2012美国文学史复习提纲
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A Concise History of American LiteratureChapter 1 Colonial PeriodI.Jonathan Edwards1.life2.works(1)The Freedom of the Will(2)The Great Doctrine of Original Sin Defended(3)The Nature of True Virtue3.ideas – pioneer of transcendentalism(1)The spirit of revivalism(2)Regeneration of man(3)God’s presence(4)Puritan idealismII.Benjamin Franklin1.works(1)Poor Richard’s Almanac(2)Autobiography2.contribution(1)He helped found the Pennsylvania Hospital and the AmericanPhilosophical Society.(2)He was called "the new Prometheus who had stolen fire <electricityin this case> from heaven〞.(3)Everything seems to meet in this one man –"Jack of all trades〞.Herman Melville thus described him "master of each and masteredby none〞.Chapter 2 American RomanticismSection 1 Early Romantic PeriodI.Washington Irving1.several names attached to Irving(1)first American writer(2)the messenger sent from the new world to the old world(3)father of American literature2.works(1)A History of New York from the Beginning of the World to the Endof the Dutch Dynasty(2)The Sketch Book of Geoffrey Crayon, Gent. <He won a measure ofinternational recognition with the publication of this.>(3)The History of the Life and V oyages of Christopher Columbus(4)A Chronicle of the Conquest of Granada(5)The Alhambra3.Literary career: two parts(1)1809~1832a.Subjects are either English or Europeanb.Conservative love for the antique(2)1832~1859: back to US4.style – beautiful(1)gentility, urbanity, pleasantness(2)avoiding moralizing – amusing and entertaining(3)enveloping stories in an atmosphere(4)vivid and true characters(5)humour – smiling while reading(6)musical languageII.James Fenimore Cooper1.works(1)Precaution <1820, his first novel, imitating Austen’s Pride andPrejudice>(2)The Spy <his second novel and great success>(3)Leatherstocking Tales <his masterpiece, a series of five novels>The Deerslayer, The Last of the Mohicans, The Pathfinder, ThePioneer, The Prairie2.point of viewthe theme of wilderness vs. civilization, freedom vs. law, order vs.change, aristocrat vs. democrat, natural rights vs. legal rights3.style(1)highly imaginative(2)good at inventing tales(3)good at landscape description(4)conservative(5)characterization wooden and lacking in probability(6)language and use of dialect not authentic4.literary achievementsHe created a myth about the formative period of the American nation. If the history of the United States is, in a sense, the process of the American settlers exploring and pushing the American frontier forever westward, then Cooper’s Leatherstocking Tales effectively approximates the American national experience of adventure into the West. He turned the west and frontier as a useable past and he helped to introduce western tradition to American literature.Section 2 Summit of Romanticism – American TranscendentalismI.Appearance1836, "Nature〞by EmersonII.Features1.spirit/oversoul2.importance of individualism3.nature – symbol of spirit/Godgarment of the oversoul4.focus in intuition <irrationalism and subconsciousness>III.Influence1.It served as an ethical guide to life for a young nation and brought aboutthe idea that human can be perfected by nature. It stressed religious tolerance, called to throw off shackles of customs and traditions and go forward to the development of a new and distinctly American culture.2.It advocated idealism that was great needed in a rapidly expandedeconomy where opportunity often became opportunism, and the desire to "get on〞obscured the moral necessity for rising to spiritual height.3.It helped to create the first American renaissance –one of the mostprolific period in American literature.IV.Ralph Waldo Emerson1.works(1)Nature(2)Two essays: The American Scholar, The Poet2.point of view(1)One major element of his philosophy is his firm belief in thetranscendence of the "oversoul〞.(2)He regards nature as the purest, and the most sanctifying moralinfluence on man, and advocated a direct intuition of a spiritual andimmanent God in nature.(3)If man depends upon himself, cultivates himself and brings out thedivine in himself, he can hope to become better and even perfect.This is what Emerson means by "the infinitude of man〞.(4)Everyone should understand that he makes himself by making hisworld, and that he makes the world by making himself.3.aesthetic ideas(1)He is a complete man, an eternal man.(2)True poetry and true art should ennoble.(3)The poet should express his thought in symbols.(4)As to theme, Emerson called upon American authors to celebrateAmerica which was to him a lone poem in itself.4.his influenceV.Henry David Thoreau1.works(1)A Week on the Concord and Merrimack River(2)Walden(3)A Plea for John Brown <an essay>2.point of view(1)He did not like the way a materialistic America was developing andwas vehemently outspoken on the point.(2)He hated the human injustice as represented by the slavery system.(3)Like Emerson, but more than him, Thoreau saw nature as a genuinerestorative, healthy inf luence on man’s spiritual well-being.(4)He has faith in the inner virtue and inward, spiritual grace of man.(5)He was very critical of modern civilization.(6)"Simplicity…simplify!〞(7)He was sorely disgusted with "the inundations of the dirtyinstitutions of men’s odd-fellow society〞.(8)He has calm trust in the future and his ardent belief in a newgeneration of men.Section 3 Late RomanticismI.Nathaniel Hawthorne1.works(1)Two collections of short stories: Twice-told Tales, Mosses from andOld Manse(2)The Scarlet Letter(3)The House of the Seven Gables(4)The Marble Faun2.point of view(1)Evil is at the core of human life, "that blackness in Hawthorne〞(2)Whenever there is sin, there is punishment. Sin or evil can be passedfrom generation to generation <causality>.(3)He is of the opinion that evil educates.(4)He has disgust in science.3.aesthetic ideas(1)He took a great interest in history and antiquity. To him these furnishthe soil on which his mind grows to fruition.(2)He was convinced that romance was the predestined form ofAmerican narrative. To tell the truth and satirize and yet not to offend:That was what Hawthorne had in mind to achieve.4.style – typical romantic writer(1)the use of symbols(2)revelation of characters’ psychology(3)the use of supernatural mixed with the actual(4)his stories are parable <parable inform> – to teach a lesson(5)use of ambiguity to keep the reader in the world of uncertainty –multiple point of viewII.Herman Melville1.works(1)Typee(2)Omio(3)Mardi(4)Redburn(5)White Jacket(6)Moby Dick(7)Pierre(8)Billy Budd2.point of view(1)He never seems able to say an affirmative yes to life: His is theattitude of "Everlasting Nay〞<negative attitude towards life>.(2)One of the major themes of his is alienation <far away from eachother>.Other themes: loneliness, suicidal individualism <individualismcausing disaster and death>, rejection and quest, confrontation ofinnocence and evil, doubts over the comforting 19c idea of progress3.style(1)Like Hawthorne, Melville manages to achieve the effect of ambiguitythrough employing the technique of multiple view of his narratives.(2)He tends to write periodic chapters.(3)His rich rhythmical prose and his poetic power have been profuselycommented upon and praised.(4)His works are symbolic and metaphorical.(5)He includes many non-narrative chapters of factual background ordescription of what goes on board the ship or on the route <MobyDick>Romantic PoetsI.Walt Whitman1.work: Leaves of Grass <9 editions>(1)Song of Myself(2)There Was a Child Went Forth(3)Crossing Brooklyn Ferry(4)Democratic Vistas(5)Passage to India(6)Out of the Cradle Endlessly Rocking2.themes –"Catalogue of American and European thought〞He had been influenced by many American and European thoughts: enlightenment, idealism, transcendentalism, science, evolution ideas, western frontier spirits, Jefferson’s individualism, Civil W ar Unionism, Orientalism.Major themes in his poems <almost everything>:●equality of things and beings●divinity of everything●immanence of God●democracy●evolution of cosmos●multiplicity of nature●self-reliant spirit●death, beauty of death●expansion of America●brotherhood and social solidarity <unity of nations in the world>●pursuit of love and happiness3.style: "free verse〞(1)no fixed rhyme or scheme(2)parallelism, a rhythm of thought(3)phonetic recurrence(4)the habit of using snapshots(5)the use of a certain pronoun "I〞(6)a looser and more open-ended syntactic structure(7)use of conventional image(8)strong tendency to use oral English(9)vocabulary –powerful, colourful, rarely used words of foreignorigins, some even wrong(10)sentences –catalogue technique: long list of names, long poemlines4.influence(1)His best work has become part of the common property of Westernculture.(2)He took over Whitman’s vision of the poet-prophet and poet-teacherand recast it in a more sophisticated and Europeanized mood.(3)He has been compared to a mountain in American literary history.(4)Contemporary American poetry, whatever school or form, bearswitness to his great influence.II.Emily Dickenson1.works(1)My Life Closed Twice before Its Close(2)Because I Can’t Stop for Death(3)I Heard a Fly Buzz – When I died(4)Mine – by the Right of the White Election(5)Wild Nights – Wild Nights2.themes: based on her own experiences/joys/sorrows(1)religion – doubt and belief about religious subjects(2)death and immortality(3)love – suffering and frustration caused by love(4)physical aspect of desire(5)nature – kind and cruel(6)free will and human responsibility3.style(1)poems without titles(2)severe economy of expression(3)directness, brevity(4)musical device to create cadence <rhythm>(5)capital letters – emphasis(6)short poems, mainly two stanzas(7)rhetoric techniques: personification –make some of abstract ideasvividparison: Whitman vs. Dickinson1.Similarities:(1)Thematically, they both extolled, in their different ways, an emergentAmerica, its expansion, its individualism and its Americanness, theirpoetry being part of "American Renaissance〞.(2)Technically, they both added to the literary independence of the newnation by breaking free of the convention of the iambic pentameterand exhibiting a freedom in form unknown before: they werepioneers in American poetry.2.differences:(1)Whitman seems to keep his eye on society at large; Dickinsonexplores the inner life of the individual.(2)Whereas Whitman is "national〞in his outlook, Dickinson is"regional〞.(3)Dickinson has the "catalogue technique〞<direct, simple style>which Whitman doesn’t have.Edgar Allen PoeI.Works1.short stories(1)ratiocinative storiesa.Ms Found in a Bottleb.The Murders in the Rue Morguec.The Purloined Letter(2)Revenge, death and rebirtha.The Fall of the House of Usherb.Ligeiac.The Masque of the Red Death(3)Literary theorya.The Philosophy of Compositionb.The Poetic Principlec.Review of Hawthorne’s Twice-told TalesII.Themes1.death –predominant theme in Poe’s writing"Poe is not interested in anything alive. Everything in Poe’s writings is dead.〞2.disintegration <separation> of life3.horror4.negative thoughts of scienceIII.Aesthetic ideas1.The short stories should be of brevity, totality, single effect, compressionand finality.2.The poems should be short, and the aim should be beauty, the tonemelancholy. Poems should not be of moralizing. He calls for pure poetry and stresses rhythm.IV.Style – traditional, but not easy to readV.Reputation: "the jingle man〞<Emerson>VI.His influencesChapter 3 The Age of RealismI.Three Giants in Realistic Period1.William Dean Howells –"Dean of American Realism〞(1)Worksa.The Rise of Silas Laphamb.A Chance Acquaintancec. A Modern Instance(2)Features of His Worksa.Optimistic toneb.Moral development/ethicscking of psychological depth2.Henry James(1)Literary career: three stagesa.1865~1882: international theme●The American●Daisy Miller●The Portrait of a Ladyb.1882~1895: inter-personal relationships and some plays●Daisy Miller <play>c.1895~1900: novellas and tales dealing with childhood andadolescence, then back to international theme●The Turn of the Screw●When Maisie Knew●The Ambassadors●The Wings of the Dove●The Golden Bowl(2)Aesthetic ideasa.The aim of novel: represent lifemon, even ugly side of lifec.Social function of artd.Avoiding omniscient point of view(3)Point of viewa.Psychological analysis, forefather of stream of consciousnessb.Psychological realismc.Highly-refined language(4)Style –"stylist〞nguage: highly-refined, polished, insightful, accurateb.V ocabulary: largec.Construction: complicated, intricate3.Mark Twain <see next section>Local Colorism1860s, 1870s~1890sI.Appearance1.uneven development in economy in America2.culture: flourishing of frontier literature, humourists3.magazines appeared to let writer publish their worksII.Mark Twain – Mississippi1.works(1)The Gilded Age(2)"the two advantages〞(3)Life on the Mississippi(4)A Conne cticut Yankee in King Arthur’s Court(5)The Man That Corrupted Hardleybug2.style(1)colloquial language, vernacular language, dialects(2)local colour(3)syntactic feature: sentences are simple, brief, sometimesungrammatical(4)humour(5)tall tales <highly exaggerated>(6)social criticism <satire on the different ugly things in society>parison of the three "giants〞of American Realism1.ThemeHowells – middle classJames – upper classTwain – lower class2.TechniqueHowells – smiling/genteel realismJames – psychological realismTwain – local colourism and colloquialismChapter 4 American NaturalismI.Theodore Dreiser1.works(1)Sister Carrie(2)The trilogy: Financier, The Titan, The Stoic(3)Jennie Gerhardt(4)American Tragedy(5)The Genius2.point of view(1)He embraced social Darwinism – survival of the fittest. He learned toregard man as merely an animal driven by greed and lust in astruggle for existence in which only the "fittest〞, the most ruthless,survive.(2)Life is predatory, a "game〞of the lecherous and heartless, a junglestruggle in which man, being "a waif and an interloper in Nature〞, a"wisp in the wind of social forces〞, is a mere pawn in the generalscheme of things, with no power whatever to assert his will.(3)No one is ethically free; everything is determined by a complex ofinternal chemisms and by the forces of social pressure.3.Sister Carrie(1)Plot(2)Analysis4.Style(1)Without good structure(2)Deficient characterization(3)Lack in imagination(4)Journalistic method(5)Techniques in painting。
(完整word版)美国文学史复习要点整理【手动】美国文学史整理一、Colonial America 殖民时期1、New England:Maine, New Hampshire, Vermont, Massachusetts, Rhode Island, andConnecticut.2、Doctrines of Puritanism清教American Puritanism stressed predestination(命运神定), original sin(原罪), total depravity (彻底的堕落), and limited atonement (有限的赎罪)from God’s grace.3、Writing style:fresh, simple and direct and with a touch of nobility;the rhetoric is plain andhonest.4、Life style:hard work, thrift, piety, and sobriety.5、Main writer:①Thomas Paine 托马斯·潘恩work:Common Sense (1776) 《常识》American Crisis (1776-1783)《美国危机》The Rights of Man《人权》The Age of Reason《理性时代》②Benjamin Franklin(本杰明·富兰克林)Poor Richard’s Almanac《穷查理历书》Autobiography 《富兰克林自传》③Thomas Jefferson 托马斯·杰弗逊Declaration of Independence (1776)《独立宣言》二、American Romanticism (early period) 浪漫主义前期1、Characteristics:①A rebellion against the objectivity of rationalism.反对理性主义的客观性。
1. The Colonial PeriodThe settlement of America in the early 17th century--- the end of the 18th century.The major topicThe major figures2. The Romantic PeriodCovering the first half of the19th century.•The major points:3. The Age of RealismThe Civil War brought the Romantic Period to an end. Covering the end of the 19th century and the first decade of 20th century.•It expresses the concern for the commonplace and the low, and offers an objective rather than an idealistic view of human nature and human experience.•4. American Naturalism•From the first decade of twentieth century to the First World War.•The major figures: Theodore Dreiser, Jack London, and O. Henry5 American ModernismThe literature between the two world wars. This is the most important period in6. American Postmodernism•From the World War II up to now.•Postmodernist writers: John Barth, Philip Roth, Thomas Pinchon, Ishmael Reed and Don Delillo.•The flourishing of minoritarian literature: Jewish-American, African-American and Asian-American literatureis an account of a person’s life written by that person or a book written by oneself about one’s own life. It is characterized by the simplicity of diction, syntax and expression, lucidity of the narrative. Benjamin Franklin…s Autobiography is a good example.Puritanism:Puritanism is the practices and beliefs of the Puritans, who became American‟s founding fathers. They advocated highly religious and moral principles.The American Puritans were idealists. They accepted the doctrine of predestination, original sin and total depravity, and limited atonement through a special infusion of grace from God.Puritanism has a profound influence on the early American mind and literaturePoor Richard’s Almanac Autobiography Romanticism1800-1865Characteristics of Romanticism (derivative independent)o an innate and intuitive perception of man, nature and society—reliance on the subconscious, the inner life, the abnormal psychologyo an emphasis on freedom, individualism and imagination—rebellion against neoclassicism which stressed formality, order and authority o a profound love for nature—nature as a source of knowledge, nature asa refuge from the present, nature as a revelation of the holy spirito the quest for beauty—pure beautyo the use of antique and fanciful subject matters—sense of terror, Gothic, grotesque, odd and queerMoby-Dick is regarded as the first American prose epic. His ideas:The world is at once Godless and purposelessMan cannot influence and overcome nature at its sourceThemes 1 alienation 2 Rejection and Quest3criticism against Emersonian self-reliant individualSymbolThe Pequod -------- of human society. The voyage ----- search and discovery. The whale Moby Dick------nature Queequeg's coffin ---- symbolizes life and death. The whiteness of Moby Dick --- death and corruption and purity, innocence and youth; final mystery of the universe.The ship on the ocean----- symbol of the whole world with people in quest of its瓦尔登湖A psalm of lifeSonnet—To science abab cdcd efef ggTo Helen ABABB CDCDC AEEAE五行诗节1. Free from the traditional iambic pentameter and writes free verse2. Parallelism3. Phonetic recurrence systematic repetition of words and phrases or sounds4. Long catalogs, giving free rein to poetic imaginationHer poetry is a clear illustration of her religious-ethical and political-social ideas.largest portion of Dickinson‟s poetry concerns andoriginal in art and famous for the economy of expression in diction and the frequent use of dashes.Her poems are short and implicit in meaning. She is regarded as the forerunner of modernism in American poetryThemes: death love natureFrequent use of dashesTranscendentalism.浪漫主义运动的表现形式-超验主义it‟s Romanticism on the Puritan soil Transcendentalism has been defined as the recognition in man of the capacity of acquiring knowledge transcending the reach of the five senses, or of knowing truth intuitively, or of reaching the divine without the need of an intercessor.placed emphasis on spirit, or the Over soul as the most important thing in the universe stressed the importance of the individualoffered a fresh perception of nature a symbolic of the Spirit or Godstressed the power of intuition.He firmly believes in the transcendence of the “Oversoul”.2. Emerson’s Idealism. He sees the world as phenomenal, and emphasizes theneed for idealism, for idealism sees the world in God3. Emerson’s View on Spirit. He sees spirit pervading everywhere4.Emerson’sView on Man. man is made in the image of God and is just a little less then Him.man is divine.5. Emerson’s View on Individuality and Self-Reliance. The individual is the mostimportant of all. E For him, if man depends upon himself, cultivates himself and brings out the divine in himself, he can hope to become better and even perfect.So men should and could be self-reliant.6. Emerson’s Nature. A natural implication of Emerson‟s view on nature is that the world around is symbolicRealismHis later works become darker and more obscure, showing his discontent and disappointment toward the social reality. His last works shows his acute pessimism, despair, skepticism determinism.Humor local color satireThe Celebrated Jumping Frog of Calaveras County”The Adventures of Tom Sawyer The Adventures of Huckleberry FinnThe Gilded Age Life on the Mississippi A Connecticut Yankee in King Arthur’s Court The Man That Corrupted Hardleybug The Mysterious StrangerThe Innocents Abroad Roughing It Pudd'nhead WilsonAmerican ClaimantNaturalismIs a critical term applied to the method of literary composition that aims at a detached, scientific objectivity in the treatment of natural man•It is thus more inclusive and less selective than realism, and holds to the philosophy of determinism.•It conceives of man as controlled by his instincts or his passions, or by its social and economic environment and circumstances.•Since in this view man has no free will, the naturalistic writer does not attempt to make moral judgments•Since in this view man has no free will, the naturalistic writer does not attempt to make moral judgments.•In a word, naturalism is evolved from realism when the author‟s tone in writing becomes less serious and less sympathetic but more ironic and more pessimistic.CharacteristicsA literary trend that prevailed in 1890s in America.1) Emphasis on reality, objectivity, no exaggeration, give no comments andcriticizing;2) The naturalists would go to the slums and describe the poverty and crime;3) Be concerned about the influence of social environment. According to them,human beings are victims of the crushing forces of heredity and environment.Explain human activities and human society according to biological law, highlight the effect of animal instincts and heredity on human beings.5) Apply scientific experiment to writing, try to test human feelings in variouskinds of environment.6) The universe is cold, godless, indifferent and hostile.7) Hold very pessimistic attitude towards human society, and this pessimism oftengoes to determinism.Representatives: CharacteristicFrank Norris(弗兰克·诺里斯)dehumanizedStephen Crane(斯蒂芬·克莱恩)- determinedTheodore Dreiser(西奥多·德莱塞)- moved by inner and outer forcesJack London(杰克·伦敦beyond conscious moral control McTeague Octopus the Pit Vandover and the BruteMaggie: A Girl of the Streets The red badge of courage Sister Carrie Modernism现代主义时期•During the first decades of the 20th century, modernism became an international tendency against positivism and representational art in art and literature. Modernism was the consequence of the transformation of society brought about by industrialism and technology. The essence of modernism wasa break with the past, and it also fostered a belief in art and literature as anavenue to self-fulfillment. The feature was its strong and conscious break with traditional forms, perceptions, and techniques of expressions, and its great concern with language and all aspects of its medium.•It was persistently experimental. Stream of consciousness, the use of myth as a structural principle, and the primary status given to the poetic image, all challenged traditional representation.•Generally speaking, this new desire in craftsmanship and skill was one of the hallmarks of the early decades of the 20th century.Imagism意象派(诞生于现代主义时期)It is a Movement in U.S. and English poetry characterized by the use of concrete language and figures of speech, modern subject matter, metrical freedom, and avoidance of romantic or mystical themes, aiming at clarity of expression through the use of precise visual images. It was initially led by Ezra Pound, Amy Lowell.(no fuss, frill, or ornament),(precision and economy of expression),(free verse form and music).Launch Imagism setting down the Imagist principlesThe Cantos 《诗章》威廉·卡洛·威廉斯avoided complexity andobscure华莱士·斯蒂文斯Simple lines: an emphasis on vocabulary and imagery rather than prosodyThe faith in poetry : when no one believes in God, it is necessary to believe in something else, such as poetry, a thing created by imaginationAnecdote of the Jar罗伯特The most popular 20th Century American Poet, A four-timeStyl e 1rejected the revolutionary poetic principles of his contemporaries, choosingthe old-fashioned way to be new.• 2 employ the plain speech of rural New Englanders.3 use the simple, short, traditional forms of lyrics and Narrative, can probemysteries of darkness and irrationality in the bleak and chaotic landscapes of an indifferent universe where man stand alone, unaided and perplexed.Fire and ice Fire - a symbol of desire, or love. Ice - a symbol of hatredtwo weaknesses of human beings that are as destructive as natural disasters The road not taken it does not moralize about choice, it simply says that choice is inevitable but you never know what your choice will mean until you have lived itStopping by Woods on a Snowy Evening The poem is primarily oriented towards the pleasures of the scene and the responsibility of life. Metaphors:• Promises –Our own promises or duties that we must fulfill.Miles - experience we must travel through before deathThe apparition of these faces in the crowd;Petals on a wet, black boughthe Great Gatsby 1926The Sun Also Rises 1926, A Farewell to Arms , 1929,the Wasteland.Main Street 1920an American TragedyAmerican Dream:The American Dream is that dream of a land in which life should be better and richer and fuller for every man, with opportunity for each according to ability or achievement. It is not a dream of martial wealth, but a dream of social order. People try to get success no matter what kind of circumstances of birth or position they came from.The lost generationIt refers to the writers who were devoid of faith, values and ideals and who were alienated from the civilization the capitalist society advocated. It includes Ernst Hemingway, F. S.Fitzgerald, Thomas Wolfe, Louis Bromfield., and E.E.Cummings, Ezra Pound,who rebelled against former values and ideas, but replaced them only by despair or a cynical hedonism. They were frustrated by the WWI and returned from that “Great War”to their own country only to find the grim reality that the social values and civilization were hollow.Short storyIt is a fictional prose tale of no specified length, but too short to be published as a volume on its own. It concentrates on a single event with one or two characters. It flourished in the magazines of the 19th and early 20th centuries, especially in the USA, which has a particularly strong tradition. Edgar Allen Poe was considered as the father of modern short story. His short stories like the cast of Amontillado and the Black cat are famous.Jazz Age⏹American industry developed fast. The nation is full of bouncingebullience, fearful of nothing, confident smug isolationism.⏹Socially, decline of idealism. Patriotism became cynical disillusionment.Unity of family weakened. There appeared the revolt of the Younger Generation. They escaped responsibility and assumed immorality.⏹After WWI, people found that the war which cost millions of lives failedto provide an abiding solutions to the world’s problems, that the war was just the traps of political leaders. Such a disillusionment about the value of war, accompanied by the booming of American economy drove people to cynical hedonism. People experiment with new amusements. They restlessly pursued stimulus and pleasures, wallow in heavy drinking, fast driving and casual sex. By these, they hoped to seek relief from serious problems.Hemingway heroThey live adventures-filled lives that were driven by courage and limited by fear. They hide a sensitive heart from tough exterior.” Grace under press” is their motto. Its heroes are hemmed in by forces beyond their control.AntiheroIt is a central character in a dramatic or narrative work who lacks the qualities ofnobility and magnanimity expected of traditional heroes in romances and epic.Like the character “Henry” in the work of a farewell to arms.SymbolTraditional FormsBallad(民谣)A ballad is a story told in song, usually in 4-line stanzas, with the second and fourth lines rhymed. “The Geste of Robin HoodHeroic CoupletIt refers to a couplet consisting of two rhymed lines of iambic pentameter and written in an elevated style. Sonnet 18Spenserian stanza•It is a stanza with eight lines of iambic pentameter and a concluding Alexandrine with the rhyme pattern abab bcbc c. The Faerie QueeneBlank verse素体诗,无韵诗•Unrhymed lines of iambic pentameter.•It became widely used in dramatic poetry and narratives.Now that/ the gloo/my sha/dow of /the night,Longing/ to view/ Orion/’s drizz/ling look,Leaps from/ the an/tarc/tic world/ unto/ the skyAnd dims/ the wel/kin with/ her pi/tchy breath ----Doctor FaustusFree verseMeans the rhymed or unrhymed poetry composed without paying attention to conventional rules of meter. It can free the poets from the restrictions of formal metrical patterns and recreate instead the free rhythms of natural speech.Beat GenerationTheatre of absurd. the 1950sBlack humor.the 1960s。
美国文学部分(American Literature)一.殖民时期文学(The Literature of the Colonial Period)1.本章考核知识点和考核要求:1) 早期殖民地时期的文学的特点2) 十八世纪美国文学的特点(重点是独立革命前后时期文学)3) 主要的作家、其概况及其代表作品4) 术语:the colonial period, American Puritanism, Puritans, Enlightenment in American, the Great Awakening2.主要作家作品John Smith第一个美国作家A True Relation of Virginia and General History of Virginia.Anne Bradstreet 殖民地时期女诗人The Tenth Muse Lately Sprung up in America (1650)Jonathan Edwards十八世纪上半叶大觉醒时代的代表人物“Sinners in the Hands of an Angry God”Benjamin Franklin 本杰明·富兰克林,散文家、科学家、社会活动家,曾参与起草《独立宣言》。
十八世纪美国启蒙思想代言人。
《穷查理历书》Poor Richard’s Almanac(收录格言警句)《致富之道》The Way to Wealth《自传》The Autobiography (富兰克林原意为写给儿子的家书)Thomas Paine 托马斯·潘恩,散文家、政治家、报刊撰稿人。
《常识》Common Sense ( Paine 最知名的政论文:It was inspired by the first battle of the Revolutionary War—the Battle of Lexington in Concord.)《美国危机》American Crisis《人的权利》Rights of Man《专制体制的崩溃》Downfall of Despotism《理性时代》The Age of ReasonPhilip Freneau 菲利普·弗伦诺,著名的“革命诗人”。
第一部分殖民时期一、时期综述(关于清教的应该都是重点)1、清教徒采用的文学体裁:A、narratives日记B、journals游记2、清教徒在美国的写作内容:①their voyage to the new land②adapting themselves to unfamiliar climates and crops③about dealing with Indians④guide to the new land,endless bounty,invitation to bold spirit★3、清教徒的想法:①Puritans want to make up pure their religious beliefs and practices.净化信仰和行为方式②wish to restoresimplicity to church services and the authority of the Bible totheology.重建教堂,提供简单服务,建立神圣地位③look uponthemselves as a chosen people,and it follow logically thatanyone who challenged their way of life is opposing God’s willand is not to be accepted.认为自己是上帝选民,对他们的生活有异议就是反对上帝。
④Puritan opposition to pleasure and the artssometimes has been exaggerated.反对对快乐和艺术的追求到了十分荒唐的地步。
⑤religious teaching tended to emphasize the image of a wrathful God.强调上帝严厉的一面,忽视上帝仁慈的一面。
附:作者及作品(第一、二册)一、殖民主义时期The Literature of Colonial America1.船长约翰•史密斯Captain John Smith 《自殖民地第一次在弗吉尼亚垦荒以来发生的各种事件的真实介绍》“A True Relation of Such Occurrences and Accidents of Note as Hath Happened in Virginia Since the First Planting of That Colony”《弗吉尼亚地图,附:一个乡村的描述》“A Map of Virginia: with a Description of the Country”《弗吉尼亚通史》“General History of Virginia”2.威廉•布拉德福德William Bradford 《普利茅斯开发历史》“The History of Plymouth Plantation”3.约翰•温思罗普John Winthrop《新英格兰历史》“The History of New England”4.罗杰•威廉姆斯Roger Williams《开启美国语言的钥匙》”A Key into the Language of America”或叫《美洲新英格兰部分土著居民语言指南》Or “ A Help to the Language of the Natives in That Part of America Called New England ”5.安妮•布莱德斯特Anne Bradstreet 《在美洲诞生的第十个谬斯》”The Tenth Muse Lately Sprung Up in America”二、理性和革命时期文学The Literature of Reason and Revolution1。
本杰明•富兰克林Benjamin Franklin (1706-1790)※《自传》“The Autobiography ”《穷人理查德的年鉴》“Poor Richard’s Almanac”2。
美国文学史复习要点手动1.早期美国文学(17世纪-18世纪)-早期美国文学的发展受到清教徒移民和殖民地环境的影响。
-早期作品主题包括宗教信仰、苦难和恐惧。
-著名作家有威廉·布拉德福和乔纳森·爱德华兹。
2.启蒙时期文学(18世纪)-美国启蒙时期的文学受到欧洲启蒙思想的影响。
-作品主题包括理性、自由和平等。
-著名作家有本杰明·富兰克林和汤玛斯·潘恩。
3.罗曼主义时期文学(19世纪早期)-罗曼主义时期美国文学反对启蒙时期的理性主义。
-作品主题包括个人感情、自然和超自然。
-著名作家有华盛顿·欧文和爱默生。
4.特拉华文学(19世纪中期)-特拉华文学是19世纪中期美国文学的重要流派。
-作品主题包括农民和工人的生活以及美国西部探险精神。
-著名作家有赫尔曼·梅尔维尔和华尔特·惠特曼。
5.现实主义和自然主义时期文学(19世纪末-20世纪初)-现实主义和自然主义时期的文学关注社会问题和个人命运。
-作品主题包括工业化、城市化和阶级冲突。
-著名作家有马克·吐温和斯蒂芬·克莱恩。
6.现代主义时期文学(20世纪初-中期)-现代主义时期的文学反对传统形式和价值观。
-作品表现迷失、不安和心理困惑。
-著名作家有欧内斯特·海明威和F·斯科特·菲茨杰拉德。
7.后现代主义时期文学(20世纪中期-现在)-后现代主义时期的文学拒绝一切形式的正统和稳定性。
-作品表现多样化的语言和视觉实验。
-著名作家有托尼·莫里森和大卫·福斯特·华莱士。
美国文学期末复习资料美国文学期末复习资料美国文学是一门广泛而深入的学科,涵盖了从殖民地时期到现代的众多作品和作家。
为了帮助大家复习期末考试,本文将以不同的主题和时期为线索,介绍一些重要的美国文学作品和相关知识。
一、殖民地时期的文学在殖民地时期,美国文学主要以宗教为主题,反映了早期殖民者的信仰和生活。
《普利茅斯纪事》是美国文学史上的里程碑之一,它记录了普利茅斯殖民地的建立和早期的困难。
另外,约翰·史密斯的《弗吉尼亚史诗》和威廉·布拉德福的《普利茅斯植民地纪事》也是重要的作品。
二、启蒙时代的文学启蒙时代是美国文学的重要时期,这一时期的作品反映了人们对自由、理性和独立思考的追求。
本杰明·富兰克林是启蒙时代的代表人物,他的《贫穷理性者的儿子》和《自传》都是重要的作品。
此外,托马斯·潘恩的《常识》和托马斯·杰斐逊的《独立宣言》也是这一时期的重要文献。
三、浪漫主义时期的文学浪漫主义时期是19世纪美国文学的高峰期,作家们开始关注个人情感和内心体验。
华盛顿·欧文的《睡谷传奇》和爱德加·爱伦·坡的《乌鸦》是这一时期的代表作品。
此外,纳撒尼尔·霍桑的《红字》和赫尔曼·梅尔维尔的《白鲸》也是不可忽视的作品。
四、现实主义时期的文学现实主义时期是19世纪末到20世纪初的文学运动,作家们开始关注社会问题和人类命运。
马克·吐温的《哈克贝利·费恩历险记》和斯蒂芬·克莱恩的《红字》是这一时期的代表作品。
此外,亨利·詹姆斯的《国际象棋之家》和埃德蒙·威尔逊的《了不起的盖茨比》也是重要的作品。
五、现代主义和后现代主义时期的文学现代主义和后现代主义时期是20世纪美国文学的重要阶段,作家们开始挑战传统的叙事方式和观念。
欧内斯特·海明威的《老人与海》和威廉·福克纳的《喧哗与骚动》是现代主义时期的代表作品。
美国文学期末复习提纲20122012美国文学复习提纲1.Match the literary work in column B with the author in the column A. (20 points)2. Decide the following statements true or false. (10 points)3. Define the following literary terms (20 points)一、时间(1分);二、代表人物(1分);三;主要特征(2分);四、文学文化意义(1分)Hemingway’s “iceberg theory” and “the code hero”Iceberg theory: It was firstly proposed by Ernest Hemingway, the representative writer of the Lost Generation, in Death In the Afternoon (1932) which hassuch a description “The dignity of movement of an iceberg is due to only one-eighth of itbeing above water.”The theory suggests that the writer include in the text only a small portion of what he knows, leaving about ninety percent of the content a mystery that grows beneath thesurface of the writing. It‟s influence as a stylist was nearly expressed in the praise of theNobel Prize Committee about “his powerful style-forming mastery of the art” of writingmodern fiction.The code hero: Term Coined by Philip Young in 1952 to refer to Hemingway characters that have learned to control the chaos in their lives, chaos in the form ofphysical or mental stress, sometimes both. As Bertrand Russell comments, Hemingway‟sheroes have such kind of courage that enables a man to behave like a man, to assert thisdignity in face of diversity. A code hero could be destroyed but not defeated.Modernism:Modernism is an omnibus term for a number of tendencies in the arts which were prominent in the first half of the 20th c.; In English literature it includes symbolism,futurism, expressionism, imagism, dada, and surrealism. It is particularly associatedwith the writings of T. S. Eliot, Ezra Pound, James Joyce etc. Broadly, Modernismreflects the impact upon literature of the psychology of Freud and the anthropology ofSir J. Frazer, as expressed in The Golden Bough (1890-1915). A sense of culturalrelativism is pervasive in much modernist writing, as is an awareness of the irrationaland the workings of the unconscious mind. Modernist literature is a literature ofdiscontinuity, both historically, being based upon a sharp rejection of the proceduresand values of the immediate past, to which it adopts an adversary stance; andaesthetically.The Lost Generation:The "Lost Generation" is a term was popularized by Ernest Hemingway in his novel, "The Sun Also Rises" used to refer to his generation; those who experienced alienationand the loss of ideals yet unable to come to terms with the new era when civilization hadgone mad resulting from World War I .This generation included distinguished artistssuch as Ernest Hemingway, F. Scott Fitzgerald, T.S. Eliot1 / 12美国文学期末复习提纲(呕心沥血完全版)1. Why does the poet call the faces of pedestrians “apparition”?Pound contrasts the factual, mundane image that he actually witnessed with a metaphor from nature and thus infuses this “apparition” with visual beauty. There is a quick transition from the statement of the first line to the second line‟s vivid metaphor; this …super-pository‟technique exemplifies the Japanese haiku style. The word “apparition” is considered crucial asit evokes a mystical and supernatural sense of imprecision which is then reinforced by the metaphor of the second line.2. What do “petals” and “bough” stand for?The plosive word …Petals‟ conjures ideas of delicate, feminine beauty which contrasts with the bleakness of the …wet, black bough‟.The Red Wheelbarrow:1. How does the first two lines differ from the other pairs of lines?There is no exact thing presented in the 1st two lines. But, by adding those first four words the meanings of the poem just explode into a million different possible meanings.2. What is the meaning of “depends upon” in the 1st pair of lines?“Hardness and aesthetics of life.”One’s-self I singThe 1855 "Song of Myself" had announced that the "word of the modern" was "a word en masse," and eventually Whitman would revise this 1867 Inscription to affirm that"En-Masse" was also "the word Democratic." In a modern, democratic society, as Tocqueville had said, no intermediate allegiances stand between the individual citizen and the entire body politic. The Self is indeed separate, isolated; it has renounced party and creed and local custom, all mediating bodies that provide a system of preference or exclusion."One‟s-Self I sing, a simple separate person," run the opening lines of Leaves of Grassfrom 1871 on, "Yet utter the word Democratic." A poetic universe of productive tension ishinted by that "Yet"; the tense equipoise between individualism and democracy, this poem suggests, is the foundational theme of Whitman‟s book. The poem then goes on to introducethe site and symbol for this reconciliation of individual to mass: the body, "physiology fromtop to toe." We receive individual identity through our body, . . . yet at the same time, physicality, and especially physical affection, are universal, binding us together in common humanity. Much of the boldly progressive politics of Whitman‟s poetry will follow from this emphasis on the body; thus his introduction of the theme of "physiology" is followed by his (then quite radical) insistence on the political equality of male and female.The poet he imagines in the 1855 preface is, like his ideal republic, balanced between self and other: "The soul has that measureless pride which consists in never acknowledging any lessons but its own. But it has sympathy as measureless as its pride and the one balances the other and neither can stretch too far while it stretches in company with the other. The inmost secrets of art sleep with the twain. The greatest poet has lain close betwixt both and they arevital to his style and thoughts."This vision of a poet stretching within a universe bounded by pride and sympathy had asits political analogue the paradox of an American republic poised between self-interest and public virtue, liberty and union, the interests of the many and the good of the one. The secret美国文学期末复习提纲(呕心沥血完全版)of Whitman's art and the American Union, the paradox of many in one, eventually became theopening inscription and balancing frame of Leaves of Grass:One's-Self I sing, a simple separate person,Yet utter the word Democratic, the word En-Masse.Balanced between the separate person and the en masse, the politics of Leaves of Grass isneither liberal nor bourgeois in the classical sense of the terms; rather, the poems representthe republican ideals of early-nineteenth-century artisan radicalism, emphasizing theinterlinked values of independence and community, personal wealth and commonwealth.The open boatNature’s Indifference to ManDespite the narrator‟s profusion of animistic (animal-like), humanistic (manlike),and deistic (godlike) characterizations of nature, Crane makes clear that nature isultimately indifferent to the plight of man, possessing no consciousness that we can understand. As the stranded men progress through the story, the reality of nature‟s lackof concern for them becomes increasingly clear. The narrator highlights this developmentby changing the way he describes the sea. Early in the story, the sea snarls, hisses, andbucks like a bronco; later, it merely “paces to and fro,” no longer an actor in the men‟s drama. In reality, the sea does not change at all; only the men‟s perception of the sea changes. The unaltered activity of the gulls, clouds, and tides illustrates that nature doesnot behave any differently in light of the men‟s struggle to survive.Crane strengthens the idea that nature is indifferent to man by showing that it is as randomly helpful as it is hurtful. For every malevolent whim that the men suffer, they experience an unexpected good turn in the form of a favorable wind or calm night. Thefact that the men almost seem to get assistance from nature destroys the notion of natureas an entirely hostile force. Nothing highlights this point so much as the correspondent‟s final rescue. Plowed to shore and saved by a freak wave, the correspondent must embracethe fact that the very thing that has put him in harm‟s way has saved him. This freak wave , however, may also be responsible for killing the much hardier oiler, a turn of events that demonstrates two ideas: nature is as much a harsh punisher as it is a benefactor, andnature does not act out of any motivation that can be understood in human terms.Man’s Insignificance in the Universe“The Open Boat” conveys a feeling of loneliness that comes from man‟s understandingthat he is alone in the universe and insignificant in its workings. Underneath the men‟sand narrator‟s collective rants at fate and the universe is the fear of nothingness. Theyhave an egotistical belief that they should have a role in the universe, that their existence should mean something. When the correspondent realizes by section VI that fate will not answer his pleas, he settles into despair. His subsequent recollection of the poem aboutthe soldier who lies dying in Algiers reflects his feelings of alienation at being displacedfrom his position in the universe. Like the soldier who dies in alien territory, the correspondent fears that he too will perish without a connection to whatever gives himhis sense of self.Throughout “The Open Boat,” the correspondent understands pain to be the necessary byproduct of his efforts to overcome nature, the willful enemy. He comes to value his美国文学期末复习提纲(呕心沥血完全版)suffering because it is nobly derived; in the earlier sections, the correspondent, whom the narrator says is cynical, is often cheerful and talkative in his descriptions of the physical pain he experien ces. By the end of the story, however, the correspondent‟s new awareness that the universe is unconcerned with the situation‟s outcome makes him physically and spiritually weary. He decides that there is no higher purpose to surviving other than prolonging a life that is meaningless. His comment in section VII that the coldness of the water is simply “sad” underscores this despair. At this point, all sensations of pain and pleasure are merely physical and have no spiritual meaning.A clean well-lighted placeLife as NothingnessIn “A Clean, Well-Lighted Place,” Hemingway suggests that life has no meaning and that man is an insignificant speck in a great sea of nothingness. The older waiter makes this idea as clear as he can when he says, “It was all a nothing and man was a no thing too.” When he substitutes the Spanish word nada (nothing) into the prayers he recites, he indicates that religion, to which many people turn to find meaning and purpose, is alsojust nothingness. Rather than pray with the actual words, “Our Father wh o art in heaven,” the older waiter says, “Our nada who art in nada”—effectively wiping out both God and the idea of heaven in one breath. Not everyone is aware of the nothingness, however. For example, the younger waiter hurtles through his life hastily and happily, unaware of any reason why he should lament. For the old man, the older waiter, and the other people who need late-night cafés, however, the idea of nothingness is overwhelming and leads to despair.The Struggle to Deal with DespairThe old man and older waiter in “A Clean, Well-Lighted Place” struggle to find a wayto deal with their despair, but even their best method simply subdues the despair rather than cures it. The old man has tried to stave off despair in several unsuccessful ways. We learn that he has money, but money has not helped. We learn that he was once married, but he no longer has a wife. We also learn that he has unsuccessfully tried to commit suicide in a desperate attempt to quell the despair for good. The only way the old man can deal with his despair now is to sit for hours in a clean, well-lit café. Deaf, he can feel the quietness of the nighttime and the café, and although he is essentially in his own private world, sitting by himself in the caféis not the same as being alone.The older waiter, in his mocking prayers filled with the word nada, shows that religion is not a viable method of dealing with despair, and his solution is the same as the old man‟s: he waits out the nighttime in cafés. He is particular about the type of caféhe likes: thecafémust be well lit and clean. Bars and bodegas, although many are open all night, donot lessen despair because they are not clean, and patrons often must stand at the bar rather than sit at a table. The old man and the older waiter also glean solace from routine. The ritualistic café-sitting and drinking help them deal with despair because it makes life predictable. Routine is something they can control and manage, unlike the vast nothingness that surrounds them.A rose for Emily美国文学期末复习提纲(呕心沥血完全版)Tradition versus ChangeThrough the mysterious figure of Emily Grierson, Faulkner conveys the struggle thatcomes from trying to maintain tradition in the face of widespread, radical change.Jefferson is at a crossroads, embracing a modern, more commercial future while stillperched on the edge of the past, from the faded glory of the Grierson home to the towncemetery where anonymous Civil War soldiers have been laid to rest. Emily herself is atradition, steadfastly staying the same over the years despite many changes in hercommunity. She is in many ways a mixed blessing. As a living monument to the past, she represents the traditions that people wish to respect and honor; however, she is also aburden and entirely cut off from the outside world, nursing eccentricities that otherscannot understand.Emily lives in a timeless vacuum and world of her own making. Refusing to havemetallic numbers affixed to the side of her house when the town receives modern mailservice, she is out of touch with the reality that constantly threatens to break through hercarefully sealed perimeters. Garages and cotton gins have replaced the grand antebellum homes. The aldermen try to break with the unofficial agreement about taxes once forgedbetween Colonel Sartoris and Emily. This new and younger generation of leaders bringsin Homer‟s company to pave the sidewalks. Although Jefferson still highly regardstraditional notions of honor and reputation, the narrator is critical of the old men in their Confederate uniforms who ga ther for Emily‟s funeral. For them as for her, time is relative . The past is not a faint glimmer but an ever- present, idealized realm. Emily‟s macabrebridal chamber is an extreme attempt to stop time and prevent change, although doing socomes at the expense of human life.The Power of DeathDeath hangs over “A Rose for Emily,” from the narrator‟s mention of Emily‟s death atthe beginning of the story through the description of Emily‟s death -haunted life to the foundering of tradition in the face of modern changes. In every case, death prevails overevery attempt to master it. Emily, a fixture in the community, gives in to death slowly.The narrator compares her to a drowned woman, a bloated and pale figure left too long inthe water. In the same description, he refers to her small, spare skeleton —she ispractically dead on her feet. Emily stands as an emblem of the Old South, a grand ladywhose respectability and charm rapidly decline through the years, much like the outdated sensibilities the Griersons represent. The death of the old social order will prevail, despitemany townspeople‟s attempts to stay true to the old ways.Emily attempts to exert power over death by denying the fact of death itself. Herbizarre relationship to the dead bodies of the men she has loved —her necrophilia —isrevealed first when her father dies. Unable to admit that he has died, Emily clings to the controlling paternal figure whose denial and control became the only —yet extreme —formof love she knew. She gives up his body only reluctantly. When Homer dies, Emily refusesto acknowledge it once again —although this time, she herself was responsible forbringing about the death. In killing Homer, she was able to keep him near her. However,Homer‟s lifelessness rendered him permanently distant. Emily and Homer‟s grotesque marriage reveals Emily‟s disturbing attempt to fuse life and death. However, deathultimately triumphs.美国文学期末复习提纲(呕心沥血完全版)5. Writing: focus on the main characters in the following texts. 5选2。