《春天不是读书天》经典影评集
《春天不是读书天》是一部由约翰·休斯执导，马修·布罗德里克 / 阿兰·卢克 / 米娅·萨拉主演的一部喜剧 / 剧情类型的电影，特精心从网络上整理的一些观众的影评，希望对大家能有帮助。
《春天不是读书天》影评(一)：记一笔
新闻里又播了，这次是电影里Bueller的好友凯米伦住的那间玻璃屋 -- 伊利诺伊州的Hellen Park旁边的景观豪宅两，百万美金出售。再加点儿，还能连红色法拉利一起拿下。
《春天不是读书天》影评(二)：春天不是读书天
《春天不是读书天》故事聚焦在“学生逃课后会怎样”之上，应该说这带有导演休斯“良好的主观愿望”，因为他能想到逃课学生能做出最恶劣的事竟然是去博物馆看展览、在酒店冒充香肠大王。这些在今天看来简直太小儿科了。不过在接下来的许多年里，没有人能像马修·布罗德里克这样令人信服地冲破那看不见的“第四堵墙”，并且在银幕上说出那些“拽到不行”的台词。
《春天不是读书天》影评(三)：自由青春
草长莺飞的春日，在《春天不是读书天》里却成为了逃学最好的借口，但这场以逃学为引的展开，所呈现的却又并不只是逗人捧腹的幽默，其即将青春的叛逆含纳其中，也对青春励志做出了自己独出机杼的诠释，而以此对教育体制自身的抨击与思考，更耐人寻味。 A person should
not believe in an ism, he should believe in himself.
《春天不是读书天》影评(四)：春天不是读书天——好翻译！好剧！
看完了，想起了自己高三快毕业时也常逃课，以及班主任的不满等等，也因此让我与所谓“积极分子或者优秀毕业生”无缘。我逃课的伎俩是和父母串通，很直接。但是菲瑞很厉害，羡慕有这种朋友。总之看完了，有种激情，有愤慨。相比之下当时的自己是那么懦弱。敢爱敢做敢斗。不循规蹈矩，要去“践踏”所谓的所谓..你懂得。还有菲瑞在游行观众唱的披头士Twist and shout，一查，年代久远，不过听着很放松自在，好音乐！
《春天不是读书天》影评(五)：无悔的青春
青春太美好，美好到怎么过都觉得有些浪费，
希望在这么短的时间内，享尽一切，
才不辜负着大好年华，
读书、恋爱、旅行、运动、交友、一起刷夜。。。
多少优等生，在回想青春岁月时，只有苦读书的落寞，
多少后进生，在感叹的疯狂如果能够收敛一点，好好读书该多好，真是让人欢喜让人忧的青春啊，
男主角这一天的疯狂出逃，让多少教室内的同学羡慕嫉妒恨啊，
真美好，这么疯狂过~
《春天不是读书天》影评(六)：年轻就要疯狂点
在那家二手录像店看到了这片，Drew说，你肯定会喜欢这片，classic。
看了前几分钟，突然想起来小时候看过这片呀，还不止看过一遍。主角们都那么年轻帅气，故事荒诞却可爱。Ferris，Cameron让我想起Simpson里的Bart和Millhous，经典套路。
最大的惊喜在于Charlie Sheen。每天看Two and a Half Man对Charlie产生了好感，看他二十年前的样子，实在是太帅了。
《春天不是读书天》影评(七)：Ferris Bueller的青春
80年代的青春就是这么无拘无束，不敢相信这是86年的电影。演FERRIS的马修现在已经年过半百，又被婚姻所缠绕，俨然已经失去了片子中的洒脱。真正的英雄就应该像是Ferris Bueller这样的。另外这部片子有太多的细节可以推敲，最后教导主任的下场和花车旁人群狂欢就是一种对教条的释放，他们三人在博物馆看的画页代表了他们自己，还有很多我没有注意到的，这部片子绝对是值得收藏，看上第二遍的。庆幸自己没有发现这部片子太晚，太有机会享受自己的青春。
《春天不是读书天》影评(八)：玩一玩吧没事的放轻松
浓浓怀旧感男主很嫩很帅很大男孩又同时做到是以前好莱坞影星的脸型短暂出场的华尔街男主意外的帅以前的电影就是虽然浮夸老套但看起来就是那么自然舒服因此反倒不浮夸不老套了各种巧合就是会让人笑而不会觉得假这一家人屌爆了再次感叹中国的片名翻译真真
信达雅我一直主张有些片名直译但这个片名竟然译出了诗意最后可怜的教导主任！配着片尾曲真绝了！这个片子真是让人身心愉快这才叫喜剧呀就是看完有了力量而不是被无聊段子耗尽了力量啊结局彩蛋也好可爱
《春天不是读书天》影评(九)：ONE DAY OFF
爆灯.FB是天使，soooo...sweet! Life moves pretty fast.If you don’t stop and look around once in a while.You could miss it. 尽力把生活玩出花来。韩寒说，如果在今天我辍学，多半是在家里打游戏。他可真可爱啊...人人都爱Ferris Buellera 差点忘了Cameron也是可爱爆炸，fb女友和Jean也是，每个人都喜欢哈哈哈哈哈
《春天不是读书天》影评(十)：本片是有其“反教育”本质的
本片传达一种“按自己的意志”生活的精神。当费里斯的好友决定反抗自己有钱老爸的意志的时候，音乐激昂，突出“此乃本片教育意义的重点”。“自由意志”、“享受生活”什么的，基本上是美国主流影片都提倡的。结尾时主角又重声了自己的观念：“世界如此精彩，如果不懂得停下来欣赏一下，那么你会错过很多风景”。我记得国内教育提倡的是：“世界如此精彩，如果你在眼前的（一小片）风景上浪费了时间，将会错过后面更精彩的风景”（尤指早恋）。这样看来，本片是有其“反教育”本质的。
疯狂动物城英文影评 Document serial number【KK89K-LLS98YT-SS8CB-SSUT-SST108】
D re am in th e fo rm er,gr owt h in t he po st -Z oo to pia PART1：This is a great family film that everyone needs to watch because of all the teaching moments within the film. Let me phrase that: the entire movie is a teaching moment. Zootopia is a film that is all about inclusion, about putting away the stereotypes and prejudices aside to live in a better society and how negative they are, how much they blind someone to see something but hatred and anger. Dickens said it was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness.In "zootopia", animals are also experiencing the best and worst of times.Their city has been modernized. They have been separated from the savage state, there is no carnivores and herbivores of chasing and killing.Courts, police, shops and all kinds of advertisements make up the the world.But the world is not perfect,and there is a variety of injustice and discrimination,while full of civilization and order.Fortunately,there are still dare to challenge the courage of the unfair. A modern urban animals, each animal in here have their own homes, Plaza Sahara desert climate, year-round cold glacier town and so on, it is like a big melting pot, the animals here Peaceful Coexistence -- whether it was an elephant or a little mouse, as long as you work hard can break some tricks. Rabbit Judy grew up on the dream can become animal city police, despite all the people around feel rabbit impossible when the police, but she still through their own efforts, among the to the whole is bigger animal town police station, became the first officer for rabbits. In order to prove himself, she decided to solve a mystery case. Follow the truth on the road, Judy forced in animal town to swindling fox Nick to help himself, but found behind the pile cases hidden an intended to subvert the huge conspiracy Town animal, and Judy and Nick is in jeopardy of investigative process become a good partner. PART2：The story is just amazing as it follows Judy Hopps (voiced by Ginnifer Goodwin) a small town bunny who wants to be a part of the big leagues as an officer with all the other large big animals that work together to solve crime in the big city. But she's a bunny, what the heck can a bunny do as a crime? It's a stereotype the resonates so strongly with the audience, with anyone who was thought of as being too weak to do what the "big boys" do. Judy is breaking those
历届奥斯卡获奖影片（1971-2013年） 来自: F小星?(低姿态张扬的自由主张) 2008-10-26 11:33:16 p.s偶觉得有的提名的比获奖好看... 2013年（85届） 获奖：《逃离德黑兰》/ Argo 提名： 《爱》/ Amour 《南国野兽》/ Beasts of the Southern Wild 《乌云背后的幸福线》/ Silver Linings Playbook 《逃离德黑兰》/ Argo 《少年派的奇幻漂流》/ Life of Pi 《猎杀本·拉登》/ Zero Dark Thirty 《林肯》/ Lincoln 《被解放的姜戈》/ Django Unchained 《悲惨世界》/ Les Misérables 2012年（84届） 获奖：《艺术家》TheArtist 提名： 《艺术家》TheArtist，韦恩斯坦 《后裔》The Descendants，福斯探照灯 《咫尺浩劫》ExtremelyLoud and Incredibly Close，华纳兄弟 《相助》The Help，迪士尼梦工厂 《雨果的秘密》Hugo，派拉蒙 《午夜巴黎》Midnight in Paris，索尼经典 《点球成金》Moneyball，索尼哥伦比亚 《生命之树》TheTree of Life，福斯探照灯 《战马》War Horse，迪士尼梦工厂 2011年（83届） 获奖：《国王的演讲》 提名：
《黑天鹅》Black Swan 《斗士》The Fighter 《盗梦空间》Inception 《孩子们都很好》The Kids Are All Right 《国王的演讲》The King's Speech 《127小时》127 Hours 《社交网络》The Social Network 《玩具总动员3》Toy Story 3 《冬天的骨头》Winter's Bone 2010年（82届) 获奖：《拆弹部队》 提名：（从这届开始提名影片翻倍鸟） 拆弹部队（The Hurt Locker） 无耻混蛋（Inglourious Basterds） 直上云霄（Up in the Air） 珍爱（Precious: Based on the Novel Push by Sapphire） 阿凡达（Avatar） 第九区（District 9） 飞屋环游记（Up） 成长教育（An Education） 正经人（A Serious Man） 弱点（The Blind Side） 2009年（81届) 获奖：《贫民窟的百万富翁》 提名： 《本杰明·巴顿奇事》（The Curious Case of Benjamin Button），派拉蒙《福斯特对话尼克松》(Frost/Nixon)，环球
Journey to the Center of the Earth（地心游记）2008 There is a part of me that will always have affection for a movie like "Journey to the Center of the Earth." It is a small part and steadily shrinking, but once I put on the 3-D glasses and settled in my seat, it started perking up. This is a fairly bad movie, and yet at the same time maybe about as good as it could be. There may not be an 8-year-old alive who would not love it. If I had seen it when I was 8, I would have remembered it with deep affection for all these years, until I saw it again and realized how little I really knew at that age. You are already familiar with the premise, that there is another land inside of our globe. You are familiar because the Jules Verne novel has inspired more than a dozen movies and countless TV productions, including a series, and has been ripped off by such as Edgar Rice Burroughs, who called it Pellucidar, and imagined that the Earth was hollow and there was another world on the inside surface. (You didn't ask, but yes, I own a copy of Tarzan at the Earth's Core with the original dust jacket.) In this version, Brendan Fraser stars as a geologist named Trevor, who defends the memory of his late brother, Max, who believed the center of the Earth could be reached through "volcanic tubes." Max disappeared on a mysterious expedition, which, if it involved volcanic tubes, should have been no surprise to him. Now Trevor has been asked to spend some time with his nephew, Max's son, who is named Sean (Josh Hutcherson). What with one thing and another, wouldn't you know they find themselves in Iceland, and peering down a volcanic tube. They are joined in this enterprise by Hannah (Anita Briem), who they find living in Max's former research headquarters near the volcano he was investigating. Now begins a series of adventures, in which the operative principle is: No matter how frequently or how far they fall, they will land without injury. They fall very frequently, and very far. The first drop lands them at the bottom of a deep cave, from which they cannot possibly climb, but they remain remarkably optimistic: "There must be a way out of here!" Sure enough, they find an abandoned mine shaft and climb aboard three cars of its miniature railway for a scene that will make you swear the filmmakers must have seen "Indiana Jones and the Temple of Doom." Just like in that movie, they hurtle down the tracks at breakneck speeds; they're in three cars, on three more or less parallel tracks, leading you to wonder why three parallel tracks were constructed at great expense and bother, but just when such questions are forming, they have to (1) leap a chasm, (2) jump from one car to another, and (3) crash. It's a funny thing about that little railway: After all these years, it still has lamps hanging over the rails, and the electricity is still on. The problem of lighting an unlit world is solved in the next cave they enter, which is inhabited by cute little birds that glow in the dark. One of them makes friends with Sean, and leads them on to the big attraction -- a world bounded by a great interior sea. This world must be a terrible place to inhabit; it has man-eating and man-strangling plants, its waters harbor giant-fanged fish and fearsome sea snakes that eat them, and on the further shore is a Tyrannosaurus rex. So do the characters despair? Would you despair, if you were trapped miles below the surface in a cave and being chased by its hungry inhabitants? Of course not. There isn't a moment in the movie when anyone seems frightened, not even during a fall straight down for thousands of feet, during which they link hands like sky-divers and carry on a conversation. Trevor gets the ball rolling: "We're still falling!" I mentioned 3-D glasses earlier in the review. Yes, the movie is available in 3-D in "selected theaters." Select those theaters to avoid. With a few exceptions (such as the authentic IMAX process), 3-D remains underwhelming to me -- a distraction, a disappointment and more often than not offering a dingy picture. I guess setting your story inside the Earth is one way to explain why it always seems to need more lighting. The movie is being shown in 2-D in most theaters, and that's how I wish I had seen it. Since there's that part of me with a certain weakness for movies like this, it's possible I would have liked it more. It would have looked brighter and clearer, and the photography wouldn't have been cluttered up with all the leaping and gnashing of teeth. Then I could have appreciated the work of the plucky actors, who do a lot of things right in this movie, of which the most heroic is keeping a straight face. 1
曾经和ing《经典英文电影赏析》由10个章节组成。每一章节包括电影背景、故事简介、主要演员阵容及导演介绍、精彩部分节选、对影片的评论及注释五大部分。相信许多读者会在观赏优美电影或阅读《经典英文电影赏析》的过程中重温自己过去的电影体验，获得新的感悟和理解。 英汉对照是《经典英文电影赏析》的一大特点。《经典英文电影赏析》既有英文原文，也提供了中文翻译，有助于英语爱好者能更好地理解书中的内容。同时，《经典英文电影赏析》还提供了注释，为读者的自学提供了参考。 ·查看全部>> 前言 在“信息爆炸”的今天，随着国际文化交流的不断深入和推进，英语作为世界通行语的优势越来越显示出她的“英语帝国”风貌。一方面中国正逐步地同世界接轨，日益频繁的国际交往，使国家和社会对大学生的英语综合应用能力尤其是听说技能提出了更高的要求。另一方面，目前全国大学英语教学改革正在各高校尝试并推广，基于计算机／网络+课堂教学的教学模式日渐普遍。 教育部2007年颁布了《大学英语课程教学要求》。为贯彻其原则和方针，遵循其提出的“加强听说能力，提倡自主型的个性化学习”要求，大学英语教学课时数在一定程度上进行了缩减，包括听力课课时。而全国大学英语四、六级考试在这一改革的背景下进行了很大程度的调整，加强了应用能力的考查，听力所占的比例也由原来的20％提高到了35％。大学英语教学也面临着新的挑战。 因此，如何在学时减少、对听说能力要求提高的情况下，加强对学生学习能力的训练，培养学生自主学习的新模式，也是大学教师应该探讨的新问题。 电影一直以来就是人类漫漫旅途中的精神伴侣。在电影中，人们可以获得心灵的安慰，得到情感的滋润，寻求生活的力量，体验人生的快乐。而英语电影不仅能把学习者带入到一个非常好的语境中培养语感，而且有利于学生熟悉国外的社会、文化、生活方式以及异国风情，为他们了解西方提供了一种影像解读的窗口。中国著名英语语言学教育专家刘润清曾说过，“电影是社会文化的浓缩，看一部电影胜似在国外生活一天”。 借此我们编写了《经典英文电影赏析》这部书。在对近几年英美国家上演的大片精挑细选的基础上，我们选择了既适合英语学习，又集知识性、趣味性、观赏性、时尚性、体验性为一体的10部电影。目的是通过提供真实的英语语言环境，让英语学习者和爱好者能直接了解英美人的思维方式、文化和生活习俗，锻炼和提高英语视、听、说、读、写、译的综合应用能力。这10部电影涉及不同的类型：爱情片、励志片、喜剧片、动作片、友情片、动画片等。
看英语电影观后感英文版 电影大家看过许多了，观后感大家也写过许多，那么偶尔看一 看写一写英语的观后感也是不错的。下面是的关于英语电影观后感， 希望对您有所帮助 ! Avatar is directed by James Cameron.The two main characters are Jake Sully,played by Sam Worthington,and Neytiri,played by Zoe Saldana. Clones named Avatars are sent to Pandora Pla to persuade people there to leave the pla so that human beings can exploit a rare mineral.Jake is sent there to control his Avatar.However,he es across Neytiri and they fall in love with each other.Jake begins to see that nature and the pla should be protected.At last he and the people there work together to defeat human beings and send them back to the earth. 3D technology and the beautiful natural scenery are the two highlights of the film.The message of the film is simple — human beings should protect nature and live in harmony with it. am honored today watched the United States ， 3D cartoon animated film The story is the old manCarl and his wife Eliza has always been thought of children in South America
Seven(七宗罪)1995 David Fincher's classic tale of inventive serial killing and urban degredation, with Brad Pitt and Morgan Freeman on excellent form Who'd have thought? An absurd-sounding tale of a serial killer basing his crimes around the seven deadly sins, directed by the man behind the mess that was Alien3, turning out to be one of the most chilling and original thrillers of the 1990s. From the outset, through the film's brilliantly designed deliberate under-lighting - we see very little blood and guts - and muffled sound, the audience is encouraged to lean towards the screen, immerse itself in the film's unbearably grim world. Pitt is in career-making form as Mills, a simple cop moving with his sweet young wife (Paltrow) to a grim, anonymous city, determined to make a difference, to do some good. He is assigned to track down a vengeful killer, and works alongside Somerset (Freeman), a jaded, wise policeman on the verge of retirement. The two are that modern movie cliché -the mismatched pair thrown together by circumstance, who gradually learn mutual respect. But Fincher and Walker take these hackneyed ingredients, play with them in the context of a brilliantly cohesive plot, and present something consistently fresh - the police finding themselves with too much evidence, the premature unmasking of the killer - and very, very dark. 1
功夫熊猫 Or the dream factory has always been the high standard, the screen exquisite detail, vivid characters vivid, touching story twists and turns, the most important thing is it in the most simple and easy to understand that the way of a token, that is - there is no shortcut to the world and Cheats, the only winning Famen is believe in themselves.? 这个杀手不太冷 This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.? I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways. 哈利波特 Harry Potter is a series of seven fantasy novels written by British author J. K. Rowling. The books chronicle the adventures of the eponymous adolescent wizard Harry Potter, together with Ron Weasley and Hermione Granger, his best friends. The central story arc concerns Harry's struggle against the evil wizard Lord Voldemort, who killed Harry's parents in his quest to conquer the wizarding world, after which he seeks to subjugate the Muggle (non-magical) world to his rule. 动画喜剧海底总动员 Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pop's paranoia, he ventures away from the reef, but his dad's dread is justified when a passing diver whisks him away.? Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to save his son...? The splendour of natural history hit The Blue Planet is matched by the wit of the script and stars. Barry Humphries has a terrific cameo as a great white shark who's sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running? 世界末日 There are so many amazing things in the world.这个世界上有太多不可思议的事情.If tomorrow is the end of the world,what can we do?如果明天是世界末日,我们可以做什么?So now,i think we should keep smile everyday.所以现在,我觉得我们应该每天都微笑.After i finish the movie of "2012The end of the world",I feel very upset about that.我看完“2012世界末日”这电影之后,我感到很悲伤.When I saw the people die in the movie,I thought about if this event will happen to us,will we die very helpless?当我看到人类在这个电影里死了,我想到了如果这件事情发生在我们身上,我们会死得很无助吗?If we have to die,I'll choose the one happy ending,like we
Tess(苔丝)1979 Thomas Hardy's Tess of the D'Urbervilles, which Roman Polanski has turned into a lovely, lyrical, unexpectedly delicate movie, might at first seem to be the wrong project for Mr. Polanski in every way. As a new biography of the director reports, when Tess was shown at the Cannes Film Festival, the press pointed nastily and repeatedly to the coincidence of Mr. Polanski's having made a film about a young girl's seduction by an older man, while he himself faced criminal charges for a similar offense. This would certainly seem to cast a pall over the project. So would the fact that Hardy's novel is so very deeply rooted in English landscapes, geographical and sociological, while Mr. Polanski was brought up in Poland. Finally, Tess of the D'Urbervilles is so quintessentially Victorian a story that a believable version might seem well out of any contemporary director's reach. But if an elegant, plausible, affecting Tess sounds like more than might have been expected of Mr. Polanski, let's just say he has achieved the impossible. In fact, in the process of adapting his style to suit such a sweeping and vivid novel, he has achieved something very unlike his other work. Without Mr. Polanski's name in the credits, this lush and scenic Tess could even be mistaken for the work of David Lean. In a preface to the later editions of Tess of the D'Urbervilles, Mr. Hardy described the work as "an impression, not an argument." Mr. Polanski has taken a similar approach, removing the sting from both the story's morality and its melodrama. Tess Durbeyfield, the hearty country lass whose downfall begins when her father learns he had noble forebears, is sent to charm her rich D'Urberville relations. She learns that they aren't D'Urbervilles after all; instead, they have used their new money to purchase an old name. Tess charms them anyhow, so much that Alec D'Urberville, her imposter cousin, seduces and impregnates her. The seduction, like many of the film's key scenes, is presented in a manner both earthy and discreet. In this case, the action is set in a forest, where a gentle mist arises from the ground and envelops Tess just around the time when she is enveloped by Alec. Alec, as played by Leigh Lawson, is a slightly wooden character, unlike Angel Clare, Tess's later and truer lover, played with supreme radiance by Peter Firth. Long after Tess has borne and buried her illegitimate child, she finds and falls in love with this spirited soul mate. But when she marries Angel Clare and is at last ready to reveal the secret of her past, the story begins hurtling toward its final tragedy. When Tess becomes a murderer, the film offers its one distinctly Polanski-like moment—but even that scene has its fidelity to the novel. A housemaid listening at a door hears a "drip, drip, drip" sound, according to Hardy. Mr. Polanski has simply interpreted this with a typically mischievous flourish. Of all the unlikely strong points of Tess, which opens today for a weeklong engagement at the Baronet and which will reopen next year, the unlikeliest is Nastassja Kinski, who plays the title role. Miss Kinski powerfully resembles the young Ingrid Bergman, and she is altogether ravishing. But she's an odd choice for Tess: not quite vigorous enough, and maybe even too beautiful. She's an actress who can lose her magnetism and mystery if she's given a great deal to do (that was the case in an earlier film called Stay As You Are). But here, Mr. Polanski makes perfect use of her. Instead of a driving force, she becomes an echo of the land and the society around her, more passive than Hardy's Tess but linked just as unmistakably with natural forces. Miss Kinski's Tess has no inner life to speak of. But Mr. Polanski makes her surroundings so expressive that her placidity and reserve work very beautifully. Even at its nearly three-hour running time, Mr. Polanski's Tess cannot hope for anything approaching the range of the novel. But the deletions have been made wisely, and though the story loses some of its resonance it maintains its momentum. There are episodes—like one involving Tess's shabby boots and Mercy Chant, the more respectable girl who expects to marry Angel—that don't make the sense they should, and the action is fragmented at times. That's a small price to pay for the movie's essential rightness, for its congruence with the mood and manner of the novel. Mr. Polanski had to go to Normandy and rebuild Stonehenge to stage his last scene, according to this same biography. As is the case throughout his Tess, the results were worth the trouble. 1