1000字英文影评

1Slumdog MillionaireAn orphaned Mumbai slum kid tries to change his life by winning TV's 'Who Wants To Be A Millionaire?' in a feelgood fable from director Danny Boyle and the writer of The Full Monty, Simon BeaufoyJamal Malik ('Skins' star Dev Patel) is being beaten by Mumbai police for allegedly cheating on hit TV show 'Who Wants To Be A Millionaire?' One question away from the ultimate 20 million rupee prize, no one, including slick show host Prem (Anil Kapoor), believes a chai wallah (teaboy) like Jamal could know all the answers. As the tough inspector (Irfan Khan) replays Jamal's appearance on the show, it's revealed that each question corresponds to a specific life lesson from Jamal's tragic past.Raised in abject poverty in Mumbai's grimmest slum along with older brother Salim, then orphaned by a Hindu mob attack, Jamal and Salim are forced to fend for themselves on the streets through opportunistic petty crime. They pick up a young girl, fellow orphan Latika (Freida Pinto), escape the clutches of a vicious Fagin-like crime boss, lose Latika, and continue their picaresque adventures, one step ahead of the law. As adolescents, however, Salim becomes entranced by a life of crime and Latika's unexpected return sets brother against brother. Will Jamal salvage his girl, his fortune and his life on 'Millionaire'?Adapted by Full Monty writer Simon Beaufoy from Vikas Swarup's hit novel 'Q&A', Slumdog is an underdog tale. Beaufoy's lively screenplay scampers after Swarup's self-consciously Dickensian storytelling tradition, and is even built around the 'Millionaire' show, as iconic a symbol of Western capitalist entertainment as exists.ming skyscrapers erupting from wasteland, slum kids turning into overnightmillionaires through the kiss of television. The film's uniquely vibrant, headlong 21st century rush is that of the infinite possibilities of modern India itself.Slumdog's such a crowd-pleaser that some critics might brand it Boyle's best since Trainspotting . It even echoes a couple of that film's classic set pieces, notably a slum chase reminiscent of Renton and Co's opening Edinburgh dash and a lavatorial incident so stomach-churning (yet hilarious), it makes Trainspotting's infamous toilet scene seem like Ewan McGregor took an Evian bath.In fact, the likable Boyle has been on great form for some time - 28 Days Later revamped the zombie movie, Millions is perhaps the best kids film of recent years. No other current British director makes such thrillingly current (all his films are set in either the present or future), kinetic, inherently visual films and proper recognition is long overdue - though, true to form, he's insistent here on crediting co-director Loveleen Tandan, whose major contribution seems to have been unearthing the wonderfully naturalistic kids to play Jamal, Salim and Latika.Director Danny Boyle and cinematographer Anthony Dod Mantle have evidently immersed themselves in India's sensory overload. The film revels in thesub-continent's chaotic beauty and raging colours, from Mumbai shantytowns to Agra's regal Taj Mahal. The thrillingly off-the-cuff digital imagery reflects a nation in a state of explosive flux, loo2Kung Fu PandaThe synopsis for Kung Fu Panda looks something like this: “A clumsy panda bear becomes an unlikely kung fu hero when a treacherous enemy spreads chaos throughout the countryside in this animated martial arts adventure featuring the voices of Jack Black, Dustin Hoffman, Angelina Jolie, and Jackie Chan. On the surface, Po (voice of Black) may look like just another portly panda bear, but beneath his fur he bears the mark of the chosen one. By day, Po works faithfully in hisfamily’s noodle shop, but by night he dreams of becoming a true master of the martial arts. Now an ancient prophecy has come to pass, and Po realizes that he is the only one who can save his people from certain destruction. With time running short and malevolent snow leopard Tai Lung (Ian McShane ) closing in, Furious Five legends Tigress (Jolie), Crane (David Cross ), Mantis (Seth Rogen), Viper (Lucy Liu), Monkey (Chan), and their wise sensei, Master Shifu (Hoffman), all draw on their vast knowledge of fighting skills in order to transform a lumbering panda bear into a lethal fighting machine. Now, if the noble Po can master the martial arts and somehow transform his greatest weaknesses into his greatest strengths, he will fulfill his destiny as the hero who saved his people during their darkest hour.”3The English PatientFor those who have forgotten the depth of romance and passion that the movies are capable of conveying, Anthony Minghella's The English Patient can remedy the situation. This is one of the year's most unabashed and powerful love stories, using flawless performances, intelligent dialogue, crisp camera work, and loaded glances to attain a level of eroticism and emotional connection that many similar films miss.Is The English Patient melodramatic? Of course, but it's the sort of finely-honed melodrama that embraces viewers rather than smothering them. And the movie never resorts to cheap, manipulative tactics. This well-crafted story, brought to the screen with great care by British playwright and director Anthony Minghella (Truly, Madly, Deeply) and based on the prize-winning novel by Michael Ondaatje, serves up the love of Almasy (Ralph Fiennes) and Katharine (Kristin Scott Thomas) in a way that is simultaneously epic and intimate.The English Patient has an elliptical structure, beginning with the same scene that it ends with. In between, it moves several years into the future, and even further into the past. The opening sequence, which takes place during World War II, shows a British plane being shot down over the North African desert. The pilot, a Hungarian count named Laszlo Almasy, is badly burned in the ensuing crash. Yearslater, in 1944 Italy, we meet him again. Although his outward injuries have healed, leaving his features scarred beyond recognition, he is dying. He has also supposedly lost his memory. Hana (Juliette Binoche), the Canadian nurse who cares for him, takes him to an isolated, abandoned church to allow him to die in peace. There, injecting him with morphine and reading to him from his beloved volume of Herodotus, Hana seeks to seeks to stimulate his memories. Meanwhile, others arrive at the church -- a mysterious, crippled war veteran named Caravaggio (Willem Dafoe), who has a hidden agenda, and a pair of bomb experts, the British Sgt. Hardy (Kevin Whately) and his Sikh superior, Kip (Naveen Andrews), who becomes Hana's lover4The TerminalNo modern traveler has more notoriety than Merhan Karimi Nasseri, who has been stranded in Terminal One of Paris’s Charles de Gaulle airport since 1988. Nasseri was expelled from Iran in 1977 and spent 10 years trying to gain political asylum in Europe. That all came to an end when his bag was stolen in Paris, essentially stranding him at CDG. In 1993, a movie was made about him (Lost in Transit), starring Jean Rochefort. Nasseri’s life reappears on screen this year in The Terminal, courtesy of Steven Spielberg and Tom Hanks. And shamefully, Nasseri goes unmentioned in the movie’s production notes.In The Terminal, Spielberg gives us Hanks as Viktor Navorski, a visitor from the fictitious country of Krakhozia in Eastern Europe. Hanks, made up to be pasty and lumpy, puts on a mush-mouthed accent reminiscent of Yakov Smirnoff, and finds himself landing at New York’s JFK on a mission we won’t discover until the end of the film. We know only that it involves a Planters peanut can.Too bad for Viktor that his visa is denied once he lands in the U.S. –his country’s government hasbeen overthrown during the course of his flight. The U.S. no longer recognizes his passport, and his country no longer exists. Viktor can’t come into the U.S., nor can he return home. Homeland Security agent F rank Dixon (Stanley Tucci) has no choice but to sequester him in the airport’s international terminal, strictly forbidding Viktor from setting foot outside.Viktor, who barely speaks English, quickly comes to understand his predicament, and soon enough he’s taken up residence in part of the terminal under construction. He learns to read and subsist on quarters refunded from the Smarte Carte machine. He becomes friends with the local shopkeepers and airport staff, and he falls for a sexy but scattered flight attendant (CatherineZeta-Jones) who happens through.5AvatarFirst and foremost, Avatar, as promised, unquestionably represents the best visual use of performance capture and 3D technology in cinema to date. It has also been treated to one of the best marketing campaigns. Somehow, the phrase that found its way into every pre-release report, article or outright puff-piece was game changer - and that was before anybody had seen any footage. To get everybody talking about your latest project as a film that could change the face of cinema is a difficult thing, but not nearly so difficult as living up to the expectations that bravado creates. 'King Of The World' James Cameron does love a challenge.So, is it or isn't it? Has 'the game' been changed? The answer really depends on what game you're playing. If we're talking about what a film can achieve visually (and in terms of box office receipts), Avatar is unequivocally a game changer. If the game you're interested in is the older art of storytelling, character anddramatic narrative, it is not. Looking back at Cameron's own oeuvre, the experience of reading the scripts of Terminators 1 and 2 and of Aliens is engaging in its own right, before you add any visuals. The same can't be said of Titanic and True Lies, but they do undeniably provide great opportunities for some spectacular action set pieces. Avatar, while more ambitious, leans towards spectacle over script: the story is no dud, but you will come out of the cinema talking about what you've just seen, rather than quoting the instantly classic lines of Terminator/Aliens.6Kramer vs. KramerHoffman's work life and other concerns are sketched so lightly, that beyond the top three or four names in the cast, other faces barely have time to make their statements and move on. A young JoBeth Williams has a memorable moment in the hallway with Justin; veteran Howard Duff's role as the defense lawyer has been pared down to a minimum. Best friend Jane Alexander has a much larger presence, but drops out of the film just before the home stretch. Yet the movie never feels hemmed-in or minimalist. For the Emergency Room scene, which consists of just a couple of tracking shots following a running Hoffman, several blocks of traffic right off of Central Park had to be shut down.Meryl Streep's career was already going into orbit after her television debut in the Holocaust miniseries; she shot her scenes for Kramer vs. Kramer while simultaneously working on Manhattan for Woody Allen. The Joanna Kramer part is a particularly tough one. Audiences could be expected to root so fervently for Ted the husband, that it's practically impossible to generate sympathy for the motherwho abandons her child. Streep projects innate decency and restraint - at the beginning she's so remorseful, we cannot help but forgive her even as she's walking out the door. Hoffman helps her during this episode by accentuating his boorish self-centeredness.Kramer vs. Kramer made it very clear for a generation of selfish baby boomers that the responsibility of raising kids isn't something to be taken lightly. Little Billy has feelings, an ego, a desire to be special, and even the vain Ted soon learns the depth and satisfaction to be had from relating to a child who depends on nobody but you for practically everything. Ted Kramer also puts his child's welfare first, and makes some humiliating, previously unthinkable, career choices. This is a concept difficult to dramatize ... the idea that there could be a reason to work below one's earning level and retain self-respect must have come as big news to the disco generation.Kramer vs. Kramer predictably winds up in an involved courtroom scene, but one organized not along legal lines but instead as a process of emotional discovery. In bitter conflict for possession of the child, each party has no desire to thwart the other, yet they find themselves in an ugly and cruel legal situation. Their life stories are aired in public; an accident can be interpreted as negligence. By the time the final shot has unspooled, most viewers are no longer aware of anything except the intensity of the drama before them. When the film ends abruptly, they're also surprised that they find it so satisfying an experience.7Kick-AssIn a way, it's almost a shame that Kick-Ass has so much in the way of violence and swearing in it - because as far assuperhero-movies-with-an-inspirational-message go, it's pretty difficult to beat. Its lead character isn't somebody with superpowers, or a vast fortune and decades of martial arts training - just an ordinary teenage comic book geek, who wonders one day why "everybody wants to be Paris Hilton, but nobody wants to be Spider-Man".When Dave Lizewski, in his earliest days as the wet-suited vigilante of the film's title, stands protectively between a mugging victim and his three attackers, it's not about fulfilling the responsibility of flukily-granted powers - it's about standing up, no matter what the odds against you, and saying "No more". A pretty strong moral, and one it'd be quite nice to show the kids.On the other hand, if it didn't have all the violence and swearing, then it'd be fair to say it wouldn't be half as much fun. And make no mistake, Kick-Ass is an absolute blast. With nods throughout to greats such as Superman and Batman - as well as not-so-greats like The Spirit - it constantly and wittily skewers the superhero genre; and yet at the same time, it's an exhilarating example of it.8Alice in WonderlandAt 19 years of age, it's back down the rabbit hole for one of literature's most beloved heroines, Alice (played by Mia Wasikowska), and back into Wonderland, or Underland as she now learns it is called. Welcome to Tim Burton's vision of Lewis Carroll's playful alternate universe.Burton's adaptation is rightly careless of slavishly rendering its source in wholly loyal detail. Any purists who argue that this Alice doesn't work because it strays so far from the text are wrong: this Alice doesn't work for the far more essential reason that the characters are too often missing a basic lifeforce of their own, possibly a result of being enbalmed in stunning-looking but airless CGI. They're not helped by dialogue that feels like an afterthought to a long-planned series of conceptual character designs.There's also that nagging "teacher's pantomime" feeling, familiar from the Harry Potter series, brought on by a cast list that reads like a who's who of national treasures. They're mostly great actors, but really classic voice work in animation comes when you hear a character speak and their voice is a seamless part of that character, not when you hear a character speak and think "Ah, that's Alan Rickman."。

影评模板作文英语初二英文回答：Introduction。

A movie review is an evaluation of a film. It typically includes a summary of the plot, an assessment of the acting, directing, and other technical aspects, and a personal opinion of the film.Key Elements of a Movie Review。

Summary of the Plot:Briefly describe the main storyline and any major plot points.Avoid giving away key details that could spoil the movie for readers.Assessment of the Acting, Directing, and Other Technical Aspects:Discuss the performances of the actors and actresses.Evaluate the director's work in terms of pacing, cinematography, and overall vision.Comment on other technical aspects such as editing, sound design, and special effects.Personal Opinion:State your overall opinion of the film.Explain what you liked or disliked about it.Support your opinion with specific examples from the film.Tips for Writing a Good Movie Review。

英文作文影评范文英文：I recently watched the movie "The Shawshank Redemption" and I must say, it is one of the best films I have ever seen. The story revolves around Andy Dufresne, a banker who is wrongly convicted of murder and sentenced to life in Shawshank State Penitentiary. The film beautifully captures the resilience of the human spirit and the power of hope in the face of adversity.The character development in the movie is exceptional. Andy, played by Tim Robbins, is a man of quiet strength and determination. Despite facing unimaginable hardships in prison, he never loses hope and always finds a way to make life better for himself and his fellow inmates. His friendship with Red, played by Morgan Freeman, is one of the most touching aspects of the film. The bond they share and the way they support each other through the toughest of times is truly heartwarming.The film also has some unforgettable quotes that have stuck with me. One of my favorites is when Andy says, "Hope is a good thing, maybe the best of things, and no good thing ever dies." This line perfectly encapsulates the theme of the movie and serves as a source of inspirationfor anyone going through tough times.The cinematography and direction are also top-notch. The way the director, Frank Darabont, captures the monotony and brutality of prison life is both haunting and captivating. The use of lighting and shadows to convey the passage of time and the emotional state of the charactersis simply brilliant.Overall, "The Shawshank Redemption" is a timeless classic that deserves all the praise it has received. It is a film that stays with you long after the credits roll and leaves a lasting impact on your heart and mind.中文：我最近看了电影《肖申克的救赎》，我必须说，这是我看过的最好的电影之一。

英文影评作文高中范文英文：I recently watched the movie "The Shawshank Redemption" and I must say, it is one of the best movies I have ever seen. The story is about a man named Andy Dufresne, who is wrongfully convicted of murder and sent to the Shawshank prison. The movie tells the story of his time in prison and his friendship with another inmate named Red.The acting in this movie is phenomenal. Tim Robbins, who plays Andy, does an incredible job of portraying his character's emotions and struggles. Morgan Freeman, who plays Red, is also amazing in his role as the wise and experienced inmate who befriends Andy.The cinematography in this movie is also outstanding. The shots of the prison and the surrounding areas are beautifully captured, and the use of lighting and color adds to the overall atmosphere of the film.One of the things I love about this movie is the message it conveys. It shows that even in the darkest of situations, there is always hope and the possibility of redemption. Andy's determination and resilience are truly inspiring, and his friendship with Red shows the importance of human connection and support.Overall, I would highly recommend "The Shawshank Redemption" to anyone looking for a powerful and thought-provoking movie.中文：我最近看了电影《肖申克的救赎》，我必须说，这是我看过的最好的电影之一。

英语影评作文范文As the credits rolled on Christopher Nolan's mind-bending thriller "Inception," I found myself lost in a maze of questions, theories, and unanswered riddles. Nolan's mastery of narrative structure, combined with his penchant for pushing the boundaries of cinematic realism, left me reeling. This wasn't just another action movie; it was a philosophical exploration of perception, reality, and the human mind.The film's central premise, the concept of shared dreaming known as "inception," is both breathtakingly original and mind-bogglingly complex. The idea that one can plant ideas or even entire concepts into someone's subconscious while they sleep is a tantalizing prospect. It raises questions about the nature of reality and our perception of it. Are our memories and experiences truly our own, or are they shaped by outside influences?The film's characters, led by Leonardo DiCaprio's Dom Cobb, are layered and nuanced, each with their own unique backstory and motivation. Cobb's quest for redemption, his struggle with the loss of his wife, and his complexrelationship with his father are all explored with delicacy and depth. Joseph Gordon-Levitt's Arthur, as the young, eager protégé, provides a stark contrast to Cobb's jaded worldliness, offering a fresh perspective on the moral and ethical implications of "inception."The cinematography is breathtaking, with Nolan's signature use of long takes and intricate camera movements that create a sense of disorientation and confusion, mirroring the emotional and psychological toll of the characters' experiences. The sound design is equally impressive, with the score by Hans Zimmer building tension and emotion throughout the film's runtime.The film's themes and ideas are explored with a deft touch, never feeling preachy or overbearing. Nolan manages to balance the film's complex narrative with emotional depth, ensuring that the viewer is not just intellectually stimulated but emotionally engaged as well. The film's ending, in particular, left me stunned and speechless, with questions swirling in my mind about the true nature of Cobb's reality and the implications of his final decision."Inception" is not an easy film to digest. It requires active participation from the viewer, a willingness to engage with its complex narrative and challenging themes. But the reward for doing so is immense, as Nolan'svisionary filmmaking and thought-provoking ideas leave a lasting impact. It is a film that challenges our perception of reality and forces us to question what we know and believe.**解码《盗梦空间》的深层含义：一篇批判性分析** 当克里斯托弗·诺兰的心灵扭曲惊悚片《盗梦空间》的片尾字幕滚动时，我发现自己陷入了一系列问题、理论和未解之谜的迷宫之中。

英文作文影评模板The movie was absolutely amazing. The plot was so intriguing and kept me on the edge of my seat the entire time. The characters were so well-developed and the acting was top-notch. I was completely engrossed in the story from start to finish.The cinematography in this film was stunning. The visuals were absolutely breathtaking and really added to the overall experience. The use of color and lighting was incredibly effective in setting the mood for each scene. It was a feast for the eyes and really added to the storytelling.The soundtrack for this movie was perfect. The music complemented the emotions of the scenes and really enhanced the overall impact. It was so well-chosen and really added to the atmosphere of the film. I found myself humming the tunes long after the movie ended.The movie had some really unexpected twists and turns. Just when I thought I had the plot figured out, it would take a completely different direction. It kept me guessing until the very end and I love when a movie can surprise me like that. It was a rollercoaster of emotions and I was totally here for it.The themes and messages in this film were so powerful. It really made me think and contemplate long after the credits rolled. The movie tackled some deep and important issues in a way that was both thought-provoking and entertaining. It's always great to see a film that has something meaningful to say.。

影评英语作文模板及范文Title: Movie Review: The Shawshank Redemption。

Introduction。

The Shawshank Redemption is a classic film that was released in 1994, directed by Frank Darabont and based on a short story by Stephen King. The film stars Tim Robbins as Andy Dufresne, a banker who is wrongly convicted of murder and sent to Shawshank State Penitentiary, where he befriends Morgan Freeman's character, Red. The film has received critical acclaim and has become a beloved classic among movie enthusiasts.Plot Summary。

The Shawshank Redemption tells the story of Andy Dufresne, a successful banker who is wrongfully convicted of murdering his wife and her lover. He is sentenced to life in Shawshank State Penitentiary, where he faces the harsh realities of prison life. Despite the challenges he faces, Andy maintains his integrity and resilience, and he forms a close friendship with Red, a fellow inmate who is known for his ability to procure contraband items.As the years pass, Andy uses his financial knowledge to assist the prison guards and the warden, and he also helps his fellow inmates with their financial affairs. He also begins working on a secret project, which turns out to be a tunnel that he uses to escape from the prison. After spending 19 years in Shawshank, Andy successfully escapes and exposes the corruption and abuse within the prison system.Themes。

英文作文关于影评英文：As a movie lover, I often watch different kinds of movies and write reviews about them. In my opinion, a good movie should not only have a well-written plot, but also outstanding performances from the actors and actresses.One of my favorite movies is "The Shawshank Redemption". The story is about a man named Andy Dufresne who is sentenced to life in prison for a crime he didn't commit. The movie shows how he deals with his new life in prisonand how he forms a friendship with another inmate named Red. The acting in this movie is superb, especially from Tim Robbins who plays Andy and Morgan Freeman who plays Red. Their performances really bring the characters to life and make you feel like you are a part of their journey.Another great movie that I recently watched is "Parasite". This is a South Korean movie that won the Oscarfor Best Picture in 2020. The movie is about a poor family who tricks their way into working for a wealthy family. The story is very unique and the acting is phenomenal, especially from the young actress who plays the daughter of the poor family. The movie also has a lot of symbolism and social commentary, which makes it very thought-provoking.中文：作为一个电影爱好者，我经常看不同类型的电影并写评论。

罗马假日影评1000字《罗马假日》是一部经典爱情电影，让观众在陶醉的氛围中感受到浪漫之美。

故事讲述了玛丽（Audrey Hepburn 饰）在罗马度假时与新闻记者（Gregory Peck 饰）相遇，并陷入了一段跨越阶级的爱情。

以下是本人对这部电影的影评。

在这部电影中，玛丽是一位公主，一心想逃避繁琐的礼仪和义务。

当她与约瑟夫相遇时，他让玛丽变得更加自由，玛丽也带给了约瑟夫一份真正的感情。

他们之间的这份感情并不是简单的一见钟情，而是在短暂的旅程中逐渐发生的。

这是一部赞颂自由和爱情的电影，它表现了人们热爱的事物，包括探险、童话故事和浪漫的恋爱。

这也是电影中最耐人寻味的部分：玛丽和约瑟夫的旅程就像是一场浪漫的探险。

他们在罗马见证了城市的美丽，探索了城市的不同角落，也懂得了互相倾听对方的心声，让人为他们的浪漫而心动。

另一个吸引观众的部分是电影的摄影和音乐。

电影中充斥着意大利风情的景色和美食，城市的古典气氛将观众引入了一个具有浓厚历史感的世界。

音乐也为电影增添了浪漫和梦幻的氛围，一段经典的旋律让人不由自主地陶醉其中。

最让人难忘的场景之一就是玛丽和约瑟夫在停车场的浪漫场景。

最初约瑟夫是出于职业的角度而追踪玛丽，但是他逐渐地被玛丽所吸引。

他们被困在一个塞满汽车的停车场，琐碎的气氛流于无言，他们托起手掌、一边笑一边跳着，仿佛成为了快乐的小丑，这场戏给人留下深刻的印象。

虽然电影中没有太多激烈的场面，但失败者也有戏份。

特别是副手约奇（Eddie Albert 饰）的表演，令人印象深刻。

追逐玛丽的官方花絮片段，是电影的另一个亮点。

总的来说，《罗马假日》是一部充满浪漫气息和古典美感的电影。

玛丽和约瑟夫的故事告诉我们：爱是自由的，无论阶级、贫富、国籍的界限，真正的爱情可以逾越一切障碍。

电影中充满了正能量和积极的信息，让人不由自主地为之感动。