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GRE考试:issue写作指导(提纲 模板)

GRE考试:issue写作指导(提纲 模板)
GRE考试:issue写作指导(提纲 模板)

GRE考试:issue作文重点题目和提纲gre issue 提纲

“It is dangerous to trust only intelligence.”

只相信智力是危险的。

【分析题目】

拿到一个题目后,我们不要忙于去写,一定要先对题目进行详细的分析。通过题目我们知道主要论证的是intelligence的作用,因此,智力是这个题目最关键的突破点。

【提纲1】

A. 无可否认的,智力因素在各个领域都很重要,无论是自然科学还是社会科学。(论据

1)

Undoubtedly, intelligence plays an important role in many realms, including the natural science and the social sciences.

B.要想成功光靠智力是远远不够的,还有很多其他的因素如勤奋、勇敢等。(论据2)

Intelligence by itself is not enough for one to succeed; many other factors such as diligence and courage must be taken into consideration.

C.应该在此二者之间寻求平衡,即将两者结合起来。

We should strive for a balance between intelligence and emotion, that is, combine them with each other.

【提纲2】

Position: Intelligence is sufficient in some cases but not in any case.

1、In scientific studies regarding the physical world, we should depend only on intelligence for discovering and testing truths.

2、However, in the realm of human affairs, we have to use both our intelligence and our hearts for solving problems.

3、Sometimes our intuition can give us valuable assistance in making a judgment.

GRE考试:issue字数

gre issue 字数要求是怎样的?很多考生担心考试时issue 字数上不去。其实,只要掌握的技巧,一切就变得容易了。下面就向大家简单介绍几招。(https://www.doczj.com/doc/7912081448.html,)

招术一:

如果复习时间充裕,提议你多瞧瞧英文杂志,积累1些例子,如果时间短,就记一些通用地例子(很多网站上都有整理),到时候换着花样说就可以,其实500字的ISSUE已经足够了。所谓言多必失,700多字3分的作文比比皆是,所以,字数只要适当就好。

招术二:

ETS从来地都是字数为王的,Issue的强标是600,你先不要限时,每1个论点说150就行了(三个论点),开头和结尾加起来150给你一些提议:稍微用一些套话,较为复杂的句子,可以增加字数例子越具体越好,尤其是外国人不晓得的例子重要的不是例子本身,而是你如何利用例子证明论点的,也就是说一定要有例子和论证之间的联络。

以下是网友的经历:

1.增加字数最直接地办法是加些事例,或者把事例说透彻些,详细些。

2.积累素材最直接的办法是看 1.孙远作文工具箱 2.韦晓亮作文大讲堂

3.pooh百宝箱,网上都能下到电子版的,其中有非常多例子,还有围绕例子的说理,好好学习可以丰富你的举例素材,并学到一些说理的方法。还有搜一些常用的名人名言背背。

3.爱因斯坦,比尔盖茨之类的例子少用,因为国内学生用烂了,找一些“次熟悉”的例子比较好

4.无论字数多少,关键是说理是不是有力,例子是否贴切和新颖,语言是否流畅。

5.套话模板之类的不要多用。

GRE考试:issue模板

gre issue 模板同意观点

Nowadays, there is a controversial issue about _____. Depending on personal experiences and beliefs, we may find that some people hold the opinion that____, while others have an opposite attitude that____. As far as I am concerned, I agree that______. My view will be substantiated by following discussion.

First of all, the most important reason for my view is that_____. To illustrate this, there is an appropriate example that is very persuasive: _____. Under this situation, it is obvious that____.

In addition, there is another reason for me to express statement.______.

Finally, as a proverb says, “Everything has two sides”. Although I admit/concede that there are a couple of advantages of _____, I still think that the disadvantages of it are obvious.

In the final analysis, given the reasons mentioned above, we may safely come to the conclusion that_____.

不同意观点

There is a universally accepted opinion that ________________, which is accordance with what the author asserted. As far as I am concerned, while I agree that____, I insist that_______ for these following reasons. / At the first glance, this opinion seems to be somewhat appealing, but further reflection tells me that I cannot agree with it for the following reasons.

The first reason why I have such a view is that __________________. To illustrate this point clearly, we can see that _________________. For instance________________.

The further reason is that _________________.There is an old saying that god helps those who help themselves, which is true in most cases.

Last but not least, ________________.

Admittedly, determining whether something should or should not be done could be weighed in many aspects. Different people have different answers due to their respective points of view.

In conclusion, it must be explained that these three reasons sometimes intertwine to form an organic whole, thus becoming more persuasive than each of them. So, any thinking person must believe reach.

GRE考试:issue例子经典话题

issue 例子经典话题,画家毕加索(适用于arts话题、innovation与conformity话题)之一

To say that Pablo Picasso dominated Western art in the 20th century is, by now, the merest commonplace. Before his 50th birthday, the little Spaniard from Malaga had become the very prototype of the modern artist as public figure. No painter before him had had a mass audience in his own lifetime. The total public for Titian in the 16th century or Velazquez in the 17th was probably no more than a few thousand people — though that included most of the crowned heads, nobility and intelligentsia of Europe. Picasso’s audience — meaning people who had heard of him and seen his work, at least in reproduction — was in the tens, possibly hundreds, of millions. He and his work were the subjects of unending analysis, gossip, dislike, adoration and rumor.

He was a superstitious, sarcastic man, sometimes rotten to his children, often beastly to his women. He had contempt for women artists. His famous remark about women being "goddesses or doormats" has rendered him odious to feminists, but women tended to walk into both roles open-eyed and eagerly, for his charm was legendary. Whole cultural industries derived from his much mythologized virility. He was the Minotaur in a canvas-and-paper labyrinth of his own construction.

He was also politically lucky. Though to Nazis his work was the epitome of "degenerate art," his fame protected him during the German occupation of Paris, where he lived; and after the war, when artists and writers were thought disgraced by the slightest affiliation with Nazism or fascism, Picasso gave enthusiastic endorsement to Joseph, a mass murderer on a scale far beyond Hitler’s, and scarcely received a word of criticism for it, even in cold war America.

No painter or sculptor, not even Michelangelo, had been as famous as this in his own lifetime. And it is quite possible that none ever will be again, now that the mandate to set forth social meaning, to articulate myth and generate widely memorable images has been so largely transferred from painting and sculpture to other media: photography, movies, television. Though Marcel Duchamp, that cunning old fox of conceptual irony, has certainly had more influence on nominally vanguard art over the past 30 years than Picasso, the Spaniard was the last great beneficiary of the belief that the language of painting and sculpture really mattered to people other than their devotees. And he was the first artist to enjoy the obsessive attention of mass media. He stood at the intersection of these two worlds. If that had not been so, his restless changes of style, his constant pushing of the envelope, would not have created such controversy — and thus such celebrity. (https://www.doczj.com/doc/7912081448.html,)

In today’s art world, a place without living culture heroes, you can’t even imagine such a protean monster arising. His output was vast. This is not a virtue in itself — only a few paintings by Vermeer survive, and fewer still by the brothers Van Eyck, but they are as firmly lodged in history as Picasso ever was or will be. Still, Picasso’s oeuvre filled the world, and he left permanent marks on every discipline he entered. His work expanded fractally, one image breeding new clusters of others, right up to his death.

Moreover, he was the artist with whom virtually every other artist had to reckon, and there was scarcely a 20th century movement that he didn’t inspire, contribute to or — in the case of Cubism, which, in one of art history’s great collaborations, he co-invented with Georges Braque — beget. The exception, since Picasso never painted an abstract picture in his life, was abstract art; but even there his handprints lay everywhere — one obvious example being his effect on the early work of American Abstract Expressionist painters, Arshile Gorky, Jackson Pollock and Willem de Kooning, among others.

Much of the story of modern sculpture is bound up with welding and assembling images from sheet metal, rather than modeling in clay, casting in bronze or carving in wood; and this tradition of the open constructed form rather than solid mass arose from one small guitar that Picasso snipped and joined out of tin in 1912. If collage — the gluing of previously unrelated things and images on a flat surface — became a basic mode of modern art, that too was due to Picasso’s

Cubist collaboration with Braque. He was never a member of the Surrealist group, but in the 1920s and ’30s he produced some of the scariest distortions of the human body and the most violently irrational, erotic images of Eros and Thanatos ever committed to canvas. He was not a realist painter/reporter, still less anyone’s official muralist, and yet Guernica remains the most powerful political image in modern art, rivaled only by some of the Mexican work of Diego Rivera.

Picasso was regarded as a boy genius, but if he had died before 1906, his 25th year, his mark on 20th century art would have been slight. The so-called Blue and Rose periods, with their wistful etiolated figures of beggars and circus folk, are not, despite their great popularity, much more than pendants to late 19th century Symbolism. It was the experience of modernity that created his modernism, and that happened in Paris. There, mass production and reproduction had come to the forefront of ordinary life: newspapers, printed labels, the overlay of posters on walls — the dizzily intense public life of signs, simultaneous, high-speed and layered. This was the cityscape of Cubism.

Picasso was not a philosopher or a mathematician (there is no "geometry" in Cubism), but the work he and Braque did between 1911 and 1918 was intuitively bound to the perceptions of thinkers like Einstein and Alfred North Whitehead: that reality is not figure and void, it is all relationships, a twinkling field of interdependent events. Long before any Pop artists were born, Picasso latched on to the magnetism of mass culture and how high art could refresh itself through common vernaculars. Cubism was hard to read, willfully ambiguous, and yet demotic too. It remains the most influential art dialect of the early 20th century. As if to distance himself from his imitators, Picasso then went to the opposite extreme of embracing the classical past, with his paintings of huge dropsical women dreaming Mediterranean dreams in homage to Corot and Ingres. (https://www.doczj.com/doc/7912081448.html,)

His "classical" mode, which he would revert to for decades to come, can also be seen as a gesture of independence. After his collaboration with Braque ended with his comment that "Braque is my wife" — words that were as disparaging to women as to Braque — Picasso remained a loner for the rest of his career. But a loner with a court and maitresses en titre. He didn’t even form a friendship with Matisse until both artists were old. His close relationships tended to be with poets and writers.

Though the public saw him as the archetypal modernist, he was disconnected from much modern art. Some of the greatest modern painters — Kandinsky, for instance, or Mondrian — saw their work as an instrument of evolution and human development. But Picasso had no more of a Utopian streak than did his Spanish idol, Goya. The idea that art evolved, or had any kind of historical mission, struck him as ridiculous. "All I have ever made," he once said, "was made for the present and in the hope that it will always remain in the present. When I have found something to express, I have done it without thinking of the past or the future." Interestingly, he also stood against the Expressionist belief that the work of art gains value by disclosing the truth, the inner being, of its author. "How can anyone enter into my dreams, my instincts, my desires, my thoughts ... and above all grasp from them what I have been about — perhaps against my own

will?" he exclaimed.

To make art was to achieve a tyrannous freedom from self-explanation. The artist’s work was mediumistic ("Painting is stronger than me, it makes me do what it wants"), solipsistic even. To Picasso, the idea that painting did itself through him meant that it wasn’t subject to cultural etiquette. None of the other fathers of Modernism felt it so strongly — not Matisse, not Mondrian, certainly not Braque. (https://www.doczj.com/doc/7912081448.html,)

In his work, everything is staked on sensation and desire. His aim was not to argue coherence but to go for the strongest level of feeling. He conveyed it with tremendous plastic force, making you feel the weight of forms and the tension of their relationships mainly by drawing and tonal structure. He was never a great colorist, like Matisse or Pierre Bonnard. But through metaphor, he crammed layers of meaning together to produce flashes of revelation. In the process, he reversed one of the currents of modern art. Modernism had rejected storytelling: what mattered was formal relationships. But Picasso brought it back in a disguised form, as a psychic narrative, told through metaphors, puns and equivalences.

The most powerful element in the story — at least after Cubism — was sex. The female nude was his obsessive subject. Everything in his pictorial universe, especially after 1920, seemed related to the naked bodies of women. Picasso imposed on them a load of feeling, ranging from dreamy eroticism (as in some of his paintings of his mistress Marie-Therese Walter in the ’30s) to a sardonic but frenzied hostility, that no Western artist had made them carry before. He did this through metamorphosis, recomposing the body as the shape of his fantasies of possession and of his sexual terrors. Now the hidden and comparatively decorous puns of Cubism (the sound holes of a mandolin, for instance, becoming the mask of Pierrot) came out of their closet. "To displace," as Picasso described the process, "to put eyes between the legs, or sex organs on the face. To contradict. Nature does many things the way I do, but she hides them! My painting is a series of cock-and-bull stories." (https://www.doczj.com/doc/7912081448.html,)

There seems little doubt that the greatest of Picasso’s work came in the 30 years between Les Demoiselles d’Avignon (1907) and Guernica (1937). But of course he didn’t decline into triviality. Consistently through the war years and the ’50s, and even now and then in the ’60s and ’70s, he would produce paintings and prints of considerable power. Sometimes they would be folded into series of variations on the old masters and 19th century painters he needed to measure himself against, such as Velazquez and Goya, or Poussin, Delacroix, Manet and Courbet. In his last years particularly, his production took on a manic and obsessive quality, as though the creative act (however repetitious) could forestall death. Which it could not. His death left the public with a nostalgia for genius that no talent today, in the field of painting, can satisfy.

更多GRE资料:满分网

gre写作issue与argument的异同

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格也基本相同,都是属于议论文性质的写作。因此,很多考生比较惧怕的描述类*就不会有所涉及了。同时,虽然gre考试本身并没有做出任何字数方面的限制和要求,但根据历年来的高分范文总结,一般作文字数在400-500字左右是比较稳妥的,这一点ISSUE和ARGUMENT两篇作文也没有太大区别。 2. *评分标准相同 除了规范要求外,gre两篇作文在评分标准上也是基本相同的。大致都可以分为*整体结构、逻辑思维能力、对于词句语法的运用以及论据素材的使用这几个方面。当然,由于两篇*本身具体写作要求的区别,可能在一些评分细节上还存在不同。 3. 官方复习资源相同 无论是ISSUE作文还是ARGUMENT作文,两篇gre作文的复习资源也是基本相同的。除了官方公布的作文练习题外,高分范文、黄金词句和论据素材都是帮助考生练习写作能力锻炼作文水平需要用到的复习必备材料。 gre写作两篇作文不同点 说完了相似之处,接下来为大家介绍一下两篇作文的不同之处: 1. 写作具体要求区别

新GRE写作Issue 模板 By Jason Lee

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GREissue写作之自己总结的万能例子

G R E i s s u e写作之自己 总结的万能例子 集团文件版本号:(M928-T898-M248-WU2669-I2896-DQ586-M1988)

Renaissance For example, the helpless fate can be felt from the tragedy works, written by Shakespeare. Mona Lisa, created by Beethoven, revealed the mysterious and implicit smile. Although works completed by different artists and writers revealed slight variations in the access, performing form, and social aspect focusing on, as far as common theme and hidden ideas were concerned, the obvious similries to each other seemed much more than any of the minute differences, namely, resisting the feudalization and corrupt institution and enlightening freedom of human being. This is called “Renaissance” in the history. Genetic engineering 迄今为止,基因工程还没有用于人体,但已在从细菌到家畜的几乎所 有非人生命物体上做了实验,并取得了成功。事实上,所有用于治疗 糖尿病的胰岛素都来自一种细菌,其DNA中被插入人类可产生胰岛 素的基因,细菌便可自行复制胰岛素。基因工程技术使得许多植物具 有了抗病虫害和抗除草剂的能力;在美国,大约有一半的大豆和四分 之一的玉米都是转基因的。目前,是否该在农业中采用转基因动植物 已成为人们争论的焦点:支持者认为,转基因的农产品更容易生长, 也含有更多的营养(甚至药物),有助于减缓世界范围内的饥荒和疾

英语考试作文-GRE写作Issue部分精品素材分享之美德与情感

英语考试作文 GRE写作Issue部分精品素材分享之美德与 情感 想要在GRE作文部分的考试中写出优秀的文章,论据素材是重要的一环。好的论据不仅能帮助你支撑观点,加强说服力,还能体现出考生在阅读量上的积累和深厚扎实的语言功底基础。特别是ISSUE作文,更是需要大量好素材作为储备,才能保证考生无论遭遇那种题目,都能游刃有余地完成一篇高分作文的写作。为大家整理了GRE ISSUE作文各类题目的精品优质素材,一起来看吧。 康德观点:脾性与美好情感 Kant asserted that the human temperaments or dispositions are fixed and separate characters. An individual who has one frame of mind has no feeling or sense for the finer feelings that occur in a person of another temperament. A person who has a constitution that is melancholic will have a predominating feeling for the sublime. That person may possess genuine virtue based on the principle that humanity

has beauty and worth. 康德观点:同情与真正的美德 Sympathy or compassion and also good-natured agreeableness are not true virtues, according to Kant. True virtue is the quality of raising the feeling of humanity’s beauty and dignity to a principle. When a person acts in accordance with this principle, regardless of inclination, that person is truly and sublimely virtuous. “A profound feeling for the beauty and dignity of human nature and a firmness and determination of the mind to refer all one’s actions to this as to a universal ground is earnest, and does not at all join with a changeable gaiety nor with the inconstancy of a frivolous person.”With this observation, Kant will attempt to fit the various feelings of the beautiful and sublime, and the resulting moral characters, into Galen’s rigid arrangement of the four humors or human temperaments: melancholic, sanguine, choleric, and phlegmatic. 艺术改善了我们的生活 Art is a deliberate recreation of a new and special

GRE-issue写作之自己总结的万能例子

Renaissance For example, the helpless fate can be felt from the tragedy works, written by Shakespeare. Mona Lisa, created by Beethoven, revealed the mysterious and implicit smile. Although works completed by different artists and writers revealed slight variations in the access, performing form, and social aspect focusing on, as far as common theme and hidden ideas were concerned, the obvious similries to each other seemed much more than any of the minute differences, namely, resisting the feudalization and corrupt institution and enlightening freedom of human being. This is called “Renaissance” in the history. Genetic engineering 迄今为止,基因工程还没有用于人体,但已在从细菌到家畜的几乎所有非人生命物体上做了实验,并取得了成功。事实上,所有用于治疗糖尿病的胰岛素都来自一种细菌,其DNA中被插入人类可产生胰岛素的基因,细菌便可自行复制胰岛素。基因工程技术使得许多植物具有了抗病虫害和抗除草剂的能力;在美国,大约有一半的大豆和四分之一的玉米都是转基因的。目前,是否该在农业中采用转基因动植物已成为人们争论的焦点:支持者认为,转基因的农产品更容易生长,也含有更多的营养(甚至药物),有助于减缓世界范围内的饥荒和疾病;而反对者则认为,在农产品中引入新的基因会产生副作用,尤其是会破坏环境。 诚然,仍有许多基因的功能及其协同工作的方式不为人类所知,但想到利用基因工程可使番茄具有抗癌作用、使鲑鱼长得比自然界中的大几倍、使宠物不再会引起过敏,许多人便希望也可以对人类基因做类似的修改。毕竟,胚胎遗传病筛查、基因修复和基因工程等技术不仅可用于治疗疾病,也为改变诸如眼睛的颜色、智力等其他人类特性提供了可能。比如,运用此技术,可使患儿的父母生一个和患儿骨髓匹配的孩子,然后再通过骨髓移植来治愈患儿。 So far, genetic engineering has not been used in human, but it has achieved successful experiment in almost all the objects on non-human life--from bacteria to livestock already. In fact, all the insulin treatment for diabetes come from a kind of bacteria which can be inserted into a human genes to make copies of insulin by bacteria oneself. Genetic engineering technology makes many plants have the disease-resistant ability and herbicide, In the USA, about half of soybean and a quarter of corn is genetically modified. At present, whether the transgenic plants used in agriculture has become the focus of debate, transgenic supporters think: the agricultural is faster to growth, and easier to contain more nutrition (even medicine), to help slow down worldwide famine and disease, But opponents argued, introducing new genes into agricultural will occur side effects, especially destroy the environment. Advantage: Admittedly, ethicist rejected the innovative development of genetic engineering because,

新GRE作文_issue模板

1.保证:assurance/guarantee 一.作文重点题目 社会与自然: Society should make efforts to save endangered species only if the potential extinction of those species is the result of human activities. 社会应该努力拯救濒危物种,只要这些物种的灭绝是人类活动的结果。 The speaker claims that society should make efforts to save endangered species only caused by human activities. I agree with the speaker insofar as saving endangered species is the responsibility of human beings. After all, human beings are the ruler of nature. But, in my perspective, merely focusing on saving those endangered species only caused by human activities is unilateral. 1.The variety of plant and animal is important to practical utilization. 1)Discovering the order of evolution; 2)Valuable gene pool and raw material drug: traditional Chinese medicine. 3)Technological imitation from the specious: sonar as a result of imitating dolphin. 2.Human should do so even from a moral position. 1)Plant and animal is the most important components of nature. When all ...die out, the day will come soon. 2)Human beings as the ruler of nature should take the responsibility to help other species. Let alone those endangered species because of human activities. 3)Men have the responsibility to rescue: pollution, environments destroy, catching and killing excessively causing the plant and animal to die out much faster. For example: tiger and whale; 3.However, some kinds of 1)"Survival of fittest": some animals do have their lethal shortages and would decline even without humans, saving those species which are biological elimination is against the nature and of no help. 2)When we save a kind of animal, we may do harm to another kind. Thus the proper way is that human should try their best to keep the balance of nature as it is rather than change the nature as humans' purpose. Human and Nature should perform their own functions respectively. 3)Instead of saving, the restrictions on human ourselves are more important: pollution, environmental destroy, catching and killing excessively. 4)The extinction of species is the warning of the deterioration of the environment which would early or late threaten human beings. Conclusion: No matter from the position of practical utilization or morality, human both should ... However, it should be noticed that... Therefore, we should find out the real reason of dying out. Furthermore, we should pay more a...to

题库所有Issue题目的GRE写作提纲(四)

为了帮助同学们更好的复习GRE写作,小编为同学们编辑整理了一套题库所有Issue题目的GRE写作提纲,供同学们学习使用,希望能为大家备考GRE写作提供帮助。 第四类科技 7. "The video camera provides such an accurate and convincing record of contemporary life that it has become a more important form of documentation than written records." 摄像机可以通过如此精确而有力的记录手段来再现当代生活,因此它已经代替书面记录成为了一种更重要的记录手段。 Although I agree that a video provides a more objective and accurate record of an event’s spatial aspects, there is far more to document in life than what we see and hear. Thus the speaker overstates the comparative significance of video as a documentary tool. 1. For the purpose of documenting temporal, spatial events and experiences, I agree that a video record is usually more accurate and more convincing than a written record. 2. Nonetheless, for certain other purposes written records are more advantageous and more appropriate than video records. 3. Finally, a video record is of not use in documenting statistical or quantitative information. 记录手段:现代摄像机和印刷术 ------------------------------ 30. "The primary goal of technological advancement should be to increase people's efficiency so that everyone has more leisure time." 技术进步的首要目标应该是提高人们的效率以便于每个人都享有更多的闲暇时光。 Disagree: 1. The chief reason for my disagreement lies in the empirical proof: with technological advancement comes diminished leisure time.

GRE写作issue模板

P八 143. No field of study can advance significantly unless it incorporates knowledge and experience from outside that field. 赞成 humanities history + literature or language studies+ philosophy Plato Symposium ancient Greek or reliable English translation; historical background: the ancient Greek encourages homosexual behaviors The Republic historical background: a period when democracy and slavery coexisted natural sciences +你的专业 social sciences economics is based on math, business, psychology, and statistics. Engineering Three Gorges Dam Ecology; Civil engineering; specialists on hydroelectricity; archaeologists or historians: submerge

historical sites; economists 反对 Math + 你的专业 开头 1.点出原文观点 The speaker claims that+变动陈述原文观点。 2.体现文章展开脉络 (1)分情况讨论 随着我们考察不同的学科,无论是人文科学、社会科学还是工程学,我们都发现他们的进步需要来自外界的知识和经验。 With+名词 As+句子 As we examine different disciplines, no matter humanities, social sciences, or engineering, we all find that their academic advancement relies on knowledge outside that field. (2)正反面展开 正面:人文工程学 反面:数学

★新GRE Issue写作六大要求分析

新GRE Issue写作六大要求分析 (源自夏鹏老师新G写作PPT,具体事例详见PPT) 1.Discuss the extent to which you agree or disagree with the statement and explain your reasoning for the position you take. In developing and supporting your position, you should consider ways in which the statement might or might not hold true and explain how 2.Discuss the extent to which you agree or disagree with the recommendation and explain your reasoning for the position you take. In developing and supporting your position, describe specific circumstances in which adopting the recommendation would or would not be advantageous and explain how these examples shape your position.

3.Discuss the extent to which you agree or disagree with the claim. In developing and supporting your position, be sure to address the most compelling reasons and/or examples that could be used to challenge your position.

GRE作文题库所有244道Issue题目的写作提纲

GRE写作Issue问题题库分析与提纲 第一类社会 2. "Competition is ultimately more beneficial than detrimental to society." 归根结底,竞争对于社会是利多弊少。 Generally speaking, competition contributes to progress in society. 1.Generally speaking, competition contributes to progress in society. 2.In democratic countries, when parties and candidates compete for power, the public benefits. 3.Admittedly, when competition gets out of the control of mores and laws, society will suffer. 竞争对于社会的优点和缺点 ------------------------------ 3. "It is more important to allocate money for immediate, existing social problems than to spend it on long-term research that might help future generations."与其花钱进行可能有助于后代的长期 性研究,还不如把钱花在迫在眉睫,已经存在的社会问题上。 Humanity should take into account both long-term interests and short-term interests when making budgets. 1.Naturally, each generation is most concerned about solving problems that immediately confront them. 2.However, what differentiates human beings from other animals is that humans have a sense of future and are morally responsible for the well-being of their descendents. 3.Therefore, as beneficiaries of previous generations, each generation should make its own contribution for the well-being of future generations. 当务之急和百年大计的关系 ------------------------------ 9. "Academic disciplines have become so specialized in recent years that scholars' ideas reach only a narrow audience. Until scholars can reach a wider audience, their ideas will have little use." 近些年来,学科已经细化到了相当的程度以至于学者们的理念只影响小范围的人群。除非学者们能拥有影响到大范围的人群,否则他们的理念将几乎毫无用处。 The speaker oversimplifies the issue of academic influence on society. 1.It is true that academic disciplines have become so specialized nowadays that some scholar’s seemingly idiosyncratic ideas only reach a narrow audience. 2.It is also true that social scientists’ failing to reach the large public makes it impossible for their ideas to contribute to society. 3.Nevertheless, scholars in certain realms are doomed to live in an isolated and purely academic world, which does not necessarily mean that their ideas will have little use. 过分专业化问题overspecialization ------------------------------ 15. "The stability of a society depends on how it responds to the extremes of human behavior." 一个社会的稳定取决于该社会对人们极端行为所作出的反应。It is true that how a society copes with the extremes of human behavior largely determines the society’s stability. 1.The extremes of human behavior--such as violence or strikes--usually dictate grave social troubles. 2.One solution to these social problems is suppressing, which proves effective in the short run and counterproductive in the long run. 3.The most effective way of responding to such problems is constructive communication and sometimes compromise. 抽象型题目 ------------------------------ 16. "Although many people think that the luxuries and conveniences of contemporary life are entirely harmless, in fact, they actually prevent people from developing into truly strong and independent individuals." 尽管许多人认为现代生活的奢华和便利是丝毫没有坏处的,但是这实际上让人们无法成为真正强大和独立的个体。 Agree 1.Consider first the effect of the automobile on our independence as individuals. In some respects the automobile serves to enhance such independence. 2.However, we have become slaves to the automobile. 3.Consider next the overall impact of the automobile on our strength as individuals, by which I mean strength of character, or mettle. 4.In contrast, there is a certain strength of character that comes with eschewing modern conveniences such as cars, and with the knowledge that one is contributing to a cleaner and quieter environment, a safer neighborhood, and arguably a more genteel society. 社会和个人之发展问题 ------------------------------ 17. "There are two types of laws: just and unjust. Every individual in a society has a responsibility to obey just laws and, even more importantly, to disobey and resist unjust laws." 有两种法律:公正的和不公正的。每个社会成员都有责任遵守公正的法律,但是更重要的是,更应该不遵守和反抗不公正的法律。 Disagree: 1.First, whether a law is just or unjust is rarely a straightforward issue. The fairness of any law depends on one’s personal value system. 2.The fairness of a law also depends on one’s personal interest, or stake, in the legal issue at hand. 3.Disobeying unjust laws often has the opposite effect of what was intended or hoped for. 4.By justifying a violation of one sort of law we find ourselves on a slippery slope toward sanctioning all types of illegal behavior, including egregious criminal conduct. 社会和个人之法律公正么? ------------------------------ 19. "If a society is to thrive, it must put its own overall success before the well-being of its individual citizens." 如果一个社会要繁荣就必须将社会整体的成败置于单个社会 成员的幸福之上。 Disagree 1.The society is made up of individual citizens; therefore, the development of individual citizens is crucial for the development of the whole society. 2. A society that ignores the well being of individual citizens is bound to end up in social turmoil or revolution. 少数和多数之成功 ------------------------------ 20. "National governments should devote more of their social programs and services to children than to adults." 任何一个国家的政府都应该为孩子而不是为成人建设更多的 社会项目和服务。 1.No one would deny the fact that it is in the young generation that lies the future of our society. 2.Therefore, we should attach enough importance to the development of children.

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