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英语专业论文-英文论文我国文化产业国际竞争力研究

英语专业论文-英文论文我国文化产业国际竞争力研究
英语专业论文-英文论文我国文化产业国际竞争力研究

我国文化产业国际竞争力研究

摘要:文化自古至今都是中外交流的重要桥梁,文化在对外贸易中起着非常重要的的作用。20 世纪90 年代以来我国文化贸易处于萌芽阶段,其发展水平与发达国家差距很大。近几年来,我国开始在各方面支持发展文化产业,以不断缩小与发达国家之间的差距。本文分析了我国文化贸易的发展现状和问题并采用指标评价方法与实证分析中国文化贸易国际竞争力,用SWOT分析法分析影响我国文化贸易竞争力水平的因素,最后从三个方面给出了相关的政策建议。

关键词:文化贸易;国际竞争力;政策建议;文化产业

Study on international competitiveness of China's cultural industry

Abstract

Culture is a bridge for Sino-foreign exchanges since ancient times, and plays a very important role in foreign trade.Cultural trade in China in the 1990 of the 20th cen tury in its infancy stage, it has a large development gap with the developed countries.In rec ent years,China supports the development of cultural industry in all aspects, so as to narro w the gap between developed and This paper analyses the present condition and problem of cultural trade development and adopted evaluation method and empirical analysis of inter national competitiveness of Chinese culture,trade,using SWOT analysis to analyze factors t hat affect the competitiveness level of China's cultural trade, finally given from three aspect s: policy recommendations.

Key words:Cultural trade; International competitiveness; Policy recommend; cultural indu stry

Acknowledgements

First and foremost, I would like to express my heartfelt gratitude to my supervisor, Mr. Wang Hai Yuan, for his instructive advice and useful suggestions on my thesis,and for his constant encouragement and guidance. he has walked me through all the stages of the writing of this thesis.I am deeply grateful of his help in the completion of this thesis,without his consistent and illuminating instruction, this thesis could not have reached its present form.

Second, I am also deeply indebted to all the other tutors and teachers in Business English studies for their direct and indirect help to me. I also owe my sincere gratitude to my friends and my fellow classmates who gave me their help and time in listening to me and helping me work out my problems during the difficult course of the thesis.

Last my thanks would go to my beloved family for their loving considerations and great confidence in me all through these years.

Contents

中文摘要 (i)

Abstract (ii)

Aknowledgements (iii)

Introduction (1)

I. Present situation of cultural trade research in China and abroad (2)

A. Research status of foreign scholars (2)

B. Research status of domestic scholars (2)

II.The strategic significance of cultural trade on international competitiveness (3)

A. Power of cultural trade development is the only option (3)

B. Help to enhance the international image and impact (4)

C.Improve the structure of import and export commoditie s (4)

D.Promoting sustainable development of cultural trade (5)

III. Trade development present situation analysis and characteristics of Chinese culture (5)

A.Analysis of the present situation of cultural trades (5)

B.Characteristics of culture and trade in China (7)

Ⅳ.SWOT analysis of China foreign trade and cultural development (7)

A.S-The main advantages of China international cultural trade development (7)

B.W- The disadvantage of China's foreign trade and cultural development (7)

C.O-The opportunities of China's foreign trade and cultural development (8)

D.T-The threats of China's foreign trade and cultural development (8)

Ⅴ. China cultural trade development policy proposals (8)

A. Government policy proposals (9)

B.Cultural industries policy recommendations (10)

C.Enterprise level policy recommendations (12)

Conclusion (13)

Notes (14)

Bibliography (15)

Study on international competitiveness of China's cultural industry

Introduction

Due to our culture has a long history, a wealth of resources for cultural p rovides very good conditions for the development of trade.But at the same time, we a re seeing some of the developed countries by using technology, developed econom y, and improve the institutional and other aspects of a company's advantage, produci ng highly competitive exports of cultural products, dominates the international marke t position.

Currently most of the deficit in the trade of Chinese culture,competitiven ess is not strong, facing the pressure of international competition are not optimistic. Against this background, studying the trade competitiveness of Chinese culture is ver y important. Economic aspects of culture have a special competitive advantage, it is a ble to keep pace with, follow the changes of the times and changes, able to withstan d the test of time.In the deepening economic globalization today, cultural innovation a nd change at the same time, cultural innovation and reforms have created new space s, and other aspects of economic strategy has no such ability. Economy and culture e mbodies a "total effect", it is not only an economic function,and is the home of econo my, an economic structure.

Cultural economic development can bring such as sports, arts, the media, and even political developments. Cultural economy can also play a role in promotin g employment,guarantee the stability of the State and society, national image enhance ment functions. Because of the culture and identity of intimacy and other reasons, c ultural trade easier to form "Radiation effects", other industries will follow the cultur al and economic development, and even has the potential to become an important ma gic weapon of the trade negotiations.

I. Present situation of cultural trade research in China and abroad A.Research status of foreign scholars

By Porter founded the international competitiveness of the country, "dia mond model" focused, demand, production and related industries and the four basic elements of the strategy of the enterprise is the largest and most direct impact on ind ustrial competitiveness factors, starting point of national competitive advantage and t here is industry competitive advantage. The"diamond model" has introduced new anal ysis chart and analysis method is a break through, is conducting a competitiveness st udy of the most complete theory. “Many scholars in the research process, the "diamo nd model" proposed revision and improvement. Dunning (1993) said that the role o f transnational corporations in the global economy is strong.”1

“Cho (1994) pointed out that the "diamond model" can be more reasona ble to explain the international competitiveness of industry in the developed worl d, based on an extensive analysis of the points raised.”2 But for developing countrie s or least developed countries on the interpretation of the international competitivene ss of the industry, the "diamond model"proposed "nine-factor model".

B. Research status of domestic scholars

Most Chinese scholars by comparing the overseas cultural industry theor y of international competition, international cultural trade competitiveness analysis t he economic analysis model with "diamond model", as well as improve the contras t with China's actual situation, to study the cultural industries internationally competi tive:

Theory on international competitiveness of China's two main as

pects of the study is the analysis of constructing the index syste

m of industrial international competitiveness and international c

ompetitiveness of a specific industry. Pei Changhong internati

onal competitiveness indicators representative of the industry ar

e mainly two kinds, namely to show the index (leading to comp

etition) and analysis (competitive performance results) two, thi

s is the first time Chinese scholars proposed for evaluation of t

he industrial competitiveness of more rational and systematic e

valuation indexes system.3

II.The strategic significance of cultural trade on international

competitiveness

A.Power of cultural trade development is the only option.

To scientific and technological progress and innovation as primary catal yst of economic development of the whole society, as the premier strategy enhanc e independent innovation ability is the core of building an innovation-oriented coun try. At present, our country is a true manufacturing power, domestic resources and e nvironmental deterioration in contradiction with 's status as the world's factory. Beca use of the technological content of products is too low, little or no creative design, h igh brand recognition reasons, affect China's overall export trade. “China's economi c development in the future will be more dependent on knowledge innovation, rathe r than investment, cost of depleting resources for competitive advantage.”4 Creativit y and cultural industries talents agglomeration effects, does not take up too much lan d and resources, is a knowledge-intensive industry, not resource-intensive industrie s, has a low input and high returns and so on.Cultural products and general product c omparison, profits are terrifying.Vigorously promote cultural products "go", you ca

n increase the added value of China's export products, is our country by trading pow er to trade powers, the only choice.

B. Help to enhance the international image and impact

Cultural products are not only commodities, economic attributes, and pr operties of the spirit, ideology, about the role of the brand image of a country abroa d should not be underestimated. It can reflect this country 's level of technological d evelopment, expanding its cultural influence and radiation, and to improve their inter national competitiveness. “Now all countries play the culture card through cultural in fluence expanding its brand awareness, but also is an important carrier to showcase t heir cultu ral image.”5 For instance United States culture and the rapid expansion of t he market share of world culture, brought its huge trading revenue at the same tim e, United States hegemony and cultural values to the world. Chinese culture is broad and profound, is our marketing innovative products, a solid foundation in the intern ational arena, China's outstanding cultural and creative products, "going out", for th e dissemination of Chinese culture,establish new image of extraordinary.

C. Improve the structure of import and export commodities

On trade in goods in China have a certain competitiveness, many product s of export share in the international market accounts for a large proportion.Howeve r, seen from the trade structure, we still lag behind on the service,which is a major fact or in the trade imbalance in China. As a special cultural trade, trade in services has b ecome part of international trade.Cultural trade as part of the tertiary sector, with goo d potential for development. Therefore, the development of the cultural exports, will promote the new development of China's service industry, or you can promote the im provement of China's export structure and.

D.Promoting sustainable development of cultural trade

All along, the quantitative growth and trade processing-oriented manne r is an important measure to enhance competitiveness, however, from the point of vie w of sustainable development, is not a reasonable approach. Therefore,transforming t he mode of foreign trade growth, improve value-added products has become a top pr iority. “Cultural industries with high added value in line with the direction of econo mic development of our country, its great attraction not only in terms of direct econ omic benefits, also has a strong industrial implication and ripple effects. ”6 Such as t he one this big long not only led to hits thermal, greatly promoting Korea earn foreig n exchange through the export of cultural products has brought about direct economi c benefits, but also led the Korea travel, beauty, food, clothing, cosmetics and other i ndustrial development, and make more and more people in Korea favor. Thus, prom oting cultural exports, the sustainable development is not only conducive to trade, a s well as other related industry products exports.

III. Trade development present situation analysis and

characteristics of Chinese culture

A.Analysis of the present situation of cultural trade

Trade overall is good, cultural trade weak.“Since 2001 after joining th e WTO, China's foreign trade rapid growth in overall, an increase of about 20%. Bu t we couldn't cheer on cultural trade.”7 Anecdotal data and statistics from the differen t culture media, it is not difficult to see the cultural development of the trade imbalan ce is a real problem facing China's cultural trade, there is a huge deficit. From the ov

erall perspective, cultural trade volume is increasing, but trade volume ratio has no t improved significantly, lack of cultural trade development:

No brand of cultural products a

nd services in the world based on the main stream market. Neit

her United States-style blockbusters nor will lead Asia's"Korea

n wave", which does not match with China's 5,000 years of ci

vilization.Cultural trade product structure is unreasonable.Un

reasonable product structure is another phenomenon in cultural t

rade,cultural trade tools and the physical carrier of culture is th

e culture in hardware, such as film, cameras, video recorder

s, video cameras, etc. Their trade volume accounted for more

than half of China's total foreign trade, is the second-largest e

xporter. 8

But its trade is equal to goods tr

ade, less profit, advantage human capital in our country if it i

s not obvious,restricted their exports high. Culture is a major co

mponent of cultural software, such as films, books, games, the

atrical performances, and so on.It has both commercial propert

y and art, will bring in an extra super high profits. 9

For example the popularity of Korean dramas of Korea brings the hug e revenues from trade, bringing not only film and television income at the same ti me promote the development of industries associated with the film and television ind ustry, as Idol-related clothing, toys, music industry such as development. But the Chi nese are not making a far-reaching like Dae Jang geum series, films like this will not only bring economic but also cultural influence.

B.Characteristics of culture and trade in China

First,Cultural trade body is single, and second, the cultural compositio n of trade imbalances, the third is trade imbalance of regional development,geograph ical hierarchy of four cultural trade is concentrated.

Ⅳ. SWOT(Strengths Weakness Opportunity Threats) analysis of China foreign trade and cultural development

A.S-The main advantages of China international cultural trade devel opment.

First of all, China hold culture has a long history and abundant cultural resources. Second, China has a broad market at home and abroad of cultural produc ts, and huge market potential, thus conducive to the development of China's foreign t rade and culture.

B.W-The disadvantage of China's foreign trade and cultural development.

First it is a weak foundation of cultural industries. At present, China's la rge cultural enterprises with international influence is minimal, overall the majority o f smaller cultural enterprises in China to take advantage of scale to compete in the int ernational market. Second, lack of innovation of cultural industry, output channels. ”Currently in China, the lack of innovation of cultural industry, export of cultural prod ucts are mostly traditional and cultural products, these products with low added valu e and do not reflect Chinese cultural industry has potential value.“10 Three cultural i ndustry is the lack of specialized personnel. Talent shortage severely restricts the rele

ase of cultural resources, economic benefits and efficiency and effectiveness of expo rts of cultural products and services.

C.O-The opportunities of China's foreign trade and cultural

development.

Development of China's foreign trade and culture is facing unprecedented opportunities, the strong support of national policy on the one hand and increasin g financial input for the development of China's foreign trade and culture provides a s trong political support, on the other hand a good communication platform for the ec onomic development and cultural innovation to promote the international influence of the Chinese culture promotion.

D. T-The threats of China's foreign trade and cultural development.

First of all,it was liberalized trade rules, and on the overall situation o f China's cultural industry, lack of transnational cultural enterprise with internationa l impact, in the international market is facing United States a strong influx of cultura l products and services, Chinese cultural enterprises seem to be more vulnerable. The refore, the current international trade rules for cultural trade development in China i s negative. II is a strong competitor in the international market, China's cultural indu stry and the cultural trade started late, and in the initial stage of China's cultural indu stry, funding, marketing, product marketing, technical innovation and talent supply ar eas are not mature enough, difficult to contend with cultural power.

Ⅴ. China cultural trade development policy proposals

https://www.doczj.com/doc/682943829.html,ernment policy proposals

First perfect the cultural trade policy legal system.Cultural trade develop ment first of all to the development of cultural industries. First, the culture industry h as just started and needs in the development of foreign trade system construction. C onstruction of cultural industry system of foreign trade regime needs to learn from tr ade in goods,serious cultural industries plan to change the existing color management system, actively participating in the competition in international markets and meet t he challenges. Continue to expand our share of culture and trade in the internationa l market, to enhance the competitiveness of China's cultural trade. Second, based on t he culture industry is a special industry,specific areas, we need to establish and impro ve the cultural industry and the cultural management. Third, improve the domestic cu ltural market development and access policies. The Government should play a role, b reaking down cultural industries trade barriers:

Then fostering international cultural industry professionals.Bet

ween the 21st century competition between States is a talent co

mpetition,cultural trade must focus on human development. Tal

ent, developed culture trade proponents, to develop cultural trad

e must be to change the employment system, breaking away fr

om the traditional concept. The traditional concept of dogma, s

tereotype, and seniority was the main criteria for selecting talen

t. 11

This makes it difficult for many people who have the ability to enter th e field of trade in cultural, this concept did not fully tap the potential of people. Thi s restricts the development of cultural industries,therefore, in order to widen the chan nels of personnel selection and appointment, is a cultural trade practitioners to best u

se. Second, we need to strengthen talents construction. One is the selection of manag ers and operators can work from the grass-roots cultural industry experienced person nel. Training on them, enhancing their operational and managerial abilities. Two ca n play the role of training talents in colleges and universities, dedicated professiona l set for cultural trade. Third, to attract the best talents of foreign culture trade, make use of their professional and management experience, asked China's cultural product s to the international market to provide intelligence support.

At last,To broaden the financing channels, providing strong financial sup port for the development of cultural industry.”China is pushing forward financial ref orm, along with financial reform,China's financing will be more smooth and wide-ch annel.”12 Reform of cultural industries need to take this wind, seeking more capital f or its own development. First, the culture industry cannot rely on government invest ment, the need to use a variety of means to attract credit, financing,cultural diversifica tion. ”Build a group with Chinese characteristics, strong cultural industries group, fo r example, China's huayi media group, a good momentum of development, the intro duction of outstanding works by many influential.”13 Secondly, relaxation of the cul tural industries market access conditions, guiding all aspects of capital increase inves tment in cultural industries, making full use of social and private capital, formation a nd the social funds, the Government and the people to work together in investment a nd financing mode of operation.

B. Cultural industries policy recommendations

Governance model of the cultural industry in China, is carried out throu gh public institutions management, the implementation of turnkey control, lack of fl exibility and independence. In this planned system management mode,national cultura l undertakings only input, regardless of the output,national free input, social free cons umption, which highlight the culture of the public properties of the product, but we f orgot that they also can be used as a private product provides to the community in t he form of products. This system allows the Government plays the dual roles of man

agers and operators, on the independent cultural industries and the economy is bein g covered up, businesses won't be able to find their own position of cultural industr ies. This is incompatible with the rule of modern market economy, is not conduciv e to enhancing the strength of China's cultural industry. Unreasonable in order to ch ange the existing system, the Government must change its functions, from "run" to "p ipe" change management intervention for cultural industry, highlighting its managem ent functions,can provide a favorable external environment for the development of cul tural industries. Play the role of the market in the allocation of cultural resources, m ainly through the market, supplemented by government regulation.Management of c ultural market into standardized and legalized, vigorously develop the cultural industr y in our country:

In China for some time to come the transformation of economi

c growth pattern relying mainly on industrial structure adjustme

nt, in particular, to spare no effort to promote the developmen

t of service industries. The labour force in our country the "Le

wis turning point", the labour-rich advantage has been gradual

ly began to disappear, manpower costs, the advantages of traditi

onal manufacturing industries no longer exists. 14

Must change direction, develop the service sector and cultural industries . Self-contained modern culture industry can China develop new products, improve t he level of innovation and core technologies to provide excellent condition.

Cultural industrial cluster is in the field of cultural industries, by a flurr y of similar or related organizations gathered in space, to continue to strengthen ou r competitive advantage. It is composed of core cultural industries group, external cul tural industrial cluster and its associated agencies. Establishment of the culture indus try group can play many advantages such as economies of scale, economies of scop e, encourage cultural innovation in China. Will continue to enhance the core compet itiveness of Chinese culture. Establishment of the culture industry group has two side s, depend on both economic development, in turn, promote economic developmen t, cultural trade development exhibition provided material support.

C.Enterprise level policy recommendations

Implementation of brand strategy, the use of cultural resources in China, creating well-known cultural products.In daily life, brand impact deeper, both shelte r and in the tourism, education,health and other aspects, brand trust and popularity gr ew. Competition in any market is inseparable from the branding contest. Chinese cul ture and trade to achieve long-term development must have their own independent lo ud brand, brand is undoubtedly vital for cultural products, we cannot close our eye s to its importance.”Ch ina is rich in cultural resources, creative material extensively, c an produce to create a number of excellent cultural works, formed its own characte ristics. ”15 While not neglecting cultural brand of legal protection in order to provide d a good environment for the growth of the brand, when cultural enterprises brand in to the international market, through legal measures, and to be familiar with and utili ze international is to protect their own interests, improve international competitivene ss of the brand.

Clear the goal orientation of Chinese cultural products in the international market.Target market is the first Chinese cultural enterprises need to address the pro blem. ”China's cultural products product definition must have a clear thoughts and po sitioning. “16 For now, fierce market competition in the world is focused on us and European markets, Japan and so on. Development of China cultural trade, not to rus h to enter the developed cultural market, need step by step. First of all must tightly seize the domestic cultural market,in front of his house hold, guaranteed in the do mestic market share. When competing with imports of cultural products, can have its own characteristics and competitive advantages. Secondly, close to East or Southea st Asia to seek a breakthrough. Because these places according to the spatial proxim ity, similar to language, belonging to the same culture, easy to expand cultural trade.

Conclusion

Cultural trade is an important part of a country's foreign trade, with econ omic and cultural significance, has started most of the attention. With the developmen t of China's cultural industry for more than 20 years, has had some success in cultur al trade, but for some mature international markets,there are still some gaps. For exa mple, the cultural trade deficit problem,and the export competitiveness of cultural pro ducts is relatively low.Therefore, in order to make full development of China's cultu ral market, in China to take advantage of the rich cultural resources, the implementa tion of brand strategy, and guiding strategy for international competitiveness,encoura ging Chinese culture going to enhance the international competitiveness of our count ry's cultural trade and trade development of China's culture.

Notes

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14): 010.

3 Bo, W. E. I. "Chinese Cultural Strategy: Searching for the Spiritual Support fo

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4 朱喆.我国文化产业国际竞争力研究[D].南京:江苏大学.2009.第12页

5 Jing-jian, L. I. U. "Analysis of the Problems Existing in the Construction of C

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6 张斌.国际文化贸易壁垒研究[D]济南:山东大学.2010.第32页

7 许宝强,渠敬东.反市场资本主义[M ]北京:中央编译出版社, 2001.第21页

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10 Harris, Philip Robert, Robert T. Moran, and Sarah Virgilia Moran. Managing cult ural differences: Global leadership strategies for the 21st century. Routledge, (2004): 014

11 蓝庆新, and 郑学党. "中国文化产业国际竞争力评价及策略研究——基于2010 年横

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12 Donald, Stephanie Hemelryk, and John Gammack. "Branding Cities: a case stu dy of collaborative methodologies in Cultural, Film, and Marketing research." Gibson, D. Rod an, F. Newman, R. Blaber, W. Parkins, G. Craig and C. Gordon Everyday Transformations: t he twenty-first century quotidian (Proceedings of the Cultural Studies Association of Australia Conference), Perth, December. Retrieved March. Vol. 19. (2004): 012

13 Woodside, Alexander. Vietnam and the Chinese model: a comparative study of Vietnamese and Chinese government in the first half of the nineteenth century. Vol. 140. Ha rvard Univ Asia Center, (1971):026

14 Woodside, Alexander. Vietnam and the Chinese model: a comparative study of Vietnamese and Chinese government in the first half of the nineteenth century. Vol. 140. Ha rvard Univ Asia Center, (1971):018

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Unconsciously, English songs and culture the door English elective course is approaching the end. Class see show students and the teacher introduce, played all kinds of English songs, let me develop the horizon and edify sentiment, at the same time, I have been thinking, so much is there any contact between songs, through access to information and personal perception of the songs, and draw some conclusion. The singers found that originated in the human inner original impulse, from the need of life rhythm. People have been using your own voice show their feelings, joy and sorrow. Overall, as a kind of human achievement, music is not only an individual creation consciousness performance art, also reflects some areas and even the whole social cultural ideological trend. To provide an overview of the development of western music, also confirm the western culture on context. Can say, a western music history, it is also a certain sense of western cultural history. From century religious music to a single to the liberation of the Renaissance, to modern music multiple that music development deeply branded with the background of The Times. Take for modern music, such as The s Bill Haley - Rock Around The Clock is in The twentieth century since The two world wars to The people of The world brought serious disaster, trample on The human spirit home. People no longer believe that traditional culture ideal type to save power, pop songs and jazz free rhythm, improvisation skills to reflect the birth of the. But in The s: Simon &garfunkel - The sound of silence is The opposition to The Vietnam war, against racial discrimination, President Kennedy was stabbed The troubled times of The United States was born in The rock. The 90 s Alan Jackson - where were you when the world stopped turning embodies the teenagers in war haze shrouded of anger, rebel emotion. So the western music is a cultural symbol, its carrying cultural connotation and social culture constitutes the echo relationship, to better understanding of western music, will have a better understanding of music background.

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学号《农村文化产业概论》

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