers of colonial period

(1) Anne Bradstreet

(2) Edward Taylor

(3) Roger Williams

(4) John Woolman

(5) Thomas Paine

(6) Philip Freneau

III. Jonathan Edwards

1. life

2. works

(1) The Freedom of the Will

(2) The Great Doctrine of Original Sin Defended

(3) The Nature of True Virtue

3. ideas – pioneer of transcendentalism

(1) The spirit of revivalism

(2) Regeneration of man

(3) God’s presence(4) Puritan idealism

IV. Benjamin Franklin

1. life

2. works

(1) Poor Richard’s Almanac

(2) Autobiography

3. contribution

(1) He helped found the Pennsylvania Hospital and the American Philosophical Society.

(2) He was called “the new Prometheus who had stolen fire (electricity in this case) from heaven”.

(3) Everything seems to meet in this one man –“Jack of all trades”. Herman Melville thus described him “master of each and mastered by none”.

The Romantic Period

Chapter 3 American Romanticism · Irving·Cooper

Chapter 4 New England Transcendentalism · Emerson · Thoreau

Chapter 5 Hawthorne·Melville

Chapter 6 Whitman·Dickinson

Chapter 7 Edgar Allan Poe

Section 1 Early Romantic Period

What is Romanticism?

●An approach from ancient Greek: Plato

● A literary trend: 18c in Britain (1798~1832)

●Schlegel Bros.

I. Preview: Characteristics of Romanticism

1. subjectivity

(1) feeling and emotions, finding truth

(2) emphasis on imagination

(3) emphasis on individualism –personal freedom, no hero worship, natural goodness of human beings

2. back to medieval, esp medieval folk literature

(1) unrestrained by classical rules

(2) full of imagination

(3) colloquial language

(4) freedom of imagination

(5) genuine in feelings: answer their call for classics

3. back to nature

nature is “breathing living thing” (Rousseau)

II. American Romanticism

1. Background

(1) Political background and economic development

(2) Romantic movement in European countries

Derivative – foreign influence

2. features

(1) American romanticism was in essence the expression of “a real new experience‖ and contained ―an alien quality‖ for the simple reason that “the spirit of the place” was radically new and alien. (2) There is American Puritanism as a cultural heritage to consider. American romantic authors tended more to moralize. Many American romantic writings intended to edify more than they entertained.

(3) The ―newness‖ of Americans as a nation is in connection with American Romanticism.

(4) As a logical result of the foreign and native factors at work, American romanticism was both imitative and independent.

III. Washington Irving

1. several names attached to Irving

(1) first American writer to win an international fame

(2) the messenger sent from the new world to the old world

2. life

3. works

(1) A History of New York from the Beginning of the World to the End of the Dutch Dynasty

(2) The Sketch Book of Geoffrey Crayon, Gent. (He won a measure of international recognition with the publication of this.)

(3) The History of the Life and Voyages of Christopher Columbus

(4) A Chronicle of the Conquest of Granada

(5) The Alhambra

4. Literary career: two parts

(1) 1809~1832

a. Subjects are either English or European

b. Conservative love for the antique

(2) 1832~1859: back to US

5. style – beautiful

(1) gentility, urbanity, pleasantness

(2) avoiding moralizing – amusing and entertaining

(3) enveloping stories in an atmosphere

(4) vivid and true characters

(5) humour – smiling while reading

(6) musical language

IV. James Fenimore Cooper

1. life

2. works

(1) Precaution (1820, his first novel, imitatin g Austen’s Pride and Prejudice

(2) The Spy (his second novel and great success)

(3) Leatherstocking Tales (his masterpiece, a series of five novels)

The Deerslayer, The Last of the Mohicans, The Pathfinder, The Pioneer, The Prairie

3. point of view

the theme of wilderness vs. civilization, freedom vs. law, order vs. change, aristocrat vs. democrat, natural rights vs. legal rights

4. style

(1) highly imaginative

(2) good at inventing tales

(3) good at landscape description

(4) conservative

(5) characterization wooden and lacking in probability

(6) language and use of dialect not authentic

5. literary achievements

He created a myth about the formative period of the American nation. If the history of the

United States is, in a sense, the process of the American settlers exploring and pushing the American frontier forever westward, then Cooper’s Leatherstocking Tales effectively approximates the American national experience of adventure into the West. He turned the west and frontier as a useable past and he helped to introduce western tradition to American literature.

Section 2 Summit of Romanticism – American Transcendentalism

I. Background: four sources

1. Unitarianism

(1) Fatherhood of God

(2) Brotherhood of men

(3) Leadership of Jesus

(4) Salvation b y character (perfection of one’s character)

(5) Continued progress of mankind

(6) Divinity of mankind

(7) Depravity of mankind

2. Romantic Idealism

Center of the world is spirit, absolute spirit (Kant)

3. Oriental mysticism

Center of the world is “oversoul”

4. Puritanism

Eloquent expression in Transcendentalism

II. Appearance

1836, “Nature” by Emerson

III. Features

1. spirit/oversoul

2. importance of individualism

3. nature – symbol of spirit/God

garment of the oversoul

4. focus on intuition (irrationalism and subconsciousness)

IV. Influence

1. It served as an ethical guide to life for a young nation and brought about the idea that human can be perfected by nature. It stressed religious tolerance, called to throw off shackles of customs and traditions and go forward to the development of a new and distinctly American culture.

2. It advocated idealism that was great needed in a rapidly expanded economy where opportunity often became opportunism, and the desire to “get on” obscured the moral necessity for rising to spiritual height.

3 .It helped to create the first American renaissance – one of the most prolific period in American literature.

V. Ralph Waldo Emerson

1. life

2. works

(1) Nature

(2) Two essays: The American Scholar, The Poet

3. literary views:

(1) One major element of his philosophy is his firm belief in the transcendence of the “oversoul”.

(2) He regards nature as the purest, and the most sanctifying moral influence on man, and advocated

a direct intuition of a spiritual and immanent God in nature.

(3) If man depends upon himself, cultivates himself and brings out the divine in himself, he can hope to become better and even perfect. This is what Emerson means by “the infinitude of man”. (4) Everyone should understand that he makes himself by making his world, and that he makes the world by making himself.

4. aesthetic ideas

(1) He is a complete man, an eternal man.

(2) True poetry and true art should ennoble.

(3) The poet should express his thought in symbols.

(4) As to theme, Emerson called upon American authors to celebrate America which was to him a lone poem in itself.

5. his influence

VI. Henry David Thoreau

1. life

2. works

(1) A Week on the Concord and Merrimack River

(2) Walden

(3) A Plea for John Brown (an essay)

3. literary views:

(1) He did not like the way a materialistic America was developing and was vehemently outspoken on the point.

(2) He hated the human injustice as represented by the slavery system.

(3) Like Emerson, but more than him, Thoreau saw nature as a genuine restorative, healthy influence on man’s spiritual well-being.

(4) He has faith in the inner virtue and inward, spiritual grace of man.

(5) He was very critical of modern civilization.

(6) “Simplicity…simplify!”

(7) He was sorely disgusted with “the inundations of the dirty institutions of men’s odd-fellow society”.

(8) He has calm trust in the future and his ardent belief in a new generation of men.

Section 3 Late Romanticism

I. Nathaniel Hawthorne

1. life

2. works

(1) Two collections of short stories: Twice-told Tales, Mosses from and Old Manse

(2) The Scarlet Letter

(3) The House of the Seven Gables

(4) The Marble Faun

3. literary views:

(1) Evil is at the core of human life, “that blackness in Hawthorne”

(2) Whenever there is sin, there is punishment. Sin or evil can be passed from generation to generation (causality).

(3) He is of the opinion that evil educates.

(4) He has disgust in science.

4. aesthetic ideas

(1) He took a great interest in history and antiquity. To him these furnish the soil on which his mind grows to fruition.

(2) He was convinced that romance was the predestined form of American narrative. To tell the truth and satirize and yet not to offend: That was what Hawthorne had in mind to achieve.

5. style – typical romantic writer

(1) the use of symbols

(2) revelation of characters’ psychology

(3) the use of supernatural mixed with the actual

(4) his stories are parable (parable inform) – to teach a lesson

(5) use of ambiguity to keep the reader in the world of uncertainty – multiple points of view

II. Herman Melville

1. life

2. works

(1) Typee《泰比》

(2) Omio 《奥穆》

(3) Mardi

(4) Redburn

(5) White Jacket

(6) Moby Dick

(7) Pierre

(8) Billy Budd

3. literary views

(1) He never seems able to say an affirmative yes to life: His is the attitude of “Everlasting Nay” (negative attitude towards life).

(2) One of the major themes of his is alienation (far away from each other).

Other themes: loneliness, suicidal individualism (individualism causing disaster and death), rejection and quest, confrontation of innocence and evil, doubts over the comforting 19c idea of progress

4. style

(1) Like Hawthorne, Melville manages to achieve the effect of ambiguity through employing the technique of multiple views of his narratives.

(2) He tends to write periodic chapters.

(3) His rich rhythmical prose and his poetic power have been profusely commented upon and praised.

(4) His works are symbolic and metaphorical.

(5) He includes many non-narrative chapters of factual background or description of what goes on board the ship or on the route (Moby Dick)

Romantic Poets

I. Walt Whitman

1. life

2. work: Leaves of Grass (9 editions)

(1) Song of Myself

(2) There Was a Child Went Forth

(3) Crossing Brooklyn Ferry

(4) Democratic Vistas

(5) Passage to India

(6) Out of the Cradle Endlessly Rocking

3. themes –“Catalogue of American and European thought”

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