法国人和英国人
It is obvious that there is a great deal of difference between being international and being cos-mopolitan. All good men are international. Nearly all bad men are cosmopolitan. If we are to be international we must be national. And it is largely because those who call themselves the friends of peace have not dwelt sufficiently on this distinction that they do not impress the bulk of any of the nations to which they belong. International peace means a peace between nations,not a peace after the destruction of nations, like the Buddhist peace after the destruction of personality. The golden age of the good European is like the heaven of the Christian: it is a place where people will love each other; not like the heaven of the Hindu, a place where they will be each other. And in the case of national character this can be seen in a curious way. It will generally be found, I think, that the more a man really appreciates and admires the soul of another people the less he will attempt to imitate it; he will be conscious that there is something in it too deep and too unmanageable to imitate.The Englishman who has a fancy for France will try to be French; the Englishman who ad-mires France will remain obstinately English. This is to be particularly noticed in the case of our relations with the French, because it is one of the outstanding peculiarities of the French that their vices are all on the surface, and their extraordinary virtues concealed. [3] One might almost say that their vices are the flower of their virtues.
在国际化和见多识广中存在着非常大的差异，这是显而易见的。所有的好人都是国际化的，所有的坏人都是见多识广的。我们如果想变得国际化，首先必须具备民族性。很大程度上正是由于那些自称热爱和平的人并未真正理解这种区别，因此他们的努力甚至不为自己国家的大多数人所接受。国际间的和平意味着民族间的和平，并非破坏一个民族以后的和平，就像破坏个人特性的佛教那样。欧洲最好的时代是像基督教的天堂那般，在那里人们相亲相爱；而非像印度教那样，人们在那里成为彼此。关于民族特性这一点，可以被看作是一种稀奇的方式。我认为总体来说，是一个人不仅仅于欣赏和景仰另一个民族的气质和精神，但也不至于去模仿；他会意识到其他民族文化是很难模仿的，因为有极深极难掌握的东西在其中。对法国着迷的英国人会尝试着变成法国人；而敬仰着法国的英国人却始终坚定地有着英国的痕迹。我们英国同法国的关系需要被多加关注，因为法国人其中一个杰出的特点就是所有的邪恶都在表面上，而且他们特别的美德被封存了。你几乎可以说他们的“恶”其实是他们的“善之花”。
Thus their obscenity is the expression of their passionate love of dragging all things into the light. The avarice of their peasants means the independence of their peasants. What the English call their rudeness in the streets is a phase of their social equality. The worried look of their women is connected with the responsibility of their women; and a certain unconscious brutality of hurry and gesture in the men is related to their inexhaustible and extraordinary military courage. Of all coun-tries, therefore, France is the worst country for a superficial fool to admire. Let a fool hate France: if the fool loves it he will soon be a knave.He will certainly admire it, not only for the things that are not creditable, but actually for the things that are not there. He will admire the grace and indolence of the most industrious people in the world. He will admire the romance and fantasy of the most determinedly respectable and common-place people in the world. This mistake the Englishman will make if he admires France too hastily; but the mistake that he makes about France will be slight compared with the mistake that he makes about himself. An Englishman who professes really to like French realistic novels, really to be at home in a French modern theatre,really to experience no shock on first seeing the savage French caricatures, is making a mistake very dangerous for his own sincerity. He is admiring something he does not understand. He is reaping where he has not sown, and taking up where he has not laid down; he is trying to taste the fruit when he has never toiled over the tree. He is trying to pluck the exquisite fruit of French cynicism, when he has never tilled the rude but rich soil of French virtue.
因而法国式的下流其实是他们热衷将事情公之于众的一种表达方式。法国农民的贪婪其实意味着他们的独立。当英国人在街头看到的粗鲁实际上是社会平等的阶段。法国妇女面带恶容与她们的责任
有关系，而他们男人不经意间流露的匆忙和姿态的残酷与他们不知疲倦和和非凡的军事勇气有关。
因此从所有国家看来，对于那些嘴肤浅的傻瓜来说法国是最不值得崇拜的国家。让我们调侃一下法国：如果一个傻瓜爱上法国那么不久之后他会变成恶棍。他会真真切切地爱上法国，不仅仅因为那
些根本不值得的事物，甚至是一些不存在的东西。他们会崇拜世界上最勤奋的人的优雅和慵懒，也
会敬仰世界上最值得令人尊敬或者是普通人的浪漫和迷人。英国人会急匆匆地崇拜法国，这是他们
会犯的错误；但是他在法国犯的错几乎没有办法和自己身上犯的错误做对比。一个自称真正喜欢法
国现实主义小说的英国人，真正喜欢呆在法国现代戏剧里，第一次看到野蛮的法国漫画就不会感到
震惊，他犯了一个错误，这对他自己的真诚来说是非常危险的。犯下的严重错误有损于他的真诚。
他崇拜着他不理解的东西，他收获着他并未播种的东西，占领着他从未拥有过的东西，品尝着他从
未悉心照料的果实。他是在试着采摘法国式玩世不恭的果实，然而却从未耕种过法国式美德未开化
但肥沃的土壤。
3 The thing can only be made clear to Englishmen by turning it round. Suppose a Frenchman came out of democratic France to live in England, where the shadow of the great houses still falls everywhere, and where even freedom was, in its origin, aristocratic. If the Frenchman saw our aristocracy and liked it, if he saw our snobbishness and liked it, if he set himself to imitate it, we
all know what we should feel. We all know that we should feel that that particular Frenchman was a repulsive little gnat. He would be imitating English aristocracy; he would be imitating the English vice. But he would not even understand the vice he plagiarized: especially he would not under-stand that the vice is partly a virtue.He would not understand those elements in the English which balance snobbishness and make it human: the great kindness of the English, their hospitality, their unconscious poetry, their sentimental conservatism, which really admires the gentry. The French Royalist sees that the English like their king. But he does not grasp that while it is base to worship a King, it is almost noble to worship a powerless King. The importance of the Hanoverian Sovereigns has raised the English loyal subject almost to the chivalry and dignity of a Jacobite. The Frenchman sees that the English servant is respectful: he does not realize that he is also dis-respectful; that there is an English legend of the humorous and faithful servant, who is as much a personality as his master; the Caleb Balderstone, the Sam Weller. He sees that the English do admire a nobleman; he does not allow for the fact that they admire a nobleman most when he does not behave like one. They like a noble to be unconscious and amiable: the slave may be humble, but the master must not be proud. The master is Life, as they would like to enjoy it; and among the joys they desire in him there is none which they desire more sincerely than that of gen-erosity, of throwing money about among mankind, or, to use the noble mediaeval word, largesse—the joy of largeness. That is why a cabman tells you you are no gentleman if you give him his correct fare. Not only his pocket, but his soul is hurt. You have wounded his ideal. You have de-faced his vision of the perfect aristocrat. All this is really subtle and elusive; it is very difficult to separate what is mere slavishness from what is a sort of vicarious nobility in the English love of a lord. And no Frenchman could easily grasp it at all. He would think it was mere slavishness; and if he liked it, he would be a slave. So every Englishman must (at first) feel French candor to be mere brutality. And if he likes it, he is a brute. These national merits must not be understood so easily. It requires long years of plentitude and quiet, the slow growth of great parks, the seasoning of oaken beams, the dark enrichment of red wine in cellars and in inns, all the leisure and the life of England through many centuries, to produce at last the generous and genial fruit of English snobbishness. And it requires battery and barricade, songs in the streets, and ragged men dead for an idea, to produce and justify the terrible flower of French indecency.
只有把它翻转过来，才能让英国人明白这一点。假设一个法国人从民主的法国来到英国，在那里，
显赫世家的影响依然处处存在，甚至那里的民主自由，追本溯源也弥漫着贵族的气息。如果法国人
看到我们的贵族，喜欢它，如果他看到我们的势利，喜欢它，如果他让自己模仿它，我们都知道我
们应该有什么感觉。我们都知道，我们应该感到那个法国人是一个令人厌恶的小虫子。他会模仿英
国贵族;他会模仿英国的恶习。但他甚至不明白他剽窃的恶习：尤其是他不明白，恶习在一定程度上
是一种美德。他不理解那些在英语中平衡势利和人性的元素：如英国人的善良，他们的热情好客，
他们不经意间流露出来的诗意风情，以及他们令人感伤的保守主义。所有这些，着实令绅士们羡慕
不已。法国保皇派认为英国人喜欢他们的国王。但他不明白，当崇拜一个流亡国王是多么高贵。汉
诺威王朝的君主们没有实权，造就了忠诚的英国臣民们几乎可以与英王詹姆斯二世退位后的拥护者
相媲美的骑士精神与高贵品质。法国人认为英国仆人是彬彬有礼的：他没有意识到自己也不光彩的
一面;有一个英国的传说，幽默而忠实的仆人，他和他的主人一样是个人物;迦勒巴尔德斯通，山姆
韦勒。他看到英国人崇拜一个贵族;他不允许这样的事实：当他不像一个贵族时，他们最崇拜一个贵族。他们喜欢对自我地位意识不强，且待人亲切友善的贵族。主人就是仆人们的平常生活，他们也
乐于过这样的生活。主人是生命，他们想要享受它;在他所渴望的快乐中，没有一种比慷慨更真诚的
愿望更大的快乐，也就是在人类中撒钱，或者，用高贵的中世纪的话语，慷慨。这就是为什么一个
出租车司机告诉你，如果你给他正确的票价，你就不是绅士了。不仅是他的口袋，而且他的灵魂受
到了伤害。你伤了他的理想。所有的东西都是很隐晦、难以捉摸的，英国人对贵族的热爱之中，我
们很难将纯粹的奴性与高尚的情操分离开来。没有一个法国人能轻易地抓住它。他会认为这只是简
单的奴性;如果他喜欢，他就会成为奴隶。因此，每个英国人都必须（一开始）觉得法国的坦率只是
一种残忍。如果他喜欢，他就是个粗鲁的人。这些民族品格不应如此容易理解。它需要多年的充分
和安静,缓慢扩大的公园,橡木树干的季节变化,地窖里和餐桌上在黑暗中浓缩的红酒，经过几个世纪
的英国的所有生活和文化，最终产生英国势利的慷慨和善良的果实。如果要使法国式的下流开出“恶之花”并为它开脱罪责的话，那就需要理解磨难锤打、街头的小曲，理解衣衫褴褛者的“舍生
取义”。
I was in Paris a short time ago, I went with an English friend of mine to an extremely brilliant and rapid succession of French plays, each occupying about twenty minutes. They were all aston-ishingly effective; but there was one of them which was so effective that my friend and I fought about it outside, and had almost to be separated by the police. It was intended to indicate how men really behaved in a wreck or naval disaster, how they break down, how they scream, how they fight each other without object and in a mere hatred of everything. And then there was added,with all that horrible irony which Voltaire began, a scene in which a great statesman made a speech over their bodies, saying that they were all heroes and had died in a fraternal embrace. My friend and I came out of this theatre, and as he had lived long in Paris, he said, like a Frenchman: “What admi-rable artistic arrangement! Is it not exquisite?”“No,” I replied, assuming as far as possible the tradi-tional attitude of John Bull in the pictures in Punch—“No, it is not exquisite. Perhaps it is unmean-ing; if it is unmeaning I do not mind. But if it has a meaning I know what the meaning is; it is that under all their pageant of chivalry men are not only beasts, but even hunted beasts. I do not know much of humanity, especially when humanity talks in French. But I know when a thing is meant to uplift the human soul, and when it is meant to depress it. I know that Cyrano de Bergerac (where the actors talked even quicker) was meant to encourage man. And I know that this was meant to discourage him.”“These sentimental and moral views of art,” began my friend, but I broke into his words as a light broke into my mind. “Let me say to you,” I said,“What Jaurès said to Liebknecht
at the socialist Conference: ‘You have not died on the barricades.’ You are an Englishman, as I am, and you ought to be as amiable as I am. These people have some right to be terrible in art, for they have been terrible in politics. They may endure mock tortures on the stage; they have seen real tortures in the streets. They have been hurt for the idea of Democracy. They have been hurt
for the idea of Catholicism. It is not so utterly unnatural to them that they should be hurt for the idea
of literature. But, by blazes, it is altogether unnatural to me! And the worst thing of all is that I, who am an Englishman, loving comfort, should find comfort in such things as this. The French do not seek comfort here, but rather unrest. This restless people seeks to keep itself in a perpetual agony
of the revolutionary mood. Frenchmen, seeking revolution, may find the humiliation of humanity inspiring. But God forbid that two pleasure-seeking Englishmen should ever find it pleasant!”
不久前我在巴黎，我和我的一个英国朋友一起去了一场非常精彩和短小的法国短幕剧，每一幕大约20分钟。它们都具有惊人的感染力;但是有一个太有感染力以至于我和我的朋友在外面打架，直到我们被警察分开。它的目的是为了表达法国人在面对海难时的表现，他们如何崩溃，他们如何尖叫，他们如何毫无目的厮打，仅仅因为对一切的憎恨。接着，又加上了伏尔泰令人恐惧的讽刺之术的一幕，一个伟大的政治家在他们的尸体上发表了演讲，说他们像兄弟般拥抱着，英雄的死去。我和我的朋友从这个剧院出来，就像他在巴黎长住那样，他像一个法国人的说道：“多么令人钦佩的艺术安排！是不是非常精致呢?““不，”我回答道，尽可能地装成约翰布尔的传统态度——“不，它不是精致的。”也许是索然无味的;如果它是没有意义的，我不介意。但如果它有意义，我知道它的意义是什么;在他们骑士精神的虚饰之下，人不仅仅是野兽，更是困兽。我不太了解人类，尤其是当人类用法语交谈时。但我知道什么时候一件事是为了提升人类的灵魂，当它是用来压抑它的时候。我知道Cyrano de Bergerac（演员们说得更快）是为了鼓励人们。我知道当下这种舞台剧是为了压抑灵魂的。“这是充满情感和道德观点的艺术，”我的朋友开始说，但我灵光一现，打断了他的话。“让我对你说，”我说，“在社会主义会议上，jaur’s对李卜克内希说：“你还没有死在路障上。”“你是一个英国人，你应该像我一样和蔼可亲。”这些人在艺术上有一定的权利，因为他们在政治上很糟糕。他们可以在舞台上忍受模拟的折磨;他们在街上看到了真正的折磨。他们被民主的理念伤害，因为天主教的思想而受到伤害。对他们来说，他们应该为文学的想法而受到伤害，这并不是完全不自然的。但是，在我看来，这完全是不自然的！最糟糕的是，我，一个英国人，怎么能在这样种血腥事情中找到安慰呢？法国人在这里不寻求安慰，而是不安。这些不安分的人试图让自己陷入大革命愤怒的情绪中。法国人，寻求革命，也许会发现人性中的耻辱可以激发斗志。但是上帝禁止两个寻找快乐的人在这里找到快乐！
The author holds that there is an essential difference between being international and being cosmopolitan. Being national is an essential prerequisite of fostering international spirit. International peace advocates opposition to war in any form and not a peace after the destruction of nations. He believes that the more a man really appreciates and admires the character of another nation, the less he will attempt to imitate it, for it is too deep to imitate. The problem with most people is that they tend to make a sweeping generalization of the character of a particular nation just based on some fleeting impressions. In addition, we should understand that language could be deemed as the symbolic designation of a people in the broadest sense, for it comprises their historical and cultural backgrounds as well as their approach to life and their way of thinking. Language and culture are interrelated with and interdependent upon each other. Therefore, it is extremely important to study their language and acquire knowledge of their culture if you wish to understand the character of a certain nation.
关于希特勒入侵苏联的讲话 二十二日星期天早晨，我一醒来便接到了希特勒入侵苏联的消息。这就使原先意料中的事变成了无可怀疑的事实。我完全清楚我们对此应该承担何种义务，采取何种政策。我也完全清楚该如何就此事发表声明。尚待完成的只不过是将这一切形成文字而已。于是，我吩咐有关部门立即发表通告，我将于当晚九点钟发表广播讲话。不一会儿，匆匆从伦敦赶到的迪尔将军走进我的卧室，为我带来了详细情报。德国人已大规模入侵苏联，苏联空军部队有很大一部分飞机都没来得及起飞便遭到德军的突袭。德军目前似乎正以凌厉的攻势极为迅猛地向前推进。这位皇家军队总参谋长报告完毕后又补了一句，“我估计他们将会大批地被包围。” 一整天我都在写讲稿，根本没有时间去找战时内阁进行磋商，也没有必要这样做。我知道我们大家在这个问题上的立场是完全一致的。艾登先生、比弗布鲁克勋爵，还有斯塔福德?克里普斯爵士——他是十号离开莫斯科回国的——那天也同我在一 起。 那个周末值班的是我的私人秘书科维尔先生。由他执笔记述的下面这段关于那个星期天里切克 尔斯首相官邸发生的情况的文字，也许值得一提： “六月二十一日，星期六。晚饭前我来到切克尔斯首相官邸。怀南特夫妇、艾登夫妇和爱德华?布里奇斯等几位均在那儿。晚饭席上，邱吉尔先生说，德国人人侵苏联已是必然无疑的了。他认为希特勒是想指望博取英美两国的资本家和右冀势力的同情和支持。不过，希特勒的如意算盘打错了。 我们英国将会全力以赴援助苏联。维南特表示美国也会采取同样的态度。 晚饭后，当我同邱吉尔先生在槌球场上散步时，他又一次谈到了这一话题。我当时问他，对于他这个头号反共大将来说，这种态度是否意味着改变自己的政治立场。‘绝非如此。我现在的目标只有一个，即消灭希特勒。这使我的生活单纯多了。假使希特勒入侵地狱，我至少会在下议院替魔 鬼说几句好话的。’ 次日清晨四点钟，我被电话铃惊醒，原来是外交部来的电话，内容是报告德国已开始进攻俄国的消息。首相一向吩咐，只有当英国遭到入侵时才可以叫醒他。因此，我等到八点钟才向他报告这一消息。他听完消息后只说了一句话：‘通知英国广播电台，我今晚九点要发表广播讲话。’他从上午十一点开始撰写讲稿，中间除与斯塔福德．克里普斯爵士、克兰伯恩勋爵和比弗布鲁克勋爵共进午餐外，这一天的全部时间都花在写讲稿上了……讲稿直到九点差二十分才写好。” 在这次广播讲话中，我说道： “纳粹政体与共产主义的最糟糕之处毫无两样。除了贪欲和种族统治外，它没有任何指导思想和行动准则。它在残酷压迫和疯狂侵略过程中所犯下的滔天罪行在人类历史上可谓空前绝后。在过去的二十五年中，我比任何人都更坚定而始终如一地反对共产主义。过去对共产主义所作的批评我仍然一句也不想收回。但现在展现在我们面前的景象已经将那一切冲得烟消云散了。过去的一切，连同它的种种罪恶、蠢行和悲剧全都从眼前乍然消失。此刻我眼前看到的是俄国的士兵昂然挺立于自己的国土，英勇地捍卫着他们祖祖辈辈自古以来一直辛勤耕耘着的土地。我看到他们正在守卫着自己的家园，在那里母亲和妻子正在向上帝祈祷——是啊，任何人都总有祈祷的时候——祈求上帝保佑她们的亲人的平安，并保佑她们的壮劳力、她们的勇士和保护者凯旋归来。我看见成千上万的俄国村庄，那儿的人们虽然要靠在土地上辛勤耕作才能勉强维持生计，却依然能够享受到天伦之乐，那儿的姑娘在欢笑，儿童在嬉戏。我看到这一切正面临着凶暴的袭击，正杀气腾腾地扑向他们的是纳粹的战争机器同它的那些全副武装、刀剑当当有声、皮靴咚咚作响的普鲁士军官以及它的那些奸诈无比、刚刚帮它征服并奴役了十多个国家的帮凶爪牙。我还看到那些呆头呆脑、训练有素、既驯服听话又凶残野蛮的德国士兵像一群蝗虫般地向前蠕动着。我看见天空中那些屡遭英军痛击、余悸未消的德国轰炸机和战斗机此时正庆幸终于找到他们以为是无力反抗、可手到即擒的猎物。“在
高级英语第二册课文翻译 Unit1 Pub Talk and the King's English 酒吧闲聊与标准英语 亨利?费尔利 人类的一切活动中，只有闲谈最宜于增进友谊，而且是人类特有的一种活动。动物之间的信息交流，不论其方式何等复杂，也是称不上交谈的。 闲谈的引人人胜之处就在于它没有一个事先定好的话题。它时而迂回流淌，时而奔腾起伏，时而火花四射，时而热情洋溢，话题最终会扯到什么地方去谁也拿不准。要是有人觉得“有些话要说”，那定会大煞风景，使闲聊无趣。闲聊不是为了进行争论。闲聊中常常会有争论，不过其目的并不是为了说服对方。闲聊之中是不存在什么输赢胜负的。事实上，真正善于闲聊的人往往是随时准备让步的。也许他们偶然间会觉得该把自己最得意的奇闻轶事选出一件插进来讲一讲，但一转眼大家已谈到别处去了，插话的机会随之而失，他们也就听之任之。 或许是由于我从小混迹于英国小酒馆的缘故吧，我觉得酒瞎里的闲聊别有韵味。酒馆里的朋友对别人的生活毫无了解，他们只是临时凑到一起来的，彼此并无深交。他们之中也许有人面临婚因破裂，或恋爱失败，或碰到别的什么不顺心的事儿，但别人根本不管这些。他们就像大仲马笔下的三个火枪手一样，虽然日夕相处，却从不过问彼此的私事，也不去揣摸别人内心的秘密。 有一天晚上的情形正是这样。人们正漫无边际地东扯西拉，从最普通的凡人俗事谈到有关木星的科学趣闻。谈了半天也没有一个中心话题，事实上也不需要有一个中心话题。可突然间大伙儿的话题都集中到了一处，中心话题奇迹般地出现了。我记不起她那句话是在什么情况下说出来的——她显然不是预先想好把那句话带到酒馆里来说的，那也不是什么非说不可的要紧话——我只知道她那句话是随着大伙儿的话题十分自然地脱口而出的。 “几天前，我听到一个人说‘标准英语’这个词语是带贬义的批评用语，指的是人们应该尽量避免使用的英语。” 此语一出，谈话立即热烈起来。有人赞成，也有人怒斥，还有人则不以为然。最后，当然少不了要像处理所有这种场合下的意见分歧一样，由大家说定次日一早去查证一下。于是，问题便解决了。不过，酒馆闲聊并不需要解决什么问题，大伙儿仍旧可以糊里糊涂地继续闲扯下去。 告诉她“标准英语”应作那种解释的原来是个澳大利亚人。得悉此情，有些人便说起刻薄话来了，说什么囚犯的子孙这样说倒也不足为怪。这样，在五分钟内，大家便像到澳大利亚游览了一趟。在那样的社会里，“标准英语”自然是不受欢迎的。每当上流社会想给“规范英语”制订一些条条框框时，总会遭到下层人民的抵制 看看撒克逊农民与征服他们的诺曼底统治者之间的语言隔阂吧。于是话题又从19世纪的澳大利亚囚犯转到12世纪的英国农民。谁对谁错，并没有关系。闲聊依旧热火朝天。 有人举出了一个人所共知，但仍值得提出来发人深思的例子。我们谈到饭桌上的肉食时用法语词，而谈到提供这些肉食的牲畜时则用盎格鲁一撒克逊词。猪圈里的活猪叫pig，饭桌上吃的猪肉便成了pork(来自法语pore)；地里放牧着的牛叫cattle，席上吃的牛肉则叫beef(来自法语boeuf)；Chicken用作肉食时变成poultry(来自法语poulet)；calf加工成肉则变成veal(来自法语vcau)。即便我们的菜单没有为了装洋耍派头而写成法语，我们所用的英语仍然是诺曼底式的英语。这一切向我们昭示了诺曼底人征服之后英国文化上所存在的深刻的阶级裂痕。 撒克逊农民种地养畜，自己出产的肉自己却吃不起，全都送上了诺曼底人的餐桌。农民们只能吃到在地里乱窜的兔子。兔子肉因为便宜，诺曼底贵族自然不屑去吃它。因此，活兔子和吃的兔子肉共用rabbit
第一课中东的集市 中东的集市仿佛把你带回到了几百年、甚至几千年前的时代。此时此刻显现在我脑海中的这个中东集市，其入口处是一座古老的砖石结构的哥特式拱门。你首先要穿过一个赤日耀眼、灼热逼人的大型露天广场，然后走进一个凉爽、幽暗的洞穴。这市场一直向前延伸，一眼望不到尽头，消失在远处的阴影里。赶集的人们络绎不绝地进出市场，一些挂着铃铛的小毛驴穿行于这熙熙攘攘的人群中，边走边发出和谐悦耳的叮当叮当的响声。市场的路面约有十二英尺宽，但每隔几码远就会因为设在路边的小货摊的挤占而变窄；那儿出售的货物各种各样，应有尽有。你一走进市场，就可以听到摊贩们的叫卖声，赶毛驴的小伙计和脚夫们大着嗓门叫人让道的吆喝声，还有那些想买东西的人们与摊主讨价还价的争吵声。各种各样的噪声此伏彼起，不绝于耳，简直叫人头晕。 随后，当往市场深处走去时，人口处的喧闹声渐渐消失，眼前便是清静的布市了。这里的泥土地面，被无数双脚板踩踏得硬邦邦的，人走在上面几乎听不到脚步声了，而拱形的泥砖屋顶和墙壁也难得产生什么回音效果。布店的店主们一个个都是轻声轻气、慢条斯理的样子；买布的顾客们在这种沉闷压抑的气氛感染下，自然而然地也学着店主们的榜样，变得低声细语起来。 中东集市的特点之一是经销同类商品的店家，为避免相互间的竞争，不是分散在集市各处，而是都集中在一块儿，这样既便于让买主知道上哪儿找他们，同时他们自己也可以紧密地联合起来，结成同盟，以便保护自己不受欺侮和刁难。例如，在布市上，所有那1些卖衣料、窗帘布、椅套布等的商贩都把货摊一个接一个地排设在马路两边，每一个店铺门面前都摆有一列商品的搁板桌和一些存放货物的货架。讨价还价是人们习以为常的事。头戴面纱的妇女们迈着悠闲的步子从一个店铺逛到另一个店铺，一边挑选一边问价；在她们缩小选择围并开始正儿八经杀价之前，往往总要先同店主谈论几句，探探价底。 对于顾客来说，至关重要的一点是，不到最后一刻是不能让店主猜到她心里究竟中意哪样东西、想买哪样东西的。假如让店主猜中了她所要买的商品的话，他便会漫天要价，而且在还价过程中也很难作出让步。而在卖主那一方来说，他必须竭尽全力地声称，他开出的价钱使他根本无利可图，而他之所以愿意这样做完全是出于他本人对顾客的敬重。顾客有时来了又去，去了又来，因此，像这样讨价还价的情形有可能持续一整天，甚至好几天。 集市上最引人注目、给人印象最深刻的地方之一是铜器市场。你一走近这里，耳朵里便只听得见金属器皿互相碰击时所发出的一阵阵砰砰啪啪、丁丁当当的响声；走得越近，响声便越来越大，越来越清晰。直待你走到拐角处一转弯，眼前便出现了锃亮的铜器，它们映照着无数盏明灯和火盆，流光飞舞，有如仙境。每个铜匠铺子里都有几个徒工——他们都是一些男性青少年，其中有的年龄小得让人难以置信——在那里不停地锤打着一些形状各异、大小不一的铜器，而铺子的老板则在一旁指点着，有时也亲自操锤敲打几下。铺子的后边，还有一个小不点儿的徒工在那里用一根拴在大脚趾上的绳子鼓动着一个巨大的皮风箱，煽着一大炉炭火——燃烧着的木炭随着风箱的鼓动而有节奏地变得忽明忽暗。 在这里，你会看到许多精美的锅碗瓢盆，上面雕刻着各种精细复杂的传统图案，也能看到一些当地人日常使用的质朴无华的厨房用具，虽无花纹图案，但造形美观，经济实用。再走一处便是地毯市场。这儿有各种质地的地毯，它们色彩斑炯，花纹图案富有地方特色—
1. What he did is always inconsistent with what he said, so on one will take him into confidence. 2. The preface to Longman Dictionary of Contemporary English was written by Randolph Quirk. 3. In his article he paid tribute to China’s great achiev ements. 4. Justice prevailed; the guilty man who had killed her father was punished. 5. He is a famous director, but he is always simply dressed, amiable and easy of approach, never using pretentious language in his talk. 6. The food is only so-so in that restaurant; the one redeeming feature is its fine service. 7. Jack said he felt drawn to this singer. 8. Though a bedridden invalid, she remains optimistic about life. 9. We should go ahead defying all difficulties. 10. When he heard the news, the smile faded from his face. 11. Mary intended to expand her article into a book. 12. The plane fully loaded with cargo and passengers took off on time. 13. They are facing unprecedented difficulties, and it is our indispensable duty to help them. 14. He and Jack in the same class for three years, and he took Jack into his confidence, telling him everything concerning his affairs. Lesson 9 1.He was born in a peasant family and grew up in an environment of poverty. 2.Don’t worry. The insurance company will remunerate you for your loss. 3.When people asked me why I would go to study abroad, I was hard put to answer the question. 4.Three people were cruelly killed last night, and the police are trying to ascertain the facts about the murder. 5.Ten years ago Jack made a meager 500 dollars a month. 6.Tom thought it profitable to be in the second-hand car business. Sometimes he bought an old car for 200 dollars, but with a turn of the wrist he could sell it for 400 dollars. 7.The police officer Hunter was on leave, but as soon as he was given the urgent task, he pitched in without the least hesitation. 8.After the death of Mr Johnson, his wife became the company’s president both in name and in reality. 9.His son has a poor physique and is prone to illness. 10.The ruffian dropped his gun and ran down the street, with two policemen in hot pursuit. 11.He gave in to our persuasion and acquiesced in Bill’s suggestion. 12.Mr Brown decided to endow the university where he had studied for four years. 13.Insufficiently trained workers are prone to turn out rejects. 14.She was hard put to find a solution to the domestic financial crisis.
Lesson Eleven On Getting off to Sleep谈睡眠 人真是充满矛盾啊! 毫无疑问，幽默是惟一帮助我们摆脱矛盾的办法，要是没有它，我们就会死于烦恼。 What a bundle of contradictions is a man! Surety, humour is the saving grace of us, for without it we should die of vexation. 在我看来，没有什么比睡眠更能说明事物间的矛盾。 With me, nothing illustrates the contrariness of things better than the matter of sleep. 比如，我打算写一篇文章，面前放好了笔、墨和几张白纸，准保没写几个字我就会困得要命，无论当时是几点都会那样。 If, for example, my intention is to write an essay, and 1 have before me ink and pens and several sheets of virgin paper, you may depend upon it that before I have gone very far I feel an overpowering desire for sleep, no matter what time of the day it is. 我瞪着那似乎在谴责我的白纸，直到眼前一片模糊，声音也难以辨清，只有靠意志力才能勉强坚持。 I stare at the reproachfully blank paper until sights and sounds become dim and confused, and it is only by an effort of will that I can continue at all. 即使这时，我也会迷迷糊糊地像在做梦一样继续坚持工作。 Even then, I proceed half-heartedly, in a kind of dream. 但是当深夜躺在床上，我什么事都能干，只有睡觉无法做到。 But let me be between the sheets at a late hour, and I can do any-thing but sleep. 随着时钟一遍一遍的报时，我可以完成大量的文章。 Between chime and chime of the clock I can write essays by the score. 极有吸引力的主题和崇高的思想纷纷出现在脑海，随之而来的还有恰如其分的意象和措辞。Fascinating subjects and noble ideas come pell-mell, each with its appropriate imagery and expression. 除了笔、墨和纸，什么也不能阻止我写出半打不朽的杰作。 Nothing stands between me and half-a-dozen imperishable masterpieces but pens, ink, and paper. 如果，我们的思想和主观意象对于来世的人来说真的就像我们的书本和图片一样是有形的、摸得着的，那么我在来世会比在今生获得更高的声誉。 If it be true that our thoughts and mental images are perfectly tangible things, like our books and pictures, to the inhabitants of the next world, then I am making for myself a better reputation there than I am in this place. 只要我躺在床上有一两个小时睡不着觉，我就能令自己满意地解决人类一切的疑虑。 Give me a restless hour or two in bed and I can solve, to my own satisfaction, all the doubts of humanity. 如果我有兴致的话，我可以谱写出宏伟的交响乐，描绘出壮丽的画卷。 When I am in the humour I can compose grand symphonies, and paint magnificent pictures. 我就是莎士比亚、贝多芬和米开朗基罗。但这一切仍无法令我满意，因为我还是无法入睡。
《高级英语》课文逐句翻译（12） 我为什么写作 Lesson 12：Why I Write 从很小的时候，大概五、六岁，我知道长大以后将成为一个作家。 From a very early age，perhaps the age of five or six，I knew that when I grew up I should be a writer. 从15到24岁的这段时间里，我试图打消这个念头，可总觉得这样做是在戕害我的天性，认为我迟早会坐下来伏案著书。 Between the ages of about seventeen and twenty-four I tried to adandon this idea，but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books. 三个孩子中，我是老二。老大和老三与我相隔五岁。8岁以前，我很少见到我爸爸。由于这个以及其他一些缘故，我的性格有些孤僻。我的举止言谈逐渐变得很不讨人喜欢，这使我在上学期间几乎没有什么朋友。 I was the middle child of three，but there was a gap of five years on either side，and I barely saw my father before I was eight- For this and other reasons I was somewhat lonely，and I soon developed disagreeable mannerisms which made me unpopular throughout my schooldays. 我像一般孤僻的孩子一样，喜欢凭空编造各种故事，和想像的人谈话。我觉得，从一开始，我的文学志向就与一种孤独寂寞、被人冷落的感觉联系在一起。我知道我有驾驭语言的才能和直面令人不快的现实的能力。这一切似乎造就了一个私人的天地，在此天地中我能挽回我在日常生活中的不得意。 I had the lonely child's habit of making up stories and holding conversations with imaginary persons，and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. 我知道我有驾驭语言的才能和直面令人不快的现实的能力。这一切似乎造就了一个私人的天地，在此天地中我能挽回我在日常生活中的不得意。 I knew that I had a facility with words and a power of facing unpleasant facts，and I felt that this created a sort of private world in which I could get my own back for my failure 还是一个小孩子的时候，我就总爱把自己想像成惊险传奇中的主人公，例如罗宾汉。但不久，我的故事不再是粗糙简单的自我欣赏了。它开始趋向描写我的行动和我所见所闻的人和事。
坤塔娜 坤塔娜这一周要满11岁了。她迈入青少年期的过程我只能用神气自信来形容，看着她从襁褓里一路成长，就像看棒球手桑迪·考法克斯投球或是比尔·拉赛尔打篮球那样精彩。他们身上都有着一股不经意的傲气，觉得没有人能够做的比他们更好。然而，对于一个父亲来说，看着女儿一天天成长却不是件容易的事。每一次生日她都变得越来越像我们，一个大人，而我们却还沉浸于她孩提时的记忆。我记得第一次看见她是在圣约翰医院的育儿室。探望时间已经过了，我和妻子站在玻璃隔音墙外张望着，猜想摇篮里的孩子们哪一个是我们的。随后，一个带着口罩的护士从后面的房间出来，手里抱着一个正在张牙舞爪的头上绑着蝴蝶结的黑发婴儿。她才刚出生不到十七个小时，脸上的褶子还没打开、红扑扑的，手腕上的身份证明印的不是我们的名字，而是两个字母“NI”。“NI”代表着“信息不详”，是医院给准备被领养的婴儿的代码。昆塔娜是领养的。 对于我们来说，说出这几个字/公开这一点并不困难，尽管会引来尽管用意善良却让人不爽的赞美之辞。“就算她是你们亲生的，你们也不可能更爱她了。”每当这种时候，我和妻子都沉默不语，勉强从齿缝里挤出一点微笑。然而，我们并不是没有意识到，在不远的将来，我们将会面临只有我们这些养父母才会面临的时刻——我们的女儿要决定是否去寻找她的亲生父母。 我记得在我成长的那个年代，不少广播剧是围绕领养展开的。通常剧情都起因于一个孩子意外得知了自己是被领养的。这些消息只能是意外得知，因为在那些日子里，父母告诉子女他们不是自己的亲生骨肉都被认为是有悖伦常的。
如果这个秘密不得不被泄露，通常都会加上一些似是而非的附加情节，如当孩子还在襁褓时，他的亲生父母就已双亡。一场车祸也被认为是送走双亲最迅速有效的方式。我的一个同龄人，当时是一名年轻的女演员，直到二十二岁成为她生父小笔遗产继承人时才得知自己是被收养的。她的养母无法亲口告诉她遗产的来历，便把这个任务托付给了威廉姆·毛利事务所来完成。 如今，我们对此比以前开明了，心理学也证明了这样一味地隐瞒真相只会带来伤害。当坤塔娜出生时，她是被接生她的妇产科医生私下交给我们的。在加州，这样的私下收养不仅合法，在六十年代中期甚至非常普遍。因为当时堕胎尚未合法化，性解放也未开始，人们还无法接受一个未婚母亲抚养自己的孩子。那天晚上，我们第一次去圣约翰医院看坤塔娜时，我们之间有一个默契：“信息不详”只是一个手链。对于同意如此开诚布公地对待坤塔娜的身世我们感到很自豪，但那纯粹是因为当时我们得知的唯一信息只是她妈妈的年龄，籍贯和健康证明。我们没有想到的是，办事过程中的一个疏忽我们会知道她妈妈的名字，因为同样的疏忽，她也会知道我们的和坤塔娜的。 从我们把坤塔娜从医院抱回家的那天起，我们就努力不对她含糊其辞。她还很小的时候，我们经常雇讲西班牙语的保姆。她最初学的一些词中，有一个就是“领养”，尽管她还不懂这个词的意思。随着她慢慢长大，她开始不知疲惫地问我们为什么我们收养的是她。我们告诉她我们去医院时，医院允许我们选育儿室里的任何一个小孩。“不，不是这个，”我们说：“不是这个，也不是这个。”这些话都伴随着手势，直到：“就是这个！”她脸上会突然一亮，说：“坤塔娜。”每当她问一个关于领养她的问题，我们就回答一个，除非她问起，我们不会主动提起。我们明白随着她长大，她的问题会变得越来越尖锐，越来越复杂。我
Unit 1 Pub Talk and the King’s English 人类的一切活动中，只有闲谈最宜于增进友谊，而且是人类特有的一种活动。动物之间的信息交流，不论其方式何等复杂，也是称不上交谈的。 闲谈的引人人胜之处就在于它没有一个事先定好的话题。它时而迂回流淌，时而奔腾起伏，时而火花四射，时而热情洋溢，话题最终会扯到什么地方去谁也拿不准。要是有人觉得“有些话要说”，那定会大煞风景，使闲聊无趣。闲聊不是为了进行争论。闲聊中常常会有争论，不过其目的并不是为了说服对方。闲聊之中是不存在什么输赢胜负的。事实上，真正善于闲聊的人往往是随时准备让步的。也许他们偶然间会觉得该把自己最得意的奇闻轶事选出一件插进来讲一讲，但一转眼大家已谈到别处去了，插话的机会随之而失，他们也就听之任之。 或许是由于我从小混迹于英国小酒馆的缘故吧，我觉得酒瞎里的闲聊别有韵味。酒馆里的朋友对别人的生活毫无了解，他们只是临时凑到一起来的，彼此并无深交。他们之中也许有人面临婚因破裂，或恋爱失败，或碰到别的什么不顺心的事儿，但别人根本不管这些。他们就像大仲马笔下的三个火枪手一样，虽然日夕相处，却从不过问彼此的私事，也不去揣摸别人内心的秘密。 有一天晚上的情形正是这样。人们正漫无边际地东扯西拉，从最普通的凡人俗事谈到有关木星的科学趣闻。谈了半天也没有一个中心话题，事实上也不需要有一个中心话题。可突然间大伙儿的话题都集中到了一处，中心话题奇迹般地出现了。我记不起她那句话是在什么情况下说出来的——她显然不是预先想好把那句话带到酒馆里来说的，那也不是什么非说不可的要紧话——我只知道她那句话是随着大伙儿的话题十分自然地脱口而出的。 “几天前，我听到一个人说‘标准英语’这个词语是带贬义的批评用语，指的是人们应该尽量避免使用的英语。” 此语一出，谈话立即热烈起来。有人赞成，也有人怒斥，还有人则不以为然。最后，当然少不了要像处理所有这种场合下的意见分歧一样，由大家说定次日一早去查证一下。于是，问题便解决了。不过，酒馆闲聊并不需要解决什么问题，大伙儿仍旧可以糊里糊涂地继续闲扯下去。 告诉她“标准英语”应作那种解释的原来是个澳大利亚人。得悉此情，有些人便说起刻薄话来了，说什么囚犯的子孙这样说倒也不足为怪。这样，在五分钟内，大家便像到澳大利亚游览了一趟。在那样的社会里，“标准英语”自然是不受欢迎的。每当上流社会想给“规范英语”制订一些条条框框时，总会遭到下层人民的抵制。 看看撒克逊农民与征服他们的诺曼底统治者之间的语言隔阂吧。于是话题又从19世纪的澳大利亚囚犯转到12世纪的英国农民。谁对谁错，并没有关系。闲聊依旧热火朝天。 有人举出了一个人所共知，但仍值得提出来发人深思的例子。我们谈到饭桌上的肉食时用法语词，而谈到提供这些肉食的牲畜时则用盎格鲁一撒克逊词。猪圈里的活猪叫pig，饭桌上吃的猪肉便成了pork(来自法语pore)；地里放牧着的牛叫cattle，席上吃的牛肉则叫beef(来自法语boeuf)；Chicken用作肉食时变成poultry(来自法语poulet)；calf加工成肉则变成veal(来自法语vcau)。即便我们的菜单没有为了装洋耍派头而写成法语，我们所用的英语仍然是诺曼底式的英语。这一切向我们昭示了诺曼底人征服之后英国文化上所存在的深刻的阶级裂痕。 撒克逊农民种地养畜，自己出产的肉自己却吃不起，全都送上了诺曼底人的餐桌。农民们只能吃到在地里乱窜的兔子。兔子肉因为便宜，诺曼底贵族自然不屑去吃它。因此，活兔子和吃的兔子肉共用rabbit 这个词表示，而没有换成由法语lapin转化而来的某个词。 当我们今天听着有关双语教育问题的争论时，我们应该设身处地替当时的撒克逊农民想一想，新的统治阶级把法语用来对抗撒克逊农民自己的语言，从而在农民周围筑起一道文化障碍。当英国人在像觉醒者赫里沃德这样的撒克逊领袖领导下起来造反时，他们一定深深地感受到了文化上的屈辱。“标准英语”——如果那时候有这个名词的话——已经变成法语。而九百年后我们在美国这儿仍然继承了这种影响。 那晚闲聊过后，第二天一早便有人去查阅了资料。这个名词在16世纪已有人使用过。纳什作于1593年的《截获信函奇闻》中就有过“标准英语”(Queen’s English)的提法。1602年德克写到某人时有句话说：
第二课 广岛——日本“最有活力”的城市 (节选) 雅各?丹瓦“广岛到了!大家请下车!”当世界上最快的高速列车减速驶进广岛车站并渐渐停稳时，那位身着日本火车站站长制服的男人口中喊出的一定是这样的话。我其实并没有听懂他在说些什么，一是因为他是用日语喊的，其次，则是因为我当时心情沉重，喉咙哽噎，忧思万缕，几乎顾不上去管那日本铁路官员说些什么。踏上这块土地，呼吸着广岛的空气，对我来说这行动本身已是一个令人激动的经历，其意义远远超过我以往所进行的任何一次旅行或采访活动。难道我不就是在犯罪现场吗? 这儿的日本人看来倒没有我这样的忧伤情绪。从车站外的人行道上看去，这儿的一切似乎都与日本其他城市没什么两样。身着和服的小姑娘和上了年纪的太太与西装打扮的少年和妇女摩肩接踵；神情严肃的男人们对周围的人群似乎视而不见，只顾着相互交淡，并不停地点头弯腰，互致问候：“多么阿里伽多戈扎伊马嘶。”还有人在使用杂货铺和烟草店门前挂着的小巧的红色电话通话。 “嗨!嗨!”出租汽车司机一看见旅客，就砰地打开车门，这样打着招呼。“嗨”，或者某个发音近似“嗨”的什么词，意思是“对”或“是”。“能送我到市政厅吗?”司机对着后视镜冲我一笑，又连声“嗨!”“嗨!”出租车穿过广岛市区狭窄的街巷全速奔驰，我们的身子随着司机手中方向盘的一次次急转而前俯后仰，东倒西歪。与此同时，这
座曾惨遭劫难的城市的高楼大厦则一座座地从我们身边飞掠而过。 正当我开始觉得路程太长时，汽车嘎地一声停了下来，司机下车去向警察问路。就像东京的情形一样，广岛的出租车司机对他们所在的城市往往不太熟悉，但因为怕在外国人面前丢脸，却又从不肯承认这一点。无论乘客指定的目的地在哪里，他们都毫不犹豫地应承下来，根本不考虑自己要花多长时间才能找到目的地。 这段小插曲后来终于结束了，我也就不知不觉地突然来到了宏伟的市政厅大楼前。当我出示了市长应我的采访要求而发送的请柬后，市政厅接待人员向我深深地鞠了一躬，然后声调悠扬地长叹了一口气。 “不是这儿，先生，”他用英语说道。“市长邀请您今天晚上同其他外宾一起在水上餐厅赴宴。您看，就是这儿。”他边说边为我在请柬背面勾划出了一张简略的示意图。 幸亏有了他画的图，我才找到一辆出租车把我直接送到了运河堤岸，那儿停泊着一艘顶篷颇像一般日本房屋屋顶的大游艇。由于地价过于昂贵，日本人便把传统日本式房屋建到了船上。漂浮在水面上的旧式日本小屋夹在一座座灰黄色摩天大楼之间，这一引人注目的景观正象征着和服与超短裙之间持续不断的斗争。 在水上餐厅的门口，一位身着和服、面色如玉、风姿绰约的迎宾女郎告诉我要脱鞋进屋。于是我便脱下鞋子，走进这座水上小屋里的一个低矮的房间，蹑手蹑脚地踏在柔软的榻榻米地席上，因想到要这样穿着袜子去见广岛市长而感到十分困窘不安。
Lesson 1The Middle Eastern Bazaar 1)一条蜿蜒的小路淹没在树荫深处 2)集市上有许多小摊子，出售的货物应有尽有 3)我真不知道到底是什么事让他如此生气。 4)新出土的铜花瓶造型优美，刻有精细、复杂的传统图案。 5)在山的那边是一望无际的大草原。 6)他们决定买那座带有汽车房的房子。 7）教师们坚持对学生严格要求。 8）这个小女孩非常喜欢他的父亲。 9）为实现四个现代化，我们认为有必要学习外国的先进科学技术。 10）黄昏临近时，天渐渐地暗下来了。 11）徒工仔细地观察他的师傅，然后照着干。 12）吃完饭弗兰克常常帮助洗餐具。Frank often took a hand in the washing-up after dinner. Lesson 2 Hiroshima-the Livest city in Japan 1)礼堂里一个人都没有，会议一定是延期了。 2)那本书看上去很像个盒子。
3)四川话和湖北话很相似，有时很难区别。 4)一看见纪念碑就想起了在战斗中死去的好友。 5)他陷入沉思之中，没有例会同伴们在谈些什么。 6)他干的事与她毫无关系。 7)她睡不着觉，女儿的病使她心事重重。 8)这件事长期以来一直使我放心不下。 9)他喜欢这些聚会，喜欢与年轻人交往并就各种问题交换意见。 10)大家在几分钟以后才领悟他话中的含义。 11)土壤散发着青草的气味。 12)我可以占用你几分钟时间吗？ 13)你能匀出一张票子给我吗？ 14)那个回头发上了年纪的人是铜匠。 Lesson 4 Everyday Use for your grandmama 1.一场大火把贫民区三百多座房子夷为平地。 2.只要你为人正直，不怕失去什么，那你对任何人都不会畏惧。
Unit 2 IV Practice with words and expressions A. Look up the dictionary and explain in the meaning of the italicized words. 1. lump: the feeling you get in your throat when you are going to cry. 2. rub shoulders with: (informal)meet and mix with (people) 3. martyred: (the city) that has been made to suffer 4. screech: make a harsh’ piercing sound 5. arresting: striking, attracting and holding the attention 6. stunning: very attractive; delightfully beautiful 7. sink in: (to be) fully absorbed or understood 8. schools: groups of people sharing the same thought 9. by trade: by occupation; by way of making a living V.Translation 1)There is not a soul in the hall．The meeting must have been put off． 2) That modern construction looks very much like a flying saucer. 3)Sichuan dialect sounds much the same as Hubei dialect. It is sometimes difficult to tell one from the other. 4)The very sight of the monument reminds me of my good friend who was killed in the battle. 5)He was so deep in thought that he was oblivious of what his friends were talking about. 6)What he did had nothing to do with her. 7)She couldn't fall asleep as her daughter's illness was very much on her mind. 8)I have had the matter on my mind for a long time. 9)He loves such gatherings at which he rubs shoulders with young people and
Lesson01 (page26) 1.我不能想象他到了这般年纪怎么会想攻读研究生的。 I can?t imagine what prompted him to pursue a graduate program at his age. 2.他六点钟就出发了，比他通常上班早了一小时。 He set out at six, an hour ahead of his usual time for going to office. 3.我看得出吉米急着告诉我他面试的情况，他笑着说：当我走到写字台旁边，那位经理抬起头来打量了我一 番，问了我几个问题，便说了声“OK”。 I could see Jimmy was eager to tell me about the interview. Laughingly, he said,” When I walked to the desk, the manager looked up, took stock of me, then asked me a few questions and said …OK?.” 4.将军实际上被软禁在家，他以国画书法为寄托，在水墨中找到了平静和安慰。 Virtually under house arrest, the general took refuge in traditional Chinese painting and calligraphy and found peace and solace in ink and water. 5.由于上海到北京的火车17:25开车，我只得乘出租车。我上了火车，找到铺位后不久火车就开动了。 As the Shanghai-Beijing train was due to leave at 17:25, I had to take a taxi .Shortly after I boarded the train and found my berth, it started to move. 6.格林太太像泰勒太太一样，靠微博的养老金过着孤独的生活，日复一日，关闭在一间阴郁狭小的房间里， 她非常渴望能有人和她在一起。 Like Mrs. Taylor, Mrs. Green lives a lonely life on a skimpy pension Cooped up in a small dreary room day after day, she is starved for company. 7.那位女科学家说，“我可以没有珠宝，我甚至可以没有汽车，但是我不能没有实验室和书。” The women scientist said, “I can do without jewels, I can even do without a car, but I can?t do without my books and laboratory.” 8.出发前的忙忙碌碌，乘坐汽车以及野餐本身使孩子们充满了激动与兴奋。 The hustle and bustle before setting out, the car ride and the picnic itself filled the children with thrill and excitement. 9.小船向前驶去，姑娘们被周围的美丽景色迷住了。 As the boat sailed on, the young girls were enthralled by the picturesque scenery around them. 10.安妮发现史蒂芬在走廊里感到很吃惊，她问自己，“晚上这般时候，他在这里干什么？” Anni e was surprised to find Stephen in the corridor. “What is he doing here at this hour of the night?” she asked herself. 11.我一下子不认识她了，她不是那个我熟悉的活泼的姑娘，而像一位时装模特儿，穿上新的绿色天鹅绒的长 裙和绿皮鞋，头发盘在头顶上。 For a moment I did not recognize her, for instead of the lively girl I knew, she looked like a fashion model in her new green velvet dress and green shoes, her hair done up at the top. 12.这是他四十年以来第一次回到家乡的农村，他怀着对过去眷念的回忆回来了。 This was his first visit to his home village after forty years and he brought with him many nostalgic memories. 13.那天晚上，她在床上翻来覆去不能入睡，脑海里掠过了各种念头。 That night she tossed and turned in her bed, unable to sleep, all kinds of thoughts flashing through her mind. 14.为十二个人做一顿丰盛的饭菜是一件挺麻烦的事。 It is a quitetroublesome job that cooking a good dinner for twelve. 15.那对双胞胎姐妹非常相像，人们常常把她们两个人搞错。 As the twin sisters look very much alike, people often mistake one for the other. 16.老太太回到家里，发现门开着，梳妆台抽屉里的东西都被翻了出来，她试图查看少了什么没有，沮丧地发 现好几件首饰不见了，包括一条项链、一对金链手镯以及三个宝石胸针。