《欲望号街车》中幻想与现实的对立
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田纳西·威廉斯笔下的现实与虚幻作者:刘晓凤来源:《艺术评鉴》2021年第13期摘要:本文结合了美国20世纪三大剧作家之一的田纳西·威廉斯的个人生活,并以在当代剧作中始终被当作典范的《玻璃动物园》和《欲望号街车》为例,分析威廉斯是如何在剧中将主人公内心世界的外化实现真实与虚幻的统一,让人物变得更加鲜活。
关键词:田纳西·威廉斯现实虚幻《玻璃动物园》《欲望号街车》中图分类号:J805文献标识码:A文章编号:1008-3359(2021)13-0171-03一、田纳西·威廉斯——将生活融入剧本田纳西·威廉斯(Tennessee Williams)是自20世纪以来美国最著名的剧作家之一,1911年的3月在美国南部密西西比州中一个混乱不安的中产家庭出生,1983年2月25日因吞食药片导致窒息,在旅馆房间内意外身亡,戏剧化的死亡就好像他将戏剧和生活完成了最终的融合。
他的童年充斥的大多是沉默与压抑——在一次采访中,威廉斯回忆道:“我在逃避什么呢?当时的我总是体弱多病,隔壁家的孩子常常嘲笑我举止像个女孩子,父亲也直接叫我为南希小姐……我总是待在外公的藏书屋里翻阅那些书籍,也不愿意出去和别的孩子玩耍”。
著名文学教授哈罗德·布鲁姆(Harold Bloom)曾客觀评价了威廉斯,说他是“主流戏剧家中最具有文学性的一位”威廉斯不幸的童年生活,在带给他创伤的同时也激发了他的创作灵感:《玻璃动物园》(The Glass Menagerie.1944)、《欲望号街车》(A Streetcar Named Desire.1947)、《热铁皮屋顶上的猫》(Catona Hot Tin Roof.1953)……威廉斯作品中的欲望和压抑都相互交织着,带着密西西比三角洲的景色和气息,深深地烙印在他作品的灵魂中。
相较于同时期的美国剧作大家尤金·奥尼尔(Eugene O'Neill)和阿瑟·米勒(Arthur Miller),田纳西·威廉斯的侧重点更偏向于那些饱受摧残、被压抑着的灵魂,也正是如此,他作品的每一次出版都是带着时代的争议。
《欲望号街车》中的隐喻内涵田纳西•威廉姆斯是美国20世纪最重要的剧作家之一。
他的剧本大多展现“社会对敏感而脆弱的离群反叛者的摧毁性打击” (Williams,1939:12) 以及那些人所遭受的精神折磨、不被社会认可的落寞和内心的痛苦。
威廉姆斯运用敏锐的观察视角、含蓄凝练的表现手法创作了一个丰富多彩的艺术世界。
田纳西•威廉姆斯的经典之作《欲望号街车》于1948年获得普利策戏剧奖,同时根据《欲望号街车》改编的同名电影使影星费雯丽第二次夺得了奥斯卡影后的桂冠。
该剧的故事发生在美国城市新奥尔良,描写一位来自南方没落贵族家庭的女性布兰琪,在经历了家族的衰败、爱情的破灭、生活的凌乱后走投无路,只好投奔妹妹,结果遭受妹夫的嫌弃和迫害,最后精神失常,被送进了精神病院。
威廉姆斯在该剧作中运用隐喻手法,生动刻画了布兰琪备受折磨、最终走向毁灭的悲剧命运以及充斥着各式各样“欲望”的纷繁世界。
剧作中的剧名、人名、地名以及人物活动都具有一定的隐喻性,深刻地烘托了作品的主题内涵。
一、剧名的隐喻内涵剧名“欲望号街车”本身就是一个典型的隐喻。
在剧作一开始,女主人公布兰琪从新奥尔良火车站搭乘欲望号街车去往妹妹斯特拉家。
最终这辆街车把她从生活的深渊带到了她生命的绝境。
那么究竟是怎样的“欲望”带给她重重灾难呢?布兰琪和斯坦利作为剧作中两个对立面的主人公,他们有着明显不同的欲望。
如果说斯坦利的欲望更多的是生理的欲望和一种男性的征服欲。
那么,布兰琪的欲望更多的则是来自精神的需要,更准确地说她的欲望是要寻求一种沟通、保护和相互温暖。
女主人公布兰琪•杜波依斯(Blanche Dubois)来自美国南方贵族家庭,16岁时嫁给了一个性格温和、善于写诗的男孩。
年少的她对爱情充满期待,“她深爱着他,认为他简直太完美了,非同凡人”。
然而,她却意外地发现自己的丈夫竟是一个同性恋者。
在一次舞会上,布兰琪突然说出对丈夫行为的厌恶,“我看到了,我知道,你让我恶心。
《欲望号街车》幻想与现实的对立研究作者:朱美玲来源:《科教导刊·电子版》2017年第36期摘要欲望号街车无论是舞台剧,还是电影都是具有划时代的意义。
它的出现彻底的结束了所谓好莱坞黄金时代的理想主义和浪漫色彩主宰的银幕,把加利格兰特这样的绅士在两次大战后完全的灭掉,至今未能恢复元气,它的出现无情的踩破了当时社会上笼罩的一种幻想性的浪漫主义色彩,将血淋淋的社会真相撕开在社会大众面前。
本文将主要进行《欲望号街车》幻想与现实的对立研究。
关键词欲望号街车幻想现实布兰奇斯坦利中图分类号:I106 文献标识码:A0引言影片始终处在一种诡异而迷离的光影中,公寓外的光忽明忽灭的闪动,一如布兰奇泥淖般混沌不安的心。
背景音乐时而诡谲如葬歌,时而轻快如华沙舞曲,像一道道迷乱的药剂,遁入时空的细密的纹理中,让人分不清虚实黑白。
一切都在迷幻之中,黑暗与光亮互相观望着对方的影子。
布兰奇是个有着臆想症的女人,虽然她曾经为了生活过着一种她妹夫眼里是“婊子”一样的生活,但是丝毫不妨碍她幻想自己是以为淑女。
她钟情于文学、音乐等高雅艺术,她最讨厌爱尔兰裔妹夫的那种粗暴、野蛮和毫无风度,只是,她的境况却让她不得不寄居在妹夫家,每天与这个野蛮的妹夫相处。
这个人物最动人的地方就在于此:她的虚荣、虚伪、轻佻,她的那些做作得有些可笑的行为,都是一个弱女子在世事和时间洪流前的挣扎,她挣扎着想找回昔日的荣光。
但那些美好的旧时光是回不去的,她就像一只可爱的蝴蝶落在蛛网,怎么张开羽翼也无法逃走,最后被蜘蛛吸尽汁液,只留下一具空空的躯壳。
1影片概述及人物形象分析1.1电影《欲望号街车》布兰奇是个教师,与十七岁的学生相爱,后来男孩自杀,她开始变得神经质,开始挥霍无度,最后甚至变卖了家里的田庄。
她和陌生男人过放荡的生活以缓解她的不安和焦虑,感情上的缺失和无助。
她被开除,无法在当地生存。
她投奔妹妹,她不满妹夫的粗鲁与野蛮,妹夫也因为她把家里的产业败光而怀恨在心。
《欲望号街车》中的幻想与现实(一)葛娇娇 常州信息职业技术学院摘要:在田纳西•威廉斯的《欲望号街车》中幻想和现实在布兰琪内心形成冲突。
布兰琪试图逃避现实,在幻觉中寻找解决实际问题的方法。
但是在现实面前幻觉的脆弱导致了布兰琪被现实打败,精神失常的悲剧结局。
布兰琪也将在精神失常这种极端的幻觉中度过余生。
关键词:田纳西•威廉斯;欲望号街车;布兰琪;幻想;现实一、引言田纳西•威廉斯是美国20世纪著名的戏剧家。
《欲望号街车》是他早期的三部杰作之一。
在田纳西•威廉斯的的《欲望号街车》中幻觉和现实在布兰琪内心形成冲突。
布兰琪对幻觉的过度依赖以及她所无法解决的现实问题最终导致了她的悲剧。
布兰琪也将在精神失常这种极端的幻觉中度过余生。
本文将用文本细读的方式分析布兰琪所依赖的幻想及她试图逃避却又不得不接受的现实。
二、《欲望号街车》中的幻想Corrigan(87)认为田纳西•威廉斯在《欲望号街车》这部剧中“描写了一个女人的彻底失败,她的存在取决于她对自己和世界的幻想”。
剧中的主人公布兰琪的大部分生活状态就是幻想。
她来到妹妹斯特拉家后就开始用一个新的身份,她给自己建立了一个虚幻的世界,以此逃避她既恨又怕的现实世界。
但一头扎进幻想只会引她走向悲剧。
从到科瓦尔斯基家的第一天,布兰琪就开始扮演一个传统的淑女。
但显然这并非她真实的自己,用她自己的话说这只是“应该是事实”(Williams 204)。
她不仅假扮淑女,在酗酒问题上也撒谎;她还穿上漂亮衣服,避免强光照射,以免暴露自己凋谢的容颜;她隐瞒自己从学校离职的原因;还让人误以为她“观念传统”。
(Williams 180)她试图让人觉得她是个“窈窕淑女,君子好逑”。
她在酗酒问题上撒谎就是她转向幻想的很明显的迹象。
第一幕里,一个人时她在家里找酒,喝了一口后小心地把酒瓶放回去,还把杯子洗干净。
这一细节首次透露了她的酗酒问题,以及她为隐藏这一问题付出的巨大努力。
此后,在剧中她一直偷偷地大饮特饮。
从二元对立角度分析《欲望号街车》中布兰琪的悲惨命运作者:张迎花来源:《青年文学家》2015年第12期摘 ;要:《欲望号街车》是田纳西·威廉斯的重要剧作之一,女主人公布兰琪的悲惨命运引起无数读者的同情。
本文试从二元对立角度来分析布兰琪自身存在的矛盾和冲突,阐释人物悲剧命运的原因。
关键词:《欲望号街车》;田纳西·威廉斯;二元对立作者简介:张迎花(1990.11-),女,郑州大学外语学院2013级硕士研究生,英语语言文学专业,研究方向:英美文学。
[中图分类号]:I106 [文献标识码]:A[文章编号]:1002-2139(2015)-12-0-01一、引言本文试从二元对立的角度出发,分析布兰琪与身边环境、人物的冲突以及她内心的矛盾,找出造成她悲惨命运的原因。
二、文明与野蛮的对立作为一位庄园主的女儿,布兰琪从小生活无忧,接受过良好的教育,并且在一所中学担任英语老师,在谈吐之中时刻显露出自己良好的出身和教养。
当她第一次乘坐“欲望号”街车来到妹妹斯特拉的家时,面对着破旧不堪,寒酸简陋的房子,布兰琪称自己只有在爱伦坡(Edgar Allan Poe)的小说中才见识过;她第一次和密奇(Mitch)见面看到密奇烟盒上的铭文时,布兰琪立刻知道这是勃朗宁夫人(Mrs. Browning)的十四行诗。
这一切都显示着布兰琪与生活在天堂路(Elysian Fields)里其他人的不同。
和布兰琪有着鲜明对比的是她的妹夫斯坦利(Stanley)。
斯坦利是波兰人后裔,曾经当过兵,他是一个粗鲁、蛮横、浑身充满着原始兽欲的男人。
当他听斯特拉说“美梦“庄园破产后,他怀疑是布兰琪把庄园私吞了,于是趁布兰琪洗澡候把她的行李乱翻一气;在“扑克之夜”的那晚,喝了酒的斯坦利粗鲁地关掉了布兰琪打开的收音机,并和斯特拉发生挣扎,不顾怀孕中妻子的身体状况,对她拳脚相加;在妻子临盆住进产房的那晚,他和布兰琪的冲突达到高潮,不仅在精神上彻底击垮了布兰琪,还强行侵犯了布兰琪的身体,最后他把遭受双重打击、精神出现异常的布兰琪送到了精神病院,彻底地让她离开自己的领土。
【浅析《欲望号街车》中的“诗化现实主义”】现实主义诗田纳西・威廉斯(Tennessee William)是美国二战之后最杰出的剧作家之一,其创作生涯长达40年。
《欲望号街车》是威廉斯于20世纪40年代创作的一部成功的戏剧。
该剧于1947年首次上演便获得极大成功,此后在百老汇连演855场,并一举赢得美国3项最重要的戏剧奖:普利策奖、纽约戏剧奖及唐纳德森奖。
剧评家布鲁克斯・阿特金森(Brooks Atkinson)赞该剧为“具有几乎使人难以忍受的悲剧性”的戏剧。
在这部伟大的剧作中,威廉斯娴熟巧妙地运用了“诗化现实主义”的创作手法,揭示了美国社会工业化进程中南方传统文明和北方新兴工业文明之间的冲突。
本文试从象征主义和表现主义两个方面,对《欲望号街车》中的“诗化现实主义”加以阐释和分析。
一威廉斯的“诗化现实主义”“诗化现实主义”是威廉斯在戏剧中首创的艺术表达手法。
威廉斯所谓的“诗化现实主义”(Poetic Realism)就是运用象征主义和表现主义的艺术手法,使人物、对话、舞台背景、舞台道具、音乐、声响和灯光等水乳交融,混为一体,形成交响乐般恢宏气势的一种戏剧创作方法。
(方军,2001)象征就是通过某种特定的具体形象,以含蓄凝练的方式给思维提供联想与暗示的契机,传递与这一形象相似或相近的概念、思想和感情。
威廉斯的写作技巧之一就是善于运用象征性的人和物来揭示主题,烘托气氛。
他曾说过:“象征物,如果能满怀敬意地使用,则是戏剧最纯粹的语言。
有时候灯光闪亮的舞台上一件物品,一个动作,便能表达清楚一页又一页冗长的解说想说明的东西。
”因此,剧作中大量地运用具有象征意义的人名、地名和动作等,便成为威廉斯写作的一大特色。
而避免过多的描述和说明,可以使其剧作语言精炼而丰满,如意象派诗作一样,表现出明显的韵律化和联想特征。
二《欲望号街车》中“诗化现实主义”的运用1 象征主义手法的运用戏剧《欲望号街车》将没落的南方旧文明必然被北方新文明所取代作为背景,以布兰奇和斯坦利两性之间的矛盾与冲突为主线,运用寓意深刻的人名、地名,不同的场景、动作达到象征的目的。
《欲望号街车》的二重性研究摘要: 一战结束时期杰出的美国作家田纳西·威廉斯的剧作《欲望号街车》是一部伟大的当代精神悲剧。
《欲望号街车》的电影版本对原著的创作内涵作了截然不同的诠释。
本文从比较两个电影版本入手,应用接受美学理论、知觉概念,对文本的叙述结构、人物性格与心理特征进行了分析,从而解构作品的二重性。
关键词: 《欲望号街车》剧作电影版本二重性《欲望号街车》(A Streetcar Named Desire)是美国著名剧作家田纳西·威廉斯(Tennessee Williams,1911—1983)最享盛名的剧作,已连续50多年在世界各地上演。
作为一部复杂且内涵深刻、充满不朽魅力的作品,它不断地激发评论家从各个角度解读它。
1951年,著名导演埃利雅·卡赞将其搬上银幕。
当时的电影业正由于影片类型题材形式陈旧、运营机制不合理,因而受到新兴电视传媒的冲击,处于一片萧条状态。
《欲望号街车》的上映创造了当年票房收入的奇迹,扭转了电影业低迷困顿的形势,获得评论界的一致好评。
该片获得奥斯卡10项大奖的提名,夺取了最佳女主角、女配角、男配角3项大奖。
此后的电影制作对《欲望号街车》争相效仿,田纳西·威廉斯也成为好莱坞最耀眼的名字,“他似乎命中注定在银幕上获得与在舞台上同样的成功”。
一、电影版本的演绎《欲望号街车》描写来投靠妹妹的大姐布兰奇·杜波依斯和妹夫斯坦利·考沃斯基既相互吸引又相互憎恨的故事,最后布兰奇·杜波依斯进了精神病院。
作者力求通过剖析一些底层人物的精神痛苦来揭示当代美国的社会病态。
1984年,导演约翰·鄂尔曼对该剧重新演绎,在剧情处理上与老版本有很大的不同。
在1951年的版本中,迫害布兰奇·杜波依斯的原凶斯坦利·考沃斯基受到了应有的惩罚:他的妻子,布兰奇·杜波依斯的妹妹史蒂娜毅然决然地离开了他。
幻想和现实的冲突——解读《欲望号街车》【摘要】《欲望号街车》是美国著名剧作家田纳西威廉斯最受欢迎的作品之一。
女主人公布兰奇是深受南方思想和传统文化熏陶的破产的南方淑女,她来到新奥尔良这个和她格格不入的北方工业城市投靠妹妹斯特拉。
她不满于现实,把自己掩盖于自己编织的幻想当中,自欺欺人。
而他的妹夫斯坦利是北方工业文明的一个典型人物。
这个现实的妹夫和充满幻想的布兰奇产生了尖锐的冲突,最终以布兰奇的失败(疯掉)告终。
【关键词】欲望号街车;幻想;现实;冲突《欲望号街车》是美国著名剧作家田纳西威廉斯的代表作之一,这部作品刻画了主人公布兰奇的悲剧命运。
布兰奇杜布瓦本是南方庄园里长大的大家闺秀,随着身边的亲人陆续死去,她最终失去了家族的庄园,布兰奇来到新奥尔良投靠妹妹斯特拉,却与妹夫斯坦利发生了矛盾。
布兰奇的充满幻想与斯坦利的物质和现实使两人的矛盾一步一步激化,致使斯坦利强奸了布兰奇,导致布兰奇最终精神崩溃,被送进了疯人院。
本剧的一个主要冲突就是布兰奇所代表的美国南方没落文化和斯坦利所代表的美国北方新兴工业之间的冲突。
布兰奇是一个充满浪漫幻想、逃避现实的南方淑女;而斯坦利则是一个务实、残暴、缺乏理想和想象力的角色。
因此,双方的冲突也体现了幻想和现实的冲突,从而预示了布兰奇在冲突中必定失败,幻想最终破灭的结局。
一、布兰奇的幻想1.女主人公布兰奇生活在自己编织的幻想当中,她曾经对斯坦利说过:“女人的魅力一半是幻想”。
弗洛依德认为:对于精神分析学家来说,所有的症状只有被阅读为一个被歪曲与乔装的思想表达时,症状才能被理解。
而这被歪曲与被乔装的思想,其实质正是患者被压抑的无意识欲望。
症状作为对无意识欲望的妥协,它的本质就是要说明自身,但因其表达方式的费解,使它自身如同一个难解之谜:它既遮蔽,同时又揭示着这个无意识欲望。
布兰奇的幻想和谎言,正是她内心欲望的表象。
这表现在许多方面:首先,布兰奇来到新奥尔良以后编制了一系列谎话,欺骗别人的同时也欺骗自己。
1999年12月第9卷第4期西安电子科技大学学报(社科版)Journal of Xidian University (Social Sciences Edition)Dec., 1999Vol.9 No.4《欲望号街车》中的“诗化现实主义”①徐锡祥吾文泉(南通师范学院外文系,江苏南通226007)摘要:《欲望号街车》通过对女主人公在不同环境中的不幸遭遇,生动地展示了新奥尔良某地区的拥挤嘈杂的生活图景,深刻地揭示了现代美国社会工业化进程中传统的南方与现代的北方的冲突,剧本具有深刻的现实意义。
本文通过对《欲望号街车》中的创作风格、舞台艺术和语言艺术的探讨,充分地论述了本剧中剧作家所运用的独特艺术手法“诗化现实主义”。
关键词:威廉斯;《欲望号街车》;“诗化现实主义”中图分类号: I23 文献标识码: A 文章编号: 1008 472X (1999) 04 0072 05 《欲望号街车》是现当代美国极负盛名的剧作家田纳西·威廉斯(Tennessee Williams 1911-1983)最享盛誉的作品。
他的艺术特点是故事情节戏剧性强,象征手法突出,舞台背景及道具运用得当,语言精炼、充满诗意,即威廉斯本人所谓“诗化现实主义”(Poetic Realism)。
[1](p.2148)本文拟就从威廉斯《欲望号街车》上述特点着手,探讨该剧独特的创作艺术风格和手法。
一、《欲望号街车》诗化的人文冲突《欲望号街车》共11场,剧情比较简单:美国南方“美梦”庄园的大家闺秀布兰琪·杜波依斯年轻时爱情受挫,庄园破产,亲人相继作故。
为了摆脱恐怖和寂寞,在“欲望”的驱使下,她纵情声色,终于声名狼藉,被迫流落到分别多年的妹妹斯黛拉家暂住,以求得亲近和安宁。
但她的到来却给妹妹一家带来了危机,她与妹夫斯坦利之间的冲突愈演愈烈,斯坦利终于探得并公开了她的隐私,最后从精神上击溃了她,从肉体上粗暴地占有了她。
剧终,布兰琪被送进了疯人院。
河北工业大学毕业论文作者:苏丽丽学号:****** 系:外语系专业:商务英语题目:《欲望号街车》中幻想与现实的对立Illusion versus Reality in A StreetcarNamed Desire指导者:杨海丽副教授评阅者:陆洋讲师2011年6月12日毕业论文中文摘要毕业论文外文摘要Contents1 Introduction (1)2 The Shaping and Destruction of Reality (3)2.1 Blanche's Family Background (3)2.2 Blancche's Missing in the Illusion (4)3 Blanche's Personality (4)3.1 A Brave Coward (4)3.2 A Yield Rebel (5)3.3 A Desperate Fighter (6)4 Venting the Pain of Life (7)4.1 The Destructive Power (8)4.2 The Shelter of Illusion (8)5 Solutions to the Painful Opposition (9)5.1 The Characte rs’Solutions (9)5.2 The Ture Pleasure of Life (13)Conclusion (14)Bibliography (15)Acknowledgements (17)1IntroductionTennessee Williams (1911–1983) is one of the most famous contemporary playwrights in the United States, which is recognized as the best playwright since the World War II. His plays are not only extremely productive but also excellent. His dramatic career has been over fifty years from the mid 1930s until his death in 1983, and saw the creation of many plays that are regarded as classics of the American stage. His works are warmly praised, as well as hotly disputed in the critics several times.Tennessee Williams is born in a chaotic family. He doesn’t like to play with the boys, and they joke he like a sissy. His grandfather was a pastor who has a study which becomes Tennessee Williams’ shelter. His father is a shoe salesman, shuttling everywhere. When his children grow older, he gets more hurled insults at them; His mother is a southern high family seed, but she has a kind of a choking for Williams. Williams has a sister Rose, and they have a good relation. They both have a similar character: sensitive, neurotic, easy injury, and the same hobby- art. Rose let Williams to truly feel the love and the compassion and the care. But Rose's destiny is very miserable that she suffers from schizophrenia in her after twenty years old and Williams’ mother unexpectedly sends her to go to the hospital for the resection of the lobes of the brain. Rose never recovers to a normal but lives in a convalescent hospital over the long life. The failure of Rose’s operation to Williams is a great blow. He never forgives his parents agreed to the surgery. Many of the paranoid female characters appear in the plays of Williams, may be influenced by the Rose.A Streetcar Named Desire, one of his most famous plays, has awarded the Pulitzer Prize for drama. In this piece of work, the heroine Blanchhas been nobly born as an educated young lady. She has married Allen at her age of 16, and they love each other. But shortly after the marriage Blanche finds that Alan is a gay. Since Blanche shouts out at a ball, Alan is so ashamed that he runs outside and kills himself. Blanche feels deeply guilty.After Alan’s suicide, she attributes Alan's death to her, and feels deeply sorry and ashamed. Meanwhile,her family members pass away with her family in decline. She becomes decadent, and has relations with many strange men getting a lustful reputation. To restart her life, she wants to take refuge in her sister Stella. But her brother-in-law named Stanley is very rough. Stanley's friend Mickey is after Blanche, but Stanley reveals her past. Then Blanche is abandoned. Under the action of alcohol Stanley has raped Blanche. Finally Blanch becomes mad and has been sent to a mental hospital.This piece of work creates complex characters. It not only tells a story, but also expresses a state of mind and an inner with suppressed roar like the crazy cries with pain and suffers. Blanch is a fragile woman. She escapes from her reality and indulges in fantasy. She constructs the fantasy world with an expensive cost. She endured all the pain to resist reality. How can you say such a traitor is not brave enough? Blanche are dressed up even if her heart. All her lies are in order to prove the existence of her fantasy world. In other words, she sincerely builds a mirage. But the flood of the reality washes it away eventually. Branch is a poor woman resisting the reality and flattering the reality and destroyed by the reality. This delicate and moving work makes people feel characters’ heart. The collision between delicate feelings and brutal reality means Blanche's tragic fate.This paper believes that each person's heart is lonely and fragile. Only turns to ourselves, builds a strong heart, and graces to others, canwe get the true pleasure of life.2 The Shaping and Destruction of RealityThe author thinks that the shaping and destruction from reality is important. Blanche should be placed in her living environment to cognize and to judge.2.1 Blanche’s Family BackgroundBranch is born in a declining noble family in South America. The Civil war unfortunately engulfs south land failure and shatters the old manor mode of life. Slave owners lost their heaven, and falls into a profound loneliness, only leaves a dignity and fragile. Also an effete feeling hangs over the southerners’ soul. But the slavery plantation economy system that their plantations of lands rely on is like the collapse of the ice gradually melted. Big industrial mountains of incomparable strength get the victory. The culture of old southern plantations and the “progress”industrial culture conflict between the overpowering. Blanche is an elegant noble lady, who accepts aristocratic education since her childhood. She has a success with the proud manner as a noble lady. That should be some missing glory. She regards it as a belief with never doubt, also she is unable to doubt. When the background suddenly goes down, she becomes devastating. As an idealist, she never gives up her faith, but she has to compromise in order to survive. “I have no way to support myself”, she confided to Stella. The reality shapes her defiance to the life of the bottom class, but the reality pushes her into a terrible world of the bottom class as throwing a lamb into the wolves. When Blanche first meets Stanley, she is jittered and careful. Behind of Blanche’s tragedy is the change of the reality, and Blanche is the funeral objects of the sorehead southern plantations culture.2.2 Blanche’s Missing in the IllusionIn A Streetcar Named Desire, there are many examples where the characters are using illusions in an attempt to escape reality. The best example is found by looking to the main character. Blanche Dubois was a troubled woman who throughout the play lives her life in illusions. What initially leads to her illusions is love. She met Allan Grey, as her sister says that she loves him completely. They get married and Blanche are falling more and more in love. Until the day she finds that Allan Grey is gay, but Allan believes that if there is anyone who would help him makes it through this whole ordeal, it would be Blanche. However Blanche couldn't really believe that he was with her and was for real. Blanche let it slip while they were dancing that “I saw! I know! You disgust me...”With this, Allan runs outside and kills himself. Because of all this, Blanche fell into another illusion. She figures that if she were loved again, then she could be happy again. She escapes from reality and resists the reality. She has been looking for her lost dream again and again. Her fantasy is her tool and refuge both for escaping and resisting the reality. However, the fantasy can’t redeem her, and she has been destroyed by the reality.3 Blanche's PersonalityWe can learn from the above that we are shaped by our environment. When an environment changes, how can we do? Shall we insist on our own beliefs or should we change ourselves? When the times change, there are always those sacrificial objects for culture, and those ones usually are destined. They insist on their faith to struggle with pain as Blanche would be ultimately destroyed.3.1 A Brave CowardSo many desires run into our lives for no reason. In many cases, thedesire is not an option, but the desire usually chooses us. Who makes the unfortunate dislocated in reality? We shall be tolerant and sympathy. Also, we should give more understandings, more warmth humanity and more flexible ethical standards to those seek self-salvation by evading. As for the desperation of Blanche, We should give the understanding and salvation, not destruction. Blanche's illusions are from her desire. It is that the desire can’t be satisfied extremely causes the opposite extremely between reality and illusion. There is nothing the opposition can produce but pain. Blanche cannot avoid suffering; she hugs her beliefs, sipping on the road in bitter life. She feels that the lonely is anywhere. She couldn't lose faith. When real society gave her up, she still loved life. To survive, she uses the fantasy to weave small shields again and again.God knows that she was innocent. She never hurt anyone .what’s more, her cowardly is shaped by the social condition. She wants herself is elegant princess forever. She could not survive in reality, and she wants her dream, so she needs magic. She shouted, “I don't want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell truth, I tell what ought to be truth and if that is sinful, then let m e be damned for it!”The voice is so tragically heroic, but the reality is filled with taunt. But she doesn’t care. What she believes has become the faith which is never betrayed.3.2 A Yield RebelShe has to be yield. Branch’s world only has her own self, and she only loves her own. The existence of each person means to enjoy her. When she has lost the all that the world appreciates, she needs to cover, needs to lie, needs to fantasy. Finally, there's nothing with her but a fantasy. Most of the comments regarded Blanche as a heroine critically ill women. But the author's intention is not so. In the eyes of Tennessee Williams,the heroine Blanche is not sick, but pure and innocent. Branch's full name, Blanche Dubois, is a French word meaning white forest, while “white” is the symbol of purity in the West. William Clay Bo points that the hero and heroine works by defining the “same” and the “other” status, and then analyzes the works of gender relations from the post-modern thinker Michel Foucault's theory. Gassner and Kutch says that Branch represents the civilization and art, and Stanley represents the rough and violent, and Stanley i s Branch’s destroyer.3.3 A Desperate FighterIn the real world, she can't find where the God is. Real happiness is something doomed for her. Her desire and fantasy attaches in her life until died with the life together. Mickey says his love to her, as if the God lights the lamp of hope for her. She even tells him that “I thanked God for you, because you seemed to be gentle - a cleft in the rock of the world that I could hide in!”But Once again she fells into darkness. When Mickey says that he want her, but thinks she is “not clean”and refuses to marry her, she drives him, and shouts the hysterical roaring. She feels so painful but tries to hid pain. She burst it out at that time. She tries to release the pain and express the resistance through the fantasy as a weak person. Even standing for those hurt, she still would n’t completely yields. She fantasies that Mickey should be like a gentleman back and apologize to her, but she would refuse elegantly and decently.Fantasy is her way to compromise the pain as a cowardly, but also the way to divulge her own fulfilled desires. She couldn't be Don Quixote who uses action to finish the ideal in their heart. She has to rely on fantasy. But the reality was detested fantasy that make herself ruined her. The opposition between reality and illusion make her nervous always in taut state. She just walked into the sister Stella home. It showed hermental tension, “she shrank by shoulder sitting on the chair, looking around,” .Finally, her nerve was eventually collapsed by Stanley.She always fantasies a shelter, and seeks shelters. She could not accept reality, and then deny the reality. But Fantasy things won't survive. In the opposition of the reality and illusion, Blanche can’t find the balance. Her constant escape is order to find a place that can let her fantasy live. She believes strangers’ good will, because the familiar only abandon her. She fantasies new places to survive fantasy. She is always walking with a dream. Any a strange place or any a strange person, can be all lovely and good. Any place was her garden and anyone is her guest. But strange will also be filled with evil such as Stanley, as well as the asylum where she will spend the rest of her life. In patriarchal society, the Noble ladies have no survival ability, so they have to attach to the man. In such a reality, she refused to give up the faith and her fate would be doomed to tragedy.4 Venting the Pain of LifeThere is no conclusion that human nature is good or evil, but there is no doubt that the living environment has a great impact on humanity. Freud believes that the personality is made up of id, ego and superego. The id reflects human’s primitive. And what the id asks to do show human’s original desire. W e human are always with Sociality, so we have to be limited by the rules of society. It means that the human’s desire will never be fully satisfied. As a result, the human’s depression exists everywhere. No matter the brave or the cowardly, they have to outbreak their own depression to release their anger which is from that they can not meet their desires. The outbreak of depression is various. Some will not harm others, while some may be despicable and shameless.4.1 The Destructive PowerSartre, an American writer, has said that Hell is other people. Egoism is the starting point of human nature. People tend to gloss over their own to achieve the purposes which are both satisfying their desire and escaping accountability of their bad social behavior. That is the so-called “Kill two birds with one stone”.Stanley is full of brutal and violent. As a representative of the emerging industrial power, he brutally put an end to all the sensitive and delicate. He was like a wild beast, full of worldly pleasures doctrine. He is full of primitive instincts of human nature, which people hate but also denied of the temptation. Gesner and Kutch says that Branch represents the civilization and art, and Stanley represents the rough and violent, and Stanley i s Branch’s destroyer. Each person's heart is lonely and fragile, so it is Stanley .He turns to the outside world to gain strength. His heart is weak and horror, so he would utterly destroys Branch. He completely expresses cruelty of humanity by putting his own happiness in the suffering of other people.4.2 The Shelter of IllusionBranch is a brave coward and a yield rebel and a desperate fighter. It is the cowardice of Blanche’s subjective that leads to her dependence on the fantasy. She goes to the complete collapse in the opposition of reality and illusion.She can’t stand what the life brings to her, but the fate won’t give anyone the choice to flee. She has been a lovely girl. When her love tells the truth beyond her tours, she is filled with fear. She doesn’t know how to deal with it. As child she shouts out what she thinks .she is young at that time, but the change of life is too earlier to her. Her lover’s killing himself makes her first harm. She had to turn to her family for help; however her family has became helpless. Death of her mother hadhappened before her eyes, and then the death of Margaret. She can’t admit the falling of her social class, and can’t give up her believe as a noblewoman. To pay for her instant, she has to get what she wants by urging others. She goes to the stringers for love .she looks for God, although there is no use to do so. The cost is expensive that she gets a lustful reputation which ruins her life. She was excluded from the happiness.No matter how innocent she is, no matter how much she endured the pain, she would stick to her belief. The cost of her insisting on the faith is being expelled by happiness. She stubbornly believes that her life is something which should be obtained as what she wants, rather than a rough life that she has to accept. She wants to choose the life she want, rather than be chosen by life. But for a sorehead noble lady, the distance between reality and dream is too far away. Who doesn’t have a beautiful dream for the life? Romance is something with born for every woman, but the cruel life often buries our beautiful dreams before our eyes. Branch just chooses to live with the beautiful dream. However, her own life has even been buried for this purpose. Her cost is tragic, but the life is so cruel. We can not help her apart from tears. Even in a lunatic asylum, she still lives with her beautiful dream although her heart is bleeding.5 Solutions to the Painful OppositionWe must find the balance on the opposition of reality and illusion. Fantasy is something that we have to remain because of wanting a happy life. If the reality is mostly satisfied, the fantasy is just a compensation for pleasure. So the fact is we often need a mixture of both the reality and illusion.5.1 Characters’ SolutionsTennessee Williams once said: “my work only has one subject that is how society forcing to destruction for sensitive ones which don't wantto order the society.” So, the sex in A Streetcar Named Desire, which is full of irony, plays, or even destroys, expresses the violent and the vulgar. It also reflects the inner pain and frustration of those “sensitive ones which don't want to order the society”.5.1.1 Branch’s IndulgenceWe all want to justify our existence. When we stand pains, we want the pleasure. The depth of human nature wants unlimited indulgence. Branch uses indulgence to release her repression. Sex is one of mankind's most primitive desires. As long as the desire is satisfied, the human can feel pleasure, or they can forget the pain of life for a moment. The pleasure of sex can heal wounds of Life. However it can not save the desperate soul.“After the death of Allan -intimacies with strangers was all I seemed able to fill my empty heart with...”The illus ion was that out of all these men she would be with, one of them will be the right one for her and will take care of her. Her desires are to be happy again and to be loved again. But soon her intimacies get out of control and she once made the mistake of trying to seduce a 17 - year old student of hers. Because of this, she has no place to stand.Blanche like a moth, however she not brave enough. Her heart was filled with fear, but she refuse to return. She is a paranoid person, the paranoid with a dream. Desire is the humanity's call, and everyone's heart has the depressive mood. Those sensitive ones feel the pain more deeply. When the opposition breaks through the bottom line of heart, spiritual world will collapse. The tragedy of Blanche is the product of the objective environment, also relates to her own reasons. Stella will fall in love with Stanley, who is lower than their classes, and feel happiness. That won't happen on Blanche. She always puts herself in the manor of noble. She refuses reality and fears reality.The more pure spirit is, the more painful it is. We all have life onlyonce, but Blanche choice belief between life and belief. It is the lack of rational that caused her to drown desire and finally in the collapse in reality.5.2.2 Stanley's RapeStanley belong the class of his living environment, and he loves his class. His life is satisfied by the material and the physical enjoyment, which seems to be called a rich and happy life. Before the arrival of the Branch, all things have been peaceful under Stanley’s spiritual leadership. In fact, he is as selfish as Blanche. Branch is just an inadvertent intruder, but Stanley is a deliberate murder and the attacker. Pettiness is a kind of narrow self-protection, but also the largest invisible killer. It is the Opposing class culture that makes their hearts, unable to understand completely and communicate fully. And for psychological self-defense from human nature, the culture arises with exclusion and conflict inevitably. Thus, those who like Blanche as cowardly rebels only failed to withstand the harsh reality.Stanley destroyed Branch completely and violently. It expresses what a cruel and brutal reality. Stanley’s rape is a thorough expose at the original dirty face of life. Branch has been beautifying the world, and believe that imaging world and love her beautify world. In fact, she has relationships with many strangers. But those men confuse them temporarily in her poem, or just to play with her. In her fantasy world, every man who has relation with her is her prince who loves her, and they are in the noble love. However, what’s she calls the noble love is only the hypocrisy, the affectation, and the satisfaction of body in the eyes of Stanley. Blanche's fantasy is just a game, which she plays with her own by her life. As the robber, Stanley destructs everything. Stanley raped Blanche and drives her to completely crazy, which reveals that the Stanley is the real crime, but also expresses that the reality is too cruel tostand. Meanwhile, Blanche, who struggles in the oppression of reality, wants to avoid pain from illusion, and finally comes to desperation.5.3.3 Stella’s LoveLove means tolerance and acceptance. Happiness comes from the fitness of the environment. She is as brave as Branch, but she gets her happiness. Stella is the real beautiful wife. She loves her sister, loves her husband, and loves her home. She is also a noble lady, however, as she said, “I have always been silent.” In other words, she did not fully appreciate and satisfy the glory of a noble lady. She loved Stanley, and lives with him together and enjoys the happiness of life. The final perception of life has always been silent. Even the pursuit of the spirit as Blanche says, it should be enjoyable, not a fantasy for refuge.Before the Branch’s arrival, the whole thing is harmonious. The tragedy would become inevitable for their misunderstanding on culture. The outbreak of the side of Stanley’s evil is because of his meeting with Branch. In the early part of Scene 4, after Stanley and Stella have made up about the beating, Blanche comes to see if Stella is okay. Blanche tries to convince her that staying with Stanley is the wrong thing to do. But Stella wouldn’t leave her husband. Even when she knows that Stanley raped Blanche. Stella tells Eunice, “I couldn't believe her story and go on living with Stanley,” who replies, “Don't ever believe it. Life has got to go on. No matter what happens, you've got to keep going.”There is no way for life as pure as poetry. Treating the reality too penetrating, then fantasy will have nowhere to go, and the pain will always haunt your heart. That is the reality. The reality can not be created, but an objective form, and everyone has his own “reality”. However, happiness can be created. For the cruelty and suffering of reality, the way of escaping through the fantasy is impossible to avoid pain. Those who have tolerance and love can create happiness.5.2 The True Pleasure of LifeBlanche is a woman who is long for beauty but is rolled back eventually to earth by reality. Such women appeared again and again in Tennessee Williams’ works, because he's such a sensitive and vulnerable pe rson. Tennessee Williams’ works are performance victim of American era is known - the escape. His dramas are realism with inheriting American theatre. And meanwhile as the different level of artistic innovation, he makes American drama “really get rid of the influence of European drama, started his own tradition.” The writer LiLi writes Women's Growth Course: Tennessee Williams Works Feminist Unscramble. The book from the perspective of feminism Tennessee Williams is six masterpiece the female images were analyzed. In addition to Tennessee Williams works abroad have studied the gay, says “Blanche is draped in women's wear gay men.”Tennessee Williams’ Work s displays all the repressive and pain, he enjoys the gay meanwhile suffers a lot which is described in one of his poem.In people's living condition, the desire will not satisfy life exists eternally, so the pain will exist forever. Life is always painful, though not all pain. A Streetcar Named Desire gives the feeling sufficient displaying. In fantasy Stella gets to continue to live, and Blanche is death because of fantasy.Life is so full of illusion and hypocritical, tolerance and love is the only way out of this predicament. Only has the independent life ability, can we be a brave dream-seeker. Those who have the pursuit of happiness, strong heart, not thirst for others, can enjoy the pleasure of life.ConclusionIn reading the work or seeing the film named A Streetcar Named Desire, repressing atmosphere rushes to audiences. As a gay, Tennessee Williams is animosity and tortured, his works are to express his guilty in his heart.Any beginning searches for life is painful, and then goes for a ride.A Streetcar Named Desire expresses the cruelty of reality, but also shouts the hope for the return of human nature. Branch said, “The intentional harm can not be forgiven.”B ut Stanley brutally has destroyed the Branch which makes the readers sympathy Blanche and disgust Stanley. Meanwhile it expresses the author’s appeal for the kindness and tolerance. In The Lizard of the Night, the heroine- Hannah, she could face all the life for her to survive tenaciously. She is full of selfless love for her dying grandfather, and she has a deep understanding and sympathy for all things and people. Through Hannah, Williams is to tell people how we live in a desecrating life with the strong optimism. Only has a strong heart and abandons the fantasy, can we create the real happiness and enjoy the pleasure of life.Tennessee Williams is an important figure in the history of American drama, even affects the world literature. His works are both for artistic expression and exploration of human’s inner existing, which are worth studying and learning.Bibliography1. Emily Bront. Wuthering Heights. New York: Wordsworth Editions Ltd, 19922. Harold Bloom. Tennessee Wil liams’ A Streetcar Named Desire. New York: Chelsea House Place of Publication, 19883. Tennessee Williams. 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