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Unit 4

Unit 4
Unit 4

Unit 4 The Dream of an

Hour

Name_____________________

Worksheet: group work.

Ask other members of your group whether they are able to perform the following activities. REMEMBER everyone should use new expressions of ability and inability to do something. Y ou can also invent new activities.

d.Acting

e. Design a.Skiing b.Skating c.Swimming

(freestyle,

butterfly,

backstroke, etc. )

f.Surfing

g.Gymnastics

h.Chess play

i.Parachuting

j.Lion

Dance

Name_____________________

Word Flower Worksheet for HOPE, WANT, and DISAPPOINTMENT

Read the following parody and select the words or expressions to fill in the flower petals in the pictures in the right hand column.

A Parody: My Hopes v. Reality

Read the following parody and select the expressions to fill in the pictures in the right column. Word Flowers

You can expand the word flowers if you have more than the author used in his parody.

When I was young, I wanted to be an actress; I dreamt about being on TV everyday; I looked forward to becoming famous. I dreamt of being known by every person in the street, so I was waiting to be discovered by some famous director. I aspired to go around the world to be interviewed by a flock of reporters, and I aimed to buy a villa and yacht for my parents.

However, much to my disappointment, when I grew up, I discover that no one in the street would look at me for more than one second. I couldn?t come to terms with it. It was a rude awakening to find that I was too plain both in my appearance and in my aptitude. It saddened me that I was ignored even by my desk-mate from time to time, who is a handsome man. What a let-down! How could he just sit beside me and never talk to me?! My hopes are dashed. Life has not lived up to my expectations.

So, I can?t make up my mind what to do next in my life. I feel I am caught in a trap. I am baffled, cornered, and confused by the reality of life. I have my back against a wall; I am in a hole and in deep water. I am at my wit?s end and fed up. It?s too much to bear! What a load to carry! Will this ever end? I can?t stand it any more! Want and Desire

For example: Disappointment Despair and frustration

A reference for worksheet 2

A Parody: My Hopes v. Reality

Read the following parody and select the expressions to fill in the pictures in the right column. Word Flowers

You can expand the word flowers if you have more than the author used in his parody.

When I was young, I wanted to be an actress; I dreamt about being on TV everyday; I looked forward to becoming famous. I dreamt of being known by every person in the street, so I was waiting to be discovered by some famous director. I aspired to go around the world to be interviewed by a flock of reporters, and I aimed to buy a villa and yacht for my parents.

However, much to my disappointment, when I grew up, I discover that no one in the street would look at me for more than one second. I couldn?t come to terms with it. It was a rude awakening to find that I was too plain both in my appearance and in my aptitude. It saddened me that I was ignored even by my desk-mate from time to time, who is a handsome man. What a let-down! How could he just sit beside me and never talk to me?! My hopes are dashed. Life has not lived up to my expectations.

So, I can?t make up my mind what to do next in my life. I feel I am caught in a trap. I am baffled, cornered, and confused by the reality of life. I have my back against a wall; I am in a hole and in deep water. I am at my wit?s end and fed up. It?s too much to bear! What a load to carry! Will this ever end? I can?t stand it any more! Want and Desire

For example:

Disappointment

Much to my disappointment

No one would look at me …

Was a rude awakening to find that …

It saddened me that …

Be ignored by …

What a let-down!

Hopes be dashed by, have dashed hopes, Not lived up to my expectations

Despair and frustration

Can?t make up one?s mind

Be caught in a trap

Be baffled, cornered, and confused by …Be in a hole

Be in deep water

Have one?s back to the wall

be at ones wit?s end and fed up handful

What a load to carry!

Worksheet 3

Name_____________________

Write down key words and phrases in reply to the questions in the blank boxes. Prepare for the coming discussion.

A suggested version for worksheet 3

Name_____________________

Worksheet 6

Name_____________________

Personality and supporting details from the text

Guideline for the worksheet 6

It is very IMPORTANT to make it clear that there are no simple right or wrong answers but only reasonable ones.

The exercise is very subjective and therefore, the focus of the activity is to encourage the students to be deeply involved in reading, searching, and discussion in English. The following reference only represents the view of one teacher, and therefore should not be held as conclusive or authoritative.

Worksheet 7

Hemingway, Ernest (1899 —1961)

Ernest Hemingway is an American novelist and short-story writer, whose style is characterized by crispness, laconic dialogue, and emotional understatement. Hemingway?s writings and his personal life exerted a profound influence on American writers of his time. Many of his works are regarded as classics of American literature, and some have been made into motion pictures.

Born in Oak Park, Illinois, Hemingway was educated at Oak Park High School. After graduating from high school in 1917, he became a reporter for the Kansas City Star, but he left his job within a few months to serve as a volunteer ambulance driver in Italy during World War I (1914—1918). He later transferred to the Italian infantry and was severely wounded. After the war he served as a correspondent for the Toronto Star and then settled in Paris. While there, he was encouraged in creative work by the American expatriate writers Ezra Pound and Gertrude Stein. After 1927 Hemingway spent long periods of time in Key West, Florida, and in Spain and Africa. During the Spanish Civil War (1936—1939), he returned to Spain as a newspaper correspondent. In World War II (1939—1945) he again was a correspondent and later was a reporter for the United States First Army; although he was not a soldier, he participated in several battles. After the war Hemingway settled near Havana, Cuba, and in 1958 he moved to Ketchum, Idaho.

Hemingway drew heavily on his experiences as an avid fisherman, hunter, and bullfight enthusiast (see Bullfighting) in his writing. His adventurous life brought him close to death several times: in the Spanish Civil War when shells burst inside his hotel room; in World War II when he was struck by a taxi during a blackout; and in 1954 when his airplane crashed in Africa.

A Writer of the Lost Generation

One of the foremost authors of the era between the two world wars, Hemingway in his early works depicted the lives of two types of people. One type consisted of men and women deprived, by World War I, of faith in the moral values in which they had believed, and who lived with cynical disregard for anything but their own emotional needs. The other type were men of simple character and primitive emotions, such as prizefighters and bullfighters. Hemingway wrote of their courageous and usually futile battles against circumstances. His earliest works include the collections of short stories Three Stories and Ten Poems (1923), his first work; In Our T ime (1924), tales reflecting his experiences as a youth in the northern Michigan woods; Men Without Women(1927), a volume that included "The Killers," remarkable for its description of impending doom; and Winner Take Nothing(1933), stories characterizing people in unfortunate circumstances in Europe. The novel that established Hemingway?s reputation, The Sun Also Rises (1926), is the story of a group of morally irresponsible Americans and Britons living in France and Spain, members of the so-called lost generation of the post-World War I period. Hemingway?s second important novel, A Farewell to Arms (1929), is the story of a deeply moving love affair in wartime Italy between an American officer in the Italian ambulance service and a British nurse. The novel was followed by two nonfiction works, Death in the Afternoon (1932), prose pieces mainly about bullfighting; and Green Hills of Africa (1935), accounts of big-game hunting.

Writing S tyle

Hemingway?s economical writing style often seems simple and almost childlike, but his method is calculated and used to complex effect. In his writing Hemingway provided detached descriptions of action, using simple nouns and verbs to capture scenes precisely. By doing so he avoided describing his characters?emotions and thoughts directly. Instead, in providing the reader with the raw material of an experience and eliminating the authorial viewpoint, Hemingway made the reading of a text approximate the actual experience as closely as possible. Hemingway was also

(continued)

deeply concerned with authenticity in writing. He believed that a writer could treat a subject honestly only if the writer had participated in or observed the subject closely. Without such knowledge the writer?s work would be flawed because the reader would sense the author?s lack of expertise. In addition, Hemingway believed that an author writing about a familiar subject is able to write sparingly and eliminate a great deal of superfluous detail from the piece without sacrificing the voice of authority. Hemingway?s stylistic influence on American writers has been enormous. The success of his plain style in expressing basic, yet deeply felt, emotions contributed to the decline of the elaborate Victorian-era prose that characterized a great deal of American writing in the early 20th century. Legions of American writers have cited Hemingway as an influence on their own work.

Social Concern

In his original work, Hemingway used themes of helplessness and defeat, but in the late 1930s he began to express concern about social problems. His novel To Have and Have Not (1937) and his play The Fifth Column, published in The Fifth Column and the First Forty-nine Stories (1938), strongly condemned economic and political injustices. Two of his best short stories, "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro," were part of the latter work. In the novel For Whom the Bell Tolls (1940), which deals with the Spanish Civil War, he showed that the loss of liberty anywhere in the world is a warning that liberty is endangered everywhere. During the next decade Hemingway?s only literary efforts were Men at War: The Best War Stories of All Time (1942), which he edited, and the novel Across the River and into the Trees (1950). In 1952 Hemingway published The Old Man and the Sea, a powerful novelette about an aged Cuban fisherman, for which he won the 1953 Pulitzer Prize in fiction. In 1954 Hemingway was awarded the Nobel Prize in literature. The last work published in his lifetime was Collected Poems (1960). His death is regarded as a suicide. Hemingway?s posthumously published books include A Moveable Feast (1964), an account of his early years in Paris; Byline: Ernest Hemingway (1967), selected newspaper articles and dispatches; Ernest Hemingway, Cub Reporter: Kansas City Star Stories(1970); Islands in the Stream(1970), a sea novel; and the unfinished The Garden of Eden (1986). Some 3000 of his manuscript pages remain unpublished.

https://www.doczj.com/doc/7f5656826.html,.lb/en/themes/Biographies/MainBiographies/H/hemingwayernest/1.html

Name_____________________

Name_____________________

1.What do you think are the areas in which dilemmas may occur? Is it more closely related to personality or

circumstances? (Reference: people who are indecisive, introverted, suspicious, prudent, and pessimistic tend to encounter more dilemmas. Thoughtful people may also fall into frequent dilemmas, though their dilemmas may be more profound.)

2.If you are asked to classify dilemmas, what will be the categories in your mind? (For example, study, life, work,

entertainment, family, economy, academic pursuit, etc.)

3.Can you think of the general ways to cope with dilemmas? Are the solutions related to your classification of

dilemmas?

4.What are the other elements of essay writing you still need to supplement?

Reference for worksheet 9

1.What do you think are the areas in which dilemmas may occur? Is it more closely

related to personality or circumstances?

(Reference: people who are indecisive, introverted, suspicious, prudent, and pessimistic tend to encounter more dilemmas. Thoughtful people may also fall into frequent dilemmas, though their dilemmas may be more profound.)

2.If you are asked to classify dilemmas, what will be the categories in your mind?

(For example, study, life, work, entertainment, family, economy, academic pursuit, etc.)

3.Can you think of the general ways to cope with dilemmas? Are the solutions related

to your classification of dilemmas?

(open-ended question)

4.What are the other elements of essay writing you still need to supplement?

(open-ended question)

Worksheet 10

Name_____________________

1.What are the places Lawrence visited?

a.Australia

b.India

c.New Mexico

d.France

e.China

f.Italy

g.Germany

h.Brazil

i.Ceylon

2.Why are Lawrence?s novels controversial?

a. His novels are about politics.

b. He advocates racial discrimination

c. He wants to build a uopia.

d. Some of his novels are considered pornographic because he explored frankly the mysteries of sexual relationships.

3.What are the major themes in Lawrence?s novels?

a. Man is divorced from his natural feelings.

b. He is concerned with human relationships and the possibility of genuine human

contact in modern civilization, uncorrupted by barren intellectualism or by any of the other dehumanizing forces of modern age.

c. He illuminated areas of human experience not previously explored in fiction.

d. He explored the relationship between human beings and natur

e.

Reference for worksheet 10

1.a c d f g i

2.d

3.a b c

Worksheet 11

SECOND BEST

D. H. Lawrence

“Oh, I?m tired!” Frances exclaimed petul antly, and in the same instant she dropped down on the turf, near the hedge-bottom. Anne stood a moment surprised, then, accustomed to the vagaries of her beloved Frances, said, “Well, and aren?t you always likely to be tired, after traveling that blessed long way from Liverpool yesterday?” and she plumped down beside her sister. Anne was a wise young body of fourteen, very buxom, brimming with common sense. Frances was much older, about twenty-three, and whimsical, spasmodic. She was the beauty and the clever child of the family. She plucked the goose-grass buttons from her dress in a nervous, desperate fashion. Her beautiful profile, looped above with black hair, warm with the dusky-and-scarlet complexion of a pear, was calm as a mask, her thin brown hand plucked nervously.

“It?s not the journey,” she said, objecting to Anne?s obtuseness. Anne looked inquiringly at her darling. The young girl, in her self-confident, practical way, proceeded to reckon up this whimsical creature. But suddenly she found herself full in the eyes of Frances; felt two dark, hectic eyes flaring challenge at her, and she shrank away. Frances was peculiar for these great, exposed looks, which disconcerted people by their violence and their suddenness.

“What?s a matter, poor old duck?” asked Anne, as she folded the slight, willful form of her sister in her arms. Frances laughed shakily, and nestled down for comfort on the budding breasts of the strong girl.

“Oh, I?m only a bit tired,” she murmured, on the point of tears.

“Well, of course you are, what do you expect?” soothed Anne. It was a joke to Frances that Anne should play elder, almost mother to her. But then, Anne was in her unvexed teens; men were like big dogs to her: while Frances, at twenty-three, suffered a good deal.

The country was intensely morning-still. On the common everything shone beside its shadow, and the hillside gave off heat in silence. The brown turf seemed in a low state of combustion, the leaves of the oaks were scorched brown. Among the blackish foliage in the distance shone the small red and orange of the village.

The willows in the brook-course at the foot of the common suddenly shook with a dazzling effect like diamonds. It was a puff of wind. Anne resumed her normal position. She spread her knees, and put in her lap a handful of hazel nuts, witty-green leafy things, whose one cheek was tanned between brown and pink. These she began to crack and eat. Frances, with bowed head, mused bitterly.

“Eh, you know Tom Smedley?” began the young girl, as she pulled a tight kernel out of its shell.

“I suppose so,” replied Frances sarcastically.

“Well, he gave me a wild rabbit what he?d caught, to keep with my tame one—and it?s living.”

“That?s a good thing,” said Frances, very detached and ironic.

“Well, it IS! He r eckoned he?d take me to Ollerton Feast, but he never did. Look here, he took a servant from the rectory; I saw him.”

“So he ought,” said Frances.

“No, he oughtn?t! and I told him so. And I told him I should tell you—an?I have done.”

Click and snap went a nut between her teeth. She sorted out the kernel, and chewed complacently.

“It doesn?t make much difference,” said Frances.

“Well, …appen it doesn?t; but I was mad with him all the same.”

“Why?”

“Because I was; he?s no right to go with a servant.”

“He?s a perfect right,” persisted Frances, very just and cold.

Continued…

“No, he hasn?t, when he?d said he?d take me.”

Frances burst into a laugh of amusement and relief.

“Oh, no; I?d forgot that,” she said, adding, “And what did he say when you promis ed to tell me?”

“He laughed and said, …he won?t fret her fat over that.?”

“And she won?t,” sniffed Frances.

There was silence. The common, with its sere, blonde-headed thistles, its heaps of silent bramble, its brown-husked gorse in the glare of sunshine, seemed visionary. Across the brook began the immense pattern of agriculture, white chequering of barley stubble, brown squares of wheat, khaki patches of pasture, red stripes of fallow, with the woodland and the tiny village dark like ornaments, leading away to the distance, right to the hills, where the check-pattern grew smaller and smaller, till, in the blackish haze of heat, far off, only the tiny white squares of barley stubble showed distinct.

“Eh, I say, here?s a rabbit hole!” cried Anne suddenly. “Should we watch if one comes out? Y ou won?t have to fidget, you know.”

The two girls sat perfectly still. Frances watched certain objects in her surroundings: they had a peculiar, unfriendly look about them: the weight of greenish elderberries on their purpling stalks; the twinkling of the yellowing crab-apples that clustered high up in the hedge, against the sky: the exhausted, limp leaves of the primroses lying flat in the hedge-bottom: all looked strange to her. Then her eyes caught a movement. A mole was moving silently over the warm, red soil, nosing, shuffling hither and thither, flat, and dark as a shadow, shifting about, and as suddenly brisk, and as silent, like a very ghost of joie de vivre. Frances started, from habit was about to call on Anne to kill the little pest. But, today, her lethargy of unhappiness was too much for her. She watched the little brute paddling, snuffing, touching things to discover them, running in blindness, delighted to ecstasy by the sunlight and the hot, strange things that caressed its belly and its nose. She felt a keen pity for the little creature.

“Eh, our Fran, look there! It?s a mole.”

Anne was on her feet, standing watching the dark, unconscious beast. Frances frowned with anxiety.

“It doesn?t run off, does it?” said the young girl softly. Then she stealthily approached the creature. The mole paddled fumblingly away. In an instant Anne put her foot upon it, not too heavily. Frances could see the struggling, swimming movement of the little pink hands of the brute, the twisting and twitching of its pointed nose, as it wrestled under the sole of the boot.

“It DOES wriggle!” said the bonny girl, knitting her brows in a frown at the eerie sensation.

人教版八年级下册英语Unit4知识点

Unit4Whydon'tyoutalktoyourparents? 名词: deal交易member成员football足球relation关系pressure压力development发展communication交流opinion意见 cloud云skill技巧;能力 动词: allow允许explain解释compare比较guess猜测copy抄袭push推;推动argue争吵return归还cause造成 offer提出;给予complete竞争 communicate交流continue持续 形容词: wrong错误的proper正确的;恰当的quick快的 elder年级较大的clear清楚的crazy疯狂的nervous焦虑的typical典型的usual通常的 副词: instead代替;反而anymore再也不 secondly第二;其次perhaps可能;大概 代词: whatever任何 短语: lookthrough浏览cutout删除 bigdeal重要的事compare?with?比较 workout解决inone'sopinion依某人看getonwith和睦相处 知识点: 1、allowsbtodosth允许某人做某事 allowdoingsth允许做某事 Pleaseallowmetointroducemyself.请允许我做一下自我介绍。 Wedon'talloweatingintheclassroom.不允许在教室里吃东西。 2、What'swrong?=What'sthematter?怎么了?

What'swrongwithsb??=What'sthematterwithsb?某人怎么了 3、begoodforsth对??有益反义词:bebadfor对??有害 begoodtosb/sth对??友好 begoodatdoingsth擅长 Playingsportsisgoodforyourhealth.做运动对你的健康有益。Sheisgoodtoherclassmates.她对她的同学很友好。SheisgoodatspeakingJapanese.她擅长说日语。 4、bigdeal重要的事 It'snotabigdeal.这没什么大不了的。 5、arguewithsb与某人争吵 Shealwaysargueswithherboyfriend.她总是和她男朋友吵架。 6、communicatewithsb和某人交流/沟通Tomoftencommunicateswithhisfriendsbye-mail.Tom经常和他朋友用邮件沟通。 7、提建议句型: Whydon'tyoudosth?=Whynotdosth?你为什么不??? Shallwedosth?我们??好吗? Let'sdosth.让我们??吧。 You/Wehadbetterdosth.你(们)/我们最好做某事 You/Weshoulddosth.你(们)/我们应该做某事 You/Wecoulddosth.你(们)/我们可以做某事 Wouldliketodosth/sth.你想要??吗? What/Howaboutdoingsth???怎么样? 肯定回答: Goodidea./That'sagoodidea.好主意。 OK./Allright./Great.好。 Noproblem.没问题。 Sure./Ofcourse./Certainly.当然可以。 Ican'tagreemore.我非常同意。 Yes,Ithinkso.好的,我也这样认为。 否定回答: Idon'tthinkso.我不这样认为 Sorry,Ican't.对不起,我不能。

人教版五年级英语下册Unit4知识点整理

人教版五年级英语下册Unit4 知识点整理 △话题:询问某一节日的具体日期以及某人的生日是哪天,并进行回答 △重点词汇: 基数词【表数量】序数词【表顺序】【缩写形式】one 一first 1st 第一 two 二second 2nd 第二 three 三third 3rd 第三 four 四fourth 4th 第四 five 五fifth 5th 第五 six 六sixth 6th 第六 eleven 十一eleventh 11th 第十一 twelve 十二twelfth 12th 第十二 twenty 二十twentieth 20th 第二十 thirty 三十thirtieth 30th 第三十 twenty-one 二十一twenty-first 21th 第二十一 twenty-three 二十三twenty-third 23th 第二十三 △一般词汇: April Fool’s Day, special, love, Miss, Mr., birthday 愚人节特别的喜爱小姐先生生日 cook noodles, delicious, both of, kitten, diary, still 煮面条美味的两者【都】小猫日记仍然 noise, fur, open, walk, pink, blue, white, hungry 噪音软毛开着的行走粉色的蓝色的白色的饥饿的 △句型: ①询问某一节日/活动的具体日期 When is April Fool’s Day?愚人节是哪天? ——It’s on April 1st. 它在4月1日。 【句型结构】 问句:When is+节日/活动? 答语:It’s on+具体日期【几月几日】。 ②表达某人的生日是哪天 When is your birthday?你的生日是哪天?

人教版英语七年级上册Unit4知识点总结(20200404100525)

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